IntellectBooks Catalogue Autumn 2010
Cultural & Media Studies | Film Studies | Performing Arts | Visual Arts
2 | Intellect Autumn books 2010 | 3
Welcome
Welcome to Intellect’s Autumn 2010 books
catalogue. Since 1986, Intellect has established
a diverse and innovative publishing portfolio,
presenting scholarly work at the intersection of
arts, media and creative practice. Our primary
commitment is to the author, and we champion
original, ground-breaking thought and debate.
Intellect also strives to facilitate a platform for
creative artists to critically reflect on their work,
promoting a blend of artistic creativity and
academic critique.
03 | Welcome
04 | Film Studies
12 | Visual Arts
20 | Cultural & Media Studies
26 | Performing Arts
28 | E-books
29 | Proposing a new book
30 | How to order
Contents
4 | Film Studies
Directory of World Cinema: American Independent
Edited by John Berra
ISBN 9781841503684Paperback UK £16 | US $25
Part of the Directory of World Cinema series
With high-profile Academy Award nominations, independent films have
been at the forefront recently like never before. But the roots of critical
and commercial successes like The Hurt Locker and Precious can be traced
to the 1960s, when many talented film-makers emerged to capture the
attention of a rapidly growing audience of young viewers. At a time when
independent films are enjoying considerable cultural cachet, this easy-to-
use yet authoritative guide will find an eager audience in media historians,
film studies scholars and movie buffs alike.
Film Studies
An interest in horror and fantasy, satire, and maintaining a reper-tory company of performers are elements that weave in and out of Stuart Gordon’s oeuvre. For many directors, the film they are remembered for is an early effort and this is certainly the case with Gordon: his debut Re-Animator (1985) is still a fan favourite, and one of the best comedic horrors of the 1980s. However, in the 1970s, Gordon held the position of Artistic Director of the Chicago Organic Theatre Company, which garnered a reputation for pro-ductions of experimental and challenging plays including the first staging of David Mamet’s Sexual Perversity in Chicago. Despite a further six horror films over the next two decades, Gordon has recently returned to his theatrical roots, filming dramas and thrillers with small casts, revolving around life-threatening situations and issues of morality.
Gordon’s prolific output has varied in popularity and the relative success and failure of each project is often due to the director’s level of artistic control. His H P Lovecraft adaptation, Re-Animator, includes dozens of zombies and mutated creatures, which shows a unique mixture of Frankenstein-style experiments and the gore of the increasingly-modern horror films of the early 1980s, such as The Evil Dead (1981). The film is played straight by all involved, and it is the absurdity of the blood-and-guts set pieces that provides the humour, not to mention the music, which has been accurately described as a disco version of Bernard Herrmann’s score for Alfred Hitchcock’s Psycho (1960). Gordon’s follow-up, From Beyond (1986), is less successful. Although another Lovecraft adaptation, with much of the same cast and crew, this is a gorier film with less-sympathetic characters that favours spectacle over content.
DIRECTORSSTUART GORDON
Synopsis
The Devil’s Rejects – A family of serial killers, joined by local ‘clown’ Captain Spaulding, are caught unawares by a large police visit to their ranch, leading to a bloody shoot-out with casualties on both sides. Three of the family escape, another is elsewhere and the mother of the clan is taken into custody. On the run, Otis and Baby kidnap a couple and their daugh-ter to take with them as hostages and eventually seek refuge with Charlie Altamont, an old friend. However, he betrays them to the police and they narrowly escape again, bloodied and wounded. Fleeing cross country by car, the three killers see an armed roadblock approaching and they accelerate the car, accepting their imminent demise.
The Devil’s Rejects
Studio/Distributor:
Lions Gate Films
Director:
Rob Zombie
Producers:
Mike ElliottAndy Gould
Critique
Rob Zombie’s directorial debut and its sequel show a director paying affectionate homage to various genres while trying also to create modernist horror films, which leads to some-what mixed results. House of 1,000 Corpses certainly displays a scattershot approach to film-making – a lurid, confusing film that lurches from one set piece to the next as the direc-tor uses every visual trick he observed in the music videos made for his band White Zombie. Favouring spectacle over coherent storytelling, Zombie’s first film uses flashbacks, flash-forwards, various disorientating visual effects and a relentless score to browbeat the audience into some kind of visceral reaction. As a film which depicts a group of teenag-ers experiencing a horror ride at a fun fair, first as recreation and then as participants, it is certainly appropriate for the director to give the audience a similar experience – unreal-istic splatter, unexpected shocks and over the top visuals. However, these experiences sets the tone for almost the entire movie, even in its quieter moments, and, as even the protagonists are drawn in broad strokes, it is hard for viewers to engage with anything that is going on. The title of the film refers to Herschell Gordon Lewis films, such as 2,000 Maniacs! (1965), but while the lack of structure approaches some of Gordon’s endearing deficiencies as a film-maker, this is not a laudable pursuit for someone making their directorial debut. This attention-deficit-disorder-style of film-making is familiar to anyone who has seen Oliver Stone’s Natural Born Killers (1994) and, indeed, The Devil’s Rejects also apes that film’s plot to a certain extent, but while Stone’s film is watchable, due to Tarantino’s witty script and a great cast, here House of 1,000 Corpses predicts the similar failure of Tarantino’s own Grindhouse (2007): an overblown affection for Z-list movies that may be enjoyable in a kitsch kind of way, but certainly not an ideal to aspire to.
Conversely, The Devil’s Rejects is a much tighter, grounded and enjoyable film. While the plot picks up not long after the first film, it turns the antagonists of the original into the eponymous protagonists of the second but, with a clearly-defined scenario from the outset, it means new viewers of the saga can (thankfully) skip its predecessor without worry-ing that they have missed anything. As the gore and torture scenes of the original were clearly that film’s raison d’être, the different focus of the sequel makes you wonder whether a different approach could have made that film watchable. Certainly, The Devil’s Rejects, whilst not necessarily featuring likeable characters, features human monsters who engage a certain prurient curiosity in the audience. While The Devil’s Rejects is a more accomplished and engaging film than its predecessor, the flaw in making the killers the focus of the film without them having any endearing qualities – unlike the anti heroes of 1970s’ films such as Badlands (1973) – means
Marco MehlitzBrent MorrisMichael OhovenRob Zombie
Screenwriter:
Rob Zombie
Cinematographer:
Phil Parmet
Art Director:
TK Kirkpatrick
Composers:
Tyler BatesTerry ReidRob Zombie
Editor:
Glenn Garland
Duration:
107 minutes
Cast:
Sid HaigBill MoseleySheri Moon ZombieWilliam Forsythe
Year:
2005
6 | Film Studies Film Studies | 7
Directory of World Cinema: Russia
Edited by Birgit Beumers
ISBN 9781841503721Paperback UK £16 | US $25
Part of the Directory
of World Cinema series Be they musicals or melodramas, Russian films have a long
and fascinating history of addressing the major social and
political events of their time. From Sergei Eisenstein’s anti-
tsarist drama, Battleship Potemkin, to socialist realism,
to the post-glasnost thematic explosion, this volume
explores the socio-political impact of Russian cinema and
the former Soviet Union. Introductory essays establish key
players and genres, while reviews and case studies analyze
individual titles in considerable depth. For the film studies
scholar, or for those who love Russian cinema, Directory of
World Cinema: Russia will be an essential companion.
Directory of World Cinema: Australia & New Zealand
Edited by Ben Goldsmith and Geoff Lealand
ISBN 9781841503738Paperback UK £16 | US $25
Part of the Directory of World
Cinema series
This ambitious volume offers an in-depth and exciting
look at the cinema produced in Australia and New Zealand
since the turn of the twentieth century. Though the
two nations share considerable cultural and economic
connections, their film industries remain distinct, marked
by differences of scale, funding and relations with national
cinema. Through essays about prominent genres and
themes, profiles of directors, and comprehensive reviews
of significant titles, this user-friendly guide explores the
diversity and distinctiveness of films from Australia and
New Zealand.
DIRECTORSMICHAEL POWELL (1905–1990)
8 | Film Studies Film Studies | 9
Europe and Love in Cinema
Edited by Jo Labanyi, Luisa Passerini and Karen Diehl
ISBN 9781841503790Paperback UK £19.95 | US $35 Europe and Love in Cinema explores the relationship
between love and Europeanness in a range of films from
the 1920s to now. A critical look at how love is portrayed
in cinema from across Europe and the United States, this
volume exposes constructed notions of ‘Europeanness’
that both define and separate Europe. These films engage
with ideas of Europe from both outside and within and
offer alternative models of love. A collection of essays from
top film scholars, this book demonstrates the centrality of
desire to film narrative and explores multiple models of
love within Europe’s frontiers.
New Trends in Argentine and Brazilian Cinema
Edited by Carolina Rocha and Cacilda M. Rêgo
ISBN 9781841503752Paperback UK £19.95 | US $35
As part of economic reforms in the early 1990s, the
Brazilian and Argentine presidents eliminated state
financial support for cinema, affecting the film industry
dramatically. By the mid-1990s new laws were passed
reestablishing subsidies and credit lines – and allowing the
rebirth of national cinema in both countries. This volume
surveys Brazilian and Argentine cinematic production from
its dramatic rebirth to the present. It addresses not only
the commercially successful films but also the effects of
globalization and cultural policies on public incentives for
film-making. An indispensable resource for students of film
and cultural studies.
Misreading Postmodern Antigone: Marco Bellocchio’s Devil in the Flesh (Diavolo in Corpo)
Edited by Jan Jagodzinski
ISBN 9781841503615Paperback UK £19.95 | US $40
In the mid-1980s, film director Marco Bellocchio and
psychoanalyst Massimo Fagioli co-wrote Devil in the Flesh,
a politically and sexually charged film illustrating some
of Fagioli’s controversial theories. Echoing anti-Lacanian
sentiment, the film is perhaps best remembered for a
scene in which the character Andrea misreads a section
of the Greek tragedy, Antigone. But this scene has itself
been frequently misread, opening up the text to questions
of feminism, politics and the representation of Antigone.
Displaying considerable analytic depth, Misreading
Postmodern Antigone considers these divergent readings
and what they have to tell us about contemporary society.
10 | Film Studies Film Studies | 11
Historical Comedy on Screen
Edited by Hannu Salmi
ISBN 9781841503677
Paperback UK £19.95 | US $40
In 1893, Friedrich Engels branded history ‘the cruelest
goddess of all.’ This sorrowful vision of the past is
deeply rooted in the Western imagination, and history is
presented as a joyless playground rather than a world of
possibilities. Historical Comedy on Screen examines this
tendency, paying particular attention to the themes most
difficult to laugh at and exploring the place where comical
and historical storytelling intersect. The first scholarly
book of its kind, this work emphasizes the many oft-
overlooked comical renderings of history and asks what
they have to tell us if we begin to take them seriously.
Deleuze and Film Music: Building a Methodological Bridge between Film Theory and Music
By Gregg Redner
ISBN 9781841503707Paperback UK £19.95 | US $40
The analysis of film music is one of the fastest-growing
areas of interest in film studies but scholarship has been
beset by the lack of a common language and methodology.
Drawing on the philosophy of Gilles Deleuze, Gregg Redner
provides an analysis of the problem, which then forms the
basis of his exploration of the function of film score and its
relation to film’s other elements. Not just an examination of
persistent difficulties in this new area of study, Deleuze and
Film Music also offers a solution that will take film music
analysis to a new level.
Recording Memories from Political Violence: A Film-maker’s Journey
By Cahal McLaughlin
ISBN 9781841503011Paperback UK £19.95 | US $40
Based on work carried out with survivor groups in South
Africa and Northern Ireland, Recording Memories from
Political Violence aims to describe and analyze the use
of documentary film-making in recording experiences of
political conflict. A variety of issues relevant to the genre
are addressed, including the importance of ethics in the
collaboration between the film-maker and the participant
and the effect of location on the accounts of participants.
McLaughlin draws on nearly twenty years of production
experience, in this informed and instructive contribution
to documentary film-making and post-conflict studies.
12 | Visual Arts Visual Arts | 13
The Blind
Edited by Alfredo Cramerotti
ISBN 9781841503622 PaperbackUK £24.95 | US $50
Part of the Critical Photography series
Images of animals are everywhere but the visibility offered by wildlife
photography contributes to an image of the animal as separate from the human.
Yet how can we get closer to animals without making them aware of us or
changing their environment? ‘The Blind’ might be the answer. Developed for
naturalists, the blind is a camouflage cloak that works on the principle that an
object vanishes from sight if light rays are not reflected, but are instead forced to
flow around. In fifty stunning colour photographs, this volume shows the cloak
tested in nature reserves, grasslands and urban environments.
Visual Arts
14 | Visual Arts Visual Arts | 15
Streets of Crocodiles: Photography, Media, and Postsocialist Landscapes in Poland
By Katarzyna Marciniak and Kamil Turowski
ISBN 9781841503653 PaperbackUK £24.95 | US $50
Picturing Immigration: Photojournalistic Representation of Immigrants in Greek and Spanish Press
By Athanasia Batziou
ISBN 9781841503608 PaperbackUK £19.95 | US $40
At the turn of the twentieth century, Greece and Spain saw
an influx of immigrants from developing nations. As their
foreign populations grew, both countries’ national media
were there to document the change – shaping perceptions
of the immigrant groups by their new countries and the
world. Picturing Immigration offers a comparative study of
the photojournalistic framing of immigrants in these two
nations. It focuses on images to explore a host of topics,
including media representation of minorities, immigration
and stereotypes.
Moving the Eye Through 2-D Design: A Visual Primer
By Buy Shaver
ISBN 9781841503639 PaperbackUK £19.95 | US $40
Moving the Eye Through 2-D Design provides a step-by-step
approach to understanding what causes us to look at any
two-dimensional media and how to maintain visual interest.
This volume introduces a method that applies aspects of
line, shape, value and colour directly to moving the viewer’s
eye to and through a composition. The basic principles of
2-D design are discussed as integrated elements that relate
to the art-making process. Equally applicable to the fine
arts, applied arts, and digital media, this book provides a
comprehensive methodology through which artists can
create dynamic works of art.
This powerful presentation of photographs of Poland
from the late 1980s to the present depicts the hybridized
landscape of this pivotal Eastern European nation
following its entry into the European Union. A visual record
of the country’s transition from socialism to capitalism, it
focuses on the industrial blue-collar city of Łódz – located
in the heart of New Europe and home to nearly one million
people. Photographer Kamil Turowski’s pictures are
captivating – seeming to conceal a looming threat – while
Katarzyna Marciniak’s accompanying text expands on
the photos and the ‘crocodilian’ texture of contemporary
Eastern Europe.
16 | Visual Arts Visual Arts | 17
Franklin Furnace & the Spirit of the Avant-Garde: A History of the Future
By Toni Sant
ISBN 9781841503714 PaperbackUK £19.95 | US $25
Franklin Furnace is a renowned arts organization whose mission is to preserve,
document and present works of avant-garde art by emerging artists. Over more
than thirty years, Franklin Furnace has exhibited works by hundreds of avant-
garde artists, some of whom are now established names in contemporary art.
Here, for the first time, is a comprehensive history of this remarkable organization
from its conception to the present. This book intersperses first-person narratives
with readings by artists and scholars on issues critical to the organization’s
success as well as Franklin Furnace’s many contributions to avant-garde art.
18 | Visual Arts Visual Arts | 19
Why We Make Art And Why it is Taught (2nd ed.)
By Richard Hickman
ISBN: 9781841503783PaperbackUK £14.95 | US $25
Governments around the world spend millions on art
and cultural institutions, evidence of a basic human
need for what the author refers to as ‘creating aesthetic
significance.’ Yet what function or purpose does art
satisfy in today’s society? In this thorough and accessible
text, Hickman rejects the current vogue for social and
cultural accounts of the nature of art-making in favour
of a largely psychological approach aimed at addressing
contemporary developmental issues in art education.
Bringing to bear current ideas about evolutionary
psychology, this second edition will be an important
resource for all interested in arts education.
The Future of Art in a Postdigital Age: From Hellenistic to Hebraic Consciousness (2nd ed.)
By Mel Alexenberg
ISBN 9781841503776 HardbackUK £29.95 | US $60
In The Future of Art in a Postdigital Age, artist and educator
Mel Alexenberg offers a prophetic vision of a postdigital
future that reveals a paradigm shift from the Hellenistic
to the Hebraic roots of Western culture. The author
surveys new art forms emerging from a postdigitial age
that address the humanization of digital technologies.
He ventures beyond the digital to explore postdigital
perspectives rising from creative encounters between
art, science, technology, and human consciousness.
A revolutionary investigation into interactive and
collaborative forms that imaginatively envisages the vast
potential of art in a postdigital future.
Robert Frank’s ‘The Americans’: The Art of Documentary Photography
By Jonathan Day
ISBN 9781841503158 PaperbackUK £19.95 | US $40
In the mid 50s, Swiss-born New Yorker Robert Frank
embarked on a ten-thousand-mile road trip across post-
war America, capturing thousands of photographs of all
levels of a rapidly changing society. The resultant book,
The Americans, represents a seminal moment in both
photography and in America’s emerging understanding
of itself. To mark the book’s fiftieth anniversary, Jonathan
Day revisits this pivotal work and contributes a revealing
critical commentary. This comprehensive analysis places
The Americans thoroughly in the context of contemporary
photography, literature, painting, music and advertising.
20 | Cultural & Media Studies Cultural & Media Studies | 21
Berliner Chic: A Locational History of Berlin Fashion
By Susan Ingram and Katrina Sark
ISBN 9781841503691 Paperback UK £19.95 | US $35
Since becoming the capital of reunited Germany, Berlin has had a dose of global
money and international style added to its impressive cultural veneer and is
now a fashion showplace that attracts the young and hip. This gripping history
follows Berlin chic through a host of historical eras and events, including the
Nazi eradication of the primarily Jewish ready-to-wear industry, the confusion
surrounding the split and reunification of the East and West and the debut of
Berlin Fashion Week. There are many fabulous stories about Berlin fashion and
Berliner Chic tells them all with considerable expertise.
Cultural & MediaStudies
22 | Cultural & Media Studies Cultural & Media Studies | 23
The Grey Zone in Health and Illness
By Alan Blum
ISBN 9781841503646Hardback UK £29.95 | US $60
Part of the Culture, Disease, and Well-Being: The Grey Zone of Health and Illness series
With The Grey Zone in Health and Illness, Alan Blum offers
a new perspective, outlining a highly nuanced theoretical
approach to health, illness, suffering and disease and the
ethical and aesthetic implications of medical practice.
Drawing on a range of thinkers from Plato to Lacan, the book
identifies the Grey Zone as the persistence and function
of ambiguity in everyday life that requires a complete
rethinking of health and sickness, self-governance and
negligence. A heady, cutting-edge intervention in a critical
area of society, The Grey Zone in Health and Illness will have
wide ramifications in the academy and beyond.
Global Technological Change: From Hard Technology to Soft Technology (2nd ed.)
By Zhouying Jin
ISBN 9781841503769Paperback UK £24.95 | US $50
This revised and updated edition of Global Technological
Change reconsiders how we make and use technology
today. With human-centred ‘soft technology’ driving
machine-based ‘hard technology’ in ever more complex
ways, Jin provides a much-needed understanding of the
human dimension of technological advancement. Through
Eastern and Western philosophy, she offers insight into
the dynamic between the two as it relates to a variety of
technological innovations. Global Technological Change
continues to challenge assumptions about technology and
the gap between the developed and developing countries in
the twenty-first century.
Gendered Transformations: Theory and Practices on Gender and Media
Edited by Tonny Krijnen, Claudia Alvares and Sofie Van Bauwel
ISBN 9781841503660Paperback UK £19.95 | US $40
Comprising the most current scholarship from leading
experts in the fields of gender and media studies, Gendered
Transformations offers a new foundation from which to
re-examine traditional perspectives on gender. Organized
into sections concerning representational politics,
embodied performance, and social constructions of reality,
these essays explore a wide variety of perspectives from
essentialist to anti-essentialist. Gendered Transformations
offers a rare interdisciplinary approach to gender that
reflects the most recent developments in media theory and
methodology.
Spectacular Death: Interdisciplinary Perspectives on Mortality and (Un)representability
Edited by Tristanne Connolly
ISBN 9781841503226
Hardback UK £29.95 | US $60
Part of the Culture, Disease, and
Well-Being: The Grey Zone of Health
and Illness series
An interdisciplinary collection of essays, this anthology
considers to what extent a subject as elusive as death can
be examined. Though it touches us all, we can perceive it
only in life - with the result that we treat it as a clinical or
social problem. This volume goes beyond these models to
question how the management of death is organized and
how death is at once feared and embraced. Drawing on the
latest in medical humanities, Spectacular Death gives an
enlightening new perspective on death from the classical
world to the twenty-first century.
24 | Cultural & Media Studies Cultural & Media Studies | 25
Europe in Black and White: Immigration, Race, and Identity in the ‘Old Continent’
Edited by Manuela Sanches, Fernando Clara, João Ferreira Duarte and Leonor Pires Martins
ISBN 9781841503578Paperback UK £24.95 | US $50
The essays in Europe in Black and White offer new critical perspectives on race,
immigration and identity in the Old Continent. In reconsidering the various
forms of encounters with difference, such as multiculturalism and hybridity,
the contributors address a number of issues, including geography, politics
and linguistic practice. Featuring scholars from a wide variety of nationalities
and disciplinary areas, this collection of essays will speak to an equally wide
readership and provide an important counter-discourse to the images of
migration and racism frequently portrayed in the media.
26 | Performing Arts Performing Arts | 27
Theatre in Passing: A Moscow Photo-Diary
By Elena Siemens
ISBN 9781841503745Paperback UK £19.95 | US $40
Inspired by French philosopher Michel de Certeau’s model of a ‘second, poetic
geography’ in which the walker invents the space observed by the voyeur,
Theatre in Passing takes the reader on a tour of spaces of performance in
Moscow. Through text and photography, the city’s ‘theatrical geography’ is
uncovered, from the Bolshoi Theatre to hidden gems like the recently restored
Kuskovo estate. With additional sections on street theatre and public gatherings,
Theatre in Passing is a must-read book for anyone curious about the theatrical
architecture and geography of Russia’s capital.
Performing Arts
PerformingArts
28 | Intellect Autumn books 2010 | 29
Proposing a new book
We welcome proposals from both new and experienced authors
and editors producing original scholarly work in areas of creative
practice and popular culture. For us to make a sound assessment
of a book proposal we need all authors or editors to complete a
questionnaire which can be downloaded from the ‘Publish with us’
section of our website. Please send the completed form to:
Authors who would like to see their book project included in one of
these series (below) should submit the author or editor questionnaire
to the respective series editor. Further information about our book
series can be found on our website.
Intellect publishes several book series including:
‘Changing Media, Changing Europe’ • (eds Peter Golding and Ib Bondebjerg)
‘ECREA series’ • (eds Nico Carpentier and François Heinderyckx)
‘Readings in Art and Design Education’ • (ed. John Steers)
‘Computers and the History of Art’ • (ed. Anna Bentkowska-Kafel)
‘Playtext series’ • (ed. Roberta Mock)
‘Theatre and Consciousness’• (ed. Daniel Meyer-Dinkgrafe)
‘Critical Photography• ’ (ed. Alfredo Cramerotti)
‘Culture, Disease and Well-being’ • (ed. Alan Blum)
‘Studies on Popular Culture’ • (eds Hannu Salmi and Bruce Johnson)
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30 | Intellect Autumn books 2010 | 31
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