John Edwards
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EDUCATIONUniversity of CincinnatiMaster of Architecture, 2016
University of Illinois at Urbana-ChampaignBachelor of Science in Architectural Studies, 2013• Dean’s List (Spring 2010)• Design Studio project selected for 2014 NAAB accreditation visit (Fall 2012, Spring 2013)
WORK EXPERIENCEAssociation for Preservation Technology InternationalIntern, Springfield, IL• Scanned an average of 10 historic architectural catalogs daily• Uploaded catalogs onto the Building Technology Heritage Library and organized them into CSI MasterFormat Divisions
CR Architecture + DesignArchitectural Intern, Cincinnati, OH• Prepared design development drawing sets for Dolce RBM Hotel Cincinnati• Assisted hospitality team in drawing details to meet building codes
BHDP ArchitectureArchitectural Intern, Cincinnati, OH• Prepared design development drawing sets for international and domestic Claire’s and Icing retail stores• Assisted in 3D modeling and renderings of Claire’s 2015 prototype plan and storefront design
Environmetrics, Inc.Architectural Intern, Cincinnati, OH• Prepared as-built drawings for residential remodeling projects and building permits• Conducted on-site observations and performed demolition work to begin construction
August 2013 - April 2016
August 2009 - May 2013
May 2013 - January 2016
M a y - A u g u s t 2 0 15
August - December 2014
J a n u a r y - M a y 2 014
John Edwa rdsemail: [email protected]: (217) 652-2823
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SHIFTING MODULES
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ILLINOIS STATE ARMORY ADAPTIVE REUSE
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PAINTINGS AND DRAWINGS
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MUSEUM OF ANCIENT LIFE
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RESEARCH ON THE INCLINE
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COLUMBUS DESIGN CENTER
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ACADEMIC WORK PROFESSIONAL WORK
ARTWORK
Cover Illustration:Observed Detail of Taft House Window, Urbana, ILGraphite on Illustration Board 14x20 inches
MOUNTAIN WITHIN
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URBAN FRAGMENTS: A CULTURAL CENTER FOR CHICAGO
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BREAKFAST AT LOCK 37
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BHDP ARCHITECTURE
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ENVIRONMETRICS
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FULLERTON RESIDENCE
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ACADEMIC WORK
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BREAKFAST AT LOCK 37:DESIGNING FOR THE WORLD HERITAGE TRAVELER IN THE SCIOTO VALLEY
Site: Canal Warehouse, Chillicothe, OHDuration: August 2015 - April 2016Master of Architecture Thesis Project
Hopewell Interaction SphereDelphi of North America
Southern Ohio counties are not adequately prepared for understanding the nature of the tourism audience that will be coming after the UNESCO World Heritage Inscription of the regions Hopewell Ceremonial Earthworks, expected in 2018. Heritage travelers seek places, artifacts, and activities that authentically represent the stories and people of the past. The Canal Warehouse in downtown Chillicothe is a survivor of the Ohio and Erie Canal era (1831-1907) and offers a historic accommodation for the traveler’s stay.
2Second Floor Inn Corridor
L AY E R I N G S Y S T E M - I N S E R T I O N S C O M P O S I T I O N A L F R AG M E N T S
The design for the adaptive reuse of the Canal Warehouse is developed around three primary themes - layering, system-insertions, and compositional fragments. It works with all the LAYERS of significance from Hopewell Cosmic Monumentality, Historic Urban Building Fabric from the Canal Era, and Contemporary Heritage Tourism. The new architectural SYSTEMS are present as FRAGMENTS and LAYERED within the existing fabric to draw upon the concept of critical continuation found in the built environment in the Scioto Valley.
Second Floor Columns
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OHIO AND ERIE CANAL
PAINT STREET
WALNUT STREET
MULBERRY STREET
HICKO
RY STREET
BRIDGE STREET
MAIN STREET
SECOND STREET
FOURTH STREET
FIFTH STREET
WATER STREET
LOCK #37
LOCK #38
PORT OF CHILLICOTHE
OHIO AND ERIE CANAL ERA (1831-1907)
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SECOND STREET
MAIN STREET
WATER STREET
PAIN
T STREET
WA
LNUT STREET
MULBERRY STREET
BRIDG
E STREET
HICKO
RY STREET
HISTORIC DOWNTOWN AMENITIES
THE HISTORY STORE101 N. PAINT STREET
IVY’S HOME & GARDENJOSEPHINE AT IVY’S105 N. PAINT STREET
DARD HUNTER STUDIOS125 W. WATER STREET
CARLISLE BUILDING45 E. MAIN STREET
OLD TOWN FABRIC SHOP56 W. WATER STREET
SCHLEGEL’S COFFEE HOUSE80 N. PAINT STREET
FIRE AND STONE PIZZERIA95 N. PAINT STREET
BERNIE & MAX STAINED GLASS STUDIO65 N. PAINT STREET
BOOK WORLD16 W. WATER STREET
LLOYD’S SWEET SHOPPE22 W. WATER STREET
CHILLICOTHE ANTIQUE EMPORIUM51 E. MAIN STREET
MAJESTIC THEATRE 45 E. SECOND STREET
ABOUT COOKING93 N. PAINT STREET
OLD CANAL SMOKE HOUSE94 E. WATER STREET
DOCK AT WATER80 E. WATER STREET
CROSSKEYS TAVERN19 E. MAIN STREET
SUSIE’S GIFTS FOR ALL SEASONS59 E. MAIN STREET
BOB’S BOOTERY AND THE MEN’S SHOP100 N. AND 104 N. PAINT STREET
RIVERS BEND SPORTS CO.94 W. WATER STREET
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5
101112
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18 19
14
159
8
17
16
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2 3 4 5 6 7
8
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11121314151617
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SHOPPINGENTERTAINMENT FOOD
HISTORIC DOWNTOWN AMENITIES
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CHARACTER DEFINING FEATURES OF THE CANAL WAREHOUSE
Museum of Canal Architecture Gift Shop Entrance
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Attic Study Model
Display Cases and Benches in Attic Gallery
9 Signage, street trees, and outdoor seating added
10Steel awning installed over inn entrance and dormer doors glazed
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Master Suite Guestroom with Balcony
Hopewell Gallery in Attic
Inn Lobby Staircase
URBAN FRAGMENTS: BRINGING THE CULTURES OF CHICAGO TOGETHER THROUGH FOOD, MUSIC, AND DANCE
Site: Tribune Tower, Chicago, ILDuration: 16 weeksSpring 2015 Graduate ProjectEven though Chicago has diverse cultural communities, it is difficult to enjoy all it has to offer because they are fragmented across the city. The main concept behind the Cultural Center for Chicago is to bring all of these communities together to celebrate their rich culture through food, music, and dance. Using the metaphor of a crushed rock, the building’s form was driven to shape a public courtyard space where cultural food can be enjoyed while listening to music or watching small performances. In the larger auditorium spaces, with seating capacities of 480 and 730, Chicago organizations that celebrate cultural music and dance can host performances. The architectural language of fragmented geometry exists throughout the design in the paving, roof structure, and glazing system.
First Floor Plan
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BOX OFFICE
CULTURAL RETAIL
CULTURAL RETAIL
CULTURAL RETAIL
CULTURAL RETAIL
FOYER
LOBBY
SUSHI SAIFOYER
FOOD COURT
AUDITORIUM
ORCHESTRA PIT
STAGEWING
WING
FOOD COURT
NUEVO LEON
U.B. DOGS
PIZZERIAUNO
PIEROGIHEAVEN
CHICAGO Q
SOULVEGETARIANEAST
LAO SZE CHUAN
PAPA’SCACHE SABRASO
PADDYLONG’S
BODHITHAI
UPTOWN PHO
CROSSRHODES
CHICAGOBRAUHAUS
AU CHEVALCASBAHCAFE
JERK MODERNJAMAICAN GRILL
SABRINIHARI
DEL SEOUL
STAGE
AUDITORIUM
BACKSTAGEWING
BACKSTAGEWING
CLOAK ROOM
RESTROOMS
M.R.R.
W.R.R.
CULTURAL RETAIL
CULTURAL RETAIL
CULTURAL RETAIL
CULTURAL RETAIL
0’ 10’ 20’ 40’
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0’ 10’ 20’ 40’Roof PlanShadow Analysis Diagram
Fragmented Composition Diagrams
Cultural Food Court
Site Massing Strategy
Fragmented Communities
Pedestrian Paths
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17 0’ 10’ 20’ 40’
West Elevation
ACCESS CONTEMPORARY MUSIC
NEW MUSIC CHICAGO
INTERNATIONAL CONTEMPORARY ENSEMBLE
DANCEWORKS CHICAGO
AUDIENCE ARCHITECTS
AMERICAN RHYTHM CENTER
CTRL.ROOM
DANCESTUDIO UPPER
LOBBYUPPER LOBBY
OFFICES
LOWERLOBBY
SPIRAL LIFT SYSTEM
FOYER AUDITORIUM STAGE
FLYTOWER
TRAP
CULTURAL FOOD COURT
COURTYARD
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View from theater balcony
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MOUNTAIN WITHINSite: Over the Rhine, Cincinnati, OHDuration: 12 weeksPartner: Sarah KusumaSummer 2014 Graduate Project
5 minute walk
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Proposed Streetcar StationsProposed Streetcar RouteExisting Parking LotNon-Contributing (Modern) BuildingsContributing (Historic Buildings)Historic and/or Focal Buildings1730 Race Street
Over-the-Rhine Brewery District
Physical Model
Situated across from Findlay Market, above Our Daily Bread, visitors to the Boutique Hostel encounter a thick wall with openings that reveal the spaces inside. The texture and verticality of the pre-cast concrete envelope stands autonomously from the glazed curtain wall behind. The interstitial space formed by the double skin facade creates a sense of quiet tension upon entering. The entrance itself is recessed behind the concrete structure and offers direct access to the vertical circulation. The massing of the guest room floors change scale and proportion, while also varying the intensity of light. The visitor’s experience is invigorated further by natural light that enters the public spaces through a sky lit atrium. The stacked guest room design also creates a symbolic connection between the hostel and the hills of Cincinnati. Overall, the hostel experience plays on a pensive theme.
20October, 1950
1947-D, No.1
...the vertical necessity of life A mountain inside a building.Double Layer Facade: a Tadao Ando surrounding an inside out skyscraper.
Clyfford Still’s paintings inspired the design for the Boutique Hostel. Looking to his original inspiration, the mountainous regions he grew up in; and combining this with the quiet tension, the pensive, raw/refined, and morphological nature of his paintings, the Boutique Hostel began to take shape. Early inspiration was derived from pixelated hills and textured models such as BIG’s “The Mountain”, OMA’s “Helix Tower”, and Tadao Ando’s “Water Temple.”
I never wanted color to be color.I never wanted texture to be texture, or images to become shapes.I wanted them all to fuse into a living spirit.-Clyfford Still
Section Looking South Section Looking East
West Elevation North Elevation
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22North Wall Section DetailLooking East
Axonometric Wall Section Detail
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1. VERTICAL CIRCULATION
3. INSULATING GLASS
3. SANDBLASTED CHANNEL GLASS
4. STRUCTURAL STEEL FRAME
5. PRECAST CONCRETE FACADE
2. GUEST ROOMS
Building Envelope Exploded Axonometric Diagram
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C O L U M B U S D E S I G N C E N T E RSite: Columbus, INDuration: 14 weeksFall 2013 Graduate Project
Porous masses with a varying scale of openings within the Columbus Design Center are placed within each other to filter sunlight, define circulation, and serve as sculptures themselves. Glazing on the east facade maximizes daylight to enhance the overall effect of the Chihuly glass collection. A diagonally braced steel structural system supports this glazing. The overall building design is a box within a box within a box. The roofs of the boxes all serve as connecting points between the east part of the building and the parking garage.
Sunlight Diagram
Box within Box within Box Diagram
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Transverse Section
Longitudinal Section
Bay Model
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Lower Level Plan First Floor Plan Second Floor Plan Third Floor Plan Fourth Floor Plan
First Iteration Second Iteration Third Iteration Fourth Iteration Fifth Iteration
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ILLINOIS STATE ARMORY: ADAPTIVE REUSESite: Springfield, ILDuration: 14 weeksSpring 2013 Senior Year Project
The Illinois State Armory, built in 1936, suffers from the lack of a permanent user for the past thirty years. Previous renovations have left it a maze with scattered departments and offices without access to natural light. Numerous deferredmaintenance issues needed to be addressed, which included antiquated MEP,accessibility Issues, and life safety Issues.
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Parti: Additive and Subtractive
Circulation to Use
Structure
Massing Circulation Axonometric
CENTRAL MANAGEMENT SERVICES
STATE APPELATE DEFENDER
BUREAU OF PERSONNEL
LEGISLATIVE RESEARCH
POLLUTION CONTROL BOARD
EDUCATION BOARD
EXECUTIVE INSPECTOR GENERAL
OFFICE OF BUDGET AND MANAGEMENT
COMMUNICATION
COMPUTER SEVICESEDUCATION BOARD
LEGISLATIVE REFERENCE
STRATEGIC SOURCING
RESTAURANT
BUREAU OF BENEFITS
CENTRAL MANAGEMENT SERVICES
Repetitive to Unique
Symmetry
Natural Light
Plan to Section
1:6 1:41:4
Geometry
Historical Axis
Proposed Major Axis
Proposed Minor Axis
Direct Light
Indirect Light
Elevator
Staircase
Major Circulation
Secondary Circulation
Grid
Square
1:4 Rectangle
1:6 Rectangle
Legend
Interior Space
New Structure
Existing Structure
Concept Diagrams
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THIRD FLOOR PLAN
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FOURTH FLOOR PLAN
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Aerial View
Existing Trusses South Elevation
Atrium
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LONGITUDINAL SECTION
CROSS SECTION
Removing the existing auditorium seating allows for more design freedom in the central void without eliminating the historic features including the brick masonry entrance walls and the proscenium wall.
Using a light structural steel frame to stack the offices, creates a smaller building environment within the Armory. One of the main goals behind the design is to bring natural light through the atrium and to the office spaces, which previously had inadequate amounts of it. Daylighting is also known to improve productivity in the workplace. The fourth floor is the top floor of the new structure and houses a restaurant. The exposed steel trusses create a unique space and shadows cast through the skylights enrich the dining experience.
The office layout allows a sense of being in one’s own professional state department while still encouraging collaboration among the employees.
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MUSEUM OF ANCIENT LIFESite: Champaign, ILDuration: 14 weeksFall 2012 Senior Capstone Project
Concept Diagram: Axes
Site PlanExterior Perspective
In order to establish the Tyrannosaurus Rex as the primary experience in the Museum of Ancient Life, it is placed at the intersection of two main axes in the open exhibition space. The north-south axis aligns the main entrance with the T-Rex and the east-west axis unites the T-Rex with the two major vertical circulation elements; the main staircase and the elevator. The classicizing ornaments on the facades connect the museum to the adjacent downtown buildings such as the Orpheum Theater, City Building, and Jefferson Building while also relating to the traditional language of natural history museums.
Site Model
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Coordinator Office110
Staff Office111
Staff Restrooms112
Closet100
Reception
Gift Shop101
Receiving/Storage102
Work Room103
Mechanical104
Equipment105
Janitorial106
Men’s Restroom
107
Women’s Restroom
108
Elevator Equipment
109
10’ 20’5’
Accounting200
Secretary’s Area
AssistantDirector
201
Kitchenette203 Orientation Room
204 Orientation Storage205
Women’s Restroom
206
Men’s Restroom
207
Library208
MechanicalShaft
10’ 20’5’
Interior Perspective: First Floor
Interior Perspective: Second Floor
First Floor Plan
Second Floor Plan
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1’ 2’ 4’ 8’ 16’
North Elevation
Section A-A
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1’ 2’ 4’ 8’
Pediment Detail
Exposed Structure
West Elevation
Section B-B
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concrete slab on grade
limestone masonry panels
2” air space
3” rigid insulation
CMU backup wall
Ground Floor
flashing
flashing
double glazed low-e window
Bottom of Window
Top of Window
2nd Floor
Bottom of Window
Top of Window
Roof Level
Elevation: 1’0”
Elevation: 4’0”
Elevation: 10’ 0”
Elevation: 15’-0”
Elevation: 18’-0”
Elevation: 24’-0”
Elevation: 29’-0”
steel beam
vapor barrier
1/2” drywall
steel studs at 12” o.c.
metal decking
concrete floor slab
double glazed low-e window
steel beam
copper gutter
metal roofing panels
4” rigid insulation
metal decking
vapor barrier
1/2” drywall
limestone window pediment
concrete sidewalk
steel truss member
CMU bond beam
CMU bond beam
limestone window pediment
travertine tile floor
1’ 2’ 4’0’
travertine tile floor
main return duct
main supply duct
supply diffuser
return diffuser
fresh air supply
exhaust air
Egress Stairs
Elevator CorePitched Howe Steel Truss Spans 65 ft
Egress Stairs
W 10x19 Steel Column
W 10x69 Steel Girder
W 10x22 Steel Beem
Concrete Slab with Foundation Wall and Footing
Structural Axonometric Diagram
Second Floor
First Floor
HVAC Distribution DiagramsSystem Type: Single-Duct VAV
Wall Section Detail
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Sectional Model
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S H I F T I N G M O D U L E SSite: Dr. Martin Luther King Jr. Drive, Chicago, ILDuration: 4 weeksSpring 2012 Junior Year Project
-brushing-washing
1
-sitting-relaxing
-cooking-eating
-reading-writing-studying
-sleeping-reading-relaxing
Walking up the staircase into her newly acquired space, the interior design student finds a new project on her hands. The interior architectural modules in the house provide a solution for determining the function for the spaces within. She finds the spatial arrangement to be disorganized and only the existing features allow for any transformation into her own style.
2 3
4 5
Spatial Catalogue
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Third Floor Plan
Second Floor Plan
First Floor Plan
Transverse Section
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5
2
3
3
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West Elevation
RESEARCH ON THE INCLINESite: Kickapoo State Park, ILDuration: 4 WeeksFall 2011 Junior Year Project
Situated on a steep slope in Kickapoo State Park, the research facility serves as a retreat for visiting researchers. The ground slope is identical to the staircase slope, offering a smooth transition from the upper floor to the lower floor. As visitors enter the facility, the enclosed hallway opens up to the work room which is illuminated by skylights to maximize productivity. The outer shell is composed of wooden louvers, forming a canopy for the inner box and connecting the building to the landscape.
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44Site PlanConcept Diagrams
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Concept ModelsPrecedent Study
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Interior Perspective
Section B-B Section A-A
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Upper Floor Plan
Bedroom
Working/Meeting
Lower Floor Plan
Kitchen
Bathroom
Bedroom
Laundry
Recreation/Relaxation
South Elevation West Elevation 1’ 2’ 4’ 8’1’ 2’ 4’ 8’
Upper Floor PlanLower Floor Plan
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PROFESSIONAL WORK
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BHDP ARCHITECTURERetail TeamFall 2014 Co-Op
Storefront RenderingValley River Center MallEugene, OR Courtesy BHDP Architecture
While at BHDP Architecture, I was part of the retail design team. My primary responsibilities included creating design development sets for Claire’s and Icing retail stores both in North America and internationally. I also assisted in the 15L prototype storefront design and fixture plan layout. Courtesy BHDP Architecture
Icing 14S Storefront Design
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CLAIRE'S NEW FIXTURES
AVERAGE OR HIGH
SUNGLASS
TOWER
EAR RING TREE(ERT)
3 WAY
RBJ
STOCK AREA
SALES AREA
NOTE:T.G.C. TO CREATESMOOTH, FLUSHTRANSITION BETWEENSALES FLOOR ANDSTOCKROOM TILE
MATERIAL FINISHES & COLOR SCHEDULE
CODE MANUFACTURER DESCRIPTION FINISH REMARKS
B-1 VENDOR 4" WOOD BASE TO MATCH PT-3 SALES AREA BASE
B-2 IMOLA MAGMA G4" X 12"PORCELAINTILE
TO MATCH FC-1SALES AREA BASE; MATCH ALLGROUT LINES W/ SALES AREATILE
B-3 ARMSTRONG 4" VINYL BASE #73 - PARCHMENT ALL NON-SALES AREA, U.N.O.
FC-1 IMOLA MAGMA G GRAY
FC-2 ARMSTRONG 12"x12" V.C.T.STANDARD EXCELONIMPERIAL TEXTURE#51911 CLASSIC WHITE
ALL NON-SALES AREA, U.N.O.
FC-3 MALL TILE PER MALL CRITERIACOORDINATE WITH MALLOPERATIONS MANAGER
MT-1 VENDORSTOREFRONTMETAL
TIGER DRYLAC #RAL-9016WHITE
PL-1 VENDORF.R.P. WALLPANELS
P100 WHITEFOR USE IN RESTROOM,DRINKING FOUNTAIN & MOPSINK AREAS
PT-1 BENJAMIN MOORE PAINT PM1- SUPER WHITEEGGSHELL FINISH, GYP. BD.CEILINGS, SOFFITS,STOCKROOM/TOILET ROOM
PT-2 BENJAMIN MOORE PAINT2071-40 CROCUS PETALPURPLE
PT-3BENJAMIN MOORENO EXCEPTIONS
PAINT SILVER MATTE
BASE PAINT: BMCN3192B004QT N3192B REGAL EG INTFORMULA: OY 0 X 3.0000, BK 0X 18.0000
PT-4BENJAMIN MOORENO EXCEPTIONS
PAINT CUSTOM PURPLE
PT-5 BENJAMIN MOORESPRAYAPPLIED PAIN
BM OC 58- SATIN FINISH
SW-1 SLATWALL WIND MILL - WHITE
WC-1VINYLCOVERING
PATTERN- HIGH GLOSSPMS 7671 CMYKTINT 100%
WD-1 MDF PANELSPANTONE 7671, SATINFINISH
NOTE:PAINT FINISH AT DOORS TO BE SEMI-GLOSS. PAINT FINISHES AT WALLS TO BE EGGSHELL. PAINTFINISH AT ALL GYP BD SOFFITS, CEILINGS, LIGHT COVE & STOREFRONT TO BE FLAT.
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AVERAGE OR HIGH
SUNGLASS
TOWER
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3 WAY
RBJ
STOCK AREA
SALES AREA
NOTE:T.G.C. TO CREATESMOOTH, FLUSHTRANSITION BETWEENSALES FLOOR ANDSTOCKROOM TILE
MATERIAL FINISHES & COLOR SCHEDULE
CODE MANUFACTURER DESCRIPTION FINISH REMARKS
B-1 VENDOR 4" WOOD BASE TO MATCH PT-3 SALES AREA BASE
B-2 IMOLA MAGMA G4" X 12"PORCELAINTILE
TO MATCH FC-1SALES AREA BASE; MATCH ALLGROUT LINES W/ SALES AREATILE
B-3 ARMSTRONG 4" VINYL BASE #73 - PARCHMENT ALL NON-SALES AREA, U.N.O.
FC-1 IMOLA MAGMA G GRAY
FC-2 ARMSTRONG 12"x12" V.C.T.STANDARD EXCELONIMPERIAL TEXTURE#51911 CLASSIC WHITE
ALL NON-SALES AREA, U.N.O.
FC-3 MALL TILE PER MALL CRITERIACOORDINATE WITH MALLOPERATIONS MANAGER
MT-1 VENDORSTOREFRONTMETAL
TIGER DRYLAC #RAL-9016WHITE
PL-1 VENDORF.R.P. WALLPANELS
P100 WHITEFOR USE IN RESTROOM,DRINKING FOUNTAIN & MOPSINK AREAS
PT-1 BENJAMIN MOORE PAINT PM1- SUPER WHITEEGGSHELL FINISH, GYP. BD.CEILINGS, SOFFITS,STOCKROOM/TOILET ROOM
PT-2 BENJAMIN MOORE PAINT2071-40 CROCUS PETALPURPLE
PT-3BENJAMIN MOORENO EXCEPTIONS
PAINT SILVER MATTE
BASE PAINT: BMCN3192B004QT N3192B REGAL EG INTFORMULA: OY 0 X 3.0000, BK 0X 18.0000
PT-4BENJAMIN MOORENO EXCEPTIONS
PAINT CUSTOM PURPLE
PT-5 BENJAMIN MOORESPRAYAPPLIED PAIN
BM OC 58- SATIN FINISH
SW-1 SLATWALL WIND MILL - WHITE
WC-1VINYLCOVERING
PATTERN- HIGH GLOSSPMS 7671 CMYKTINT 100%
WD-1 MDF PANELSPANTONE 7671, SATINFINISH
NOTE:PAINT FINISH AT DOORS TO BE SEMI-GLOSS. PAINT FINISHES AT WALLS TO BE EGGSHELL. PAINTFINISH AT ALL GYP BD SOFFITS, CEILINGS, LIGHT COVE & STOREFRONT TO BE FLAT.
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MALL FLOORINGTENANT FLOORING
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MALL FLOORINGTENANT FLOORING
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ENVIRONMETRICS, INC.Spring 2014 Co-Op
At Environmetrics, I was able to work on ten residential projects ranging from remodels to additions. In the office, I was responsible for as-built drawings and proposals to obtain permits. I also performed demolition work on several residences alongside the sub-contractors before construction work began.
Dust-Miltner ResidenceMt. Adams, Cincinnati, OH
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PHI DELTA THETA HOUSEUniversity of CincinnatiOctober 2015
This project was for a design brochure I completed for the Phi Delta Theta fraternity house at UC. Thomas Arnold, the president of Environmetrics, asked for an exterior rendering of his new design for the house which I did post processing on in Photoshop.
3D SketchUp model courtesy:Chip Brown, ArchitectEnvironmetrics, Inc.
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FULLERTON RESIDENCESite: Mayne Island, British ColumbiaArchitect: Bob Irving, AIBC, LEED, PrincipalIrving Pitcher Architects
For this project, I was responsible for building the scale model of the schematic design of a private residence located on Mayne Island, BC. The model was completed June 2013 and the built house was finished December 2015.
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ARTWORK
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Porch in New OrleansWatercolor 11x15 inches
PA I N T I N G S A N D D R AW I N G S
The Ripening of a Banana Acrylic on Canvas 24x48 inches
Kitchen PerspectiveGraphite on Bond Paper 14x20 inches
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SailboatWhite Charcoal on Black Paper 18x24 inches
CollageGraphite 8x10 inches
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In a Galaxy BeyondSpray Paint on Poster Board 11x14 inches
Interplanetary MoonsSpray Paint on Poster Board 11x14 inches
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Amidst Interstellar CloudsDigital Painting1550x870 pixels
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