Works Cited

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    Works Cited

    Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin. The Empire Writes Back: Theory

    and Practice in Post-colonial Literatures. London: Routledge, 1989.

    Bigsby, C. W. E. Modern American Drama, 1945-1990. New York: Cambridge UP,

    1992.

    Bissiri, Amadou. Aspects of Africanness in August Wilsons Drama: Reading The

    Piano Lesson through Wole Soyinkas Drama. African American Review 30.1

    (1996): 99-113.

    Bloom, Harold, ed. August Wilson. Broomall: Chelsea House, 2002.

    Brockett, Oscar G. History of the Theatre. 6th ed. Boston: Allyn and Bacon, 1991.

    Brogan, Kathleen. American Stories of Cultural Haunting: Tales of Heirs and

    Ethnographers. College English 57.2 (1995): 149-65.

    Brustein, Robert. The Lesson of The Piano Lesson. New Republic 202 (1990): 28-

    30.

    Childers, Joseph, and Gary Hentzi, eds. The Columbia Dictionary of Modern Literary

    and Cultural Criticism. New York: Columbia UP, 1995.

    Clark, Keith. Black Manhood in James Baldwin, Ernest J. Gaines, and August Wilson.

    Chicago: U of Illinois P, 2002.

    Cohen, Robin. Global Diasporas: An Introduction. Seattle: U of Washington P, 1997.

    Crow, Brian and Chris Banfield. An Introduction to Postcolonial Theatre. Cambridge:

    Cambridge UP, 1996.

    Elam, Jr., Harry J. The Dialectics of August Wilsons The Piano Lesson. Theatre

    Journal 52 (2000): 361-79.

    Elkins, Marilyn, ed. August Wilson: A Casebook. New York: Garland, 2000.

    Ellison, Ralph. Shadow and Act. New York: Random House, 1964.

    Fanon, Frantz. Black Skin, White Masks. Trans. Charles Lam Markmann. New York:

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    Grove, 1967.

    ---. The Wretched of the Earth. New York: Grove, 1963.

    Fishman, Joan. Romare Bearden, August Wilson, and the Traditions of African

    Performance. May Your Fences Have Gates: Essays on the Drama of August

    Wilson. Ed. Alan Nadel. Iowa City: U of Iowa P, 1994. 133-49.

    Frith, Simon. Music and Identity. Questions of Cultural Identity. Ed. Stuart Hall and

    Paul du Gay. London: Sage, 1996. 108-27.

    Foucault, Michel. Nietzsche, Genealogy, History. Language, Counter-Memory,

    Practice: Selected Essays and Interviews. Trans. Donald F. Bouchard and Sherry

    Simon. Ithaca: Cornell UP, 1977. 139-64.

    Galens, David, ed. Drama for Students. Vol. 7. Detroit: Gale, 2000.

    Gilroy, Paul. The Black Atlantic: Modernity and Double Consciousness. London:

    Verso, 1993.

    ---. Diaspora and the Detours of Identity. Identity and Difference. Ed. Kathryn

    Woodward. London: Sage, 1997. 299-343.

    Hall, Stuart. Cultural Identity and Diaspora. Identity: Community, Culture,

    Difference. Ed. Jonathan Rutherford. London: Lawrence & Wishart, 1990. 222-

    37.

    ---. Old and New Identities, Old and New Ethnicities. Culture, Globalization and

    the World-system: Contemporary Conditions for the Representation of Identity.

    Ed. Anthony D. King. Minneapolis: U of Minnesota P, 1997. 41-68.

    ---. The Question of Cultural Identity. Modernity and Its Futures. Ed. Stuart Hall,

    David Held and Tony McGrew. Cambridge: The Open University, 1992. 273-

    325.

    Hill, Holly. Black Theatre into the Mainstream. Contemporary American Theatre.

    Ed. Bruce Alvin King. London: Macmillan, 1991. 81-96.

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    Hochschild, Jennifer L. Facing up to the American Dream: Race, Class, and the Soul

    of the Nation. Princeton: Princeton UP, 1995.

    hooks, bell. Representing Whiteness in the Black Imagination. Cultural Studies. Ed.

    Lawrence Grossberg, Cary Nelson, and Paula A. Treichler. New York:

    Routledge, 1992. 338-46.

    Jackson, Travis A. Jazz Performance as Ritual: The Blues Aesthetic and the African

    Diaspora. The African Diaspora: A Musical Perspective. Ed. Ingrid Monson.

    New York: Garland, 2000. 23-82.

    Kubitschek, Missy Dehn. August Wilsons Gender Lesson. May Your Fences Have

    Gates: Essays on the Drama of August Wilson. Ed. Alan Nadel. Iowa City: U of

    Iowa P, 1994. 183-99.

    Madden, David, ed. American Dreams, American Nightmares. London: Southern

    Illinois UP, 1970.

    Morales, Michael. Ghosts on the Piano: August Wilson and the Representation of

    Black American History. May Your Fences Have Gates: Essays on the Drama of

    August Wilson. Ed. Alan Nadel. Iowa City: U of Iowa P, 1994. 105-15.

    Morrison, Toni. Beloved. New York: Plume, 1987.

    Moyers, Bill. August Wilsons America: A Conversation with Bill Moyers.

    American Theatre 54 (1989): 13-17.

    Nadel, Alan, ed. May Your Fences Have Gates: Essays on the Drama of August

    Wilson. Iowa City: U of Iowa P, 1994.

    Pereira, Kim. August Wilson and the African-American Odyssey. Chicago: U of

    Illinois P, 1995.

    Pettengill, Richard. The Historical Perspective: An Interview with August Wilson.

    August Wilson: A Casebook. Ed. Marilyn Elkins. New York: Garland, 2000.

    235-54.

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    Plum, Jay. Blues, History, and the Dramaturgy of August Wilson. African American

    Review 27.4 (1993): 561-67.

    Powers, Kim. An Interview with August Wilson. Theatre 16.4 (1984): 50-55.

    Rocha, Mark William. August Wilson and the Four Bs Influences. August Wilson:

    A Casebook. Ed. Marilyn Elkins. New York: Garland, 2000. 3-16.

    Ross, Karen. Black and White Media: Black Images in Popular Film and Television.

    Cambridge: Polity, 1996.

    Shafer, Yvonne. August Wilson: A Research and Production Sourcebook. Westport:

    Greenwood, 1998.

    Shannon, Sandra G. Annotated Bibliography of Works and about August Wilson.

    May Your Fences Have Gates: Essays on the Drama of August Wilson. Ed. Alan

    Nadel. Iowa City: U of Iowa P, 1994. 230-66.

    ---. The Dramatic Vision of August Wilson. Washington, D.C.: Howard UP, 1995.

    ---. Subtle Imposition: The Lloyd Richards-August Wilson Formula. August Wilson:

    A Casebook. Ed. Marilyn Elkins. New York: Garland, 2000. 183-98.

    ---. A Transplant That Did Not Take: August Wilsons Views on the Great

    Migration. African American Review 31.4 (1997): 659-66.

    Werner, Craig. August Wilsons Burden: The Function of Neoclassical Jazz. May

    Your Fences Have Gates: Essays on the Drama of August Wilson. Ed. Alan

    Nadel. Iowa City: U of Iowa P, 1994. 21-50.

    Wilson, August. Joe Turners Come and Gone. August Wilson: Three Plays. Ed. Paul

    Carter Hsrrison. Pittsburgh: U of Pittsburgh P, 1991. 193-289.

    ---. Ma Raineys Black Bottom. New York: Plume, 1985.

    ---. The Piano Lesson. New York: Plume, 1990.