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Candra Yakshi
Candra Yakshi
She is carved on the middle face of a pillar, bearing the label Cada Yakshi; she stands under a Naga-tree (Mesua ferrea) entwining it with her left arm
and leg. In the left hand she holds a branch of the tree with flowers and leaves.’ by the right hand, she is bending the branch of the tree; her right foot is put straight on a pedestal. The pedestal carries a figure variously
identified as ‘a sheep or a ram with hind part of a fish’ or as a horse faced makara. The yakshi’s hair is beautifully decorated with different bands of
decorative designs.
She wears large square kundalas, necklaces, bangles, armlets, mekhala and anklets. An ornament with bead and reel design is worn by her in upavita fashion, and on her forehead appears a round tikuli with star
design. Her left upraised foot is on the head of her vahana.
Yakshi Sudasana
Yakshi Sudasana
In the relief, she stands on a fish-tailed makara with right foot firmly set on the mount and the left, raised, placed behind the right one. The index finger of her right hand is raised towards her head, while the left hand holds the antariya in the centre at the navel. She wears elaborate dress and ornament, particularly a
thick antariya different from others.
Cullakoka Yakshi
Cullakoka Yakshi
The scholar Barua has identified Cullakoka and Mahakoka with hunting goddess on the basis of a reference to a hunter, Koka, who is mentioned in the
Dhammapada Attthakatha.
Alakamanda yakshi
Alakamanda yakshi
The pillar bearing the so called Alakamanda, was at the village Bhatanwara; now it has been removed to Ramvan Museum
(Satna, M.P). She is bedecked with many additional ornaments, such as a jewelled veil falling on her forehead, and a heavily
ornamented tassel in place of the usual tassel of sari which is not shown. She holds a lotus bud in her raised right hand at her
breasts, which again makes her different from other yakshinis. Aparently she is a woman of authority and her vahana, a dwarf
carrying her, directly relates her to Kubera who alone has a dwarf as his mount. Below the yakshini’s legs and behind the nara-
vahana, there is the carving of a mountain, which confirms that she is probably connected to Uttarakuru in the Himalayas which
was the habitat of kubera.
The Mehrauli Yakshi
The Mehrauli Yakshi
She stands as a salabhanjika, under a tree clasping its trunk with her left arm and holding a branch with the other hand. She wears a torque, three necklaces, a six-
stranded mekhala and a gracefully carved ribbon carelessly dangling down her shoulders and fastened below the navel. All ornaments are distinctive; of the
necklaces, first carries a motif of two human head, the second a square pendant and the third, a round padaka with a floral motif. Her hair is done in dviveni style,
and her dhoti with its beautifully carved folds make the image beautiful.
Yakshi at Mathura Museum
Yakshi at Mathura Museum
This is now in the Sunga gallery of Mathura Museum. She is shown loaded with ornaments consisting of a torque, three necklaces, the first
one with a tatanka-cakra, ‘disc’, keyura, ‘wristlets’, mekhala and anklets. She stands crossed legged holding in front a ribbon which girdles her back. She wears a diaphanous antariya in spite of which her nudity is
clear. Her vahana is a grotesque dwarf with sankukarna.