Writing Process Reflection for the Dorothy Dow Project
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Transcript of Writing Process Reflection for the Dorothy Dow Project
Writing Process Reflection for the Dorothy Dow Project
As an educator, I use digital technology constantly. I use it in my teaching, I use it
in my planning and curriculum design, and I use it in my professional development. I
pride myself on the “figure-it-out” mentality that has allowed me to continually improve
my skills with digital technology over the course of my teaching career, and I am always
interested in finding new ways to make digital technology help my instruction or the
instruction of others. At my school, I’ve had the opportunity to lead several professional
development workshops on designing and effectively using classroom websites, and I am
always exploring new platforms for web design that would best suit my needs as an
educator. All that being said, when Dr. Gross introduced the idea of creating scholarly
websites as an option for our final project for his class, I immediately knew that was the
route I wanted to take. Throughout the course, we examined many examples of student
and professional scholarly websites that, while excellent in terms of content, I found
either difficult to actually use or aesthetically underwhelming. On a professional level, I
found this best exemplified by the Victorian Web, a website that hosts an absolute
treasure trove of valuable scholarship in a format that is clunky, confusing, and outdated.
While I knew that of course my actual research was my first priority, I also wanted to
ensure that my final project effectively harnessed the aesthetic power of digital tools
readily available, and I wanted to organize it so that it would be a clear and useful
resource. In short, I wanted it to be a resource I would want to use.
As I discussed in my reflective statement, my work on this project was some of
the most challenging and fulfilling research I completed at DePaul. As I approached
revision on this project, I first considered my purpose and audience. Dr. Gross and I had
discussed this question throughout my process: was my work an effort to bring critical
attention to the merit of Dow’s work, or was it a resource for teachers and students who
wanted to expand their exposure to Jazz Age poets and poetry? In revision, I decided that
my work would be most suitable as tool for teachers and students. Although making a
case for Dow as poet worthy of critical attention would be an exciting task, I did not feel
well versed enough in the poetry of her contemporaries to be able to persuasively argue
that case. While I did read Master’s Spoon River Anthology and several books of Edna St.
Vincent Millay’s poetry while working on this project, I feel like I would need at least a
year of devoted reading and research in order to make my case to the caliber I would
want it to be. In considering Dow’s poetry from a teacher’s perspective, however, I was
confident in my expertise.
In its original stage, several elements of the website were included primarily to
satisfy course requirements, such as the process essay I wrote for Dr. Gross’ class. These
elements I either retooled or eliminated in order to make the website a stand-alone entity;
for example, the elements of my process essay that survived now exist as part of my
introduction to the site in an essay called “Why Dorothy? Creating the Dorothy Dow
Project.” Based on some of my feedback from Professor Gross, this essay now includes
critical discussion of several of Dow’s poems in addition to further discussion of why her
work is relevant to teachers and students. I added an entirely new page of teaching
resources curated from my research into web resources for teaching about the Jazz age,
and I added substantially to my page specifically on teaching Dow’s poetry. I am quite
happy with my sample lesson for teaching Dow’s poem “Cabaret,” which requires