Auditory perception classes: critical bands/auditory filters
"Will you play upon this"? Designing auditory displays for Early Modern drama, part 1
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Transcript of "Will you play upon this"? Designing auditory displays for Early Modern drama, part 1
17 November 2015
Digital Manuscripts Toolkit: MS. Bodl. Or. 133, f. 7b
Bodleian First Folio
Supplied by Royal Archive © HM Queen Elizabeth II 2012
“Will you play upon this?”: Designing auditory displays for Early Modern drama
Iain Emsley & Pip Willcox
Welcome!
10.30 Welcome and introductions10.40 Introduction to the texts10.50 Introduction to sonification and the story so far11.05 Break-out groups 11.45 Break12.00 Break-out groups resume12.15 Feedback from groups12.30 Roundtable discussion13.00 Close
Centre for Digital Scholarship
#sonification
Centre for Digital Scholarship
Shakespeare Quartos Archive
Origins: images of pre-1642 quarto editions of Shakespeare’s plays
http://quartos.org/JISC/NEH Transatlantic Digitization Collaboration Grant
#sonification
Centre for Digital Scholarship
Shakespeare Quartos Archive
Folger, STC 22279, copy 5
<l>With all my imperfections on my head.</l> <l><add place=“margin-left” hand=“#af” type=“intervention” resp=“#fol”>Ham</add>Oh horrible, O horrible, most horrible,</l><l>If thou hast nature in thee beare it not,</l>
#sonification
Centre for Digital Scholarship
Shakespeare Quartos Archive
Folger, STC 22279, copy 5
<l>With all my imperfections on my head.</l> <l><add place=“margin-left” hand=“#af” type=“intervention” resp=“#fol”>Ham</add>Oh horrible, O horrible, most horrible,</l><l>If thou hast nature in thee beare it not,</l>
<delSpan> surrounding the original <l><anchor> (for the <delSpan>)
<addSpan>
closing </sp> (speech)
opening <sp>
opening <speaker> with its associated attributesthe line, in its entiretysecond closing </sp>
<anchor> (for the <addSpan>)
opening <sp> (to reopen the printed speech)
opening <speaker> (to repeat the original speaker)
#sonification
Centre for Digital Scholarship
Shakespeare Quartos Archive
Folger, STC 22279, copy 5
<l>With all my imperfections on my head.</l> <l><add place=“margin-left” hand=“#af” type=“intervention” resp=“#fol”>Ham</add>Oh horrible, O horrible, most horrible,</l><l>If thou hast nature in thee beare it not,</l>
<delSpan> surrounding the original <l><anchor> (for the <delSpan>)
<addSpan>
closing </sp> (speech)
opening <sp>
opening <speaker> with its associated attributesthe line, in its entiretysecond closing </sp>
<anchor> (for the <addSpan>)
opening <sp> (to reopen the printed speech)
opening <speaker> (to repeat the original speaker)
#sonification
Centre for Digital Scholarship
Bodleian First Folio#sonification
Wel
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Centre for Digital Scholarship
Bodleian First Folio#sonification
Pip
Will
cox
Bod
leia
n L
ibra
ries
Centre for Digital Scholarship
Bodleian First Folio#sonification
http
://s
hake
spea
re.b
odle
ian.
ox.a
c.uk
Centre for Digital Scholarship
Bodleian First Folio#sonification
http
://fi
rstfo
lio.b
odle
ian.
ox.a
c.uk
Centre for Digital Scholarship
Bodleian First Folio#sonification
http
://fi
rstfo
lio.b
odle
ian.
ox.a
c.uk
✦ Further generous donations
✦ Text Encoding Initiative P5 compliant, XML-encoded digital texts
✦ Transcribed by a keying company
✦ With surprises
✦ Act & scene divisions, names; proofed, checked & enriched encoding
Othello, V ii, Histories, p. 337
Centre for Digital Scholarship
Bodleian First Folio#sonification
✦ Publication of searchable full texts of the First Folio
✦ Use and reuse: Creative Commons Attribution Only (CC BY 3.0)
✦ Collaboration: IT Services consultation
✦ Oxford e-Research Centre
✦ Open source software
✦ Sonnet social machine
✦ Sonification…