Zahid alibhai - WordPress.com · Zahid alibhai b.S. architectural engineering Zahid alibhai b.S....

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ZAHID ALIBHAI B.S. ARCHITECTURAL ENGINEERING PORTFOLIO OF WORK

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Zahid alibhaib.S. architectural engineering

Zahid alibhaib.S. architectural engineering

Portfolio of workPortfolio of work

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Zahid alibhaib.s. architectural engineering

portfolio of work

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SchoolS of interaction

thiS elementary School waS Produced for an american inStitute of architecture StudentS comPetition. the Project required a leed certified building that uSed kawneer aluminum ProductS, and reSPonded to the choSen Site, community, and climate.

the SchoolS of interaction deSign blurred the lineS between the outSide and inSide, and incorPorated nature within the School. allowing StudentS to interact with nature and including daylighting mechaniSmS were Primary deSign StrategieS uSed to increaSe Student Productivity. indiStinct layerS of nature throughout the building and itS SurroundingS allow the School to grow organically out of itS Site.

movable kawneer PanelS allow StudentS to interact

with light and ShadowS

main boulevard

ProPoSed amPhitheater

SchoolS of interaction Site

Surrounding reSidential area

fajkuS | light and SuStainable deSign | fall 2010role of aPPlicant: deSigner, 3d modeler, renderer

clereStory beneath butterfly roof maximiZeS daylighting

gradient of layerS goeS from Private to Public through the uSe of vegetation

butterfly roof doubleS aS rainwater harveSter and Solar Panel mount

all claSSroomS receive diffuSed northern Sunlight

intermittent vegetation SPace helPS blur outSide and inSide

kawneer oPerable louvreS Provide Shade when needed

main circulation hall

Secondary entrance

main entrance and adminiStration area

column-free gym

SloPing toPograPhy actS aS a natural PhySical layer

Sandwiched gardenS Provide natural relief for StudentS

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roof Slab

Pixeled wallS and awningS are found between every claSSroom

oPaque and tranSlucent PanelS allow light and Shadow Play

movable Pixeled PanelS encourageS interaction from StudentS

north-facing glaSS facade facilitateS natural relief from outdoor gardenS

clereStory windowS Provide natural daylighting inSide

claSSroomShoriZontal PanelS act aS

both Shading and light refractorS

natural wood Siding emPhaSiZeS uSe of

SuStainable materialS

main boulevard leading to entrance

adminiStration SPace

claSSroom SPace

lower-level claSSroomS

Pixelated Shadow garden

buS acceSS ramP

main corridor oPen to natural ventilation

Public amPhitheater SloPed into ground

below grade

uPPer-level claSSroomS

SloPing toPograPhic PlateS into leveled

graSSy area

Secondary Public entrance, Student-

only entrance

Placement of School and auditorium on triangular Site

Placement of Public interaction SPace at boulevard entrance

diviSion between SPace uSage with main corridor circulation

imPlementation of intermittant gardenS between claSSroomS

forming of garden toPograPhy and Solar Shading

develoPment of Secondary entrace and buS acceSS

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PriSm muSeum

Starting off with a raw-land Site, the muSeum for the advancement of motion PictureS and Parking garage were to be deSigned with reSPect to energy efficiency, a working Structural SyStem, a working hvac SyStem.

my inSPiration for the muSeum came from PuShing and Pulling rectangular PriSmS into and out of a uniform body to Produce a deconStructiviSt exterior that emulateS Structural exPreSSioniSm. energy efficiency waS addreSSed through PaSSive Solar orientation, natural daylighting, and SuStainable hvac deSign. the muSeum SucceSSfully advanceS motion PictureS with itS outdoor wraP-around lcd Screen.

brookS | Studio ii | SPring 2009

univerSity of texaS at auStin camPuS

buildable area / area reSevered for muSeum

non-buildable area /area reServed for Public SPace

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South facade

eaSt facade

north facade

weSt facade

roof Plan

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32” concrete foundation Slab and grade beam

24” concrete columnS below grade

12” concrete columnS above grade

5 ft. deeP concrete girder allowS for comPletely oPen gallery SPace

2 ft. thick concrete Shear wallS around theater actS aS Sound barrier and lateral reSiStance

12” concrete Shear wall for lateral reSiStance

120 ft. column-free cantilever for Semi-truck delivery acceSS

5” concrete Slab with comPoSite metal decking

SPlit-level exPloSion hvac & exterior diagraminternal Structural diagram

2nd level: electrical Storage

mechanical Storage

3rd & 4th levelS:gallery Storage:

air quantity: 7,200 cfm, duct: 35”x23”gallery Production:

air quantity:14,400 cfm, duct: 35”x39”

entrance to underground Parking

theater hvac SuPPly under Seating

3rd & 4th levelS:muSeum gallery SPace:air quantity:14,400 cfm, duct: 35”x39”

2nd level:theater: air quantity: 12,000 cfm, duct: 35”x34”

5th level: adminiStration: air quantity:10,800 cfm, duct: 35”x33”

exterior lcd Screen

SuPPly ductS

return ductS

mechanical fan roomS

24” retaining concrete wall

1St level: cafe:

air quantity: 18,000 cfm, duct: 35”x47”lobby:

air quantity: 21,600 cfm, duct: 35”x52”glaSS canyon walkthrough

gift ShoP:air quantity: 14,400 cfm, duct: 35”x39”

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light and ShadowbrookS | Studio i | fall 2008

the goal of thiS Project waS to deSign a Site-SPecific, energy-efficient building for a Small engineering firm that Provided oPtimal viewS and took advantage of natural cooling and lighting mechaniSmS.

PaSSive Solar orientation waS imPlemented to decreaSe energy uSage and increaSe natural daylighting. the moSt Prominent feature of thiS building iS the SerieS of Structural beamS in the lobby area act aS both lateral reSiStance, and alSo aS a unique architectural centerPiece that enhanceS light and Shadow Play.

Private garden

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1 light column

mini indoor SkywalkS

Private garden with height jogS

blank concrete Shadow wall

half butterfly roof uSed for rainwater collection

taPered edge maximiZeS oPtimal viewS

rooftoP terrace

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SPider-like Structural bracing ProvideS lateral reSiStance and doubleS aS a unique architectural lighting feature

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Steel croSS-bracing ProvideS Shear reSiStance for major truSS

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Shaking the Skeleton

the Perennial tower waS deSigned for the 2010 eeri SeiSmic deSign comPetition. the tower waS Structurally engineered and analyZed to withStand three different realiStic earthquake loadS without utiliZing tyPical baSe iSolation methodS.

the ShaPe of the tower iS an inverted-truncated Pyramid, which iS counter intuitive in a SeiSmic Situation due to it’S toP-heavineSS. therefore, the unique architectural exoSkeleton widenS the baSe and helPS Provide reSiStance againSt Shear and lateral loadS by increaSing Structural caPacity. when Paired with the internal core, the exoSkeleton createS an overall aPPearance of a twiSting building without the internal Structural comPlicationS of a twiSt.

the ShaPe of the building iS an inverted-truncated Pyramid

weighted barS imitate live loadS and dead loadS

SeiSmic teSt board SimulateSreal earthquake waveS

Structural core houSeS elevator ShaftS, mechanical SPaceS, and StairwellS

Shear core houSeS vertical circulation, and mechanical SPaceS

increaSing Square Perimeter and floor PlanS maximiZe rentable SPace

exoSkeleton attacheS at tower’S cornerS to create rigid nodeS

mechanical SPace in Shear core allowS for eaSy maintenance, and

Sound control

exoSkeleton helPS widen the tower’S baSe to Provide more Stability for the building

a unique exoSkeleton ProvideS extra Structural SuPPort to widen the baSe and balance the building’S ShaPe

croSS-bracing ProvideS lateral reSiStance againSt wind loadS and SeiSmic loadS

architectural engineering inStitute | eeri SeiSmic deSign comPetition | SPring 2010role of aPPlicant: architectural and Structural deSigner, Structural analySt, 3d modeler, economic analySt

view looking uP internal Structure and Shear core

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Power benSon reSidence remodel

the ownerS of thiS reSidence decided to renovate their exiSting home that overlookS the water by adding an additional floor to accommodate a new maSter bedroom and bathroom.

PrentiSS architectS created a luxuriouS maSter bedroom and bathroom Suite with individual cloSetS, and a balcony hot tub. the old kitchen waS gutted and oPened uP for better circulation on the firSt floor. the Predominant deSign tactic waS the SerieS of windowS that retained Privacy while allowing a clear view to the Seattle Sound.

PrentiSS architectS | Summer 2010Project architect: koZo noZawa

role of aPPlicant: drafter, 3d modeler

located in alaSka, the exiSting weathered 500 Sq. ft. home overlooked calm water for mileS. dr. Peter rice decided to demoliSh the old building and rePlace it with a home that catered to the view. due to the extreme climate, eaSy maintenance of the home waS crucial to the deSign.

PrentiSS architectS initially deSigned the new home with a butterfly roof, but due to Severe weather concernS, oPted for a more traditional roof. natural lighting and view oPtimiZation waS accomPliShed via a north-facing glaSS facade and SkylightS throughout the home.

doctor’S orderSPrentiSS architectS | Summer 2010

Project architect: cheryl clickrole of aPPlicant: drafter, 3d modeler

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introverted retrofit

after enduring a year of on-going conStruction in their home with a PreviouS architect, the clientS hired PrentiSS architectS to moderniZe their unconventional area. a toP-to-bottom remodel emPhaSiZed Privacy, SPace allocation, and circulation.

PrentiSS architectS reSPonded by oPening uP the living area, Strategically Placing windowS to enhance daylighting yet eliminating noSey neighborS, and redeSigning all the SPaceS for a more coheSive aPPearance from room to room.

PrentiSS architectS | Summer 2010Project architect: dan wicklinerole of aPPlicant: drafter, 3d modeler

a hat and PiPe for a cottagePrentiSS architectS | Summer 2010Project architect: geoff PrentiSSrole of aPPlicant: drafter, deSigner, 3d modeler

the clientS own a gueSt cottage adjacent to their exiSting home. in thiS remodel, the clientS oPted to add a Second Story to their cottage to allow for a tight bedroom.

PrentiSS architectS deSigned an oPen floorPlan on the 1St floor by eliminating a bedroom, adding a walk-in Pantry, and firePlace, and creating a built-in Set of bookShelveS that doubleS aS a work SPace. the Second floor waS deSigned to be a Small maSter bedroom and bathroom with a full tub and firePlace in the SleePing area

New walls

Existing walls to rEmain

Removed walls

SerieS of intermittent bookShelveS to define the main SPace from the entry and act aS Structural SuPPort

two-PerSon Shower

linen Storage

bathtub doubleS aS Shower bench

double Sink toSave SPace

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canvaS recreationS

after exPloring many different mediumS, i began to uSe oil PaStelS more So than any other medium. i enjoy working on canvaS comPared to PaPer or card Stock, due to the PhySical effort involved in hand-rubbing the PaStelS into the canvaS.

deciding which PieceS of art to recreate iS a combination of technique, line, color, and general aPPearance of the original art work. while recreating art, i try to mimic the Same technique, excePt with oil PaStelS, which are notably more robuSt than other fine-tiPPed mediumS. i rub and mix the oil PaStelS by hand directly on a canvaS, uSing different ‘fingerStrokeS’ to imitate the original techniqueS.

fall 2006 | fall 2010indePendent work

fall 2010 | PreSent “baSS Player”original by: juStin bua

30” x 48”oil PaStel on canvaS

22” x 30”oil PaStel on canvaS

24” x 36”oil PaStel on canvaS

fall 2007 | SPring 2007“cafe vinS”original by: brent heighton

fall 2006 | fall 2006“l’inStant taittinger”original by: unknown

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PhotograPhy

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Zahid alibhaib.S. architectural engineering

Zahid alibhaib.S. architectural engineering

Portfolio of workPortfolio of work