WITH LINDSAY ADLER - LIBOR KRSEKliborkrsek.com/mvep/LindsayAdler_The_Dos_Donts_Posing.pdf · 2016....

POSING 101WITH LINDSAY ADLER

THE DO’S AND DON’TS OF POSING

CHAPTER SUBTITLE [IF APPLICABLE]

TITLE TITLE TITLE | 1

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nulla malesua-

da eget augue eget pretium. Mauris feugiat dolor et justo aliquet

congue. Sed vulputate, nisl sit amet pulvinar luctus, dolor turpis imperd-

iet enim, vel adipiscing dui nisl ut nibh. Donec vitae tellus eu sapien

fringilla vulputate sit amet in risus.

Mauris egestas porta venenatis. Vestibulum sed magna sed ligula conse-

quat accumsan sit amet ut nisi. Ut felis sem, suscipit in sagittis at, condi-

mentum in ante. Quisque velit magna, aliquam et fermentum blandit,

hendrerit eu arcu. Duis eget mattis risus. Quisque feugiat erat vel placer-

at iaculis. Curabitur et semper massa. Aenean laoreet vitae urna et

viverra.

Pellentesque sed ornare leo. Integer vitae lorem eget dui placerat fauci-

bus. Vivamus ullamcorper dignissim nisi a pulvinar. Nam pretium, urna

quis consectetur mattis, sapien justo condimentum diam, malesuada

molestie neque augue in mauris.

Suspendisse congue ipsum lectus, ut tristique nunc laoreet sodales. Sed

tincidunt placerat justo. Quisque porta quam eget ipsum rutrum, sed

mollis nunc convallis. Ut lacinia tellus a velit rhoncus, eget tempus purus

pretium. Nunc arcu diam, rutrum quis pellentesque vitae, tincidunt.





EBOOK TITLETITLE 2

1. Whatever is CLOSEST to the camera appears LARGEST

Whatever is FURTHEST from the camera appears SMALLEST

POSING 101THE DO’S AND DON’TS OF POSING

THE DO’S AND DON’TS OF POSING | 1

hips closest to camera

hips away from camera

don’t do

DON’T - Don’t have hips closest to camera

DO - Push hips back & away from camera













viverra.













EBOOK TITLETITLE 2

2. FORESHORTENING



elbow toward camera elbow down

don’t do

DON’T - Have elbow straight out towards camera

DO - Have elbow down













viverra.













EBOOK TITLETITLE 2

2. FORESHORTENING



elbow toward cameraelbow to the side,beware of armpits

don’t do

DON’T - Have elbow straight out towards camera

DO - Have elbow to the side but beware

of armpits













viverra.













EBOOK TITLETITLE 2

2. FORESHORTENING



fingers toward camera,elbow away

fingers up, down or

across body

don’t do

DON’T - Have fingers toward camera with elbows

pulled straight back/away from camera

DO - Have fingers up, down or across body

with elbow angled to the side













viverra.













EBOOK TITLETITLE 2

3. CAMERA ANGLE



ANGLE: below ANGLE: above

ANGLE: BELOW - When you want to make subject look

tall & powerful, shoot at a lower angle

ANGLE: ABOVE - Sometimes it’s nice to shoot at

a higher angle above subject to

accentuate their best feature













viverra.













EBOOK TITLETITLE 2

3. CAMERA ANGLE

* Effects of camera angle are more pronounced with wider lens when

you are closer to your subject



stomach knee standing elevated

4-5 Feet, 50mm lens













viverra.













EBOOK TITLETITLE 2

3. CAMERA ANGLE



standing 15 Feet, 200mm lens

laying15 Feet, 200mm lens

STANDING -

15 Feet,

200mm Lens

LAYING -

15 Feet,

200mm Lens













viverra.













EBOOK TITLETITLE 2

3. CAMERA ANGLE

* Whether a pose is “right” often depends on camera angle



below eye level eye level

above eye level

elongates neck,

emphasizes chin

proportionalemphasizes eyes/forehead, shortens

neck

CAMERA BELOW

EYE LEVEL

Elongates neck,

emphasizes chin

CAMERA AT

EYE LEVEL

Proportional

CAMERA ABOVE

EYE LEVEL

Emphasizes

eyes/forehead,

shortens neck













viverra.













EBOOK TITLETITLE 2

4. LENS CHOICE

* Compression

- A wide lens exaggerates distance

(things look further apart, distance increases)

- A long lens flattens distance

(things look closer together, distance decreases)



compressing the scene

70mm 180mm













viverra.













EBOOK TITLETITLE 2

4. LENS CHOICE

* Compressing a Face

General guideline: When shooting a tight headshot, don’t shoot any

wider than with a 70mm lens on a full frame camera because you can

start seeing distortion.



24mm 50mm 85mm 200mm













viverra.













EBOOK TITLETITLE 2

5. POSTURE

* Elongate

* Pull up through your spine & top of your head

* Never slouch



don’t do

relaxed, curved spine elongated back and neck

DON’T - Have a relaxed, curved spine

DO - Have an elongated back and neck













viverra.













EBOOK TITLETITLE 2

5. POSTURE



slouching, too relaxed













viverra.













EBOOK TITLETITLE 2

5. POSTURE



relax shoulders, good posture

upright bend forward lean forward













viverra.













EBOOK TITLETITLE 2

6. CROPPING

* In camera, crop at a narrowing point of subject’s body

(waist or above the knees)















viverra.













EBOOK TITLETITLE 2

6. CROPPING

* Avoid cropping negative space in mid-length

* Avoid cropping at joints or ends of appendages















viverra.













EBOOK TITLETITLE 2

6. CROPPING

* Do not crop at wrists, elbows, ankles, knees, finger tips



WITH LINDSAY ADLER - LIBOR KRSEKliborkrsek.com/mvep/LindsayAdler_The_Dos_Donts_Posing.pdf · 2016....

Documents

Transcript of WITH LINDSAY ADLER - LIBOR KRSEKliborkrsek.com/mvep/LindsayAdler_The_Dos_Donts_Posing.pdf · 2016....