Working with Clay

11
Experiencing Clay Chapter 2

Transcript of Working with Clay

Page 1: Working with Clay

Experiencing Clay Chapter 2

Page 2: Working with Clay

Working with clayKnow thy clay

Properties:

Plasticity-aged clay is the best!

Shrinkage- know how much your clay shrinks when it dries and when it is fired.Thin and small pieces dry faster. Thicker and larger clay dries slowly

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Texture: Clay can range from very course to smooth clay. Grog is added to a clay body for large, thick pieces. A smooth clay body is good for wheel throwing and detail work

Moisture: Know how water affects your clay body. TOO MUCH WATER IS BAD!!!

Keep project hydrated with a light mist and covered in plastic

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Clay that looks dry but feels cold is still wet and will blow up in the kiln.

Handling Clay: Pay attention to how the clay feels.

How does the clay react to water? Raku gets mushy, cracks, and becomes course.

Preparing clay:

Wedging- to work out any air bubbles and to make the clay homogeneous.

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SAFTEY!!!

1. Wear protective clothing! Bring an apron and towel and was every week

2. Capture clay dust with water! Use a wet sponge to clean tables. NO DRY SWEEPING

3. Don’t eat in the studio. Clay dust is harmful to ingest.

4. Wear a dust mask or respirator. When sanding, scraping, or mixing dry clay wear a mask.

5.

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Important TermsStages of clay:

Leather hard- when the clay has lost some moisture and the clay body is the consistency of leather or cheese and can stand on its own. Still workable

Bone Dry- The clay is dry but unfired and is fragile at this state. Not malleable.

Bisque- After the first firing when moisture has been taken out of the clay body. The clay is still porous with no glaze.

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Greenware- unfired pottery or sculpture.

coil- a cord of clay.

pinch pot- a pot created my pinching the clay into a bowl shape.

Score- to rough up the surface of the clay to adhere two separate pieces together.

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Steps in Aesthetic scanning

Use these steps to scan- make a visual inventory of your impressions of a ceramic work. (Elements and Principles)

1. Sensory Qualities- Elements of design Shape and Form- organic geometric/ cylinder, cube, sphere, pyramid, ect..Line- thick, thin,tapering /zig zag, implied, diagonal, curving horizontal, vertical, parallel. Color-hue, value, intensity, shade, transparent, translucent, opaque, monochrome, polychrome.Space- positive, negative, enclosed, open, deep, shallow.Texture -rough, smooth, ridged, pebbly, grooved.

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2. Formal Qualities- Principles of designBalance- symetrical, asymetrical, radialUnity-Is there harmony?Proportion & Size - length, width, height, volume, weight, thickness.Movement & Rhythm- repeated elements Emphasis- an area that grabs your attention. Pattern - random or planned?

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3. Expressive Qualities- the feeling Mood- How do you describe the feeling you get from looking at the work?Tension- How do the sensory and formal qualities you’ve noted give you the sense of the clay work’s energy? Ideals- Sometimes work seems to express an ideal.

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Technical Qualities- How the clay was created. What materials and techniques

Clay- what type of clay body was used?Process- How was it formed?Decoration- What technique was used on the clay’s surface?Firing- how was it fired?