13/02/07 MTO Dissertation Index
www.mtosmt.org/mto-dissertations.php?showall=true 1/12
Dissertation Index
All Dissertations | See New Dissertations
Author Title Institution Completed
Adams, Kyle A New Theory of Chromaticism from the Late Sixteenth to the Early Eighteenth Century CUNY Graduate CenterSeptember2006
Adlington, RobertC.
Temporality in post-tonal music University of SussexSeptember1996
Akpakpan.Johnson James
Contemporary Compositional Approach To The Creation Of Ekpo Spirit-Manifest Music Of TheAnnang People
Department of Music,Faculty of Arts NnamdiAzikiwe University, Awka
December2011
Alegant, Brian The Seventy-Seven Partitions of the Aggregate: Analytical and Theoretical Implications Eastman School of MusicOctober1992
Amos, Laura
ChristineAn Examination of 1920s Parisian Polytonality: Milhaud's Ballet La Creation du monde
The University of Texas at
AustinMay 2007
Anson-
Cartwright, MarkThe Development Section in Haydn's Late Instrumental Works
City University of New
York
August
1998
Antonio Jardim Music: vigency of poetical thinking UFRJ Doctor in PoeticsDecember1997
Argentino, Joe R Transformations and Hexatonic Tonnetz Spaces in Late Works of SchoenbergThe University of Western
Ontario
February
2010
Arndt, Matthew Schenker and Schoenberg on the Tone and the GeniusUniversity of Wisconsin–
Madison
August
2008
Arthurs, Daniel J. Reconstructing Tonal Principles in the Music of Brad MehldauIndiana University,Bloomington
May 2011
Atkinson, Sean EAn Analytical Model for the Study of Multimedia Compositions: A Case Study in Minimalist
MusicFlorida State University April 2009
Attar, Ron Analysis of Bela Bartok's Performances to Selected Compositions Bar-Ilan University, Israel June 2007
Attas, Robin E.S. Meter as Process in Groove-Based Popular Music The University of British
ColumbiaApril 2011
Auerbach, Brent,
L
The Analytical Grundgestalt: A New Model and Methodology Based on the Music of Johannes
Brahms
University of Rochester -
Eastman School of MusicMay 2005
Auerbach,
Jennifer Sadoff
Drafts, Page Proofs, and Revisions of Heinrich Schenker’s Der freie Satz: the Collection at the
Austrian National Library and Schenker’s Generative ProcessUniversity of North Texas May 2009
Austin, Michael L The Phenomenological Impact of Interface on the Analysis of Digital Music and Sonic ArtUniversity of Texas atDallas
June 2011
Ayotte, BenjaminMcKay
Incomplete Ursatzformen Transferences in the Vocal Music of Heinrich Schenker Michigan State University May 2008
BaileyShea,Matthew L.
The Wagnerian Satz: The Rhetoric of the Sentence in Wagner's Post-Lohengrin Operas Yale University May 2003
Ballard, Jack D.,Jr.
Part One: The Castle (Ballet for Large Orchestra) and Part Two: Hyperextended Chord Tones:Chromatic Consonance in a Tertian Context
Kent State UniversityDecember2008
Balter, Tamara A Theory of Irony in Music: Types of Irony in the String Quartets of Haydn and Beethoven.
Indiana University,
Bloomington (MusicTheory)
November2009
Barker, NaomiJoy
Analytical Issues in the Toccatas of Girolamo Frescobaldi University of London July 1995
Bauer, Amy, M Compositional Process and Parody in the Music of Gyorgy Ligeti Yale UniversityAugust1996
Rhetoric as a Heuristic in the First Movement of Beethoven's Third Sonata for Violoncello and February
MTO Home Current Issue Previous Issues Submit Jobs Dissertations Events Webinars About Links SMT
13/02/07 MTO Dissertation Index
www.mtosmt.org/mto-dissertations.php?showall=true 2/12
Beaudoin, Paul ERhetoric as a Heuristic in the First Movement of Beethoven's Third Sonata for Violoncello andPiano, op. 69
Brandeis UniversityFebruary2002
Bell, Vicki P.Shaker Music Theory: The Nineteenth-Century Treatises of Isaac Newton Youngs and RusselHaskell
University of Kentucky May 1998
Benoit, John R. An Alternative Model of Fundamental Structure in Selected Lieder by Franz SchubertThe University of Texas at
Austin
August
1994
Berry, David
CarsonStravinsky's "Skeletons": Reconnoitering the Evolutionary Paths from Variation Sets to Serialism Yale University March 2002
Bhogal,Gurminder
Maurice Ravel, Metric Dissonance, Art Nouveau, Ornament, French Aesthetics, Symbolism,Arabesque
University of ChicagoAugust2004
Biamonte, NicoleV
The Modes in Romantic Music Yale University March 1998
Blom-Smith,Richard N. W.
A Theory of Accent in Tonal Music with an Assessment of Selected Modern AccentologiesKing's College London,University of London
April 1994
Boland,Marguerite M
The All-Trichord Hexachord: Compositional Strategies in Elliott Carter's "Con Leggerezza" and"Gra".
La Trobe University,Melbourne, Australia
December1999
Bor, MustafaContour Reduction Algorithms: A Theory of Pitch and Duration Hierarchies for Post-Tonal
Music
University of British
ColumbiaApril 2009
Botelho, Mauro Rhythm, Meter, and Phrase: Temporal Structures in Johann Sebastian Bach's Concertos University of Michigan March 1993
Boyd, James W. Mahler and Directional Tonality University of MichiganSeptember1993
Brasky, Jill Tovah'Far Have I Flown': Chromatic Dominants and Functional Transformations in Schoenberg'sGurrelieder
University of Buffalo May 2005
Brass, Christophe La basse fondamentale dans le Clavier bien tempéré de J. S. BachUniversité Strasbourg II (=
Université Marc Bloch)
September
2001
Bribitzer-Stull,
Matthew, P.Thematic Development and Dramatic Association in Wagner's Der Ring des Nibelungen Eastman School of Music July 2001
Brover-Lubovsky,
BellaVivaldi's Harmony: Practice and Theory
Hebrew University of
Jerusalem, Israel
October
2000
Brown, Stephen
C.Dual Interval Space in Twentieth-Century Music Yale University May 1999
Bruno, LucaTheory and Analysis of Harmony in Adrian Willaert's Canzone villanesche alla napolitana (1542-
1545)University of Trento, Italy
January
2009
Bryden, Kristy A.Musical Conclusions: Exploring Closural Processes in Five Late Twentieth-Century Chamber
Works
University of Wisconsin-
MadisonMay 2001
Buchler, Michael
H.
Relative Saturation of Subsets and Interval Cycles as a Means for Determining Set-Class
SimilarityEastman School of Music
October
1997
Buehrer,Theodore E.
An Alternative Pedagogical Paradigm for Aural Skills: An Examination of ConstructivistLearning Theory and its Potential for Implementation into Aural Skills Curricula
Indiana UniversityDecember1998
Buhler, JamesInformal Music Analysis: A Critique of Formalism, Semiology, and Narratology As Discourses onMusic
University of Pennsylvania May 1996
Burkett, LynEllen Thornblad
Tensile Involvement: Counterpoint and Compositional Pedagogy in the Work of Seeger,Hindemith, and Krenek
Indiana University April 2001
Burns, KristineH.
The History and Development of Algorithms in Music Composition, 1957-93 Ball State University April 1994
Burton, Deborah,E.
An Analysis of Puccini's Tosca: a heuristic approach to the unifying elements of the opera University of Michigan May 1995
Butterfield,
Matthew W.Jazz Analysis and the Production of Musical Community: A Situational Perspective University of Pennsylvania May 2000
Byron, Avior Schoenberg as Performer: An Aesthetics in PracticeRoyal Holloway,
University of LondonJune 2007
Cahn, Steven J.Variations in Manifold Time: Historical Consciousness in the Music and Writings of Arnold
SchoenbergSUNY at Stony Brook
August
1996
Cairns, Zachary
A.Multiple-Row Serialism in Three Works by Edison Denisov
University of Rochester
(Eastman School ofMusic)
April 2010
Campbell,
Edward Boulez and Expression: A Deleuzoguattarian Approach University of Edinburgh June 2000
Capuzzo, GuyVariety Within Unity: Expressive Ends and their Technical Means in the Music of Elliott Carter,1983-1994
Eastman School of Music,University of Rochester
December1999
13/02/07 MTO Dissertation Index
www.mtosmt.org/mto-dissertations.php?showall=true 3/12
Capuzzo, Guy1983-1994 University of Rochester 1999
Carey, Norman,
ADistribution Modulo 1 and Musical Scales University of Rochester
February
1998
Carter, Chandler The Progress in "The Rake's" ReturnThe City University of
New York
January
1995
Castine, PeterSet Theory Objects: Abstractions for Computer-Aided Analysis and Composition of Serial and
Atonal Music
Technische Universitaet
Berlin
January
1994
Castren, Marcus RECREL: A Similarity Measure for Set-Classes Sibelius AcademyDecember
1994
Cavanagh, Lynn,
M.Tonal Multiplicity in Schoenberg's First String Quartet, Op. 7
The University of British
ColumbiaJune 1996
Chang, Sangtae Boulez's Sonatine and the Genesis of his Twelve-tone PracticeThe University of North
TexasMarch 1998
Chong, Eddy K.
M.Extending Schenker’s Neue musikalische Theorien und Phantasien: Towards a Schenkerian
University of Rochester,
Eastman School of MusicMay 2002
Chor, Ives Cognitive Frameworks for the Production of Musical Rhythm Northwestern University June 2010
Clement, Brett A Study of the Instrumental Music of Frank Zappa University of Cincinnati July 2009
Clevenger, John
R.The Origins of Debussy's Style University of Rochester March 1993
Coenen, Alcedo,
E.Meta-Plus: Stockhausen's Plus-Minus computerized and analyzed University of Amsterdam
November
1995
Collaros, Pandel,L.
Quanti-MAS: A Quantitative System of Melodic Analysis Ohio State UniversityDecember1996
Cornicello,Anthony M.
Timbral Organization in Tristan Murail's "Désintégrations" and "Rituals" Brandeis University May 2000
Cotner, John S. Archetypes of Progressive Rock, ca. 1966-1973University of Wisconsin-Madison
December1999
Cox, Arnie W. The Metaphoric Logic of Musical Motion and Space University of Oregon June 1999
Cramer, Alfred
W.
Music for the Future: Sounds of Early Twentieth-Century Psychology and Language in Works of
Schoenberg, Webern, and Berg, 1908 to the First World WarUniversity of Pennsylvania April 1997
Crownfield,
Elizabeth E.The Intellectual Backgrounds of Morley's Plaine and Easie Introduction New York University
January
2000
Cuciurean, John
D.A Theory of Pitch, Rhythm, and Intertextual Allusion for the Late Music of György Ligeti
State University of New
York at Buffalo
August
2000
Cutler, Timothy
S.
Orchestration and the Analysis of Tonal Music: Interaction between Orchestration and Other
Musical Parameters in Selected Symphonic Compositions, c. 1785-1835Yale University March 2000
Cvetkov, Vasil A. “CHROMATIC FANTASY SONATA” BY DAVE BRUBECK Louisiana State UniversityDecember
2010
Danby, Judd Array and Superarray Structure and Projection in Milton Babbitt's recent Orchestral MusicUniversity of Illinois atUrbana-Champaign
November1997
de Clercq, TrevorO.
Sections and Successions in Successful Songs: A Prototype Approach to Form in Rock MusicEastman School of Music,University of Rochester
January2012
Decker, Bradley
D
Preserving the Fragment: Techniques and Traits of Franco Donatoni's Joyous Period (1977 to
2000)
University of Illinois at
Urbana - Champaign
January
2006
Decker, Gregory
J.
The Language of Baroque Opera: Topic, Structure, and Characterization in Handel's Italian-
Language OperasFlorida State University April 2011
Deguchi,
TomokoForms of Temporal Experience in the Music of Toru Takemitsu
University at Buffalo,
SUNY
November
2005
Demske, Thomas
R.Recognizing Melodic Motion in Musical Scores: Rules and Contexts Yale University March 1993
Derfler, Brandon Single-Voice Transformations: A Model for Parsimonious Voice Leading University of WashingtonNovember
2007
Derkert, JacobTonalitet och harmonisk artikulation i Claude Debussys verk. Om reception, armonikteori och
analysUniversity of Stockholm
October
1998
DeThorne, Jeffrey
D.
ORCHESTRATING ELECTROACOUSTICS: ON THE AESTHETICS OF
INSTRUMENTATION, ORCHESTRATION, AND ELECTRONIC MUSIC
University of Wisconsin-
Madison
August
2010
Djordjevic,
Michael, L.
Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional
Sound-Musical Continuum
Radio Belgrade,
Hilandarska 2, 11000
Belgrade, Serbia, YU
June 1995
Dodds, Michael January
13/02/07 MTO Dissertation Index
www.mtosmt.org/mto-dissertations.php?showall=true 4/12
Dodds, Michael
R.The Baroque Church Tones in Theory and Practice University of Rochester
January
1999
Doerksen, John
F.
A Theory of Set-class Salience for Post-tonal Music, with Analyses of Selected Lieder by Anton
Webern
University of Western
OntarioJune 1994
Dogantan, Mine Mathis Lussy's Theory of Rhythm as a Basis for a Theory of Expressive PerformanceColumbia University, New
YorkMay 1997
Dolenko, Elena Schoenberg. The Early Years. [Molodoy Schoenberg]Moscow State
Tchaikovsky ConservatoryMay 2003
Doll, Christopher Listening to Rock Harmony Columbia University May 2007
Douw, Andre, M.The Construction of Order and Direction in Igor Stravinsky's In Memoriam Dylan Thomas,
Canticum Sacrum, and ThreniUtrecht University March 1995
Dudeque, Norton
E.Music Theory and Analysis in the Writings of Arnold Schoenberg (1874-1951) University of Reading April 2002
Dudeque, Norton
E.Tonal Harmony and the Concept of Monotonality in the Writings of Arnold Schoenberg Universidade de Sao Paulo June 1997
Duncan, Stuart P The Concept of New Complexity: Notation, Interpretation and Analysis Cornell University May 2010
Easley, David B."It's not my imagination, I've got a gun on my back!": Style and Sound in Early American
Hardcore Punk, 1978–1983 Florida State University April 2011
Edith, Zack Carmen and Turandot: femme fatale to femme creatrice in opera Bar-Ilan University, Israel June 2000
Endrinal,
Christopher
James Scott
Form and Style in the Music of U2 Florida State University April 2008
Eng, Clare Sher
LingMotif and Closure in Twentieth-Century Music: Bartók, Britten and Fauré Yale University March 2012
Essl, Karlheinz
Das Synthese-Denken bei Anton Webern. Studien zur Musikauffassung des spaeten Webern
unter besonderen Beruecksichtigung seiner eigenen Analysen zu op. 28 und op. 30. ("Anton
Webern's idea of synthesis". Studies on the musical thinking of the late Webern c
University of Vienna May 1989
Fancher, Joseph
E.Pitch Organization in the Turangalîla-Symphonie of Olivier Messiaen University of Oregon March 2003
Fiore, Carlo I mottetti di Josquin Desprez: interpretazione attraverso l'analisi
University of Bologna,
Dipartimento di Musica e
Spettacolo
April 1998
Flinn, John W.Reconstructive Postmodernism, Quotation, and Musical Analysis: A Methodology with
Reference to the Third Movement of Luciano BerioUniversity of Cincinnati May 2011
Foley, Gretchen Pitch and Interval Structures in George Perle's Theory of Twelve-Tone TonalityUniversity of Western
Ontario
January
1999
Follet, Diane W. Echo - A Chamber Opera in One Act: The Woman's Voice in the Twentieth CenturyUniversity of Northern
Colorado
August
2000
Forrest, David L. Prolongation in the Choral Music of Benjamin Britten Texas Tech University May 2009
Foulkes-Levy,
Laurdella
A Synthesis of Recent Theories of Tonal Melody, Contour, and the Diatonic Scale: Implications
for Aural Perception and CognitionSUNY Buffalo
September
1996
Fung, Eric W.M.The Performance of Chopin's First Movement of Piano Sonata in B Minor, op. 58: A Schenkerian
Approach
The Chinese University of
Hong KongJune 1995
Fyr, Kyle R. Proportion, Temporality, and Performance Issues in Piano Works of John Adams Indiana University July 2011
Gadd, Robin N. Theorizing Musical StyleUniversity of
SouthamptonJuly 1997
Garrison, Rodney Schenker's Ausfaltung Unfolded: Notation, Terminology, and Practice University at BuffaloDecember
2011
Gerlach, Oliver
Im Labyrinth des Oktōīchos —
Über die Rekonstruktion einer mittelalterlichen Improvisationspraxis in der Musik der Ost- &
Westkirche
Humboldt University July 2006
Gersh, Jason AText-Setting in William Byrd's Liber primus sacrarum cantionum quinque vocum (1589): Toward an
Analytic Methodology
University of North
Carolina at Chapel Hill
December
2006
Giovinazzo,
Joseph
Timbral Design of Primary Melody in the First Movement of Bartok's Concerto for Orchestra La Trobe University June 1992
Gloag, Kenneth Structure, Syntax and Style in the Music of Stravinsky University of ExeterFebruary
1995
Goldenberg,
YosefProlongation of Seventh Chords in Tonal Music
Hebrew University,
Jerusalem
December
2001
13/02/07 MTO Dissertation Index
www.mtosmt.org/mto-dissertations.php?showall=true 5/12
Yosef Jerusalem 2001
Gollin, Edward
H.Representations of Space and Conceptions of Distance in Transformational Music Theories Harvard University June 2000
Gonzales,
Cynthia I.Text-Music Relationships in the Early Songs of Arnold Schoenberg Harvard University
October
2005
Gonzales-
Lizausaba,
Oswaldo
A Formalized Analysis of Luciano Berio's Erdenklavier for Piano Solo: An Undulatory Approach
Ecole des Hautes Etudes
en Sciences Sociales,
IRCAM, CNRS (Paris)
June 1997
Gonzalez-
LizausabaOswaldo
L'analyse ondulatoire : une approche morphologique de l'analyse musicale
Doctor in Arts & Sciences
of art - Université de Paris1
March 2010
Gosman, Alan R. Compositional Approaches to Canons from Ockeghem to Brahms Harvard UniversityAugust
2000
Grall, Jeremy N.
An Analytical Edition of Giovanni Kapsberger's "Partite sulla folia" for Chitarrone:
Ornamentation, Performance Practices, and Compositional Structures in Kapsberger's FoliaVariations
University of Memphis April 2009
Greitzer, Mary L Tormented Voices Harvard UniversityAugust2007
Grossman, E.Lary
Fugal Procedures in the Symphonies of Joseph Haydn Northwestern UniversityDecember1993
Grove, Paul R.Doctrine of the Canon: An Annotated Translation of the Second Counterpoint Book of Sergei
Ivanovich TaneevUniversity of Arizona
January
1996
Guigue, DidierUne Étude "pour les Sonorités Opposées": Pour une analyse "orientée objets" de l'oeuvre pour
piano de Debussy et de la musique du 20è siècle
Ecole des Hautes Etudes
en Sciences Sociales, ParisApril 1996
Hafner, Everett Time DividedUniversity of
Massachusetts at Amherst
August
1995
Hansen, Thomas
Holme
From Mode to Key. An Investigation of European Modal/Tonal Theories in the Seventeenth
Century [in Danish]
University of Aarhus
(Denmark)June 1996
Hare, Belva JeanThe Uses and Aesthetics of Musical Borrowing in Erik Satie’s Humoristic Piano Suites, 1913-
1917
University of Texas at
Austin
December
2005
Harley, Maria, A. Space and spatialization in contemporary music: History and analysis, ideas and implementations McGill University June 1994
Harper, Steven A. Minimal Interval Content DescriptionsUniversity of Texas at
AustinMay 1994
Harris, Joseph H. Harmony in Olivier Messiaen's Eclairs sur l'Au-Dela University of IowaSeptember
2000
Hastings, Charise
Y.The Performer's Role: Storytelling in Ballades of Chopin and Brahms
University of Michigan--
Ann ArborApril 2006
Heinzelmann,
Sigrun B Sonata Form in Ravel's Pre-War Chamber Music CUNY Graduate CenterFebruary
2008
Herlin, Thomas
R.Carl Ruggles and the Viennese Tradition: A Comparative Analysis
University of Illinois at
Urbana-ChampaignApril 2000
Hibberd, Kristian
P. G.Shostakovich and Bakhtin: A Critical Investigation of the Late Works (1974-1975)
Goldsmiths College,
University of LondonJune 2005
Hill, David S. The Persistence of Memory: Mode, Trope, and Difference in the Passion Chorale SUNY at Stony Brook April 1994
Hoag, Melissa E. Multiply-Directed Moments in the Music of Brahms Indiana University May 2008
Hodson, RobertD.
Interaction and Improvisation: Group Interplay in Jazz PerformanceUniversity of Wisconsin--Madison
August2000
Hoffman, StanleyM.
Extended Tonality and Voice Leading in Twelve Songs, Op. 27 by Alexander Zemlinsky Brandeis UniversityFebruary1993
Hoffmann, PeterMusic Out of Nothing? The Dynamic Stochastic Synthesis: a Rigorous Approach to Algorithmic
Composition by Iannis Xenakis
Technische Universitaet
Berlin
January
1998
Hoffmann, Peter Music Out of Nothing? A Rigorous Approach to Algorithmic Composition by Iannis Xenakis Technische UniversitDecember
2009
Hook, Julian L. Uniform Triadic Transformations Indiana University May 2002
Hughes, Bryn Harmonic Expectation in Twelve-Bar Blues Progressions Florida State UniversityAugust
2011
Hussey, William
Gregory
Compositional Modeling and Quotation in the Works of Johannes Brahms: An Application of
Harold Bloom's Theory of Influence to Music
University of Texas at
Austin
December
1996
Igoudin, Lane Impact of MIDI on Electroacoustic Art Music Stanford University June 1997
Isaacson (Gozali) November
13/02/07 MTO Dissertation Index
www.mtosmt.org/mto-dissertations.php?showall=true 6/12
Isaacson (Gozali)
AtaraCantabile in the Romantic Piano Concerti with Emphasis on Schumann, Liszt and Brahms Bar Ilan University
November
2006
Iverson, Jennifer Historical Memory and György Ligeti's Sound-Mass Music, 1958-1968University of Texas at
AustinMay 2009
Jacobus-Freund,
Suzanne A.
The Art of Development: Development and the Development section Seen Through the Eyes of
Theorists, ca. 1775-1830Yale University May 1998
Jardim, Antonio Music: another density of real - to a philosophy of a substantive languageConservatorio Brasileiro
de MusicaMarch 1988
Johnson, Barrett
A
An Original Composition, Galleria Armonica, Theme and Variations for Piano, Harpsichord,
Harp and Orchestra and A Comparative Study Between the Pedagogical Methodologies of
Arnold Schoenberg and Nadia Boulanger Regarding Training the Composer
Louisiana State UniversityNovember
2007
Johnson, Russell
W.Essais sur les Principes de l'Harmonie by Jean-Adam Serre: An Annotated Translation Florida State University
November
1994
Johnson, Shersten
R.
Hearing the Unvoiceable: Writer's Block in Benjamin Britten's Death in Venice University of Wisconsin--
Madison
August
2002
Joichi, Janet M. Closure, Context, and Hierarchical Grouping in Music: A Theoretical and Empirical Investigation Northwestern University June 2006
Jones, Jr. MelvinE
Key Classes and Textural Dissonance: An Instrument-Specific Study of the Idioms, Textures, andStructures of Selected Early Romantic Music for the Guitar (1799-1850)
Indiana UniversityAugust2004
Judd, CristleCollins
Aspects of Tonal Coherence in the Motets of JosquinKing's College, Universityof London
January1993
Julien, Patricia A.The Structural Function of Harmonic Relations in Wayne Shorter's Early Compositions: 1959-1963
University of Maryland May 2003
Kaastra, Linda T. Systematic Approaches to the Study of Cognition in Western Art Music PerformanceUniversity of BritishColumbia
May 2008
Kahr, Michael Aspects of Context and Harmony in the Music of Clare Fischer University of Sydney March 2009
Karamahmutoglu,
GulayNr:1637 Hamparsum Notation Manuscripts at Istanbul Ataturk Library
ITU Institute of Social
Science
December
1999
Kelley, Robert T. Modulo-Seven Transformations in Post-Functional Music Florida State University April 2005
Khannanov, Ildar Russian Methodology of Music Theory and AnalysisUniversity of California,Santa Barbara
December2003
Kievman, Carson Ockeghem and Ligeti: The Music of Transcendence Princeton University June 2003
Kim, Jung-Jin A Barthesian Analysis of Britten's The Holy Sonnets of John Donne, Op. 35University of Wisconsin-
Madison
December
1996
Kinton, Leslie A Documentary Study and Schenkerian Analysis of Dvořák’s Symphony in D minor, op. 70 University of TorontoNovember2008
Kizas, Andrew J.From Octatonicism to Dodecaphony: A Study of Pitch Organization in Selected Works byDonald Martino
University of WesternOntario
December2004
Klein, MichaelA Theoretical Study of the Late Music of Witold Lutoslawski: New Interactions of Pitch,Rhythm, and Form
SUNY Buffalo May 1995
Kleppinger,Stanley V
Tonal Coherence in Copland's Music of the 1940s Indiana University May 2006
Kochavi,
Jonathan, H.Contextually Defined Musical Transformations SUNY Buffalo April 2002
Konov Yavor S. The first treatise of harpsichord "Les Principes du Clavecin" by Saint Lambert (Paris, M. DCCII) State Academy of MusicSeptember1997
Konstantinou,
ElenaNikos Skalkottas: The Piano Music
University of Reading,
Reading, U.K.
October
2001
Korstvedt,Benjamin Marcus
The First Edition of Anton Bruckner's Fourth Symphony: Authorship, Production and Reception University of Pennsylvania May 1995
Kosovsky, Robert Bernard Herrmann's Radio Music for the Columbia WorkshopGraduate Center, the City
University of New York
September
2000
Krumbholz, Jay Friedrich Wilhelm Marpurg's Abhandlung von der Fuge University of Rochester August
1994
Kurth, Richard B.Mosaic Isomorphism and Mosaic Polyphony: Balance and Imbalance in Schoenberg's Twelve-tone Rhetoric
Harvard University April 1993
Kuusi, TuireSet-Class and Chord: Examining Connection between Theoretical Resemblance and Perceived
Closeness Sibelius AcademyNovember
2001
Kwan, Kenneth Compositional Design in Recent Works of Chou Wen Chung SUNY BuffaloSeptember
1995
13/02/07 MTO Dissertation Index
www.mtosmt.org/mto-dissertations.php?showall=true 7/12
1995
Lai, Eric C. A Theory of Pitch Organization in the Early Music of Chou Wen-chung Indiana University May 1994
Laine, Pauli A. A Method for Musical Motion Patterns University of Helsinki April 2000
Lapidaki, Eleni Consistency of Tempo Judgments as a Measure of Time Experience in Music ListeningNorthwestern University,
School of MusicJune 1996
Laurson, Mikael "PATCHWORK: A Visual Programming Language and some Musical Applications" Sibelius Academy April 1996
Lavacek, Justin Contrapuntal Confrontation and Expressive Signification in the Motets of Machaut Indiana UniversityDecember2011
Lehman, Frank M Reading Tonality Through Film: Transformational Hermeneutics and the Music of Hollywood Harvard University May 2012
Leinberger,
Charles, F.
"An Austrian in Hollywood: Leitmotifs and Thematic Transformation in Max Steiner's Film
Score 'Now, Voyager'"University of Arizona May 1996
Lemieux, GlennC.
"Music in Twelve Parts" by Philip Glass: Reconstruction, Construction and Deconstruction University of Iowa June 1999
Leong, DaphneA Theory of Time-Spaces for the Analysis of Twentieth-Century Music: Applications to the
Music of Bela BartokEastman School of Music April 1999
Lerch, Alexander Software-Based Extraction of Objective Parameters from Music PerformancesTechnical UniversityBerlin
November2008
Letts, Marianne
Tatom"How to Disappear Completely": Radiohead and the Resistant Concept Album
University of Texas at
Austin
December
2005
Leydon, RebeccaV.
Narrative Strategies and Debussy's Late Style McGill UniversityDecember1996
Lilja, Esa Theory and Analysis of Classic Heavy Metal Harmony University of HelsinkiOctober
2009
Lima, Paulo C. Surface and Structure in the Music of Ernst Widmer: Octatonic Compositional StrategiesUniversidade de São Paulo(USP - Brasil)
October2000
Lin, Wei-Chieh In Search of Time: Musical Time and Form in Dérive 2 by Pierre Boulez The Juilliard School May 2012
Lind, StephanieK
Replicative Network Structures: Theoretical Definitions and Analytical ApplicationsUniversity of BritishColumbia
January2009
Link, John, F. Long-Range Polyrhythms in Elliott Carter's Recent MusicCity University of New
York
January
1994
Linklater, Mary L. From Procedure to Technique: Canonic Works of the Fifteenth Century University of Rochester May 2001
Lippus, Urve Linear Musical Thinking University of Helsinki April 1995
Lipscomb, ScottD.
Cognition of musical and visual accent structure alignment in film and animationUniversity of California,Los Angeles
March 1995
Longo, Lauren,
M.
Pietro Gianotti's Le Guide du compositeur: A Reworking of Rameau's "L'Art de la basse
fondamentale"--An Annotated Translation and Critical Edition of Part I
City University of New
YorkJuly 1997
Lopes, Eduardo Just In Time: towards a theory of rhythm and metreUniversity ofSouthampton March 2003
Lorenz, Ralph Pedagogical Implications of musica practica in Sixteenth-Century Wittenberg Indiana University March 1994
Love, Stefan E On Phrase Rhythm in Jazz University of Rochester April 2011
Lowe, Bethany L. Performance, Analysis, and Interpretation in Sibelius's Fifth SymphonyUniversity of
Southampton
November
2000
Luchese, Diane Olivier Messiaen's Slow Music: Glimpses of Eternity in Time Northwestern University May 1998
MacKay, James S. Motivic Structure and Tonal Organization in Selected Motets of William Byrd McGill UniversityAugust1999
Mailman, Joshua
B.Temporal Dynamic Form in Music: Atonal, Tonal, and Other
Eastman School of Music,
University of RochesterApril 2010
Mak, Su YinStructure, Design, and Rhetoric: Variation Procedures in Selected Instrumental and Vocal Worksby Franz Schubert
Eastman School of MusicJanuary2009
Mak, Su Yin.Structure, Design, and Rhetoric: Variation Procedures in Selected Instrumental and Vocal Works
by Franz SchubertEastman School of Music
December
1997
Malawey,Victoria L.
Temporal Process, Repetition, and Voice in Björk's MedúllaIndiana UniversityBloomington
December2007
Manning, David
J.Harmony, Tonality and Structure in Vaughan Williams's Music Cardiff University
December
2003
Marlowe, SarahR.
Fugue in Context: Schenkerian Theory and Dmitri Shostakovich's 24 Preludes and Fugues, Op.87Eastman School of Musicof the University of
Rochester
May 2012
13/02/07 MTO Dissertation Index
www.mtosmt.org/mto-dissertations.php?showall=true 8/12
Martens, Peter A. Beat-Finding, Listener Strategies, and Musical Meter University of Chicago June 2005
Martins, JoséOliveira
Dasian, Guidonian, and other Affinity Spaces in Twentieth-Century Music University of Chicago March 2006
McCallum, Peter,
H.J.The Analytical Significance of Beethoven's Sketches for the String Quartet in F major, opus 135 University of Sydney March 1995
McCandless,Gregory R.
Rhythm and Meter in the Music of Dream Theater Florida State UniversityJanuary2010
McClatchie,
StephenAlfred Lorenz as Theorist and Analyst
The University of Western
OntarioApril 1994
McDonnell,
Donald R.
Roger Sessions' Symphony No. 3, First Movement: Form, Hexachordal Polarity, and Harmonic
Language (and) Nexus/Dreamscape for Chamber Ensemble. (Original Composition) Brandeis University
February
1994
McGinness, John,
R."Playing with Debussy's Jeux: Music and Modernism"
University of California,
Santa Barbara
September
1996
McGowan, JamesJ
Dynamic Consonance in Selected Piano Performances of Tonal Jazz University of RochesterFebruary2005
McKee, Eric, J. The Interaction of Tonal Structure and Phrase Structure as an Aspect of Form in Tonal Music University of Michigan April 1994
Mengozzi,
Stefano Between Humanistic Ideals and Scientific Thought in Glareanus's Dodecachordon University of Chicago March 1997
Mooney, Kevin The Table of Relations and Music Psychology in Hugo Riemann's Harmonic Theory Columbia UniversityDecember
1995
Moreno, EnriqueI.
Embedding Equal Pitch Spaces and The Question Of Expanded Stanford UniversityDecember1995
Morse, Michael
WilliamThe Tune in Jazz as a Social Process--Prolegomena to a Sociology of Music York University April 1996
Mullin, CarolynD.
Global Coherence in Selected Atonal Works of Anton Webern University of Oregon June 2005
Murphy, Paul T.The Thoroughbass Theory of Jose de Torres y Martinez Bravo with an Annotated Translation of
Reglas Generales (1736)
The University of Texas at
AustinMay 1995
Nelson, Mark, DQuieting the Mind, Manifesting Mind: The Zen Buddhist Roots of John Cage's Early Chance-Determined and Indeterminate Compositions
Princeton UniversityFebruary1995
Nelson, Thomas
K.The Fantasy of Absolute Music University of Minnesota June 1998
Ng, Samuel A Grundgestalt Interpretation of Metric Dissonance in the Music of Johannes BrahmsEastman School of Music,University of Rochester
July 2005
Nicholson, G.
Gordon
The Experience of Successful Contemporary Classical Musical Composition for Non-Computer-
Assisted Performance: A Qualitative Study
Saybrook Institute, San
Francisco, CA
November
1997
Nivans, David B. Brahms and the Binary Sonata: A Structuralist InterpretationUniversity of California,Los Angeles
January1992
Noll, ThomasMorphologische Grundlagen der abendlaendischen Harmonik (Morphological Foundations of
Occidental Harmony)
Technical University of
BerlinJuly 1995
Novak, John, K.The Programmatic Orchestral Works of Leos Janacek: Their Style And Their Musical andExtramusical Content
The University of Texas atAustin
May 1994
NWAMARA,Alvan-IkokuOkwudiri
CONTEMPORARY ART MUSIC FOR CHRISTIAN WORSHIP IN IGBO LITURGY:
ORIGINAL COMPOSITIONS IN AFRICAN IDIOM WITH BIBLICAL TEXTS
Nnamdi Azikiwe
University, Awka. Nigeria
August
2008
O Maidin,
Donncha SeanA Programmer's Environment for Music Analysis
National University of
Ireland at UniversityCollege Cork
October
1995
O'Donnell,
Shaugn J.Transformational Voice Leading in Atonal Music City University of New
YorkMarch 1997
Oravitz, Michael Metric Patterning and its Effects on Phrasing and Form in Selected Debussy Preludes Indiana University July 2005
Osborn, Brad T. Beyond Verse and Chorus: Experimental Formal Structures in Post-Millennial Rock Music University of Washington June 2010
Pacun, David E. Large-scale Form in Selected Variation Sets of Johannes Brahms University of ChicagoDecember
1998
Paget, Laurie The Madrigals of Marc'Antonio Ingegneri University of London June 1995
Paley, ElizabethS. Narratives of 'Incidental' Music in German Romantic Theater
University of Wisconsin-Madison July 1998
September
13/02/07 MTO Dissertation Index
www.mtosmt.org/mto-dissertations.php?showall=true 9/12
Palombini, C. V. Pierre Schaeffer's Typo-Morphology of Sonic Objects University of DurhamSeptember1992
Pausina, Melissa
A"Bartleby": An Intertextual Music Drama. Temple University
January
2010
Perlman, Marc A. Unplayed Melodies: Music Theory in Postcolonial Java Wesleyan UniversityAugust1993
Petrocelli, Paolo William Walton and the Violin Concerto in England between the 1900 and 1940 University of RomeDecember
2007
Polyvios,Androutsos
Development and Experimental Implementation of a Model of Teaching the History of Music inSecondary Education
Aristotle University ofThessaloniki
December2002
Post, William D.Part One: Emanations for Orchestra (original composition); Part Two: Anton Webern and the
Golden Ratio: Temporal Proportions as a Formative Principle in Three Late Works, Opp. 27-29.Kent State University May 2007
Poudrier, ÈveToward a general theory of polymeter: Polymetric potential and realization in Elliott Carter's soloand chamber instrumental works after 1980
City University of NewYork
September2008
Power, Richard S. An Analysis of Transformation Procedures in Gyorgy Ligeti's String Quartet No. 2University of Illinois at
Urbana-ChampaignJuly 1995
Powles, JonathanC.
Continuity and Discontinuity in the Music of Stravinsky: Analysis, Theory and Meta-Theory University of Oxford March 1995
Pye, Richard, C. The Music of William Schuman University of NewcastleJanuary
1999
Quaglia, Bruce,W.
Compositional Practice and Analytic Technique; Schoenberg’s Atonal Works: ReconcilingApproaches to Sets, Lines and Developing Variation
University of UtahOctober1998
Raickovich, Milos Einstein on the Beach" by Philip Glass: A Musical AnalysisCity University of New
YorkMay 1994
Randall, RichardR.
A General Theory of Comparative Music AnalysisUniversity of Rochester,Eastman School of Music
May 2006
Reddick, Carissa
A
Formal Fusion and Rotational Overlap in Sonata Forms from the Chamber Music of Brahms,
Dvořák, Franck, and GriegUniversity of Connecticut
November
2009
Ricci, Adam A Theory of the Harmonic Sequence
Eastman School of Music,
University of Rochester May 2004
Richards, Mark C. Analyzing Tension and Drama in Beethoven’s First-Movement Sonata Forms University of Toronto April 2011
Richards, William
H.Transformation and Generic Interaction in the Early Serial Music of Igor Stravinsky
University of Western
OntarioJune 2003
Riddick, Frank C. An Analytical Study of Zemlinsky's Second String QuartetUniversity of Colorado,Boulder
May 1994
Rifkin, DeborahTonal Coherence in Prokofiev's Music: A Study of the Interrelationships of Structure, Motives,
and DesignEastman School of Music April 2000
Riley, Matthew JAttentive Listening: The Concept of Aufmerksamkeit and its Significance in German MusicalThought, 1770-1790 University of London June 2000
Rivest, JohanneLe Concert for Piano and Orchestra de John Cage ou les limites de l'indetermination ("JohnCage's Concert for Piano and Orchestra: the limits of indeterminacy")
Universite de MontrealSeptember1996
Robison, Brian
Carl
Carmen arcadiae mechanicae perpetuum: Toward a methodology for analyzing Harrison Birtwistle's
music since 1977Cornell University May 1997
Rockwell, Joti Drive, Lonesomeness, and the Genre of Bluegrass Music University of Chicago June 2007
Rogers, Nancy M. The Role of Verbal Encoding in Memory for Musical Timbre and Pitch Patterns University of Rochester July 2000
Roller, JonathanB
An Analysis of Selected Movements from the Symphonies of Charles Ives Using Linear and SetTheoretical Analytical Models
University of KentuckyOctober1995
Romig, JamesTwelve-Tone Rhythmic Structure and its Application to Form: Time-Point Nesting and Rotationin 'Spin'
Rutgers University April 2000
Rosenberg,Nancy E.
FROM ROCK MUSIC TO THEORY PEDAGOGY:
From Rock Music to Theory Pedagogy: Rethinking U.S. College Music Theory Education from aPopular Music Perspective
Boston UniversityJanuary2010
Rosenhaus,
Steven L.Harmonic Motion in George Perle's Wind Quintet No.4 New York University May 1995
Rothstein, EvanJ.
The Tradition of Developing Variation and the Problem of ‘Folkloristic’ Music in Ives’s FirstViolin Sonata
Indiana University May 2001
Roy, Subroto, M
13/02/07 MTO Dissertation Index
www.mtosmt.org/mto-dissertations.php?showall=true 10/12
Roy, Subroto, M
CExamining Avartan in Khayal University of Pune, India May 2008
Rubin, Anna, I.Forêt Profonde: The Narrative, Sonic and Reception Design of Francis Dhomont's ForêtProfonde
Princeton UniversityJanuary1999
Rupprecht,
Philip, E.Tonal Stratification and Conflict in the Music of Benjamin Britten Yale University
November
1993
Russell, Todd B.Rhythm in Music: A Comparative Analysis of the Two Versions of Opus 18, No. 1 StringQuartet (I, IV) by Beethoven
University of Kentucky July 1993
Rust, Douglas, M. A Theory of Form for Lutoslawski's Late Symphonic Works Yale University September
1994
Sachania, Millan The Arrangements of Leopold Godowsky: An Aesthetic, Historical, and Analytical StudyUniversity of Cambridge,England
July 1997
Samplaski, Arthur
G.
A Comparison of Perceived Chord Similarity and Predictions of Selected Twentieth-Century
Chord-Classification Schemes, Using Multidmensional Scaling and Cluster AnalysisIndiana University April 2000
Samuels, Robert Semiotics and Mahler: Analyses of Musical Signification in the Sixth Symphony Cambridge UniversitySeptember1993
Sandell, Gregory,
J.Concurrent Timbres in Orchestration: A Perceptual Study of Factors Determining 'Blend' Northwestern University
December
1991
Santa, MatthewS. Studies in Post-Tonal Diatonicism: A Mod7 Perspective
City University of NewYork May 1999
Saunders,
Michael, D.A Computer-based Notation for the Process of Musical Composition
University of Wales,
Cardiff
September
1998
Schuijer, Michiel Pitch-Class Set Theory and the Construction of Musical Competence University of UtrechtSeptember2005
Schultz, Rob A Diachronic-Transformational Theory of Musical Contour Relations University of Washington June 2009
Scotto, Ciro, G. Can Non-Tonal Systems Support Music as Richly as Tonal Systems? University of WashingtonDecember
1995
Scrivener, Julie A. Representations of Time and Space in the Player Piano Studies of Conlon Nancarrow Michigan State University May 2002
Searby, MichaelD
An investigation of the transformation of compositional process in György Ligeti's music 1974-85, with particular reference to pitch
Goldsmiths College.London
July 2006
Seltzer, Linda, A. The Unblinking Eye, Literary Theory in the Analysis of Debussy's Pelleas et Melisande Princeton University 0000
Selvafiorita,
Fabio
Genesi della forma nella Composizione Assistita al Computer: modelli teorici e prospettivepoietiche nel'ambiente di programmazione OpenMusic (Genesis of form in Computer AidedComposition: theoretical models and poietical perspective)
Bologna UniversityJanuary
2007
Sheehan, Paul J.Twelve-Tone Enitities, Inquisitorial Mind, and the Network Model of the Multitude: AnalyzingLuigi Dallapiccola's Il prigioniero
Columbia UniversityNovember2007
Sheinberg, Ester The Semantics Of Irony In ShostakovichUniversity Of Edinburgh,
ScotlandJune 1995
Silberman, PeterS.
Neighbor Spaces: A Theory of Harmonic Embellishment for Twentieth-Century Neotonal Music Eastman School of Music May 2006
Simpson, Jasba Cochlear Modeling of Sensory Dissonance and Chord Roots University Of Waterloo April 1994
Slottow, Stephen
P.A Vast Simplicity: Pitch Organization in the works of Carl Ruggles
Graduate Center, City
University of New YorkApril 2001
Smith, KathleenBiddick
Musical Process in Selected Works by Michael Torke Florida State University May 2009
Solomon, Jason
W.
Spatialization in Music: The Analysis and Interpretation of Spatial Gestures University of Georgia May 2007
Solomon, LarryJoseph
Symmetry as a Determinant of Musical Composition West Virginia UniversityFebruary1973
Spicer, Mark British Pop-Rock Music in the Post-Beatles Era: Three Analytical Studies Yale UniversityDecember2001
Spicker, Volker New Piano ImprovisationUniversity of Giessen,Germany
December1997
Spiegelberg, ScottC.
The Psychoacoustics of Musical Articulation Eastman School of MusicJanuary2002
Squibbs, Ronald,J.
Analytical Issues in Recent Instrumental Works of Iannis Xenakis Yale University March 1996
Steege, Benjamin
A.Material Ears: Hermann von Helmholtz, Attention, and Modern Aurality Harvard University April 2007
13/02/07 MTO Dissertation Index
www.mtosmt.org/mto-dissertations.php?showall=true 11/12
Steenstra, SytzeG.
We Are The Noise Between Stations: A philosophical exploration of the work of David Byrne, atthe crossroads of popular media
Maastricht University, TheNetherlands
June 2003
Steffen, Ralph
MartinMetalogik: The Music Theory of Walter Harburger
University of California,
Santa BarbaraJune 1999
Steinbeck, Paul Urban Magic: The Art Ensemble of Chicago's Great Black Music Columbia University May 2008
Stocken,Frederick
Anton Bruckner and Simon Sechter's Fundamental Bass TheoryManchester University,UK
December2007
Stover, Chris A Theory of Flexible Rhythmic Spaces for Diasporic African Music University of WashingtonDecember
2009
Sundin, Nils-Goran
Aesthetic Criteria for Musical Interpretation: A Study of the Contemporary Performance ofWestern Notated Instrumental Music after 1750
University of Jyvaskyla,Finland
August1994
Svistoonoff,
Katherine A.Cosmopolitanism in Two Twentieth-Century Piano Sonatas University of Houston
January
2011
Taylor, StephenAndrew
The Lamento Motif: Metamorphosis in Ligeti's Late Style Cornell University May 1994
Telesco, Paula J. Enharmonicism in Theory and Practice in 18th-Century Music The Ohio State UniversityAugust
1993
Thomas,Margaret E.
Conlon Nancarrow's 'Temporal dissonance': Rhythmic and Textural Stratification in the Studiesfor Player Piano
Yale University March 1996
Thurmaier, David
PTime and Compositional Process in Charles Ives's Holidays Symphony Indiana University May 2006
Tjoeme, Berit K.The Articulation of Sonata Form in Atonal Works by Fartein Valen. Analyses of his ViolinConcerto, Op. 37 and Symphony No. 3, Op. 41.
University of OsloAugust1995
Tong, Chee-yee,
J.Separate Discourses: A Study of Performance and Analysis
University of
Southampton
October
1994
Tsougras, Costas,
F
Generative Theory of Tonal Music and Modality - Research based on the analysis of "44 Greek
miniatures" by Yannis Constantinidis
Aristotle University of
Thessaloniki March 2002
Tucker, Gary R. Tonality and Atonality in Alban Berg's Four Songs, Op. 2University of Western
Ontario
August
1995
Turner, Mitchell
M.
Toward a General Theory of Pitch Structure: Unity Between Horizontal and Vertical Pitch-Class
SetsUniversity of Georgia
December
1999
Tuzun, Tolga CONTEXTUAL TRANSFORMATIONS IN TIMBRAL SPACESGraduate Center, The CityUniversity of New York
September2009
Uno, Yayoi Avant-garde Music circa 1950-60: Analysis of Works by Boulez, Cage, Babbitt, and Xenakis University of RochesterSeptember
1993
Vachon, Pierre Study of titles in the Piano Works of Robert Schumann, their function and meaning Universite de Montreal May 1998
Van Colle, S. J. Music therapy process with young people who have severe and multiple disabilities University of ReadingJanuary
2003
Van Colle, Sue, JMusic therapy process with cerebral palsied children: connections with psychoanalytic models,
particularly that of Winnicott
University of Reading,
Department of Music
October
1999
Varney, John
CharlesColombian Bambuco: The Evolution of a National Music Style Griffith University June 1999
Vives, Thomas E.The Effect of Timbre on the Chord Identification Accuracy of Sophomore-Level College MusicTheory Students
University of FloridaAugust1998
Vlagopoulos
PanosLe noble rhetorique: Mental Models in the Song Production of Guillaume de Machaut Ionion State University June 1998
Vojcic,
AleksandraRhythms as Form: Rhythmic Hierarchy in Later Twentieth-Century Piano Music Graduate Center CUNY
January
2009
Wacker, Lori J. Rhythmic and motivic procedures in selected late works of S.C. Eckhardt-Gramatte Indiana University May 1999
Walker, JonathanThe Work-Concept in Music and Musicology: A Philosophical Study." (provisional title) Queen's
University Belfast, School of Music, 1996Queen's University Belfast
September
1996
Wang, Yuhwen The Value of Values: Value Judgment in Edward T. Cone's Music Analyses Columbia UniversityDecember1996
Waters, Keith, J. Rhythmic and Contrapuntal Structures in the Music of Arthur Honegger Eastman School of MusicJanuary1997
Waters, William J.A Study of Temporal Change in the Recorded Performances of Igor Stravinsky's, `The Rite of
Spring'Florida State University
December
1995
Weisser, Benedict
J.
Notational Practice in Contemporary Music: A Critique of Three Compositional Models (Luciano
Berio, John Cage, and Brian Ferneyhough)
The City University of
New YorkJuly 1998
13/02/07 MTO Dissertation Index
www.mtosmt.org/mto-dissertations.php?showall=true 12/12
J. Berio, John Cage, and Brian Ferneyhough) New York
Westerhaus,
Andrew JStravinsky and the Ludic Metaphor University of Chicago
December
2012
Weytjens,
Stephan
Text as a Crutch in Arnold Schoenberg’s “Pierrot Lunaire” op. 21? An Analysis of the
Relationship between Textual Aspects and Musical Structure in Free Atonality
Catholic University of
Leuven
December
2003
Wiens, Carl K. Igor Stravinsky and Agon University of Michigan January
1997
Wiering, Frans The Language of the Modes. Studies in the History of Polyphonic Modality University of AmsterdamAugust
1995
Wilde, Howard Towards a New Theory of Voice-Leading Structure in Sixteenth-Century Polyphony University of London July 1995
Wile, Kip, D. A Study of Collection in Neocentric Music University of ChicagoAugust1994
Wilkinson,
Carlton J.
Symphony in Five Movements: A Presentation and Analytical Discussion of a New Work in a
Symphonic Form
Rutgers, The State
University of New Jersey
January
1995
Williams, Justin A Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies University of NottinghamSeptember
2009
Windsor, LukeW. A Perceptual Approach to the Description and Analysis of Acousmatic Music City University, London
September1995
Wright, James K.Schoenberg, Wittgenstein, and the Vienna Circle: Epistemological Meta-Themes in HarmonicTheory, Aesthetics, and Logical Positivism
McGill UniversityFebruary2002
Yorgason, Brent Expressive Asynchrony and Meter: A Study of Dispersal, Downbeat Space, and Metric Drift Indiana UniversityAugust
2009
Yoshikawa,Christine M
Rachmaninoff’s Integrative Technique and Structural Organization: A Schenkerian Analysis ofAllegro Moderato, from Piano Sonata No. 1 in D Minor, Opus 28
Arizona State University May 2004
Yust, Jason D Formal Models of Prolongation University of WashingtonNovember
2006
Zagalaz, Juan C.Innovaciones melódico - armónicas en la improvisación Jazzística. Un recorrido a través de Body
and Soul. (1935 -1945).Universidad de Jaén
January
2010
Zamzow, BethAnn
The Influence of the Liturgy on the Fifteenth-Century English Carols The University of Iowa May 2000
Add a new dissertation
Top Related