Zen and the Art of Portfolio Maintenance (SITE 2014 Best Practices Presentation)

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Portfolio Maintenance: Best Practices in Course Design for Supporting Long-lasting Portfolios Spencer P. Greenhalgh, Joshua M. Rosenberg, Andrea Zellner, and Matthew J. Koehler Michigan State University

description

The slides I used to present at SITE 2014. This presentation focused on a number of best practices derived from research and from our experience teaching a teacher portfolio course at Michigan State University.

Transcript of Zen and the Art of Portfolio Maintenance (SITE 2014 Best Practices Presentation)

Page 1: Zen and the Art of Portfolio Maintenance (SITE 2014 Best Practices Presentation)

Zen and the Art of Portfolio Maintenance:

Best Practices in Course Design for Supporting Long-lasting Portfolios

Spencer P. Greenhalgh, Joshua M. Rosenberg, Andrea Zellner, and Matthew J. Koehler

Michigan State University

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Background

• capstone course for Master of Education and Master of Educational Technology

• digital portfolio as culminating experience

• collective experience: 3+ years, 10+ offerings

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Portfolios

• Etymology

• Evolution

• Example

image courtesy of http://aaronblain.weebly.com/

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Portfolios

• Etymology

• Evolution

• Example

image courtesy of http://angie4edtech.weebly.com/

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Portfolios

• Etymology

• Evolution

• Example

image courtesy of http://rosinportfolio.weebly.com/

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Portfolios

• Etymology

• Evolution

• Example

image courtesy of http:/http://angie4edtech.weebly.com//

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Portfolios

• Etymology

• Evolution

• Example

image courtesy of http:/jessicamcvettie.wix.com/

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Need

• portfolio as summative experience

• portfolio as place for ongoing development (Autrey et al., 2005; Evans & Powell, 2007; Wolf & Dietz, 1998)

• tech use portfolio use (Love, McKean, & Gathercoal, 2004; Evans & Powell, 2007)

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Purpose

• best (pretty good) practices (Mishra, 2008)

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PADLOCS1) Peer feedback

2) Authentic audience and assessment

3) Diverse resources

4) Learning by doing

5) Open access

6) Confidential spaces

7) Self-pacing

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1) Peer feedback

• regular, structured feedback

• advantages of “critical friends” (Costa & Kallick, 1993; Reynolds, 2009)

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• intended audience > instructors

• portfolios, writing, and authenticity (Love, McKean, & Gathercoal, 2004; Magnifico, 2010; Brown, Collins, & Duguid, 1989)

2) Authentic audience

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3) Diverse resources• any and all appropriate media technologies

• values v. technologies (Veletsianos & Kimmons, 2012; Evans & Powell, 2007)

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4) Learning by doing

• making portfolios > reading about portfolios

• doing = deeper learning (Koehler & Mishra, 2005)

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5) Open access

• we want the wide-open Internet

• private v. public teaching (Evans & Powell, 2007; Wolf & Dietz, 1998)

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6) Confidential spaces

• establish a closed space for discussion

• critical (but frustrating) friends (Costa & Kallick, 1993)

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7) Self-pacing

• give feedback to people in same place

• pace: support, needs, and feedback (Wolf, 1991)

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PADLOCS1) Peer Feedback

2) Authentic audience and assessment

3) Diverse resources

4) Learning by doing

5) Open access

6) Confidential spaces

7) Self-pacing

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ConclusionA portfolio that “demonstrates who I am as a learner and an instructor, it has helped me to look back at my past and to look forward to my future.”

image courtesy of http://efeemster.wix.com/

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ConclusionA portfolio that “demonstrates who I am as a learner and an instructor, it has helped me to look back at my past and to look forward to my future.”

image courtesy of http://efeemster.wix.com/

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ConclusionA portfolio that “demonstrates who I am as a learner and an instructor, it has helped me to look back at my past and to look forward to my future.”

image courtesy of http://efeemster.wix.com/

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Thank you!Spencer Greenhalgh

[email protected] -- @spgreenhalgh

Joshua [email protected] -- @jrosenberg6432

Andrea [email protected] -- @andreazellner

Matthew [email protected] -- @matthewkoehler