Welcome Art Textiles · • Analysis of designers work • Evaluations of your samples and design...

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Welcome Art Textiles – What is it? What will we do? How are we assessed? Component 1: Portfolio What's assessed A portfolio that in total shows explicit coverage of the four assessment objectives. How it's assessed No time limit • 96 marks 60% of GCSE Non-exam assessment (NEA) set and marked by the school/college and moderated by AQA during a visit. Component 2: Externally set assignment What's assessed Students respond to their chosen starting point from an externally set assignment paper relating to their subject title, evidencing coverage of all four assessment objectives. How it's assessed • Preparatory period followed by 10 hours of supervised time 96 marks • 40% of GCSE

Transcript of Welcome Art Textiles · • Analysis of designers work • Evaluations of your samples and design...

Page 1: Welcome Art Textiles · • Analysis of designers work • Evaluations of your samples and design ideas • Using CAD to record ideas • Your final piece should be a personal response

Welcome

Art Textiles – What is it? What will we do? How are we assessed?

Component 1: PortfolioWhat's assessedA portfolio that in total shows explicit coverage of the four assessment objectives.

How it's assessed• No time limit• 96 marks• 60% of GCSENon-exam assessment (NEA) set and marked by the school/college and moderated by AQAduring a visit.

Component 2: Externally set assignmentWhat's assessedStudents respond to their chosen starting point from an externally set assignment paper relatingto their subject title, evidencing coverage of all four assessment objectives.

How it's assessed• Preparatory period followed by 10 hours of supervised time• 96 marks• 40% of GCSE

Page 3: Welcome Art Textiles · • Analysis of designers work • Evaluations of your samples and design ideas • Using CAD to record ideas • Your final piece should be a personal response

As each AO is worth 25% - you must ensure you cover all of them equally. You need to know what work will cover which objectives.

You should also have a good mix of Primary research (photos / drawings you have done yourself) and Secondary research (images

and information from the internet or books)

AO1 – Develop ideas through research

AO2 – Refine work by experimenting

• Theme mind map• Mood Board• Designer Analysis • Evaluations of work inspired

by designers• Photographs• Observational drawings

• Experiment with a range of different Textile Techniques

• Samples should be approximately A5 in size and include an evaluation

• You should produce a sample for each piece of research you conduct and make links between them

AO3 – Record ideas using observational

drawings and explanation

AO4 – Present a final piece

• Observational drawings• Design pages• Annotation to explain ideas• Analysis of designers work• Evaluations of your samples

and design ideas• Using CAD to record ideas

• Your final piece should be a personal response to all of your research and development work.

• You final piece could be:• An item for home furnishing • A fashion/costume piece • An accessory such as a hat or

scarf• A bag or textile container • A textile panel.

Assessment

Page 4: Welcome Art Textiles · • Analysis of designers work • Evaluations of your samples and design ideas • Using CAD to record ideas • Your final piece should be a personal response

Assessment

All of your work will be marked according to how well you have met the 4 Assessment Objectives. Each AO is worth 25% of the

grade for that project.

AO1 - RESEARCH – ARTISTS, TRIPS/VISITS & SOURCES OF INSPIRATIONDevelop ideas through investigations, demonstrating critical understanding of sources

AO2 - EXPERIMENTS WITH MEDIARefine work by exploring ideas, selecting and experimenting with appropriate media, materials, techniques and processes.

AO3 - OBSERVATIONAL DRAWINGS, EXPLANATIONS & USE OF MEDIARecord ideas, observations and insights relevant to intentions as work progresses.

AO4 - FINAL IDEA & FINAL PIECE, LINKS WITH ARTISTSPresent a personal and meaningful response that realises intentions and demonstrates understanding of visual language

Page 5: Welcome Art Textiles · • Analysis of designers work • Evaluations of your samples and design ideas • Using CAD to record ideas • Your final piece should be a personal response

Expectations. READY

RESPECT

SAFE

• Arrive Calmly• Books and Equipment out• Complete the Brain in gear• Homework handed in on time

• Listening• Follow instructions first time• Complete work to the highest standard• Re-Do the work if its not correct • Make Mistakes!

• Wear PPE in the workshop• Use only machines and tools you have

been shown how to use correctly • Follow workshop expectations

How can you show you are ready?

How can you showRespect?

How can we be safe in

DT?

Page 6: Welcome Art Textiles · • Analysis of designers work • Evaluations of your samples and design ideas • Using CAD to record ideas • Your final piece should be a personal response

Row 1Equipment Safety and Hygiene Rules

1. You must only use your designated equipment.

2. Before using the equipment, hand sanitise and wipe down with anti bacterial wipes, dispose of wipes in the bin.

We show we are ready by;Equipment check; • 8 rulers • 8 right handed scissors • 2 left handed scissors • 8 pencils • 8 black biro pens • 4 rubbers • 1 sharpener • 1 pot of coloured pencils • 1 pin pot • 8 needles

We show respect by; Looking after the equipment and leaving a tidy workspace for the next class.

We show we are safe by; Following the health, safety and hygiene rules

Please follow the equipmentand hygiene rules in the traysprovided.

Page 7: Welcome Art Textiles · • Analysis of designers work • Evaluations of your samples and design ideas • Using CAD to record ideas • Your final piece should be a personal response

Row 1 Sewing Machine Safety and Hygiene Rules

1. You must only use your designated sewingmachine.

2. Before using the sewing machine, hand sanitise and wipe down with anti bacterial wipes.

3. When finished with using the sewing machine turn off, check it is threaded for the next person and wipe down.

We show we are ready by;Having the sewing machine set up and antibacterial wiped down.

We show respect by leaving the machine; Switched off Threaded for the next person A tidy work surface

We show we are safe by; Following the health, safety and hygiene rules

Please follow the safety and hygiene rules when using the sewing machine in addition tothe standard safety rules.

Page 8: Welcome Art Textiles · • Analysis of designers work • Evaluations of your samples and design ideas • Using CAD to record ideas • Your final piece should be a personal response

BIG: Observe the drawing of the shell

Task A: Identify 5 key words to explain the image

Task B: Write down what the following terms mean to you… • Tone• Shade

Task C: Why do you think tone and shade are important to observe when drawing from observation?

Texture

ScaleTask A HINT

LF: To explore the context through initial research.

Page 9: Welcome Art Textiles · • Analysis of designers work • Evaluations of your samples and design ideas • Using CAD to record ideas • Your final piece should be a personal response

BIG: Research

Task A: Gather 4 images of work of Angie Lewin

Task B: Identify 3 key words to describe her style of printing.

Task C: What is the topic of her artwork, the concept? (Theme)

LF: To explore the context through initial research.

Page 10: Welcome Art Textiles · • Analysis of designers work • Evaluations of your samples and design ideas • Using CAD to record ideas • Your final piece should be a personal response

BIG: Research

Task A: Quickly sketch the image of Angie Lewins work.

Task B: Identify an art textile method that you could use to recreate this artwork.

LF: To explore the context through initial research.

Task A)

Page 11: Welcome Art Textiles · • Analysis of designers work • Evaluations of your samples and design ideas • Using CAD to record ideas • Your final piece should be a personal response

AO1 – Develop ideas through research

• Theme mind map• Mood Board• Designer Analysis • Evaluations of work inspired

by designers• Photographs• Observational drawings

Mindmap to explore the theme

• Clear title• Relevant inspiration images• 3-4 different aspects of the theme• Textile Techniques you could use• Keywords• Initial ideas about the theme• Higher levels will have Initial

designer inspiration

1

LF: To explore the context through initial research.

Natural Forms

Nature Fruit

Florals

Texture

Observations Trees

Landscape

Colour

Page 12: Welcome Art Textiles · • Analysis of designers work • Evaluations of your samples and design ideas • Using CAD to record ideas • Your final piece should be a personal response
Page 13: Welcome Art Textiles · • Analysis of designers work • Evaluations of your samples and design ideas • Using CAD to record ideas • Your final piece should be a personal response

Moodboard (spread over a double page)

• Should focus on one aspect of the theme

• Include a range of inspiration images (secondary)

• Inspiration will include images relating to theme and existing products

• Keywords• Clear colour scheme• Different textures (fabric / magazines

etc)• Higher levels will include initial

sketches• Annotation – summary of how your

moodboard has helped develop your ideas

2

LF: To explore the context through initial research.

Page 14: Welcome Art Textiles · • Analysis of designers work • Evaluations of your samples and design ideas • Using CAD to record ideas • Your final piece should be a personal response

LF: To explore the theme through initial research.

Task 1) Mind map of new project context.

Task 2) Mood Board research of theme.

Task 3) Research natural form artists, Angie Lewin and Sandra Meech and Henrique Oliveira experiment with natural forms as a topic.

Extension of learning: Develop some initial sketches of your mood board imagery.

Research (AO1)

1-4

• Minimal ability to develop ideas through artist investigations. • Minimal ability to demonstrateanalysis of artist / cultural research.

5-12•A moderate ability to effectively develop ideas through artistinvestigations.• A moderate ability to demonstrate critical understanding of artistresearch.

12-16

• A consistent ability to effectively develop ideas through purposeful investigations.• A consistent ability to demonstrate critical understanding of artistresearch.