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Page 1: NCECA 2014: Meredith McGriff

The Temptation to TouchConsiderations in Curating Pottery Exhibits

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http://www.theonion.com/articles/struggling-museum-now-allowing-patrons-to-touch-pa,2821/

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Synthesis: NCECA International Resident Artists2009 NCECA Annual Conference, Phoenix, Arizona

The White Pedestal Expectation

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MacLachlan, Malcolm. Embodiment: Clinical, Critical and Cultural Perspectives on Health and Illness. Open University Press, 2004. (pp. 11-13)

The Importance of Touch

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Blakeslee, Sandra, and Matthew Blakeslee. The Body Has a Mind of Its Own: How Body Maps in Your Brain Help You Do (Almost) Everything Better. Random House LLC, 2008. (pp.139-141)

The Importance of Touch

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Curating Functional Pottery in a Museum Setting

If the objects on display cannot be touched for practical reasons, find smaller or less valuable pieces that can be handled.

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Curating Functional Pottery in a Museum Setting

Visually and physically separate the spaces in the exhibit where touch is or is not allowed.

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Curating Functional Pottery in a Museum Setting

Include aspects of the process. Let visitors:

•Handle tools and brushes

•Touch clay in various stages

(wet, dry, bisque, glazed)

•Experience diverse textures: wet slip vs. rough surface of fire bricks

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Curating Functional Pottery in a Museum Setting

Melted Ash: Michiana Wood Fired PotteryMathers Museum of World Cultures, Indiana University, 2013

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Curating Functional Pottery in a Museum Setting

Think outside the white pedestal!

In exhibits of historical objects or objects from other cultures, consider the contexts for which these pots were intended.

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Thinking About Context

Todd Pletcher PotteryMichiana Pottery Tour2012

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Thinking About Context

Unloading Mark Goertzen’s KilnMichiana Pottery Tour 2013

Dick Lehman

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Melted Ash: Michiana Wood Fired Pottery

Mathers Museum of World Cultures, 2013

Thinking About Context

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Curating Functional Pottery in a Museum Setting

Plan events to enhance the exhibit experience.

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Curating Functional Pottery in a Museum Setting

Plan events to enhance the exhibit experience.

http://www.raku-yaki.or.jp/e/museum/special_program.html

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Curating Functional Pottery in a Museum Setting

Think outside the box!

Object Focus: The BowlMuseum of Contemporary Craft, 2013Curated by Namita Gupta Wiggers

http://mocc.pnca.edu/exhibitions/5412/

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Curating Functional Pottery in a Museum Setting

Think outside the box!

http://mocc.pnca.edu/exhibitions/5412/

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Educational Options:

•Studio Art•Art History

Also consider:•Folklore•Museum Studies•Arts Management•Anthropology•Library Sciences•Education

www.indiana.edu/~folklore

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“The Museology of Everyday Life”

~Pravina Shukla

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Is it really enough to just look at beautiful pots?

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Many thanks to the Michiana-area potters (particularly Dick Lehman, Mark Goertzen, Todd

Pletcher, and Justin Rothshank) for their involvement with the Melted Ash exhibit!

For more information about this presentation, contact:

Meredith McGriffDepartment of Folklore and Ethnomusicology

Indiana [email protected]