Xun Feng-Concerto 2013 (Cover+text) · ã & ã &? &?? &?? & & &? & & & & B &? t &? & & & & & & & &...
Transcript of Xun Feng-Concerto 2013 (Cover+text) · ã & ã &? &?? &?? & & &? & & & & B &? t &? & & & & & & & &...
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Percussion 1
Percussion 2
Percussion 3
Percussion 4
Horn 1-2
Horn 3-4
Trumpet 1-2
Trombone 1-2
Double Bassoon
Bass trombone
Flute 1
Oboe 1
Clarinet 1
Bassoon 1
Violin I
Violin II
Viola
Cello
Double Bass
Flute 2
Oboe 2
Clarinet 2
Flute 3
Oboe 3
Clarinet 3
Sheng solo
Dizi solo
Harp
Pipa solo
Gu Zheng solo
√
¤€ ¤€ ¤€
Ÿ~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
√
Ÿ~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~
¤€ ¤€ ¤€
Œ ‰ jœn ˙
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
wn
∑
*
Tempo rubato
U
U
U
U
U
U
U
U
U
U
U
U
U
U
U
U
U
U
U
U
U
U
U
U
U
U
U
U
U
U
U
U
U
q =c.40
o
Center-back(on stage)
Center-right(on stage)
Center-core
(on stage)
(on stage)Center-fore
Left side(off stage)
Right side(off stage)
Tam-tam (L)
Crotalesarco
"Seagull effect"
Tutti
A
Thin metal stick
IV
(on stage)
Back-left(off stage)
(off stage)
∏enter imperceptibly
very long from far
sempre
**
Air sound with chromatic scale gliss. freely
Air sound with chromatic scale gliss. freely
Air sound with chromatic scale gliss. freely
Air sound with chromatic scale gliss. freely
enter softly
***
Fore-Left
Back-Right
Tibetan singing bowl (S)
(Sounds one octave higher than written!)
Fore-Right
(on stage)
metal head mallet
(sound Perfect 5th lower as written)
(sound Perfect 5th lower as written)enter softly
(Straight mute)C.S
enter softly
***
E F G AB C D
Alto flute
(Sounds Perfect 4th lower as written)
Close position for W.T
Bass Clarinet in Bb
(Sounds major 9th lower as written)
nn
nnn
mm
crotales on timpani
div.
div.
div.
(Sounds major 2nd lower than written)
Tpt. 1
Tpt. 2
Back(on stage)
Center-left (on stage)
˙Ó
Jœ> ‰ Œ Ó
jœ#°
>‰ Œ Ó
‰ Jœ.˙
∑
∑
wnRœ ≈ ‰ Œ Ó
Rœn ¨ ≈ ‰ Œ Ó
Œ.˙n
≈.
J¿n>
R ≈ ‰ Œ
∑
∑
‰ J�>
J J
R ≈ ‰ Œ
‰ ≈ R�>
J J J R
≈ Œ
Œ J�>
J� J� J� r� ≈ ‰
Œ ≈.
J�>
J J J R
≈
∑
∑
∑
∑
Ó˙#
¥œ>
� ¥̇#?
∑
∑
∑
Œ.˙n
Œ ‰ jœ# ˙
¥ ¥ ¥
∑
∑
∑
∑
∑
w
∑
ß
FScrape quickly! (on surface)
gliss.
l.v
l.v
π
π P~ dynamic fluctuations irregularly
∏
π P~dynamic fluctuations irregularly
freely with different harmonics
dolciss.
sempre
E.S.P
S.P
molto
π
arco
S.V
ß
ß
ß
ß
l.v
o
o
o
o
∏enter softly
ç
s.l.
fastß
π
ç secco
sempre
π sempre
enter softly
. Whistle tone (W.T)
ß π
S.V
seccoç
Ó ‰ jœn œ
∑
∑
.˙ œæ
∑
∑
.œ .œ Œ
∑
.˙ œ
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
˙ ˙
¥w
Œ.˙n
∑
∑
.˙ œ
˙ ˙
∑
∑
∑
∑
∑
w
∑
enter softly
enter softly
enter softly
enter softly
C.V
π
π dolciss.
enter softly
ord.
Come prima
P π
C.S
S.V
ord.
solo
p
enter softly
enter softly
dolciss.
"shakuhachi" attack (air sound)
1/4 tone bending
œ ˙ Œ
Œ Jœ> ‰ Œ̄ �
Œ jœ#
°
> ‰ Œ Œ
Ͼ R
œ̈ ≈ ‰ Ó
∑
∑
Œ .˙nRœ ≈ ‰ Ó
ŒRœn ¨ ≈ ‰ Ó
œ
r÷¥Ë
≈ ‰ Ó
∑
Œœœn# ��
Œ
Œ.˙n
∑
∑
∑
∑
Œ .˙n
Œ ¥̇n#
Œ .˙n
Œ ¥̇nn
w
¥w
.˙ œ
∑
∑
jœ j‹n>
j ‰ J‹>
j� jœ . œn
3
œ ˙> r
œ≈ ‰
Œ ‰ Jœ# ˙
Œ ‰ jœn ˙
Œ ‰ Jœn ˙
Œ .˙#
Œ.˙n
w
Œj±
¨
.˙n
F
ß P π
(on edge)
enter softly
dolciss.
S.V
S.V
S.V
S.V
sempre
sempre
ß
sempre
π
π
π
π
π
πf Sub. gliss.
l.v arcopizz.
gliss.
espr.
π
fast
strike
l.v
l.v
l.v
l.v
π
F
enter softly sempre
sempre
espr.
ß
Come prima
ç
Z
ç
l.v
π sempre
ßM
S.V
(Buzzing sounds)***
S.V
∏
∏
∏
∏S.P
S.P
solo
solo
Tutti
Tutti
π sempre
ß
Jet whistle
ç Sub.
ord.
gradually
S.V
S.V
S.V
S.V C.V
π
enter softly
S.V
S.V
enter softly
ç
secco
secco
Ó ‰ jœn œ
Ó Œ Jœ ‰
∑
Ó Œ ‰ Jœ
∑
∑
˙ ˙
∑
∑
∑
‰ jœn J ‰ J
œn >j�
‰ Œ3
.˙ œ
∑
∑
∑
∑
w
¥w
w
..¥̇ ¥œ
˙ ˙
¥w
jœ‰ Œ ‰ jœ . œ
∑
∑
j œn ˙3
∑
˙ œ œk œaæ
3
œ œk œN æ œæj
œæ‰3
œ œ œl œNæ
Ͼ
3
w
w
w
w
l.v
P
P
C.V
C.V
espr.
espr.
dolciss.
πgliss.
molto espr.
π ~
π
π
F
p
C.V
p F
ord.
Always change from s.l./ord./s.r freely
ord.
F
f Sub.
S.V
C.V
p
l.v
C.V
p P~ continue irregularly dynamic fluctuations.
C.V
P p F πespr.
1/4 tone bending
Bamboo wind chimes
π
S.V
f
jœ
‰ jœn ˙ jœ ‰3
‰ Jœ.˙
∑
.˙ œæ
∑
∑
∑
∑
∑
‰ jœn J
‰ Jœn > j�
‰ Œ3
∑
jœ
‰ Œ ‰ jœ . œ
∑
∑
∑
∑
˙j
œb >̇
¥w
œ ˙j
œb œ>
¥w
jœ# ˙ ˙
¥̇ ¥̇
j œn ˙3
∑
∑
w
∑
Ͼ J
œæ ‰ Ó
∑
Jœ
æ ‰ Œ Ó
œ œ œk œaæ
Ͼ
3
œ œk œN æ œæj
œæ‰3
˙ ˙
˙ œæ œl æ œN3
Rubbing on the surface
f ∏
p irregularly
l.v
C.V
P
P
espr.
espr.
Superball-head stick
π dolciss.
πf Sub. gliss.
enter softly
f π
P
enter softly
enter softly
F
F π
π
p F
πFp
P p
C.S
C.S
enter softly
S.V
S.V
f
fmolto espr.
molto espr.C.V
graduallyC.V
solo
solo
(If not low D, then play octave higher!)
Sweeping across (freely)
Tpt. 1
p f
∑
Jœ ‰ Rœ̈ ≈ Œ Œ œ̄ 3
Œ rœ#°
¨≈ Œ Œ œœn# æ
3
Ͼ R
œ̈ ≈ Œ Ó3 ?
Œ Jœ# .˙3
Œ jœn .˙3
Œ jœn .˙3
∑
Ó˙n
∑
∑ &
j œ ˙3
∑
∑
∑
∑
w
¥̇ ¥̇
œ .˙
..¥̇ ¥œ
œ ¥œ#J
——>
J ¥œ#
w¥j¥n>
¥# .¥3
w
Œ jœn .˙3
∑
w
∑
∑
∑
∑
Jœæ ‰ Œ Ó
∑
˙ ˙˙#æ
÷¥
>jœ ‰
jœb ˙n œn
ß
(on edge)Thin metal stick
l.v
Sempre l.v
f πmolto molto
∏
S.VS.T
Fespr.
π
π
π dolciss.
ß
fast
l.v
l.v
π
Mß
( )
Fp espr.
P π
ß( )
πß
π
sempre
sempre
sempre
S.V
π sempre
π
sempre
Beat and hold with both hands!
P
"尋風" (Xun Feng)
CHONG Kee Yong
Edition Studio C; Full score 27-1
This version is dedicated to conductor CHIANG Ching Po and soloists LIN Hui Kuan, YEH Jiuan-Reng, WU Chung-Hsien, HUANG Lung-Yi
See the instrumental layout setting.
Concerto for 4 Chinese instruments (Pipa, Gu Zheng, Dizi & Sheng) and symphony orchestra(Original 2013 version for Chinese orchestra; version 2013 is for symphony orchestra)
(*1971)--In memory of my beloved mentor Prof. Rao Yu Yan--
Artificial harmonics gliss. (Ad lib. higher register) where the distance between fingers remain same during the gliding.Metallic sounds with the fork noise by keeping the pedal on halfway between two notches (irregular position), and let strings striking it other to create the buzzing sounds.
www.chongkeeyong-studio-c.com
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Perc. 1
Perc. 2
Perc. 3
Perc. 4
Hrn. 1-2
Hrn. 3-4
Tpt.
Tbn.
D.Bsn.
B Tbn.
Fl. 1
Ob. 1
Cl. 1
Bsn.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Fl. 2
Ob. 2
Cl. 2
Fl.3
Ob.3
Cl.3
Sh. solo
Dizi solo
Hp.
Pp. solo
Gz. solo
¤€
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
√
~~~~~~~~~~~~~~~~~~~~~~~~
√
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
√ √
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
8∑
Ó Œ Jœ ‰
..˙æ̇ œœæ
°
∑
8.˙ œœn
æ
w
8˙ ˙˙# æ
8∑
8
.˙ œ
8∑
w
8∑
∑
∑
∑
˙ ¥̇b
¥̇ ¥̇
w
..¥̇ ¥œ
¥w
w¥
w
w
Ó˙
∑
.˙ œ
8∑
∑
∑
8∑
Ó ˙n
∑
8 ww
8 w
f
π
ord.
enter softly
*
div.
div.
f
S.P
S.P
S.T
πenter softly
πenter softly
Pluck strings freely, improvise-like!
div.
solo
div.
div.
div.
Tpt. 2
Ó˙#
Ó Jœ> ‰ œ̄
˙æ̇ ˙æ̇>
Ó Œ ‰ jœ#
˙̇æ R
œœ¨ ≈ ‰ Œ
˙̇bæ R
œœ̈ ≈ ‰ Œ
˙æ̇rœœ¨
≈ ‰ Œ
Ó rœ# ≈ ‰ Œ
œ
r÷¥Ë
≈ ‰ Ó
Ó ¨
¨
¨
¨
¨
¨ ¨
¨
¨ ¨Œ
w
∑
∑
∑
∑
¥̇ ¥̇
¥̇ ¥̇
¥wb
¥w
..¥̇ ¥œ
¥̇ ¥̇
.˙ œ
w
œ .˙
¥ ¥ ¥
∑
jœ j‹n>
j ‰ J‹>
j� jœ . œn
3
∑
˙n œ œ
Ó ‰ jœ#
>
œ
Ó Œœ# >
œn œ ÷>
∑
ww
˙ œ
j
>
œ
j
>
œ œ
j
>
Jœ3 3
(on edge)
πPß
(on surface)
π
(Pedal gliss. freely)
ß
ß
π
P
P
ß
πf Sub.gliss.
l.v arcopizz.
gliss.
espr.F
S.Pgliss. Harm. gliss. freely
* gradually
* gradually
ßM
Improv. freely
π
gongs (Deep)
f
ß
ß
çM
secco
f
∏ dolciss.
π
P.O
π
ß
Natural harm. close to the bridge!
P
ƒ
P
˙‰ .œ
∑
˙æ̇ jœœ ..œœ
∑
∑
∑
∑
∑
∑
‰ jœn J
‰ Jœn > j�
‰ Œ3
?
.˙ œ
∑
∑
∑
∑
¥̇ ˙
¥w
¥w
¥w
¥̇ j¥œ ..¥œ>
¥w
jœ‰ Œ ‰ jœ . œ
w
˙ jœ .œ
∑
j œn ˙3
∑
÷ >
˙
˙Ó
.˙Œ
.˙ Œ
∑
ww
j
>
Jœ œ œ
j
>
œ
j
>
œ
j
>
˙>
3 3
∏ dolciss.
F
πF π(on edge)
Sempre l.v
∏
π dolciss.
ord.
f
gliss.
ßM
gradually
π
π
ç
p
π dolciss.
f
P.O
f
F
∏
ord.
ord.
C.V P.O
π P
fp
l.v
œ‰ .œn œ
Ͼ
.˙æ
˙æ̇ ˙æ̇
∑
∑
∑
∑
∑
∑
‰ jœn J ‰ J
œn >j�
‰ Œ3
jœ
‰ Œ ‰ jœ . œ
∑
∑
∑
∑
w
¥w
w
¥w
..¥̇ ¥œ
¥œ >
>
> >
>¥œb >
¥̇ ¥œ6
j œn ˙3
w
w
∑
w
∑
œ Œ Ó
∑
∑
∑
∑
ww
w
S.P
f
irregularly
Rubbing the edge
πl.v
molto
p P
p
enter softly
enter softly
f
dolciss.
∏
enter softly
S.V
S.V
S.V
gliss.
fCome prima
Come prima
Come prima
p
π P
S.V
π dolciss.
P.O
π
S.T
"shakuhachi" attack (air sound)
π
f
S.P
a2
a2
f
Tpt. 1
œ Œ Ó
Jœæ‰ Rœ̈ ≈ Œ Œ œ̄
3
œœ# ærœœ¨
≈ Œ Œ ‰ jœœæ3
Ó Œ ‰ jœ#
Œ Jœn œ ˙3
Œ jœn œ ˙3
Œ Jœ# œ ˙3
ŒRœn ¨ ≈ Œ Ó
3
∑
Œ jœœnn
>>
œn >j
‰3
j œ ˙3
‰ J�>
J J
R ≈ ‰ Œ
‰ ≈ R�>
J J J R
≈ Œ
Œ J�>
J� J� J� r� ≈ ‰
Œ ≈.
J�>
J J J R
≈
w
¥w
w
¥w
J——> jœœ# ˙˙3
3
¥œ ¥œ J
——> j¥œ¥œ#nn#
3
3
.˙ œ
w
œ .˙
¥ ¥ ¥
∑
˙ ˙
∑
∑
∑
∑
∑
∑
œœ ...˙˙˙#æ
Œj±¨
±# ˙
f ∏
∏f
l.v
πPß
ƒ l.v
molto molto
molto
l.v
π
ç
π
π sempre
sempre
ß o
ß o
ß o
ß o
gliss.
gliss.
gliss.
gliss.
div.
gliss. Harm. gliss. freely
div.
f
"Ji-Qi"鋸氣
S.P
p ~fastirregularly
Z
π sempre
ç ß π
gliss.
ç secco
π sempre
S.V
S.T
sempre
ord.
Pç pSub.
S.T
sempre∏
continue irregularly dynamic fluctuations.
∑
∑
..˙æ̇ œœæ
∑
w
w
w
∑
∑
∑
w
∑
∑
∑
∑
w
¥w
w
¥w
ww
¥w¥w
œ .˙n
¥ ¥ ¥ ¥
w
˙ jœ .œ
∑ &
w
¥ ¥ ¥ ¥
∑
∑
∑
∑
∑
∑
œœœ#æ ...˙˙̇Œ ¥n J¥n ¥
3
œ œ jœn œ
3
Œ ¥# J¥ ¥
F
gliss.
slow gliss.
Harm. gliss. freely
p F~ dynamic fluctuations irregularly
Harm. gliss. freely
p F~ dynamic fluctuations irregularly
Sing & play (Sing the diamond shape note)
fmolto espr.
F
Sing & play (Sing the diamond shape note)
sempre
S.P
P
2
Gradually increasing lip pressure to become multiphonic and then gradually back to normal pitch.
www.chongkeeyong-studio-c.com
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Perc. 1
Perc. 2
Perc. 3
Perc. 4
Hrn. 1-2
Hrn. 3-4
Tpt.
Tbn.
D.Bsn.
B Tbn.
Fl. 1
Ob. 1
Cl. 1
Bsn.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Fl. 2
Ob. 2
Cl. 2
Fl.3
Ob.3
Cl.3
Sh. solo
Dizi solo
Hp.
Pp. solo
Gz. solo
~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~ ~~~~~~ ~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
√
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
√
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
◊
44∑
Ͼ
Ͼ J
Ͼ
‰ Jœ ‰ Jœ
JϾ3 3
Ó ‰ Jœo ‰ Jœ
+‰ J‹æ
+3 3
Ój‹
‰ Œ
44w
ww
44wo
44∑
44Ó
˙
44∑
∑
44∑
∑
∑
∑
˙ œæ>
Rœn
@ ≈ Jœ œ#
Ͼ> R
œn@ ≈ ‰ ˙ œ#
.¥ œæ
¥œ¥œ ..˙̇
˙ ˙
˙n ˙
∑
44־ R
÷̈ ≈ jœ# æ jœæ œæ3
œn œn œn œ œ œR ≈ ‰ .¥n
44
˙3
œ J
œ
œ . œ≤
44
±@fl
r± ≈ ‰ Ó
∑
∑
44
±æ j±æ ±r
±≈ ‰ Œ3
∑
∑
44..˙˙ œœæ¥# J¥a ‰
44
.± ±@ ±æ j±æ ± Œ3
(Bow pressure noise)
F
p
π
π
P.O S.T
∏
π
Come prima
( )
ß ππ
ßπ*
π
f
f π
ß
S.T
π
f π
( )
π
f p
Hand symbals (S) 小鈸
∏
(L.H)
*gliss. gliss.
π
ord.
enter softly
arco
sempre
πenter softly
enter softly
ord.
Come prima
ß
ß
S.P
S.P P.O
S.P P.O
P.O
solo
Ó ‰ œo
Jœ
Ͼ
Ͼ J
Ͼ
‰ Jœ ‰ Jœ
JϾ3 3
‹æ J
‹æ J
‹æ
‰ ‰ Jœ ‰ Jœ ‰ J‹æ3 3 3
Ó Œ ‰ jœ#
.˙ jœ ‰
..˙̇jœœ ‰
.˙ Jœ ‰
∑
w
¥ ¥ ¥ ¥
∑
wK
∑
∑
∑
∑
˙ œæ>
Rœn
@ ≈ Jœ œ#
Ͼ
Rœn
@ ≈ ‰ ˙ œ#
.˙ œ# œæ
>
ww
.˙ œ
w
wn
œœnn
>
œœ
œœn
n
n
>
œœ
œœ
#
>
œœ
œœ
n
>
־ R֬
@œœn#
æ
˘œœnn
æ
5
œn œn œnR .¥n
∑
.œ jœ
≥>
.œ œN≤
j œN3
∑
∑
∑
∑
∑
∑
œœæ ˙̇˙n æ Rœœœ
@
œœnnœœn#
œœnn œœnn
5
∑
ß π
∏
p
p π
dolciss.
π
......
gliss.
π
( )
πß
*π ßf
ß π
( )
Tibetan finger cymbals西藏碰鈴
Come prima
sempre
π
ß
nm
S.T
∏ sempre
o
o
o
P
Harm. gliss. freely
π
Sing and play
( )
ß
π
E.S.P
S.P P.O
S.P P.O
S.P
Jœ œ œ œ Jœæ+
Ͼ
Ͼ J
Ͼ
‰ Jœ ‰ Jœ
JϾ3 3
‹æ J
‹æ J
‹æ
‰ ‰ Jœ ‰ Jœ ‰ J‹æ3 3 3
‹æ Ój̆‹ ‰ Œ
∑
∑
∑
∑
w
∑
w
÷ ÷ ÷ ÷
∑
∑
∑
∑
˙ œæ>
Rœn
@ ≈ Jœ œ#
Ͼ
> Rœn
@ ≈ ‰ ˙ œ#
.˙æ
œ
ww
˙ ˙
w
w
÷æ R÷̈
@ ≈jœ# æ jœæ œæ
3
œn œn œn œ œ œR ≈ ‰ .¥n
∑
w≥ ≤
∑
∑
∑
∑
∑
∑
�˘�
˘�˘
�˘ �
˘ �̆ � ̆ ̆ ̆ ̆ ̆ ̆ ̆ ̆ ÷æ> ÷
æ7
Ó˙n œn
Bowing ad lib.
p
p π
πp
π πß
( )
*π ß π
ß π
( )
nm
Sub.
Touch with thin metal stick (Buzzing sound!)
π
n
πenter softly
( )
ç
*gliss.
gliss.
ß l.v
F π
Improv. freely
π
ß
S.P
S.P P.O
S.P P.O
P.O
ß
JϾ+
œo
œ œ Jœæ+
Ͼ
Ͼ J
Ͼ
‰ Jœ ‰ Jœ
JϾ3 3
‹æ J
‹æ J
‹æ
‰ ‰ Jœ ‰ Jœ ‰ J‹æ3 3 3
∑
∑
∑
∑
∑
∑
∑
w
∑
∑
∑
∑
˙ œæ>
Rœn
@ ≈ Jœ œ#
Ͼ> R
œn@ ≈ ‰ ˙ œ#
.˙ œ# œ>æ
ww
.˙ œ
w
w
œœnn
>
œœ
œœn
n
n
>
œœ
œœ
#
>
œœ
œœ
n
>
÷æ R÷̈@œœn#æ
œœæ
5
œn œn œnR .¥n
∑
w
¥ ¥ ¥ ¥
∑
∑
∑
∑
∑
∑
œn ˙˙#æ
œœæ
w
p π
p π
π
( )
πß
*π ßf
F
ß π
( )
π p
π
gliss.
π
ß
( )
π
E.S.P
S.P
S.P
P.O
P.O
S.P
Jœæ+ œo œ œ Jœæ
+
Ͼ
Ͼ J
Ͼ
‰ Jœ ‰ Jœ
JϾ3 3
‹æ J
‹æ J
‹æ
‰ ‰ Jœ ‰ Jœ ‰ J‹æ3 3 3
Ó ‰ jœ#
j‹˘
‰
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
˙ œæ>
Rœn
@ ≈ Jœ œ#
Ͼ> R
œn@ ≈ ‰ ˙ œ#
.˙æ
Ͼ
ww
˙ ˙
w
w
÷æ R÷̈ ≈ jœ# æ jœæ œæ
3
œn œn œn œ œ œR ≈ ‰ .¥n
∑
w
∑
∑
∑
∑
∑
∑
www#æ
w kK
πp
πp
p
π πß
( )
*π ß
*gliss.
π
ß π
( )
F
π
Come prima
π
(L.H)(improv.)
dynamic fluctuations irregularly
1/4 tone vibr.
gliss.
P
π
ß
S.P
S.P P.O
P.OS.P
P.O
ß
Jœæ+ ‰ Œ ‰ œ
oJœ
Ͼ
Ͼ J
Ͼ
‰ Jœ ‰ Jœ
JϾ3 3
‹æ J
‹æ J
‹æ
‰ ‰ Jœ ‰ Jœ ‰ J‹æ3 3 3
‹æ Ó
∑
∑
∑
∑
∑
Ó Œ÷
∑
∑
∑
∑
∑
˙ œæ> —
Ͼ> R
œn@ ≈ ‰ ˙ œ#
.˙ œ# œæ
>
ww
˙ œr
œ≈ ‰
w
w
œœnn >œœ
œœn
n
n
>
œœ
œœ
#
>
œœ
œœ
n
>
־
————æ
>
œn œn œnR .¥n
≈
≈
≈
w
∑
∑
∑
∑
∑
∑
œœœæ
œœœ@
œœœœn@
œœœœœn @
> œœœœ@
œœœ@
œœœ@�
@
˘ �@˘ �
@˘
�@˘ �
@˘ �̆ œn
æ5 7
.˙æ
œ>
πp
πp
πß
f π
*
ß π
( )
nm
π π
π
ç
ß U U
dynamic fluctuations irregularly
ß πSub.
Strong overblow (freely)
f
continue in random order & with rubato manner
gliss.
ß
ß
( )
ç
P.O P
S.P P.O
S.P
S.P
ß
strike strings (hand)
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
8 www.chongkeeyong-studio-c.com
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ã
ã
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&
?
&
?
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&
?
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&
&
&
?
&
&
B
?
t
&
?
&
?
&
&
&
&
&
&
&
&
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Hrn. 1-2
Hrn. 3-4
Tpt.
Tbn.
D.Bsn.
B Tbn.
Fl. 1
Ob. 1
Cl. 1
Bsn.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Fl. 2
Ob. 2
Cl. 2
Fl.3
Ob.3
Cl.3
Sh. solo
Dizi solo
Hp.
Gz. solo
Pipa
(¤€)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~
~~~~~~~~~
68œ ‰ .œn œ
w
w
jœn ‰ Œ Ó
68∑
∑
68∑
68∑
68∑
68∑
68
÷æŒ Ó &
∑
68∑
∑
œŒ Ó
∑
w
œ œ œ œ
œ œ œ œ
œœ œœ œœ> œœ
> œœ> ˙̇
3
ww
68 wwæ
∑
68 ̈
¨
̈
¨
¨
̈
¨
̈ ̈
¨ ¨
jœn j
j J Œ
Œ 3‹n
J 3
J
68 ϴ
oŒ Ó
∑
∑
68 ˙¥
oÓ
∑
∑
68 www
68 —o —o
ƒ
f
( )
p
P.O
P
P
f
F
p F
π
π
fmolto espr.
S.S
S.S
S.S
Piccolo
(Sounds octave higher than written)
œŒ Ó
œ Jœ ‰ Jœ> ‰ œ̄ ‰
3
w
Œ Œj‹˘ j� ‰
Œ3
‹
Œ Œ jœn>
˙3
Œ Œ Jœn>
˙3
Œ Œ jœœn#>
˙˙3
Œ ŒRœn ¨ ≈ Ó
3
Œ Œ rœ#
¨≈ Ó3
Œ Œ Rœœœnnn¨
≈ Ó3
Œ Œr
œœœnnn
¨≈ Ó
3
Œ Œ jœ
˘j� ‰ Œ
3
Œ Œ Rœn ¨
≈ Ó3
Œ Œ Rœn ¨
≈ Ó3
Œ Œ rœn¨ ≈ Ó
3
Œ Œ rœn¨
≈ Ó3
œ œn œ .œn œ œn
œ .œn œ œ œn3
œJœn>
œ.œn œ œ œn
3
œJœn>
¥œ¥œ J——>
J¥œ¥œ
¥œ¥œ3
3
ww
Jœœ
æ
œn˘ . . . . . . . œæ
˙æ
∑
Œ3
Œ Jœn > œ> œ œ> œ> œ œ> œn
R‹n
≈ ‰ Ó
∑
∑
∑
∑
∑
∑
www
—o —oR
—o≈ Ó
3
ß P
( )
fThin metal stick
ß
S.P
p
ß
ß
π
π
ß
ß
ß
ß
fß
ß p
pSub.
Sub. f
ππ
ç f
π
π
ç
P
*
ß Sub.π
Sub.
Sub.
a2
a2
ç
secco
secco
secco
secco
secco
f
ß secco
p
Guirof
T
P pwith metal stick Edge=E
Nat. harm gliss.
ß secco
Œ ‰ jœn œ jœ œ3
∑
w
Ó Œ ‰ jœ#
˙ ˙
˙ ˙
˙˙ ˙˙
∑
∑
∑
∑
∑
∑
∑
∑
∑
3
œJœn .˙n >
w
w
¥w¥w
ww
w
æ
∑
œn ˘ ̆ ̆ ̆ ̆ ̆ ̆ œ̆n œn ˘
3‰ J
œn >‰ Œ
Ó Œ œn ˘ ˘ ˘ ˘ ˘ ˘ ˘
∑
∑
∑
∑
∑
∑
www
∑
f
( )
F
P
p
"Bao Hua she" 暴花舌
ß ç
Come prima
Bass Clarinet in Bb
(Sounds major 9th lower as written)
œj
œ ‰ Ó
Œ œ̈ ̆ ̆ ̆ ̆ ̆ ̆ ̆ Ó
œR� ≈ ‰ Ó
Jœ ‰ ‰ ‹ ‰ Œ
‹˘
œ .æ̇
œ .˙æ
œœ ..˙æ̇
ŒRœn ¨ ≈ ‰ Ó
Œ rœ#¨ ≈ ‰ Ó
Œ Rœœœnnn¨
≈ ‰ Ó
Œr
œœœnnn
¨≈ ‰ Ó
Œœn
˘ Œ Œ
Œ Rœn ¨
≈ ‰ Ó
Œ Rœn ¨
≈ ‰ Ó
Œ rœn¨ ≈ ‰ Ó
Œ rœn¨
≈ ‰ Ó
˙ œ œn œ
˙ ˙n
˙ ˙n
....¥̇¥˙
ww
œ ˙æ
œ œœ
∑
œn ̆ ̆ ̆ ̆ ̆ ̆ œn ˘Œ Ó
Œ rœn¨ ≈ ‰ Ó
∑
Œ rœn¨ ≈ ‰ Ó
Œ rœn¨ ≈ ‰ Ó
∑
Œ rœn¨ ≈ ‰ Ó
wwwæ
>
R ̆ ≈ R
̆ ≈ R ̆
≈
∑
( )
ß
f
f
ß
ß
ß
ß
p
p
p
ç
nm
ß
ç p
*
ß
ß
ß
ß
secco
secco
Key click (freely)
l.v
l.v
.
.
Jet whistle
Jet whistle
F
F
F
secco
secco
secco
secco
ç secco
f
f
ß secco
Guiro
P p
Come prima
ß secco
∑
Œ Jœ ‰ Jœ ‰ Jœ ‰
∑
∑
Ͼr
œ@≈ ‰ Œ Œ
Ͼ R
œ@ ≈ ‰ Œ Œ
œœærœœ@ ≈ ‰ Œ Œ
∑
∑
∑
∑
∑
∑
∑
∑
∑
œ œn3
œJœn œ
œJœn œ œ œ
Jœn3 3
œJœn œ œ œ
Jœn3 3
¥w¥w
ww
w
æ
∑
∑
∑
∑
Œ ‰ œn ˙3
∑
∑
∑
∑
˙˙˙æ
˙˙
∑
Pp p
with soft beater
∏
∏
ƒ
ƒ
molto espr.
molto espr.
molto espr. molto
molto
πenter softly
π
nm
When holding the long note, free to add in your own ornaments or different vibrato!echo from far away
When holding the long note, free to add in your own ornaments or different vibrato!echo from far away
∏
∑
Œ Jœ ‰ Jœ ‰ Jœ ‰
∑
Ó Œ ‰ jœ#
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
œ3
œJœn ˙
w
.˙ œœn
¥̇¥˙ ˙̇
ww
w
æ
∑
∑
∑
∑
˙3
Jœn œ
∑
∑
Œ .˙n
∑
ww
∑
ƒ π
Pp p
π
π
S.T
molto
πenter softly
slow gliss.
div.
gongs (Deep)
p
sempre
sempre
P
~ ~ ~~ ~ ~ ~ ~ ~ ~ ~ ~
12 www.chongkeeyong-studio-c.com
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ã
ã
&
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&
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&
&
&
?
&
&
&
?
t
&
&
&
?
&
&
&
&
&
&
&
&
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Hrn. 1-2
Hrn. 3-4
Tpt.
Tbn.
D.Bsn.
B Tbn.
Fl. 1
Ob. 1
Cl. 1
Bsn.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Fl. 2
Ob. 2
Cl. 2
Fl.3
Ob.3
Cl.3
Sh. solo
Dizi solo
Hp.
Pipa
G.Z
~~~~~~~~~~~~~~~~~~~Ÿ~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~Ÿ~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~Ÿ~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~ ~~~~~~~
~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
√
93wæ
wæ
wæ
wæ
93∑
∑
93∑
93∑
93∑
93∑
∑
93∑
∑
∑
∑
—
æ
.—æ
.—æ
—æ
.—æ
—æ
∑
∑
93œæ œ œ œ œ œ œ# @ æ̇
3
Ó ¥#
93 œn >
‰ œnœn
œn
œn >
œn ‰ Œ
3
93∑
∑
∑
93∑
∑
∑
93ww
æ ! æ @æ
93 œ ˙ œ#3
>
f
p
*
fF
l.v
f
Sing (diamond shape notes)
irregular trem.
ç
Vibr. speed
dynamic fluctuations irregularly
*p
Piccolo
Bass Clarinet in Bb
(Sounds major 9th lower as written)
(Sounds octave higher than written)
Piccolo
(Sounds octave higher than written)
˙æ
œ̆ œ̆œ̆ œ̆ �
˘�˘
�˘
�˘� �
˘�˘
�˘
�˘
�˘
�˘
�˘
wæ
wæ
wæ
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
—æ
—>
æ
.—æ
—æ
—æ
∑
∑
Ͼ3
æ Jœn>æ æ
3j æ œ# æ
J ¥n>
j¥#,¥
3 3
‰ .œn3
‰ ..œ¥n
no
œn˘
.œ
œn >jœœœœgggg
∑
Ó Œ œ# œ œ œ
∑
Ó œ# œ# œ œ# œ œ œ œ œ œ5 5
∑
∑
wwæ
Rœ
≈ ‰ Œ Ó
ß
f
ß
F p
p
f ç
:p dolciss.
:
p dolciss.
poco a poco string. et intenso
Take small pair of Chinese cymbals
f
Ͼ
˙æ
Ͼ
.˙æ
tæ
wæ
˙æ
œ̆ œ̆œ̆
œ̆ œ̆ �˘
�˘
�˘� �
˘�˘
�˘
�˘
�˘
�˘
�˘
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
—æ
—æ
—
3J
— —
�>æ
.—æ
—æ> —
æ
∑
∑
æ̇3
æ Jœn>æ æ
J ¥n>
3
j¥#3
ϴn
no œn œ# >
3
œ Œ ‰jœœbn œn ˘ œn œn
œnœn
œ#
3
5
œ# œ œœ œ# œ œ œ œ# œ ≈ rœ œ œ œ œ œ œ œ œœ œ œ œ
6
6 6
6
œ# œ œ œ œ# œ œ œ#r
œ ≈ œ œ œ œœ œ
∑
œ œ# œn ≈ Rœ œ œ# œ
œ œ œæ
U œ#‰U
5 5
∑
∑
˙æ̇ ˙˙
∑
ß
p
f
ß
F p
ß
f
:p dolciss.
:Continue this phrase and manner ad lib.
π ∏Edge=E
Piccolo
˙
æ˙
æ
tæ
z̆ z̆ z̆ z̆ z̆ z̆ z̆ z̆z z̆ z̆ z̆ z̆ z̆ z̆ z̆
.˙æ
Ͼ
Ͼ
˙æ
Ͼ
∑
∑
∑
∑
∑
∑
∑
œ# œ œœ œ# œ œ œ œ# œ œ œ œ œ œ œ œ œ œ œœ œ œ œ
66 6
6
Ó Œ œ# œ œ œ
Ó œ# œ# œ œ# œ# œ œ œ œ# œ5 5
∑
—> — —æ
æ J
—æ
>
3
—æ
—3
J— — —> —
—æ
—æ
—3
J— —
∑
∑
3j æ œ# æ æ̇ œæ
œ œœ˙ ?
œ œnœn œn
@
> . æ
jœ
œn >
‰ .œ#5
œ Œ
œUæ
œ# ‰U
œ#æU œ# ‰U
∑
w
∑
∑
œœ œœjœœœ# ˙˙˙
3
∑
ß
:
p
p
:
p
p fß
p ß
p
pizz.
very fast notes in ad lib. low register.
very fast notes in ad lib. low register.
p
ç
ß
o
P
1/4 tone vibr.
:
:
( )
Continue this phrase and manner ad lib.
Continue this phrase and manner ad lib.
Rim-shot
∏π
:
Tutti
dolciss.
dolciss.
dolciss.
.tæ
Ͼ
zæ
zæ
tæ
˙æ œ̆
œ̆ œ̆ œ̆�̆ �̆ �̆ �̆� �̆ �̆ �̆ �̆ �̆ �̆ �̆
˙æ
˙æ
∑
∑
∑
∑
∑
∑
∑
œ œ# œ# œ œ œ œ# œ œ# œœ œr
œ ≈ ‰U
66
œ# œ œ œ œ# œ œ œ# œ œ œ œ œ œœ œ
œ# œ# œ# œ œ œ œ œœ# œ œ# œ œ œ œ œ œ œ œ œ
5 5 5 5
Œ œ# œ œ œ œ# œ œ œ œ# œ œ# œ
æ J
—æ
æ J
—
æœn> œ œ œ œ
> œ œ œ œ> œ œ> œ œ> œ œ œ
3 3
—æ
æ J
—æ>
æ J—æ
æ J
—æ
3 3 3
—> — —æ
æ J
—æ>
3
Ó fl fl fl
fl
fl fl fl
fl
fl fl fl
fl fl fl fl fl
˙
R ≈ ‰ Œ
—̆— ̆ æ rœ
≈ ‰
∑
∑
rœœn
¨≈ ‰ Œ Ó
w
w
Œœ# œ# œ œ# œ# œ œ œ œ œ œ œ#
w
∑
Ó œ#U
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6
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:
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p:
pSub.f
p
ß p
f
f
pizz.
( )
ƒ p
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ç π
P
( )
( )
( )
pdolciss.
:
:
π ∏
Edge=E
P π
P
Edge=E ord.
Take small pair of Chinese cymbalsPnm
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p dolciss.
p
Tutti
dolciss.
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3 3
w
fl fl fl
fl fl fl fl fl
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R ≈ ‰ Œ
∑
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w
w
rœ#
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rœ ≈ œ œ œ
55
5
œ# œ# œ# œœ œ œ# œœ# œ œ œ R
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6
66
∑
∑
:
: :
:
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( )
:
Continue this phrase and manner ad lib.
:
continue downward in this manner.
continue downward in this manner.
Continue this phrase and manner ad lib.
Continue this phrase and manner ad lib.f
U
f
f fpSub.
pSub.
( )
( )
ƒ p
U
( )
( )
( )
p dolciss.
:
:
π
π ∏
π
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Bsn 2
p
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tæ
z̆ z̆ z̆ z̆ z̆ z̆ z̆ z̆z z̆z̆ z̆ z̆ z̆ z̆ z̆ zæ
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≈ ‰U
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w
w
w
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5
5
rœ# ≈ ‰
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:
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( )
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continue downward in this manner.
Continue this phrase and manner ad lib.f
U
( )
π
( )
( )
( )
( )
( )
:
:
( )
Continue this phrase and manner ad lib.
Continue this phrase and manner ad lib.
Continue this phrase and manner ad lib.
Rim-shot
∏
π
π
Continue this phrase and manner ad lib.
(Independently from each other!)
~~~~~~~~~~~~~~~ ~~~~~~~~~ ~~~~~~ ~ ~ ~
~~~~~~~~~~~~~ ~~~~~~~~ ~~~~~~~~ ~ ~ ~
~~~~~~~~~~~~~~~ ~~~~~~~~~ ~~~~~~ ~ ~
16
play with the indicated fingers (4,3,2,1) placing them as close to each other as possible. (improvisation-like!)
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-
ã
ã
ã
ã
&
&
&
&
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&
&
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B
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&
&
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Perc. 1
Perc. 2
Perc. 3
Perc. 4
Hrn. 1-2
Hrn. 3-4
Tpt.
Tpt.
Tbn.
D.Bsn.
B Tbn.
Fl. 1
Ob. 1
Cl. 1
Bsn.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Fl. 2
Ob. 2
Cl. 2
Fl.3
Ob.3
Cl.3
Sh. solo
Dizi solo
Harp
Pipa
G.Z
~~~~~~~~~~~~~~~~
(√)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~
√~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~
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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
√
~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~
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≤>
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ß
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o
o
Voice ONLY!
Voice ONLY!
Voice ONLY!
[humming in octave free: fade in]
[humming in octave free: fade in]
[humming in octave free: fade in]
Turn on the audio file (on phone)
1/4 tone bendingπ
( )
πß
f
dynamic fluctuations irregularly
ß FpSub.
( )
molto espr.
molto espr.
molto espr.
ß ß
ß ß
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Voice ONLY!
o
[humming in octave free: fade in]
Take breath as you prefer!
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P
Wine glass (approx. pitch!)
U∏
"Shh.." (imitave like wind sounds!)
P
o
o
U
U
U"Shh.." (imitave like wind sounds!)
U"Shh.." (imitave like wind sounds!)
P
P
P
"Shh.." (imitave like wind sounds!)
"Shh.." (imitave like wind sounds!)
U
"Shh.." (imitave like wind sounds!)
"Shh.." (imitave like wind sounds!)
independently than each other
independently than each other
independently than each other
independently than each other
U
U
U
S.P
S.P
π
π
π
π
π
"Shh.." (imitave like wind sounds!)
"Shh.." (imitave like wind sounds!)
"Shh.." (imitave like wind sounds!)
"Shh.." (imitave like wind sounds!)
"Shh.." (imitave like wind sounds!)
independently than each other
independently than each other
independently than each other
independently than each other
independently than each other
Nat. harm gliss.
Nat. harm gliss.
Nat. harm gliss.
Nat. harm gliss.
Nat. harm gliss.
(
(
(
(
(
ç
ƒSub.
dynamic fluctuations irregularly
U
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∏
∏
∏P
nm
ç
∏
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P o
U
U
U
U
U
independently than each other(
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J J J
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J J J J
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J ¥nU
j j j
j ȯU
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J J
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¨
¨
¨
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o
rubbing the edge
p P~ dynamic fluctuations irregularly
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∏
∏
∏
∏) sempre
sempre)
) sempre
sempre)
)
P
o
U
U
U
U
U
U
P
p F~ dynamic fluctuations irregularly
Dizi
U
U
sempre
sound as written
) ∏ sempre
Turn on the audio file (on phone)
∑
w
w
w
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
¥
¥
¥
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wo
wo
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w
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∑
∑
∑
˙ ˙
∑
w
I Sempre espr e calmo q =c.40
( )
p P~ dynamic fluctuations irregularly( )
freely with different harmonics
3 Tibetan singing bowls on timpano罄
Ó jœ Jœ
°
≈j
œr
œj
œ ‰
w
w
‰ jœ#.˙
?
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
¥
¥
¥
¥
wo
wo
∑
∑
∑
w
∑
∑
∑
∑
∑
w
Ó‹
˙ ˙
p
( )
p
( )
P ∏
P
Turn on the audio file (on phone)
Ó jœ Jœ
°
≈j
œr
œj
œ ‰
w
w
‹æ Ó
∑
∑
∑ ã
∑
∑ ã
∑ ã
‹
∑ ã
∑ ã
∑ ã
∑ ã
∑ ã
¥
¥
¥
¥
wo
wo
∑
∑
∑
w
∑
∑
∑
∑
∑
∑
∑
œŒ Œ
‹
( )
∏
Pp
Touch with thin metal stick (Buzzing sound!)
ß
Turn on the audio file (on phone)
Turn on the audio file (on phone)
26159
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