Welcome to Cine Gear 2017! · Welcome to Cine Gear 2017! It is with great excitement that we...

3www.cinegearexpo.com2 www.cinegearexpo.com

Welcome to Cine Gear 2017!

It is with great excitement that we welcome you to the 22nd Annual Cine Gear Expo at Paramount Pictures Studios in the heart of Hollywood, California, USA.

Cine Gear Expo presents the single biggest opportunity for artists and technicians in the moving image industry to converge, learn and discuss their latest innovations and share industry news while enjoying the ambiance of Hollywood’s oldest and most historic studio lot. Members of the entertainment industry view Cine Gear as the must attend event of the year for maximum exposure and impact.

NEWS there will be! We expect several groundbreaking equipment announcements to take place during the expo.

On June 1, the event begins with the Film Competition Finalist Screenings of Student Shorts, Independent Shorts and the Commercial/Music Video segment. The following day winners are announced during the VIP Awards Reception on Friday night, June 2 and will walk away with grand prize packages from our generous sponsors. Also during the VIP affair, Cine Gear Expo will present the Legacy Lifetime Achievement Award and the Technical Lifetime Achievement Award for outstanding contribution to the art and science of filmmaking.

The Exhibition opens Friday, June 2 and continues through Saturday, June 3 with an extraordinary group of vendors and manufacturers who will show their up-to-the-minute tools to enhance creative works and make challenging jobs smoother.

Our exhibit space grew to FIVE areas which include indoor locations on Stages 2, 14 and 15. Outdoor exhibits take place on the beautiful NY Streets and enjoy our new B Tank at the gateway to NY Streets. Here a 360 experience awaits you! On June 2 and 3, more than 30 complimentary seminars, panels and screening organized by companies and associations are held in three theaters: The Paramount, Sherry Lansing and Screening Room 5. Learn from the very best in the industry who will share their mastery of skills.

As part of the Cine Gear Expo action, watch live streaming on

show days in both 2D and 360. Visible at www.cinegearexpo.com and our Facebook and YouTube channels.

Keeping with Cine Gear tradition, watch an Advanced Screening of Le Ride with Special Guest Phil Keoghan, 7pm – 10pm | Friday, June 2, 2017 in the Paramount Theater. Admission is complimentary. Seating is limited.

On June 4, two sold out Lighting Workshop Master Classes take place with talented cinematographers who will demonstrate and share their works and enthusiasm for their craft.

Since its first opening in 1996, Cine Gear Expo has become a truly dynamic educational and interactive company dedicated to the power of filmmaking.

Cine Gear does all this on behalf of the industry manufacturers, guilds, organizations and filmmakers. We congratulate all the innovators who entered their new products into the Technical Awards this year.

We thank our Exhibitors, Sponsors, Associations, Guilds, Judges and Production teams for their year-round work and support.

Enjoy the show.

Sincerely,

Juliane Grosso and Karl Kresser

CW Sonderoptic GmbHWetzlar, Germany | Los Angeles, USA

www.cw-sonderoptic.com

[email protected]

See the big picture at Cine Gear booth 61

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The new Blackmagic URSA Mini Pro is the world’s fi rst digital fi lm camera with the features

and controls of a high performance broadcast camera!

Interchangeable Lens MountsWith URSA Mini Pro, you get a single camera that works with virtually all professional lenses! You can work with high quality EF photographic lenses, large PL cinema lenses, and even B4 HD broadcast lenses, all with the same camera! URSA Mini Pro comes with an EF mount and you can purchase optional PL and B4 lens mounts separately.

Record to C-Fast or SD CardsYou get both dual C-Fast 2.0 and dual SD/UHS-II SD card recorders so you can choose the media that works best for you. C-Fast cards are ideal for full resolution RAW recording, while common, inexpensive SD cards are perfect for ProRes or RAW HD. With non-stop recording, when one card is full recording automatically continues onto the next!

The new URSA Mini Pro is a true digital fi lm camera with a 4.6K image sensor, 15 stops of dynamic range and a wide color gamut that delivers amazingly rich skin tones, natural color response and incredible detail. You also get built in ND fi lters, dual C-Fast and SD card recorders, an interchangeable lens mount and more! URSA Mini Pro works in both fi lm and video modes, so it’s perfect for digital fi lm or broadcast use all while delivering better image quality!

Built in ND FiltersBuilt in ND fi lters with IR compensation reduce the amount of light entering the camera. The fi lters are designed to match the colorimetry of the camera, providing additional latitude so you can use diff erent aperture and shutter angle settings for shallower depth of fi eld, and specifi c levels of motion blur even in bright conditions.

Powerful Features and ControlsLike the world’s best broadcast cameras, URSA Mini Pro features tactile control buttons, switches, knobs and dials on the side of the camera, giving you direct access to important settings. They’re laid out logically, making them easy to remember so you can change settings without having to look at the buttons or take the camera off of your shoulder! Plus, every control is redundant!

BlackmagicURSA Mini Pro$5,995

automatically continues onto the next!

Includes DaVinci Resolve 12 Studio for editing and color correction.

Viewfi nder, lens and accessories shown, can be purchased separately.

Learn more at www.blackmagicdesign.com Booth S226

6 www.cinegearexpo.com

Marvel Studio’s Guardians of the Galaxy Vol. 2 exploded into theaters worldwide last month picking up where Guardians of the Galaxy ended. The first film was 2014’s highest grossing movie of the summer. The sequel continues the adven-tures of Peter Quill/Star-Lord (Chris Pratt) and his unconventional crew doing mercenary mis-sions in the aftermath of the recognition they received for saving Xandar.

James Gunn returns as writer-director on Guardians of the Galaxy Vol. 2, which was pho-tographed by Henry Braham, BSC. While the first Guardians was shot entirely in the United Kingdom, production for the second install-ment shifted to Pinewood Atlanta Studios in Fayeteville, Georgia. The studio has become the largest complex in the U.S. outside of Hollywood. “We needed very big soundstages because our sets were very large, even though a lot of the film is CGI,” explains Gunn. “I like to have as many practical sets as we can and make the environments as real as possible so it bal-ances out the CGI elements.”

Gunn had a vision for the look of the film. “I came into the first Guardians with a very clear idea of exactly what the visuals would be and I did the same thing for this film,” he says. “I really wanted it to be inspired by the look of early pulp novels, 1950s and 1960s, science fic-tion, old pulp stuff, old Wally Wood art and both the original Flash Gordon and the 1980s Flash Gordon. That’s the heart of where my inspiration came from.”

Braham was on board to help Gunn craft the story. Guardians of the Galaxy Vol. 2 is the first feature film captured with the ground-breaking WEAPON camera using

the 8K RED DRAGON VV sensor. “What is brilliant about it, is that’s its completely coun-terintuitive. It’s a large-format camera, yet it’s tiny,” notes Braham. “Modern day filmmaking is about being very, very fluid and very flexible, and it’s about responding to the moment.”

“The image quality of the RED WEAPON combined with the usability—there’s no camera that looks better out there,” Gunn adds. “And today were talking about being able to create a look and quality to film that’s never been able to be created before. It really is about creating something new. And I think from the beginning of Guardians of the Galaxy, we wanted to create something new.”

Gunn wanted Vol. 2 to look a bit different from the first movie. “It has a very broad color palette, but I think we’re a little bit more con-tained and a little bit more controlled than we were in the first film. We made more distinct choices regarding the different locations and ex-actly what colors we’re using. I also think we’re taking advantage of the grand space-scapes that we have. We’re taking our time with some of these things more than we did on the first movie and we’re soaking in the beauty of it.”

Ultimately, Gunn wants to give audiences something they will look back on and remem-ber. “At the core of the film, the Guardians are a group of outsiders who come together and find a way to make it work. I think that’s what speaks to such a wide array of people. It’s a great feeling when kids come up and say they loved the film and that their parents and grandparents loved it as well. These characters were able to connect to all generations around the world from Thailand to South America to London.”

BrinGinG Guardians of the Galaxy Vol. 2 to Cinema sCreens


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leefi lters.com

Our ProGlass Cine range of neutral-density fi lters has been designed to meet the exacting needs of all cinematographers – whether shooting digitally or on fi lm. Their neutrality ensures all colors remain accurate and true, saving you time and simplifying your workfl ow.

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2017 Technical Lifetime Achievement Award Recipient

LEE Filters is honored to have been selected as the recipient of the Cine Gear Expo 2017 Technical Lifetime Achievement Award, in recognition of the signifi cant contributions the company has made to advancing the art and craft of fi lmmaking.

7167 LFUS Cinegear award ad - 8.5x11".indd 1 15/05/2017 09:29

Given the recent trend toward large for-mat production and professional cinema-grade cameras, the choice of lenses has become an incredibly important creative decision. According to filmmakers, today’s larger camera sensors produce a more immersive experience. That’s believed to be due to changes in optics and lens geometry required to cover the larger area, which results in depth and angle-of-view cues that are close to human vision.

Recent feature films shot in digital large for-mat include Doctor Strange (shot by Ben Davis, BSC), Rogue One: A Star Wars Story (Greig Fraser, ACS, ASC), Assassin’s Creed (Adam Arkapaw, ACS), Passengers (Rodrigo Prieto, ASC, AMC), Live By Night (Robert Richardson, ASC), Ghost in the Shell (Jess Hall, BSC), and Guardians of the Galaxy Vol. 2 (Henry Braham, BSC). Joining the list are the upcoming Okja (Darius Khondji, AFC, ASC), Robin Hood: Origins (George Steel), Can you Ever Forgive Me (Brandon Trost), as well as Bright (Roman Vasyanov) for Netflix.

For Rupert Sanders’ Ghost in the Shell, Hall says he carefully studied anime with the goal of translating the nuanced colors of that look to the screen. “I needed very high-speed lenses because I was going to be shooting in Hong Kong at night,” says Hall. “In experimenting with the 65mm camera, I realized that the inherent com-

pression of the large format effectively flattens the perspective of a wide-angle lens, which was perfect for the anime aesthetic and suited my own sensibilities. The (Panavision) Sphero’s were the perfect complement providing what I was looking for in terms of texture.”

Prieto combined large-format sensors and lenses for director Morten Tyldum’s sci-fi journey Passengers. After shooting extensive tests, he ul-timately used Panavision Primo 70 lenses. “They maintained the resolution of the big formats,” says Prieto. “I was able to open up the lens to T2 or T2.8, and the fall-off and shallow depth of field was really beautiful. It made a very pristine image with high resolution, and yet it had a soft-ness – a more romantic image, in a way.”

On Ben Affleck’s Live By Night, Richardson used Super Panavision 70 and Sphero 65 lenses. “These vintage lenses had a soft and creamy pa-tina that mixed beautifully with the attributes of the (large sensor) camera,” says Richardson. “I was continually surprised by the quality of what we captured, and much was due to the lenses and body.”

As filmmakers continue to paint a visual canvas with bigger impact, the large format film-making trend is expected to continue, titillating audiences with images that are etched in cinema for years to come.

larGe format filmmakinG trend GroWs


www.studioair.com

Based on the hit musical, Million Dollar Quartet, CMT’s Sun Records tells the untold story of the birth of rock ‘n’ roll. The limited eight-episode series profiles the emergence of legendary musicians Johnny Cash, Elvis Presley, Carl Perkins and Jerry Lee Lewis during a time of political change and social unrest. Sun Records’ all-star cast features Chad Michael Murray (Sun Records founder Sam Phillips), Billy Gardell (Colonel Tom Parker), Drake Milligan (Elvis Presley), Kevin Fonteyne (Johnny Cash), Christian Lees (Jerry Lee Lewis), Kerry Holliday (Ike Turner), Dustin Ingram (Carl Perkins), and more.

The series was directed by Roland Joffé (The Killing Fields, The Mission) and shot by cinematographer William Wages, ASC (Containment, Revolution) with Panasonic VariCam LT 4K cinema cameras in Memphis Tennessee. For Wages, shooting the 1950s-pe-riod was his most difficult challenge. “In an odd way, the less distance you are from the period, the more difficult it is to shoot,” he explains. “Doing a civil war period is easy because every-thing modern needs to go away but for the ‘50s, we needed to be in the city.”

Wages shot Sun Records with three VariCam LTs, rented from Division Camera in Los Angeles. He captured UHD (3840x2160) AVC Intra 422 files in V-Log at 23.98-fps. He chose the VariCam LT because it contains

the same sensor and imaging qualities as the VariCam 35 but he needed a smaller camera system due to increased Steadicam and handheld gimbal work. He also loves the VariCam’s dual native 800/5,000 ISO for low light shooting.

When shooting at 5,000 ISO, Wages says he’s carrying ¼ of the amount of lighting gear, including working with smaller lights. “The ARRI M18 (1.8K HMI) is as big a light I need,” reveals Wages. As far as traditional open-face HMIs, my principal light is the Jo-Leko 800. It’s basically a Source Four Leko with an 800 Joker back on it. That’s what I do 90% of my work with.”

In terms of lenses, Wages shot with Fujinon 19-90m and 85-300mm Cabrio zoom lenses, which per Wages, are lighter than most zooms.

Because of his efficient workflow, the grad-ing sessions went very smoothly at Deluxe in Toronto. “And I just had one LUT,” reveals Wages. “We started with REC 709, opened up the shadows, brought down the highlights to use more of the capabilities of the camera and then desaturated a bit and created a look that I liked. To me, VariCam is like a film stock and if you start messing with too many LUTs, you can get things confused. If I was going with a high-contrast sci-fi thing, I might not approach it this way. I’m very simple and straight forward as far as a look is concerned because I create everything through lighting. I feel like that’s my job.”

William WaGes, asC Captures the spirit of roCk ‘n’ roll


2017 marks 100 years since August Arnold and Robert Richter rented a former shoemaker’s store in Munich to set up shop as a film tech-nology firm. The two young friends started with just one product: a copy machine built on a lathe Richter had received as a Christmas present. Taking the first two letters of their surnames, they christened this new enterprise ARRI.

Today, the company is headquartered at the same address, though the premises have ex-panded to an entire city block and is just one of numerous facilities around the world. ARRI is still a family-owned enterprises – handed down through generations and overseen by custodians with an emotional investment in the brand.

Dr. Jörg Pohlman, one of two Executive Board members at ARRI AG, notes, “I still find it amazing that this company was founded by two teenagers; they were so young that their parents had to sign the incorporation documents. First and foremost they were film enthusiasts, driven by a love for visual storytell-ing and technology. If you walk around ARRI today you’ll see that same enthusiasm and pas-sion – it defines who we are and what we do.

Arnold and Richter were camera operators, film producers and an equipment rental outfit before they ever manufactured an ARRI camera. From the very beginning they worked directly with filmmakers. The insight they gained helped them develop equipment that met real on-set needs. In today’s industry, with technology

driven at breakneck speed by marketing hype, this philosophy of listening to what filmmakers want – rather than telling them – is more im-portant than ever.

Executive Board member Franz Kraus com-ments, “ARRI prides itself on being a long-term professional partner to the global film industry. We have never walked away, instead facing difficult times by redoubling our efforts and increasing investment in R&D. The fact that we offer such varied products and services, covering all sides of the industry, gives us a unique per-spective and allows each division to benefit from the expertise of all the others. For example, it was our work in digital postproduction that helped us make such a successful transition from film to digital cameras.”

ARRI’s actual anniversary is in September 2017, though the whole year will be marked by numerous celebrations. Currently, an Instagram contest with a grand prize trip to the Munich headquarters asks contestants to share their best photo of what ARRI means to them. Simply tag the photo with @arri and #arri100contest to enter.

ARRI’s long legacy sits predominantly in the celluloid age. But now, in the digital era, the company is bigger than it ever has been, with more employees, more products and more international market share than ever before. At 100 years old, the future has never looked more exciting.

arri at 100: proud of the past, Confident in the future

LISA WIEGAND, ASC ON CINEMATOGRAPHY

VER Camera Prep facilities: LOS ANGELES | NEW YORK | CHICAGO | NEW ORLEANS | ATLANTA | MIAMICAMERA | LIGHTING | LED | VIDEO | AUDIO | BROADCAST | RIGGING | AV

ver.com

Lisa Wiegand does not mince words. Her forthright approachshows in her gutsy shooting style. Never relying on the statusquo, she and her loyal crew work hard to bring life to the script,dynamically moving to capture the subtly of each new look.But when she’s on the job there’s always time for a joke, ajab, an infectious giggle—to keep it upbeat regardless of thepressure to make the day. Its no wonder top producers likeDick Wolf count on her to set the look for new shows andto keep her at work on series after successful series. ‘ ’’‘

As our verbal language changes, so does our

visual language in order to express the way we

live now. So I speak my mind and luckily our

producing team appreciates my perspective. They

like my dynamic approach and the fact that I keep

it morphing—continually evolving the look.

In addition to the new series Chicago Justice, Wiegand isalso known for her work on Chicago Fire, American Crime,Necessary Roughness, Wedding Band and Dollhouse.

VER_Wiegand_FP_ICG_Final.qxp_Layout 1 5/4/17 2:43 PM Page 1


The screening will be preceded by a special announcement from Sony

©2017 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited.Sony, and the Sony logo are trademarks of Sony. All other trademarks are the property of their respective owners.

Advanced Screening of Le RideWith Special Guest Phil Keoghan

7pm – 10pm | Friday, June 2, 2017

Paramount Theater

In 1928 a small under-resourced, untested team from New Zealand and Australia lined up in Paris to ride in the toughest sporting event on earth, The Tour de France. 164 riders started, only 41 finished!

Phil Keoghan literally brought this remarkable underdog story back to life riding an original 1928 steel bicycle with no gears, retracing the exact route and sticking to the same schedule – an average of 150 miles a day, completely circumnavigating France in just 26 days!

Le Ride was selected for the 2017 SXSW Festival in Austin; was the second highest grossing film at the New Zealand Film Festival; the opening night film at the Louisville International Film Festival where it won the Festival Favorite Award; the Opening Night Film at the American Documentary Film Festival where it won the Best Director Award and will have a wider international theatrical release this summer with Demand Film.

ADMISSION IS COMPLIMENTARY FOR CINE GEAR ATTENDEES. PRESENTED BY SONY. SEATING IS VERY LIMITED. PLEASE ARRIVE EARLY.

Beyond Definition

Peter Anderson, ASC, Director of Photography and Visual Effects Supervisor is one of the world’s premier leaders on Hi-Tech productions.

An expert in filming Visual Effects, Digital Cinema, 3-D, Special Venue, Large Format, Theme Park, and High Frame Rate Productions, he is also instrumental to the development of these technologies. Peter has served as Disney Studio’s staff Director of Photography and was head of Visual Effects facilities for both Walt Disney Studios and Universal Studios.

Peter is a member of the American Society of Cinematographers, The International Cinematographer’s Guild, a founding member and five term Board Director of The Visual Effects Society, a member of the Television Academy Cinematographer’s Branch and a Life Member of the Society of Motion Picture and Television Engineers.

As member of the Motion Picture Academy, he serves on the Executive Committees of its Visual Effects Branch and its Scientific and Technology Council, on its Scientific and Technical Awards and Surrogate Committees and former Chairman of its Technical History Subcommittee.

In 2006, Peter received The Visual Effects Society’s Award for his groundbreaking work

on “U2 3D”. Other Special and Visual FX Photography film credits include Cirque du Soleil: Journey of Man, Godzilla, The Hunt for Red October, Cocoon, TRON, Close Encounters of the Third Kind, Captain EO and many more.

In 2014, Peter accepted the Motion Picture Academy’s Gordon E. Sawyer Special Oscar “For Technological Contributions that have brought Credit to the Industry” and in 2016, the members and Board of Directors of The Visual Effects Society awarded the title of “FELLOW of the Visual Effects Society”. This title signi-fies the individual is recognized for earning an outstanding reputation through sustained con-tributions to the art, science or business of visual effects as well as through meritorious service to the Society and the industry at large.

Peter is the distinguished Head Judge of The Cine Gear Expo Technical Awards for the past four years. He currently leads a team of eleven industry experts with an eye toward the latest in technology who evaluate the best debuting products at Cine Gear’s annual Hollywood affair.

The Cine Gear Expo Legacy Lifetime Achievement Award will be presented to Peter Anderson, ASC on Friday, June 2 dur-ing the VIP Awards Industry Reception at The Paramount Theater Paseo Grounds.

2017 Cine Gear expo leGaCy lifetime aWard to peter anderson, asC


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The Offloader- Pause and Resume- PDF Reports with thumbs & metadata

- Checksum VerificationShotPut Pro 6™

PreRoll Post™

The Archiver- LTO/LTFS Archiving- Checksum Verification MD5 and XXHash

- Easy Search & Retrieval

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The Viewer- 20 Different Formats- Organize Clips into playlists and folders

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PrimeTranscoder™

The Transcoder- DownRes or UpRes to share or edit

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Los AngeLesmAy 31-June 3, 2018

The sTudios AT PArAmounT

hoLLywood, CA

2018

LEE Filters is celebrating 50 years of technical excellence and creative innovation in filter production. Their continuous invest-ment in research and development allows the company to embrace new technologies and expand filter capabilities, adapting to the ever- changing filter market.

The LEE Filters story began in 1967, with the incorporation of the company. By 1974, demand growth required the build-ing of a high-tech manufacturing plant in Andover, UK to produce filters in-house. This purpose-built factory allowed LEE Filters to retain complete control over the coating process, ensuring the highest and most consistent quality of filter produc-tion. Continued company growth saw the addition of a second Andover site in 1988, to house the administration offices, quality control, and camera filter production.

As world demand continued to increase, LEE Filters USA opened in 1992 to supply filters in North and South America.

In 2017, LEE Filters established a new standard in ND filters, introducing the remarkably neutral ProGlass IRND series, designed to meet the exacting needs of all cinematographers.

With over 300 color and diffusion filters, LEE Filters remains the world’s leading manufacturer of professional quality lighting filters.

The Cine Gear Expo 2017 Technical Lifetime Achievement Award will be pre-sented to LEE Filters in recognition of the significant contributions made to advancing the art and craft of Cinematography.

The presentation will take place on Friday, June 2 at the VIP Industry Awards Reception at The Paramount Theater Paseo Grounds.

Cine Gear expo 2017 teChniCal lifetime aChieVement aWard

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AAdynTech InTroduces Punch dAylIghT cInemAwww.AAdynTech.com

The AadynTech Punch Plus is the most powerful daylight balanced white light professional LED fixture available today. Now the Punch series is coupled with high CRI (92+) performance to create the Punch Daylight Cinema fixture. Also available at Cine Gear 2017 will be the Punch Variable Cinema fixture with a color range of 3,000 K to 6,000 K. Both fixtures are still self-contained with a universal power supply while consuming less than 5 amps of power. AadynTech will also be debuting the JAB Cinema series of fixtures, including the JAB Daylight Cinema, JAB Variable Cinema and the JAB Hurricane Cinema with an IP65 rating suited for outdoor shooting.

Ac lIghTIng To showcAse chromA-Q color Force IIwww.AclIghTIng.com

Chroma-Q® Color Force II™ is a batten fixture that delivers formidable output and superior color blending, all with smooth even cover-age. Using the very latest fully homogenized optics, the Color Force II fixtures’ output is a single, clean and pure beam of light, delivering a superior color blend without unsightly shadows. Advances in LED production methods, combined with Chroma-Q’s proprietary tech-nologies, enable the Color Force II to deliver at least 50% more output compared to its predecessors. Factory calibration ensures all units are color matched, so they consistently output the equal color from unit to unit regardless of LED batch or manufacture date. The Color Force II also offers theatrical grade dimming, a practical, user-friendly design, extensive RDM functionality through wired or wireless connection, and a range of multipurpose accessories. It is perfect for a wide range of cyclorama, flood and wall washing applications, and is available in 6 ft / 1.8m, 4 ft /1.2m, and 1 ft / 0.3m versions.

BB&s PIPelIne serIes oFFers VersATIlITy And Powerwww.BBslIghTIng.com

Known for innovative remote phosphor lighting with 98 TLCI, BB&S of Denmark introduces more Pipeline series lights at Cine Gear. Pipeline Free 3’, 4’, 4” and 8” Pipes with inline driver/dimmers join the 1’ and 2’ Pipes. Drawing just 10W/foot, they deliver 1,000 lumens/foot. Units come in 3200°K, 4300°K or 5600°K. Similar lengths are also available in Raw versions with a 3-pin XLR to allow users to con-trol electronic configuration. Pipeline Bank fixtures include a brand new 1-foot 4-bank and 2-foot 2-bank, joining 3 and 4-foot 4-banks in 3200°, 4300° and 5600°. The fixtures include 48V power supplies, cable, 8/16 bit DMX, strobe and optional barndoors, softboxes, and grids. BB&S now offers a line of rugged travel cases for users to make customized kits for either individual Pipes or Banks, all with room for optional batteries and accessories.

new AIrscouTer heAd-mounTed dIsPlAy From BroTherwww.BroTher-usA.com

The AiRScouter WD-330C is the latest in a line of uniquely adjustable high-definition head-mounted display from Brother. This innovative viewfinder solution offers a convenient alternative to traditional viewfinders and monitors and helps professional camera and gimbal op-erators get the shots they want with comfort and ease. The AiRScouter WD-330C accepts an HD-SDI input for a seamless connection to a wide range of cameras, gimbals, and stabilizer systems. The wearer can position a 720p HD display with a virtual screen size comparable to a 19-inch monitor over their eye of choice, and they can fine-tune the image with the display’s adjustable focus. The new model joins a line-up that includes the HDMI-compatible AiRScouter WD-200B, which was nominated last year for a Technical Innovation Award by the Society of Camera Operators.

Angel cITy dATA ProVIdes TAIlored soFTwAre sysTemswww.AngelcITydATA.com

Angel City Data (ACD) is an award-winning consulting firm that designs, develops and supports tailored software systems, helping compa-nies dramatically increase their efficiency and productivity. ACD has successfully deployed over 1500 systems on desktop, web and mo-bile environments. Flexible, elegant database, mobile and web applications maximize ROI and help clients gain a competitive advantage. Systems built by Angel City Data include media and image management, job/project tracking, scheduling, inventory management, location scouting applications, rental tracking, and contact management. Angel City Data is passionate about working closely with clients to solve deeply-rooted problems, both technically and logistically, in the form of designs that are a joy to use.

news releases news releases

BulBTronIcs led ProducT lInes exPAndedwww.BulBTronIcs.com

Bulbtronics’ expanded and improved product offerings include VisionSmith’s RELAMP Universal Voltage LED Drop-In Replacements for ANSI Lamps including CYX, EGT, FRK, FKW, EGN, EGR, and CXZ for a wide variety of fixtures. With CRI in the mid to high 90s, color quality and dimming fit for camera at any voltage, being able to swap between daylight and tungsten in seconds, it doubles the working potential for tungsten fixtures, and brings old fixtures back to life! With such low amperage, users can put up to 10 EGTs on one power strip. In addition, check out OSRAM’s NEW HMI Studio Lamps in 3200K, as well as OSRAM’s NEW HMI Digital Lamps for High Frequency Ballasts for use with High Speed Cameras.

new cArl ZeIss lenses on dIsPlAywww.ZeIss.com

Carl Zeiss’ new ZEISS Compact Prime CP.3 lenses offer the perfect combination of high-image quality and reliable usability. They exhibit the clean, crisp characteristics ZEISS is known for, together with an interchangeable mount system and full-frame coverage. The ZEISS CP.3 XD version features innovative and ground-breaking lens data technology to speed-up and simplify the workflow on set and in post-production. ZEISS eXtended Data unifies two data sets: key lens data based on the /i open Technology standard and supported by a wide range of cameras and accessories, plus ZEISS specific lens data that contains precise lens characteristics. With the ZEISS CP.3 XD lenses, even small productions on a limited budget gain access to the advanced techniques common in state-of-the-art, big budget films.

Full-gAmuT color lIghTIng From cIneowww.cIneolIghTIng.com

The recently introduced Quantum c80 (Qc80) is a full-gamut color lighting fixture featuring 50,000 lumens of Cineo’s proprietary color-tunable white light and a full RGB gamut, which works with the reference-quality white light as a complete lighting toolkit. It provides predictable, repeatable results that are unachievable with any other lighting instrument. The same color shading can be realized through the camera regardless of the CCT used for photography. The Qc80 is the first unit designed with phosphor-converted saturated color LEDs, extending Cineo’s deep-red color rendering technology. Cineo’s Photo Accurate Dimming, which maps both local and DMX control to camera f-stops, is also fully supported. Weighing under 40 lbs., the Qc80 measures 2 ft. x 4 ft. x 5.5 in., including the internal 800-watt power supply. It features flick-free operation and a silent, passive cooling system without fans to ensure that no a noise-free shoot.

cArPeTlIghT 44 InTroduces FlexIBle TexTIle lAmP sysTemwww.cArPeTlIghT.com

Engineered and manufactured in Germany, the Carpetlight 44 (patent pending) is the world’s first professional lighting system that is a truly flexible, 4x4 textile lamp combining textile circuit board and a patent-pending passive cooling system for the newest LED tech-nology. Carpetlight offers customized flexible lamps in any size with any combination of LEDs reaching brightness and color rendering indices (CRI over 96) that have never been achieved before. In contrast to other smart-textile technologies currently used in design and fashion which are merely glimmering or decorative fabrics, Carpetlight´s product delivers a luminous output high enough to light whole objects and rooms. The Carpetlight lighting system is lightweight, flexible, versatile, efficient and can be rolled, folded, crumpled, wrapped, hanged, hooked and stretched to adapt to any desired form or function.

BlAckmAgIc exhIBITs The ursA mInI Pro 4.6k www.BlAckmAgIcdesIgn.com

Blackmagic Design’s URSA Mini Pro 4.6K ($5,995) is a professional digital film camera that combines the incredible image quality of URSA Mini 4.6K with the features and controls of a traditional broadcast camera. It features a Super 35mm 4.6K image sensor that captures up to 4608 x 2592 pixels with a massive 15 stops of dynamic range, numerous tactile control buttons, switches and dials that make it faster to use, built-in optical ND filters, remote Bluetooth camera control, an interchangeable lens mount that lets you change between EF, PL and B4 lenses, dual CFAST 2.0 and dual SD/UHS-II card recorders for ProRes and RAW recording and more. There’s an external high visibility LCD status display for viewing critical shooting information, a four-inch foldout touchscreen for on-set monitoring and menu settings without needing an extra on-set monitor, professional connections, such as 12G-SDI, XLR audio, built-in high quality stereo microphones, and more.


codex PresenTs lATesT sTorAge ProducTswww.codex.onlIne

4K productions are generating terabytes of data per day that must be safely backed up and verified before it moves to editorial and post-production. The ability to provide creative teams fast and efficient access to this data becomes a priority, and not many companies that are required to deliver 4K and higher resolution content can easily manage this payload. Codex presents its newest products to address these storage demands with the new data management rack-mount Thunderbolt-3 capture drive + transfer drive peripherals, and the new Codex M-Series Storage solution. These products meet the demands of data-heavy production environments and provide safe and secure data management tools for backup, review, transport, and archiving.

eTc’s gIo @5 oFFers ProFessIonAl conTrolwww.eTcconnecT.com

ETC’s Gio @5™ offers professional lighting control in a small package. Features include a 25.5-inch footprint with an articulating, 17-inch, multi-touch LCD display; four encoders with haptic feedback; five definable, page-able motorized faders; a master fader pair, and a re-tractable tray with backlit alpha-numeric keyboard. Its small size is perfect for moving set to set or taking on location, but Gio @5 doesn’t scrimp on programming features. Users get hands-on access to playbacks, award-winning color controls, touchscreen Magic Sheets and more. Programming on the fly is made easy with efficient busking with the short-throw motorized faders. The Gio @5 desk can serve as the base of a system for more hands-on control, and add plug-and-play ETC Motorized Fader Wings for a customized, expanded work surface.

InnoVATIVe lenses From cookewww.cookeoPTIcs.com

The new Cooke Anamorphic/i 45-450mm T4.5 Zoom will be available beginning late summer 2017. It is a 10x true front anamorphic zoom with 2x squeeze, and an oval bokeh throughout zoom and focus. The color and depth of field characteristics match the Cooke Anamorphic/i 35-140mm zoom and Anamorphic/i Primes. The new zoom comes equipped with /i Technology for frame by frame digital information capture and The Cooke Look ®. Additionally, the growing demand for vintage Cooke Speed Panchro lenses prompted Cooke Optics to introduce a modern redesign of the original. The new Cooke Panchro/i Classic Primes recreate the same look and feel of the original with the advantage of modern glass mounted for today’s cameras, and a choice of PL, Sony E or Micro 4/3. Available beginning spring 2017, they come in focal lengths 18, 25, 32, 40, 50, 75, 100 and 152mm.

FlAnders scIenTIFIc PresenTs new modelswww.FlAndersscIenTIFIc.com

Flanders Scientific, Inc. has announced new models and functionality for its award-winning DM series monitors. Joining the flagship 25” DM250 OLED monitor are the reference grade 17” DM170 and 24” DM240. These native HD 10bit LCD monitors retain all the features of the DM250 including real-time LUT updates, cross conversion, zero delay mode, and image flip. DM series real-time LUT update sup-port enables seamless integration with on-set grading applications without requiring standalone LUT boxes. The DM series monitors can also utilize the IP Remote Utility and recently revealed ScopeStream application for Windows or Macintosh computers. The IP Remote Utility allows for IP remote control of the connected monitor as well as full resolution frame grabs. ScopeStream transmits real-time waveform and vectorscope data from the monitor over IP to a connected computer leaving the reference monitor’s screen unimpeded.

dJI PresenTs The redesIgned ronIn 2 www.dJI.com

DJI’s Ronin 2 is a three-axis camera stabilizer redesigned to give filmmakers the freedom to capture any scene they can imagine. It has more power and torque to carry cinematic cameras and lenses of up 30 pounds, and is aided by GPS to deliver smooth footage at speeds of up to 75 mph. Ronin 2 is extremely versatile and can be used in every situation from handheld to Steadicam, ready rig, cable cam, vehicle mounts, and drones. Its new carbon fiber design features internally routed cabling, multiple power and data ports, and hot swappable batteries that provide 8 hours of uptime with 2.5 hours of power for the camera and accessories. Ronin 2 also features a new touchscreen interface with full RED camera control and a redesigned mobile app with more intelligent features to allow for unprecedented camera moves that capture smooth, steady footage in every situation and help cinematographers realize their creative vision.

geo’s AlPhA lIne exPAndswww.geoFIlm.com

The success of the ALPHA STABILIZED remote heads created by Geo Film Group has spurred the expansion of the ALPHA line, including the 360° Roll Ring accessory. Two additional products this year are the ALPHA Plus, an addition to the ALPHA STABILIZED system offer-ing enhanced horizon control, and the ALPHA-M, designed specifically for off-road vehicles, motorcycles and boats. The ALPHA-M has a full 90° in the roll axis (+-45° each direction). For over 25 years Geo has been leading the industry in unique specialized camera support and remote camera heads. The company has grown into a worldwide leader in specialized support technology and created many success-ful products.

gIg gloVes ProTecT Busy hAndswww.gIg-geAr.com

Gig Gear LLC is exhibiting its full line of Gig Gloves, created specifically for production professionals, at Cine Gear for the first time. De-signed so the user can perform practically any task without having to remove the gloves, Gig Gloves provide protection on the back of the hand and palms, breathability for extended use, access to the first three fingers via fold-over fingertips, and touchscreen capability directly through the fabric. Original Gig Gloves (yellow and black) provide visibility of the hands in low light environments. Gig Gloves ONYX are a completely black glove for those who needs to be discreet or are required to wear all black. THERMO Gig Gloves, the ultimate “No Compromise” work glove, add a layer of fleece for cold weather environments. All three versions of Gig Gloves come in six sizes (XS - XXL).

cush lIghT exPAnds ProducT lInewww.cushlIghT.com

Every year, Cush Light pushes the envelope of industry-leading color corrected Diode technology. From LED neon to LED balloon lights, the lineup has expanded to include more time-saving and cost-saving solutions. The current set of ready-to-use fixtures is entirely driven by high-current 16-bit Cinematic Dimming Technology options.

cool-lux demos lIghTs And rIgswww.cool-lux.com

Cool-Lux will be demonstrating their Pro Studio LED Light line as well as their newly patented Cool-Rigs. The Pro Studio LED Lights offer a high CRI of >95 for precise color rendering and variable intensity without color shift. The lights also have the advantage of running cool, durable and low maintenance to withstand pro usage. The Cool-Rigs feature QuickShift technology to quickly transform a tripod setup to a perfectly balanced shoulder mount with the push of a button - no need for any additional parts or tripod adapter plates. The rigs also offer built-in chest support which dramatically improve shoulder stability for rock solid shots even when using large telephoto lenses. Lux Gear follow focus lens gears will also be on display, featuring gears that can be installed or removed from lenses quickly and easily without tools.

FluoTec PresenTs AwArd-wInnIng Fresnel www.FluoTec.neT

Fluotec’s “Big 2K” VegaLux 300® StudioLED Fresnel® was awarded NewBay’s Best of Show Award, presented by TV Technology at NAB Las Vegas 2017. Fresnels are workhorses of stage lighting and the most common luminaire used on television and motion pictures. The Vegalux 300™ Fresnel with the Nebula Diffusion Chamber Technology® system mixes and diffuses the light rays of each LED to emit a pure white light output, specially designed for broadcast and motion picture applications.



Idx deBuTs Three new ProducTswww.IdxTek.com

IDX has three new products this year: a new Alpha-I ND Filter System and two upgraded DUO Compact Li-ion batteries. The Alpha-I provides seven 4x5.6-inch sized filters with density stops from 0.3 to 2.1. Designed for film professionals, these filters solve the problem of color shift and post-production color correction. Color neutrality is delivered throughout multi-camera use, and outdoor and indoor shooting. IDX’s newly improved DUO Compact batteries deliver the performance you’ve come to expect in a compact and light weight design. The DUO-C98 packs 96Wh capacity into a slim form factor weighing just 1.3 lbs. For those needing even longer run times, the DUO-C198 weighs just 2.3 lbs with a capacity of 191Wh, and supports up to 14 amp draws, ideal for high power LED lights and digital cinema setups. Both batteries feature the new SMBUS function, D-Tap Advanced, standard D-Tap, and USB power outputs.

kIno Flo lAunches led wAll oF lIghTwww.kInoFlo.com

Kino Flo Lighting Systems’ Celeb 850 LED wall of light, a turbo-charged 3.5K-tungsten softlight equivalent fixture with variable 2500K-9900K, 360°color, RGB, green/magenta control, and wireless DMX, has joined a new line of lightweight Select Freestyle LED fixtures. De-buting at Cine Gear Expo, the Select Freestyle LEDs boast detachable LED panels, removable chassis, remote ballasts and twist-on “Kino Grip” mounts, enabling the Freestyle lights to work on grip stands, hang from studio grids or be incorporated into set designs. Kino Flo’s Diva-Lite LED 30 and Diva-Lite 20 fixtures and kits sport the new Kino Flo Controller software 3.0 with full white light and RGB colors.

IkAn dIsPlAys leds And monITorswww.IkAncorP.com

Ikan’s latest offerings include new lights, monitors, and the latest products from NiSi. The Stryder Bicolor 200 watt LED light (or SB200) is the latest in Ikan’s new Stryder line of COB LED lights. The SB200 is a resilient 5” Fresnel light that can easily change from a wide beam to a tight beam angle with just a click of a latch. With an extremely quiet, active cooling system and a lightweight nylon-resin body, profes-sionals can easily keep working through any shoot. Ikan will also show the OBM monitor series: the OBM-U170, OBM-U240, OBM-U310, and OBM-U550L. This comprehensive lineup of 4K production monitors from Ikan is packed with features such as HDR functions, Scopes, 3D LUTS, and more. NiSi’s latest filters and filter holders will also be on display.

new leIcA ThAlIA And m 0.8 lenses on dIsPlAywww.cw-sonderoPTIc.com

CW Sonderoptic has introduced the Leica Thalia large format spherical lenses and Leica M 0.8 lenses. The Thalia lenses, a set of nine prime lenses from 24mm to 180mm, offer an incredibly compelling and character-rich image, including wonderfully Leica-esque skin tones and a slightly curved focus field that more closely matches the way we see the world, in a compact package. The deceptively small M 0.8 high-speed Prime lenses bring super speed apertures into the user’s hands, weighing about 1 lb each and offering a full frame image circle for cameras capable of using the Leica M mount. The M 0.8 lenses are built with 0.8 module iris and focus rings for cine accessories, as well as 80mm sunshades with 77mm screw-in filter threads for front filters without needing a matte box.

ImAgIne ProducTs Announces PrImeTrAnscoder™www.ImAgIneProducTs.com

Imagine Products, creators of software for backing up, viewing, sharing, transcoding, and archiving video assets, has released PrimeTrans-coder™, a new video-transcoding application for Mac users. PrimeTranscoder offers GPU acceleration, merged clips from many to one for editing, and watch folders with automatic transcoding, which makes it possible to offload camera cards via ShotPut Pro, transcode the files, and send them to the editor in one seamless workflow. A powerful transcoding application that allows users to convert multiple files to different formats at once, PrimeTranscoder recognizes and converts more than 20 different HD, 4K and RAW camera formats, and can create editable or sharable files. By doing all those things simultaneously, PrimeTranscoder maximizes time and makes a more efficient workflow.

lIghTIng PAssPorT: The FIrsT smArT sPecTromeTerwww.lIghTIngPAssPorT.com

The Lighting Passport is the world’s first smart spectrometer for light testing––the perfect tool for studios, gaffers, and producers. The dedicated mobile app for Studio Lighting (SGS) lets users measure all the useful lighting data such as CCT, TLCI, CRI, spectrum, lux, foot candle, TM-30, gamut and much more. Colorist’s advice and suggested adjustments are also available. Handheld and portable, the Light-ing Passport spectrometer line allows users to re-create lighting sets wherever they are. The Lighting Passport is Bluetooth and wireless compatible to transfer data to the computer or between users, and is Apple and Android compatible.

J.l. FIsher To demo TelescoPIc mIcroPhone Boomswww.JlFIsher.com

J.L. Fisher has pioneered many innovations in camera movement, and its Model 9, 10, and 11 camera dollies have been the standard in the industry for over 50 years. With manufacturing, rental and service facilities in Burbank, California, and a European service facility in Cologne, Germany, J.L. Fisher is also a leading manufacturer of telescopic microphone booms, available in 4.9 to 8.8mm lengths, which are used in motion picture and television productions, including the Model 6E Microphone Base and Model 7 Boom.

lIghTs! AcTIon! comPAny exhIBITIng glAss lenseswww.lIghTsAcTIonco.com

Lights! Action! Company provides clear and matte finish Fresnel lenses, three- and four-piece lens sets (super wide, wide, medium), and safety lenses for most popular HMI lighting fixtures. The lenses are made of high-quality borosilicate glass materials to maintain maximum high heat tolerances, low-glass expansion, and UV blocking.

renTAl oPTIons From ImAgecrAFT ProducTIonswww.ImAgecrAFTProducTIons.com

Imagecraft Productions introduces an array of production equipment suited for every facet of shooting in the television industry. Lenses include cinematic and ENG lenses from Canon and Fuji. Cameras range from the Sony F55 and HDC-4300 to the ARRI Alexa Mini and Amira. Yamaha consoles round out the audio equipment, while Litepanels and KinoFlo LED and fluorescent systems fill lighting needs. Im-agecraft Productions has been in the television production industry since 1984 and is known as one of Los Angeles’ leading rental houses. Their commitment to their clients and 24/7 technical support keeps clients coming back show after show.

lIBec hFmP hAnds-Free monoPod wowswww.lIBecsAles.com

The HFMP Hands-Free Monopod is a professional video monopod that is specially designed for free-stand operations. It features a unique foot pedal with a smooth lock/release lever that allows the monopod to rest on its 3-leg locking base, creating a speedy and stable self-standing solution in the field while dramatically enhancing mobility in all shooting environments. A special built-in lubricated ball joint system, designed to prevent dust and debris from entering, offers smooth panoramic rotation. The HFMP package includes the monopod, dual base design video head with dual pan handle rosettes, and a carrying case.



mole-rIchArdson InTroduces led Fresnelswww.mole.com

Mole-Richardson Co. is introducing a new line of variable-color LED Fresnels with a color range of 2700K to 6500K in the Baby, 8-inch Junior, and Studio Junior models. They run from 90V-250V AC, or 28V DC, 92+ CRI, flicker-free and fully dimmable from 100% to zero. All three models include the following features: +/- green correction, AC/DC power, wireless DMX control (Lumen Radio), Bluetooth capable, RDM protocol, firmware updates via USB, dual user touch screen/twist-and-push selector control, and 2700K-6500K variable-color.

PerFecT For drones: new PelIcAn™ sTorm cAse™www.PelIcAn.com

The Pelican™ iM2275 Storm Case™ offers increased vertical space for holding equipment. A deeper lid and bottom combine total real estate of 9.5-inches deep and the freedom to configure multiple 4K cameras, diagnostic circuit readers, or a drone with accessories. Mea-suring at 14-inches (length) by 13-inches (width), the iM2275 is compact but still fits equipment into tight spots.

mycAseBuIlder oFFers cusTom geAr InserTswww.mycAseBuIlder.com

MyCaseBuilder enables customers to create perfect custom inserts for gear using an online designer tool. Choose from a shape library of lenses, cameras, etc., or use the photo tracer to create custom cutouts. MyCaseBuilder comes with over 25-years of top-notch customer service in the custom foam fabrication industry to ensure that designs meet expectations.

red To showcAse dsmc2 cAmerAswww.red.com

RED Digital Cinema is demonstrating its range of DSMC2 cameras - SCARLET-W™, RED EPIC-W™, and WEAPON® 8K S35 and WEAP-ON 8K VV - in action on a live set. In addition to these cameras, visitors will have an opportunity to interact with RED workflow covering IPP2, HDR, and 8K as well as third party manufacturers for lenses, camera modules, and accessories. All of RED’s cameras combine supe-rior image quality and cutting edge performance with a compact, lightweight, and modular design.

osrAm hIghlIghTs ITs hmI® dIgITAl lAmPswww.osrAm.com

OSRAM HMI® DIGITAL lamps are specially designed to illuminate the most complex, demanding productions in the ideal light. The high-performance, single-ended metal halide lamps offer extremely bright light up to 100 lumens per watt, and a CRI of >90. The lamps come with OSRAM’s patented UV-Stop, eliminating up to 99.9% of harmful UV emissions. For high-speed digital film applications, HMI DIGITAL lamps provide flicker-free light when used in modes of 1000Hz and greater with high-speed electronic ballasts. Special moly-foil design distributes heat evenly and extends the life of the lamp.

renTAlworks PresenTs TrAckIng soFTwAre For IndusTrywww.dBworks.com

RentalWorks is a proven, reliable, powerful software solution that was built specifically for the entertainment industry. It combines state-of-the-art rental inventory tracking with secure and accurate accounting and purchasing features, such as RFID and Qlik reporting.

PAnAsonIc showcAses 4k cInemA cAmerAswww.us.PAnAsonIc.com/VArIcAm

Panasonic’s full line-up of 4K cinema cameras, including the VariCam 35, VariCam LT, and VariCam Pure, is on display at Cine Gear, as well as the new LUMIX GH5 mirrorless camera and the AG-UX180 and AG-DVX200 camcorders for handheld 4K shooting. Fans are eagerly anticipating the announcement of a new cinema camera that is small and lightweight, offers low-cost media and workflow, and delivers true cinematic imagery, which will be announced at the show. See a presentation on the new cinema camera in the Paramount Theater on Friday at 4:15pm.

sIgmA showcAses new lIne oF cIne lenses www.sIgmAPhoTo.com

Sigma Corporation of America’s brand new line of cine lenses includes the high-speed Super 35 Zoom Line: 18-35mm T2 and 50-100mm T2 (available now for $3999 each); the FF Zoom Line: 24-35mm T2.2; and the FF High Speed Prime Line: 14mm T2, 20mm T1.5, 24mm T1.5, 35mm T1.5, 50mm T1.5, 85mm T1.5 and 135mm T2 (T1.5 available in May in E and EF mounts for $3499 each, with PL mount com-ing in June). Compatible with the latest high-resolution, full-frame digital cinema cameras, the lenses combine 100% Sigma optics with a 100% new mechanical structure, offering an outstanding form factor with unbeatable optical performance that appeals to a wide range of cinematographers and videographers. Sigma lenses are designed for industry-standard E, EF and PL camera mounts.

schneIder PremIeres rAdIAnT soFT dIFFusIon FIlTerswww.schneIderoPTIcs.com

Schneider Optics has announced the debut of Radiant Soft diffusion filters, which smooth skin imperfections while having minimal effect on contrast. This allows cinematographers to apply heavier diffusion for facial softening without creating blooming effects from in-frame light sources. The first production models of Rhodium Full Spectrum Neutral Density (FSND) Filters in densities of .3 to 3.0 are now being shown, as well. Exceeding the critical color standards and resolution of 4K, 6K, and 8K cameras, they are manufactured to finer flatness/parallelism specifications than ever to help resolve fine details and produce images free from distortion or abnormalities. In the prime mar-ket, Schneider is offering the Xenon FF-Prime Cine-Tilt full-frame primes, offering +/- 4-degree tilt. By maintaining the field of view during tilt functions, they enable previously unimaginable images with live tilting of the focus plane. Set to zero they become standard primes.

new lens rehousIngs From P+s TechnIkwww.PsTechnIk.de

A passion for innovation and exceptional pictures - that’s the maxim of P+S TECHNIK, manufacturer of professional cine equipment, offering the widest range of lens rehousings, anamorphic lenses, special lens systems and interchangeable lens mounts. New rehousings are available for Leica-R, Canon FD and Kowa Anamorphic lenses. Recently P+S TECHNIK launched the Kowa Evolutions 2x, based on the original optical design of the former Kowa Prominar anamorphic lenses. Two additional lenses have been added to complement the original set: one wide-angle and a telephoto 135mm. P+S TECHNIK also recently released the popular LensChecker, a compact, mobile lens projector to allow professionals to check lenses on the spot.

nBcunIVersAl And cIneo Announce lIghTBlAde ledwww.nBcunIVersAl.com

LightBlade is the latest innovation in LED products from NBCUniversal in partnership with Cineo Lighting. This collaboration combines NBCUniversal’s decades of production and broadcast experience with Cineo’s award-winning proprietary technologies. LightBlade prod-ucts feature reference-quality variable white light with outstanding color rendering, combined with a full palette of saturated light color. The LightBlade products are versatile, lightweight, silent and flicker-free, built to endure the wear and tear of staging and production. The modular LightBlade will be built into a variety of lighting tools including 4x14-foot Ladder Lights, soft lights with aperture sizes from 1x2-feet to 4x4-feet and individual 4-foot battery-powered linear fixtures.

reel eFx InTroduces re5 sPecIAl eFFecTs FAn www.reeleFx.com

Reel Efx, home of Multicam, DF-50 Hazer, Diffusion in a Can, Man-made Tornadoes, and the RE Fan II Turbo, introduces the RE5 Fan. The RE5 possesses eco-friendly RoHs compliant construction, power-factor correction, 100-240V universal input, an electric motor with over 3HP and a maximum wind velocity of 60mph with less than a four-foot spread at 18 feet away. Silent Smart Switching eliminates drive noise at low speeds. There is no other powerful, compact wind machine with these features at this price. Boasting a built-in programmable DMX512 with 5-pin XLR, the RE5’s dimensions are 22x24-inches at 50 lbs. It has nine blades with a 16-inche diameter and a compact C-stand mount.



skB sTudIo Flyer rAck cAse reAdy For TrAVelwww.skBcAses.com

SKB is proud to present the new, improved 1SKB-iSF2U Studio Flyer 2U Rack Case—the first ever injection molded, waterproof carry-on Studio Rack Case. The 1SKB-iSF2U Studio Flyer 2U Rack Case is a powerhouse of innovative features packed into a compact, convenient carry-on size. Boasting a virtually indestructible injection molded shell that is both lighter and stronger than the previous 2U Studio Flyer, the 1SKB-iSF2U also features game-changing molded-in rack rails—including new rear rack rails—that provide an extra element of secu-rity and durability for sensitive studio equipment on the go. A standard 2U rack mount measuring 11.5-inches from front rail to rear rail securely accommodates recording interfaces or video switchers, and a 19x11-inch adjustable surface provides ample room for laptops or monitors. The 1SKB-iSF2U is proudly made in the USA and comes with an unconditional lifetime warranty.

swIT elecTronIcs releAses 4k on-cAmerA lcd monITorwww.swIT.us

SWIT Electronics has recently released a new S-1073H, with 7-inch 4K on-camera LCD monitor and 1920x1200 resolution. It supports 4K 60p HDMI as well as 2K/3G/HD/SD-SDI in and loop out. It has built-in logs to rec709 conversion functions and other features such as false color, blue only, H/V delay, timecode, focus assist, zebra and pixel-to-pixel zoom-in. This monitor can be powered via AC-DC adapter or via V-mount /Gold-mount /various DV battery plates that can be customized according to needs.

sTudIo cArTs unVeIls nexT generATIon mAgcArTswww.sTudIocArTs.com

Studio Carts is celebrating 30 years of delivering award-winning workmanship and design to the motion picture and television industry with the launch of a new generation of Magcarts, developed in partnership with Mitchia Shiozawa, creator of the Mini, Micro, and Spider Magcart series. The new Magcarts’ practical, real-world innovations and build quality are second to none, with every detail speaking to the company’s careful and thoughtful approach. As always, Studio Carts is pleased to work closely with customers to offer any customization or modification that can be dreamed up. Nalpak, the original creators of the Magliner conversion series, including kits and accessories, has also joined forces with Studio Carts to produce a full line of carts and accessories. Nalpak has made a simple hand truck the film com-munity’s most useful tool.

ThAT cAT PresenTs AwArd-wInnIng sIlenT cAT slIderswww.cAmerAslIder.com

The Silent Cat Sliders, recipients of the Society of Camera Operators 2017 Lifetime Technical Achievement Award, are the quietest, smoothest and most versatile camera sliders. With a payload capacity of 160 lbs, they also provide the same smooth and quiet ride for smaller camera platforms that weigh as little as 12 lbs. Upon presenting the award to That Cat, SOC Technical Committee Chair Eric Fletcher said, “We are proud to award THAT CAT for their superb engineering and leadership within the production community.” The Silent Cat Sliders are made in the USA and they have been sold throughout the USA and exported to 13 countries.

new monITor From smAllhd deBuTswww.smAllhd.com

SmallHD is pleased to announce the premiere of the FOCUS 5-inch micro HDMI touchscreen monitor with daylight visibility at under $500. Upping the ante for on-camera and on-rig viewing are the new 5-inch and 7-inch UltraBright monitors with a breakthrough 2200-nit screen on the 5-inch 503, while the 703 displays 2500 nits—both offering HDR preview. Adding to its production monitors in 13, 17, 24 and 32 inches, comes the most color accurate SmallHD monitor ever. The 1703-P3 features true 10-bit color processing delivering over a billion colors, 100% of the DCI-P3 color space Rec. 709. With 1500:1 contrast ratio and 179-degree viewing angle, Pagebuilder OS and famous toolset, it is perfect for studio or post. The 702-OLED’s 7.7-inch screen combines the renowned color accuracy and contrast ratio of an OLED display, with SmallHD’s renowned toolset and rugged build.

news releasesThe rAg PlAce deBuTs new snAPBAg® www.TherAgPlAce.com

The Rag Place, manufacturer of motion picture technical fabrics and LED lighting accessories, is delighted to announce the Octa7 SNAP-BAG®. The Octa7 joins the Octa3 and Octa5 SNAPBAGS®, featuring The Rag Place’s highly reflective inner fabric and delivering an even illumination with MAGIC CLOTH™ diffusion. The spread of light from Octa SNAPBAGS can be further controlled by installing a SNAP-GRID®, which are available in a variety of degrees. The Rag Place is also showcasing RABBIT-EARS™, a lightweight mounting system which configures to attach SNAPBAGS to most LED fixtures. This system can be quickly mounted to ARRI Skypanel S30, S60; BB&S Light-ing Area 48 Soft, Studio; Cineo HS, MAVERICK Trucolor; Creamsource Full, Mini; KinoFlo Celeb 200; Litepanels Astra 1×1, 1×1 Soft; and THELIGHT’s Velvet 1, Velvet 1 Power, Velvet 2 and Velvet 2 Power. See the new RABBIT-EARS™, SNAPBAG®, and SNAPGRID® systems at these lighting manufacturer’s Cine Gear booths.

Ver serVIces IndusTry wITh cAmerAs, lenses, exPerTIsewww.Ver.com

VER offers the largest inventory of top cameras and lenses in the world, backed by experienced prep and engineering professionals who understand real-world production environments. To support the diverse productions shot throughout the US, VER has state-of-the-art camera prep facilities and services in six locations. VER’s signature Cineverse® service remains at the core of each, providing expert cam-era and lens technicians, camera engineers, and 24/7 technical support. VER is known for its Enhanced Environment process that allows talent and fixtures in shot to be lit by the backgrounds in the scene with amazing authenticity. By using a variety of means including LED walls and projection, the lighting is spot on so talent and crew alike visualize actual environments and perform against a dynamic back-ground without the guesswork of an empty green screen.

Capturing uniquemoments.

ZEISS LWZ.3 21-100mm

The new ZEISS Light-weight Zoom LWZ.3 21-100mm/T2.9-3.0 T* strikes the perfect balance between weight, size and optical performance.

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news releases


film series sCreeninG sChedule judges:amy Vincent, ascrobert Primes, ascnick turturro

Friday, june 2, 2017aWards partyParamount Theater and Paseo Grounds8:00 pm - 10:30 pm

Awards for the Winners of the Film Competition,

Cinematography Lifetime Achievement, Technical

Lifetime Achievement Award

VIP Reception – Competition winners will be announced

thursday, june 1, 201710 CommerCial/musiC Video finalists – $7.00sherry lansing theater2:15 Pm – 2:45 PmFickle Friends “Crybaby” - Director: Brother Willis

CR7 Underwear Commercial - Director: Joel Gill

SOHN “Signal” - Director: Milla Jovovich

“Relentless” by Slayer - Director: BJ McDonnell

These Are My Boots - Director: Nico Johnston

Dominic Balli “Hope” - Director: Tony Cruz

“Let Them Fall” by Arcane Station feat. Marianne Hekkilæ -

Director: Christopher Meyers

Black Wave - Director: Jeremy Cole

Coca Cola 1944 - Director: Jeff Jingle

Cell Biology by MindMuzic - Director: K-BACH

Purchase screening tickets in our online store

thursday, june 1, 201710 independent short finalists – $10.00sherry lansing theater12:00 noon – 1:45 PmIn the Night Director: Joshua Erkman

LIMBO Director: Will Blank

Fragile Storm Director: Dawn Fields

Monsters Director: Steve Desmond

Strangers In The Park Director: Gabriel De Santiago

Baggage Director: Johnny Healy

Gumshoe and Stiletto Director: Matt Steinauer

Hala Director: Minhal Baig

The Eliminadora Director: PJ Gaynard

Nano Director: Mike ManningPurchase screening tickets in our online store

Manners of Dying / Director: Bo-You Niou / School: AFI

Icarus / Director: Tom Teller/ School: Chapman University

Death in a Day / Director: Lin Wang / School: Chapman University

Lockdown / Director: Max Sokoloff / School: AFI

No Way Back / Director: Michael Kongshaug / School: AFI

Zaire / Director: Joshua Benson / School: The London Film School

The Fare / Director: Santiago Paladines / School: AFI Purchase screening tickets in our online store

thursday, june 1, 20177 student short filmfinalists – $10.00sherry lansing theater3:15 Pm – 5:25 Pm

master Classes

1:45 Pm - 4:45 Pm

10:00 am - 1:00 Pm

loCation:arri, 600 north ViCtory BlVd. BurBank, Ca 91502

loCation:red studios hollyWood, 846 n CahuenGa BlVd., los anGeles, Ca 90038staGes 4 & 5

lighting workshop $80 sold out!

red master class with henry Braham, Bsc $85 sold out!

ARRI - Official location sponsor for the Lighting Master Class Seminar

Moderated by Cinematographers:

David Klein, ASC - Cinematographer on Homeland

Lisa Wiegand, ASC and her gaffer Ronald Dragosh, Chicago Justice

Theo van de Sande, ASC

With this seminar you are in for a treat. Here are some incredibly

talented cinematographers that will share their knowledge and

enthusiasm for this craft. You will have these artists demonstrating

and discussing their techniques and problem solving skills. The

program is flexible and will evolve until the scheduled date arrives.

Join Director of Photography, Henry Braham, BSC as he discusses the

cinematography of Guardians of the Galaxy Vol. 2. Learn how Henry’s

progressive filmmaking and the high resolution and flexibility of RED

cameras helped to produce the desired results for the film. This three

hour class will be comprised of lecture, hands-on demo time, and

footage review. Scheduled to take place at RED Studios Hollywood on

June 4th from 10AM to 1PM.

sunday june 4, 2017

sunday june 4, 2017

Unmanned Cinema Solutionsa services company

HOVER GLOBAL A one-stop solution for Unmanned Cinematography. From Concept, to Production, and Beyond...

HOVER has the capabilities to assist in all aspects of development to help formulate the integration of our technology di technology directly into the plan for production.

HOVER works with Pre-Visualization, VFX, Motion Capture as well as Location Scouting, Live Events, News and any other needs of production and media applications. HOVER Seamlessly works with Production and also offers Full Service Stand-alone Second Unit Creative and Production Services.

Industry Setting Standard in Motion Picture, Television Unmanned Cinema Operations

[email protected]

www.hoverglobal.com

@hoverglobal

FAA 333 & 107Strictest Safety Protocol

Multiple Redundant FeaturesStudio Approved/Recommended

• • • •

• Heavy Lifting Drones• Micro Drones• Prop/Character Drones• Cable Cam• Car/ATV Motion Arm• Custom Application Fabrication

31www.cinegearexpo.com

Facility Overview

Stage 2

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Cine Gear expo 2017maps and exhiBitor listCine Gear expo – hoursFriday, june 2, 12Pm – 8Pmsaturday, june 3, 10am – 5Pm

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360 Experience

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5555 Melrose Avenue, Hollywood, CA 90038323.956.8811

TheStudiosAtParamount.com

Visit Us at Booth 44


premier seminars premier seminars

2:00 Pm - 3:00 Pm11:30 Pm - 12:15 Pm

2:30 Pm - 3:15 Pm

3:00 Pm - 4:00 Pm

3:15 Pm - 4:15 Pm

sherry lansinG theater

paramount theater

sCreeninG room 5

paramount theater


360rIZe Presentsradiant Images Presents

canon Presents

Blackmagic Presents

Zeiss Presents

How sync and control can transform your next 360-degree video

Speaker: Michael Kintner, CEO

VR Cameras A-Z

Radiant Images is an award-winning solution provider in 2D, 360 and everything related to immersive

technology from the leading companies in the industry. Radiant will be presenting an alphabetical, rapid

fire of all methods of capturing in 360 video & Virtual Reality from single camera 360 video to multi-

camera volumetric capture. Radiant will also present all viewing methods from handsets, headsets to Dome

projections.

Panelists:

Michael Mansouri, Co-Founder Radiant Images

Amanda Shelby, Head of VR Production, Radiant Images

Andrew Schwartz, Head of Mixed Reality at Radiant Images

Join Canon Burbank Senior Product Trainer Loren Simons as he walks filmmakers through the latest

technologies in the Cinema EOS line that are designed to execute and enhance their ultimate creative vision.

Join DP Vance Burberry for a look at the Blackmagic URSA Mini Pro 4.6K digital film camera. Burberry

will walk attendees through the camera’s features, including sensor, image quality, dynamic range, codecs

and more, showcasing its use on his recent projects. Burberry will highlight the camera’s form factor and

workflows, including how to take advantage of DaVinci Resolve Studio editing, grading and finishing software.

The URSA Mini Pro 4.6K combines digital film technology with advanced broadcast features and ergonomics,

making it perfect for use in high end feature films, television shows, commercials and indie films as well as

broadcast news, studio and even live multi-camera production.

With a background in theater and concert lighting design, Vance Burberry brings more than 25 years of

experience to his work as a DP. In addition to shooting music videos for Guns N’ Roses, Alice Cooper, Pearl Jam

and others, Burberry has worked on many features, television series and commercials.

The Advantages of Lens Metadata Capture Throughout your Production

Join ZEISS and a panel of DP, DIT and VFX professionals in a discussion of lens metadata, its definition, and its

use in the content creation process. We’ll discuss why this data resource is quickly changing the way we make

and process video, and how ZEISS has taken this technology to the next level by making metadata available to

use in real-time and in post with the introduction of the CP.3 XD lenses & workflow.

The panel will be led by Snehal Patel, ZEISS Sales Manager for Cine and will include:

Cinematographer Greig Fraser, ASC, ACS. – Rogue One, Lion , Zero Dark Thirty

Cinematographer and VFX Supervisor David Stump, ASC – American Gods, X-Men 2

DIT Nina Chadha – Baywatch , Scorpion, 10 Cloverfield Lane

12:45 Pm - 1:45 Pmsherry lansinG theater

red PresentsRed Bull Media House Discusses Blood Road

Director Nicholas Schrunk and key members of Red Bull Media House’s production team will discuss the

making of the feature documentary Blood Road. Blood Road follows the journey of ultra-endurance mountain

bike athlete Rebecca Rusch and her Vietnamese riding partner Huyen Nguyen as they pedal 1,200 miles along

the infamous Ho Chi Minh Trail. Their purpose was to reach the crash site and final resting place of Rusch’s

father, a U.S. Air Force pilot shot down over Laos. Panelists will discuss the creative and technical process, and

how this incredibly demanding story came together visually.

Moderated by Andrew Fish of American Cinematographer

1:45 Pm - 2:45 Pmparamount theater

cw sonderoptic & leica PresentLarge Format Cinematography with Leica Cine Lenses

View 4K demo footage shot with the Leica Thalia large format lenses on multiple camera formats followed by a

discussion of the benefits and characteristics of large format cinematography. The Leica Thalia lenses cover up

to 60mm image circle and accommodate the largest digital sensors available. As larger format cinematography

becomes more common and accessible, understanding the differences from S35 cinematography is now more

important then ever.


dJI PresentsDrone usage has become a staple in cinematic television production. With each new innovation comes new

decisions to be made by personnel from top-to-bottom including producers, directors, cinematographers,

and drone operators. Join DJI, moderated by Michael Chambliss of Local 600, as we discuss how new drone

technology is innovating television production in quality, safety, and reliability.

Panelists:

Rodney Charters, ASC Cinematographer (The Last Ship, Criminal Minds: Beyond Borders, 24)

Decker Watson, Executive Producer/Showrunner, Deadliest CatchErnie Montagna – Drone Operator, Original Productions (Deadliest Catch, Bering Sea Gold)

Deran Sarafian, Director / Producer (Rosewood, The Strain, Rush, House M.D)

Chad Daring, Drone Pilot (Rosewood)

show hours: 12:00 pm – 8:00 pmawards party: 8:00 pm – 11:00 pm


ALL PANELISTS SUBJECT TO AVAILABILITYALL PANELISTS SUBJECT TO AVAILABILITY

Friday june 2, 2017 Friday june 2, 2017



4:15 Pm - 5:15 Pm

5:30 Pm - 6:30 Pm

5:45 Pm - 6:45 Pm

7:00 Pm - 10:00 Pm

8:00 Pm - 11:00 Pm

4:00 Pm - 5:00 Pm

4:30 Pm - 5:30 Pm

5:15 Pm - 6:15 Pm

paramount theater

paramount theater

sherry lansinGtheater

paramounttheater

paramount theater & paseo Grounds

sCreeninG room 5


sCreeninG room 5

Panasonic Presents

canon Presents

Adorama Presents

sony Presents a special screening

cine gear expo Award reception (Invitation only)

soc Presents

sony Presents

digital cinema society Presents

A Canon First Look

Join Canon for a screening and discussion of From Dock to Dish. Director Andrew Fried (Chef’s Table), DP

Bryant Fisher (Hamilton’s America), and DIT Rohan Chitraker (Amityville: The Awakening) tell you everything

you need to know about Canon’s impressive dynamic range and features.

Aerial Adventures: A Reliquary of the Terrible to the Triumphant

Rob Anderson shares with us a thrilling, humorous, and informative series of experiences with aerial

photography and stabilized cinema. From clinging to volcanic ledges with Werner Herzog, shooting for

Bollywood, to being intercepted by the Air Force and more. A showcase of the possible and impossible,

powered by DJI. Q&A at end of session.

Rob Anderson is the principle cinematographer for Blackwood of Las Vegas, Nevada. His credits include

numerous feature films, critically acclaimed documentaries, television series, music videos, and commercials.

His passion for flying spans more than 20 years with 5 years’ operating UAVs for commercial films. Follow him

on Instagram @instillme

The screening will be preceded by a special announcement from Sony

Special guest Phil Keoghan from The Amazing Race will be in attendance and introduce his film Le Ride.

Le Ride is about the first English speaking team to ride in what many believe is the toughest sporting event on

earth, The Tour de France. Le Ride was selected for the 2017 SXSW festival in Austin; was the Opening Night

film at the Louisville International Film Festival, where it won the Festival Favorite Award; was the Opening

Night film at the American Documentary Film Festival where it won the Best Director Award; had a sellout

theatrical tour with Regal Cinemas in 12 US cities and will have a wider international theatrical release this

summer with Demand Film.

Indy, Student Shorts, & Commercial/Music Video Competition winners will be announced

The Operators of Westworld

Join the 2017 SOC Camera Operator of the Year Television nominees, Steve Matzinger, SOC, and Greg Smith,

SOC, as they illustrate their creative process crafting the visuals for this HBO hit. Clips from the series will

act as a platform for the discussion of how Matzinger and Smith achieved a specific look and feel, while still

capturing the subtleties of the actor’s performance.

Moderated by Kate McCallum, Managing Editor of Camera Operator Magazine

New Cinema Camera

Teased at NAB 2017, Panasonic will preview for the first time its new compact cinema camera. Be the first to

learn more details on what is sure to be the industry’s most anticipated camera this Fall.

Demystifying Log vs Linear, the power of 16 bit, and High Dynamic Range

Acclaimed instructor DoP Alister Chapman separates the myths from realities of a 16-bit workflow. Since the

introduction of X-OCN - Sony’s easy-to-work with 16-bit linear recording format – it’s as easy to work with as

conventional 10-bit codecs.

Discover unique features of the F55 and R7 recorder such as 4K at 120fps. Compare log and linear recordings

and how it improves image quality. Learn how to best expose 16 bit as well as S-Log2/S-Log3. Discover how to

get HDR low noise images that grade easily. Explore the benefits of linear content in post-production and how

color managed workflows including ACES make working with Sony’s RAW and X-OCN easy. Examine how the

F55’s extended color gamut brings an HDR production to life.

Focus on Cine Lenses from the Buyer’s POV

Digital Cinema camera technology has been evolving at a fast pace with models becoming obsolete before an

owner can amortize their investment. Cine lenses have been a safer haven for equipment investment, but with

sensor sizes growing and more economical lenses coming to market, the question of which lenses present the

best value has become more complicated for the buyer.

We’ll see what’s new from some of the top lens manufacturers including: Angenieux, ARRI, Canon, Cooke, CW

Sonderoptic/Leica, Fujinon, Schneider Optics, Sigma, and Zeiss. We’ll see how they are creating quality lenses

suitable to various cameras while resolution and coverage area keep increasing as camera prices are falling. If

you’re thinking of investing in cine lenses, this event is tailored for you.




Friday june 2, 2017 Friday june 2, 2017



11:30 am - 12:30 Pm10:15 am - 11:30 amparamount theater


Panasonic PresentsIATse local 600 - Int’l cinematographers guildDon’t Be Afraid of the Dark

Cinematographer William Wages, ASC will share his experiences shooting with the VariCam on two high-

profile projects – CMT’s Sun Records and the feature film The Forgiven. Learn how the VariCams’ Dual Native

ISO imager changed the way Wages approached these projects.

Telling Stories with LED Lights

Cinematographers have a new creative tool in their quiver: high quality, LED lighting sources. LEDs offer

greater flexibility, control and reliability. They pave the way for greater subtlety and precision, for new kinds

of lighting schemas, and for new ways to design and control color. Hear from leading cinematographers and

gaffers how they worked with off-the-shelf and custom built sources to finesse traditional looks and to explore

new visual territory. Learn about their artful use of LED lighting sources to convey mood, character and plot

points on motion picture and TV projects.

Speakers: Jess Hall, BSC; Eric Messerschmidt; Rachel Morrison, ASC; and Lisa Wiegand, ASC,

(cinematographers) Mike Bauman and Ronald Dragosh (gaffers)

Moderator: Michael Chambliss, business rep and technologist

11:45 am - 12:45 Pmsherry lansinGtheater

red PresentsGuardians of the Galaxy Vol. 2 discussion with DP Henry Braham, BSC

Guardians of the Galaxy Vol. 2 director of photography Henry Braham, BSC will talk about filmmakers’

escalating preference for shooting with larger format digital cameras. Braham shot Guardians of the Galaxy

Vol. 2 entirely on the RED WEAPON 8K VV. He will be joined by well-known producer, actor, and writer Dean

Devlin. Dean will discuss how new formats are driving an evolution in filmmaking for the big screen and touch

on his experience using RED including WEAPON 8K S35.

Moderated by Carolyn Giardina of The Hollywood Reporter

12:45 Pm - 1:45 Pmparamounttheater

Blackmagic PresentsJoin DP Vance Burberry for a look at the Blackmagic URSA Mini Pro 4.6K digital film camera. Burberry will

walk attendees through the camera’s features, including sensor, image quality, dynamic range, codecs and

more, showcasing its use on his recent projects. Burberry will highlight the URSA Mini Pro 4.6K’s form factor

and workflows, including how to take advantage of DaVinci Resolve Studio editing, grading and finishing

software in post production. The URSA Mini Pro 4.6K combines digital film technology with advanced

broadcast features and ergonomics, making it perfect for use in high end feature films, television shows,

commercials and indie films as well as broadcast news, studio and even live multi-camera production.

With a background in theater and concert lighting design, Vance Burberry brings more than 25 years of

experience to his work as a DP. In addition to shooting music videos for Guns N’ Roses, Alice Cooper, Pearl Jam

and others, Burberry has worked on numerous features, television series and commercials.

12:45 Pm - 1:45 PmsCreeninG room 5

nFP/Insurance west PresentsInsurance and Rental Contract Pitfalls

Discussion about insurance and rental contracts and how mistakes can cost equipment owners their

livelihood. Speakers: Ross Garner, Director, NFP/Insurance West / Joseph Hong, Attorney, West Corzine

10:15 am - 11:15 amparamount theater

Panasonic PresentsA Filmmakers Guide to the Panasonic DC-GH5

A hybrid photo camera that is as at home in cinematic production as it is in a photo studio, the GH5 can be

a powerful tool in the hands of a filmmaker. This session will cover such topics as workflow enhancement

features (folder and file naming, LUT support, etc.), quality improvements over the GH4, advanced features,

anamorphic function and future firmware updates.

Presented by Mathew Frazer, National Training Manager, Panasonic Consumer Electronics Company.

10:15 am - 11:15 amsCreeninG room 5

Tiffen PresentsThe Latest Groundbreaking Innovations from Tiffen

Proudly introducing the NEW Tiffen NATural ND Filters, Steadicam Air and discussing the art in diffusion.

Panelists: Richard Crudo, ASC and Francis Kenny, ASC

11:30 am - 12:30 PmsCreeninG room 5

sony PresentsToday’s Ultimate Run & Gun Cameras: A Discussion with Media Stranger about Sony’s FS5 & FS7

Media Stranger discusses why FS5 & FS7 are the ultimate run’n’gun cameras and how they have become their

productions most reliable workhorses. The panel will consider pros and cons of comparable options on the

market today explaining reasons why FS5 and FS7 are Media Stranger’s choice both on production and in

post for the majority of their clients including; Coachella Music & Arts Festival, middleweight champion of the

world Canelo Álvarez, and many other global brands. Join Ryan Birtcher (Producer, Director, Co-Founder), Joe

Slavin (Producer, Director, Co-Founder), John Kim (Editor), Luc Dleamare (DP) , Vincent Patin (DP), Brendan

Calder (DP)

show hours: 10:00 am – 5:00 pm show hours: 10:00 am – 5:00 pm


saturday june 3, 2017 saturday june 3, 2017


Asc PresentsDialogue with ASC Cinematographers

The artistic nature of cinematography using real-world examples to demonstrate the process of creating a

visual style for projects based on each member’s experiences.

Panelists: George Spiro Dibie,ASC / John Toll,ASC / Michael Goi,ASC / Daniel Pearl,ASC / James L.Carter,ASC

Lisa Wiegand,ASC / Don A Morgan,ASC / Russell Carpenter,ASC / Rodney Taylor,ASC / Bill Bennett,ASC /Dean Cundey, ASC



3:15 Pm - 4:15 Pm

4:00 Pm - 5:00 Pm

4:30 Pm - 5:30 Pm

2:00 Pm - 3:00 Pm

sCreeninG room 5


paramount theater

paramount theater

sony Presents

radiant Images Presents

canon Presents

sony Presents

Content Management and Archiving Workflow Challenges Solved by EMBASSY ROW

EMBASSY ROW, the LA- and NYC-based production company behind hit shows Comedians in Cars getting

Coffee, Men in Blazers, and Talking Dead, is solving the challenge faced by nearly every production company that

needs to quickly and efficiently manage, archive and retrieve thousands of digital video files.

Using the latest cutting edge content management workflow technologies, EMBASSY ROW will discuss how

their producers can quickly search and retrieve content, often within two hours of a live show, and how they

are migrating a huge library of hard drives and archive tape to a fully digital, simple and immediate workflow.

This session will feature a live workflow demonstration of the content and workflow management system

employed at EMBASSY ROW and will also feature a look at Sony’s Ci Media Cloud Platform

VR Production: From Concept to Reality

Featuring industry experts from Production, Cinematography, Direction, Post-Production and Distribution.

Moderated by Andrew Schwartz, Head of Mixed Reality at Radiant Images.

Speakers will include:

Lucas Wilson is Founder and Executive Producer at SuperSphereVR

Colin Wilson, Film Producer

VR DOP David Stump, ASC

VR DOP Celine Tricart

Will Maurer, VR, VFX, Animation, Story Development and 3D Conversion

Brian Sommer of IME (Interactive Media and Entertainment Law)

Shooting on the EOS C700: How Canon’s Flagship Camera Performs in the Field

Low light capabilities and vast dynamic range are just a few of the features that make the EOS C700 the tool

of choice for Russell Carpenter, ASC (Jobs), Steven Poster, ASC (Amityville: The Awakening), and Polly Morgan,

BSC (Holy Hell). Hear these acclaimed cinematographers chat about the camera that helps them tell their

incredible stories, from films to commercials and beyond.

From the Script to the Big Screen: The Making of a Feature Film

Join Writers/Directors Eshom Nelms and Ian Nelms, and Director of Photography Johnny Derango as they

discuss their latest film Small Town Crime. This is their third collaboration together (after Lost on Purpose and

Waffle Street) and they’ll discuss their approach to movie-making, use of different creative and cinematography

techniques, and the challenges and lessons learned in taking a film from script to screen. The film premiered at

SXSW to critical acclaim and will be released by Saban Films late 2017.

Synopsis: An alcoholic ex-cop finds the body of a young woman and becomes hell-bent on finding the killer but unwittingly

puts his family in danger. The film stars John Hawkes, Anthony Anderson, Octavia Spencer, Robert Forster, Clifton Collins, Jr.,

Michael Vartan, Daniel Sunjata, Caity Lotz, James Lafferty, Jeremy Ratchford, Don Harvey, Stefanie Scott and Dale Dickey.


sony PresentsEstablishing a look from Full Frame Motion Picture Production

Join Executive Producer Glenn Gainor, Director Diedrik Van Rooiijen, Vantage Film GmbH’s Alexander

Schwarz and Wolfgang Baumler for a lively discussion of the creative process employed in the upcoming

Screen Gems feature film Cadaver in using pioneering new technologies to realize a high-budget production

aesthetic at moderate costs.

A behind-the-scenes exposé of the first major motion picture to be shot entirely on Sony’s a7II full-frame

camera, paired with specially engineered Hawk65 Anamorphic lenses to provide a look that can only be

realized by shooting on very large image sensors. This insightful session will explore the tools, techniques and

creative process of a production which will inspire a new dialogue about the new technology options available

to modern motion picture producers.


Panasonic PresentsShooting Anamorphic with VariCam

Cinematographer Frank Prinzi, ASC will discuss shooting director Perry Lang’s upcoming feature film, An

Interview with God, with VariCam 35 cameras. The discussion will include tips and techniques on shooting with

anamorphic lenses, post workflow with Light Iron, and more.

2:00 Pm - 3:00 PmsCreeninG room 5

sony PresentsDocumentary Cinematography: Challenges and Solutions from VICE using FS series camcorders

VICE is all about original reporting and documentaries on everything that matters in the world. Treating the

camera as a tool for telling a story, VICE is a leader in their genre for exploring a range of cinematic looks.

The network offers viewers daily long-form news coverage across its network of 10 award-winning digital

channels. Its latest and most ambitious launch is VICE News Tonight, a nightly news show on HBO following the

success of the Emmy winning VICE on HBO. Mixing day-of news reporting with cinematic camera techniques,

this team has raised the bar in news filmmaking.

Special guests from VICE Jerry Ricciotti, DoP VICE media , and Zach Caldwell, associate DoP VICE News

Tonight will explore the challenges VICE production teams face, and they will present the solutions VICE has

researched for the best results in creating a stylistic look across multiple shows.

show hours: 10:00 am – 5:00 pm show hours: 10:00 am – 5:00 pm


saturday june 3, 2017 saturday june 3, 2017


exhibitor directory exhibitor directory360Rize BOOTH 972216 West State StOlean, New York 14760United States of America(585) 376 0360www.360rize.com

4Wall Entertainment BOOTH 124A3165 W. Sunset Rd. Suite 100Las Vegas, Nevada 89118United States of America702-263-3858www.4Wall.com

A.C. Lighting Inc. BOOTH S22188 Horner Ave.Toronto, Ontario M8Z5Y3Canada416-255-9494www.aclighting.com

AAdynTech BOOTH 130A1822 Carolina Beach RoadWilmington, North Carolina 28401United States of America910-254-3603www.aadyntech.com

AbelCine BOOTH 157801 S. Main St.Burbank, CA 91506United States of America818-972-9078www.abelcine.com

AC Power Distribution, Inc. BOOTH 1203060 N. California St.Burbank, CA 91504United States of America818-848-4004www.acpowerdistribution.com

Academy of Motion Picture Arts and Sciences BOOTH 124B1313 Vine StreetHollywood, California 90028United States of America

Accurate Manufacturing BOOTH 1091073 Shary Circle, AConcord, California 94518United States of America925-566-8040www.cardelliniclamp.com

Acromove Inc BOOTH B1153450 Cahuenga Blvd West # 606Los Angeles, California 90068United States of America844-383-2276www.acromove.com

Atomos BOOTH S10829 Nott StPort MelbourneMelbourne, Vic 3207Australia+61 3 9999 5908www.atomos.com

AudioVideo BrandBuilder Corporation BOOTH 1511206 Apollo RoadSuite 852964Richardson, Texas 75081United States of America(214) 935-9800www.avbbcorp.com

Australian Cinematographers SocietyBOOTH 131ALevel 2, 26 Ridge StreetNorth Sydney NSW, AK 2063Australia61 (0)413264400www.cinematographer.org

Backstage Equipment, Inc. BOOTH 928052 Lankershim Bl.North Hollywood, CA 91605United States of America(818) 504-6026www.backstageweb.com

Band Pro Film & Digital, Inc. BOOTH 703403 W. Pacific AvenueBurbank, CA 91505United States of America818-841-9655www.bandpro.com

BB&S Lighting BOOTH S107PO Box 1776Venice, CA 90294United States of America310-491-6259www.bbslighting.com

Blackmagic Design BOOTH S2262875 Bayview DrFremont, CA 94538United States of America408-954-0500www.blackmagicdesign.com

Black-Tek BOOTH 98BAmselweg 4Krailling, 82152Germanyblack-tek.com

Airstar America BOOTH S12710605 Chandler BlvdNorth Hollywood, California 91601United States of America818-753-0066www.airstarfilm.com

Akitio BOOTH S111B2951 Saturn St., Suite BBrea, California 92821United States of America657-216-2222www.akitio.com

American Grip Inc BOOTH 178468 Kewen AveSun Valley, CA 91352United States of America818-768-8922www.AmericanGrip.com

Andra Motion Technologies BOOTH 30433 Cutler AveDartmouth, Nova Scotia B3B 0J5Canada1-855-444-4575www.andra.com

Angel City Data Inc. BOOTH L201111 N First StreetSuite 301Burbank, CA 91502United States of America818-238-0172www.angelcitydata.com

Aputure BOOTH 661215 JOHN REED CTCITY OF INDUSTRY, CA 91745United States of America301-910-1388www.aputure.com

ARRI Inc. BOOTH S222600 N. Victory BlvdBurbank, CA 91502United States of America818-841-7070www.arri.com

ASC-American Cinematographer BOOTH 1241782 N Orange DriveHollywood, CA 90028United States of America323-969-4333www.theasc.com

Atlas Lens Co. BOOTH P112www.atlaslensco.comLos Angeles, CA 91350United States of America323-445-0999www.atlaslensco.com

Block Battery BOOTH 14915131 Triton LaneSuite 116Huntington Beach, CA 92649United States of America714-372-3300www.blockbattery.com

Bluebird Express BOOTH 88704 South Hindry AveInglewood, CA 90301United States of America310 645-0300www.bluexps.com

Blueshape USA BOOTH 1303 SE 17th St., #309-196Ocala, FL 34471-4423United States of America877- 833-9403www.blueshapeusa.com

Boland Communications, Inc BOOTH 6216 Rancho CircleLake Forest, CA 92630United States of America949-465-9911www.bolandcom.com

Bright Tangerine BOOTH 54Lower Barn, 4 Hillside RoadAldershot, Hampshire GU11 3NBUnited Kingdom+44(0)1252642634www.brighttangerine.com

BrightCast USA Inc BOOTH P103225E. Broadway, Ste 103A, Glendale, CA 91205Glendale, California 91205United States of Americawww.brightcast.us

Brite Shot, Inc BOOTH L601245 West 55th StreetSuite 503New York, New York 10019United States of America212-219-0002www.briteshot.com

Broncolor BOOTH S2231080A Garden State RoadUnion, New Jersey 7083United States of America908-754-5800 http://www.hasselbladbron.com

Brother International Corporation BOOTH 153200 Crossing BlvdBridgewater, New Jersey 08807United States of America908-252-3006brother-usa.com/AiRScouter/


Bulbtronics, Inc. BOOTH S1012210 N. Screenland DriveBurbank, CA 91505United States of America818-561-2208www.bulbtronics.com

Cable Defender BOOTH 1543012 A Murray StreetPort Moody, BC V3H 1X2Canada1-844-280-3238www.CableDefender.com

Camadeus Film Technologies, Inc. BOOTH 197358 Radford Ave.North Hollywood, CA 91605United States of America818-764-1234www.camadeus.com

Canon U.S.A., Inc. BOOTH 12One Canon ParkMelville, NY 11747United States of America631-330-5635usa.canon.com

Carl Zeiss SBE, LLC BOOTH 491 Zeiss DriveThornwood, NY 10594United States of America914-681-7747www.zeiss.com/cine

Carpetlight GmbH BOOTH 7Schleestrasse 12Hamburg, Hamburg 22767Germany0049-40-43096222www.carpetlight.com

Cartoni USA/Manios Digital & Film BOOTH 5710663 Burbank BlvdNorth Hollywood, California 91601United States of America818.760.8240www.maniosdigital.com

Chapman/Leonard Studio Equipment, Inc. BOOTH 1612950 Raymer St.North Hollywood, CA 91605United States of America818-764-6726www.chapman-leonard.com

ChilipepperLABS, Inc. BOOTH 931070 E. Front streetSuite EVentura, California 93001United States of America+1(805) 765-2003www.chilipepperlabs.com

Cineo Lighting BOOTH S1331901 East 51st.Austin, TX 78723United States of America3104253425

Cinescope Optics BOOTH 6ADalton House60 Windsor AvenueLondon, SW19 2RRUnited Kingdom+44 (0)207 692 1735www.cinescopeoptics.com

City National Bank BOOTH L604400 N. Roxbury DriveBeverly Hills, CA 90210United States of America310-888-6135www.cnb.com

Cobalt Digital BOOTH B1032506 Galen DriveChampaign, IL 61821United States of America+1.217.344.1243www.cobaltdigital.com

Codex BOOTH S2043450 Cahuenga Boulevard WUnit 103Los Angeles, CA 90068United States of America323 -283 8939www.codex.online

Cool-Lux BOOTH 81268 Humbracht CircleBartlett, IL 60103-1631United States of America1-800-223-2589www.store.cool-lux.com

Core SWX BOOTH 3291 Commercial St.Plainview, NY 11803United States of America(516) 595-7488www.coreswx.com

Creative Handbook BOOTH 5210152 Riverside Dr.Toluca Lake, CA 91602United States of America(818) 752-3200www.creativehandbook.com

Cubix Corporation BOOTH P1002800 Lockheed WayCarson City, NV 89706United States of America775-888-1000 www.cubix.com

Chimera Lighting BOOTH S2181812 Valtec Laneboulder, CO 80301United States of America303-444-8000chimeralighting.com

Cine Power International Ltd. BOOTH 130Magnolia LakeMamhead, Exeter EX6 8HGUnited Kingdom+44 (0)1626 888433www.cinepower.com

Cinefade BOOTH 5Manston GroveLondon, KT2 5GFUnited Kingdom+44 (0) 77 8993 0557www.cinefade.com

CineLED, Inc. BOOTH S1164631 Alla Rd Unit 6Marina del Rey, CA 90292United States of America925-360-5389www.cinering.com

Cinelex BOOTH 131Unit 3 Tims Boatyard, Tims WayStaines, Middlesex TW18 3JYUnited Kingdom+44 (0)1784 450 506www.cinelex.tv

Cinematography Electronics BOOTH 685321 Derry Avenue, Suite GAgoura Hills, CA 91301United States of America818-706-3334www.cinematographyelectronics.com

Cinemills Coproration BOOTH 792021 N. Lincoln StreetBurbank, CA 91504United States of America818-843-4560 ext. 103www.cinemills.com

Cinemoves Europe BOOTH 100A514 Lyons Bay RoadNokomis, FL 34275United States of America941-492-9175www.cinemoves.com

Cinemoves, Inc. BOOTH 98A2320 Shasta WayUnit HSimi Valley, CA 93065United States of America888-80CRANEwww.cinemoves.com

Cush Light LLC BOOTH S117P.O. Box 90492Pasadena, CA 91109United States of America323-418-2874www.CushLight.com

CW Sonderoptic BOOTH 618783 Beverly Blvd.West Hollywood, CA 90048United States of America323-863-6678www.cw-sonderoptic.com

DADCO BOOTH 20511078 Fleetwood StSun Valley, CA 91352United States of America818-768-8886www.dadcopowerandlights.com

Database Works, Inc. BOOTH S112500 S. Kraemer Blvd. Suite 110Brea, CA 92821United States of America714-203-8818www.dbworks.com

DDP Americas BOOTH 2075104 Lillian StreetHouston, TX 77007United States of America206-310-8537www.ddp-americas.com

Dedolight - Luminys BOOTH P10611961 Sherman RdNorth Hollywood, CA 91605United States of America323-461-6361www.luminyscorp.com

DeSisti- Coemar BOOTH S2071011 Route 22 East Unit DMountainside, New Jersey 7092United States of America908-317-0020

Digital Video Services,Inc. BOOTH S111C6709 La Tijera Blvd., #447Los Angeles, CA 90045United States of America323-296-2752www.dvscones.com

DJI BOOTH S303201 S Victory BlvdBurbank, CA 91502United States of America818-975-2000www.DJI.com

exhibitor directory exhibitor directory


DMG Lumiere BOOTH S103130 bis rue BarabanLyon, Rhone Alpes 69003France33669944567www.dmglumiere.com

Draco Broadcast BOOTH 3623 Las Colinas Lane, #110San Jose, California 95119United States of America(408)-229-9222www.dracobroadcast.com

DSSP, Inc. BOOTH S1305475 Louie Lane, Suite AReno, Nevada 89511United States of America775-851-4443www.dsspropulsion.com

Duclos Lenses BOOTH 5620222 Bahama StreetChatsworth, CA 91311United States of America(818) 773-0600www.ducloslenses.com

English Stix BOOTH S2035774 Bertrand AveEncino, CA 91316United States of America818-983-7330www.englishstix.com

ETC BOOTH S135A6640 Sunset Blvd.Hollywood, CA 90028United States of America323-203-3263www.etcconnect.com

EVS BOOTH 281819 Victory BlvdGlendale, CA 91201United States of America(818) 552-4590www.evsonline.com

Extreme Fliers BOOTH 13112 Deer Park RoadWimbledon, SW19 3FBUnited Kingdom+442085436179www.microdrone.co.uk

Fiilex Lighting BOOTH S2191689 Regatta BlvdRichmond, California 94804United States of America510-620-5000www.fiilex.com

Geo Film Group, Inc. BOOTH 397625 Hayvenhurst Ave., Suite 49Van Nuys, CA 91406United States of America818-376-6680www.geofilm.com

Gig Gear LLC BOOTH 152463 Quentin RoadBrooklyn, NY 11223United States of America718-569-5345www.gig-gear.com

Girtz Industries BOOTH B1005262 N East Shafer DrMonticello, IN 47960United States of America844-464-4789www.girtz.com

GL Optics BOOTH 110440 N Alta Vista BlvdLos Angeles, California 90036United States of America785-313-0311www.gig-gear.com

Glidecam Industries, Inc. BOOTH 72B23 Joseph StreetKingston, MA 02364United States of America781-585-7900www.glidecam.com

Global Cinematography Institute BOOTH B1023349 Cahuenga Blvd., West, Suite 1Los Angeles, CA 90068United States of America323-436-7583www.globalcinematography.com

Glyph Production Technologies BOOTH 53A3736 Kellogg Rd.Cortland, New York 13045United States of America6072750345www.glyphtech.com

Grip Factory Munich BOOTH 98Fürholzener Str. 185386 Eching, Bavaria 85386Germany+49 89 319 0129-0www.g-f-m.net

G-Technology BOOTH 209951 SanDisk DriveMilpitas, CA 95035United States of America925-683-0523www.g-technology.com

Film and Digital Times BOOTH 109A500 East 83 streetNew York, NY 10028United States of Americawww.fdtimes.com

Filmotechnic USA / Camera Car Systems, Inc. BOOTH 91524 W. 132nd St.Gardena, CA 90249United States of America310-710-9566www.filmotechnicusa.com

Filmtools BOOTH 2021400 W Burbank BlvdBurbank, CA 91506United States of America818-845-8066www.filmtools.com

Flanders Scientific, Inc. BOOTH S2206215 Shiloh Crossing, Suite GAlpharetta, GA 30005United States of America+1.678.835.4934www.FlandersScientific.com

Fluotec BOOTH S102438 Logistic Drive, WorldwideLaredo, TX 78045United States of America+1-877-556-5554www.fluotec.net

Fotodiox Pro BOOTH P1081100 Lakeside DrGurnee, IL 60031United States of America847-201-4623www.fotodioxpro.com

Freakshow HD BOOTH S1246934 Tujunga, Unit ANorth Hollywood, California 91605United States of America818-397-5268www.freakshowhd.com

Fujifilm/ Fujinon BOOTH S224200 Summit Lake DriveValhalla, NY 10595United States of America847-457-2641www.fujifilmusa.com/products/optical_devices/index.html

GenErgy Power, LLC BOOTH 200P.O. Box 10731Lancaster, PA 17605United States of America800-308-1330www.genergypowerusa.com

HD Optics & Camera BOOTH 143607 W. Pacific AveBurbank, CA 91505United States of America818 563-2020www.hdoptics.com

Hedén Group AB BOOTH 77Vita Gavelns Vag 6Västra Frölunda, 42671Sweden+4631272110www.heden.se

High Sight BOOTH 8612660 S Fort Street Ste 102Draper, Utah 84020United States of America801-450-3857www.highsightcam.com

Hive Lighting BOOTH S104525 S HewittLos Angeles, California 90013United States of America310-773-4362www.hivelighting.com

Honeycrates.com BOOTH S11511970 Borden AveSan Fernando, CA 91340United States of America747-999-8446www.honeycrates.com

Hover BOOTH 2082711 N. Sepulveda Blvd. Suite 147Manhattan Beach, CA 90266United States of America424-217-3223www.hoverglobal.com

HSD BOOTH 13111 Urban RoadSale, Cheshire M33 7TGUnited Kingdom

HydroFlex, Inc BOOTH 48301 E. El Segundo Bl.El Segundo, CA 90245United States of America(310) 301 8187www.hydroflex.com

Hypermedia International Inc./ Lanparte USA BOOTH 15015 Hammond, Suite 304Irvine, California 92618United States of America714-544-9998www.lanparte.us



Kessler Crane, Inc. BOOTH 74A1901 Western Ave.Plymouth, Indiana 46563United States of America574-400-2251www.kesslercrane.com

Kino Flo Lighting Systems BOOTH S1102840 N. Hollywood WayBurbank, CA 91505United States of America818-767-6528www.kinoflo.com

Koll Ltd BOOTH 18B454 Sheridan RdHighwood, IL 60040United States of America224.544.5418www.koll-ltd.com

Kornercrane, Inc BOOTH 80521 North Niagara StBurbank, CA 91505United States of America818-400-1537www.kornercrane.com

Krane AMG BOOTH 100BPO BOX 1053Yorba Linda, CA 92885United States of America765-50-KRANEwww.kranecarts.com

LaCie BOOTH S1231915 NW Amberglan ParkwayBeaverton, OR 97006United States of America(503) 844-4500www.lacie.com

Lectrosonics BOOTH 85581 Laser Rd NERio Rancho, NM 87124-4508United States of America505-892-4501www.lectrosonics.com

Lex Products BOOTH S21515 Progress DriveShelton, CT 06484United States of America203-274-9920www.lexproducts.com

Libec Sales of America, Inc BOOTH 2119301 Pacific Gateway Dr., Suite 220Torrance, CA 90502United States of America310-787-9400www.libecsales.com

IATSE Local 728 BOOTH P1071001 W Magnolia BlvdBurbank, CA 91506United States of America818-954-0728www.iatse728.org

ICG Magazine/ICG Local 600 BOOTH 237755 Sunset BlvdHollywood, CA 90046United States of America323-876-0160www.icgmagazine.com

IDX SYSTEM TECHNOLOGY,INC BOOTH 552377 Crenshaw Blvd, Suite 160Torrance, CA 90501United States of America3103282850www.idxtek.com

ikan BOOTH S20511500 South Sam Houston PKWY WestHouston, Texas 77031United States of America713-272-8822www.ikancorp.com

Imagecraft Productions BOOTH 473318 Burton Ave.Burbank, CALIFORNIA 91504United States of America818-954-0187www.imagecraftproductions.com

Imagine Products BOOTH S2102935 E 96th Street, Suite 102Indianapolis, IN 46240United States of America317-843-0706www.imagineproducts.com

Indu-Electric BOOTH 7627756 Avenue HopkinsValencia, CA 91355United States of America818-919-8486www.indu-electric.com

Ingallina’s Box Lunch BOOTH 1231398 Monterey Pass RdMonterey Park, CA 91754United States of America213-413-9400www.ingallina.com

Innovision Optics BOOTH 52A2858 Colorado AveSanta Monica, CA 90404United States of America310-453-4866www.InnovisionOptics.com

INOVATIV, Inc. BOOTH 275600 Ayala AveIrwindale, California 91706United States of America(626) 969-5300www.inovativcarts.com

Intuitive Aerial BOOTH 72,72DLokstallsgatan 8Linköping, 58273Sweden+46732630700www.intuitiveaerial.com

IO Industries BOOTH S13115940 Robin’s Hill RdLondon, Ontario N5V 0A4Canada519-663-9570www.ioindustries.com

J.L. Fisher, Inc. BOOTH 431000 W. Isabel StBurbank, California 91506United States of America818-846-8366www.jlfisher.com

J.W. Winco, Inc. BOOTH S1142815 S. Calhoun RoadNew Berlin, Wisconsin 53151United States of America800-877-8351www.jwwinco.com

K5600 Inc, BOOTH 14410434 Burbank BlvdNorth Hollywood, CA 91601United States of America818 762 5756www.k5600.com

Kamera Tools BOOTH B120170 Gemini Ave.Brea, CA 92821United States of America714-944-3264www.kameratools.com

Kays BOOTH 131Pinewood Studios, Pinewood RoadIver Heath, Bucks SL0 0NHUnited Kingdom

Kenko Tokina Formatt Veydra BOOTH 100C11542 Knott Ave Suite 1Garden Grove, California 92841United States of America

Light & Motion and Kupo Grip BOOTH 10675 Virginia RdWhite Plains, New York 10603United States of America914.345.5410www.MacgroupUS.com

Lighticians BOOTH 125A7011 Hayvenhurst Ave., Suite BVan Nuys, CA 91406United States of America(818) 780-5600www.lighticians.com

Lighting Passport / Allied Scientific Pro BOOTH L600815 Carriere Blvd., 203Gatineau, Quebec J8Y6T4Canada819-401-1004www.alliedscientificpro.com

LIGHTS! ACTION! COMPANY. BOOTH 184479 Ellenita AveTarzana, Ca 91356, CA 91356United States of America818 881 5642www.lightsactionco.com

Lilliput Electronics (USA) Inc BOOTH 98C16039 Kaplan AveCity of Industry, California 91744United States of America626-369-3088www.LILLIPUTweb.net

Lindsey Optics, LLC BOOTH 148104 East Avenue K4, Suite KLancaster, CA 93535United States of America661-522-7101www.lindseyoptics.com

LiteGear Inc. BOOTH S1344406 Vanowen St.Burbank, CA 91505United States of America818-358-8542www.litegear.com

Litepanels BOOTH 6514 Progress DriveShelton, Connecticut 06484United States of America+1 (203) 929 1100www.litepanels.com

LOMO Illumina / LumaCon BOOTH 1083879 Crestwood CircleWeston, Florida 33331United States of America954-817-0367www.lumatechinc.com



London Grip.TV BOOTH 131Unit 13, Victoria Industrial Estate, Victoria RoadLondon, W3 6UUUnited Kingdom+447973347818www.londongrip.tv

Los Angeles Rag House INC. BOOTH 8211684 Tuxford StreetLos Angeles, California 91352United States of America818. 276. 1130www.laraghouse.com

LRX, LLC BOOTH 417764 San Fernando Road, #8Sun Valley, California 91352United States of America3234406750www.lrx-lighting.com

MACCAM, Inc. BOOTH 1257011 Hayvenhurst Avenue Ste BVan Nuys, CA 91406United States of America818-780-5600www.maccam.tv

MacTech LED / B & M Lighting BOOTH P10212806 Bradley AvenueSylmar, Caiifornia 91342United States of America818-771-1281www.bmlighting.com

Magic Gadgets BOOTH S11912986 Mapleleaf Ct. NEAurora, Oregon 97002United States of America503.678.6236www.magicgadgets.com

Manfrotto Distribution, Inc. BOOTH 3810 Mountainview Road, Suite 320 SouthUpper Saddle River, New Jersey 07458United States of America201-818-9500 www.manfrotto.us

Mark Roberts Motion Control Ltd. BOOTH 15Unit 3 South East StudiosEastbourne RoadBlindley Heath, Surrey RH7 6JPUnited Kingdom+44 (0)1342 838000www.mrmoco.com

Matthews Studio Equipment Inc BOOTH 145,1464520 West Valerio StreetBurbank, CA 91505United States of America818-843-6715www.msegrip.com

MyCaseBuilder BOOTH S213510 E. 31st StPaterson, New Jersey 7504United States of America973-925-7215www.mycasebuilder.com

Nauticam BOOTH 48A2303 N Andrews AveFort Lauderdale, FL 33312United States of America954-489-8678www.nauticam.com

NBC Universal LIGHTBLADE BOOTH S1263900 Lankershim Blvd., Bldg. 4250-1Universal City, CA 91608United States of America818-777-1281www.lightbladeled.com

Nebtek, Inc BOOTH 943007 South West Temple, Suite KSalt Lake City, UT 84115United States of America801.467.1920www.nebtek.com

NFP BOOTH 892450 Tapo StreetSimi Valley, CA 93063United States of America805-579-1900www.nfp.com

Nila Inc. BOOTH 59723 West Woodbury Rd.Altadena, CA 91001United States of America626-529-2856www.nila.com

OConnor BOOTH 6414 Progress DriveShelton, Connecticut 06484United States of America818-847-8666www.ocon.com

Offhollywood BOOTH 3560 Freeman St.Brooklyn, NY 11222United States of America718-389-8300www.offhollywoodny.com

Oktotech BOOTH 153AGOSB Teknopark, Kemal Nehrozoğlu Cad.2. Hibrid Bina A3Kocaeli, 41480Turkey00905325802140www.oktomag.com

MBS Equipment Company BOOTH L3004060 Ince BlvdCulver Blvd, CA 90232United States of America310-727-2707www.mbseco.com

MK-V OMEGA BOOTH 6Depleach HallWilmslow RoadCheadle, Cheshire SK8 1DRUnited Kingdom+44 (0)161 850 0658www.mk-v.com

Mole-Richardson Co. BOOTH S13212154 Montague StreetPacoima, CA 91331United States of America323-851-0111www.mole.com

Moss LED Inc BOOTH 147313 Evans AveToronto, ON M8Z 1K2Canada416-463-6677www.mossled.com

Mo-Sys Engineering BOOTH 3Thames Bank HouseMorden WharfLondon, SE10 0PAUnited Kingdom0208 858 3205www.mo-sys.com

Motion Impossible BOOTH 5Unit C5 Backfield Business ParkWotton Road, Iron ActonBristol, BS37 9XDUnited Kingdom+44 (0)1454 227 436www.motion-impossible.com

MultiDyne BOOTH 30010 Newton PlaceHauppauge, New York 11788United States of America516-671-7278www.multidyne.com

Multiquip Inc BOOTH 20118910 Wilmington AveCarson, CA 90746United States of America310-400-1684www.multiquip.com

OperTec BOOTH 7322, Zakrevskogo str.Kiev, 02222Ukraine+38 044 501 39 44www/opertec.tv

Oppenheimer Camera Products BOOTH 877400 - 3rd Ave SSeattle, WA 98108United States of America206-467-8666www.oppenheimercameraproducts.com

Optitek Inc BOOTH B1133483 Old Conejo Road, unit 203Newbury Park, CA 91320United States of America3109955650www.optitek.org

Orion Labs BOOTH B1232125 Mission StreetSan Francisco, CA 94110United States of America415-800-2035www.orionlabs.io

OSRAM BOOTH 114A129 Portsmouth AvenueExeter, NH 03833United States of America888-677-2627www.osram-americas.com/entertainment

Outsight Pty Ltd BOOTH S1095275 Craner AvenueNorth Hollywood, California 91601United States of America323 466 8211 www.outsight.com.au

Ovide Smart Assist BOOTH 121Casp 108Barcelona, Barcelona 08010Spain(+34)932470000www.ovidesmart.com

OWC BOOTH 72C8 Galaxy WayWoodstock, IL 60098United States of America815-333-5000www.owcdigital.com

P+S Technik GmbH BOOTH 83Siemensstr. 12Ottobrunn, Bavaria 85521Germany(0049)89-45098230www.pstechnik.de/en


Magic Gadgets®

PROFESSIONAL LIGHTING EQUIPMENT SINCE 1973

utsight


PAG America BOOTH 8124 Spruce RunRamsay, NJ 7446United States of America+1 (631) 3008215www.paguk.com

Panasonic Media Entertainment Company BOOTH S2252 Riverfront Plaza, 6th FloorNewark, NJ 7102United States of America201.348.7994www.us.panasonic.com/varicam

Panavision / Light Iron / LEE Filters BOOTH S3026101 Variel AveWoodland Hills, CA 91367United States of America818-316-1000www.panavision.com

Paralinx BOOTH 1175329 W San Fernando RdLos Angeles, CA 90039United States of America(855) 205-5510www.paralinx.net

Pelican Products BOOTH 9623215 Early AvenueTorrance, CA 90505United States of America310-326-4700www.pelican.com

Perfect Horizon - Motion Picture Marine BOOTH 138578 W. Washington Blvd. Suite 866Marina del Rey, CA 90292United States of America(310) 951-1110www.perfect-horizon.com

Photon Beard BOOTH 104K3 Cherrycourt WayLeighton Buzzard, LU7 4UHUnited Kingdom+1 530 267 0822www.photonbeard.com

Pond5, Inc. BOOTH 29251 Park Ave. S., 7th floorNew York, New York 10010United States of America360-961-6149www.pond5.com

Power Gems BOOTH 123A7702-1 Balboa BlvdVan Nuys, CA 91406United States of America818-376-1800www.powergems.com

Preston Cinema Systems, Inc. BOOTH 531659 11th Street, Suite 100Santa Monica, California 90404United States of America310-453-1852www.prestoncinema.com

PRG - Production Resource Group BOOTH S3041245 Aviation PlaceSan Fernando, California 91340United States of America818-252-2600www.prg.com

Pro8mm BOOTH 842805 West Magnolia BlvdBurbank, CA 91505United States of America818-848-5522www.pro8mm.com

ProductionHUB BOOTH 951806 Hammerlin Ave.Winter Park, Florida 32789United States of America877-629-4122www.productionhub.com

QNAP, Inc. BOOTH S113168 University ParkwayPomona, CALIFORNIA 91768United States of America909-595-2782www.qnap.com

Quasar Science BOOTH S136691 S Anderson StLos Angeles, CA 90023United States of America800-876-0665www.quasarscience.com

Radiant Images, Inc. BOOTH B1072702 Media Center DriveLos Angeles, CA 90065United States of America323-737-1314www.radiantimages.com

RATPAC Dimmers BOOTH S2017508 Tyrone Ave.Van Nuys, Ca. 91405United States of America818-786-0536www.RatpacDimmers.com

RAW Camera Company BOOTH 72A113-2323 Boundary RdVancouver, BC V5M 4V8Canada778.686.6867www.rawcameracompany.com

Really Right Stuff BOOTH 90A1146 FARMHOUSE LANESAN LUIS OBISPO, California 93401United States of America805-548-1515www.reallyrightstuff.com

RED Digital Cinema BOOTH B114, S30134 parkerIrvine, CA 92618United States of America949-206-7900www.red.com

Redrock Micro BOOTH 715230 Kelly DriveRoanoke, Tx 76262United States of America888-214-3903www.store.redrockmicro.com

Reel Efx, Inc. BOOTH 2035539 Riverton Ave.North Hollywood, California 91601United States of America818-762-1710www.reelefx.com

Rip-Tie, Inc. BOOTH S206883 San Leandro BlvdSan Leandro, CA 94577United States of America800-348-7600www.riptie.com

RODE Microphones BOOTH 60B2745 N. Raymond AveSignal Hill, CA 90075United States of America1-562-364-7400www.rode.com

Rokinon XEEN / Elite Brands Inc. BOOTH 9140 Wall Street, 61st FloorNew York, NY 10005United States of America212-947-7100www.rokinon.com

Rosco BOOTH S21652 Harbor View Ave.Stamford, CT 06902United States of America203-708-8900www.rosco.com

Rose Brand BOOTH 11111440 Sheldon StreetSun Valley, CA 91352United States of America818-601-4867www.Rosebrand.com

Rotolight BOOTH 22Pinewood Studios, Pinewood RoadIver Heath, Bucks. SL0 0NHUnited Kingdom+44 (0)1753 422750www.rotolight.com

RST Visions In Color BOOTH S13512023 Victory Blvd.North Hollywood, CA 91606United States of America818.566.1114www.rstvisions.com

Samy’s Camera BOOTH 10312636 Beatrice StLos Angeles, CA 90066United States of America310-591-2100www.samys.com

SanDisk BOOTH 50951 SanDisk DriveMilpitas, California 95035United States of America1-408-801-3243www.sandisk.com

Schneider Optics BOOTH 467701 Haskell Ave.Van Nuys, CA 91406United States of America818-766-3715www.schneideroptics.com

Sennheiser BOOTH P1011 Enterprise DrOld Lyme, CT 06371United States of Americawww.sennheiser.com

Service Vision USA BOOTH 7812035 Sherman WayNorth Hollywood, California 91605United States of America818-623-1970www.servicevisionusa.com

Sigma BOOTH 71A15 Fleetwood CourtRonkonkoma, New York 11779United States of America631-227-2017www.sigmaphoto.com



SKB Corporation BOOTH S2171633 N. Leslie WayOrange,, CA 92867United States of America714-637-1252www.skbcases.com/photo

SmallHD BOOTH 118118 MacKenan Drive, Suite 400Cary, North Carolina 27511United States of America919-439-2166www.smallhd.com

Society of Camera Operators / Camera Operator Magazine BOOTH 60AP.O. Box 2006Toluca Lake, CA 91610United States of America818.563.9110www.soc.org

SoftPanels & Litra BOOTH P10911251 Rancho Carmel DrSan Diego, CA 92150United States of America1-888-466-1566www.litra.com

Sony Electronics, Inc. BOOTH S1291 Sony DrivePark Ridge, NJ 7656United States of America201-930-1000www.pro.sony.com/bbsc/home.do

SourceMaker BOOTH S12015406 Cabrito Road #5Van Nuys, CA 91406United States of America213.335.3643www.sourcemakerled.com

Studio Air Conditioning, Inc BOOTH 154A5171 N Douglas Fir Rd, Suite #6Calabasas, CA 91302United States of America818-222-4143www.studioair.com

Studio Carts BOOTH 18A11274 Goss St.Sun Valley, CA 91203United States of America818-767-1122www.studiocarts.com

Studio Depot BOOTH 9012154 Montague StreetPacoima, CA 91331United States of America323-851-0111www.studiodepot.com

The Studios at Paramount BOOTH 445555 Melrose AvenueHollywood, CA 90038United States of Americawww.paramountstudios.com

The Tiffen Company BOOTH 12290 Oser AvenueHauppauge, NY 11788United States of America631-273-2500www.tiffen.com

Think Tank BOOTH 1021105 N. Dutton Ave. #CSanta Rosa, CA 95401United States of America866-558-4465www.thinktankphoto.com

TILTA BOOTH 252801 W Magnolia BlvdBurbank, CA 91505United States of America818-561-4991www.tilta.com

Timecode Systems Limited BOOTH 98DUnit 6 Elgar Business Centre, HallowWorcester, Worcs WR2 6NJUnited Kingdom+44 1700808600www.timecodesystems.com

TMB BOOTH S111D527 Park Ave.San Fernando, CA 91340United States of America1 818 899 8818www.tmb.com

T-Pars, Inc BOOTH L602928 N San Fernando BlvdSuite J #624Burbank, CA 91504United States of America310-890-6227www.Tungstenpar.com

Transvideo & Aaton Digital BOOTH 60C1 Plato Place, 72-74 St. Sionis RoadLondon, SW6 4TUUnited Kingdom+447532806869www.transvideo.eu

Transvideo International BOOTH B12211712 Moorpark Street, Ste. 112BNorth Hollywood, CA 91604United States of America818-985-4903www.transvideointl.com

Sumolight GmbH BOOTH 125BColditzstrasse 33Berlin, Berlin 12099Germany+49 30 33892985www.sumolight.com

Supreme Lighting BOOTH P105Wendenschlossstr. 462Berlin, 12557Germanysupremelighting.de

SWIT Electronics USA, LLC BOOTH 343350 Scott Blvd.Bldg. 61-02Santa Clara, CA 95054United States of America408-260-8258www.swit.us

Team5, LLC BOOTH 603312 Burton AveBurbank, CA 91504United States of America818-925-1500www.team5.rentals

Technocrane s.r.o. BOOTH 75Podnikatelska 19Pilsen, Not Applicable 30100Czech Republic00420377889111www.supertechno.com

Teradek BOOTH 1198 MasonIrvine, CA 92618United States of America949-677-4587www.teradek.com

Thales Angenieux BOOTH 40140 Centennial AvePiscataway, NJ 08854United States of America973-812-4318www.angenieux.com

That Cat Camera Support, LLC BOOTH 33163 Spring Hill Rd. Unit 3 CTrumbull, Connecticut 06611United States of America203-590-3555www.cameraslider.com

The Rag Place, Inc. BOOTH 3113160 Raymer StreetNorth Hollywood, California 91605United States of America818-765-3338www.theragplace.com

True Lens Services BOOTH 220 Bank TerraceBarwell, Leicestershire LE2 8GGUnited Kingdom+44 (0)1455 848411http://www.truelens.co.uk/

TVLogic BOOTH S2097663 N. San Fernando RdBurbank, CA 91505United States of America818-885-6442www.tvlogicusa.com

Ultralight Control Systems BOOTH 60DCerro Crest Dr.Camarillo, CA 93010United States of America(805)484-3334www.ulcs.com

Variety 411 BOOTH 10711175 Santa Monica Blvd., Ste. 5Los Angeles, CA 90046United States of America323-617-9403www.variety411.com

Variety Insight BOOTH B12111175 Santa Monica BlvdLos Angeles, CA 90025United States of America323-617-9164www.varietyinsight.com

Vaxis Storm Wireless Transmission System BOOTH 1561017 Laskin Road suite100AVirginia Beach, VA 23451United States of America757-589-7518www.vaxis.cn

VELVET LIGHT BOOTH S106Gorcs Llado 1-9, Nave 2Barcelona, CA 08210Spain+34 937 073 011www.velvetlight.tv

VER BOOTH S135B757 W. California Ave.Glendale, CA 91203United States of America800-794-1407www.ver.com

Walter Klassen FX BOOTH 51353 Eastern Ave., Suite 107Toronto, Ontario M4M1B7Canada416-778-7848www.shop.walterklassen.com



Wamco BOOTH 14117752 FitchIrvine, California 92614United States of America714-545-5560www.wamcoinc.com

Warner Bros. Studio Facilities BOOTH 1134000 Warner Blvd.Burbank, CA 91522United States of America818-954-3000www.wbsf.com

Westcott (F.J. Westcott Company) BOOTH S1251425-B Holland RoadMaumee, Ohio 43537United States of America419-243-7311www.fjwestcott.com

Western Shelter BOOTH 91A830 Wilson StreetEugene, OR 97402United States of America541-344-7267www.westernshelter.com

Wolfram Inc. BOOTH 421309 Doker Dr. Unit BModesto, California 95351United States of America209-238-9610www.wolframlights.com

Wooden Camera BOOTH 115923 W Olive AveBurbank, CA 91506United States of America855-966-3226www.WoodenCamera.com

X-Rite Photo & Video BOOTH 1014300 44th St. SEGrand Rapids, Michigan 49512United States of America201.777.5928www.xritephoto.com

YI Technology BOOTH 17A1450 114TH AVE. SEBellevue, WA 98004-6934United States of America425-454-0769www.yitechnology.com

YoYotta BOOTH 15513 Lovibond LaneUnit 5 Hopyard StudiosLondon, SE10 9FYUnited Kingdomwww.yoyotta.com

Zacuto BOOTH 74401 West Ontario StreetSuite 100Chicago, Illinois 60654United States of America312-863-3456www.zacuto.com

ZGC Inc/ Cooke Optics BOOTH 67264 Morris AveMountain Lakes, New Jersey 07046United States of America973-335-4460www.zgc.com

Zylight / Ushio America, Inc. BOOTH S21110718 McCune AveLos Angeles, CA 90034United States of America978-244-0011www.zylight.com

exhibitor directory

2018

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© 2017 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Features and specifications are subject to change without notice. Sony and the Sony logo are trademarks of Sony.

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2017 Cinegear Expo News - Full Page CP3 Ad.pdf 1 5/18/2017 4:13:44 PM

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