Advanced processing powerThe processing power of the M-480 supports the widest range of venues and applications. The newly developed mixing engine provides a 4-band fully parametric EQ, gate, compressor, and delay on each input channel. 214 possible patch points with 90 discreet outputs.
Easy, intuitive and award-winning interface designThe large color display and dedicated knobs and buttons in the channel edit section off ers intuitive operation. The user interface is designed to be easy to learn and easy to use. Combining the cursor buttons around the value dial provides optimized and effi cient operation.
All input and output channels equipped with delayIn large format venues such as a concert halls and stadiums as well in broadcast applications, audio time alignment settings are critical. The M-480 is equipped with delays on all mixing channels and outputs buses. High quality and precise sound adjustments can be accomplished by using the built-in real time analyzer.
The cascade capability enables a solution for high channel countsThe M-480 supports a cascade connection requested by many live sound engineers. Connecting two M-480s with one REAC cable enables the mixing of up to 96 channels as well as advanced synchronization of internal buses. A mixing environment equivalent to a large format console can be created within a minimal footprint and budget.
Powerful mixing capacityThe capacity of 48 mixing channels, 6 stereo returns, main LCR outputs, 16 AUX buses, and 8 matrices supports any venue or application. The fully assignable REAC A and B patchbays allows for very fl exible internal routing. A post preamp patchpoint allows direct routing from inputs to outputs without having to route through the console.
Newly developed mixing engine with powerful signal processingAll inputs and outputs are equipped with a 4-band fully parametric EQ. A gate, compressor and delay is also available on all mixing channels. Channel parameters are controlled using the dedicated knobs and buttons. With a high resolution crystal clear color display, the M-480 provides an unprecedented audio mixing experience.
Rich effects along with Twelve GEQs/PEQsThe M-480 is equipped with six dual-mono, multi-effects processors that are available as AUX or insert effects. Each multi-effects processor has 18 algorithms of various types such as reverb, delay, chorus, pitch shift and advanced channel strip. Six types of precisely emulated legendary vintage Roland effects such as the RE-201, SDE-3000, and SRV-2000 are included. In addition, twelve 31-band graphic EQs or 8-band fully parametric EQs are included for sound adjustment. The six multi-effects and twelve GEQs/PEQs can be used simultaneously for a total of 24 GEQs if needed.
All inputs and outputs are equipped with delayThe M-480 is equipped with delay on all input channels and output busses. Problems with sound delay in a concert venue or broadcast application can be solved using the internal processor. Delay time is adjustable up to 400msec, and is selectable in both time and distance units between msec/feet/meters / frames. It also features a high performance graphical real time analyzer for precise and focused sound adjustment.
Remote control and offline setup using a PCThe M-480 can be controlled remotely by connecting an PC via USB. The M-480RCS control software has the same user interface as the built-in display. The M-480RCS can also be used when the M-480 is not connected allowing offline setup and configuring of the system before an event. Setup data can then be copied to a USB flash drive ready to load into the console at the venue. Using a connected PC and a wireless LAN, a tablet device can control the M-480 from a remote location like the stage or a seat in the audience.
Three live recording optionsThe M-480 supports live multi-channel recording. Simply connect the R-1000 with Cat5e/6 cables to easily record (or playback) up to 48 channels of 24 bit audio.
Uncompressed BWF file data is stored on a removable SSD or HDD where it can be edited later in the studio with a DAW of choice. By using Cakewalk SONAR Producer software*, up to 40 channels can be recorded directly by simply connecting a single REAC cable to a PC. In addition, the built-in USB memory recorder can record a stereo output signal from the M-480 as an uncompressed WAV file. The USB memory recorder also supports WAV file playback for convenient playback of music and announcements.
R-1000 48-Track Recorder/Player SONAR REAC Recording System Built-in USB Recorder/Player
* REAC driver kit is required to record using Cakewalk SONAR directly.
Support and management of multiple M-48 Live Personal MixersSupport and management of multiple M-48 Live Personal Mixers
For the performing musician wanting the best possible sound quality and flexibility in their individual stage mix, the M-48 Live Personal Mixer off ers control over 40 audio sources that can be easily managed in 16 assignable stereo groups. Configurations are straightforward with the ability to control, save and recall all connected M-48s from an M-5000, M-480, or M-200i Live Mixing Console allowing the FOH engineer to assist in setup and mixing.
LCR Sound SystemsThe LCR (Left-Center-Right) mode is supported natively.
Support for Personal Mixing and MonitoringThe M-480 V-Mixer can be used to setup, configure and control multiple REAC-enabled M-48 Live Personal Mixers. The M-48 represents a breakthrough in professional personal monitoring and mixing.
4 Band Advanced Parametric EQThis is not just any EQ, it is a set of expanded frequency shaping tools for every input channel and output bus. The M-480 provides EQ with power and fl exibility far beyond the norm. The overview display of the input channel EQ shows you the interaction between a dedicated High Pass FIlter and 4 confi gurable bands of EQ. You can use this powerful EQ to correct frequency problems in your source, or for special eff ects.
Vintage EffectsRoland has been a leader in creating some of the world’s most popular effect processors. Included in the M-480 are six perfectly emulated popular and classic vintage effects.
Space Echo - RE-201The world's standard in tape echo effect. Spring Echo is also emulated perfectly.
Stereo Flange - SBF-325Employs 3 Flangers and 1 Chorus. Supports Stereo Inputs.
Vintage Effects
Dimension D - SDD-320The studio standard - Dimension. Also supports multi-button mode.
Digital Delay - SDE-3000The standard Digital Delay of sound reinforcement and recording. Can be used by two channels for dual mono effect.
Vintage Effects
Phase Shifter - SPH-323Dual channel Phaser employs LFO. Also possible to link two units modulation.
Digital Reverb - SRV-2000The standard in Digital Reverb with a accurately modelled EQ character.
24 DCA Groups24 DCA groups provide new power increasing mixing effectiveness in larger and more complex applications such as theater/broadcast and when using cascaded 96 channel configurations. The 24 DCAs can all be easily edited and controlled through a new, easy to use DCA management interface.
Scene Fade FunctionThe Scene Fade function allows channel audio levels to be set to fade smoothly when a scene is changed. Fade time is selectable up to 100 seconds and can be set to on or off for each channel individually by each scene. This function is ideal for musical and theater applications.
Five BOSS Eff ects AddedFive new channel eff ects include Multi-Band Compression/Expansion and four modeled BOSS compact eff ects including OD/DS series (Overdrive/Distortion), DD-3 (Digital Delay), DM-5 (Delay) and CE-1 (Chorus Ensemble), bringing more control and snap to live productions.
Mastering Tool KitThe Mastering Tool Kit has been developed to include multiband compressors and expanders. The delay parameter included on each channel input and each output can now be set up to 1.2 seconds. This is especially important when longer times are required in video/streaming production or audio time alignment at large venues.
Confi guration Example - Standard M480 System (42x26)This system supports typical mid-sized live event applications. Two S-1608 for I/O enable a total of 32 inputs and 16 outputs on the stage with 10 inputs and 10 outputs at the console.
S-1608 S-1608
M-480
REAC A REAC B
Stage
Front of House
42 Inputs : 32 Snake + 10 Console 26 Outputs : 16 Snake + 10 Console
Confi guration Example - Expanded M-480 System (58x26)This system supports a larger live event applications. An S-4000S-3208 and S-1608 for I/O enable a total of 48 inputs and 16 outputs on the stage with 10 inputs and 10 outputs at the console.
S-1608S-4000S-3208
M-480
REAC A REAC B
Stage
Front of House
58 Inputs : 48 Snake + 10 Console 26 Outputs : 16 Snake + 10 Console
Confi guration Example - Standard M-480 System with Expanded Outputs (50x34)
S-4000S-3208 S-0816
M-480
REAC A REAC B
Stage
Front of House
50 Inputs : 40 Snake + 10 Console 34 Outputs : 24 Snake + 10 Console
Confi guration Example - Live Monitoring SystemExpanded system for mixing live stage. Flexible I/O setup is possible by using four S-0808s. Using four M-48 and M-480, the V-Mixing System can be used as a monitoring system for any live application.
S-4000D
M-48M-48
M-48
M-48
S-0808 S-0808
S-0808
S-0808
S-4000M
Stage
M-480
REAC BREAC A
Front of House
Expanded system for mixing live stage. Flexible I/O setupis possible by using four S-0808s. Using four M-48 andM-480, the V-Mixing System can be used as a monitoringsystem for any live application.
Confi guration Example - Audio Installation for Hall/ChurchA setup of two S-0808s on the stage and an S-4000S on the side of the stage can support a variety of events. An M-480 at the FOH (front of house) position connected to a PC can be remotely controlled through a wireless LAN using a tablet PC.
S-0808 S-0808
S-4000M
External Controller
Wireless Mic Receiver
S-1608
Stage
M-480
REAC B
REAC A
Recording Booth
S-4000S-3208 S-4000S-3208
USB
RS-232C
2 Ch Audio
8ch XLR
CD/DVD-Player
PC Control Software(M-480 RCS)
Tablet PCTouch Screen
WirelessLAN
48 input channels must be selected from 106 physical inputs via M-480 patchbay. *1 Wireless LAN equipment and setup are required. *2 Using S-4000M patchbay, 40 input channels must be selected from 80 physical inputs.
A setup of two S-0808s on the stage and an S-4000S on the side of the stage can support a variety of events. An M-480 at the FOH (front of house) position connected to a PC can be remotely controlled through a wireless LAN using a tablet PC.
Confi guration Example - Cascade SystemCascade connection enables up to 96 mixing channels by connecting two M-480s via a single Cat5e/6 cable. Master console shares Main/AUX/Matrix/Solo buses of Slave Console. A large format mixing system can be confi gured with minimum footprint.
M-480 Slave M-480 Master
S-4000S-3208 S-4000S-3208
Stage
Front of House
Confi guration Example - Cascade System with other REAC components96 channels of mixing with compatibility with over 20 other REAC components including digital snakes, personal mixing, multi-channel recording/playback and MADI bridge.
S-1608
M-480 Slave M-480 Master
REAC A
R-1000
S-4000S-3208
S-4000MS-4000D
S-0808
M-48
M-48
Stage
Front of House
Confi guration Example - Standard M-480 System with Analog BreakoutThis system supports mid-sized live event applications that also require an analog breakout ability for a recording or broadcast split.
S-1608 S-1608
S-0816
S-4000S-0040
M-480
S-4000D
REAC A REAC B SPLIT
Stage
Front of House Analog Breakout
42 Inputs : 32 Snake + 10 Console 26 Outputs : 16 Snake + 10 Console Analog Split : 16 or 40 Outputs
OR
Confi guration Example - Expanded M-480 System with Personal MixingThis system supports large-sized live event applications. Connect as many M-48 Personal Mixers as dictated by the number of musicians. Two digital snakes provide 48 stage inputs and 16 outputs with 10 ins and 10 outs at the console.
1
8
S-1608
S-4000D
M-48M-48
M-48M-48
M-48M-48
M-48M-48
M-480
S-4000S-3208
REAC BREAC A
Stage
Front of House
58 Inputs : 48 Snake + 10 Console 26 Outputs : 16 Snake + 10 Console Personal Mixers : Up to 8 per S-4000D (Connect multiple S-4000Ds inline to enable more M-48s)
Confi guration Example - M-480 System with M-380 Monitor/Broadcast PositionThis is a standard setup that also includes a split to a monitor location that can in turn have additional inputs/outputs connected.
S-1608 S-1608
S-0816
S-4000S-0040
M-380M-480
S-4000D
REAC A REAC B
Stage
Front of House Monitor/Broadcast
42 Inputs : 32 Snake + 10 Console 26 Outputs : 16 Snake + 10 Console Split : Monitor/Broadcast Position with 10 Console & 16 or 40 Snake Outputs
REAC A REAC B
OR
Confi guration Example - Broadcasting SystemUse the M-480 for mixing TV/radio broadcasts along with recording direct preamp splits via a parallel connection using the R-1000 and SONAR REAC Recording System. Using the Roland S-MADI bridge, the sound is sent to an OB van using MADI format. The S-4000D enables easy splitting and distribution of the audio.
S-4000DS-MADI
MADI
S-0816
Stage Press Room Broadcast Van
M-480
REAC BREAC A
Recording Booth
S-4000S-3208
REACSplit
R-1000
Multi Track Live Recording
Removable HDD or SDD
Production(DAW of Choice)
Confi guration Example - Multi-Channel Recording/Playback SystemThe R-1000 not only records multi-channel audio but can also play back 48 channels in combination with a V-Mixing System or other digital consoles using MADI. This enables playing backing track and rehearsing/training without theband present. The SONAR REAC Recording System enables multi-channel recording simultaneously.
S-1608
M-480
REAC Split
REAC A
REAC B
R-1000
S-4000S-3208
Up to 48 Tracks ofRecording and Playback
Stage
Front of House
PC With SONAR Producer
Recording
Confi guration Example - Standard M-480 System with SONAR V-Studio 700 REAC RecordingThis standard setup includes a split to a multi-channel recording ability with SONAR V-Studio - all possible via a single Cat5e/6 cable connected to the network port on a PC.
S-1608 S-1608
VS-700C
PC With SONAR Producer
VS-700R
OptionalWord Clock I/O
Cable
USB
REAC A REAC B
Stage
Recording & Post-Production
M-480
S-4000D
42 Inputs : 32 Snake + 10 Console 26 Outputs : 16 Snake + 10 Console Record Split : 40 Channels
Front of House
Part of The V-Mixing System TotalIntegrated SolutionREAC (Roland Ethernet Audio Communication) technology is the cornerstone of the V-Mixing System. REAC is Roland’s original technology for low latency, high quality digital audio transfer. REAC is an Ethernet based technology that enables multiple components to be easily integrated using lightweight Cat5e/6 cable. With just a single inexpensive cable, 40 input x 40 output channels of 24-bit uncompressed audio data (including level and control information) are transferred.
Digital SnakesEnjoy superior clear sound, great intelligibility with minimal latency and the freedom to split or extend your audio sources anywhere.
BridgingThe S-MADI REAC Bridge enables connectivity b e t w e e n M A D I - e q u i p p e d d i g i t a l a u d i o mixers/systems to any REAC-based devices.
Personal MixersThe M-48 is the “next generation” l i ve persona l mixer that of fe rs musicians the f lexibly to control exactly what they want to listen to during their performances.
REAC DriverThe REAC driver enables users to capture up to 40 audio channels from a Digital Snake or V-Mixing System directly into most ASIO-based DAWs via Cat5e/6 cable.
RecordingMult i-channel recording and playback, including virtual rehearsal is accomplished with reliability and stability using the dedicated R-1000 48-Track Recorder/Player.
R-100048-TRACK RECORDER/PLAYER
S-RDKRoland REAC Driver
S-MADIREAC MADI BRIDGE
M-48LIVE PERSONAL MIXER
Digital ConsolesBoasting powerful mixing engines to support multiple channels, buses, EQ, effects, dynamics processing and unprecedented digital patching, the V-Mixer lineup represents a premium console choice. More than a digital mixing console; it is the heart of a V-Mixing System ideal for any live event applications in corporate, church, education or rental/staging environments.
your audio sources anywhere.your audio sources anywhere.
Block Diagram MAINLRC LR
SOLOAUX1 2 1615
MAINLRC LR
SOLOAUX1 2 15 16
MTX1 2 7 8
MTX1 2 7 8
EXTERNAL FX SEND
EXTERNAL FX
GEQ
EFFECTS
SEND RETURN
EXT FX 1–8
OUTPUTSELECT
INPUTSELECT
EXTERNAL FX RETURN
TO EXTERNAL FX SEND
SENDLEVEL
RETURNLEVEL
CH 1–48 INSERT OUT
AUX 1–16 INSERT OUT
MTX 1–8 INSERT OUT
MAIN L, R, C INSERT OUT
To CH 1–48 INSERT IN
To AUX 1–16 INSERT IN
To MTX 1–8 INSERT IN
To MAIN L, R, C INSERT IN
INPUT OUTPUT
31-BAND GEQor
8-BAND PEQ
GEQ 1
OUTPUTSELECT
INPUTSELECT
Same as the aboveGEQ 2
Same as the aboveGEQ 12
AUX 1–16 INSERT OUT
MTX 1–8 INSERT OUT
MAIN L, R, C INSERT OUT
To AUX 1–16 INSERT IN
To MTX 1–8 INSERT IN
To MAIN L, R, C INSERT IN
INPUT OUTPUT
EFFECT
FX 1
OUTPUTSELECT
INPUTSELECT
Same as the aboveFX 2
Same as the aboveFX 6
CH 1–48 INSERT OUT
AUX 1–16 INSERT OUT
MTX 1–8 INSERT OUT
MAIN L, R, C INSERT OUT
AUX 1–16 OUT
To CH 1–48 INSERT IN
To AUX 1–16 INSERT IN
To MTX 1–8 INSERT IN
To MAIN L, R, C INSERT IN
To INPUT PATCHBAY
FROM AUX 1–16
CASCADE OUT ATT
CASCADE OUT ATT
CASCADE OUT LEVEL
Link to BUS ATT, SOLO LEVEL
FROM AUX 1–16, MAIN L, R, C
D/A
ATT
Post ATT Pre EQ Pre FADER Post FADER Post LIMITER
MUTEFADER BAL GEQINSERT
MAIN L, R, C OUT
REAC A INPUT 1–40
1
40
REC OUT L,R
MONITOR OUT L
CONSOLE OUTPUT 1–8
DIGITAL OUTPUT
COAXIAL
OPTICAL
MONITOR OUT R
OUTPUTPATCHBAY
TO SOLO
TO MONITOR SELECTTO REC SELECTTO MONO MIX
LIMITER DELAY
SOLO
MONITOR
SOLOLEVEL
MONITORLEVEL
SOLOLOGIC
MAIN LR OUTMAIN C OUT
MAIN LCRMAIN MONO OUT
REC OUT LR
USB MEMORY RECORDER
INPUTREC
LEVEL
RECSELECT
MAIN OUT L+CMAIN OUT R+C
MAIN MONO OUT
USB MEMORYRECORDER
USBMEMORY
TO INPUTPATCHBAY
TO MONITORSELECT
MAIN L, R, C
MONITOR
PRE EQ
PRE FADER
POST FADER
SPLIT/BACKUP
REAC AOUTPUT
1
40
REAC BOUTPUT
DIRECT OUT CH 1–48
DIRECT OUT RTN 1L–6ROSCILLATOR 1–2
TALKBACK
REAC B INPUT 1–40
CONSOLE INPUT 1–8
STEREO INPUT L, R
MONITORSELECT
MTX SEND 1–8
TO MTX 1, 3...7
TO MTX 2, 4...8
SW SEND MTXLINK
PAN
SW SEND
INSERTEXT FX
4-BANDEQ
AFL SW
Post DELAY
TO MAIN L
TO MAIN R
TO MAIN C
MAIN SEND
PAN
PAN(LCR)
LR SW
MAIN SW
CENTER
C SW
LCR
DELAY
DELAY
D/A
PHONESLEVEL
EXT FXENABLE
PHONES
To Monitor/BroadcastConsole(M-300, M-380 or M-400)
S-4000M
D/A
S-1608OUTPUT 1–8
D/A
S-0816OUTPUT 1–16
8 OUTPUTS
16 OUTPUTS
D/A
SO-DA4
S-4000S MAX 40 OUTPUTS
MAX 40 OUTPUTS
SRC
SO-AES4
AES/EBU
D/A
S-0808OUTPUT 1–8
8 OUTPUTS
To Monitor/BroadcastConsole(M-300, M-380 or M-400)
S-4000M
D/A
S-1608OUTPUT 1–8
D/A
S-0816OUTPUT 1–16
8 OUTPUTS
16 OUTPUTS
D/A
SO-DA4
S-4000S MAX 40 OUTPUTS
MAX 40 OUTPUTS
SRC
SO-AES4
AES/EBU
D/A
S-0808OUTPUT 1–8
8 OUTPUTS
MONO OUT
MONOMIX
LRC
CASCADE OUTPUT
ATT
Post ATT Pre EQ Pre FADER Post FADER Post LIMITER
MUTEFADER BAL GEQINSERT
AUX 1–16 OUT
TO SOLO
TO MONITOR SELECTTO REC SELECTTO FX INPUT SELECT
LIMITER DELAY
SOLO
AUX 1–16
PRE EQ
PRE FADER
POST FADER
MTX SEND 1–8
TO MTX 1, 3...7
TO MTX 2, 4...8
SW SEND MTXLINK
PAN
SW SEND
INSERTEXT FX
4-BANDEQ
AFL SW
Post DELAY
ATT
ATTATTATT
LEVEL
Post ATT Pre EQ Pre FADER Post FADER Post LIMITER
MUTEFADER BAL GEQINSERT
MTX 1–8 OUT
TO SOLO
TO MONITOR SELECTTO REC SELECT
LIMITER DELAY
SOLO
MTX 1–8
INSERTEXT FX
4-BANDEQ
AFL SW
Post DELAY
AUX 1–16 OUT
MTX 1–8 OUT
AUX 1–16 OUT
MTX 1–8 OUT
MAIN L, R, C OUT
MAIN L, R, C
AUX 1–16
MTX 1–8
SOLO L, R
φ
φ
φ
MAIN L, R, C, AUX 1–16, MTX 1–8 SOLO
WHITE NOISEPINK NOISE
SINE WAVE
TALKBACK TALKBACKLEVEL
TALKBACKON
MULTISINE
OSCOSCLEVEL
OSCON
TALKBACK
OSCILLATOR 1–2
GAINPHANTOM
+48V
A/D
TO OUTPUT PATCHBAY
TO OUTPUT PATCHBAY
GAIN
A/D
GAINPHANTOM
+48V
A/D
HPF COMP DELAYATTφ
PREAMP Post ATT
GR GR
Post HPF Post GATE Post COMP Post DELAY Pre EQ
PRE FADER
PRE EQ
POST FADER
Pre FADER Post FADER
MAIN L, R, C
AUX 1–16
MTX 1–8
SOLO L, R
INSERT
MUTEFADER
PAN
PAN
LR SW
MAIN SWCENTER
C SW
SWTO1, 3...15
TO2, 4...16
LEVEL AUX/MTXLINK
LCR
AUX SEND 1–16, MTX SEND 1–8
PAN
SOLO
PRE EQ
PRE FADER
POST FADER
AFL (R)
PFL (R)
AFL (L)
PFL (L)
SWLEVEL
DIRECT OUTPOINT
AFL SW
CH 1–48
GATE/EXP
PRE EQ
PRE PHASE
PRE FADER
POST FADER
INPUTPATCHBAY
REAC AINPUT
1
40
REAC BINPUT
CONSOLE INPUT 1–8
STEREO INPUT L, R
1
40
TO EXTERNAL FX RETURN
FX 1L OUT–FX 6R OUT
PLAYBACK L / R
TO OUTPUT PATCHBAY
KEY-IN
KEY-IN
KEY-INSOLO
TO SOLO
TO SOLO
KEY-INSOLO
KEY-INFILTER
- SELF POST HPF- CH 1–48 POST HPF
- SELF POST GATE- CH 1–48 POST GATE
KEY-INFILTER
4-BANDEQ
ATTφ
MUTEOPTION
MUTEOPTION
From FOH (V-Mixer)
S-4000M
GAINPHANTOM
+48V
A/D
S-1608INPUT1–16
PEAK
SIG
S-0816 INPUT1–8
16 INPUTS
8 INPUTS
S-4000S SI-AD4
MAX 40 INPUTS
MAX 40 INPUTS
SRC
SI-AES4AES/EBU
GAINPHANTOM
+48V
A/D
PEAK
SIG
GAINPHANTOM
+48V
A/D
PEAK
SIG
S-0808 INPUT 1–4
8 INPUTS
INPUT 5–8
GAINPHANTOM
+48V
A/D
GAIN
PHANTOM
+48V
A/DHI-ZON/OFF
(7/8 ONLY)
S-4000M
GAINPHANTOM
+48V
A/D
S-1608INPUT1–16
PEAK
SIG
S-0816 INPUT1–8
16 INPUTS
8 INPUTS
S-4000S SI-AD4
MAX 40 INPUTS
MAX 40 INPUTS
SRC
SI-AES4AES/EBU
GAINPHANTOM
+48V
A/D
PEAK
SIG
GAINPHANTOM
+48V
A/D
PEAK
SIG
S-0808 INPUT 1–4
8 INPUTS
INPUT 5–8
GAINPHANTOM
+48V
A/D
GAIN
PHANTOM
+48V
A/DHI-ZON/OFF
(7/8 ONLY)
EXT FX
DELAY
PREAMP Post ATT Post DELAY
PRE FADER
POST FADER
Pre FADER Post FADER
MUTEFADER
PAN
PAN
LR SW
MAIN SWCENTER
C SW
SWTO1, 3...15
TO2, 4...16
LEVEL AUX/MTXLINK
LCR
AUX SEND 1–16, MTX SEND 1–8
PAN
SOLO
PRE FADER
POST FADER
AFL (R)
PFL (R)
AFL (L)
PFL (L)
SWLEVEL
DIRECT OUTPOINT
AFL SW
RTN 1L–6R
PRE PHASE
PRE FADER
POST FADERTO OUTPUT PATCHBAY
MUTEOPTION
MUTEOPTION
CASCADE INPUT
Dimensions
Unit: mm
636.1
680749
95.8 64
87.2
606.8
598.5
369.8 5º
35º228.5
7.632
2.256
3.461
4
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