William Shakespeare

35
William Shakespeare Widely regarded as the greatest writer in English Literature

description

William Shakespeare. Widely regarded as the greatest writer in English Literature. Shakespeare. 1564-1616 Stratford-upon-Avon, England wrote 37 plays about 154 sonnets started out tending horses of theater patrons (parking cars) Later served as an actor. Stage Celebrity. - PowerPoint PPT Presentation

Transcript of William Shakespeare

Page 1: William Shakespeare

William Shakespeare

Widely regarded as the greatest writer in

English Literature

Page 2: William Shakespeare

Shakespeare•1564-1616•Stratford-upon-Avon, England•wrote 37 plays•about 154 sonnets•started out tending horses of

theater patrons (parking cars)•Later served as an actor

Page 3: William Shakespeare

Stage Celebrity

•Actor for Lord Chamberlain’s Men (London theater co.)

•Also - principal playwright for them

•1599 - Lord Ch. Co. built Globe Theater where most of Sh. Play’s were performed

Page 4: William Shakespeare

Shakespeare wrote:

•Comedies•Histories•Tragedies

Page 5: William Shakespeare

Macbeth•Written between 1603 and 1607 (normally said 1606) (Wikipedia)

•Considered a tragedy•Throne of Blood Japanese rendition

•Lots of blood!

Page 6: William Shakespeare
Page 7: William Shakespeare

The Theater•Plays produced for the general public

•Roofless - open air•No artificial lighting•Courtyard surrounded by 3 levels of galleries

Page 8: William Shakespeare

Spectators

•Wealthy got benches•“Groundlings” - poorer people stood and watched from the courtyard (“pit”)

•All but wealthy were uneducated/illiterate

•Much more interaction than today

Page 9: William Shakespeare

Staging Areas

•Stage - platform that extended into the pit

•Dressing & storage rooms in galleries behind & above stage

•second-level gallery - upper stage famous balcony scene in R & J

•Trap door - ghosts•“Heavens” - angelic beings

Page 10: William Shakespeare

Shakespeare’s Theater

Page 11: William Shakespeare

How about a little love?

Note to Nasir: 1:32 – 1:35

Page 12: William Shakespeare

Chicago Shakespeare Theater

Page 13: William Shakespeare

Differences

•No scenery•Settings - references in dialogue

•Elaborate costumes•Plenty of props•Fast-paced, colorful - 2 hours!

Page 14: William Shakespeare

Actors•Only men and boys•Young boys whose voices had not changed play women’s roles

•Would have been considered indecent for a woman to appear on stage

Page 15: William Shakespeare

Evolution of English

'Fæder ure þuþe eart on heofonum si þin nama gehalgod tobecume þin rice gewurþe þin willa on eorðan swa swa on heofonum urne gedæghwamlican hlaf syle us to dæg and forgyf us ure gyltas swa swa we forgyfað urum gyltendum and ne gelæd þu us on costnunge ac alys us of yfele soþlice.'

Page 16: William Shakespeare

Evolution of English (cont.)

• 'Oure fadir þat art in heuenes halwid be þi name; þi reume or kyngdom come to be. Be þi wille don in herþe as it is dounin heuene. yeue to us today oure eche dayes bred. And foryeue to us oure dettis þat is oure synnys as we foryeuen to oure dettouris þat is to men þat han synned in us. And lede us not into temptacion but delyuere us from euyl.’

Page 17: William Shakespeare

Evolution of English (cont.)

• 'Our father which art in heaven, hallowed be thy name. Thy kingdom come. Thy will be done in earth as it is in heaven. Give us this day our daily bread. And forgive us our debts as we forgive our debters. And lead us not into temptation, but deliver us from evil.'

Page 18: William Shakespeare

Elizabethan Words

•An,and: If•Anon: Soon•Aye: Yes•But: Except for•E ’en: Even•E ’er: Ever

Page 19: William Shakespeare

Words (cont.)•Haply: Perhaps•Happy: Fortunate•Hence: Away, from her

•Hie: Hurry•Marry: Indeed

Page 20: William Shakespeare

Words (cont.)

•Whence: Where•Wherefore: Why•Wilt: Will, will you•Withal: In addition to

•Would: Wish

Page 21: William Shakespeare

Tragedy (Shakespearean)

• Drama where the central character(s) suffer disaster/great misfortune– In many tragedies, downfall

results from…

•Fate•Character flaw/Fatal flaw•Combination of the two

Page 22: William Shakespeare

Theme

•Central idea or•Insight about life which explains the downfall

Page 23: William Shakespeare

Round characters

•Characters who have many personality traits, like real people.

Page 24: William Shakespeare

Flat Characters

•One-dimensional, embodying only a single trait–Shakespeare often uses them to provide comic relief even in a tragedy

Page 25: William Shakespeare

Static Characters

•Characters within a story who remain the same. They do not change. They do not change their minds, opinions, or character.

Page 26: William Shakespeare

Dynamic Character

•Characters who change somehow during the course of the plot. They generally change for the better.

Page 27: William Shakespeare

Monologue•One person speaking on stage; may be other character on stage too–Ex. The Prince of Verona commanding the Capulets and Montagues to cease feuding

Page 28: William Shakespeare

Soliloquy•Long speech expressing the thoughts of a character alone on stage. –In R & J, Romeo gives a soliloquy after the servant has fled and Paris has died.

Page 29: William Shakespeare

Aside

•Words spoken, usually in an undertone not intended to be heard by all characters

Page 30: William Shakespeare

Pun•Shakespeare loved to use them!!!–Humorous use of a word with two meanings - sometimes missed by the reader because of Elizabethan language and sexual innuendo

Page 31: William Shakespeare

Direct Address•Words that tell the reader who is being addressed:

•“A right fair mark, fair coz, is soonest hit.”

•“Ah, my mistresses, which of you all/ Will now deny to dance?”

Page 32: William Shakespeare

Dramatic Irony

•A contradiction between what a character thinks and what the reader/audience knows to be true

Page 33: William Shakespeare

Verbal Irony

•Words used to suggest the opposite of what is meant

Page 34: William Shakespeare

Situational Irony

•An event occurs that directly contradicts the expectations of the characters, the reader, or the audience

Page 35: William Shakespeare

Comic Relief•Use of comedy within literature that is NOT comedy to provide “relief” from seriousness or sadness.

•In R & J, look for moments of comic relief that help “relieve” the tragedy of the situation