week 05 - UC Berkeley School of...
Transcript of week 05 - UC Berkeley School of...
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Ambient MediaAt the periphery of our awareness
week
05
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Lecture Outline
• Peripheral Awareness
• Ambient Media
• Signs and Representational Fidelity
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Peripheral AwarenessWhat we are attuned to without attending to explicitly
[Weiser, 1995]
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Locatedness: Calm Technology
We are connected effortlessly to a myriad of familiar details of the world around us.
[Weiser, 1995]
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Calm Technology
Engages both the center and the periphery of our attention, and moves back and forth between the two.
[Weiser, 1995]
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[Jeremijenko , 1995]
Live Wire
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Tasks in Foreground and Background[Buxton, 1995]
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[Buxton, 1995]
HUMAN-HUMAN
BACKGROUNDFOREGROUND
HUMAN-COMPUTER
persistentbursty
conversation, telephone,video conf.
GUIs
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[Buxton, 1995]
HUMAN-HUMAN
BACKGROUNDFOREGROUND
HUMAN-COMPUTER
persistentbursty
conversation, telephone,video conf.
GUIs
Ob
ject
of C
om
munic
atio
n
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[Buxton, 1995]
HUMAN-HUMAN
BACKGROUNDFOREGROUND
HUMAN-COMPUTER
persistentbursty
“Portholes”conversation,
telephone,video conf.
GUIs
Ob
ject
of C
om
munic
atio
n
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[Dourish & Bly, 1992]
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[Buxton, 1995]
HUMAN-HUMAN
BACKGROUNDFOREGROUND
HUMAN-COMPUTER
persistentbursty
“Portholes”conversation,
telephone,video conf.
smart house technologyGUIs
Ob
ject
of C
om
munic
atio
n
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Foreground and background
Calm technology engages both the center and the periphery of our attention, and moves back and forth between the two. [Weiser, 1995]
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Operations
Actions
Activity
automatic,unconscious
consciousgoal-oriented
Hierarchical StructureActivity Theory
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Operations
Activity
Hammering, changing gears when driving
Putting the roof up, transporting bricks by truck
Building a house
Hierarchical StructureActivity Theory
Example
Actions
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Operations
Actions
Activity
automatic,unconscious
consciousgoal-oriented
Hierarchical StructureActivity Theory
FOREGROUND
BACKGROUND
Foreground and background in calm computing
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Ambient Media
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Ambient Media
Information conveyed via calm changes in the environment so that users are more able to focus on their primary tasks while staying aware of non-critical but important information that affects them.
[Pousman & Stasko, 2006]
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Pinwheels: wind of bits[Ishii et al., 1997]
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ambientROOM[Ishii et al., 1997]
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Orb[Ambient Devices]
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Orb[Ambient Devices]
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Orb[Ambient Devices]
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Remember your color mixer lab assignment?
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LumiTouch[Chang, Resner et al., 2001]
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iCom[Agamanolis , 2003]
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Ambient Media:Design Principles 1. Display important but not critical information
2. Can move from the periphery to the focus of attention and back again
3. Focus on physical representation in the environment
4. Provide subtle changes to reflect updates in information (should not be distracting)
5. Are aesthetically pleasing and environmentally appropriate
[Pousman & Stasko, 2006]
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Representational Fidelity and Signs
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Representational Fidelity
How the data from the world is encoded into patterns, pictures, words, or sounds.
[Pousman & Stasko, 2006]
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Sign
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Sign [Peirce 1931-58]
Signifier
The representation of the object, which could be a word, a picture, or a sound.
Sense
The understanding that an observer gets from seeing or experiencing either the signified or its signifier.
Signified
The physical thing or idea that the sign stands for.
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Sign [Peirce 1931-58]
Signifier
The representation of the object, which could be a word, a picture, or a sound.
Sense
The understanding that an observer gets from seeing or experiencing either the signified or its signifier.
Signified
The physical thing or idea that the sign stands for.
Warm, hot, burn, bright, dangerous, etc.
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Types of Signs
• Iconic
• Symbolic
• Indexical
[Peirce 1931-58]
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Iconic Signs
Signs that “resemble” or “look like” that to which they refer to. A preference for “visual resemblance” over all other possible sorts resemblance.
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Iconic signsDrawings and caricatures
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Iconic signsImitative gestures and metaphors
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Symbolic Signs
Based on code or rule-following conventions. Fundamentally arbitrary, so the relationship must be learned.
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Symbolic SignsLanguage characters, numbers
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Abstract visual representations
Symbolic Signs
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Indexical Signs
Directly connected to the signified (physically or causally). The link can be observed or inferred.
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Indexical SignsNatural signs
Jason Courtney http://www.perdador.com/f6update/Oc3.html
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Indexical SignsMeasuring instruments (weathercock, thermometer, clock)
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Indexical SignsMeasuring instruments (weathercock, thermometer, clock)
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Indexical SignsSignals
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Indexical SignsRecordings (a photograph, a film, video or television shot, an audio-recorded voice), maps, photos.
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Signs in Context of Use
to represent “cold weather” == Indexical
to represent “snow flake” == Iconic
to represent “GO for ski” == Symbolic
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ICONICResembling or imitating the signified
SYMBOLICArbitrary, rule-following, must be learned
INDEXICALNot arbitrary and is directly connected to the signified
VISUAL
AUDITORY
TACTILE
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ICONICResembling or imitating the signified
SYMBOLICArbitrary, rule-following, must be learned
INDEXICALNot arbitrary and is directly connected to the signified
VISUAL
AUDITORY
TACTILE
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ICONICResembling or imitating the signified
SYMBOLICArbitrary, rule-following, must be learned
INDEXICALNot arbitrary and is directly connected to the signified
VISUAL
AUDITORY
TACTILE
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ICONICResembling or imitating the signified
SYMBOLICArbitrary, rule-following, must be learned
INDEXICALNot arbitrary and is directly connected to the signified
VISUAL
AUDITORY
TACTILE
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ICONICResembling or imitating the signified
SYMBOLICArbitrary, rule-following, must be learned
INDEXICALNot arbitrary and is directly connected to the signified
VISUAL
AUDITORY
TACTILE
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ICONICResembling or imitating the signified
SYMBOLICArbitrary, rule-following, must be learned
INDEXICALNot arbitrary and is directly connected to the signified
VISUAL
AUDITORY
TACTILE
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ICONICResembling or imitating the signified
SYMBOLICArbitrary, rule-following, must be learned
INDEXICALNot arbitrary and is directly connected to the signified
VISUAL
AUDITORY
TACTILE
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ICONICResembling or imitating the signified
SYMBOLICArbitrary, rule-following, must be learned
INDEXICALNot arbitrary and is directly connected to the signified
VISUAL
AUDITORY
TACTILE
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ICONICResembling or imitating the signified
SYMBOLICArbitrary, rule-following, must be learned
INDEXICALNot arbitrary and is directly connected to the signified
VISUAL
AUDITORY
TACTILE
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ICONICResembling or imitating the signified
SYMBOLICArbitrary, rule-following, must be learned
INDEXICALNot arbitrary and is directly connected to the signified
VISUAL
AUDITORY
TACTILE
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ICONICResembling or imitating the signified
SYMBOLICArbitrary, rule-following, must be learned
INDEXICALNot arbitrary and is directly connected to the signified
VISUAL
AUDITORY
TACTILE
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ICONICResembling or imitating the signified
SYMBOLICArbitrary, rule-following, must be learned
INDEXICALNot arbitrary and is directly connected to the signified
VISUAL
AUDITORY
TACTILE
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ICONICResembling or imitating the signified
SYMBOLICArbitrary, rule-following, must be learned
INDEXICALNot arbitrary and is directly connected to the signified
VISUAL
AUDITORY
TACTILE
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ICONICResembling or imitating the signified
SYMBOLICArbitrary, rule-following, must be learned
INDEXICALNot arbitrary and is directly connected to the signified
VISUAL
AUDITORY
TACTILE
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ICONICResembling or imitating the signified
SYMBOLICArbitrary, rule-following, must be learned
INDEXICALNot arbitrary and is directly connected to the signified
VISUAL
AUDITORY
TACTILE
OLFACTORY
TASTE
???
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Beyond ambient displays
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Ambient “input methods”Presence and activity sensors Gestural inputTangible interfaces
[Vogel & Balakrishnan, 2004]
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None Noun VerbNoun
and VerbFull
Full
Nearby
Environ-ment
Distant
Metaphor
Embodiment
Ambient Media?
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None Noun VerbNoun
and VerbFull
Full
Nearby
Environ-ment
Distant
Metaphor
Embodiment
Ambient Media?
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Beyond fore vs. background“Load balancing” of senses to reduce cognitive load
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Assignments due this week
• Midterm project proposal due today Tuesday Sep 23
• Potentiometer lab due Wednesday Sep 24
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For this Thursday
• Sensor 2: Force sensitive resistors and photocells
• Arduino as an interface board: Processing
• Read Intro to Processing at processing.org
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Announcement
Design Futures lecture seriesWednesday September 246:00 - 7:30 pm at BCNM Commons (340 Moffitt)
Jennifer Bove, HUGEBen Fullerton, IDEO
‘We’ll Always Have Paris’: What Makes a Memorable Service Experience?
Jennifer Bove and Ben Fullerton will explore what it takes to design services that keep people coming back for more. They will probe the dynamics of this subject, considering along the way other curious questions, such as: why do people get excited about intangible services in the same way they lust after the latest shiny lump of plastic?
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Thanks!