Georg PhilippTelemann(1681 — 1767)
Wo r k s f o r r e c o r d e r
Part 1: Pieces with Recorder without Continuo – twv 40
Vol. i, 2:Sonates sans basse à deux (Hamburg 1727)
Sonates 4 – 6(twv 40:104– 106)
Flutes
VMM
Georg PhilippTelemann(1681 — 1767)
Wo r k s f o r r e c o r d e r
Part 1: Pieces with Recorder without Continuo – twv 40
Vol. i, 2:Sonates sans basse à deux (Hamburg 1727)
Sonates 4 – 6(twv 40:104– 106)
Flutes
ViMa t 1 ii t – Version 1.0 – September 2020. A publication (http://www.vistamaremusica.com/).Editing and typesetting © 2020 Maurizio M. Gavioli. Licensed under the Creative Commons license “Attribution - Share Alike” (in simple words,
do with it whatever you like as long as you give me proper credit and share derivativeworks like this one; for details, see http://www.creativecommons.org/licenses/by-sa/3.0).
Egraved with MuseScore (http://musescore.org/). Texts set in EB Garamond (http://www.georgduffner.at/ebgaramond/) andLibertinus Sans (https://github.com/libertinus-fonts/libertinus).
C o n t e n t s
Sonata 4 (twv40:104, E min.) 6Sonata 5 (twv40:105, B min.) 18Sonata 6 (twv40:106, E maj.) 30
P r e fa c e
This edition contains all Telemann works for one or more recorders, possibly with otherinstruments and without continuo (twv class 40). It only includes works for which therecorder is explicitly stated as an instrument, either as the only possibility or one amongseveral. It does not include works which could be performed on the recorder or could be(or have been) adapted to the recorder.
Volume 1 contains the six Sonates sans Basse à deux..., Hamburg 1727. Volume 2contains a few additional pieces.
The sources used for the Sonates sans Basse are:• H: Telemann G.P., Sonates sans Basse à deux Flutes traverses ou à deux Violons ou à
deux Flutes à bec, Hamburg 1727, copy in Det Kongelike Bibliotek (København).• P: Telemann G.P., Sonates pour deux Flûtes Traversieres, deux Flûtes Douces, ou deux
Violons, Paris, Le Clerc 1760 ca., copy in the Bibliothèque Nationale de France (Paris).Three versions are provided:
• Original version in treble clefs for flutes;• Original version in French clefs for recorder (implied by the clefs at the beginning of the
original prints);• Modern version in treble clefs for recorders.
E d i t o r i a l r e m a r k s• All editorial additions are placed above the staff or marked by dotted lines or parentheses.• As a general rule, original time signatures, note values, ties, slurs, bar lines and beamings have been
retained. About clefs, see the Preface above.• All marked accidentals have been retained, even when superfluous according to modern conventions;
however, they have been silently ‘modernised’ when today conventions dictate a different sign(i.e.: a sharp used to raise a flattened note has been converted to a natural sign).
• Accidentals above the staff or in small type between parentheses are editorial suggestions.• About sources: H is a movable type print in separate parts; P is an engraved print in score
format.• H and P agree to a high degree. However, P often has different beamings: the H version is silently
followed.• Because of the movable type print, slurs in H are often rather vague. As P is much clearer in this, P
slurs have been silently followed throughout.• For trills, H has a text version of the trill sign (tr.), while P uses the cadence sign (+). No other
ornament occurs in either source. In places where both sources have a trill, the common modern sign() is used; in a few cases H has a trill lacking in P: these are rendered with the original H sign (tr.); inmany more case, P has a trill which H has not: these have been rendered with the P original sign (+).The intended meaning of , + and tr. is however the same.
4
C r i t i c a l n o t e s :1. First voice rest missing in H.2. All slurs of this measure missing in H.3. H has B.4. Here and in all rests notated in both voices of this movement, both H and P had 5. P has 6. Slur lacking in P.7. P has G.8. In both voices, H has , while P has 9. P has E.
10. P has the slur on the last two notes only.11. lacking in P.
Sonate
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Largo
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Largo 4)
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Vivace
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