Why does future internet need e-Culture?
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Why does Future Internet
need e-Culture?Artur Serra
Fundació i2cat
TEIN3, KAIST October 20-21 2010
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1. Old and new Internet
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The Internet of technologists and scientists
First Internet generation: – Internet of technologists and scientists.– The English only Internet– few people using high bandwitdh, – many people using low bandwitdh.– Science and technology are based in
universities
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The Internet of Arts and Cultures
Current Internet: Music and video overflow the Net.The Internet of languages.Many people using high bandwidthMany people can experiment with high bandwidthArts and media contents are coming mostly from
outside of Universities and research centers
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e-ArtsDigitalization of traditional arts
(Performing arts Cultural heritage,...)
New forms of art
Performance art,Videoart, Netart,videogames, serious games,...
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Internet evolution from cultural anthropology
1st. 1970s-80s The Internet of the computer scientists and technological people ( email,ftp,telnet,...) (6 M people)
2nd. 90s-2010s The Internet of scientists and literated people. ( WWW, Grid, Blogs, Wikipedia...). (1000 M people)
3rd. 2010s-2030s The Internet of artists and vocal and visual communities. (VoIP, HD,videoconf,...) (6.000 M people)
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Future Internet and Arts
eScienceComputation:
Supercomputació/GRIDs/Clouds
eArts, eCulturesMedia:
HD/3DVideo/Visualization/Telepresence
Research Networking: Lambda Networking,4G...
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After 500 yearsThe Leonardo's
Dream
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2. Different approachesto the Internet of Arts and Cultures
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a). The University approach.(1995-...)
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Internet 2, Arts and Humanities Initiatives at
Universities 1998. Seattle
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Characteristics
Leadership from Fine Arts schools from Universities.
Performing ArtsUniversity to University communicationMaster classes,Interactive demonstrations,Relatively low bandwidth (around 100 mbps)Strong support from IT academic services
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Dança TelemàticaUniv. BahiaProf. Ivani SantanaRNP
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b). The Technologist's Approach
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CINEGRID (2006)
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Cinegrid
Visionary approach from technology Technology push: more bits, more bandwidth,
“very high quality media over photonic networks”Virtual reality, telepresence, 4k,8k and beyondStrenght in scientific visualization.Cinegrid Exchange: Amsterdam, Chicago,
Monterey, Prague, San Diego, Tokyo, and Toronto
Interest from technological companies
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c). The Community Approach
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HD Dancing Q from Seoul to Mercat de les Flors in Barcelona. 2005
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Characteristics
Universities should agree with cultural centers outside campuses.
Opening up the NREN to cultural centersPerforming Arts initially. Cultural Heritage
follows...Master classes, cultural performances from
cultural centers to universitiesSupport from Ministries of Culture.
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The Anella Cultural, the Cultural Ring
Catalonia, Spain (2006-2008)
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The user-driven innovationto Internet of arts
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The team
Sponsors
Aj.Barcelona
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La Anella CulturalThe Cultural Ring
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La Xarxa Transversal: a network of cultural programmers in cities
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1. Connecting their cultural centers
Gran Teatre del Liceu
Teatre Bartrina - Reus
Teatre de l’Escorxador - Lleida
Teatre Principal - Olot
Teatre Monumental - Mataró
•IP network, from 5Mbps to 1Gbps symmetrics
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2. Transforming into media studios
• 2 portable PCs• 1 audio card• 1 HD projector• Power amplifier• Audio system. • Audio mixer. • Sony Anycast station
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3. Sharing cultural events
Poetry festivals
Guided tours
Master Class
Workshops
Courses
Conferences
Artistic performances
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“Difussion is where technology offers major opportunities to the opera in the XXI century” J. Matabosch.
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Exploring new art formatsMetamembrana 2008,
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Marcel.lí Antunez
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Exploring new educational programsMusicLab (Citilab 2009)
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The main lesson: sharing
muldirectional communication between cultural centers
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http://portal.ac.i2cat.net:8080/MediaTeca/index.htm
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Anilla CulturalLatinoamerica-Europa
2009-2010...
Dirección de contenidos: Dirección tecnológica
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Opening RNs in LA and Europe for Arts and Media experiments
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Participants
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Collaborating institutions
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Next steps...
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Europe-Asia Cultural Ringon Performing Arts and Cultural Heritage