Download - Digital Booklet - Metals

Transcript
Page 1: Digital Booklet - Metals
Page 2: Digital Booklet - Metals
Page 3: Digital Booklet - Metals

THE BAD IN EACH OTHER Speak plain he said But didn’t say He acted that way and held me like a cup Fill me up Then pour me out Therein lies the doubt We had the same feelings

at opposite times When a good man and a good woman Can’t find the good in each other Then a good man and a good woman Will bring out the worst in the other The bad

in each other But what and how To find us now When we’ve become two Fluorescently blue Down the neon river The sadness canoes Either without or with her When a good

man and a good woman Can’t find the good in each other Then a good man and a good woman Will bring out the worst in the other When a good man and a good woman

Can’t find the good in each other Then a good man and a good woman Will bring out the worst in the other The bad in each other GRAVEYARD The graveyard All full of light

The only age The beating heart Is empty of life Dirt and grass The shadow hall The moon sails past Blood as ice is An empty crisis Lonely and last Bring them all back

to life Roots and lines Roots and Lines Our Family tree Is a home From there we climb The Goldenhill Call and they will Eternally I held your hand The giant wand Alto

low song And history Begins to be Blue and brown eyed Bring them all back to life CAUGHT A LONG WIND Little bird have you got a key? Unlock the lock inside of me Where

will you go to keep yourself afloat? Feeling old until the wing unfolded Caught me a long wind where will we go to keep ourselves afloat? I caught a long wind Long life wind

I got to know the sky but it didn’t know me I got to see the land and land on top the sea Be the bird be the key And the current tells what the wave withheld And the LIGHTNING

sang of where the light would land Where will you go keep yourself afloat? I caught a long wind A long life wind Like a swallow A Night owl A Little chickadee Sad Sparrow

Good Morning bird Good Nightengale I took a deep breath And caught a long wind HOW COME YOU NEVER GO THERE How come you never go there? How come I’m so alone there?

I went up to the window LIGHTNING banging on the cymbals I ripped into the night Came storm into your eyes The horse had worked the fields too long My bear had lost

his innate calm It’s true enough we’re not at peace But truth is never what it seems My heart is not the light it was And when I walk inside the dark I’m gone So while we

look for where it went It’s only echoes in the Valley Love Why waste time on blame and weak revenge Waste energy on projections We’re living proof we gotta let go And

stop looking through the halo We carry on as if the time is through You carry on as if I don’t love you And so we find the way is out To cut the heart out of the doubt

now The room’s full but hearts are empty Like the letters never sent me Words are like a lasso But you’re an instrumental tune How come you never go there? How come

I’m so alone there? A COMMOTION It flickered to light It turned broke what was right Got the roots by the hair What was was no longer there It blocked out the sun It

climbed up the stairs And then it slipped through the cracks I wasn’t watching my back If it rips you all apart The grudge has still got your heart If it rips you all apart

The grudge has still got your heart It stalked through the rooms And then it tore the sheets off the bed It ripped the books off the shelf It turned heaven to hell It held

me down tight It took all my fight It broke all the windows It came flame from the kindle THE CIRCLE MARRIED THE LINE I know it’ll need to go from good to worse Living in

the past begins the ending first All I want is a horizon line Get some clarity following signs I’ll keep on the path that leads up to the clearing Keep some distance while the

words comes in so near and Then I’ll head out to horizon lines Get some clarity oceanside Realize what you know that you know by now that...First light was last light was

alright when The circle married the line Even from away he is near me Making me unendingly teary Makes me remember the things that I forgot It’s as much what it is as

what it is not In a room sleeping so peacefully Fall away from him to be less than lee All we need is a horizon line Get some clarity following signs Realize what you know

that you know by now that... First light was last light was alright when The circle married the line BITTERSWEET MELODIES Whispers in the grass Under slow dancing trees

Birds were telling me stories Saying you were meant for me With their bittersweet melodies Like a sweet memory Bittersweet melodies Can’t go back can’t go on Without

those bittersweet memories Creaking kitchen floor Snow slips under the door Tiny speakers were singing Telephone always ringing Bittersweet melodies Like a sweet

memory Bittersweet melodies Can’t go back can’t go on I remember us Before we turned to dust What our feelings were all about When we still could trust In our hearts

Bittersweet memories Like a sweet melody Bittersweet memories Can’t go back can’t go on Both of us singing that same old song Without that Bittersweet memory Like a

sweet melody Bittersweet memory And it seems oh so long since that Bittersweet melody played for me ANTI-PIONEER Start with colour They always get away with attitude

And they’ll try to convince you of your mood And what you want they’ll give it to you But it’s only therapy that’s all they do For a year She was anti-pioneer Singing

sappy songs About what went wrong two years before And even now is it false or true That I call me You? When the flag changes colours the language knows When the

month changes numbers it’s time to go home For a year She was anti-pioneer The past arrived too late to change the future’s fate But even now when the false is true A

single colour still seems possible to you UNDISCOVERED FIRST I had what I thought Were clear open eyes Bright blue Vision not of a light Carrying pictures To lay on you

Close up eyes Let them in To a mind opening It’s the edge of love You can’t unthink a thought Either it’s there or not Shadows of the mountain Don’t tell of what’s on earth

The bredth and the height Of an undiscovered first Now hopeful mountaineers Climb up to eclipse The light of the old sun Cause it’s been said The two would know Once

the 2’d been told Shadows of the mountain Don’t tell of what’s on earth The bredth and the height Of an undiscovered first Shadows of the mountain No telling what’s

in store The width and the bredth Is it wrong to want more? Is this the right mountain For us to climb? Is this the way to live For you to be mine? Is this the right

river For us to forge? Is this the way to live For me to be yours? Is this the way to live For me to be yours? Is this the way to live Is it wrong to want more? CICADAS

AND GULLS Cicadas and gulls A scrape on the hull The land and the sea Are distant from me I’m in the sky Thoughts are like pearls When flags are unfurled When we’re in

the dark I’ll ride you like the ark Because you’re mine Maps can be poems When you’re on your own And distance is Braille And all that entails I’m in the sky Empty as a

page As high as the stage As full as the room When we’re in the spoon COMFORT ME When you comfort me It doesn’t bring me comfort actually When you comfort me True

life in haiku It balances the phrase out of the blue the meaning’s shown to you What does sadness see? The mirror has a mirror in its teeth That’s what sadness sees The

mirror has a mirror in its teeth Big sky tiny bird And when the paragraph betrays the word Big sky tiny bird While you held me up I held my calendar out like a cup While

you held me up Make it all about me I wanna hold the blame to guillotine Make it all blame free GET IT WRONG GET IT RIGHT Wind on the fields Blowing your hair Wheat of

gold Hand to hold Come to the hill Got a nest to build String and grass Leave the past Climb up to the lookout Tops of the trees Little road Come and go River dam

Lake fills up the land Skipping stones Build a home Cold outside Warm by the fire Get it wrong Get it right

Page 4: Digital Booklet - Metals

Prospects Hymn Yeses Mettle Metals Concrete

Produced by Feist Chilly Gonzales Mocky Valgeir Sigur[sson Arranged by Feist Mocky Chilly Gonzales

Recorded in Big Sur, California FebRUARY 15-March 17, 2011

FEIST GUITARS, ORGAN, PIANO MOCKY DRUMS, ACOUSTIC AND ELECTRIC BASS, PIANO CHILLY GONZALES PIANO, ORGAN, ELECTRIC BASS, DRUMS Brian LeBarton Organs,

Synths, Piano, Electric Bass, Drums Dean Stone Drums, Percussion Colin Stetson Bass, Baritone and Tenor Saxophones, Bass and Tenor Clarinets, French

Horn, Flute and Trumpet Evan Cranley EUPHONIUM AND TROMBONE Bry Webb VOICE ON THE BAD IN EACH OTHER Irene Sazer Violin and Group vocals Alisa Rose

Violin and Group vocals Dina Maccabee Viola and Group vocals Jessica Ivry Cello and Group vocals

Additional Photography by Dean Conger/National Geographic Stock, AND

Sammy Rawal

Management-Chip Sutherland and Robbie Lackritz

Heart-Filled Real Thanks to

Chip AND Robbie, Jannie McInnes, Gonzo, Mox, Mary Rozzi, Heather

Goodchild, Boo Feist and Gord Cook, Harold Feist, Ben Feist, Liz Moniz,

Linden and Audrey, Jackson Feist, Emily Feist, Margo Welch, The Achens,

Waughs and Donnellys, Goldy and Karen, Kevi Drew, Ed Droste, Simone Rubi,

Dominique Sirsly, Howie Beck, Danielle and Adrian, Emily Haines, Tomaz

Jardim, Afie Jurvanen, Peach, DEsirEe Klein, Telly Salole, Karla Welch, Anna

Brunoro, Tyler Clark Burke, Christophe Lameignere, Martin

Kierszenbaum, Kate Farmer, Jeffrey Remedios, Adrienne Amato, Whites,

Vanessa Gates, Robin Quinn, Maryam Nassirzadeh , braxton pope, Amy,

Evan and Delphine, Michael Ondaatje, Lygia, Carlos, Francis, Michelle, and

the Chappellets, Julia Ziegler-Haynes, Mio, Paul, Jeremy at Greenhouse

Studios, Jerome C. Rousseau, Bender and Jess, Olivier Bloch-Laine and La

Frette Studios, Keith Megna, james and jeff at 6 nassau, Renaud Letang,

Thomas Moulin, Nicole Dagaenais, The Real Vocal String Quartet-Irene,

Alisa, Dina and Jessica, Jamie Lidell, Mandy Parnell, Markus Gilgan, Kevin

Blechdom, Dave Guinane, Ike Zimbel, Bryan McCurry, Mike Frenchik, Dan Parry

and Greg Galbreath

Engineered by Robbie Lackritz and Lionel Darenne

Mixed By Renaud Letang Except Caught A Long Wind and The Circle Married The Line mixed by Robbie Lackritz. UNDISCOVERED FIRST MIXED BY HOWIE BECK, CICADAS AND GULLS MIXED BY LIONEL DARENNE MIX ASSISTANT THOMAS MOULIN

MASTERED BY MANDY PARNELL Additional Mastering by Philip Shaw Bova

String and Horn arrangements by Feist Chilly Gonzales MockyAdditional horn arrangements by Colin Stetson, Evan Cranley and Valgeir Sigur[sson

Written by Leslie Feist

EXCEPT Graveyard by Feist/Mocky/Chilly Gonzales, Caught a Long Wind by Feist/Mocky/Chilly Gonzales, The Circle Married the Line Written By Leslie Feist and Brian Lebarton, Bittersweet Melodies by Feist/Mocky, (Pigtail Dichotomy (ASCAP)) (Leslie Feist (Universal Music MGB Ltd), Dominic “Mocky” Salole, (Heavy Sheet Music/Warner Chappell), Jason “Chilly Gonzales” Beck (PRS/BMI/SOCAN)/(EMI Music Publishing), Afie Jurvanen (Afie Jurvanen (SOCAN)).

Creative Direction by Jannie McInnes Photography by Mary ROZZI Typography and Print Design by Heather Goodchild Graphic Design by Graydon Sheppard with Robyn Kotyk, Petra Cuschieri, Sammy Rawal, AND Rory Them Finest

© 2011 Polydor (France), a Universal Music Company under exclusive license to Interscope Records in the U.S.A. All rights reserved. B0016026-02

Page 5: Digital Booklet - Metals
Page 6: Digital Booklet - Metals