SAT 8 AUGUST, 7PM & SUN 9 AUGUST, 2PM
METAMORPHOSIS
Message from Artistic Director/Chief Conductor, Jonathan Tooby
Metamorphosis I and II have been specially programmed to include the whole orchestra while carefully adhering to current social distancing guidelines. Imagine DSO deconstructed and this will give you an idea of what you will experience in these stunning concerts—the orchestra’s elements broken down into smaller parts, from intimate quartets right up to an ensemble of 23 strings. You will hear antiphonal brass, woodwind ensembles, percussion groups, concerti and the world premiere of a new work by DSO’s very own Principal Cellist, Cathy Applegate. Works by Shostakovich, Dvořák, Mozart, Bach and Gabrieli, among others, are some of the beautiful compositions we will perform.
I would like to make special note of one work we will be presenting in our second concert: Metamorphosen for 23 Solo Strings by Richard Strauss, a personal favourite of mine and a piece that requires enormous concentration and stamina from every player on stage. It has been such a joy to watch DSO string players embrace this challenging work and be awakened to its magic.
Special thanks to our wonderful musicians for their passion and generosity, and a warm welcome to a number of our Young Artists, who are joining us on stage for the first time.
We hope you enjoy these vibrant and transformative chamber concerts.
WELCOME
Darwin Symphony
Orchestra is delighted
to welcome you back
to another wonderful
performance, especially
after such trying times.
We are thrilled that our
first post-lockdown
event is a mini concert
series that showcases a
range of extraordinary
chamber music works.
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Darwin Symphony Orchestra acknowledges the Larrakia People as the Traditional Custodians of the land on which this performance is held and as the keepers of the first songs and stories of this country. We pay our respects to their elders—past, present, and emerging—and to all Aboriginal and Torres Strait Islander people.
ACKNOWLEDGEMENT OF COUNTRY
Conducted by Jonathan Tooby and Stephen Pevely
PROGRAMMetamorphosis I
Giovanni Gabrieli Canzon Primi Toni a8
William Byrd arr. Elgar Howarth “The Earle of Oxford’s March”
Dmitri Shostakovich String Quartet No. 8. Mvt. I & II
J.S. Bach Brandenburg Concerto No. 4 in G Major
INTERVAL
Henry Mancini arr. Leonhard Paul Moon River
Karel von Hulak arr. Mnozil Brass Brin Polka
Antonín Dvořák Serenade for Wind Instruments, Cello and Double Bass, Op. 44, B. 77
Metamorphosis II
Brian Nozny Numerology
Elliot A. Del Borgo Mosaics for Percussion
Cathy Applegate Conversations about the Impossible (world premiere)
Richard Strauss Metamorphosen, Study for 23 solo strings
INTERVAL
W.A. Mozart Serenade No. 10 in B Flat Major for 13 Winds (Gran Partita) K361/370a, Mvt. I & III
J.S. Bach Brandenburg Concerto No. 3 in G Major
Presented by Darwin Symphony Orchestra and Darwin Entertainment Centre in association with Darwin Festival.
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PROGRAMFEATURES
J.S. BACH (1685 – 1750)
Brandenburg Concerto No. 3 in G major, BMV 1048 Brandenburg Concerto No. 4 in G major, BMV 1049
Dedicated to Christian Ludwig, Margrave of Brandenburg, after whom they take their name, Bach’s Brandenburg concertos are among the most vibrant and colourful orchestral works of the Baroque era. In these works, Bach greatly extended the Concerto form popularized by Antonio Vivaldi—which consists of two fast movements separated by a slow one—by employing the widest possible range of instruments in unusual combinations. Concerto No. 3 particularly displays the strong influence of Vivaldi in its use of ritornello (short recurring refrains or passages) and episode structure. It also showcases the virtuosic talents of the string players, although each instrument or instrumental group takes a solo role in turn. Concerto No. 4, on the other hand, brings the violin and concertino flute to the fore, with dazzling solo passages that are echoed by the other instruments, while its concluding movement is a stunning fugue that displays the beauty of Bach’s contrapuntal style.
Despite their brilliance, the Brandenburg concertos were not well-known in Bach’s lifetime and remained largely forgotten until a German musicologist stumbled across them in a library in Berlin in 1849. The Concertos have since grown in popularity, becoming some of Bach’s most beloved works.
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DIMITRI SHOSTAKOVICH (1906 – 1975)
String Quartet No. 8 in C minor, Op. 110, Mvt i & ii
Shostakovich’s String Quartet No. 8 was composed in the former East Germany, while the composer was on an official trip to write the score for a Soviet film about the bombing of Dresden. The Quartet is dedicated ‘In Remembrance of the Victims of Fascism and War’, although it is now a matter of debate whether this dedication was genuine. What is clear is that the Quartet is also a deeply personal work, with motifs and quotations from Shostakovich’s other compositions, including his opera, Lady Macbeth of the Mtsensk District, and his Fifth Symphony. More telling is the inclusion of the haunting four note refrain heard at the beginning of the First Movement (and returned to elsewhere in the Quartet)— D, E-flat, C, B—which in German notation becomes D, S, C, H—the initial letters of Shostakovich’s first name and surname in German. Combined with the self-referentiality and ambiguity of the music, this lends weight to the interpretation of the Quartet as an elegy for the composer himself, written by
Shostakovich after he reluctantly joined the Communist Party.
RICHARD STRAUSS (1864 – 1949)
Metamorphosen for 23 solo strings, TrV 290, AV 142
One of the great German composers of the late Romantic and early modern era, Richard Strauss advanced harmonic style through pioneering subtleties in orchestration. Strauss composed one of his most famous works—the endlessly shifting and densely chromatic Metamorphosen for 23 solo strings—towards the end of life, during a time of great despair—the Spring of 1945, when Germany and its many opera houses lay in ruins. The destruction of the opera houses deeply affected the apolitical Strauss, symbolising for him the end of a tradition of German culture and art. Yet Metamorphosen remains a lush and sweeping composition that recalls the lyricism and tonality of an earlier era—an elegy for German musical culture that also
revives the beauty of those forms for the present.
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DSOMUSICIANS
Violin
Tara MurphyNetanela MizrahiWan-Ling ChanClaire CrocombeLouise ElliottKatharina FehringerHelen HumphreysJacqueline Liang Abbey MunroMelody O’MearaAdie Ramilo*
Vino SathianathanLucy VallentineAnna IngramLachlan PeattieAnna RalphZhen ShangJodie-Kate WilliamsTerri WoodlockZakelli Xie* Angela Xu
Viola
Annette AndersonGreyson ButlerSara ClarkeMary FrostCathy ShiltonAlphonsus TanMary Wheaton Kylie Wilson
Cello
Jonathan ToobyCathy ApplegateAmelia NobleMartyn GrayTonia GriffithsIsabel GuthridgeDenise PhelpsKate Stephens
Double Bass
Rhiannon OakhillYukari SakuraiKathy Campbell
Flute
Tania Watts
Clarinet
Stephen PevelyNatalie ChinNicholas YatesSusi Bertei
Oboe
Sarena WegenerKevin Huang
Bassoon
Alana BryettHarry Cass*
French Horn
Bruce CartwrightHelen ListGeoff PeachLorelei Williamson
Piano
Chen Hui Tan
Percussion Ensemble
Lorelei Williamson Genevieve MeehanKathryn EzzyChris Spargo Isabella Penna*
Metamorphosis II
Soloists
Tara Murphy (violin)Rozanne Gwynne and Nell Stonham (flute)
Violin
Netanela Mizrahi Merran Neilsen Anna IngramZakelli Xie*
Leo Stahl Wenner*
Lachlan PeattieHelen HumphreysSonya BreeHanhan Chen*
Viola
Annette AndersonAlphonsus TanKylie Wilson
Cello
Kate StephensDenise PhelpsJonathan Tooby
Continuo
Cathy Applegate
Double Bass
Sally CutterYukari Sakurai
Clarinet
Mio SakabeWilliam Pettican
Oboe
Carl Brumfield Sarena Wegener
Bassoon
Alana BryettAngela Estbergs
Trumpet
Craig McGiffenAngela TitmussSarah LynarBarbara Eather
Trombone
Melissa ThompsonPaul BurgessArcher Bryett*
French Horn
Bruce CartwrightHelen ListGeoff PeachLorelei Williamson
Euphonium
Carol Atkinson
Tuba
Ron Roberts
Metamorphosis I
* Young Artist
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About the Composer:
Cathy Applegate moved to Darwin from Melbourne in 1982, drawn by the warmth and the cultural diversity of the Top End. She found a vibrant music scene that has supported and shaped her passion for composition. Cathy has had major orchestral works commissioned, performed and recorded by the Darwin Symphony Orchestra. The Wetlands Suite, composed for the DYO, won national recognition in the 90s. Other major works include: a piano concerto for Michael Kieran-Harvey: Piano Concertantrum, two family musicals and, in recent years, a ballet for the Palmerston School of Dance: The Brolga and the Star. Cathy has composed for chamber and choral groups. Recent works include collaboration with sculptor, Lee Harrop for a work: Still Lives (At the Core), scored for two pianos and tape; and a solo violin work (with NASA space sounds) for Monica Naselow, Space – Is anybody Out There. Both works were premiered as part of the Darwin Festival in 2018 and 2019 respectively. Cathy has associate representation with the Australian Music Centre.
WORLD PREMIERE
About the Work:
Conversations About the Impossible (2018) is a work for Pierrot Ensemble that was inspired by a painting by artist, Kate Eagle. The original artwork depicts a fox dressed in a suit and a mermaid sitting together on veranda steps having a serious conversation. The caption, handwritten in silver ink reads: Conversations About the Impossible. Applegate has responded by creating a quirky musical conversation in which ideas and gestures are ‘discussed’ by five players. Sometimes animated and at other times thoughtful, the music captures the ebb and flow of conversation: agreement, disagreement, argument, and interjection feature as the flow of ideas moves through the ensemble.
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PATRON
Her Honour the Honourable Vicki O’Halloran AO
Administrator of the Northern Territory
DARWIN SYPHONY ORCHESTRA BOARD
Her Honour the Honourable Sally Thomas AC, Chairman
Carol Atkinson, Vice Chair
Pauline Tauschke, Treasurer
Ken Suter, Secretary
Heather Brown, Member
Meredith Dellar, Member
Claire Kilgariff, Member
Sarah Lynar, Member
Andrew Stone, Member
AMBASSADOR AT LARGE
The Honourable Michael Gunner
MLA Chief Minister of the Northern Territory
DARWIN SYMPHONY ORCHESTRA MANAGEMENT
Jonathan Tooby, Artistic Director/Chief Conductor
Kate Stephens, General Manager
Joel Hoare, Orchestra and Operations Manager
Tara Murphy, Concertmaster/Outreach and Education Officer
Diana Jarvis, Finance Officer
Rita Horanyi, Communications and Administration Officer
LIFE MEMBERS OF THE DARWIN SYMPHONY ORCHESTRA
Dr and Mrs Graham Davidson
Kevin Davis AM
Ian Kew
Bob O’Callahan
Terry Knight
Pat King
Jim McDonald
Barbara Tiffin
Trish Doyle
Diana Jarvis
Celina Hodge
Adina Poole
DSO MANAGEMENT AND SUPPORTERS
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THANK YOU
Our concerts are made possible by continued support from
our dedicated volunteers who give so generously of their time,
our patrons, our sponsors, the Friends of Darwin Symphony
Orchestra (FODSO) and you, our wonderful audience.
CONTACT
If you are interested in becoming a volunteer or supporting the Darwin Symphony Orchestra in any way please contact [email protected], or phone (08) 8946 6488.
THE FRIENDS OF DARWIN SYMPHONY ORCHESTRA
A group of passionate and dedicated supporters, FODSO is an integral part of our community. This year, FODSO celebrates their thirtieth anniversary. We’d like to convey our special thanks for three decades of fundraising and other invaluable assistance!
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Tax-deductible donations of any amount can be made to Darwin Symphony Orchestra to help keep the music playing in these challenging times for live performance and the arts. Your support also means we can keep fostering young artists, like the ones you saw performing today, through initiatives such as the Young Artists Program.
dso.org.au/support/donate
BECOME A
Help us to foster young artists and keep the music playing
PATRON
AS A PATRON YOU CAN ENJOY
• A close connection with Darwin Symphony Orchestra’s musicians and community
• Behind the scenes access with special events
• Contributing to programs that you are passionate about
• A connection with like-minded supporters of the arts
• Acknowledgement of your support through DSO’s print and online materials
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CURRENT PATRONS
Bronze Patrons ($250 – $499)
• Heather Brown
• Carol Atkinson & Bruce Cartwright
• Kevin Davis AM
• Meredith Dellar
• Diana Jarvis
• Prof Martin Jarvis OAM
• The Joy Family
• Claire Kilgariff
• Sarah Lynar
• Dr Sarah McGuinness
• Maxina Parkes
• William Pettican
• Anna Ralph
• Andrew & Sue Stone
• Helen Summers
• Jonathan & Penelope Tooby
Silver Patrons ($500 – $999)
• Cathy & Rod Applegate
• Fiona & Michael Loughlin
• Anna & Isabella Penna
• Lance Schmidt
• Marcus & Andrea Schutenko
• Kate Stephens
• Ken & Sylvia Suter
Gold Patrons ($1,000 – $2,499)
• Bronwyn & Phillip Carson
• Em. Prof Helen Garnett PSM
• Marie-Louise & David Pearson
• Megan & Paul Lawton
• Pauline Tauschke
• The Hon Sally Thomas AC
• Anonymous (2)
Platinum Patrons ($2,500 – $4,999)
• Michael & Ingrid Stephens
Diamond Patrons ($5,000 – $9,999)
• Mr Simon Niblock & Prof Louise Maple-Brown
Become a Patron now by visiting
dso.org.au/support/donate
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© 2020 Darwin Symphony Orchestra. All details listed are subject to change.
dso.org.au I (08) 8946 6488
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