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The Philosopher's Home from Home
LESLEY CHAMBERLAIN
October 2011
In 1913 the Austrian-born philosopher Ludwig Wittgenstein abandoned the busy socialscenes in Vienna, where he grew up, and Cambridge, where he had settled as a
maverick academic, for Skjolden at the far end of the world's deepest and longest fjord.
Some now think his subsequent Norway periods were among the most significant in a
reflective life spent in several countries. Norwegian Wittgensteinians, let me call them
that, want to encourage new interest in why this most influential, inevitably
misunderstood 20th-century philosopher made a home in the cold north. They would
like to see a steady flow of visitors to Skjolden, but their problem is that the "hut" a few
high-end tourists might come to inspect is no longer there. Only the name of the man
survives.
Skjolden in those days was a busy crossroads beneath a mountain pass dividingNorway's east and west, never the inaccessible outpost of Wittgenstein legend. A boat
arrived daily from Bergen, Norway's second city. Access became more difficult with the
decline of river transport during the last century, but this year big tourist cruise ships
have started calling. So with the prospect of a thousand or so visitors landing daily for a
few hours through the summer, Skjolden's prospects are improving again and the
Wittgenstein question is topical.
The new landing stage and extra tourist beds have added urgency to the ongoing debate:
should the hut be rebuilt with the original materials which are still to hand or should the
empty space be left to count for itself? What would the man himself have wanted?
When, as a self-taught philosopher, Wittgenstein suddenly burst on to the Cambridge
academic scene, Bertrand Russell hailed him as a genius. Yet Russell immediately
perceived the difficulties facing a man who was fighting for self-perfection and
rejecting the world in the process. I believe that whatever decision Skjolden takes will
depend on an interpretation of Wittgenstein's whole work:
Where does our investigation get its importance from, since it seems only to destroy
everything interesting, that is, all that is great and important? (As it were all the
buildings, leaving behind only bits of stone and rubble.) What we are destroying is
nothing but houses of cards and we are clearing up the ground of language on whichthey stood.
(Philosophical Investigations [118])
Visit the site of the old hut today and you can kick that thought around, together with a
couple of old bricks. The gist of it is that philosophy's job is not to build but to undo:
not a popular job but a necessary one. Who knows, an empty space where a house once
was might be just the way to get that message across.
Wittgenstein was a rich man when he first arrived in Skjolden. He conceived the idea of
the building in the winter of 1914 and local labourers built it for him on a craggyhillside overlooking a lake, just inland from the fjord. The Norwegian word "hutte" is
http://standpointmag.co.uk/features-october-11-the-philosophers-home-from-home-lesley-chamberlain-ludwig-wittgenstein-hut-norway-skjoldenhttp://standpointmag.co.uk/writers/?showid=Lesley%20Chamberlainhttp://standpointmag.co.uk/features-october-11-the-philosophers-home-from-home-lesley-chamberlain-ludwig-wittgenstein-hut-norway-skjoldenhttp://standpointmag.co.uk/writers/?showid=Lesley%20Chamberlain7/29/2019 Lonely linguist.doc
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misleading: it was a two-storey house with an upstairs balcony across the front facade.
The style was Austrian and so the locals called it "Austria" and Wittgenstein himself
"the Austrian". You can see the spot labelled like that on older maps. A flagpole was
installed but never sported a flag in the philosopher's day. Later the pole was sawn up
and made into a flower tub. Today, in order that visitors can pinpoint where the building
once stood, local Wittgensteinians have erected a pole and Austrian pennant, just visibleacross the Eidsvatnet lake, where passing motorists can pause to take a look.
What drew him north was the landscape and the community. Rich and successful,
Wittgenstein pre had burdened his children with high expectations. Three of
Wittgenstein's older brothers committed suicide. A fourth brother, Paul, lost his right
arm in the war and became the celebrated left-handed pianist for whom Ravel and
Richard Strauss wrote music. Biographers rightly stress the immense influence of
Wittgenstein's family background, with its high culture, social importance and strain of
psychological distress; an almost quintessential family of fin-de-sicle Vienna and the
collapsing Habsburg Empire. He went to Skjolden, situated as it was in sublime and
merciless nature, to escape that background.
The village consisted of a handful of farms and a factory, a few families who knew each
other, and their employees. Wittgenstein kept his relationships simple. To avoid meeting
the grocer he devised a tubular system to haul provisions up from the lake. He had a
spectacular view of the village and the fjord. The people of Skjolden apparently in turn
could see Wittgenstein pacing up and down on the balcony. Anyone who came too close
got short shrift: "Go away! Now it will take me two weeks to get back to where I was
when you interrupted me!" Pity the fool tempted to pass the time of day with him. But
often enough even he got lonely and left his hideout to lodge instead with the
postmaster, and later with a retired English teacher on a local farm. In truth he didn't use
the house much.
Contrary to the myth, he never arrived in Skjolden on skis, but he was an adventurous
man and liked physical challenges, so perhaps it was to demonstrate his prowess in this
terrain, as well as to have company, that now and again he invited selected Cambridge
friends to join him. He would charter a boat or take a horse and carriage wherever
public transport petered out.
Imagine a friend comes to find you in an out-of-the-way spot. You draw a map with an
arrow and write something like "Here I am" or "This is me." But on the sketch he drew
for fellow philosopher G.E. Moore, Wittgenstein labelled himself "Dr Wittgenstein". Heseems already to have been imagining Moore asking his way in the village. Intensely
interested in language as a social game, Wittgenstein, perhaps first in Skjolden, began to
consider whether anything could sensibly be called a private language. Several
observations from his Norway years are written in a private but easy-to-decipher code,
as if "privacy" were just a more complicated social game. In the last decade the
Wittgenstein Archives at the University of Bergen have been translating those diaries,
among other hitherto unpublished papers, waiting for scholars to make sense of them.
If you follow the lightly marked path to where Wittgenstein's retreat used to perch, you
hike through damp fields and scramble over rocks to arrive at nothing more than rubble-
strewn foundations. Yet it's a heart-stopping moment if you've done your reading andcome to appreciate the man. Forested, this local "Austria" looks down on water the
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colour of a milky opal. Across the lake a sublimely terrifying waterfall hurls itself in
perpetuity off the sheer cliff. To add to the drama, Wittgenstein would visit in winter to
avoid the tourists, and perhaps to benefit from being able to walk across the ice without
need of a boat.
It was as a volunteer officer in the Great War that Wittgenstein happened upon a copyof Tolstoy's Confession. As Kjell Johannessen of Bergen's Wittgenstein Archives sees
it, the philosopher's whole Norwegian adventure can be interpreted in Tolstoyan terms
as a flight first from Vienna, and later from Cambridge, a university he unflatteringly
described as a mutual admiration society. The people of Skjolden were Wittgenstein's
Russian peasants, who left him to live in his own silence. Even so, for reasons only he
could explain, he spent no more than three years of his life in Norway.
In an intriguing recent book, On the Trail to Wittgenstein's Hut(2010), Norwegian-born
Ivaar Oxaal found that Wittgenstein's interest in Norway first arose during the period
following Scott's and Amundsen's explorations, and was further stimulated by the
Titanic disaster in 1912.
In 1913 he paid a first visit with Cambridge friend David Pinsent, who recalled that
playing dominoes was just enough to keep them occupied in the evening. Later that year
Wittgenstein returned alone and lodged with the postmaster, where he worked on the
mystical and elusive Tractatus Logicus-Philosophicus. While Russell saw that first
short book as a breakthrough in mathematical logic, shadowing his own preoccupations,
scholars since have compared it to the satirical aphorisms of Wittgenstein's Viennese
contemporary Karl Kraus, another moralist pitted against the corruption of the world
and especially of language.
Poor after voluntarily giving up his family inheritance, Ludwig worked for a while in
Skjolden's fruit juice factory. There was a friendship with a local man, Arne Sojgren,
and a conspicuous absence of women in his life, which generated some gossip. Happy
hours were spent walking and talking to the local hotel owner about religious belief.
Wittgenstein felt some things were true of human life that couldn't be sensibly said, but
instead reveal themselves to us in the way we are.
Through the 1920s he chose a different escape route, teaching in a school in rural
Austria. By the time he revisited Cambridge in 1929, he needed his Norway again.
During his longest ever stay between 1936 and 1937, where he wrote the much-admired
Philosophical Investigations, retired English teacher Anna Rebni became his chiefsupport. "The closest he came to being married," chuckles Johannessen. "They fought
all the time."
When, in 1951, he fell ill with cancer at the age of 62, he would have returned to
Sjkolden for a last time to stay with her, but was already too weak to make the journey.
It's one of the great regrets of scholars and historians working on the growing body of
material relating to Wittgenstein and Norway that no one interviewed Rebni before she
died in 1970.
In this sixtieth year since Wittgenstein's death, an anniversary that has only been
marked by specialists, Alois Pichler of Bergen's Wittgenstein Archives told me howmuch remains to be understood about this unique philosopher who placed the whole
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burden of philosophy on language. Many would say that two succeeding generations of
logic-chopping Ordinary Language philosophers from Britain and America got his
legacy wrong and that the aim now should be to restore the logic to a natural and human
setting.
The problem of what to do about the hut, which a local man Arne Bolstad inherited,remains. When Wittgenstein died Bolstad had it dismantled and reerected as a modest,
comfortable home inside the village. Over the years his family have declined to move,
or sell. Equally, the owners of the Wittgenstein plot on the rocks have wanted to hold on
to their land. But this year, with the generations moving on, there seems a chance to
change this. Local historian Harald Vatne, whose book on Wittgenstein and the people
of Skjolden will appear in 2012, has been chivvying the local council to have the
requisite permissions in place.
Should the hut be rebuilt out of the original materials? Vatne and Johannessen think so.
British artist and Wittgenstein disciple David Connearn even insists so, because
anything else "would create a ghost". More modest plans to turn the Bolstad house in itspresent position into a Wittgenstein centre are also being considered.
Will it become a shrine for scholars or could it have a wider significance? A fashion for
wild places, and silence, is one stream of interest that Norway's local Wittgensteinians
could, and probably should, tap into. In Skjolden's fine Wittgenstein-rich library and at
the indoor pool adjacent to the fjord, I spent a few days reading and swimming, thinking
that this part of Norway could become my refuge too.
Millions love silence but few know much about Wittgenstein. When Vatne asked a
busload of 50 tourists if they had heard of him, only two said they had. True, the
heritage industry might make an effort on behalf of the other 48, but tourism doesn't
easily wrap itself around artists and intellectuals without smothering their strangeness.
What is needed is of a different order: a stunningly fresh idea to link difficult
philosophy, intransigent genius and one of the most beautiful places on earth.
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