Written River: Journal of Eco-Poetics Volume 3 Issue 2

7/30/2019 Written River: Journal of Eco-Poetics Volume 3 Issue 2

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contents

5 L E

6 B I LFeaure Inerview

12 S P LW Z R Lk?W I A M A HW I

Old Mounain

14 SN S

Musan Cho Oh-hyun ( Heinz Insu Fenkl)

15 C R SScot . Sarbuck

16 T P H C IA Ik

17 T P S PMarin Willits Jr.

18 B HA Rk

19 AJesse LoVasco

20 T W I F IMarin Burke

24 F , k -Erynn Rowan Laurie

25 T G H A 26 S H Sb G

CT U M

Joel Long

30

J.K. McDowell

30 N Lk, M F31 F M W F dw

(D F W) RDiana Woodcock

34 S Chrisine Waresak

36 SGenevieve Lee

38 W NL #1: H L B S

Laurence Holden

41 A 3:

V F, K BDeer Has Full ail: N MC C

Gwendolyn Morgan

42 T I45 W

Jamie K. Reaser

48 T N Hyra Olsad

49

RBrendan Sullivan

50 W I D N INicole Parizeau

51 FxV

Michael Bazzet

52 C' Hk C Lb C

53 Y P N S B MDaniel Williams

54 J , CColin Dodds

55 F FTeodosia Henney

57 W T A N R,T R N k

Laura Sory Johnson

59 P Creaively MaladjusedTeodore Richards

60 Cb

4

13

14

15

17

19

24

26

28

32

35

36

P bG L, J K R,

Ak S, R S, P PSee pages or phoo credis.


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I cannot see the moon this morning as I walk on the beach. Overcast, windy, cold, and

somewhere behind the clouds a full moon is causing this very low tide. A spring tide,

when the moon and sun are aligned with the earth, and their gravitational forces com-

bine to create tides of exaggerated range.

Its Monday morning, and I can be out walking because I have quit my job, a good

job, and by good I mean decent pay, with benefits. But also a boring, exhausting, and

draining job. People dont know how to react when I tell them, not in this economy, not

at my age. They raise their eyebrows. Wow. And I dont know how to explain why I quit

and what I will do with the time that I could be making money.The beach is deserted except for crows feeding on the small islands of seaweed newly

exposed, and schoolchildren, who scamper between the wet sand flat and the tent where

their teacher waits on high, dry sand. Their shouts and screams of delight float to me on

the wind.

Debris litters the beach. Crab carcasses, hollowed and broken, tangled ribbons of

copper-colored seaweed, bits of shell. Rivulets of water flow back from the higher sand

to the Puget Sound. I search for something whole to take home, to show my husband,

and to put on my shelf, but nothing is whole except the rocks, and I cant even find an

exceptionally pretty rock. I give up and walk awhile, gazing outward now at the milky

waves.

And thats when I almost stumble on it.

Startling, and I want to say beautiful, but it is not beautiful. Orange with purple dots,about a foot long, it could be starfish-like except it has too many limbs, maybe 20,

purple-tipped, all facing the same direction, toward the water. The way it is lying, with

the meaty middle near the top and the limbs pointing down, it makes the shape of a heart.

Fascinating and compelling, yes, but too strange to be beautiful. Its a little scary, re-

sembling the spiders of my childhood nightmares, or images of cellular beings under the

lens of a microscope. Things not meant to be seen with the naked eye in the light of day,

which makes them as irresistible as a secret whispered just out of earshot. If I touched it,

it probably wouldnt move, but I dont touch it for fear that it will.

Instead, I pull out my iPhone, take a photo, and send it to my husband. And as soon as

I do, the mystery of it evaporates a little, and I wish I hadnt taken the photo and sent it

to David, not yet. I wish I would have kept it to myself a little longer, let the wonder of itlinger like a dream Ive just woken from but cant quite remember or the silent, stunned

minutes after reading the last page of a great book.

At first I think what draws me in is to learn what this creature is. To know what is

unknown. But then I realize to know the strange and not-quite-beautiful phantoms of the

sea is not the point. To show them to you is not the point. Thats not where the ultimate

pleasure lies. The pleasure is in something else. It is in the almost finding but never

knowing absolutely. The search, the surprise, and then the mystery. That is what makes

the children on the beach squeal and makes us strain to hear a whisper. That is what

makes me quit my job to do nothing but walk on the beach and scribble in a journal.

If seas exist inside me, what creatures are revealed during the very low tides of my

being? During a spring tide and a full moon? All I want is a little time to look.

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Genevieve Lee

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Available Spring 2013

The Wisdom Education Movement ManifestoHuman salvaion lies in he hands o he creaively maladjused.

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T Rauthor ofCosmosophia


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ConribuorsMichael Bazzet N O R, M R, P, SH, L I P S H Te Imaginary Ciy, b OW! A Cbk S, Tey: A Field Guide, B P 2013 H M

Marin Burke b I b F , , b x bk k USA, UK, I, BH Beowul(b b C B P, USA) k b J J

Colin Dodds M N Yk C H , Te Las Bad Job, N M ; D ,

Reeshmen A ragedy, - 2010 A Z C H - z b, b P Pz H Bk, N

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Heinz Insu Fenkl, b 1960 B, K, , , H b- ,Memories o My Ghos Broher, B & Nb D G N W - 1996 PEN/H A 1997 H , Y M- , A A I, b Sb 12, 2011 Te New Yorker.

Teodosia Henney j b H k z j, b T P Pz T M A

Laurence Holden N G M US H W j b C J b , b H , , , k , b, H Te Chrysalis Reader, Appalachian Heriage, Te Reach o Song, - b b G P S H k x GP S 2010 b B Hb R S 2011 H - 20 xb, 200 b, , H b :// ://

Laura Sory Johnson k B I, N Yk C, b Ak, M, B, Zbz R Zb, A H k b P Pz ap Souh Loop Review S C b -j

Genevieve Lee 23 M T , b, k b T , , , b b- b b I 2010, L T -b x T k


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S q I 2011, L Kz C S 2011 - R R, 2007 B N V: Gb W P C, U S S ,

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Joel Long bk L D b b B Ck P 2012Know-ing ime by Ligh b b 2010 H bkWinged Insecs W P PP Pz b 1999 L bk, Chopins Preludes Saron Beneah Every Fros b Ek P H Quarerly Wes, Gul Coas,Rhino,Biter Olean-der, Crab Orchard Review,Bellingham Review, Souweser,Prairie Schooner, Willow Springs, Poems and Plays, and

Seatle Review z American Poery: he Nex Generaion,Essenial Love,Fresh Waer, and I Goo he Ruined Place. H M A A L A U A F W A A W Wk

Jesse LoVasco V C N U H b , , b x b T / k S b , b T , b b , , S

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J. K. McDowell , , O x Cj Nigh, Mysery & Ligh MD H P C MD J S P W R MD b Hb Pb L M BRuminaions A wiligh N k b MD b N M L MD 20 GC , b b

Gwendolyn Morgan b b b bx W MFA C W G C, MD S F T S, b A, C S S b : Calyx, Dakoah,Kalliope,Kinesis,Manzania Quarerly, ribuar-ies: a Journal o Naure Wriing,VoiceCacher, Writen River jG J, , Abb Sk, Pbk W C

M Cho Oh-hyun, M, b 1932 M SG P K H b k


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O , j I 2007 C C- L A bkDisan Holy Man T M Gj K N M Z, Bk M Sk Hk Te Asia Lierary Review, Asympoe, AZALEA, Buddhis Poery Review

Old Mounain , - , B H M A

yra Olsad N Yk G E S SUNYO B , , k

N Pk S Az, S Dk, W-, C, Ak S PD G K S U, , , S b- , x, , j

Nicole Parizeau Whole Earh Mz U C-, Bk L H S S S F B A, M N Folio,

Poecology,Emrys Journal, Opium Magazine, W R U, Weaher, I

& P P N S M R P F 2013A A A C A

Pamela Pero N, M S bk -b -, S C L U MFAP H b Te New York imes, Grana,Te Alanic, Te Paris Review Daily H k bk he Slow Breah o Sone: A Romanesque Love Sory, S F S bk b -- G C H bk - b b W

Jamie K . Reaser , , b S BS FB, S A, C W M B S U S k b, , , -- S -, -b , x , , , , -- S Couring he Wild S, Hunley Meadows,Noe o Sel, Sacred Reciprociy S k B RM V V k W b k-b, k W Fbk

Angeliki Savvanoglou G, b B, UK, C- B H b k S j , ,,

Scot . Sarbuck Sarsher D B, O, T Sk C A E N, E, C-, q k P N H bk, River Walker, M R P E, O H k C W C S D M C, k Te rumpeer Journal o Ecosophy Ab U, Uniled Counry

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Russell Sreur b- J Ck, G Pb , - - b, T C S, ://b, b , k I,

Brendan Sullivan b b , k-b b H j , H k - b H k , b x H Te Rusy Nail, A Cleanand Well Li Place, Haggard and Halloo, Mad Swirl, 521 Magazine, Guter Eloquence Te Missing Slae H

j H ,Nocurnal Embers

Chrisine Waresak S S b P F , b k b P N z E , P S S MA E U F b RED OCHRE Li

Marin Willits Jr S Lb S, N Yk H - H V C H 5Push-

car 3Bes O Te Ne H bk Falling In and Ou o Love (P H Pb-, 2005), Lowering Nes o Ligh (P H Pb, 2007), Te Garden o French Horns(P H Pb, 2008), Baskes o omorrow (F P, 2009), Te Girl Who Sang ForhHorses (P H Pb, 2010), Van Goghs Sunfowers or Cezanne (F L P,2010), Why Women Are A Ribbon Around A Bomb (L A, 2011), Proes, Peiion, Wrie, Speak:

Mailda Joslyn Gage Poems (M J G F, 2011), Secres No One Wans o alk Abou(D M P, 2011), How o Find Peace (K P, 2012), Playing Te Pauses In Te Ab-sence O Sars (M S R, 2012), No Special Favors (G F P, 2012) H bk Te Secre Language o he Universe (M S P, 2006), TeHummingbird(M S P, 2009), Te Hear Knows, Simply, Wha I Needs: Poems based on Emily Dickinson, her

lie and poery(A P, 2012) H bk Waiing For Te Day o OpenIs Wings (UNBOUND C, 2013), Ar Is he Impression o an Aris (E L PbH, 2013), Ciy O ens (C C P, 2013), A Is For Aora (S C P, -bk,2013), Swimming In he Ladle o Sars (K P, 2013)

DianaWoodcock - , Swaying on he Elephans Shoulders K D A 2010 V Qbx I P Pz W b b L R Pb 2011 H bk In he Shade o he Sidra ree (FL P),Mandala (F Pb), ravels o a Gwai Lo - P Pz ( P) S b V C U Q 2004 P , k b, M T

Daniel Williams Y S N M NC H MA E L S J S U FC, Cb C, M S D D PW F AM, b q PW Tursdays KSER-FM , B Nb, E Bk S, C Bk, Bk. R Grrrr..Poems Abou Bears, A Fine Frenzy: Poes Respond o Shakespeare, Sierra Songs and Descans, Ino he eeho he Wind, Amoskeag Journal, NEBO, Sea Sories, Te HoAir Quarerly,Minneonka Review, Grea American

Poery Show,Raven Chronicles,Rockhurs Review,Flowers & Vorexes Manzania, Common Ground Review, Yosemie Poes: A Gahering o his Place.


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Written River: Journal of Eco-Poetics Volume 3 Issue 2

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