Zaha hadid lahari

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Seminar Seminar on on zaha hadid zaha hadid

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Zaha hadid most famous and marvellous architect

Transcript of Zaha hadid lahari

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Seminar Seminar onon

zaha hadidzaha hadid

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AR. ZAHA HADIDAR. ZAHA HADID

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INTRODUCTIONINTRODUCTION

THE ARCHITECTURAL CAREER OF Ms. ZAHA HADID THE ARCHITECTURAL CAREER OF Ms. ZAHA HADID HAS NOT BEEN TRADITIONAL OR EASY .SHE HAS NOT BEEN TRADITIONAL OR EASY .SHE ENTERED THE FIELD WITH ILLUSTRIOUS ENTERED THE FIELD WITH ILLUSTRIOUS CREDENTIALS.CREDENTIALS.

She is a British deconstructivist architect .She is a British deconstructivist architect . She designs buildings that look like they She designs buildings that look like they

explodeexplode Defying gravity and a single point of view Defying gravity and a single point of view

she creates collages of lines and planes she creates collages of lines and planes that disrupt our usually static view of that disrupt our usually static view of cities.cities.

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Known for challenging popular convention, Known for challenging popular convention, Zaha Hadid stands out as the only female Zaha Hadid stands out as the only female independent practitioner among today's independent practitioner among today's most elite architects.most elite architects.

She has been recognized internationally for She has been recognized internationally for her architecture and urban designs, as well her architecture and urban designs, as well as for her paintings and drawings.as for her paintings and drawings.

Hadid creates animated vision of cities and Hadid creates animated vision of cities and buildings that pirouette around each other buildings that pirouette around each other in a interplay of delicate planes.in a interplay of delicate planes.

Her works are often compared to that of Her works are often compared to that of Russian supremacist and constructivist Russian supremacist and constructivist artist of 1910s &1920sartist of 1910s &1920s..

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Hadid has her own ideas on architecture to Hadid has her own ideas on architecture to nurture. And it was a long incubation. She nurture. And it was a long incubation. She started teaching at the AA while developing started teaching at the AA while developing her own brand of neo-modernist her own brand of neo-modernist architecture, one which went back to architecture, one which went back to modernism’s roots in the constructivism modernism’s roots in the constructivism and suprematism of the early 20th centuryand suprematism of the early 20th century..

Zaha Hadid has patiently created and Zaha Hadid has patiently created and refined a vocabulary that sets new refined a vocabulary that sets new boundaries for the art of architecture.boundaries for the art of architecture.

Zaha Hadid’s work reminds us that Zaha Hadid’s work reminds us that architecture is a siphon for collective architecture is a siphon for collective energies, a far cry from the stand alone energies, a far cry from the stand alone building, perennially oblivious to the vitality building, perennially oblivious to the vitality of the city.of the city.

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Hadid’s fragmented geometry and Hadid’s fragmented geometry and fluid mobility do more than create an fluid mobility do more than create an abstract, dynamic beauty; this is a abstract, dynamic beauty; this is a body of work that explores and body of work that explores and expresses the world we live in. expresses the world we live in.

Hadid’s architecture denies its own Hadid’s architecture denies its own solidity. Short of creating actual solidity. Short of creating actual forms that morph and change shape – forms that morph and change shape – still the stuff of science fiction – still the stuff of science fiction – Hadid creates the solid apparatus to Hadid creates the solid apparatus to make us perceive space as if it make us perceive space as if it morphs and changes as we pass morphs and changes as we pass through.through.

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WORKS OF ZAHA HADID:WORKS OF ZAHA HADID:

MIND ZONEMIND ZONE

Vitra Fire StationVitra Fire Station

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The MIND ZONE in The MIND ZONE in the millennium the millennium dome has been dome has been completed in DEC completed in DEC 1999 comprising 1999 comprising unique unique undertaking ,ZAHA undertaking ,ZAHA HADID HADID ARCHITECTS has ARCHITECTS has designed the designed the curatorial aspects curatorial aspects & the architectural & the architectural scheme.scheme.

This is her first major work in Britain

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The “Mind zone” is one of 14 The “Mind zone” is one of 14 individual exhibition spaces with in individual exhibition spaces with in the millennium dom. the the millennium dom. the Millennium Dome is a 360m circular Millennium Dome is a 360m circular tensile fabric covered structure .tensile fabric covered structure .

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Organized internally around a central Organized internally around a central show arena & circulation path, there are show arena & circulation path, there are 14 designed exhibit zones.14 designed exhibit zones.

Each zone is thematic around working Each zone is thematic around working titles such as “BODY, PLAY, WORK, MIND” titles such as “BODY, PLAY, WORK, MIND” etc.etc.

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Responding to an “ideas” Responding to an “ideas” competition for two of zones , competition for two of zones , ZAHA Hadid Architects won the ZAHA Hadid Architects won the contract for the mind zone, & contract for the mind zone, & is dedicated to the exploration of is dedicated to the exploration of mind.mind.

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DIFFERENT ZONES OF MIND ZONE:DIFFERENT ZONES OF MIND ZONE:

MONEY ZONEMONEY ZONE

JOURNEY ZONE

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Faith ZONE

Home planet

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Rest & Play Zone

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Self Portrait Zone

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The main entrance is through ramp under the The main entrance is through ramp under the spreading shelter of deacon’s wood-cell spreading shelter of deacon’s wood-cell sculpture.sculpture.

Then the sloping ramp that drive you through the Then the sloping ramp that drive you through the building takes a sharp twist to the right,& you building takes a sharp twist to the right,& you find yourself underneath a dizzy ling projection find yourself underneath a dizzy ling projection screen.screen.

This approach of exhibit selection with structural design This approach of exhibit selection with structural design has evolved as integrated design for a complex subject has evolved as integrated design for a complex subject mattermatter..

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To solve this problem she worked To solve this problem she worked with with

Doris Lockhart saatchi an artist to Doris Lockhart saatchi an artist to create site-specification installations create site-specification installations exploring various aspect of mind.exploring various aspect of mind.

The exhibit structure of folding The exhibit structure of folding continuous surfaces is seen as a continuous surfaces is seen as a host , the physical presence on which host , the physical presence on which & in which context can be located.& in which context can be located.

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The folding structures offers a The folding structures offers a spatial interplay & confrontation spatial interplay & confrontation with the subject matter which strives with the subject matter which strives TO evoke the participant to think.TO evoke the participant to think.

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The ramp then shoots forward towards The ramp then shoots forward towards the center of the dome & offers a grand the center of the dome & offers a grand stand view of the huge void at its heart. stand view of the huge void at its heart.

The insight into the creation of daring The insight into the creation of daring structure in the Dome which appears to structure in the Dome which appears to defy gravity and which houses a zone defy gravity and which houses a zone exploring the amazing powers of the exploring the amazing powers of the human brainhuman brain

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Various artists have contribute to this concept of Various artists have contribute to this concept of mind: Richard deacon marked the entrance with mind: Richard deacon marked the entrance with “how much does your mind weigh?” a piece made “how much does your mind weigh?” a piece made up of 24 interlocking wood cells, Lang lands & bell up of 24 interlocking wood cells, Lang lands & bell have made a giant neon wall airport codeshave made a giant neon wall airport codes

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The pavilion was The pavilion was conceived as conceived as journey through journey through &around these &around these installations that installations that explore both art & explore both art & science.science.

As you follow the As you follow the journey that Hadid journey that Hadid has devised, you has devised, you can for a moment can for a moment forget where you forget where you are & experience a are & experience a series of thrilling series of thrilling spaces.spaces.

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The structure is big The structure is big enough & bold enough & bold

enough to stand the enough to stand the potentially potentially overwhelming scale of overwhelming scale of the dome itself.the dome itself.

It marks giant It marks giant attention grabbing attention grabbing presence. It also holds presence. It also holds up against the up against the clutteredcluttered

The exhibit is The exhibit is organized around organized around propositions, which propositions, which lead a participant lead a participant through the exhibit by through the exhibit by conditional stagesconditional stages

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Throughout it is this Throughout it is this understanding of an understanding of an ability to avoid the ability to avoid the restriction of the restriction of the definitions that allow definitions that allow any mind to evolve & any mind to evolve & progress.progress.

Structurally the Structurally the exhibit integrates the exhibit integrates the context with the usage context with the usage of evolulationary of evolulationary materials. Its materials. Its materiality is focused materiality is focused on the synthetic, the on the synthetic, the mind made material of mind made material of the present.the present.

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A large and disturbingly realistic model of a boy, in the Mind Zone.

Apparently he's a symbol of curiosity, but

worthwhile as a work of art.

A giant mouse, is the boy's pet?

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The entire design for this zone developed from a model made by bending a strip of Perspex into

continuous structure of floors , walls & ceilings & the result provides a

fluid journey through a sequence of polymer ramps &planes that seem to

fold over each other.

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Vitra Fire StationVitra Fire Station

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The Vitra Fire Station in Weil am The Vitra Fire Station in Weil am Rhein was Zaha Hadid's first Rhein was Zaha Hadid's first built project. The relatively small built project. The relatively small structure serves as a showcase structure serves as a showcase for the unusual shapes and for the unusual shapes and angles that architectural criticsangles that architectural critics

IT admired in her conceptual IT admired in her conceptual work throughout the 1980s, with work throughout the 1980s, with un-built projects such as her un-built projects such as her winning entry for the Peak winning entry for the Peak International Design Competition International Design Competition for Hong Kong in 1983for Hong Kong in 1983

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rather than designing the buildings as rather than designing the buildings as an isolated object it was developed as an isolated object it was developed as the outer edge of the landscaped zone , the outer edge of the landscaped zone , defining rather than occupying space.defining rather than occupying space.

The program of the fire station inhibits The program of the fire station inhibits the spaces between the walls which the spaces between the walls which puncture , tilt and break according to puncture , tilt and break according to functional requirements.functional requirements.

The whole building is movement frozen, The whole building is movement frozen, it expresses the tension of being on the it expresses the tension of being on the alert, and potential to explode into alert, and potential to explode into action at any moment.action at any moment.

The walls appear to slide past each other The walls appear to slide past each other while large sliding doors literally form a while large sliding doors literally form a moving wall.moving wall.

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The whole building is constructed of The whole building is constructed of exposed , reinforced in situ concrete exposed , reinforced in situ concrete special attention was given to the sharp special attention was given to the sharp edges .edges .

Any attachments like roof edging or Any attachments like roof edging or cladding were avoided as they distract cladding were avoided as they distract from the simplicity of the prismatic form from the simplicity of the prismatic form and abstract quality of the architectural and abstract quality of the architectural concept.concept.

The treatment of the interior spaces The treatment of the interior spaces including the lighting scheme the lines of including the lighting scheme the lines of the light direct the fast movements the light direct the fast movements through the building.through the building.

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The inside of the building is as The inside of the building is as imaginative as the outside, with imaginative as the outside, with multiple optical tricks being multiple optical tricks being played on the viewer especially played on the viewer especially in the bathrooms of the in the bathrooms of the downstairs portion of the downstairs portion of the building. building.

Hadid's interplay of angles and Hadid's interplay of angles and use of color makes the building's use of color makes the building's interior as visually interesting as interior as visually interesting as the outside without making it the outside without making it unnecessarily busy.unnecessarily busy.

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Aside from the obvious appeal of the Aside from the obvious appeal of the building's outside, it should be noted building's outside, it should be noted that the back of the building also that the back of the building also features poured concrete benches features poured concrete benches which mirror the buildings more which mirror the buildings more sculptural qualities. sculptural qualities.

The rear end of the building also The rear end of the building also features an interesting connection to features an interesting connection to Le Corbusier Notre Dame due Haut, Le Corbusier Notre Dame due Haut, whereby Hadid seems to evoke the whereby Hadid seems to evoke the front end of a large ship, with its sharp front end of a large ship, with its sharp end and exaggerated height.end and exaggerated height.

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THANK YOUTHANK YOU