Workshop partners: KEA Copenhagen School of Design and...

Workshop partners: KEA – Copenhagen School of Design and Technology, Faculty of Architecture,

Union University, Institute for Protection, Urban Planning Institute, Kolektiv Gallery, BINA (Belgrade

International Architectural Week)

BELGRADE

PUBLIC SPACES I YACHT DESIGN

International Workshop 24- 02 October 2016Belgrade

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BELGRADE PUBLIC SPACES YACHT DESIGN 1

Programme

Faculty of Arts and Design, John Naisbitt University, Belgrade And

Scuole di Architettura AUIC e Design, Politecnico di Milano

Organize

BELGRADE PUBLIC SPACES| YACHT DESIGN International Workshop at Belgrade 23 - 02 October 2016

ACTIVITIES TIMETABLE-Programme

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23| 09 -FRIDAY

The day of the student’s arrival to Belgrade.

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24| 09 –SATURDAY

10:00 -18:00 Workshop participants meeting at hostel

Welcome at the hostel, introduction to the workshop program

10:30-12:30 The Belgrade sightseeing tour (boat)- guided by BINA, boat trip starts from Gabbiano dock (750m from

hostel, http://gabbiano.rs/)

13:00 Visit to the 56th October Salon „The Pleasure of Love“, Culture Centre of Belgrade

15:00 Lunch break

16:30 Walk tour of Savamala, Belgrade and defining project theme

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25| 09– SUNDAY

10:00 – 18:00 Workshop participants meeting at GalerijaKolektiv, Karadjordjeva 53

- Welcome note Savo Pekovic, dean FUD

10:00 Nataša Danilović Hristić, Milena Vukmirovic, strategic planning-Belgrade City of Belgrade&Urban Planning

Institute

11:00 Prof. dr Ružica Bogdanović, dr Miloš Milovanović -

Riverfront reclaimed -Charging public space- Faculty of Architecture, Union University

12:00 Aleksandra Šević, Institute for Protection of Cultural Monuments of the City of Belgrade

13 00 Lunch break

14:30 Location analysis _group work *teams will be selected from different faculty’s 5-7 students

16:00 Prof. Zorica Savicic- Faculty of Art and Design, John Naisbitt University

Zoran Dmitrovic - Kolektiv Gallery

Savamala_ participation by residents , Urban guerilla

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26| 09 – MONDAY

10:00 – 19:00 – Lectures, lunch and team workat FUD

Bulevar umetnosti 29, New Belgrade,http://fud.naisbitt.edu.rs/

Mentors: Prof. Zorica Savičić, Prof. dr Zoran Djukanović, Prof. dr Raffaella Colombo, Prof. dr Jelena Ivanovic Vojvodic,

Prof. Uros Fisic, Zoran Dmitrović

13:00 – Lunch break

14:30 - Work on the project

16:00-19:00 - Work on the project –mentor discussions and brainstorming

20:00 - Free time

http://gabbiano.rs/)

http://fud.naisbitt.edu.rs/


Programme

------------------------

27| 09 – TUESDAY

10:00 – 19:00 – Lectures, lunch and work at FUD

– YACHT DESIGN

10:00 – Svetlana Mojić, My awards in yacht design&interior,”Salt&Water” – Novi Sad

12:00 – 13:00 – Team work on the project

13:00 – Lunch break


16.00– 19:00 – mentor discussions

20:00 – Free time

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28| 09 – WEDNESDAY

10:00– 19:00 – Lectures, lunch and work at FUD

– Architecture-PUBLIC SPACES-

10:00- 13:00 – Team work on the project

13:00 - Lunch break

14:30 – Work on the project, mentor discussions

17:00 Prof. dr Zoran Đukanović– Faculty of Architecture, University of Belgrade

18:00 Prof. dr Raffaella Colombo - Faculty of Architecture, Politecnico di Milano

19:00 Prof. dr James Harty, Kea University, Copenhagen

20:00 - Free time

---------------------------

29| 09 – THURSDAY and

30| 09 – FRIDAY at FUD

10:00- 13:00 – Team work on the project

13:00 - Lunch break


16:00-19:00 - mentor discussions

20:00 – Free time

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01| 10– SATURDAY

10:00-14:00 - Presentation of the projects at the Italian Culture Institute- 56 Kneza Milosa Street, Belgrade

20:00 – Party time at hostel

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02| 10- SUNDAY

Departure

With Italian Institute of Culture and Belgrade Municipality

Workshop partners: KEA – Copenhagen School of Design and Technology, Faculty of Architecture,

Union University, Institute for Protection, Urban Planning Institute, Kolektiv Gallery, BINA (Belgrade

International Architectural Week)


Belgarde public spaces

Faculty of Arts and Design, John Naisbitt University, Belgrade and Scuole di Architettura AUIC e Design, Politecnico

di Milano Organize


UNDER THE BRIDGE

The subject of the workshop is an reconstruction of square with a new possibilities for the reuse of the forgotten

open public spaces in the city of Belgrade.The general area of research is formulated through theoretical research

work in this field, and a special area of research is the development and application of previously acquired knowledge

and develop skills through solving various problems in accordance with the objectives of the workshop, and to

present a spatial questions/problems. Research subject is a study which could connecting square with a Belgrade

waterfronts, environmental conditions and spatial-functional communications on the different levels with urban

context of that area.

The task is to get through the theoretical and practical skills, applies modern open sociological and economical

thinking, establishing authentic methods and principles of planning, landscape and design, make its own decisions and

find the original answers to the problems that arise during these design processes.

The outcome of that task should be as broad a range of proposals to improve the given thematic area of research in

terms of the spatial and functional checks for the development of open urban spaces and their use by clearly defining

the development strategy, the application of modern planning principles in accordance with modern requirements

and international best practices development related topics and/or spatial programming examples:

- opportunities for small-scale design changes and special amenities

- retail improvements, including storefronts, signage, window displays

- landscape, signage and information

- community opportunities including public markets

- mix-use, play programme, interactive installation, exibitions

- traffic, parking and pedestrian circulation, waterfront

- tourist attractions, security

- preservation and reinforcement of historical character

- community oriented implementation strategies

- yacht design, interior design

Each module will be developed through theoretical inputs given by menthors and practical exercises targeted.At the

end of the workshop a final public presentation of realized work and closing discussion will be organised.

Brankov bridge - air view, google maps upper side with a monument, under the bridge and plato to the riverside.

Location view from the river Sava.


Workshop participants

Faculty of Arts and Design, John Naisbitt University, Belgrade and Scuole di Architettura AUIC e Design,

Politecnico di Milano Organize


Workshop participants (Politecnico di Milano, KEA University, Faculty of Architecture, Union

University, Faculty of Arts and Design):

Mr. CAI, JIANMING (China)

Mr. CAZZAROLLI,ANDREA (Italy)

Mr. CHEN, XIAOPENG (China)

Mr. MARTINOVIC,ANDRIJA (Montenegro)

Mr. NUZZO, EUGENIO (Italy)

Mr. SUN, ZHIXING (China)

Mr.TAN, LI (China)

Mr.YANG,YEQIU (China)

Ms.AL- SAKKAF,

MARWAH ABDULQADER SALEM (Jemen)

Ms. BORRONI,ALICE (Italy)

Ms. HASCELIK, PINAR (Turkey)

Ms. KATTAN, SARAH RITA (Liban)

Ms. MASTRAPASQUA, OLIVIA (Italy)

Ms. MOLENE, CHIARA (Italy)

Ms. MONTAGNA, CARLOTTA (Italy)

Ms. OZCELIK, OZGE(Turkey)

Ms. SENER, GAYE (Turkey)

Mr. JAN JAKUB SZONERT (Polland)

Ms. KAROL KONRAD SZMIGIELSKI (Polland)

Ms. HENRIIKKA LOTTA SOFIA TAIPALE (Finland)

Mr. IGNACY RADTKE (Polland)

Mr.THUY LINH NGUYEN (Slovakia)

Mr. CIARAN O’TOOLE (Danish/Irish)

Mr.TODOROVIĆ ISIDORA(Serbia)

Ms.ANDRIĆ MILENA (Serbia)

Mr. LUKIĆ MARKO (Serbia)

Mr. MARKO PETROVIĆ (Serbia)

Mr. MARKO BRKIĆ (Serbia)

Ms. IVONA MARIĆ (Serbia)

Mr. OGNJANOVIĆ MARKO (Serbia)

Mr. NIKOLIĆ ĐORĐE (Serbia)

Ms.ANASTASIJA ČOLAKOVIĆ (Serbia)

Ms. JELENA PERIŠIĆ(Serbia)

Mr.MILOŠ PEŠIĆ(Serbia)

Ms. MAJA JANJIĆ(Serbia)

Ms.SARA RADIVOJEVIĆ(Serbia)

Mr.NIKOLA REBIĆ (Serbia)

Menthors: Assistants:

RAFFAELLA COLOMBO (Italy)

MARCO GRASSI (Italy)

CLAUDIO S.TESTA (Italy)

JAMES HARTY (Danish)

RUŽICA BOGDANOVIĆ (Serbia) / MILOŠ MILOVANOVIĆ (Serbia)

ZORAN ĐUKANOVIĆ (Serbia)

ZORICA SAVIČIĆ (Serbia)

ZORAN DMITROVIĆ (Serbia)

UROŠ FIŠIĆ (Serbia)

JELENA IVANOVIĆ VOJVODIĆ (Serbia)

PREDRAG JOVANOVIĆ (Serbia)

BOŠKO DROBNJAK (Serbia)

ANDREJ ŽILIĆ (Serbia)

NATALIJA JOVANOVIĆ (Serbia)

TATJANA RADULOVIĆ (Serbia)

NATAŠA ČOLIĆ (Serbia)

NEVENA STEVANIĆ-POPOVIĆ (Serbia)

TIJANA BULAJIĆ (Serbia)

BORIS JAKOVLJEVIĆ (Serbia)


Places of interest

2

1 3

4 5

1. Faculty of Arts and Design, John Naisbitt University / 29 Bulevar Umetnosti, Novi Beograd

2. Arka Barka / Ušće bb, Park prijateljstva - floating hostel at Danube

3. Galerija Kolektiv / 53 Karadjordjeva Street, Belgrade

3. the 56th October Salon „The Pleasure of Love“ / 40b Resavska Street, Belgrade

4. Italian Culture Institute / 56 Kneza Milosa Street, Belgrade


The King Alexander Bridge*

Historic background

The King Alexander Bridge was a vehicle bridge on the river Sava, and was destroyed during the World War II. After

the war, on the place of the the old bridge, the new Brankov bridge was constructed.The construction started on

the July of 1930, and the bridge was completed in December of 1934.The Bridge was 474m long.

The bridge was supported by two reinforced concrete pillars in the Serbian- Byzantine style, while steel ropes held

the entire structure.The opening was spectacular.

The bridge was opened by the Prince Regent, Pavle Karadjordjevic , and on the opening day around 150,000 citizens

walked over the bridge. It was in many ways an historical day for Belgrade, Zemun, and Serbia.

owards the end of the construction of the bridge, King Alexander increasingly begun to think about the statues that

were supposed to be placed on the pylons of the bridge.Sculptor Ivan Mestrovic had the idea of four riders, two on

one pylon on both sides of the bridge.These horsemen were to be emperor Dušan and kings Tomislav,Tvrtko and

Peter I Karadjordjevic

The solution was dropped under pressure from various engineersand sculptors.

The construction of the King Alexander bridge was done by several companies and architects.Author of the pillars

of the bridge was the Russian architect Nikola Krasnov who designed many more famous buildings in Belgrade. The

German architect Milu initially did not like the Roman-Byzantine style of the pylons, on top of which his company “

Gutenhoffnungshiitte “ performed aniron construction of road crossings.

On the night between 11th and 12th April 1941 in the so-called April war, the bridge was blown up by the Royal

Yugoslav Army, in order to prevent Germans soldiers to enter Belgrade.

On the pillars of the old bridge, a new one was built in 1956, in the co-production ofYugoslav and the MAN Company

from the Federal Republic of Germany.

After the war the first trolleybus went from the old Belgrade to Zemun- until the year 1973.

In the fifties the city grew fast and the number of vehicles increased so the capacity of the bridge was insufficient. It

was necessary to add a new driveway.The bridge took its final form in 1979. when a new driveway was added to the

existing construction.The second half of the bridge is independent of the one that preceded it, and the impression

is created that there is one bridge, but in fact it consists of two structures.

Every day about 90.000 vehicles cross the bridge. Half of Belgrade’s every day cross Branko Bridge from the old city

to the new Belgrade. Everybody knows it as “Brankov “, associated to the name of the street that continues to the

city centre.


The King Alexander Bridge* Historic background

Faculty of Arts and Design, John Naisbitt University, Belgrade and Scuole di

Architettura AUIC e Design, Politecnico di Milano Organize


BELGRADE PUBLIC SPACES YACHT DESIGN

GROUP I Project: NEW SAVAMALA LANDSCAPE Students: Andrea Cazzarolli (Italian, Politecnico di Milano), Cai Jianming (Chinese, Politecnico di Milano), Isidora Todorović (Serbian, Faculty of Architecture, Belgrade University), Jan Szonert (Polish, KEA Kopenhagen), Marinela Marković (Serbian, Faculty of Arts and Design, University John Naisbitt), Miloš Pešić (Serbian, Faculty of Arts and Design, University John Naisbitt), Tan Li. (Chinese, Politecnico di Milano), Mentor: Prof dr Jelena Ivanović-Vojvodić Assistant: Natalija Jovanović The project New Savamala Landscape as a solution offers space with defined boundaries and amenities. It starts from an new landscape element - the hill below which the road passes, which also serves as an amphitheater. The cultural facilities are planed- Spanish house will become a digital art gallery, and the pylon will be a small exhibition space, which invites visitors to sit in the amphitheater and watch a movie or play. In addition to this there is the climbing wall, facilities for recreation with space for play, as well as a small cafe located upstairs. The project also treats the issue of ecological sustainability, the lighting is LED, with motion sensors, and rainwater is used for irrigation.

Projekat: NEW SAVAMALA LANDSCAPE Studenti: Andrea Cazzarolli (Italija, Politecnico di Milano), Cai Jianming (Kina, Politecnico di Milano), Isidora Todorović (Srbija, Arhitektonski fakultet Univerziteta u Beogradu), Jan Szonert (Poljska, KEA Kopenhagen), Marinela Marković (Srbija, Fakultet za umetnost i dizajn, Univerzitet John Naisbitt), Miloš Pešić (Srbija, Fakultet za umetnost i dizajn, Univerzitet John Naisbitt), Tan Li (Kina, Politecnico di Milano), Mentor: Prof dr Jelena Ivanović-Vojvodić Asistent: Natalija Jovanović Projekat pod nazivom New Savamala Landscape kao rešenje nudi prostor sa definisanim granicama i sadržajima. Počinje od novog elementa lendskejpa – brežuljka ispod koga prolazi put za automobile, a koji služi kao amfiteatar. Planirani su kulturni sadržaji – Španska kuća postaće paviljon digitalne umetnosti a stub mosta mala galerija, koja poziva posetioce da sednu u amfiteatar i pogledaju film ili predstavu. Pored ovoga paliran je i zid za penjanje, teren za rekreaciju sa prostorom za igranje, kao i mali kafe pozicioniran uz stepenište. Projekat pored funkcije tretira i pitanje održivosti, pa je osvetljenje led, koje se pali na senzore kretanja, a voda od kišnice se kolektuje i koristi za navodnjavanje.


Koncept


Digital art pavilion – Spanish house

Slope Amphitheatre – night view


Slope with cafe shop

Exhibition space


GROUP II Učesnici: Chen Xiaopeng (China, Pt. di Milano) Maja Janjić (Serbia, FUD) Karol Szmigielski (Polland, KEA Kop.) Andrija Martinović (Montenegro, Pol. di Milano) Milena Andrić ( Serbia, AF) Mentori: Prof. Zorica Savičić, Fakulteta za Umetnost i Dizajn, Univerziteta Džon Nezbit u Zoran Dmitrović galerija Kolektiv Asisteni: Marh Natalija Živulović Studenti su prostor tretirali kao svojevrsnu „kuću“ koja ima svoj krov (Brankov most) i zidove (pilon i veliko stepenište mosta). U svojim rešenjima su nastojali da kroz konceptualne zidove „kuće“ koji nedostaju ponude gradu jedan novi program koji bi privukao posetioce, prolaznike i oživeo ovaj nedovoljno iskorišćen i zaboravljeni urbani džep. Students treated the space as a kind of "house" with a roof (Branko's bridge) and walls (pilon and grand staircase of the bridge). In their solutions they sought to construct conceptual walls of a"house" that are missing, offering new programs that would attract visitors, passers and revive this forgotten and underutilized urban area.

Andrija Martinović (Montenegro, Pol. di Milano)

Maja Janjić (Serbia, FUD)


Chen Xiaopeng (China, Pt. di Milano)

Milena Andrić ( Serbia, AF)

Karol Szmigielski (Polland, KEA Kop.)


GROUP III Naziv rada: RAIN OF LIGHT

Učesnici: Eugenio Nuzzo (italy, Pt. di Milano) Marko Lukić (Serbia,Arh.Bgd) Henrikka Lotta Sofia Taipale (Finland, KEA Kop.) Yeqiu Yang (CHINA, Pol. di Milano) Sun Zhixing (China, POL. di Milano) Mentor: dipl.arh Marco Grassi , Scuola di Architettura AUIC e Design, Politecnico di Milano (italy) Asistenti: doktorand Nevena Stevanić Popović dipl.arh, master Fakultet Primenjenih umetnosti i Dizajna, doktorand Tatjana Vukosavljević, (studenti Fakulteta za umetnost i dizajn Jon Nezbit u Beogradu) U cilju urbanizacije, oživljavanja, povezivanja sa okolnim zonama, ne zaboravljajući na istorijski značaj terena na kojem se projekat radio, studenti okupljeni iz inostranstva i Srbije radili su timski i ponudili nam svoje rešenje na zadatu temu. Grupa III pod vodjstvom arhitekte Marka Grasija (Marco Grassi) sa Univerziteta Politekniko di Milano glavni akcenat su stavili na osvetljenje koje pored svoje svetlosne funkcije ima ulogu smernice kretanja pešaka ka reci, najkracim putem kroz sam stub Brankovog mosta. Idejno rešenje ove grupe nije se svelo samo na rasvetu. Oni su ponudili rešenje za kretanje lica sa posebnim potrebama, povezali su "čoveka" sa rekom, postavivši plato uz samu obalu koja nudi mogucnost i za sportski ribolov kao i za ostale korisnike koji nalaze njegovu upotrebnu funkciju.


GROUP IV

Naziv rada: WATER UNDER THE BRIDGE

Učesnici:

Marwah Abdulqader Salem Al- Sakkaf (Pol. di Milano)

Pinar Hascelik (Pol. di Milano)

Ignacy Radtke (KEA Kop.)

Marko Petrović (Arh. Bgd)

Ciaran O’Toole (KEA Kop.)

Mentor: Prof James Harty, PhD

Asistent: Nataša Čolić, PhD

Predloženo idejno rešenje ’’Water under the bridge’’ zasniva se na dva vodeća koncepta koja

podrazumevaju očuvanje kulturnog i spomeničkog nasledja Beograda, kao i podizanju ekološke

svesti gradjana. U cilju očuvanja i revitalizacije postojećeg kulturnog nasledja na lokaciji, tj.

Pilona Brankovog mosta i spomenika Nesvrstanima, idejno rešenje predlaze uvodjenje

vodopada, vodenih površina, popločanja, kao i zelenog pojasa izmedju spomenika i postojeće

gradjene sredine. Ovakve intervencije u prostoru imaju za cilj da vizuelno naglase vrednost

kulturnih dobara od izuzetnog značaja koji se nalaze na lokaciji, kao i da doprinesu podizanju

ekološke svesti korisnika uzevši u obzir lokacija trenutno predstavlja jedno od najzagušenijih

saobraćajnih čvorišta Beograda.

The two main concepts behind the sugested spatial intervention of the project ‘Water under

the Bridge’ relate to the need to protect and revitalize the existing cultural heritage of

Belgrade, as well as to raise ecological awareness of citizens. Hence, the project proposes

introduction of clear water in a form of waterfalls, special paving, water surfaces and green belt

into the existing landscape. These spatial interventions aim to highlight the significance of

preserving cultural heritage of Belgrade, as well as to visually and spatially enhance the

importance of Pilon of Branko’s Bridge and the Monument of Non-Aligned. Moreover, they aim

to affect the raise of ecological awareness within consumers of this space, if taken that the

location is characterized as one of the most congested areas of Belgrade.


‘Water under the bridge’ concept

‘Water under the bridge’ model


GROUP VI

Naziv rada: LE FIL ROUGE

Učesnici:

Kattan, Sarah Rita (Pol. di Milano)

ThuyLinh Nguyen (KEA Kop.)

Sretenović Dina (Arh. Bgd)

Ozcelik Ozge (Pol. di Milano)

Sener Gaye (Pol. di Milano)

Mentor: Prof Zoran Djukanović, PhD

Asistent: doktorant Predrag Jovanović, doktorant Boško Drobnjak

Predloženo idejno rešenje ’’Le fil rouge’’ ima za cilj da aktivira prostor ispod Brankovog mosta

kroz socijalnu interakciju zasnovanu na konceptu otvorenog pozorista. Popločanje u formi

crvenog tepiha povezuje priobalje i podmostovlje pešačkom zonom koja se zavrsava otvorenim

pozornicom i interaktivnom scenom. Ovaj projekat zasnovan je na ideji autora da revitalizuju

koncept mahale na datoj lolaciji, nasuprot trenutnoj nameni prostora kao jednog od glavnih

saobraćajnih čvorišta Beograda. S tim u vezi, projekat ’’Le fil rouge’’ ima za cilj da zadrži

prolaznike, bicikliste, starosedeoce i turiste na lokaciji podmostovlja, gde bi se ostvarila

interakcija izmedju razlicitih aktera u prostoru.

The proposed spatial intervention ’Le fil rouge’ aims to activate the space under the Branko’s

Bridge and by creating social interaction based on the open theatre concept. ’Red carpet’

paving is a pedestrian zone which connects waterfront with the space under the bridge. This

walk ends with the open theatre and an interactive scene. This project is based on joint idea to

revitalize the concept of ’mahalla’ or, vibrant residential settlement. This is different from the

current land-use of the space as one of the main traffic knots of Belgrade. Therefore, ’Le fil

rouge’ aims to inspire pedestrians, cyclists, indogeneus people as well as tourists to stay in this

space which creates interaction between the variety of actors.

Program - ’’Le fil rouge’’


Master plan ’’Le fil rouge’’

Model ’’Le fil rouge’’


Model ’’Le fil rouge’’


Yacht design




Luxury motor yacht BIBICH is a 2008 Peri 29m (94ft) with naval architecture by Bill Dickson and interior design by

Scaro Design. With luxurious accommodation for 8 guests this Peri 29 semi displacement motor yacht is available

for select charters in the Mediterranean.

BIBICH offers clean and modern lines and with 2 x MTU 1500 hp she is able to cruise at a speed of 24 knots and

approach a top speed of 30 knots.

“The thrill of a Peri yacht has to be experienced to be believed. It is a perfectly orchestrated blend of superior speed

and power with a sensation of limitless space and comfort. Bibich interprets luxury in a new way, for those who have

seen everything else and want more. Slicing through the water and recognisable by its sleek, aerodynamic lines, Bibich

boasts high performance with extraordinary speed with true stability and an absence of vibrations for a supreme

sense of navigating pleasure.”

Yacht Charter Accommodation

Guest Accommodation: 1 master cabin, 1 VIP cabin and further 2 twin cabins (with 2 single beds in each)


Yacht design




Type/Year: Peri 29/2008

L.O.A.: 28.75m (94’ 3”) Beam: 6.40m (20’ 11”)

Charter Guest: 8 Crew: 4

Cabins: 4 Max Speed: 30 knots

Cruise Speed: 24 knots Engines: 2 x MTU 1500 hp

Workshop partners: KEA Copenhagen School of Design and...

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