WMS40_mini2_QSG
2
description
WMS40_mini2_QSG
Transcript of WMS40_mini2_QSG
-
+ -
SR40PT40
HT40
5
6
6
7
5
8 910
Prin
ted
in C
hina
( P.R
.C.)
CONTENT PageControls 1Setting Up 2Operation 2Tips & Tricks 3Volume Configuration 3
Controls: SR40 - HT40 - PT401
Page 4 06/14/5043345
WMS40 mini dual Quick Start Guide
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1
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Page 1
www.akg.comAKG Acoustics GmbHLAXENBURGER STRASSE 254, 1230 VIENNA /AUSTRIA, PHONE: + 43 1 86654 0E-MAIL: [email protected]
tnos seuqitsirtcarac seC.eciton tuohtiw egnahc ot tcejbus snoitacificepSsusceptibles de modifications. Ci riserviamo il diritto di effettuare modifiche tecniche. Nos reservamos el derecho deintroducir modificaciones tcnicas. Especificaes sujeitas a mudanas sem aviso prvio.
Technische nderungen vorbehalten.
For other products and distributors worldwide visit www.akg.com
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Volume controlLautstrkereglerRgulateur de volumeRegulador de volumen
RF OK lights up if the receiver is receiving a sufficiently strong signal; RF OKwill not light up if a signal is not being received or the signal is too weakRF OK leuchtet, wenn der Empfnger ein Signal ausreichender Strkeempfngt; bei keinem oder zu schwachem Signal leuchtet RF OK nichtRF OK s'allume lorsque le rcepteur reoit un signal suffisamment puissant;en cas de signal absent ou faible, RF OK ne s'allume pasRF OK se enciende cuando el receptor recibe una seal lo bastante fuerte; sino hay seal o sta es muy dbil, el RF OK no se enciende
AF CLIP lights up if the audio level is too highAF CLIP leuchtet wenn der Audiopegel zu hoch istAF CLIP s'allume lorsque le niveau sonore est trop fortAF CLIP se enciende cuando los niveles de audio sondemasiado elevados
On/Off buttonEin/Aus TasteTouche Marche/ArrtTecla Con/Des
LED indicating readiness for operation and battery capacityKontroll-LED fr Betriebsbereitschaft und BatteriekapazittLED de contrle pour la disponibilit l'usage et la capacitdes pilesLED de control para la disponibilidad de servicio y lacapacidad de la batera
On/Off slide control with MUTE functionEin/Aus Schieberegler mit MUTE-FunktionRgulateur coulisse Marche/Arrt avec fonction MUTEConectar/Desconectar el fader con funcin MUTE
Mini-XLR input jackMini-XLR-EingangsbuchsePrise d'entre mini XLRClavija de entrada mini-XLR
Battery compartment coverBatteriefachdeckelCouvercle du logement des pilesTapa de la batera
Belt clipGrtelspangeClip ceintureHebilla de cinturn
GAIN potentiometer for adjusting the input levelGAIN Potentiometer zum Anpassen des EingangspegelsPotentiomtre de GAIN pour adapter le niveau d'entreGAIN Potencimetro para ajustar los niveles de entrada
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09/09/9100 U 13080 Page 3Page 2
2
ON
min. 3 - 5 m
Volume Configuration - Audio-Mixer5
Tips & Tricks4
Op
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21
21
< 35
< 5 c
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Tips & Tricks4
Tips & Tricks4
+
- 121
121
21
HIGH
LOW
Only for frequencies designed for use in the USA.(Receiver complies to Part 15, transmitter to Part 74):
This equipment has been tested and found to comply with the limits for a Class B digitaldevice, pursuant to Parts 74 and 15 of the FCC Rules. These limits are designed to providereasonable protection against harmful interference in a residential installation. Thisequipment generates, uses, and can radiate radio frequency energy and, if not installed andused in accordance with the instructions, may cause harmful interference to radiocommunications. However, there is no guarantee that interference will not occur in aparticular installation. If this equipment does cause harmful interference to radio ortelevision reception, which can be determined by turning the equipment off and on, the useris encouraged to try to correct the interference by one or more of the following measures:- Reorient or relocate the receiving antenna.- Increase the separation between the equipment and the receiver.- Connect the equipment into an outlet on a circuit different from that to which the receiver
is connected.- Consult the dealer or an experienced radio/TV technician for help.
Shielded cables and I/O cords must be used for this equipment to comply with the relevantFCC regulations.Changes or modifications not expressly approved in writing by AKG Acoustics may void theusers authority to operate this equipment.This device complies with Part 15 of the FCC Rules. Operation is subject to the followingtwo conditions: (1) this device may not cause harmful interference, and (2) this device mustaccept any interference received, including interference that may cause undesiredoperation.
FCC Statement:
Connect receiver to a balanced unbalanced input!Empfnger an symmetrischen asymmetrischen Eingang anschlieen!Brancher le rcepteur sur l'entre symtrique asymtrique !Conectar el receptor a la entrada simtrica asimtrica!
OR
ODER
OU
O
Connect receiver to the mains and insert batteries in the transmitter.Empfnger an das Netz anschlieen und Batterien in den Sender einlegen.Brancher le rcepteur sur le rseau et introduire les piles dans l'metteur.Conectar el receptor a la red y colocar las bateras en el emisor.
Connect instrument or microphone to the mini-XLR jack of the pocket transmitter.Instrument oder Mikrofon an den Mini-XLR-Stecker des Taschensenders anschlieen.Brancher l'instrument ou le microphone sur la fiche mini XLR de l'metteur du poche.Conectar el instrumento o micrfono en la clavija mini-XLR del emisor porttil.
Observe minimum distance between transmitter and receiver.Mindestabstand zwischen Sender und Empfnger beachten.Respecter la distance minimale entre l'metteur et le rcepteur.Respetar la distancia mnima entre el emisor y el receptor.
Switch on receiver and transmitter.Empfnger und Sender einschalten.Mettre en marche le rcepteur et l'metteur.Conectar el receptor y el emisor.
Green: battery is OK and transmitter is operational; Red: replace battery soon; Does not light up:replace battery nowGrn: Batterie ist ok und der Sender betriebsbereit; Rot: Batterie bald austauschen; keinAufleuchten: Batterie austauschenVert: la pile est oprationnelle et l'metteur prt l'usage; Rouge: remplacer bientt la pile;aucune lumire: remplacer la pileVerde: la batera est bien y el emisor est listo; Rojo: cambiar la batera pronto; ningndestello: cambiar la batera
In the case of microphones with a cardioid polar pattern, most sound attenuationoccurs at 180. These microphones should therefore preferably be used where thereis an interference noise source or a loudspeaker directly opposite the speaker.Holding the microphone less than 5 cm from your mouth will give your voice avoluminous and punchy quality.
Bei Mikrofonen mit einer nierenfrmigen Richtcharakteristik erfolgt die grteDmpfung des Schalls bei 180. Deshalb werden diese Mikrofone bevorzugteingesetzt, wo sich eine Strschallquelle oder ein Lautsprecher unmittelbargegenber dem Sprecher befindet. Ein Besprechungsabstand unter 5 cm verleihtIhrer Stimme einen voluminsen und bassbetonten Klang.
Quant aux microphones avec directivit cardiode, l'attnuation plus importante duson a lieu 180. C'est pourquoi ces microphones sont utiliss de prfrence l oune source de bruit sonore ou un haut-parleur se trouvent immdiatement en face decelle ou celui qui parle. Une distance du microphone de moins de 5 cm confre votre voix un son volumineux o les basses sont accentues.
En micrfonos con patrn polar cardioide se consigue un mayor amortiguamiento delas ondas a 180. Por eso es preferible utilizar estos micrfonos, en los que unafuente de perturbacin del sonido se encuentra justo en frente del locutor. Si habla amenos de 5 cm, su voz adquirir un tono voluminoso de bajos acentuados.
Adjust the input sensitivity on the PT40 pocket transmitter using the screwdriverincluded in the battery compartment cover:If AF CLIP lights up frequently, reduce the potentiometer setting on the PT40.
Eingangsempfindlichkeit am Taschensender PT40, mit dem im Batteriefachdeckelintegrierten Schraubendreher einstellen:Wenn AF CLIP hufig leuchtet, das Potentiometer am PT40 kleiner stellen.
Rgler la sensibilit d'entre de l'metteur de poche PT40 l'aide du tournevisintgr dans le couvercle du logement des piles :Si AF CLIP s'allume trop souvent, baisser le potentiomtre du PT40.
En el emisor porttil PT40, ajuste la sensibilidad de entrada con el destornilladorintegrado en la tapa de la batera:Si el AF CLIP se enciende frecuentemente, reduzca el potencimetro del PT40.
Never let more than 2 people sing into one microphone. The angle of incidenceshould never be more than 35!
Lassen Sie nie mehr als 2 Personen in ein Mikrofon singen. Der Einfallswinkel solltenie grer als 35 sein!
Ne laissez jamais chanter plus de 2 personnes dans un microphone. L'angled'incidence ne devrait jamais dpasser 35!
No deje que canten nunca ms de dos personas en el micrfono. El ngulo deincidencia nunca debe ser superior a los 35!
Adjust the audio level using the Volume control on the instrument you haveconnected. For best results we recommend using the highest possible input levelin order to obtain the best possible signal-to-noise ratio. However, even whensomeone is speaking loudly into the microphone you should take care to ensurethat the level indicator never moves into the red zone; failure to do so can result inunpleasant distortion. Carefully increase the input level until the level indicator isjust below the red zone.
Passen Sie den Audiopegel mit dem Volume-Button an Ihr angeschlossenes Gertan. Fr optimale Ergebnisse empfehlen wir einen mglichst hohen Eingangspegelum einen optimalen Signal-Rauschabstand zu erhalten. Beachten Sie jedoch, dassdie Pegelanzeige auch bei lautem Besprechen des Mikrofons nie in den rotenBereich gert, da es sonst zu unangenehm klingenden Verzerrungen kommenkann. Erhhen Sie den Eingangspegel vorsichtig bis die Pegelanzeige gerade nichtrot aufleuchtet.
l'aide du bouton du volume, adaptez le niveau sonore en fonction de l'appareilraccord. Pour des rsultats optimaux, nous recommandons un niveau d'entre leplus haut possible permettant d'obtenir un cart optimal entre signal et bruit.Veillez cependant ce que l'indicateur de niveau n'entre jamais dans la plagerouge, mme en parlant fort dans le microphone, car autrement des distorsionsdsagrables l'oue pourraient apparatre. Augmentez doucement le niveaud'entre au maximum sans pour autant faire passer au rouge l'indicateur deniveau.
Regule los niveles de audio con el botn de volumen en su equipo conectado. Paraunos resultados ptimos, le recomendamos unos niveles de entrada lo ms altosposible para conseguir la mejor relacin seal/ruido. Sin embargo, tenga encuenta que el nivel de audio nunca llega a la zona roja incluso aunque se hablealto en el micrfono, ya que de lo contrario puede provocar distorsiones quesuenen desagradables. Aumente los niveles de entrada con cuidado hasta que losniveles de audio dejen de encenderse de color rojo.
