“World Needs Bad Men”? TV-Noir and the Limits of Empathy (2015)

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Alberto N. García Conference “Crime Days, Crime Pays” Aalborg (Denmark), 1-2, October 2015 “World Needs Bad Men”? TV-Noir and the Limits of Empathy

Transcript of “World Needs Bad Men”? TV-Noir and the Limits of Empathy (2015)

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Alberto N. García

Conference “Crime Days, Crime Pays”Aalborg (Denmark), 1-2, October 2015

“World Needs Bad Men”? TV-Noir andthe Limits of Empathy

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True Detective (HBO, 2014)

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1. Genre: Noir, Neo-Noir and TV-Noir

• An open concept: genre, style, movement,hybrids

• Essential features• Criminal plot• Moral ambiguity• Urban realism/sense of place• Socio-political critique• Antiheroism/alienation• Expressionism• Weight of the past• Existentialism/Tragedy

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1. Genre: Noir, Neo-Noir and TV-Noir

• An open concept: genre, style, movement,hybrids

• Essential features• Neo-Noir: “self-consciousness” and “crime does

pay”• TV-Noir and the lack of closure

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2. Emotion: character engagement

• Identification, empathy, sympathy…

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Hannibal (NBC, 2013-15)

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2. Emotion: character engagement

• Identification, empathy, sympathy…• Levels of engagement (Smith):

• Alignment• Allegiance

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3. Engagement in TV Narrative

• Textual duration• Broadcasting rythm• A more complex, changing and challenging

allegiance

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4. TV, Noir antihero and Empathy

1. Moral comparatism

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The Shield (FX, 2002-08)

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4. TV, Noir characters and Empathy

1. Moral comparatism2. Family

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The Americans (FX, 2013)The Fall (BBC, 2013-)

Boardwalk Empire (HBO, 2010-15)True Detective (HBO, 2015)

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4. TV, Noir characters and Empathy

1. Moral comparatism2. Family3. Acts of contrition

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Breaking Bad (AMC, 2008-13)

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4. TV, Noir characters and Empathy

1. Moral comparatism2. Family3. Acts of contrition4. Victimization

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The Sopranos (HBO, 1999-2007)Dexter (Showtime, 2006-13)

Southcliffe (Channel 4, 2013)True Detective II (HBO, 2015)

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5. The Limits of Empathy

• Cyclical re-allegiance

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Andy Sipowicz (NYPD Blue)

Thomas Shelby (Peaky Blinders)Mike Ehrmantraut (Better Call Saul)

John Luther (Luther)

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5. The Limits of Empathy

• Cyclical re-allegiance• Switching allegiance

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Lester Nygaard (Fargo)

Bodie Broadus (The Wire)Shane Vendrell (The Shield)

Ben Sherman (Southland)

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6. The Sense of an Ending

• The emergency of “ars moriendi”• Moral clarity• New trend in TV-Noir: redemption, optimism,

happy-ending.

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7. The rise of “Bright Noir”

“You keep your chin up Gus Grimly. We'rewinning this thing! Don't you forget”(Molly Solverson)

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Fargo (FX, 2014-)

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“The dinner you wanted to treat me to. Howabout now?”.(Saga Norén)

7. The rise of “Bright Noir”

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“Be kind to one another, tenderhearted, forgiveone another as God in Christ forgave you”.(Rev. Paul Coates)

7. The rise of “Bright Noir”

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“You don't have to go. I just take a left up here, hop onthe freeway down to Mexico. In a couple of hours,we're sitting on the beach in Baja having margaritas”.(Hank Dolworth)

7. The rise of “Bright Noir”

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“I said you’d be fine”.(Raylan Givens)

7. The rise of “Bright Noir”

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“Once, there was only dark. If you askme, light is winning”.(Rust Cohle)

7. The rise of “Bright Noir”

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True Detective (HBO, 2014)

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Alberto N. García Martínez

School of CommunicationUniversity of Navarra (Spain)

[email protected]

Web - unav.academia.edu/AlbertoGarcíaBlog - gentedigital.es/comunidad/series/

Twitter - @AlbertoNahum