TheInternationalSaleOld Master Paintings,Drawings & Prints
Lyon & Turnbull Edinburgh28th September 2011Freeman’s Philadelphia7th October 20 11
TheInternationalSaleOld Master Paintings,Drawings & Prints Friday, October 7th, 2011
11am
Sale Number 1411
1808 Chestnut Street
Philadelphia PA 19103
Tel. +1 215.563.9275
Fax. +1 215.563.8236
www.freemansauction.com
Catalogue: £15 / $35
See page 2 for viewing and
enquiriy details
Inside Front Cover: Lot 107Inside Back Cover: Lot 9
Printing by Brilliant Studio
Exton, Pennsylvania
Wednesday, September 28th 2011
11am
Sale Number LT329
33 Broughton Place
Edinburgh EH1 3RR
Tel. +44(0) 131 557 8844
Fax. +44(0) 131 557 8668
www.lyonandturnbull.com
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Viewing and Enquiries
Auction
Friday, October 7th, at 11am
Exhibition
Friday September 30th
10am - 4.:30pm
Saturday October 1st
12 noon - 4pm
Monday October 3rd
10am - 4:30pm
Tuesday October 4th
10am - 4:30pm
Wednesday 5th October 5th
10am - 4:30pm
Thursday October 6th
10am - 4:30pm
Limited viewing on morning of the sale
Specialists
David Weiss
direct tel: 267.414.1214
Maya O’Donnell-Shah
direct tel: 267.414.1210
Commission Bids
Bridgette Bonner
tel: 267.414.1208
fax: 215.599.2240
1808 Chestnut Street
Philadelphia PA 19103
Tel. +1 215.563.9275
Fax. +1 215.563.8236
www.freemansauction.com
Auction
Wednesday, September 28th, at 12 noon
Exhibition
Sunday September 25th
12 noon - 4pm
Monday September 26th
10am - 5pm
Tuesday September 27th
10am - 5pm
Morning of sale strrictly by
appointment only
Specialists
Nick Curnow
Charlotte Riordan
Enquiries and Commission Bids
Lyon and Turnbull Ltd.
33 Broughton Place
Edinburgh EH1 3RR
Tel. +44 (0)131 557 8844
Fax. +44 (0)131 557 8668
email: [email protected]
www.lyonandturnbull.com
Please note that the the Conditions of Sale and Buyers’ Information vary
between Lyon & Turnbull and Freeman’s - information for both can be
found in this catalogue.
Bidding will be in GB£ for Lyon & Turnbull and US$ for Freeman’s - the
equivalent rate is given for each lot at £1 = $1.60 but should be treated as a
guide only.
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TheInternationalSaleOld MasterPaintings,Drawings & Prints
Session One
Wednesday, September 28th 2011
at 11am
Lyon and Turnbull
33 Broughton Place Edinburgh
EH1 3RR
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Electrical Goods
Lots that were once operated by
mains electricity are bought
entirely at the buyer’s risk. They
are offered for sale for display or
historical purposes and may not
comply with current regulations.
Bidding
At the Sale
To bid at the sale all potential
buyers must be registered with us
on or before the day of sale. We
will need proof of identification
and residence, and may require a
bank reference. Potential buyers
must collect a bidding number
before the sale begins, and show
that number if successful in
purchasing a lot. Please ensure
that the auctioneer repeats the
number correctly when
confirming the sale. If there is any
doubt at this stage as to the
hammer price or buyer it must be
brought to the auctioneer’s
attention immediately. All lots
will be invoiced to the name and
address given on your registration
form, which is non-transferable. If
you have purchased a lot you
may take your bidding number to
the accounts department and
receive an invoice immediately. If
you have not been successful
please leave the number at the
Registration or Reception desks.
In writing
Bid forms are available at the sale
and at the back of the catalogue.
These should be submitted in
person, by post, or by fax as soon
as possible prior to the sale and
we will bid on your behalf up to
the limit indicated. In the event of
receiving two identical bids the
first one received will take
precedence. They must be
received at the very latest at least
an hour before the sale. We will
do our utmost to execute these
bids but we offer this service
entirely at the bidder’s risk.
required to collect a royalty
payment for all qualifying works
of art, where the artist is still
living. This royalty will be charged
to the buyer on the hammer price
and in addition to the buyers
premium. It will not apply to
works where the hammer price is
less than €1,000 (euros). The
charge for works of art sold at
and above €1,000 (euros) and
below €50,000 (euros) is 4%.
For items selling above €50,000
(euros), charges are calculated on
a sliding scale.
All royalty charges are paid to the
Design and Artists Copyright
Society (‘DACS’) and no handling
costs or additional fees are
retained by the auctioneer. Resale
royalties are not subject to VAT.
Please note that the royalty
payment is calculated on the rate
of exchange at the European
Central Bank on the date of the
sale.
More information on Droit de
Suite is available at
www.dacs.org.uk
Damage and Restoration
Occasionally when a lot has
suffered extensive damage and/or
restoration it is indicated in the
catalogue. This is mentioned
entirely at our discretion for the
benefit of buyers. Where there is
no mention of damage and/or
restoration this should not be
taken to mean that there is none.
It is the buyer’s responsibility to
ensure that the condition of lots
is to their satisfaction (see our
Terms and Conditions of Sale).
Condition Reports
If potential buyers are unable to
inspect lots in person our
specialists will be happy to
prepare detailed Condition
Reports on individual lots as
quickly as possible. These are for
guidance only and all lots are sold
‘as found’ (see our standard
Terms and Conditions of Sale).
Buying at Auction
This sale is subject to our
standard Terms and Conditions of
Sale. If you have not bought at
auction before we will be
delighted to advise you.
Estimates
Estimates are printed below each
lot and do not include the buyer’s
premium. The sale will be
conducted in pounds sterling.
Dimensions
Dimensions are for guidance only;
it is the buyer’s responsibility to
ensure that they are correct.
Buyer’s Premium
The buyer shall pay the hammer
price together with a premium
thereon.
Antiques, Jewellery & Silver and
Pictures (Not Fine Sales)
17.5%
All other sales
(Fine/Special/Collections)
25% up to £25,000 / 20%
thereafter.
VAT will be charged on the
premium at the rate imposed by
law. (see our Terms and
Conditions of Sale).
VAT
The symbol * by a lot number
indicates that VAT is payable by
the purchaser at the standard rate
on the hammer price.
The symbol † by a lot number
indicates that the lot has been
temporarily imported from
outside the EU and that VAT is
payable by the purchaser at the
rate of 5% on the hammer price
and the buyer’s premium.
No VAT is payable on the
hammer price or premium for
books bought at auction.
Droit de Suite
This symbol § indicates works
which may be subject to the Droit
de Suite or Artist’s Resale Right,
which took effect in the United
Kingdom on 14th February 2006.
Under this legislation, we are
Important Information for Buyers at Lyon & Turnbull
By telephone
Bids submitted by telephone
must be confirmed in writing.
Telephone bidding
If you are unable to attend the
sale we can normally arrange for
you to bid on the telephone. This
service is available entirely at our
discretion and at the bidder’s risk.
All telephone bids must be
confirmed in writing, listing the
relevant lots and appropriate
number to be called. We
recommend that a covering bid is
also left in the event that we are
unable to make the call. We
cannot guarantee that lines will
be available, or that we will be
able to call you on the day, but
will endeavour to undertake such
bids to the best of our abilities.
Methods of Payment
Goods purchased will not be
released until we have received
full payment.
Cash
Cash payments can be made at
the accounts desk during or after
a sale.
Cheque
Cheques should be made payable
to Lyon and Turnbull Ltd. We
reserve the right to wait until
cheques have been cleared by our
bankers before releasing bought
goods. Cheques can be cleared
prior to sale on request. Cheques
drawn by third parties cannot be
accepted. If paying by post please
include the slip from your invoice.
Switch or Credit Cards
Payment can be made by Switch,
Mastercard or Visa cards. There
is a surcharge on credit card
payments.
Collection
It is the buyer’s responsibility to
ascertain collection procedures,
particularly if the sale is not being
held at our main saleroom.
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wednesday, september 28th, 2011
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1 FB367/2FOLLOWER OF SIR ANTHONYVAN DYCKHALF LENGTH PORTRAIT OFKING JAMES II IN ARMOUROil on canvas
76cm x 63.5cm (30in x 25in)
£1,500-2,000 $2,400-3,200
2 FB367/4MANNER OF ANTONIO DAVIDHALF LENGTH PORTRAIT OFJAMES EDWARD FRANCISSTUART THE OLD PRETENDERIN ARMOUROil on canvas, feigned oval
76cm x 63cm (30in x 25in)
£1,500-2,000 $2,400-3,200
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3 FB367/1AFTER SIR PETER LELY HALF LENGTH PORTRAIT OFKING WILLIAM III IN ARMOUROil on canvas, feigned oval
76cm x 63cm (30in x 25in)
and a companion his wife Queen
Mary mounted within the same
frame (2)
Note:The portrait of King William is based onan original in Syon House, that of QueenMary on an original in the Queen’sCollection
£3,000-5,000 $4,800-8,000
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4 FB367/3FOLLOWER OF SIR GODFREYKNELLERHALF LENGTH PORTRAIT OFKING CHARLES IIOil on canvas, in shaped
cartouche
75cm x 63cm (30in x 25in)
£1,500-2,000 $2,400-3,200
5 FB367/5AFTER LOUIS TOCQUEHALF LENGTH PORTRAIT OFCHARLES EDWARD STUARTTHE YOUNG PRETENDER INARMOUROil on canvas
76cm x 63cm (30in x 25in)
£1,000-1,500 $1,600-2,400
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6 FA230/2MANNER OF JAN VAN DEMEERTENDING THE FLOCKIndistinctly signed and dated,
oil on canvas laid down
13cm x 17cm (5in x 17.5in)
and a companion a pair (2)
£800-1,200 $1,280-1,920
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7 FB347/2FOLLOWER OF FRANCIA BIGIOMADONNA AND CHILD WITHST.JOHNOil on canvas, with the seal of the
House of Savoy, Seal of
Emmanuel verso, unframed
117cm x 89cm (46in x 35in)
Note:This is a period variant without thefigures around the well of the original inthe Kunsthistoriches Museum in Viennano.208
Provenance:Royal Scottish AcademyThe Veitch Bequest 1875
Note:The Veitch Bequest was a substantialacquisition of an Edinburgh collection ofmostly non-British paintings generallydescribed as Old Masters.
£6,000-8,000 $9,600-12,800
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9 FB674/116TH CENTURY ENGLISHSCHOOLHEAD OF CHRISTInscribed extensively: “THIS
PRESENT FIGURE IS THE SIMILITUDE
OF OUR LORDE IHV OUR SAVIOUR
IMPRINTED IN AMIRALD BY THE
PREDECESSORS OF THE GRETE TURKE
AND SENT TO POPE INNOSENT THE
VIII AT THE COST OF THE GREAT
TURKE FOR A TOKEN FOR THIS CAUSE
TO REDEME HIS BROTHER THAT WAS
TAKEN PRISONER”, oil on panel
27.5cm x 20cm (10.75in x 8in)
8 FA161/9AFTER HANS HOLBEINHALF LENGTH PORTRAIT OFHENRY VIIIOil on panel, feigned oval
19cm x 15cm (7.5in x 6in)
£500-800 $800-1,280
Note:This depiction of Jesus in profile isderived from an image engraved on theEmerald Vernicle in the collection of theVatican. Like St.Veronica’s Veil and theMandylion Edessa, the Emerald Vernicle,though not claimed as miraculous, wasaccepted as a portrait of Christ.Around 1429, Sultan Bajazet 11 ofConstantinople, The Great Turk, gave theemerald, carved with the profile of Jesus,to Pope Innocent VIII. Bajazet profferedthe emerald to ensure that his brotherwould remain in Papal custody, thussecuring his own unhindered accessionto the throne. The inscription below theportrait relates to this story, although thepainter has changed the intention behindthe gift.
£800-1,200 $1,280-1,920
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10 FB678/1FOLLOWER OF SIR GODFREY KNELLERFULL LENGTH PORTRAIT OFKING WILLIAM III INCEREMONIAL ROBESOil on canvas
218.5cm x 142cm (86in x 56in)
Note:A German-born pupil of Bol andRembrandt, Godfrey Kneller became theleading portrait painter in the court ofEngland in the late 17th and early 18thcenturies.The present work is related to severalother examples of Kneller’s portrait ofWilliam III (or “King Billy” as he wascolloquially known amongst his Scotsand Irish subjects), including that held inthe Royal Collection. The work differsfrom the Royal Collection version inWilliam’s choice of footwear, depictinghim in red-heeled shoes. A traditionalsymbol of status which survives in theLouboutins of today, this sartorial choiceechoes the Parisian fashions of hiselegant foe, Louis XIV, whom Kneller alsopainted. For many years it has hung in anhistoric Irish household, where itselaborate crown-topped frame wouldhave attested to the household’s loyaltyto the throne.
£12,000-18,000$19,200-28,800
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12 FB54/1FOLLOWER OF MATHYSSCHOEVAERDTSA BUSY COASTAL SCENE WITHFIGURES AND BOATS IN AHARBOUROil on panel
20cm x 24cm (8in x 9.5in)
£1,000-1,500 $1,600-2,400
11 FB207/117TH CENTURY GERMANSCHOOLVIEW OF A FARMYARD WITH ACASTLE IN THE DISTANCEOil on oak panel
18cm x 24.5cm (7in x 9.5in)
£1,500-2,000 $2,400-3,200
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13 FB347/13CIRCLE OF CARLO MARATTATHE ASSUMPTION OF THEVIRGINOil on canvas, unframed
133.5cm x 97.5cm (52.5in x 38.5in)
Provenance:Royal Scottish AcademyThe Veitch Bequest 1875
£3,000-4,000 $4,800-6,400
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14 FB211/1FOLLOWER OF ADAM FRANSVAN DER MEULENTHE SIEGE OF VIENNAOil on canvas
48cm x 56cm (19in x 22in)
£1,000-1,500 $1,600-2,400
16 FB54/2MANNER OF VAN KESSELMONKEY CARD PLAYERSOil on card
18cm x 28cm (7in x 11in)
£400-600 $640-960
15 FB594/2CIRCLE OF ORAZIOGREVENBROECKA BUSY PORT AT SUNSETOil on canvas, unframed
33cm x 69cm (13in x 27in)
£600-800 $960-1,280
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17 FB347/917TH CENTURY ROMANSCHOOLAN ITALIANATE LANDSCAPEWITH FIGURES AND ANIMALSBY RUINSOil on canvas
50.5cm x 65cm (20in x 25.5in)
Provenance:Royal Scottish AcademyThe Veitch Bequest 1875
£4,000-6,000 $6,400-9,600
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18 FB589/1REMBRANDT VAN RIJN(DUTCH 1606-1669)PEASANT CALLING OUTEtching, only state, Bartsch 177,
stamped with a collector’s mark
11.2cm x 4.3cm (4.4in x 1.7cm)
and a pair ‘Peasant Replying’ (2)
Provenance:‘Peasant Calling Out’ bears thecollector’s mark of Richard Houlditchdied 1736, ‘Peasant Replying’ was in thecollection of Rev. J.Burleigh James 1850
£8,000-12,000 $12,800-19,200
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19 FA267/5REMBRANDT VAN RIJN(DUTCH 1606-1669)SECOND ORIENTAL HEADEtching 11/11,Bartsch 287
15.2cm x 12.7cm (6in x 5in)
Note:A label attached to the print states thatthe etching was inspected by A.M.Hindof the British Museum
£5,000-7,000 $8,000-11,200
20 FB464/3REMBRANDT VAN RIJN(DUTCH 1606-1669)CHRIST DISPUTING WITH THEDOCTORSEtching, 65, Bartsch
13cm x 21.5cm (5in x 8.5in)
£2,000-3,000 $3,200-4,800
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22 FB672/2AFTER PIETER BRUEGHEL THEELDER (FLEMISH c. 1525-1569)THE DEATH OF THE VIRGINEngraving, by P. Galle, second state,
with partially identifiable watermark
31cm x 41.6cm (12.2in x 16.4in) (plate size)
38cm x 49.4cm (15in x 19.25in) (sheet size)
Note:Inscription reads 'Thus Philipp Galle copiedthe archetype by Pieter Bruegel', and'Abraham Ortelius and his friend attended toits making', accompanied by three Latinquatrains.
£800-1,200 $1,280-1,920
21 FB672/3AFTER PIETER BRUEGHEL THEELDER (FLEMISH c. 1525-1569)INVIDIA, FROM THE SEVENDEADLY SINSEngraving, by P. van der Hayden,
only state, with engraver's
monogram and flower watermark
24cm x 29.2cm (9.4in x 11.5in) (plate size)
24cm x 33cm (9.5in x 13in) (sheet size)
£800-1,200 $1,280-1,920
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23 FB672/1AFTER PIETER BRUEGHEL THEELDER (FLEMISH c. 1525-1569)SAINT JAMES VISITING THEMAGICIAN HERMOGENESEngraving, 1565, by P. van der
Hayden, first state, with flower
watermark
22cm x 29.3cm (8.7in x 11.5in) (plate size)
22.5cm x 30cm (8.75in x 12in) (sheet size)
Note:Published by Hieronymous Cock 1565,inscription translated 'St James by devilisharts is placed before the magician'.
£800-1,200 $1,280-1,920
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25 FB347/14ATTRIBUTED TO JAN FRANSVAN BLOEMENFIGURES AND DOG BY RUINSOil on canvas
43cm x 33.5cm (17in x 13.25in)
Provenance:Royal Scottish AcademyThe Veitch Bequest 1875
£2,000-3,000 $3,200-4,800
24 FB347/15ATTRIBUTED TO JAN FRANSVAN BLOEMENFIGURES BY RUINSOil on canvas
48cm x 37.5cm (19in x 14.75in)
Provenance:Royal Scottish AcademyThe Veitch Bequest 1875
£2,000-3,000 $3,200-4,800
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26 FB270/1AFTER LOUIS GABRIELBLANCHET HALF LENGTH PORTRAIT OFBONNIE PRINCE CHARLIEOil on canvas
71cm x 58cm (28in x 22.75in)
£6,000-8,000 $9,600-12,800
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28 FA415/1JOHAN YKENS (17TH CENTURY FLEMISH)ALLEGORICAL FIGUREALONGSIDE A BUST OF HOMERSigned, oil on panel, unframed (a
fragment)
51cm x 23cm (20in x 9in)
£600-800 $960-1,280
27 FA415/217TH CENTURY ANTWERPSCHOOLFOUR ELDERS OF THE CHURCHOil on panel
55cm x 46cm (21.75in x 18in)
£1,000-1,500 $1,600-2,400
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29 FB596/1SIR HENRY RAEBURN R.A.,R.S.A. (SCOTTISH 1756-1823)THREE-QUARTER LENGTHPORTRAIT OF GOVERNORHENRY HAMILTONOil on canvas
127cm x 101.5cm (50in x 40in)
Note:This portrait dates circa 1785. It has beensuggested that the sitter could beColonel Henry Hamilton, whose portraitby James Tassie, dating from 1786, is inthe Scottish National Portrait Gallery.
Provenance:McCormick Sale, American ArtAssociation, New York, 15th April 1920With Knoedler, 1922Mr and Mrs van Horn Ely, by whomgiven to the Phoenix Art MuseumAnon. sale, Sotheby’s, 8th November1995, lot 53
Exhibited:Chicago, The Art Institute, 1895 and 1919Pittsburgh, Carnegie Institute, 1898Boston, Copley Hall, 1900Boston Art Students Association, no. 33
£15,000-20,000$24,000-32,000
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31 FB347/10CIRCLE OF JAN BOTHA WOODED LANDSCAPE WITHSHEPHERD BOY AND ANIMALSOil on panel
58..5cm x 80cm (23in x 31.5in)
Provenance:Royal Scottish AcademyThe Veitch Bequest 1875
£1,500-2,000 $2,400-3,200
30 FB54/3MANNER OF THOMAS PATCHAN ITALIANATE COASTALVIEW WITH FISHERMENUNLOADING THEIR CATCHOil on canvas
61cm x 74cm (24in x 29.25in)
£1,500-2,000 $2,400-3,200
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32 FB347/118TH CENTURY FOLLOWER OFVERONESETHE TRIUMPH OF VENICEOil on canvas, feigned oval
114.5cm 73.5cm (45.25in x 29cm)
Note:The original of this painting hangs in thePalazzo Ducale, Venice. The ‘Ricci’colouration suggests a late 17th/early18th century date. In 1715 Charles de laFosse advised Ricci to paint only“Veroneses and no more Riccis”
Provenance:Royal Scottish AcademyThe Veitch Bequest 1875
£6,000-8,000 $9,600-12,800
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33 EAA391/62ATTRIBUTED TO JOHN HAYLSHALF LENGTH PORTRAIT OF AYOUNG MAN IN ARMOUR ANDWHITE CRAVATOil on canvas
76cm x 63.5cm (30in x 25in)
£2,000-3,000
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34 EAA567/3STUDIO OF SIR GODFREYKNELLER (BRITISH 1646-1723)THREE-QUARTER LENGTHPORTRAIT OF THE DUKE OFSCHOMBERGOil on canvas
127cm x 101cm (50in x 40in)
Note:The Duke of Schomberg (1616-1690) isspectacular subject matter for a formalportrait, depicting one of the greatprofessional soldiers and military leadersof 17th century Europe, the ‘AblestSoldier of his Age’, as Matthew Glozierhas sub-titled his recent biography of theHeidelberg-born Mashal Schomberg. Anorphan from an early age, he began hiscareer in the service of Frederick Henry,Prince of Orange, eventually servingSweden, France, the Dutch Republic,Brandenburg and Britain in their militaryendeavours. He was a Marshal of Franceand a General in the English andPortuguese armies, was awarded the titleof Count of Mértola by the King ofPortugal, the Order of the Garter andcreated Duke of Schomberg in theEnglish Peerage. As historians have noted, Schombergwas one of the last international soldiersand military leaders, prospering at a timewhen borders in Europe were morepermeable and there was a constantneed for experienced military leaders.That became less the case towards theend of the seventeenth century whendifferent governments took more controlof their armies. An inflexible Protestant,Schomberg married a French Huguenotwoman and eventually led William II’sarmies against the Jacobite supporters ofJames II in Ireland, second-in-commandto the Prince of Orange. He died at theBattle of the Boyne on 1st July 1690whilst crossing the Boyne river andrallying his men and is buried in StPatrick’s Cathedral.
£2,500-4,000 $4,000-6,400
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LYON & TURNBULLold master paintings, drawings & printswednesday, september 28th, 2011
28
35 FB673/1ANDRIES DE CONINCK(FLEMISH fl. 1643-1659)A STILL LIFE OF LOBSTER, FRUITAND OBJETS ON A TABLE-TOPWITH A VIEW THROUGH AWINDOW BEYONDOil on canvas
113.5cm x 159cm (44.75in x 62.5in )
Note:In a letter of 2007 Dr. Fred Meier of RKDconfirmed the attribution to Andries deConinck on the basis of a transparencyand it is recorded on their databaseno.71824
£18,000-25,000$28,800-40,000
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LYON & TURNBULLold master paintings, drawings & prints
wednesday, september 28th, 2011
29
36 EAA560/2AFTER RAPHAELTHE CONESTABILE MADONNAOil on panel, circular
20cm (8in) diameter
Note:The original is in the Hermitage.
£800-1,200 $1,280-1,920
37 FB594/1AFTER RAPHAELTHE TRANSFIGURATIONOil on canvas
131cm x 88cm (51.5in x 34.5in)
Note:The original painting was Raphael’s lastand is in the Pinoteca Vaticana
£1,500-2,000 $2,400-3,200
38-50
No lots
END OF DAY ONE
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Lyon & Turnbull carries on business withbidders, buyers and all those present in theauction room prior to, or in connection, witha sale on the following General Conditionsand on such other terms, conditions andnotices as may be referred to herein.
1. DEFINITIONS
In these Conditions:
(a) “Auctioneer” means the firm of Lyon &Turnbull or its authorised auctioneer, asappropriate;
(b) “deliberate forgery” means an imitationmade with the intention of deceiving as toauthorship, origin, date, age, period, cultureor source but which is unequivocallydescribed in the catalogue as being thework of a particular creator and which, atthe date of the sale, had a value materiallyless than it would have had if it had been inaccordance with the description;
(c) “hammer price” means the level ofbidding reached (at or above any reserve)when the auctioneer brings down thehammer;
(d) “terms of consignment” means thestipulated terms and rates of commissionon which Lyon & Turnbull acceptsinstructions from sellers or their agents;
(e) “total amount due” means the hammerprice in respect of the lot sold together withany premium, Value Added Tax chargeableand any additional charges payable by adefaulting buyer under these Conditions;
(f) “sale proceeds” means the net amountdue to the seller, being the hammer price ofthe lot sold less commission at the statedrate, Value Added Tax chargeable and anyother amounts due to us by the seller inwhatever capacity and however arising;
(g) “You”, “Your”, etc. refer to the buyer asidentified in Condition 2.
(h) The singular includes the plural and viceversa as appropriate.
2. BIDDING PROCEDURES AND THEBUYER
(a) Bidders are required to register theirparticulars before bidding and to satisfy anysecurity arrangements before entering theauction room to view or bid;
(b) the maker of the highest bid accepted bythe auctioneer conducting the sale shall bethe buyer at the hammer price and anydispute about a bid, which must be raisedbefore the next lot is offered, shall be settledat the auctioneer’s absolute discretion.
(c) Bidders shall be deemed to act asprincipals.
(d) Once made, no bid may be withdrawn.
(e) Our right to bid on behalf of the seller isexpressly reserved up to the amount of anyreserve and the right to refuse any bid isalso reserved.
3. INCREMENTS
Bidding increments shall be at theauctioneer’s sole discretion.
4. THE PURCHASE PRICE
The buyer shall pay the hammer pricetogether with a premium thereon. Antiques,Jewellery & Silver and Pictures (Not FineSales)17.5%.
All other sales (Fine/Special/Collections)25% up to £25,000 / 20% thereafter. VAT will be charged on the premium at therate imposed by law.
5. VALUE ADDED TAX
Value Added Tax on the hammer price isimposed by law on all items affixed with anasterisk (*) or dagger (†). Value Added Tax
is charged at the appropriate rate prevailingby law at the date of sale and is payable bybuyers of relevant lots.
6. PAYMENT
(1) Immediately a lot is sold you will:
(a) pay to us the total amount due in cashor in such other way as is agreed by us. Weaccept cash, bank transfer (details onrequest), Switch or Debit Cards and Visa orMasterCard (please note there is asurcharge of 1.5% (VAT included) whenusing credit cards). We do not acceptAmerican Express.
(2) any payments by you to us may beapplied by us towards any sums owing fromyou to us on any account whatever withoutregard to any directions of you or youragent, whether express or implied.
7. TITLE AND COLLECTION OFPURCHASES
(1) The ownership of any lots purchasedshall not pass to you until you have madepayment in full to us of the total amountdue.
(2) You shall at your own risk and expensetake away any lots that you have purchasedand paid for not later than four working daysfollowing the day of the auction or upon theclearance of any cheque used for paymentafter which you shall be responsible for anyremoval, storage and other associatedcharges.
(3) No purchase can be claimed orremoved until it has been paid for.
(4) It is the buyer’s responsibility toascertain collection procedures, particularlyif the sale is not being held at our mainsaleroom and the potential storage chargesfor lots not collected by the appropriatetime.
8. REMEDIES FOR NON-PAYMENT ORFAILURE TO COLLECT PURCHASES
(1) If any lot is not paid for in full and takenaway in accordance with these Conditionsor if there is any other breach of theseConditions, we, as agent for the seller andon their behalf, shall at our absolutediscretion and without prejudice to anyother rights we may have, be entitled toexercise one or more of the following rightsand remedies:
(a) to proceed against you for damages forbreach of contract;
(b) to rescind the sale of that lot and/or anyother lots sold by us to you;
(c) to resell the lot (by auction or privatetreaty) in which case you shall beresponsible for any resulting deficiency inthe total amount due (after crediting anypart payment and adding any resale costs).Any surplus so arising shall belong to theseller;
(d) to remove, store and insure the lot atyour expense and, in the case of storage,either at our premises or elsewhere;
(e) to charge interest at a rate of 1.5% permonth above the current base rate on thetotal amount due, to the extent it remainsunpaid for more than four working daysafter the sale;
(f) to retain that or any other lot sold to youuntil you pay the total amount due;
(g) to reject or ignore bids from you or youragent at future auctions or to imposeconditions before any such bids shall beaccepted;
(h) to apply any proceeds of sale of otherlots due or in future becoming due to youtowards the settlement of the total amountdue and to exercise a lien (that is a right toretain possession of) any of your property
in our possession for any purpose until thedebt due is satisfied.
(2) We shall, as agent for the seller and ontheir behalf pursue these rights andremedies only as far as is reasonable tomake appropriate recovery in respect ofbreach of these Conditions
9. THIRD PARTY LIABILITY
All members of the public on our premisesare there at their own risk and must notethe lay-out of the accommodation andsecurity arrangements. Accordingly neitherthe auctioneer nor our employees or agentsshall incur liability for death or personalinjury (except as required by law by reasonof our negligence) or similarly for the safetyof the property of persons visiting prior to orat a sale.
10. COMMISSION BIDS
While prospective buyers are stronglyadvised to attend the auction and arealways responsible for any decision to bidfor a particular lot and shall be assumed tohave carefully inspected and satisfiedthemselves as to its condition we shall if soinstructed clearly and in writing executebids on their behalf. Neither the auctioneeror our employees or agents shall beresponsible for any failure to do so. Wheretwo or more commission bids at the samelevel are recorded we reserve the right in ourabsolute discretion to prefer the first bid somade.
11. WARRANTY OF TITLE ANDAVAILABILITY
The seller warrants to the auctioneer and toyou that the seller is the true owner of theproperty consigned or is properly authorisedby the true owner to consign it for sale andis able to transfer good and marketable titleto the property free from any third partyclaims.
12. AGENCY
The auctioneer normally acts as agent onlyand disclaims any responsibility for defaultby sellers or buyers.
13. TERMS OF SALE
The seller acknowledges that lots are soldsubject to the stipulations of theseConditions in their entirety and on theTerms of Consignment as notified to theconsignor at the time of the entry of the lot.
14. STANDARD VENDOR FEES ANDCHARGES (Subject to VAT)
(1) Commission: 15% of the first £3000 and10% thereafter is charged on the sellingprice of each lot (subject to a minimumcharge of £30). Loss and damage warranty:1.5% on value of lots sold. Photography:max £40 mono per lot, max £250 colour.Internet Marketing Service: £10 per lot.
(2) If a vendor wishes to withdraw a lotconsigned for sale, a withdrawal fee willapply; this will be charged at 15% of the midestimate with any photography chargesincurred and all subject to VAT at thecurrent rate.
15. DESCRIPTIONS AND CONDITION
(1) While we seek to describe lotsaccurately, it may be impractical for us tocarry out exhaustive due diligence on eachlot. Prospective buyers are given ampleopportunities to view and inspect before anysale and they (and any independent expertson their behalf) must satisfy themselves asto the accuracy of any description applied toa lot. Prospective buyers also bid on theunderstanding that, inevitably,representations or statements by us as toauthorship, genuineness, origin, date, age,provenance, condition or estimated selling
price involve matters of opinion. Weundertake that any such opinion shall behonestly and reasonably held and acceptliability for opinions given negligently orfraudulently. Subject to the foregoing neitherwe the auctioneer or our employees oragents or the seller accept liability for the correctness of such opinionsand all conditions and warranties, whetherrelating to description, condition or qualityof lots, express, implied or statutory, arehereby excluded. This Condition is subjectto the next following Condition concerningdeliberate forgeries and applies save asprovided for in paragraph 6 “information tobuyers”.
(2) Private treaty sales made under theseConditions are deemed to be sales byauction for purposes of consumerlegislation.
16. FORGERIES
Notwithstanding the preceding Condition,any Lot which proves to be a deliberateforgery (as defined) may be returned to usby you within 21 days of the auctionprovided it is in the same condition as whenbought, and is accompanied by particularsidentifying it from the relevant cataloguedescription and a written statement ofdefects. If we are satisfied from theevidence presented that the lot is adeliberate forgery we shall refund themoney paid by you for the lot including anybuyer’s premium provided that (1) if thecatalogue description reflected the acceptedview of scholars and experts as at the dateof sale or (2) you personally are not able totransfer a good and marketable title to us,you shall have no rights under thiscondition.
The right of return provided by thisCondition is additional to any right orremedy provided by law or by theseConditions of Sale.
GENERAL
17. We shall have the right at our discretion,to refuse admission to our premises orattendance at our auctions by any person.
18 (1) Any right to compensation for lossesliabilities and expenses incurred in respectof and as a result of any breach of theseConditions and any exclusions provided bythem shall be available to the seller and/orthe auctioneer as appropriate.
(2). Such rights and exclusions shall extendto and be deemed to be for the benefit ofemployees and agents of the seller and/orthe auctioneer who may themselves enforcethem.
19. Any notice to any buyer, seller, bidder orviewer may be given by first class mail inwhich case it shall be deemed to have beenreceived by the addressee 48 hours afterposting.
20. Special terms may be used in cataloguedescriptions of particular classes of items(Books, Jewellery, paintings, guns, firearmsetc) in which case the descriptions must beinterpreted in accordance with any glossaryor guidance notes appearing in thecatalogue. These notices and terms will alsoform part of our terms and conditions ofsales.
21. Any indulgence extended to biddersbuyers or sellers by us notwithstanding thestrict terms of these Conditions or of theTerms of Consignment shall affect theposition at the relevant time only and inrespect of that particular concession only;in all other respects these Conditions shallbe construed as having full force and effect.
22. Scottish law applies to theinterpretation of these Conditions.
Lyon & Turnbull Standard Terms & Conditions of Sale
G11-10622_OldMastersTXT1-32_Layout 1 9/7/11 4:26 PM Page 30
Fine PaintingsThursday 1st December, 201133 Broughton Place, Edinburgh EH1 3RR
www.lyonandturnbull .com
SIR HENRY RAEBURN R.A. (SCOTTISH 1756-1823)THREE-QUARTER LENGTH PORTRAIT OF ELIZABETH DOUGLASOil on canvas
125cm x 100cm (49in x 39.5in)
£15,000-20,000 (£24,00-32,000)
Viewing timesSunday 27th November 12 noon - 4pm Monday 28th November 10am - 5pm Tuesday 29th November 10am - 5pm Wednesday 30th November 10am - 5pmMorning of Sale by appointment only
EnquiriesNick CurnowTel: +44 (0)131 557 8844 [email protected]
Charlotte RiordanTel: +44 (0)131 557 8844 [email protected]
SIR HENRY RAEBURN R.A. (SCOTTISH 1756-1823)
THREE-QUARTER LENGTH PORTRAIT OF JAMES DOUGLAS
Oil on canvas
125cm x 100cm (49in x 39.5in)
£15,000-20,000 (£24,00-32,000)
Further entries invited until October 20th
G11-10622_OldMastersTXT1-32_Layout 1 9/7/11 4:26 PM Page 31
Upcoming atFreeman’s
www. f r e eman s au c t i o n . com
Inquiries:alasdair nicholdirect tel: [email protected]
david weissdirect tel: [email protected]
maya o’donnell-shahdirect tel: [email protected]
Catalogue $35
AuctionSunday December 4th at 2pm
ExhibitionsWednesday November 30thThursday December 1stFriday December 2ndSaturday December 3rd
Please contact the department or www.freemansauction.com for further details
Fine American & European Paintings &Sculpture 12/04/11
EDWARD WILLIS REDFIELD(american 1869-1965)"CANAL AT LAMBERTVILLE" (detail)Signed 'E.W. REDFIELD' lower left, oil on canvas32 1/4 x 39 1/2 in. (81.9 x 100.3cm) $150,000-250,000 (£93,750-156,250)
G11-10622_OldMastersTXT1-32_Layout 1 9/7/11 4:26 PM Page 32
TheInternationalSaleOld MasterPaintings,Drawings & Prints
Session Two
Friday, October 7th 2011
at 11am
Freeman’s
1808 Chestnut Street
Philadelphia PA 19103
G11-10622_OldMastersTXT33-64_Layout 1 9/9/11 11:57 AM Page 33
Important Information for Buyers at Freeman’s
Registration
Buyer’s Premium
Sales Tax
Catalogue Descriptions
Bidding
Payment
Removal of Purchases
Shipping and Packing
All potential buyers must register for the sale prior to placing a bid.Registration information may be submitted in person at our receptiondesk, by fax or through our website at www.freemansauction.com. Wewill require proof of identification and residence and may require acredit card and/or a bank reference. By registering for the sale, thebuyer acknowledges that he or she has read, understood and acceptedFreeman’s Terms and Conditions of Sale.
A Buyer’s Premium will be added to the successful bid price and ispayable by the buyer as part of the total purchase price. The Buyer’sPremium shall be: 25% on the first $20,000 of the hammer price ofeach lot, 20% on the portion from $20,001 through $500,000, and12% on the portion of the hammer price exceeding $500,000.
All items in the catalogue are subject to the 8% Pennsylvania andPhiladelphia sales tax. Dealers purchasing for resale must register theirtax numbers on current PA forms. Forms should be submitted to ourClient Services office on the second floor.
All item descriptions, dimensions and estimates are provided forguidance only. It is the buyer’s responsibility to inspect all lots prior tobidding to ensure that the condition is to their satisfaction. If potentialbuyers are unable to inspect lots in person, our specialists will behappy to prepare detailed Condition Reports on individual lots asquickly as possible. These are for guidance only, and all lots will besold “as is” as per our Terms and Conditions of Sale.
At the sale Registered bidders will be assigned a bidder number andgiven a paddle for use at the sale. Once the first bid has been placed,the auctioneer asks for higher bids in increments determined by theauctioneer. To place your bid, simply raise your paddle until theauctioneer acknowledges you. The auctioneer will not mistake arandom gesture for a bid.By phone A limited number of telephone lines are available for biddingby phone through a Freeman’s representative. Phone lines must bereserved in advance. Requests must be submitted no later than 24hours prior to the scheduled start of the sale.In writing Bid forms are available in the sale room and at the back ofthe catalogue. These should be submitted in person, by mail or by faxno later than one hour prior to the scheduled start of the sale. Theauctioneer will bid on your behalf up to the limit indicated, but is notresponsible for errors or failure to execute bids.On the internet A fully-illustrated catalogue is available on-line atwww.freemansauction.com. Registered bidders may leave absenteebids through the web site and will receive email confirmation of theirbid. Freeman’s is not responsible for errors or failure to execute bids.
Lots purchased will not be released until we have received fullpayment. Payment may be made in cash, by check, money order, ordebit card. Payments by check must clear the bank before goods willbe released.
Deliveries will not be made during the time of the sale unlessotherwise indicated by the auctioneer. All items must be paid for andremoved by October 14th at 3pm. Purchases not so removed may beturned over to a licensed warehouse at the expense and risk of thepurchaser.
Responsibility for packing, shipping and insurance shall be exclusivelythat of the purchaser. Upon request, Freeman’s will provide thepurchaser with names of professional packers and shippers known tous.
G11-10622_OldMastersTXT33-64_Layout 1 9/7/11 4:41 PM Page 34
35
FREEMAN’Sold master paintings, drawings & prints
friday, october 7th, 2011
52 11-1857/3
TWO ETCHINGS
ANTHONY VAN DYCK(FLEMISH 1599-1641)
“FRANS SNYDERS” Circa 1622-1625. Etching
9 11/16 x 6 1/8 in. (24.6 x 15.6cm)
[Hollstein, 11]
and
“ADAM VAN NORT”Circa 1645. Etching
9 5/8 x 6 3/16 in. (24.5 x 15.7cm)
[Hollstein, 8] (2)
$1,000-1,500 £625-940
51 11-1537/39
ANTHONY VAN DYCK(FLEMISH 1599-1641)
“CHRIST CROWNED WITHTHORNS”Circa 1631. Etching
10 5/16 x 8 5/16 in. (26.2 x 21.1cm)
[Hollstein, 20]Provenance:Colnaghi, London (according to a hand-written note on verso of framing).
$500-700 £310-440
G11-10622_OldMastersTXT33-64_Layout 1 9/7/11 4:41 PM Page 35
36
FREEMAN’Sold master paintings, drawings & printsfriday, october 7th, 2011
55 11-1537/36
ANTONIO CANAL, CALLEDCANALETTO(ITALIAN 1697-1768)
“PRÀ DELLA VALLE”Circa 1740. Etching
11 7/8 x 17 1/8 in. (30.2 x 43.5cm)
[Bromberg, 8 I/III]Provenance:Lucien Goldschmidt Inc., New York.
$1,500-2,000 £940-1,250
54 11-1537/3
ATTRIBUTED TO ANTONIOVISENTI(ITALIAN 1688-1782)
PALAZZO DELL’BORI, VENEZIALocated and inscribed at lower
right and lower center, ink and
gray wash on paper
14 1/4 x 20 3/4 in. (36.2 x 52.7cm)
Provenance:Lucien Goldschmidt, Inc., New York.
$1,000-1,500 £625-940
53 11-1537/37
ANTONIO CANAL, CALLEDCANALETTO(ITALIAN 1697-1768)
“PAESAGGIO CON TORRE E DUEPILASTRI IN ROVINA”Circa 1740. Etching
5 11/16 x 8 3/16 in. (14.4 x 20.8cm)
[Bromberg, 28 II/II]
$500-700 £310-440
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57 11-1857/4
SEVEN PRINTS
AEGIDUS SADELER II(FLEMISH CIRCA 1570-1629)
“VIRGIN AND CHILD ON A GRASSY BANK”(AFTER ALBRECHT DURER)Circa 1660. Engraving
[Hollstein, 72]
together with six portrait etchings
AFTER SIR ANTHONY VAN DYCK"CAESAR ALEXANDER SCAGLIA", "CLARISSIMUS
DIODORUS TULDENUS", "GASPAR DE CRAYER",
"JOHANNES SNELLINEX", "JOHANNES VAN
MILDER" and "PETRUS DE IODE JUNIOR"
each unframed (7)
various sizes
$800-1,200 £500-750
37
FREEMAN’Sold master paintings, drawings & prints
friday, october 7th, 2011
56 11-1537/186
FOUR PRINTS
GIOVANNI BATTISTAVINCENTINO PITTONI, THEELDER(ITALIAN 1520-1583)
FOUR ETCHINGS
FROM “PRAECIPUA ALIQUOTROMANAE ANTIQUITATISRUINARUM MONIMENTA”1561 (4)
(plate 2) 9 1/16 x 12 1/4 in. (23 x 31.1cm)
(plate 10) 9 1/8 x 13 in. (23.2 x 33cm)
(plate 12) 8 1/2 x 12 11/16 in.
(21.6 x 32.2cm)
(plate 27) 8 3/16 x 12 5/16 in.
(20.8 x 31.3cm)
$1,200-1,800 £750-1,125
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58 11-1857/1
ALBRECHT DURER(GERMAN 1471-1528)
“VIRGIN SURROUNDED BYMANY ANGELS”1518. Woodcut, unframed
11 7/8 x 8 1/2 in (30.2 x 21.6cm)
[Bartsch, 101; Hollstein, 101]
$600-800 £375-500
59 11-1857/2
REMBRANDT VAN RIJN(DUTCH 1606-1669)
“JAN CORNELIS SYLVIUS,PREACHER”1633. Etching, drypoint and
engraving, unframed
6 1/2 x 5 9/16 in. (16.5 x 14.1cm)
[Bartsch, 266; Hollstein 266;
Usticke’s second state (of three)]
$2,000-3,000 £1,250-1,875
60 11-1852/1
GEORG PENCZ(GERMAN 1500-1550)
“JOSEPH ERZÄHLT SEINETRAUME”PLATE 1 FROM “DIE GESCHICHTE
JOSEPHS”
1544. Engraving
4 3/8 x 2 15/16 in. (11.1 x 7.5cm)
[Bartsch, 91] (2)
$500-700 £310-440
FREEMAN’Sold master paintings, drawings & printsfriday, october 7th, 2011
38
G11-10622_OldMastersTXT33-64_Layout 1 9/7/11 4:41 PM Page 38
61 11-1775/4REMBRANDT VAN RIJN(DUTCH 1606-1669)
“THE FLIGHT INTO EGYPT: ANIGHT PIECE”1651. Etching
5 1/16 x 4 5/16 in. (12.9 x 11cm)
[Bartsch, 53; Hollstein, 53;
Usticke’s sixth state (of nine)
(Basan impression)]
$1,200-1,800 £750-1,125
62 11-1009/2REMBRANDT VAN RIJN(DUTCH 1606-1669)
“THE PANCAKE WOMAN”1635. Etching, in an antique
saltwood, elm and mohogany
frame with decorated bone inlay
4 3/8 x 3 1/8 in. (11.1 x 7.9cm)
[Bartsch, 124; Hollstein, 124;
Usticke’s second state (of six)]
$3,000-5,000 £1,875-3,1255
63 11-1775/19REMBRANDT VAN RIJN(DUTCH 1606-1669)
“THE FIRST ORIENTAL HEAD”Etching
5 3/16 x 4 15/16 in. (13.2 x 12.5cm)
[Bartsch, 286; Hollstein, 286;
Usticke’s only state (l) (from the
Swedish plate)]
$1,500-2,500 £938-1,563
FREEMAN’Sold master paintings, drawings & prints
friday, october 7th, 2011
39
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64 11-1775/8
REMBRANDT VAN RIJN(DUTCH 1606-1669)
“THE GOLDSMITH”1655. Etching
3 x 2 3/16 in. (7.6 x 5.6cm)
[Bartsch, 123; Hollstein, 123;
Usticke’s second state (e) (of 3)
(Basan impression)]
$1,200-1,800 £750-1,125
65 11-1775/16
REMBRANDT VAN RIJN(DUTCH 1606-1669)
“THE LITTLE JEWISH BRIDE(SASKIA AS SAINTCATHERINE)”1638. Etching
4 3/8 x 3 1/16 in. (11.1 x 7.8cm)
[Bartsch, 342; Hollstein, 342;
Usticke’s only state]
$1,000-2,000 £625-1,250
66 11-1775/9
REMBRANDT VAN RIJN(DUTCH 1606-1669)
“CHRIST CRUCIFIED BETWEENTWO THIEVES: AN OVALPLATE”Circa 1641. Etching
5 5/16 x 3 15/16 in. (13.5 x 10cm)
[Bartsch, 79; Hollstein, 79;
Usticke’s second state (of three)]
$2,000-3,000 £1,250-1,875
FREEMAN’Sold master paintings, drawings & printsfriday, october 7th, 2011
40
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68 11-1775/10
REMBRANDT VAN RIJN(DUTCH 1606-1669)
“THE ARTIST DRAWING FROM A MODEL”Circa 1646. Etching
9 1/8 x 7 1/4 in. (23.2 x 18.4cm)
[Bartsch, 192; Hollstein, 192; Usticke’s second state (of two) (Basan
impression)]
$2,000-3,000 £1,250-1,875
69 11-1775/11
REMBRANDT VAN RIJN(DUTCH 1606-1669)
“THE CIRCUMSICION IN THE STABLE”1654. Etching
3 3/4 x 5 11/16 in. (9.5 x 14.4cm)
[Bartsch, 47; Hollstein, 47; Usticke’s second
state (of two) (Basan impression)]
$1,000-1,500 £625-940
67 11-1775/3
REMBRANDT VAN RIJN(DUTCH 1606-1669)
“NUDE MAN SEATED, ANOTHER STANDING WITH A WOMANAND A BABY”Circa 1646. Etching
7 5/8 x 5 in. (19.4 x 12.7cm)
[Bartsch, 194; Hollstein, 194; Usticke’s seventh state (of seven)
(Bernard impression)]
$1,000-1,500 £625-940
FREEMAN’Sold master paintings, drawings & prints
friday, october 7th, 2011
41
G11-10622_OldMastersTXT33-64_Layout 1 9/7/11 4:41 PM Page 41
70 11-1775/13
REMBRANDT VAN RIJN(DUTCH 1606-1669)
“BEGGARS RECEIVING ALMS ATTHE DOOR”1648. Etching
6 3/8 x 5 1/16 in. (16.2 x 12.6cm)
[Bartsch, 176; Hollstein, 176;
Usticke’s fifth state (of six)
(Basan impression)]
$1,500-2,000 £940-1,250
71 11-1775/7
REMBRANDT VAN RIJN(DUTCH 1606-1669)
“THE STONING OF ST.STEPHEN”1635. Etching
3 3/4 x 3 3/8in. (9.5 x 8.6cm)
[Bartsch, 97; Hollstein, 97;
Usticke’s second state (of four)
(Basan impression)]
$1,000-1,500 £625-940
FREEMAN’Sold master paintings, drawings & printsfriday, october 7th, 2011
42
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73 11-1775/15
REMBRANDT VAN RIJN(DUTCH 1606-1669)
“OLD MAN WITH BEARD, FURCAP & VELVET CLOAK”1632. Etching
4 1/4 x 3 3/16 in. (10.8 x 8.1cm)
[Bartsch, 262; Hollstein, 262;
Usticke’s third state (of three)
(from the ‘Collection of 200
Etchings’ 1816)]
$1,000-1,500 £625-940
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friday, october 7th, 2011
43
72 11-1775/14
REMBRANDT VAN RIJN(DUTCH 1606-1669)
“THE BAPTISM OF THEEUNUCH”1641. Etching
7 1/8 x 8 3/8 in. (18.1 x 21.3cm)
[Bartsch, 98; Hollstein, 98;
Usticke’s fourth state (of four)
(Basan impression)]
$2,000-3,000 £1,250-1,875
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75 11-1775/17
REMBRANDT VAN RIJN(DUTCH 1606-1669)
“WOMAN AT A DOOR HATCHTALKING TO A MAN ANDCHILDREN”1641. Etching
3 11/16 x 2 7/16 in. (9.4 x 6.2cm)
[Bartsch, 128; Hollstein, 128;
Usticke’s second state (of three)
(Basan impression)]
$1,500-2,500 £938-1,563
FREEMAN’Sold master paintings, drawings & printsfriday, october 7th, 2011
44
74 11-1506/12
REMBRANDT VAN RIJN(DUTCH 1606-1669)
“CHRIST AND THE WOMAN OFSAMARIA AMONG RUINS”1634. Etching
4 7/8 x 4 5/16 in. (12.4 x 11cm)
[Bartsch, 71; Hollstein, 71;
Usticke’s second state (i) (of
four) (Basan impression)]
$3,000-5,000 £1,875-3,125
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friday, october 7th, 2011
45
76 11-1775/6REMBRANDT VAN RIJN(DUTCH 1606-1669)
“THE CARD PLAYER”1641. Etching
3 7/16 x 3 1/8 in. (8.7 x 7.9cm)
[Bartsch, 136; Hollstein, 136;
Usticke’s fourth state (of four)
(Basan impression)]
$1,200-1,800 £750-1,125
77 11-1775/12REMBRANDT VAN RIJN(DUTCH 1606-1669)
“THE CRUCIFIXION: SMALLPLATE”Circa 1635. Etching
3 3/4 x 2 5/8 in. (3.8 x 2.6cm)
[Bartsch, 80; Hollstein, 80;
Usticke’s first state (l) (of four)
(Basan impression)]
$700-1,000 £438-625
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46
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78 11-1779/1
REMBRANDT VAN RIJN(DUTCH 1606-1669)
“NAKED WOMAN SEATED ONA MOUND”Circa 1631. Etching with
Powderhorn watermark and
inscribed ‘Pm 1681’ in ink verso,
unframed
7 x 6 5/16 in. (17.8 x 16cm)
[Bartsch, 198; Hollstein, 198;
Usticke’s fourth state (of five)]Provenance:(ex-collection) Pierre Mariette.
$6,000-10,000 £3,750-6,250
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47
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friday, october 7th, 2011
79 10-2295/1
CLAUDE-FÉLIX-THÉODOREALIGNY, KNOWN ASTHÉODORE CAROUELLED’ALIGNY(FRENCH 1798-1871)
GORGES D’APREMONTInscribed lower left, ink on paper
11 1/4 X 17 1/2 in. (28.6 x 44.5cm)
Note:We wish to thank Alexandra Murphy forher assistance in cataloguing this lot.This lot will be accompanied by a letterof authenticity signed by Ms. AlexandraMurphy and dated March 7, 2001.
$1,000-1,500 £625-940
80 10-2295/3
JEAN-FRANCOIS MILLET(FRENCH 1814-1875)
STUDY OF A NUDE FOR ‘LESCONFIDENCES’Executed circa 1846-8, crayon
noir on paper, with ‘J.F.M.’ studio
stamp lower left
3 1/8 X 6 1/2 in. (7.9 x 16.5cm)
Note:The present drawing is thought to be apreparatory study for the larger, morefinished Millet drawing in the Cabinetdes Dessins, Museé du Louvre.We wish to thank Alexandra Murphy forher assistance in cataloguing this lot.This lot will be accompanied by a letterof authenticity signed by Ms. AlexandraMurphy and dated March 7, 2001.
$2,000-3,000 £1,250-1,875
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48
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82 11-1793/1
ITALIAN SCHOOL17TH-18TH CENTURY
FEEDING THE LIVESTOCKSigned with indecipherable
monogrammed signature lower
right, sepia ink and wash on
paper
12 1/2 x 18 in. (31.8 x 45.7cm)
$600-800 £375-500
81 11-1694/2
TWO WORKS ON PAPER
ITALIAN SCHOOL17TH-18TH CENTURY
THE CRUCIFIXION, WITHSKETCHES VERSORed chalk on paper
11 5/16 x 8 7/16 in. (28.7 x 21.4cm)
and
CIRCLE OF ROTTENHAMMER(GERMAN 1564-1625)
THE BEHEADING OF SAINTJOHN THE BAPTISTInscribed in part ‘Rottenhammer’
in pencil verso, and with ‘A.V.
Wurzbach’ stamp and exhibition
sticker verso, brown ink with gray
washes on laid paper (2)
4 15/16 x 3 1/4 in. (12.5 x 10.8cm)
Provenance:(ex-collection) A.V. Wurzbach.
$1,000-1,500 £625-940
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49
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friday, october 7th, 2011
83 11-1504/1
FRANCESCO ZUCCARELLI(ITALIAN 1702-1788)
STANDING MALE NUDE WITHHIS ARM ON A LEDGEInscribed ‘P.H.’ lower left, and
with unidentified stamp lower
right, sepia ink and wash
heightened with white on brown
paper
8 3/4 x 6 1/16 in. (22.2 x 15.4cm)
Provenance:Sotheby’s New York, sale of January 25,2002, lot 110.(according to label verso) Colnaghi & Co.Ltd. London.
$2,500-3,500 £1,560-2,200
84 10-8108/37
JEAN-MICHEL MOREAU,CALLED MOREAU LE JEUNE(FRENCH 1741-1814)
THE FOUR CONTINENTS WITHBENJAMIN FRANKLIN AS THEPERSONIFICATION OFAMERICA BEFORE ANALLEGORY OF RELIGION,ERMENONVILLE AND THETOMB OF ROUSSEAU SEENBEYONDBlack and sepia ink, wash and
pencil on paper
7 1/8 x 10 7/8 in. (18.1 x 27.6cm)
Provenance:Christie’s, New York, sale of January 25,2007, lot 85.
Note:Engraved by André Macret (1775-1789)in 1785, with numerous differences.
$3,000-4,000 £1,875-2,500
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50
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86 10-2035/1
FOLLOWER OF VINCENZOMANNOZZI(ITALIAN D. 1657)
OLYMPIA ABANDONED BYBIRENOOil on canvas
66 7/8 x 89 in. (169.9 x 226.1cm)
Provenance:Sotheby’s, New York, sale of January 29,2010, lot 725.
$2,000-4,000 £1,250-2,500
85 10-8107/1
CIRCLE OF CARLO MARATTA(ITALIAN 1625-1713)
ANTIOPE AND CUPIDOil on canvas
25 1/2 x 19 1/4 in. (64.8 x 48.9cm)
$4,000-6,000 £2,500-3,750
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51
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87 11-1566/2
ATTRIBUTED TO GIOVANNIBATTISTA BEINASCHI(ITALIAN 1636–1688)
DIOGENES SEATED IN HISBARREL DISCUSSINGPHILOSOPHY WITH TWODISCIPLESOil on canvas
72 x 48 in. (182.9 x 121.9cm)
Provenance:Sotheby’s, New York, sale of October 17,1997, lot 126.
$8,000-12,000 £5,000-7,500
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52
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89 11-1792/8
GIOVANNI DOMENICOVALENTINO(ITALIAN ACT. 1661-1681)
FIGURES READING IN AKITCHEN INTERIORSigned with initials ‘G.D.V.R.’ on
pot at lower right, oil on canvas
19 x 25 in. (48.3 x 63.5cm)
$2,500-3,500 £1,560-2,200
88 11-1952/3
FOLLOWER OF FRANCESCOSOLIMENA(ITALIAN 1657-1747)
HOLY FAMILYOil on canvas
14 3/8 x 11 1/2 in. (36.5 x 29.2cm)
$1,500-2,500 £938-1,563
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53
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90 11-1850/1
NORTHERN ITALIAN SCHOOL17TH CENTURY
PUTTIOil on canvas, in an architectural
frame
28 x 25 in. (71.1 x 63.5cm)
Provenance:(according to typed and printed labelverso)Olive P. Eggleston, Philadelphia, 1936,purchased as Alonzo Miquel de Lahar(Torar), ‘Infants at Play’.
$4,000-6,000 £2,500-3,750
91 09-1958/1
FOLLOWER OF CARLOSARACENI(ITALIAN CIRCA 1579-1620)
THE MADONNA AND CHILDWITH SAINT ANNE AND ANANGELOil on canvas laid on panel
30 3/4 x 42 7/8 in. (78.1 x 108.9cm)
Literature:For an autograph version of thiscomposition, please see Anna OttaniCavina, ‘Saraceni: tre dipinti, qualche dato’in Scritti in Onore di Giuliano Briganti,’Milan, 1990, pp. 160-7, fig. 2.
$2,000-3,000 £1,250-1,875
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54
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94 11-1692/3
FOLLOWER OF MATTIA PRETI(ITALIAN 1613-1699)
HEAD OF A MALE SAINTInscribed ‘Anibale Caracci
Bologniese’, (sic) verso, oil on
canvas, unframed
14 x 10 5/8 in. (35.6 x 27cm)
$500-700 £310-440
93 11-5035/9
CIRCLE OF CARLO CERESA(ITALIAN 1609-1679)
CHILD WITH DOG IN INTERIOROil on canvas
26 1/4 x 19 1/2 in. (66.7 x 49.5cm)
$1,200-1,800 £750-1,125
92 07-8003/8
MANNER OF MARCOD’OGGIONO(ITALIAN 1470-1549)
MADONNA AND CHILDOil on cradled panel, painted in
the oval
14 1/2 x 13 1/4 in. (36.8 x 33.7cm)
$800-1,200 £500-750
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55
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95 11-8051/13
AFTER TITIAN(ITALIAN CIRCA 1485-1576)
PORTRAIT OF A KNIGHT OFMALTAOil on canvas, unframed
35 x 59 in. (88.9 x 73.7cm)
Note:After the original by Titian in the UffiziGallery, Florence.
$800-1,200 £500-750
97 09-1380/23
ITALIAN SCHOOL19TH CENTURY
PORTRAIT OF A SEATED BOY INTHREE-QUARTER PROFILEOil on canvas, framed in the oval
11 1/2 x 9 3/8 in. (29.2 x 23.8cm)
$1,000-1,500 £625-940
96 11-8051/9
FOLLOWER OF POMPEOBATONI(ITALIAN 1708-1787)
PORTRAIT OF A GENTLEMANIN A GREY COATOil on canvas, unframed
30 x 25 in. (76.2 x 63.5cm)
$1,000-1,500 £625-940
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98 11-1792/2
FOLLOWER OF GIUSEPPE LAVAGNA(ITALIAN CIRCA 1684-CIRCA 1723)
OUTDOOR STILL LIFE WITH MIXED FLOWERS, FIGURESAND BIRDSPair of shaped oils on canvas, in gilded, polychrome
Venetian style architectural frames (2)
17 1/4 x 42 3/4 in. (43.8 x 108.6cm) (each)
$5,000-7,000 £3,125-4,375
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56
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100 11-1792/4
MANNER OF GENNARO GRECO,CALLED ‘IL MASCACOTTA’(ITALIAN 1663-1714)
CAPRICCIO WITH TRAVELERSOil on canvas, unframed
11 1/8 x 31 7/8 in. (28.6 x 81cm)
$1,000-1,500 £625-940
99 11-1792/1
NEAPOLITAN SCHOOL18TH CENTURY
MIXED FLOWERS IN AN URNOil on canvas, unframed
29 5/8 x 23 5/8 in. (75.2 x 60cm)
$1,200-1,800 £750-1,125
FREEMAN’Sold master paintings, drawings & prints
friday, october 7th, 2011
57
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101 11-1798/8
VENETIAN SCHOOL18TH CENTURY
A MUSICAL TRIOand MAIDEN WITH TAMBOURINEPair oils on canvas laid on panel,
ovals (2)
13 3/4 x 18 5/8 in. (34.9 x 47.3cm) (each)
Provenance:M. Fiorillo, Philadelphia, Pennsylvania.
$6,000-8,000 £3,750-5,000
FREEMAN’Sold master paintings, drawings & printsfriday, october 7th, 2011
58
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59
102 11-1792/3
NEAPOLITAN SCHOOL18TH CENTURY
STILL LIFE WITH MIXEDFLOWERSand a companion, pair oils on
canvas (2)
17 3/8 x 29 1/2 in. (44.1 x 74.9cm) (each)
$3,000-5,000 £1,875-3,125
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60
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103 11-8050/1
CIRCLE OF PIETER COECK VAN AELST THE ELDER(FLEMISH 1502-1550)
VIRGIN AND CHILDOil on panel, in a period polychrome and parcel gilt frame, inscribed
with 'OH GLORIOSA DOMINA / EXCELSA SUPER SYDERA /
LACTASTI SACRO UBERE / QUI TE CREAVIT, PROVIDE'
23 1/2 x 17 1/4 in. (56.7 x 43.8cm)
$12,000-18,000 £7,500-11,250
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61
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106 11-1000/8
FOLLOWER OF GERRIT VONHONTHORST(DUTCH 1590-1656)
PORTRAIT OF A GENTLEMAN,POSSIBLY PRINCE RUPERT OFTHE RHINE, IN AN ERMINEROBEOil on canvas
27 3/4 x 22 3/4 in. (70.5 x 57.8cm)
$1,000-1,500 £625-940
105 11-1697/2
FOLLOWER OF ARTUSWOLFAERTS(FLEMISH 1581-1641)
MALE SAINTOil on cradled panel
25 1/4 x 19 3/8 in. (64.1 x 49.2cm)
$1,000-1,500 £625-940
104 11-1803/103
CIRCLE OF JAN ANTHONISZVAN RAVESTEYN(DUTCH CIRCA 1570-1657)
PORTRAIT OF A WOMANWEARING A WHITE RUFF ANDLACE COLLAROil on panel, unframed
21 1/2 x 19 7/8 in. (54.6 x 35.2cm)
Note:Panel in two unjoined sections.
$2,000-3,000 £1,250-1,875
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107 11-1855/2
SCHOOL OF ANTHONY VANDYCK(FLEMISH 1599-1641)
THOMAS WENTWORTH, FIRST EARL OF STRAFFORD, IN ARMOROil on canvas
49 1/4 x 39 in. (125.1 x 99cm)
Provenance:David Cooke, United Kingdom.
Note:The present composition directly relatesto Van Dyck’s portrait of Wentworth inthe Collection of the National Trust,Petworth House, Sussex.
$5,000-7,000 £3,125-4,375
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108 11-1798/5CIRCLE OF JUSTUSSUSTERMANS(FLEMISH 1597-1681)
DUCHESS OF TUSCANYOil on canvas
25 3/4 x 19 1/4 in. (65.4 x 48.9cm)
Provenance:(according to label Inscribed in Italian onverso, and typed label verso)Grand Duchess of Tuscany.Presented to the above on July 15, 1661by the Marquis Colui.The family of the Count of C***oi.
$2,500-3,500 £1,563-2,200
109 11-1858/1ATTRIBUTED TO CLAUDELEFEBVRE(FRENCH 1632-1675)
LADY WITH PEARLS AND PINKSATIN DRESSOil on canvas
25 1/2 x 19 3/4 in. (64.8 x 50.2cm)
Provenance:Anonymous sale, Christie’s, New York,circa 1978.
$8,000-12,000 £5,000-7,500
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110 10-1993/5
CONTINENTAL SCHOOLCIRCA 1840
YOUNG MAN WITH VIOLINBEFORE A CASEMENTOil on canvas
25 1/2 x 21 3/8 in. (64.8 x 54.3cm)
Provenance:(according to inventory label verso) LeGarde Meuble Public, Bedel & Cie., Parisunder inventory number 7778.
Note:The present painting is likely based on, orinfluenced by, Dutch 17th Centurypainters, notably the ‘LeidseFijnechilders’ (Leiden Fine Painters).
$10,000-15,000 £6,250-9,375
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65
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111 11-1787/1
ATTRIBUTED TO SIR PETERLELY(BRITISH 1618-1680)
AN ELEGANT LADY, BELIEVEDTO BE COUNTESS ANNE,SEATED IN A LANDSCAPEOil on canvas
50 3/8 x 39 15/16 in. (128 x 101.4cm)
$7,000-10,000 £4,375-6,250
FREEMAN’Sold master paintings, drawings & printsfriday, october 7th, 2011
66
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112 11-1797/1
CIRCLE OF ADRIAENHANNEMAN(DUTCH CIRCA 1601-1671)
YOUNG MAN IN INTERIOR, THEVIRGIN, CHRIST CHILD ANDSAINT PETER IN THE DISTANCEOil on canvas
42 x 44 in. (106.7 x 111.8cm)
$12,000-18,000 £7,500-11,250
FREEMAN’Sold master paintings, drawings & prints
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67
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113 05-1071/1FOLLOWER OF DAVID TENIERS,THE YOUNGER(DUTCH 1610-1690)
INTERIOR OF AN INN WITHPEASANTS MERRYMAKINGOil on canvas.
16 x 23 in. (40.6 x 58.4cm)
$1,000-1,500 £625-940
114 11-8051/20FOLLOWER OF ADRIAEN JANSZVAN OSTADE(DUTCH 1610-1685)
PEASANTS IN AN INTERIOROil on panel, unframed
8 3/4 x 12 3/8 in. (22.2 x 31.4cm)
$800-1,200 £500-750
115 11-1163/58FOLLOWER OF CORNELIS VAN ESSEN(DUTCH CIRCA 1690-CIRCA 1710)
VILLAGE SCENE WITHPRISONERS IN STOCKADE ANDONLOOKERSOil on cradled panel
24 1/8 x 28 5/8 in. (61.3 x 72.7cm)
$800-1,200 £500-750
FREEMAN’Sold master paintings, drawings & printsfriday, october 7th, 2011
68
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117 11-1799/1
MANNER OF QUENTIN METSYS(MASSYS) THE ELDER(FLEMISH 1466-1530)
LAMENTATION OF CHRISTOil on cradled panel
35 3/8 x 31 1/8 in. (89.9 x 79.1cm)
$3,000-5,000 £1,875-3,125
116 11-1396/1
FOLLOWER OF GERARD TERBORCH THE YOUNGER(DUTCH 1617-1681)
WOMAN DRINKINGOil on panel
13 1/8 x 10 in. (33.3 X 25.4cm)
Note:The present painting derives from TerBorch’s ‘Woman Drinking’ in theFrankfurt Museum.
$1,500-2,000 £940-1,250
FREEMAN’Sold master paintings, drawings & prints
friday, october 7th, 2011
69
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118 11-1950/1
FOLLOWER OF SIR PETER PAULRUBENS(FLEMISH 1577-1640)
THE FALL OF MAN WITH ASURROUND OF SEVEN GREEKGODSOil on canvas
32 x 25 in. (81.3 x 63.5cm)
$6,000-8,000 £3,750-5,000
FREEMAN’Sold master paintings, drawings & printsfriday, october 7th, 2011
70
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120 11-1697/1
CIRCLE OF HENDRICK FRANSVAN LINT(FLEMISH 1684-1763)
COLOSSEUM, ROMEOil on canvas
11 1/8 x 15 1/2 in. (28.3 x 39.4cm)
$5,000-7,000 £3,125-4,375
119 11-1952/2
MANNER OF GERRIT DOU(DUTCH 1613-1675)
SAINT JEROMEOil on canvas
16 7/8 x 13 1/2 (42.9 x 34.3cm)
$2,500-3,500 £1,560-2,200
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friday, october 7th, 2011
71
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121 11-1792/5
MANNER OF ADRIEN DE GRYEF(FLEMISH 1657-1715)
STILL LIFE WITH HARE AND GAME BIRDSand
STILL LIFE WITH PHEASANT AND WOODCOCKPair oils on panel (2)
7 7/8 x 9 7/8 in. (20 x 25.1cm) (each)
$1,000-1,500 £625-940
122 11-1566/1
FOLLOWER OF JAN FYT(FLEMISH 1611-1661)
STILL LIFE WITH HAREOil on canvas laid on panel
31 1/8 x 24 1/4 in. (79.1 x 61.6cm)
$1,000-1,500 £625-940
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72
123 11-1854/1
FOLLOWER OF PAUL DE VOS(FLEMISH 1595-1678)
DOGS AND CATS FIGHTING INA LANDSCAPEOil on canvas
26 x 33 1/4 in. (66 x 84.5cm)
$2,000-3,000 £1,250-1,875
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125 11-1792/6
FOLLOWER OF THOMAS WYCK(DUTCH CIRCA 1616-1677)
LANDSCAPES WITH TRAVELERSSix oils on canvas, framed
together
2 3/4 x 4 1/2 in. (7 x 11.4cm) (each)
9 1/4 x 9 1/2 in. (23.5 x 24.1cm)
(overall, sight)
$2,500-3,500 £1,560-2,200
124 11-1495/1
FOLLOWER OF JAN-BAPTISTEBOSSCHAERT(BELGIAN 1677- CIRCA 1746)
STILL LIFE WITH TULIPS,PEONIES, AND CONVOLVULUSIN A CLASSICALLY DECORATEDBOWL UPON A LEDGEOil on canvas
18 3/4 x 14 1/2 in. (47.6 x 36.8cm)
$2,500-3,500 £1,560-2,200
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73
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126 11-1699/1
ATTRIBUTED TO GASPARPIETER VERBRUGGEN THEYOUNGER(FLEMISH 1664-1730)
FLORAL GARLANDS ADORNINGAN URN UPON A LEDGEOil on canvas
52 1/2 x 39 1/2 in. (133.4 x 102cm)
$20,000-30,000£12,500-18,750
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128 11-1782/2
FOLLOWER OF SIMONPIETERSZ VERELST(DUTCH 1644-1721)
ROSES, CHRYSANTHEMUMS,BLUEBELLS AND OTHERFLOWERS IN A GLASS VASEUPON A STONE LEDGE WITHHOVERING BUTTERFLY,HOUSEFLIES AND LADYBUGOil on canvas
17 5/8 x 13 5/8 in. (44.8 x 34.6cm)
$3,000-5,000 £1,875-3,125
127 11-8051/4
MANNER OF JAN VANHUYSUM(DUTCH 1682-1749)
MIXED FLOWERS IN AN URNWITH BIRD’S NEST, ALL UPONA STONE LEDGEOil on panel, unframed
23 9/16 X 18 3/4 in. (59.8 x 47.6cm)
$800-1,200 £500-750
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75
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129 11-1338/1
CIRCLE OF ABRAHAM JANSZSTORCK(DUTCH 1644-1708)
SHIPS IN A MEDITERRANEANPORTOil on canvas
24 3/4 x 33 1/4 in. (62.9 x 84.5cm)
$3,000-5,000 £1,875-3,125
130 11-1856/1
JOHANNES CHRISTIAANSCHOTEL(DUTCH 1787-1838)
SHIP IN DISTRESSSigned ‘J.C. Schotel’ lower right,
oil on canvas
21 3/4 x 27 3/4 in. (55.2 x 70.5cm)
Provenance:Sotheby’s New York, sale of January 29,2005, lot 119.
$7,000-10,000 £4,375-6,250
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76
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131 11-8031/1
FOLLOWER OF JAN PORCELLIS(DUTCH 1584- CIRCA 1632)
SHIPS IN A STORMY ESTUARYOil on panel
17 3/4 x 29 3/4 in. (45.1 x 75.6cm)
$4,000-6,000 £2,500-3,750
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77
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132 11-8041/5
MANNER OF ROSE ADELAÏDE-DUCREUX(FRENCH 1761-1802)
A YOUNG WOMAN HOLDINGA BOOKOil on canvas, inscribed ‘Mlle
Duthe by Vigée Le Brun’ in a fine,
period carved and gessoed
giltwood frame
23 x 18 1/8 (58.4 x 46cm)
$3,000-5,000 £1,875-3,125
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133 11-1797/2
CIRCLE OF CHARLESBEAUBRUN(FRENCH 1604-1692)
PORTRAIT OF A NOBLEWOMANInscribed indistinctly upper left,
oil on cradled panel
12 x 9 1/2 in. (30.5 x 24.1cm)
$2,500-3,500 £1,560-2,200
134 11-1141/1
AFTER ALEXIS-SIMON BELLE(FRENCH 1674-1734)
PORTRAIT OF A LADY, SAID TOBE PRINCESS LOUISA MARIATHERESA STUARTInscribed ‘Maria di Este / Queen
Consort of James 2d (sic) /
Godmother of Charles
Bodenham’ lower left, oil on
canvas
30 x 25 in. (76.2 x 63.5cm)
$1,000-1,500 £625-940
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135 11-1777/1
HUBERT ROBERT(FRENCH 1733-1808)
LAVANDIÈRES AT A STREAM, IN A CLASSICAL LANDSCAPEWITH RUINSOil on canvas
29 7/8 x 32 3/4 in. (75.6 x 83.2cm)
Note:This painting is to be included in the catalogue critique of the oil paintings of HubertRobert being prepared at The Wildenstein Institute, Paris. An Avis d’Inclusion(Statement of Inclusion) from The Wildenstein Institute will accompany this lot.
$60,000-80,000 £37,500-50,000
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136 10-9011/1
ATTRIBUTED TO GASPARDDUGHET, CALLED ‘GASPARDPOUSSIN’(FRENCH 1615-1675)
FIGURES IN AN EXTENSIVECLASSICAL LANDSCAPEPainted circa 1660, oil on canvas
9 x 12 1/2 in. (22.9 x 31.8cm)
Provenance:Collection of the Marquis of Bath(according to label verso).Phillips, London, sale of December 10,1996, lot 104 as ‘Gaspard Dughet’.Didier Aaron, Inc.
$7,000-9,000 £4,375-5,625
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82
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137 11-1073/145
MANNER OF NICOLASLANCRET(FRENCH 1690-1743)
THE SKATERSOil on tin
19 13/16 x 25.5 in. (50.3 x 64.8cm)
Provenance:Sotheby’s New York, sale of February 6,1997, lot 78 as ‘After Nicolas Lancret’
$800-1,000 £500-625
138 11-1163/56
CLAUDE MICHEL DUPLESSIS(FRENCH CIRCA 1770-AFTER 1799)
A MILITARY ENCAMPMENTSigned and dated ‘M.h. Duplessis
1791’ lower right; also inscribed
‘57’ lower left, oil on canvas
22 3/4 x 35 1/2 in. (57.8 x 90.2cm)
Provenance:Sotheby’s New York, sale of June 13,2007, lot 162
$4,000-6,000 £2,500-3,750
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139 11-1798/10CIRCLE OF NICOLAS-RENÉJOLLAIN(FRENCH 1732-1804)
BACCHUS AND ARIADNEOil on canvas
45 1/4 x 63 3/4 in. (114.9 x 161.9cm)
$8,000-12,000 £5,000-7,500
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84
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140 11-8051/16
FOLLOWER OF JEAN-BAPTISTEMONNOYER(FRENCH 1634-1699)
STILL LIFE OF PARROT TULIP,ROSES, CHRYSANTHEMUMSAND OTHER FLOWERS IN AGILT BRONZE URN, UPON ALEDGE WITH DRAPED CLOTHOil on canvas, unframed
34 1/4 x 38 5/8 in. (87 x 98.1cm)
$3,000-5,000 £1,875-3,125
141 11-1792/7
FOLLOWER OF ANDREASSCACCIATI(ITALIAN 1642-1704)
STILL LIFE OF FLOWERSINCLUDING PARROT TULIPS,CARNATIONS AND WITHPOMEGRANATES IN A GLASSVASE UPON A STONE LEDGE;And a companion, pair oils on
canvas, unframed (2)
25 1/2 x 18 3/4 in. (64.8 x 47.6cm)
25 1/2 x 19 in. (64.8 x 48.3cm)
$4,000-6,000 £2,500-3,750
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85
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142 10-1993/8
JEAN-BAPTISTE GARNIER(FRENCH FL. CIRCA 1748-1759)
“ABRICOTS ET PRUNES”Signed with initials ‘JB. (cojoined) G.f’
bottom center, oil on panel
9 7/8 x 13 1/8 in. (25.2 x 33.3cm)
Provenance:Kunsthandel P. De Boer, Amsterdam.Private Collection, Paris.Acquired from the above, 1955.Thence by descent in the family.
Literature:Michel Fare, Le Grand Siècle de la Nature Morte enFrance, Fribourg, 1974, p. 252 illus.
$30,000-50,000 £18,750-31,250
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144 11-8041/3
ATTRIBUTED TO FRANCIS COTES(BRITISH 1726-1770)
AND
DOUGLAS HAMILTON(BRITISH 1740-1808)
PORTRAIT OF A LADYOil on canvas, oval
11 3/4 x 9 3/4 in. (29.8 x 24.8cm)
$800-1,200 £500-750
145 11-8041/2
FOLLOWER OF ALLAN RAMSAY(SCOTTISH 1713-1784)
PORTRAIT OF A LADY, SAID TO BE LADY SARAH BUNBURYOil on canvas
36 x 28 in. (91.4 x 71.1cm)
$2,000-3,000 £1,250-1,875
143 11-1798/12
NORTHERN EUROPEAN SCHOOL18TH CENTURY
CAPPRICCIO WITH FIGURES ON ATRACKOil on canvas
33 x 52 1/8 in. (83.8 x 132.4cm)
$2,000-3,000 £1,250-1,875
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87
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146 11-8041/1
FOLLOWER OF SIR WILLIAMBEECHEY(BRITISH 1753-1839)
PORTRAIT OF A GIRL WITHBONNET, SAID TO BE MISSALICE DOWNMANOil on canvas
22 1/2 x 18 in. (56.2 x 45.7cm)
$1,000-1,500 £625-940
147 10-2026/2
FOLLOWER OF SIR GODFREYKNELLER(BRITISH 1646-1723)
PORTRAIT OF A NOBLEMAN INERMINE ROBE, SAID TO BELOUIS XIVOil on canvas
33 x 27 in. (83.8 x 68.6cm)
Provenance:Freeman’s, sale of November 24, 1952,lot 159.
$1,000-1,500 £625-940
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148 11-1855/1
CIRCLE OF SIR PETER LELY(BRITISH 1618-1680)
PORTRAIT OF A NOBLE LADY,BELIEVED TO BE MARY OFMODENAOil on canvas
50 3/8 x 40 1/4 in. (128 x 102.2cm)
$5,000-7,000 £3,125-4,375
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89
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149 11-1691/1
SIR HENRY RAEBURN(BRITISH 1756-1823)
PORTRAIT OF A YOUNGINDIAN WOMANOil on canvas
30 x 25 in. (76.2 x 63.5cm)
Provenance:(according to notations on verso)Parke-Bernet Galleries Inc., anonymoussale, February 1, 1940.Sir John Marjoribanks, purchased fromthe above sale.R.L. Cawood.
Note:We are grateful to Duncan Thomson forconfirming the attribution to Raeburn onthe basis of a photograph.
$6,000-10,000 £3,750-6,250
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151 11-1363/13
AFTER DIEGO RODRÍGUEZ DESILVA Y VELÁZQUEZ(SPANISH 1599-1660)
THE INFANTA MARGARITATERESA IN A BLUE DRESSSigned with indecipherable
monogrammed signature verso,
oil on canvas
50 1/8 x 42 3/8 in. (127.3 x 107.6cm)
Note:After the original painting by Velásquezpainted circa 1659, KunsthistorichesMuseum, Vienna.
$2,000-3,000 £1,250-1,875
150 11-1782/1
FOLLOWER OF ALONSO CANO(SPANISH 1601-1667)
CRUCIFIXIONOil on canvas
35 1/8 x 27 7/8 in. (89.2 x 70.8cm)
$2,000-3,000 £1,250-1,875
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91
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152 09-1380/43
FRANCO-GERMAN SCHOOL18TH-19TH CENTURY
THESEUS AND THE MINOTAUROil on canvas
50 1/4 x 39 5/8 in. (127.6 x 151.4cm)
$4,000-6,000 £2,500-3,750
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92
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154 11-1952/1
FOLLOWER OF JOHANN KARLLOTH(GERMAN 1632-1698)
BACCHUSOil on canvas
25 3/4 x 21 1/4 in. (65.4 x 54cm)
$2,000-3,000 £1,250-1,875
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153 11-1556/1
JOHANN BERNARD BAPTISTESCHEFFER(GERMAN 1765-1809)
GENTLEMAN WITH A DRINKAT A CASEMENTSigned and dated ‘J.B. Scheffer
1794’ lower left, oil on canvas
18 3/4 x 15 3/8 in. (47.6 x 39.1cm)
$3,000-4,000 £1,875-2,500
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155 11-8063/1FRANZ XAVER PETTER(AUSTRIAN 1791-1866)
STILL LIFE WITH ROSES AND TULIPS WITH PARROT IN A BRASSVASESigned and dated ‘Franz Xav. Petter 1834’ lower right, oil on canvas
27 x 22 in. (71.1 x 58.4cm)
Provenance:Frost & Reed Ltd., London.
$30,000-50,000 £18,750-31,250
END OF SALE
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1Unless otherwise indicated, allProperty will be offered byFreeman’s as agent for theConsignor.
2Freeman’s reserves the right to varythe terms of sale and any suchvariance shall become part of theseConditions of Sale.
3Buyer acknowledges that it had theright to make a full inspection of allProperty prior to sale to determinethe condition, size, repair orrestoration of any Property.Therefore, all property is sold “AS-IS”. Freeman’s is acting solely as anauction broker, and unlessotherwise stated, does not own theProperty offered for sale and hasmade no independent investigationof the Property. Freeman’s makesno warranty of title, merchantabilityor fitness for a particular purpose,or any other warranty orrepresentation regarding thedescription, genuineness,attribution, provenance or conditionto the Property of any kind ornature with respect to the Property.
4Freeman’s in its sole and exclusivediscretion, reserves the right towithdraw any property, at any time,before the fall of the hammer.
5Unless otherwise announced by theauctioneer at the time of sale, allbids are per lot as numbered in theprinted catalogue. Freeman’sreserves the right to determine anyand all matters regarding the order,precedence or appropriateincrement of bids or theconstitution of lots.
6The highest bidder acknowledgedby the auctioneer shall be thebuyer. The auctioneer has the rightto reject any bid, to advance thebidding at his absolute discretionand in the event of any disputebetween bidders, the auctioneershall have the sole and finaldiscretion either to determine thesuccessful bidder or to re- offer andresell the article in dispute. If anydispute arises after sale, theFreeman’s sale record shall beconclusive in all respects.
7If the auctioneer determines thatany opening or later bid or anyadvance bid is not commensuratewith the value of the Propertyoffered, he may reject the same and withdraw the Property fromsale.
8Upon the fall of the hammer, title toany offered lot or article willimmediately pass to the highestbidder as determined in theexclusive discretion of theauctioneer, subject to complianceby the buyer with these Conditionsof Sale. Buyer thereupon assumesfull risk and responsibility of theproperty sold, agrees to sign anyrequested confirmation ofpurchase, and agrees to pay the fullprice, plus Buyer’s Premium,therefore or such part, upon suchterms as Freeman’s may require.
9No lot may be removed fromFreeman’s premises until the buyerhas paid in full the purchase pricetherefor including Buyer’s Premiumor has satisfied such terms thatFreeman’s, in its sole discretion,shall require. Subject to theforegoing, all Property shall be paidfor and removed by the buyer athis/her expense within ten (10)days of sale and, if not so removed,may be sold by Freeman’s, or sentby Freeman’s to a publicwarehouse, at the sole risk andcharge of the buyer(s), andFreeman’s may prohibit the buyerfrom participating, directly orindirectly, as a bidder or buyer inany future sale or sales. In additionto other remedies available toFreeman’s by law, Freeman’sreserves the right to impose a latecharge of 1.5% per month of thetotal purchase price on any balanceremaining ten (10) days after theday of sale. If Property is notremoved by the buyer within ten(10) days, a handling charge of .1%of the total purchase price permonth from the tenth day after thesale until removal by the buyer shallbe payable to Freeman’s by thebuyer; Freeman’s shall charge 1.5%of the total purchase price permonth for any property not soremoved within 60 days after thesale. Freeman’s will not beresponsible for any loss, damage,theft, or otherwise responsible forany goods left in Freeman’spossession after ten (10) days. Ifthe foregoing conditions or anyapplicable provisions of law are notcomplied with, in addition to otherremedies available to Freeman’sand the Consignor (includingwithout limitation the right to holdthe buyer(s) liable for the bid price)Freeman’s, at its option, may eithercancel the sale, retaining asliquidated damages all paymentsmade by the buyer(s), or resell theproperty. In such event, thebuyer(s) shall remain liable for anydeficiency in the original purchase
price and will also be responsiblefor all costs, including warehousing,the expense of the ultimate sale,and Freeman’s commission at itsregular rates together with allrelated and incidental charges,including legal fees. Payment is aprecondition to removal. Paymentshall be by cash, certified check orsimilar bank draft, or any othermethod approved by Freeman’s.Checks will not be deemed toconstitute payment until cleared.Any exceptions must be madeupon Freeman’s written approval ofcredit prior to sale. In addition, adefaulting buyer will be deemed tohave granted and assigned toFreeman’s, a continuing securityinterest of first priority in anyproperty or money of, or owing tosuch buyer in Freeman’spossession, and Freeman’s mayretain and apply such property ormoney as collateral security for theobligations due to due toFreeman’s. Freeman’s shall have allof the rights accorded a securedparty under the PennsylvaniaUniform Commercial Code.
10Unless the sale is advertised andannounced as “without reserve”,each lot is offered subject to areserve and Freeman’s mayimplement such reserves bybidding through its representativeson behalf of the Consignors. Incertain instances, the Consignormay pay less than the standardcommission rate where Freeman’sor its representative is a successfulbidder on behalf of the Consignor.Where the Consignor is indebted toFreeman’s, Freeman’s may have aninterest in the offered lots and theproceeds therefrom, other than thebroker’s Commissions, and all salesare subject to any such interest.
11No “buy” bids shall be accepted atany time for any purpose.
12Any pre-sale bids must besubmitted in writing to Freeman’sprior to commencement of the offerof the first lot of any sale. Freeman’scopy of any such bid shallconclusively be deemed to be thesole evidence of same, and whileFreeman’s accepts these bids forthe convenience of bidders notpresent at the auction, Freeman’sshall not be responsible for thefailure to execute, or, to executeproperly, any pre-sale bid.
13A Buyer’s Premium will be added tothe successful bid price and ispayable by the buyer as part of thetotal purchase price. The Buyer’s
Premium shall be: 25% on the first$20,000 of the hammer price ofeach lot, 20% on the portion from$20,001 through $500,000, and12% on the portion of the hammerprice exceeding $500,000.
14Unless exempted by law from thepayment thereof, the buyer will berequired to pay any and all federalexcise tax and any state and/orlocal sales taxes, including wheredeliveries are to be made outsidethe state where a sale is conducted,which may be subject to acorresponding or compensating taxin another state.
15Freeman’s may, as a service tobuyer arrange to have purchasedproperty posted and shipped at thebuyer’s expense. Freeman’s is notresponsible for any acts oromissions in packing or shipping ofpurchased lots whether or not suchcarrier recommended by Freeman’s.Packing and handling of purchasedlots is at the responsibility of thebuyer and is at the entire risk of thebuyer.
16In no event shall any liability ofFreeman’s to the buyer exceed thepurchase price actually paid.
17 No claimed modification oramendment of this Agreement onthe part of any party shall bedeemed extant, enforceable orprovable unless it is in writing thathas been signed by the parties tothis Agreement. No course ofdealing and no delay or omission onthe part of Freeman’s in exercisingany right under this Agreementshall operate as a waiver of suchright or any other right and waiveron any one or more occasions shallnot be construed as a bar to orwaiver of any right or remedy ofFreeman’s on any future occasion.
18These Conditions of Sale and thebuyer’s, the Consignor’s andFreeman’s rights under theseConditions of Sale shall begoverned by, construed andenforced in accordance with thelaws of the Commonwealth ofPennsylvania and Consignor andBuyer agree to the exclusivejurisdiction of the Philadelphia,Pennsylvania Court of CommonPleas and the United States DistrictCourt for the Eastern District ofPennsylvania.
Freeman’s Terms & Conditionsall property offered and sold (“property”) through samuel t. freeman & co, (“freeman’s”) shall beoffered and sold on the terms and conditions set forth below which constitutes the completestatement of the terms and conditions on which all property is offered for sale. by bidding at theauction, whether present in person or by agent, by written bid, telephone, internet or other means, thebuyer agrees to be bound by these terms and conditions.
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Auctions
EDINBURGHWednesday September 28th
Inquiries:Lee [email protected]
Douglas [email protected]
PHILADELPHIAFriday October 7th
Inquiries:David Walkerdirect tel: [email protected]
Benjamin Fisherdirect tel: [email protected]
Viewing
Please contact the department at www.freemansauction.com or www.lyonandturnbull.comfor exhibition/viewing details
The International SaleEdinburgh 28th September, 2011 Philadelphia 7th October, 2011
Fine Louis XV gilt bronze mounted bureau plat and cartonnierstamped migeonThe cartonnier dial signed ‘Masson’$15,000-20,000 (£9,375-12,500)
www.lyonandturnbull .comwww.freemansauction.com
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names
attributed to
studio of
circle of
follower of
manner of
school of
after an artist
signatures & dates
measurements
any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to betaken as a statement or representation of fact. lyon & turnbull andfreeman’s reserve the right, in forming their opinion, to consult andrely upon any expert or authority considered by them to be reliable.
Forename(s) and surname of painter is in our opinion a work by that artist;e.g. Charles Willson Peale. When an artist’s forename(s) is not known, aseries of asterisks followed by the surname of the artist, wether precededby an initial or not, indicates that in our opinion the work is by the artistnamed.
Refers to probably a work by the artist; e.g. Attributed to Charles WillsonPeale.
Refers to a work from the studio of the artist which may or may not havebeen executed under his direction; e.g. Studio of Charles Willson Peale.
Circle of..... refers to a work of the period of the artist executed under hisimmediate influence; e.g. Circle of Charles Willson Peale.
Follower of..... refers to a work by a painter working in the artist’s style,contemporary or nearly contemporary, but not necessarily his pupil; e.g.Follower of Charles Willson Peale.
Manner of..... refers to a work in a style related to that of the artist, but of alater date; e.g. Manner of Charles Willson Peale.
School accompanied by the name of a place or country and a date meansthat we believe the picture was executed at that time and in that location;e.g. Italian School, 18th Century.
After an artist is in our opinion a copy of any date after a work by thatartist; e.g. After Charles Willson Peale.
Signed and/or dated and/or inscribed means that we believe the signatureand/or date and/or inscription are from the hand of the artist.
Bears a signature and/or a date and/or an inscription means that webelieve the artist’s name and/or date and/or inscription have been addedby another hand.
All references to signature, inscriptions and dates refer to the presentstate of the work.
Dimensions are given height before width.
Glossary
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Schoevaerdts, M., 12
Schotel, J.C., 130
Solimena, F., 88
Storck, A.J., 129
Sustermans, J., 108
Teniers, D., the Younger, 113
ter Borch, G., the Younger, 116
Titian, 95
Tocque, L., 5
Valentino, G.D., 89
van Aelst, P.C., the Elder, 103
van Bloemen, J.F., 24, 25
van de Meer, J., 6
van der Meulen, A.F., 14
van Dyck, Sir A., 1, 51, 52, 107
van Essen, C., 115
van Huysum, J., 127
van Kessel, 16
van Lint, H.F., 120
van Ostade, A.J., 114
van Ravesteyn, J.A., 104
van Rijn, R., 18, 19, 20, 59, 61-78
Venetian School, 101
Verbruggen, P., the Younger, 126
Verelst, S.P., 128
Veronese, 32
Visenti, A., 54
von Honthorst, G., 106
Wolfaerts, A., 105
Wyck, T., 125
y Veláquez, D.R. de S., 153
Ykens, J., 28
Zuccarelli, F., 83
Hayls, J., 33
Holbein, H., 8
Italian School, 81, 82, 97, 99
Joullain, N-R., 139
Kneller, Sir G., 4, 10, 34, 147
Lancret, N., 137
Lavagna, G., 98
Lefebvre, C., 109
Lely, Sir P., 3, 111, 148
Loth, J.K., 154
Mannozzi, V., 83
Maratta, C., 13, 85
Metsys, Q. (Massys), the Elder,
117
Millet, J-F., 80
Monnoyer, J.B., 140
Moreau, J-M. (called Moreau le
Jeune), 84
Neapolitan School, 99, 102
Northern European School, 143
Northern Italian School, 90
Patch, T., 30
Pencz, G., 60
Petter, F.X., 155
Pittoni, G.B.V., the Elder, 56
Porcellis, J., 131
Preti, M., 94
Raeburn, Sir H., 29, 149
Ramsay, A., 145
Raphael, 36, 37
Robert, H., 135
Roman School, 17
Rottenhammer, 81
Rubens, Sir P.P., 118
Sadeler II, A., 57
Saraceni, C., 91
Scacciati, A., 141
Scheffer, J.B.B., 153
Adelaïde-Ducreux, R., 132
Aligny, C-F-T. (known as
Théodore Carouelle D'Aligny),
79
Antwerp School, 27
Batoni, P., 96
Beaubrun, C., 134
Beechey, Sir W., 146
Beinaschi, G.B., 87
Belle, A-S., 133
Bigio, F., 7
Blanchet, L., 26
Bosschaert, J-B., 124
Both, J., 31
Brueghel, P., the Elder, 21, 22, 23
Canal, A. (called Canaletto), 53,
55
Cano, A., 150
Ceresa, C., 93
Continental School, 110
Cotes, F., 144
D'Oggiono, M., 92
David, A., 2
de Coninck, A., 35
de Gryef, A., 121
de Vos, P., 123
Dou G., 119
Dughet, G. (called Gaspard
Poussin), 136
Duplessis, C.M., 138
Durer, A., 58
English School, 9
French-German School, 152
Fyt, J., 122
Garnier, J-B., 142
German School, 11
Greco, G. (called Il Masacotta),
100
Grevenbroeck, O., 15
Hanneman, A., 112
Index to Artists
Artists are listed by surname and initials; for actual attribution and authorship please refer to the individual
lots and the glossary of terms opposite.
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Auctions:Saturday November 19thandSunday November 20th
Upcoming atFreeman’s
www. f r e eman s au c t i o n . com
Inquiries:lynda caindirect tel: [email protected]
amy parentidirect tel: [email protected]
Catalogue $30
ExhibitionsWednesday November 16thThursday November 17thFriday November 18th
Please contact the department or www.freemansauction.com for further details
American Furniture, Folk & Decorative Arts 11/19/11
The 6th Annual Pennsylvania Sale 11/20/11
FREEMAN’S
1808 Chestnut Street
Philadelphia, PA 19103
Telephone: 215.563.9275
126 Garrett Street
Charlottesville, VA 22902
Telephone: 434.296.4096
45 School Street
Boston MA 02108
Telephone: 617.367.3400
www.freemansauction.com
Attributed to Reuben Rowely(active 1820-1836)a young couple seated inpainted windsor chairsOil on canvasprovenance:A Philadelphia Collection$15,000-$25,000 (£9,375-15,625)
G11-10622_OldMastersTXT65-104_Layout 1 9/7/11 5:06 PM Page 100
The Forbes Collection at Old Battersea HouseTo be sold on Tuesday 1st November, 2011at 33 Broughton Place, Edinburgh EH1 3RR
www.lyonandturnbull .com
Viewing timesFreeman’s, Philadelphia (highlights only)From September 24th - please contact Freeman’s for details
Old Battersea House, LondonTuesday 15th October and Wednesday 16th October10am to 5pm
Lyon & Turnbull, EdinburghMonday 28th October to Wednesday 30th October10am - 5pm
EnquiriesNick CurnowTel: +44 (0)131 557 8844 E-mail: [email protected]
Lee YoungTel: +44 (0)131 557 8844Email: [email protected]
Douglas GirtonTel: +44 (0)131 557 8844Email: [email protected]
John MackieTel: +44 (0)131 557 8844Email: [email protected]
G11-10622_OldMastersTXT65-104_Layout 1 9/7/11 5:07 PM Page 101
International Auction Calendar
JANUARY 2012
19 Rare Books, Manuscripts & EphemeraFreeman’s, Philadelphia
20 Coins, Currency & MedalsFreeman’s, Philadelphia
25 Fine English & Continental Furniture,Decorative Arts & SilverFreeman’s, Philadelphia
SEPTEMBER
07 Rare Books, Maps & ManuscriptsLyon & Turnbull, Edinburgh
10 Fine Asian ArtsFreeman’s, Philadelphia
22 Rare Books, Manuscripts & PostersCoins, Currency & MedalsFreeman’s, Philadelphia
28 Old Master & British Paintings & PrintsLyon & Turnbull, Edinburgh
28 The International SaleLyon & Turnbull, Edinburgh
28 Fine AntiquesLyon & Turnbull, Edinburgh
To be offered in the Fine Jewellery & Watchessale on December 05 at Freeman’s.
To be offered in the English & Continental Furniture & Decorative Arts sale on October 06at Freeman’s.
To be offered in The International Sale sale on October 07 at Freeman’s.
OCTOBER
05 Fine English Furniture, Silver & Deco-rative ArtsFreeman’s, Philadelphia
06 Fine Continental Furniture & Decora-tive Arts to includeThe Loren Gardner CollectionFreeman’s, Philadelphia
07 The International SaleFreeman’s, Philadelphia
07 Old Master & British Paintings & PrintsFreeman’s, Philadelphia
12 Jewellery & SilverLyon & Turnbull, Edinburgh
15 Saturdays @ L&TLyon & Turnbull, Edinburgh
21 Photographs & PhotobooksFreeman’s, Philadelphia
NOVEMBER
01 The Forbes Collection at Old Battersea HouseLyon & Turnbull, Edinburgh
06 Modern & Contemporary ArtFreeman’s, Philadelphia
16 Decorative Arts & DesignLyon & Turnbull, Edinburgh
19 American Furniture, Folk &Decorative ArtsFreeman’s, Philadelphia
20 The Pennsylvania SaleFreeman’s, Philadelphia
30 Fine Jewellery & SilverLyon & Turnbull, Edinburgh
DECEMBER
01 Fine PaintingsLyon & Turnbull, Edinburgh
04 Fine American & European Paintings & SculptureFreeman’s, Philadelphia
05 Fine Jewelry & WatchesFreeman’s, Philadelphia
06 Holiday SaleFreeman’s, Philadelphia
07 Fine AntiquesLyon & Turnbull, Edinburgh
G11-10622_OldMastersTXT65-104_Layout 1 9/7/11 5:07 PM Page 102
International Staff Directory
PICTURES, WATERCOLOURS
& PRINTSNick [email protected]
Charlotte [email protected]
OLD MASTERSNick [email protected]
FURNITURE, CLOCKS &
WORKS OF ARTLee [email protected]
Douglas [email protected]
RUGS & CARPETSGavin [email protected]
AMERICAN, FURNITURE,
DECORATIVE & FOLK ARTLynda A Cain (+1 267.414.1237)[email protected]
Amy Parenti(+1 267.414.1223)[email protected]
ENGLISH & CONTINENTAL FURNITURE,
SILVER & DECORATIVE ARTSDavid Walker (+1 267.414.1216)[email protected]
Benjamin Fisher (+1 267.414.1215)[email protected]
ASIAN ARTSRobert Waterhouse (+1 267.414.1226)[email protected]
Richard Cervantes (+1 267.414.1219)[email protected]
OLD MASTERSDavid Weiss (+1 267.414.1214)[email protected]
Maya O’Donnell-Shah (+1 267.414.1210)[email protected]
FINE JEWELRY & WATCHESKate Waterhouse (+1 267.414.1230)[email protected]
Madeline McCauley (+1 [email protected])
FINE PAINTINGS & SCULPTUREAlasdair Nichol (+1 267.414.1211)[email protected]
David Weiss (+1 [email protected])
MODERN & CONTEMPORARY ARTAnne Henry (+1 267.414.1220)[email protected]
Aimee Pflieger (+1 267.414.1221)[email protected]
PHOTOGRAPHSAimee Pflieger (+1 267.414.1221)[email protected]
Kate Molets (+1 267.414.1228)[email protected]
JEWELLERY, SILVER, COINS
& MEDALSTrevor [email protected]
Colin [email protected]
DECORATIVE ARTS & DESIGNJohn [email protected]
EUROPEAN & ASIAN CERAMICSCampbell [email protected]
ARMS & ARMOURJohn Batty (consultant)[email protected]
RARE BOOKS, MAPS, MANUSCRIPTS & PHOTO-
GRAPHSSimon [email protected]
Alex [email protected]
ANTIQUE SALESLee [email protected]
Douglas [email protected]
ENQUIRIES &
COMMISSION BIDSTel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668 [email protected]
POP CULTURE (consultant)Simeon Lipman (+1 267.414.1213)[email protected]
ORIENTAL RUGS & TAPESTRIESDavid Weiss (+1 267.414.1214)[email protected]
Richard Cervantes (+1 267.414.1219)[email protected]
RARE BOOKS, MANUSCRIPTS
& EPHEMERADavid J Bloom (+1 267.414.1246)[email protected]
Joe Huenke (+1 267.414.1247)[email protected]
BIDS DEPARTMENTBridgette Bonner(+1 267.414.1208)fax: (+1 215.599.2240)[email protected]
Telephone: +44 (0)131 557 8844 – www.lyonandturnbull.com
Main Switchboard +1 215.563.9275 – www.freemansauction.com
G11-10622_OldMastersTXT65-104:Layout 1 9/12/11 1:16 PM Page 103
“One of thetop 100 hotelsin the world”
Travel + Leisure in 2010 & 2011
The Rittenhouse Hotel, Philaldelphia’s historic and most luxurious hotel is proudto announce our new partnership with Freeman’s. We are pleased to offer Free-man’s clients a preferred rate.
Please contact Jill Heim to arrange your accomodations.215-790-2541, [email protected]
G11-10622_OldMastersTXT65-104_Layout 1 9/7/11 5:07 PM Page 104
1808 Chestnut StreetPHILADELPHIA PA 19103Tel: +1 215.563.9275
126 Garrett StreetCHARLOTTESVILLE VA 22902Tel: +1 434.296.4096
45 School StreetBOSTONMA 02108Tel: +1 616.367.3400
33 Broughton PlaceEDINBURGH EH1 3RRTel: +44 (0)131 557 8844
182 Bath StreetGLASGOW G2 4HGTel: +44 (0)141 333 1992
78 Pall MallLONDON SW1Y 5ESTel :+44 (0)20 7930 9115
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