Wasting Light.pdf

121
Intro Moderately fast q = 170 Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear Bridge Burning Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission from Foo Fighters - Wasting Light *Gtr. 1 (dist.) *Gtr. 1 (dist.) mf Riff A μ 11 E5 1 D/F# 32 1 C 13 D5/A 1134 Eb5/Bb End Riff A *Two gtrs. arr. for one. ** **Hammer on low note w/ left hand while strumming muted notes behind the bridge. Gtr. 2 (dist.) Gtr. 1: w/ Riff A (2 times) f E5 P.M. P.M. P.M. P.M. Gtr. 2 P.M. P.M. P.M. P.M. Gtr. 3 (dist.) Riff B f End Riff B X X X 9 X X X X X X X X X 9 X X X X X X X X X 9 X X X X X X X X X X X X 9 X X X X X X X X X 9 X X X X X X X X X 9 X X X X X X X X X 9 X X X X X X X X X 9 X X X X X X X X X X X X 9 X X X X X X X X X 9 X X X X X X 10 12 10 12 10 12 10 12 10 12 0 10 12 0 10 12 10 12 10 12 10 12 10 12 0 10 12 0 10 12 10 12 10 12 10 12 10 12 0 10 12 0 10 12 10 12 10 12 10 12 10 12 0 10 12 0 5 7 5 7 5 7 5 7 5 7 0 5 7 0 5 7 5 7 5 7 5 7 5 7 0 5 7 0 1

description

Guitar score

Transcript of Wasting Light.pdf

Intro

Moderately fast q = 170

Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear

Bridge Burning

Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC

All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.

All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission

from Foo Fighters - Wasting Light

*Gtr. 1 (dist.)*Gtr. 1 (dist.)

mf

Riff A

µ

11

E5

1

D/F#

32 1

C

13

D5/A

1134

Eb5/Bb

End Riff A

*Two gtrs. arr. for one.

**

**Hammer on low note w/ left hand while strumming muted notes behind the bridge.

Gtr. 2 (dist.)

Gtr. 1: w/ Riff A (2 times)

f

E5

P.M. P.M. P.M. P.M.

Gtr. 2

P.M. P.M. P.M. P.M.

Gtr. 3 (dist.)

Riff B

f

End Riff B

XXX

9

XXX

XXX

XXX

9

XXX

XXX

XXX

9

XXX

XXX

XXX

XXX

9

XXX

XXX

XXX

9

XXX

XXX

XXX

9

XXX

XXX

XXX

9

XXX

XXX

XXX

9

XXX

XXX

XXX

XXX

9

XXX

XXX

XXX

9

XXX

XXX

10 12 10 12 10 12 10 12 10 12 0 10 12 0 10 12 10 12 10 12 10 12 10 12 0 10 12 0

10 12 10 12 10 12 10 12 10 12 0 10 12 0 10 12 10 12 10 12 10 12 10 12 0 10 12 0

5 7 5 7 5 7 5 7 5 70

5 70

5 7 5 7 5 7 5 7 5 70

5 70

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

1

*Gtrs.

2 & 4

Gtr. 3: w/ Riff B (2 times)

Riff C

P.M. P.M. P.M. P.M.

End Riff C

*Gtr. 4 (dist.), played f.

Verse

E5

These1. are

Eb5

my fa

D5

mous- last

Db5

words!

C5 G A D5

Gtr. 4

**Gtrs. 2 & 3

Rhy. Fig. 1

End Rhy. Fig. 1

**Composite arrangement

Gtrs. 2 & 3: w/ Rhy. Fig. 1

E5

My num

Eb5

ber’s- up,

D5

bridg es

Db5

- well

C5

burned!

G A D5

Gtr. 4

10 12 10 12 10 12 10 12 10 12 0 10 12 0 10 12 10 12 10 12 10 12 10 12 0 10 12 0

799

799

799

688

688

688

577

577

577

466

4 15 355

355

355

355

3554

3554

3554

3554

5776

5776

5776

5776

577

577

577

577

15 355

355

355

355

3554

3554

3554

3554

5776

5776

5776

5776

5577

5577

5577

5577

799

799

799

688

688

688

577

577

577

466

4 15 355

355

355

355

3554

3554

3554

3554

5776

5776

5776

5776

577

577

577

577

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

2

Em

Oh, won’t

Eb

you let

Dsus4

me twist

A7/C#

your fate?

C5 G5

It’s get

A7

ting- kind

Dsus4

a- late,

Gtr. 4Riff D1

Gtrs. 2 & 3

Riff D

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

Em Eb

and I

Dsus4

don’t wan

A7/C#

na- wait

C5 G5

no more.

A7 µ

Harm.

8vaEnd Riff D1

loco

P.M. P.M. P.M. P.M. P.M. P.M. P.M. Harm.

8vaEnd Riff D

loco

Gtrs. 2 & 3: w/ Riff D (2 times)Gtr. 4: w/ Riff D1 (2 1/2 times)

Em

Oh, may

Eb

I have

Dsus4

this dance

A7/C#

of days

C5 G5

locked

A7

in your

Dsus4

em brace?-

Em Eb

Passed

Dsus4

your test

A7/C#

of faith.

C5 G5 A7 µ

50

50

50

50

50

50

50

50

7 75

0 0 6 65

0 0 5 55

0 0 4 45

0 0 3 35

0 0 3 3

5

0 0 5 5

50 0 5 5

5

50

50

50

50

50

50

50

44

17

7 75

0 0 6 65

0 0 5 55

0 0 4 45

0 0 3 35

0 0 3 3

5

0 0 5 5

53

4

17

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

3

Em

An oth-

Eb

er- time,

Dsus4

an oth-

A7/C#

er- place,

C5

an oth

G5

- er- line

A7

up on-

Dsus4

your face.

Em

Eb

An oth

Dsus4

- er- in

A7/C#

your way.

C5 G5

A7 µ

Em

Down crook

Eb

ed- stairs

Dsus4

and side

A7/C#

ways- glanc

C5

es- comes

G5

the king

A7

of sec

Dsus4

ond- chanc -

Gtrs. 2 & 3

P.M.

Em

es.

-

Eb

Now throw

Dsus4

him in

A7/C#

the flame.

C5 G5 A7 Dsus4

Gtr. 4

Gtrs. 2 & 3

P.M. let ring

7 75

0 0 6 65

0 0 5 55

0 0 4 45

0 0 3 35

0 0 3 3

5

0 0 5 5

50 0 5 5

5

50

50

50

50

50

50

50

50

7 75

0 0 6 65

0 0 5 55

0 0 4 45

0 0 3 35

0 0 3 3

5

0 0 5 5

50 0 5 5

00

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

4

Pre-Chorus

Csus2

What ev- er- keeps you warm at night.

A7sus4 Csus2

(What ev- er- keeps you warm at night.)

What ev- er- keeps you warm in side.

Dsus4

-

Eb

*Gtrs. 4 & 5

*Gtr. 5 (dist.), played f.

Doubled throughout

503

503

503

503

503

503

503

503

503

503

503

503

503

503

503

503

503

503

503

503

503

503

503

503

503

503

503

503

503

503

503

50

503

503

503

503

403

403

403

403

503

503

503

503

07

5

00

503

503

503

503

503

403

403

403

403

503

503

503

503

2 0 503

05

3

503

503

503

503

503

503

503

503

503

503

503

503

503

503

503

503

503

503

503

403

403

00

688

688

688

688

688

688

688

688

05

3

503

503

503

503

403

403

403

403

503

503

503

503

07

5

403

503

503

503

503

503

403

403

003

503

503

503

503

503

503

000

000

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

5

Chorus

E5

Your bridg es- are burn

D%

in’- down. They’re

Gtrs. 2, 3 & 4

Rhy. Fig. 2

Gtr. 5Rhy. Fig. 2A

let ring

all

C,7

com in’- down,

E

it’s all

C,7

com in’- ’round.

E

End Rhy. Fig. 2

let ring let ring

End Rhy. Fig. 2A

799

799

799

799

799

799

799

799

799

799

799

799

799

799

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

799

799

79

09

0

799

799

799

79

09

0

799

799

799

79

09

0

799

799

799

57

07

0

577

577

57

07

0

577

577

577

57

07

0

577

577

577

57

07

0

577

577

577

57

07

0

577

10X12

10X12

10X12

10X12

10X12

10X12

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

10X12

10X12

10X12

10X12

10X12

10X12

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

000

81010

81010

810

0

109

0

81010

81010

81010

079

09

0

0799

0799

079

09

0

0799

0799

0799

079

09

0

000

81010

81010

810

0

109

0

81010

81010

81010

079

09

0

0799

0799

079

09

0

0799

0799

0799

079

09

0

000

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

6

2CTo oda 1CTo oda

Gtrs. 2, 3 & 4: w/ Rhy. Fig. 2 (1st 4 meas.)Gtr. 5: w/ Rhy. Fig. 2A

E5

You’re burn in’- them down.

D%

It’s

all

C,7

com in’- ’round,

E

they’re all

C,7

com in’- down.

E

You’re

Gtrs. 2, 3 & 4

Riff E End Riff E

bridg

C,7

es- are burn

E

in’- down.

D5

Eb5

Gtrs. 2, 3 & 4

Rhy. Fig. 3 End Rhy. Fig. 3

Gtr. 5Rhy. Fig. 3A

let ring

End Rhy. Fig. 3A

10X12

10X12

10X12

10X12

10X12

10X12

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

10X12

10X12

10X12

10X12

10X12

10X12

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

10X12

10X12

10X12

10X12

10X12

10X12

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

000

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

6688

81010

81010

810

0

109

0

81010

81010

81010

079

09

0

0799

0799

079

09

0

0799

0799

0799

079

09

0

000

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

6688

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

7

Gtr. 3

Interlude

Gtr. 2: w/ Riff C

Riff F

E5End Riff F

Gtr. 4Riff F1

End Riff F1

Gtr. 5Riff F2

End Riff F2

VerseGtrs. 2 & 3: w/ Riff D

Gtr. 4: w/ Riff D1Gtr. 5 tacet

Em

Oh,2. let

Eb

me put

Dsus4

you in

A7/C#

your place.

C5 G5

I love

A7

it when

Dsus4

you say

Em Eb

you’re giv

Dsus4

in’- ev

A7/C#

’ry- thing

C5

- a

G5

way.

A7

- But

µ

tell

E5

me, what’s

Eb5

in it

D5

for me?

Db5

Tell

C5

me now, what’s

G5

in it

A5

for me?

D5

No

E5

Gtrs. 2 & 3

7 9 7 9 7 9 7 9 7 9

0

7 9

0

7 9 7 9 7 9 7 9 7 9

0

7 9

0

7 7 7 7

0 0 0 0

7799

7799

7799

6688

6688

6688

5577

5577

5577

4466

4466

3355

3355

3355

355

355

355

577

577

577

5577

5577

7799

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

8

D.S. al Coda 1

1 Coda

one’s get

Eb5

tin’- this

D5

for free,

Db5

so tell

C5

me now, what’s

G5

in it

A5

for me?

D5

bridg

Gtrs. 3 & 4: w/ Rhy. Fig. 3

Gtr. 5: w/ Rhy. Fig. 3A

C,7

es- are burn

E

in’- down.

D5

Eb5

Gtr. 2Rhy. Fig. 4 End Rhy. Fig. 4

Gtr. 5

Rhy. Fig. 5

Bridge

*E5

Gath er- in’- the ash es,-

D/F#

ev ’ry- thing- thrown a -

Gtr. 4Riff G1

1 1 1 1 1 1 1 1 1

Gtrs. 2 & 3Riff G

P.M.

*See top of first page of song for chord diagrams pertaining to rhythm slashes.

7799

7799

7799

6688

6688

6688

5577

5577

5577

4466

4466

3355

3355

3355

355

355

355

577

577

577

5577

5577

5577

000

10X12

10X12

10X12

5X7

5

7

7X9

2X4

2X4

2X4

2X4

2X4

2X4

2X4

000

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

6688

1412 12

141212

1212

141212 12

141212 12

121012 10

121010 10

121010 10

121010

1210

10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

9

D.S.S. al Coda 2 2 Coda

End Rhy. Fig. 5

way.

C

Gath er- in’- the ash es,-

D5/A

scat

Eb5/Bb

ter- as they blow a -

End Riff G1

1 1 1 1 1 1 1 1 1

End Riff G

P.M.

way.

Gtrs. 3 & 4: w/ Riffs G & G1

Gtr. 5: w/ Rhy. Fig. 5

E5

Gath er- in’- the ash es,-

D/F#

ev ’ry- thing- thrown a -

Gtr. 2

way.

C

Gath er- in’- the ash es,-

D5

scat

Eb5

ter- as they blow a -

way.

Gtr. 2: w/ Riff C (1st 2 meas.)

Gtrs. 3, 4 & 5: w/ Riffs F, F1 & F2 (1st 2 meas.)

E5

all

Gtrs. 2, 3 & 4: w/ Rhy. Fig. 2 (last 2 meas.)

C,7

com in’- down.

E

108 8

1088 8

1088 8

1088 8

12108 10

121010 10

131110 11

131111

1311

10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 126 8 6 8 6 8 6 8

7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9

7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 8 10 8 10 8 10 8 10

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

10

Gtrs. 2, 3 & 4: w/ Rhy. Fig. 2 (1 1/2 times)

Gtr. 5: w/ Rhy. Fig. 2A (2 times)

E5

Your bridg es- are burn

D%

in’- down. They’re

(Gath

Voc. Fig. 1

er- in’- the ash es,- ev ’ry- thing- thrown a -

all

C,7

com in’- down,

E

it’s all

C,7

com in’- ’round.

E E5

You’re

way. Gath er- in’- the ash es,- scat ter- as they blow a way.)-

End Voc. Fig. 1

burn

Bkgd. Voc.: w/ Voc. Fig. 1

in’- them down.

D%

It’s all

Gtrs. 2, 3 & 4: w/ Riff E

C,7

com in’- ’round,

E

they’re

all

C,7

com in’- down.

E

You’re bridg

Gtr. 2: w/ Rhy. Fig. 4

Gtrs. 3 & 4: w/ Rhy. Fig. 3

Gtr. 5: w/ Rhy. Fig. 3A

C,7

es- are burn

E

in’- down.

D5

Eb5

Gtr. 2: w/ Riff C

Gtrs. 3, 4 & 5: w/ Riffs F, F1 & F2

Outro

E5

Gtr. 3

Gtr. 2

P.M. P.M.

7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 97 9 7 9 7 9 7 9 7 9

0

7 9

0

10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 0 10 12 0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

11

Intro

Moderately q = 138

Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear

Rope

Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC

All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.

All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission

from Foo Fighters - Wasting Light

Gtr. 1 (slight dist.)

*

**w/ delay

Rhy. Fig. 1

mf

Bm11 F#m11 Dm11End Rhy. Fig. 1

*Chord symbols reflect implied harmony.

**Delay set for quarter-note triplet regeneration w/ 5 repeats.

Gtr. 2 (slight dist.)

Bm11

mf

F#m11 Dm11

Gtr. 1

delay offf

Gtr. 3 (dist.)

f

7750

14

0

1412

10

0

108

10

0

108

775

775

775

7

07

775

141412

141412

141412 0

1414

141412

10

0

108

10

0

108

10

0

108

010

8

10108

10

0

108

10

0

108

10

0

108

7750

14

0

1412

10

0

108

7 5 07 5 0

7 5 07 5 0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

1

Rhy. Fig. 2

Bm11

F#m11

Riff A

Riff A1

Dm11

End Rhy. Fig. 2

A5

Rhy. Fig. 3

Bm11

End Riff A Riff B

End Riff A1 Riff B1

7750

7750

7750

7750

7

07

0

7750

14

0

1412

14

0

1412

14

0

1412

14

0

1412 0

14

0

1414

0

1412

07 7 7 7 7

57

9 9 9 9 97

9

07 7 7 7 7

57

9 9 9 9 97

9

10

0

108

10

0

108

10

0

108

10

0

108

010

8

10108

10

0

108

10

0

108

10

0

108

10

0

108

010

8

10108

07750

7750

7750

7750

7

07

0

7750

10 10 10 10 10 8 10 10 10 10 10 10 8 100

7 7 7 7 75

7

5 5 5 5 5 3 5 5 5 5 5 5 3 5 07 7 7 7 7

57

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

2

F#m11 *Dm11

End Rhy. Fig. 3

A5

End Riff B

End Riff B1

*Bass plays F.

Verse

This1.

Bm11

in de- ci- sion

F#m11

- got me climb

Dm11

in’- up a wall.

A5

**Gtr. 2

Rhy. Fig. 4

End Rhy. Fig. 4

**Doubled throughout

Gtrs. 1 & 3

Riff C

14

0

1412

14

0

1412

14

0

1412

14

0

1412 0

14

0

1414

0

1412

10

0

108

10

0

108

10

0

108

10

0

108

010

8

10108

10

0

108

10

0

108

10

0

108

10

0

108

7 5 07 5 0

9 9 9 9 97

9 8 8 8 8 8 7 8 8 8 8 8 87 5 0

7 5 0

9 9 9 9 97

9 5 5 5 5 5 3 5 5 5 5 5 57 5 0

7 5 0

07750

7750

7750

7750

7

07

0

7750

14

0

1412

14

0

1412

14

0

1412

14

0

1412 0

14

0

1414

0

1412

10

0

108

10

0

108

10

0

108

10

0

108

010

8

10108

10

0

108

10

0

108

10

0

108

10

0

108

010

8

10108

0

0 0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

3

Gtrs. 2 & 3: w/ Rhy. Fig. 3

Been

Bm11

cheat in’- grav i

F#m11

- ty- and wait

Dm11

in’- on the fall.

A5

Gtrs. 1 & 3

End Riff C

Gtrs. 1 & 3: w/ Riff C

Gtr. 2: w/ Rhy. Fig. 4

How

Bm11

did this come o

F#m11

ver- me? Thought I

was

Dm11

a bove- it all.

A5

Gtr. 2: w/ Rhy. Fig. 3

Our

Bm11

hopes gone up in

F#m11

smoke, swal -

-

Dm11

low your crown.

A5

Pre-Chorus

Gtrs. 1 & 3: w/ Riffs A & A1

Gtr. 2: w/ Rhy. Fig. 4

Bm11

Yow!

F#m11

On

a

kiss,

Dm11

thought I’d save my breath for

A5

you.

Gtrs. 1 & 3: w/ Riffs B & B1

Gtr. 2: w/ Rhy. Fig. 3

Bm11

Yow!

F#m11

On

a kiss,

Dm11

thought I’d save my breath for you.

A5

07 5 0

7 5 0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

4

Chorus

G5

Gim me- some rope,

Em7

I’m com in’- loose.

Bm('4)

I’m hang

A5

in’- on you.

G5

Gtr. 2

Rhy. Fig. 5

let ring let ring

End Rhy. Fig. 5

1/2

Gtr. 3

Rhy. Fig. 5A End Rhy. Fig. 5A

1/2

Gtrs. 2 & 3: w/ Rhy. Figs. 5 & 5A (1 1/2 times)

Gim me- some rope,

Em7

I’m com in’- loose.

Bm('4)

I’m pull -

A5

in’- for you now.

G5

Gim me- some rope,

Em7

I’m com in’-

out

Bm('4)

of my head, in

A

to- the clear. When

Gtr. 2

Rhy. Fig. 6

let ring let ring

Gtr. 3

Rhy. Fig. 6A

3X00

33

30

02203

0

03

0

24

244

30

3

00 0

200

2 2 02 0

3X003

3X003

3X003

3X003

3X003

02203

02203

02203

02203

02203

2443

2443

2443

2443

2443

02

00

2 20

3X003

3X003

24

24

03

244

00

02

02

22

02 0

000

2443

2443

2443

2443

2443

00

00

022

022

022

022

022

00

00

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

5

CTo oda

you

G5

go,

E/G#

I

A5

come

F#/A#

loose.

*Gtrs. 2 & 3 End Rhy. Figs. 6 & 6A

*Composite arrangement

InterludeGtr. 2: w/ Rhy. Fig. 2

Bm11 F#m11

Dm11

A5

Gtr. 4 (dist.)

f

Gtr. 1

Gtr. 3

Gtr. 4

Gtrs. 1 & 3: w/ Riffs B & B1

Gtr. 2: w/ Rhy. Fig. 3

Bm11 F#m11 **Dm11 A5

**Bass plays F.

35

35

35

35

35

0 47

47

47

47

47

0 57

57

57

57

57

0 69

69

69

69

17

2X4

2X4

2X4

2X4

2X4

2X4

4X6

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

7X9

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

10X12

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

0

7 7 7 7 75

79 9 9 9 9

79

10 10 10 10 10 8 10 10 10 10 10 10 8 100

7 7 7 7 75

79 9 9 9 9

79 5 5 5 5 5 3 5 5 5 5 5 5 3 5 0

2X4

2X4

2X4

2X4

2X4

2X4

4X6

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

7X9

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

15X17

12X14

12X14

12X14

12X14

12X14

12X14

00

7 5 07 5 0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

6

D.S. al Coda

Coda

VerseGtrs. 1 & 3: w/ Riff C

Gtr. 2: w/ Rhy. Fig. 4

Gtr. 4 tacet

These2.

Bm11

prem o- ni- tions

F#m11

- got me cry

Dm11

in’- up a storm.

A5

Gtr. 2: w/ Rhy. Fig. 3

Leave

Bm11

your con di- tion,

F#m11

- this po si

- tion

-

Dm11

does no harm.

A5

Pre-Chorus

Gtrs. 1 & 3: w/ Riffs A & A1

Gtr. 2: w/ Rhy. Fig. 4

Bm11

Yow!

F#m11

On

a kiss,

Dm11

thought I’d save my breath for

A5

you.

Gtrs. 1 & 3: w/ Riffs B & B1

Gtr. 2: w/ Rhy. Fig. 3

Bm11

Yow!

F#m11

On

a kiss,

Dm11

thought I’d save my breath for you.

A5

Interlude

B5 A5 B5 D5/A E5/Bµ B5

A5 B5 D5/A E5/Bµ

B5 A5 B5 D5/A E5/B µ

B5 A5 B5 D5/A E5/B µ

79

57

79

5577

7799

79

57

79

5577

7799

79

57

79

5577

7799

79

57

79

5577

7799

17

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

7

Gtr. 5 (dist.)

B5

A5 B5 D5/A E5/B G5

A5 E5 B5

A5 B5 D5/A E5/B G5 A5 E5

f

Gtrs. 2 & 3

Rhy. Fig. 7

let ring

End Rhy. Fig. 7

let ring

Gtr. 5

Guitar Solo

Gtrs. 2 & 3: w/ Rhy. Fig. 7 (3 times)

B5 A5 B5 D5/A E5/B G5 A5 E5 B5 A5 B5 D5/A E5/B G5 A5

Harm.

E5

Harm.

Pitch: G# B

*

*Harmonic located three-tenths the distance between the 3rd & 4th frets.

3.3D

2.6G# B

3.3D

2.6G# B

3.3G# B

3.3D

2.6G# B

3.3G

2.6

F#

w/ wah-wah

B5 A5 B5 D5/A E5/B G5 A5 E5

1 1

B5 A5 B5 D5/A E5/B

G5

A5 E5 B5 A5

Harm.

B5 D5/A E5/B

1 1

G5 A5 E5 B5 A5 B5 D5/A E5/B G5 A5 E5

1 1 1/2 11

00

79

57

79

5577

7799

XXXX

XXXX

XXXX

XXXX

35

35

35

57

57

02

00

79

57

79

5577

7799

XXXX

XXXX

XXXX

XXXX

35

35

35

57

57

02

00

4 4 4 4 4000

4000

00

7 10 79

7 10 79

10 79

00

10 710

710 7

107

10 9 7 9 79

7

9 79

79 7

10 75 7 5 7

7

00 7 7

00

10 10 87

10 10

00

10 10 7 10 7 10 1000

12

00 12

12

1212

1212

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

8

Chorus

Gtrs. 2 & 3: w/ Rhy. Figs. 5 & 5A (3 1/2 times)

G5

Gim me- some rope,

Gtr. 5 tacet

Em7

I’m com in’- loose.

Bm('4)

I’m hang

A5

in’- on you.

G5

Gim me- some rope,

Em7

I’m com in’- loose.

Bm('4)

I’m pull

A5

in’- for you now.

G5

Gim me- some hope,

Em7

I’m com in’- through.

Bm('4)

I’m count

A5

in’- on you.

G5

Gim me- some rope,

Em7

I’m com in’- out

Gtrs. 2 & 3: w/ Rhy. Figs. 6 & 6A

Bm('4)

of my head, in

A

to- the clear. When

you

G5

go,

E/G#

I

A5

come...

F#/A#

Gtr. 1

Outro

*w/ delay

Bm11

F#m11 Dm11

delay off

*Set as before.

Gtr. 3

1616

7750

14

0

1412

10

0

108

10

0

108

7 5 07 5 0

7 5 07 5 0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

9

loose.

Bm7'4 F#m7'4

Gtr. 2

Gtr. 1

Gtr. 3

Dm11

7750

7750

7750

7750

7

07

0

7750

14

0

1412

14

0

1412

14

0

1412

14

0

1412 0

14

0

1414

0

1412

07 7 7 7 7

57

9 9 9 9 97

9

07 7 7 7 7

57

9 9 9 9 97

9

10

0

108

10

0

108

10

0

108

10

0

108

010

8

10108

10

0

108

10

0

108

10

0

108

7 5 07 5 0

8 8 8 8 8 7 8 8 8 8 8 87 5 0

7 5 0

5 5 5 5 5 3 5 5 5 57 5 0

7 5 0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

10

Intro

Moderately q = 124

Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear

Dear Rosemary

Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC

All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.

All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission

from Foo Fighters - Wasting Light

Gtr. 1 (elec.)

*

mfw/ slight dist.

Riff A

Bm Em7

7fr

134

B5

5fr

134

A5

2 34

G5

111

A

1342

Bm

231

E

Bm Em7

let ring

*Chord symbols reflect implied harmony.

**Gtrs. 1 & 2

Bm Em7 Bm Em7End Riff A

let ring

**Gtr. 2 (elec.) w/ slight dist., played mf.

Gtr. 3 (elec.)

mfw/ dist.

44

34

4 24

3

04

34

0 24

3

44

34

4 24

3

04

34

0 24

3

10

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

1

Gtr. 4 (elec.)

**

w/ dist.

Gtrs. 1 & 2: w/ Riff A (2 times)

f

Bm A'Ê G Em7

*Gtrs. 3 & 5

Rhy. Fig. 1 End Rhy. Fig. 1

*Gtr. 5 (elec.) w/ dist., played f.

**Chord symbols reflect overall harmony.

Gtr. 4

Gtrs. 3 & 5: w/ Rhy. Fig. 1 (3 times)

Bm A'Ê G Em7 Bm A'Ê

G Em7 Bm A'Ê G Em7

Gtr. 4

B5 Asus2 G E5 B5 Asus2 G E5

1

Gtr. 5

P.M.

Rhy. Fig. 2

P.M. P.M. P.M. P.M. P.M. P.M. P.M.

End Rhy. Fig. 2

let ring

11 9 9 7 7 6 6 7 7 6 6 4 4 2 2 4

2X4

2X4

2X4

2X4

024

024

024

3X04

3X04

3X04

3X04

0224

0224

0224

4 4 6 6 6 7 7 7 9 9 9 11 11 9 9 7 7 6 6 7

7 6 6 4 4 2 2 4 4 4 6 6 6 7 7 7 9 910

1112

11 9 9 7 9

0 0 0 0

2

40

2 02224

03

40

3 0

400

0 2

40

2 02224

03

40

3 0224

00

0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

2

VerseGtr. 4 tacet

Bm

You1. got a way,

A'2

- got a way,

G

- got a way

E5

- from me.

Bm A'2 G

E5

Gtr. 3

Rhy. Fig. 3 End Rhy. Fig. 3

Gtr. 5

P.M.

Rhy. Fig. 3A

P.M. P.M. P.M. P.M. P.M. P.M. P.M.

End Rhy. Fig. 3A

P.M.

Gtr. 5: w/ Rhy. Fig. 2

Bm

Now get a way,

A'2

- get a way,

G

- get a way

E5

- from me.

Bm A'2 G

E

Gtr. 3

Rhy. Fig. 4 End Rhy. Fig. 4

Gtrs. 3 & 5: w/ Rhy. Figs. 3 & 3A

Bm

I could n’t- grow

A'2

just, a, liv

G

in’- in the shad

E5

ow.-

Bm

Where do you go

A'2

when no one’s fol

G

low- in’- you?

E5

Gtrs. 1 & 2

Riff B

let ring

43

43

22

22

00

00 0

0

2400

43

43

22

22

00

00 0

0

2400

2

40

2 02224

03

40

3 0

400

0 2

40

2 02224

03

40

3 0

2400

0

43

43

22

22

00

00 0

0

2400

43

43

22

22

00

00

100

100

100

100

44

34

44

34

44

34

44

34

44

34

44

34

44

34

44

34

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

3

Bm

You ran a way,

A'2

- ran a way.

G

- It was right

E5

on cue.

Bm A'2 G E5

Shall I go

A5

Gtr. 3

Rhy. Fig. 5 End Rhy. Fig. 5

Gtr. 5

P.M.

Rhy. Fig. 5A

P.M. P.M. P.M. P.M. P.M. P.M. P.M.

End Rhy. Fig. 5A

(cont. in slashes)

Gtrs. 1 & 2

End Riff B

let ring

Gtr. 5

Rhy. Fig. 6 End Rhy. Fig. 6

on,

Gtrs. 1 & 2 tacet

*B5

and on,

A5

and on,

B5

and on,

A5

and on,

B5

and on

A5

a gain?-

B5 A5

Gtr. 3

Harm. Harm. Harm. Harm. Harm. Harm.

*See top of first page of song for chord diagrams pertaining to rhythm slashes.

Pitch: E E E

43

43

22

22

00

00 0

0

2400

43

43

22

22

00

00 0

0

2

40

2 02224

03

40

3 0

400

0 2

40

2 02224

03

40

3 022400

00

577

44

34

44

34

44

34

44

34

44

34

44

34

44

34

44

3

799

7 7 799

577

5 5 577

799

7 7 799

577

5 5 577

799

7 7 799

577

5 5

79

10

91112

91112

91112

91112

91112

91112

15

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

4

Rhy. Fig. 7A End Rhy. Fig. 7A

Rose

Pre-Chorus

G5

mar- y,- you’re part

A

of me, you know

Bm

you are, you are,

A

you are.

Rhy. Fig. 7

let ring let ring

End Rhy. Fig. 7

Rose

Gtrs. 3 & 5: w/ Rhy. Figs. 7 & 7A

G5

mar- y,- you’re part

A

of me, you know

Bm('4)

you are, you are,

A

you are.

Rose

G5

mar- y,- please par

2nd time, Gtr. 3: w/ Rhy. Fill 1

E5

don- me.

Gtr. 3

let ring

Gtr. 5

Rhy. Fill 1

Gtr. 3

3X00

3X00

33

3X00

0000

0222

0222

0222

0222

0222

0000

2443

2443

03

244

000

0222

0222

0222

0222

0222

0000

3X00

3X00

33

3X00

0000

0X2

0X2

0X2

0X2

0X2

0X2

0X2

0

3

0X

033

3

0X

033

3

0X

033

3

0X

033

3

0X

033

0000

0X2

0X2

0X2

0X2

0X2

0X2

0X2

000

000

0X24

0X24

0X24

0X24

0X24

0X24

0X24

00

00

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

5

2CTo oda 1CTo oda

Truth

3rd time, Gtr. 7 tacet

Chorus

Bm

ain’t gon na

A

- change

G5

the way you

E5

lie.

Bm A G5

E5

Gtr. 4

Gtrs. 3 & 5

Rhy. Fig. 8

let ring

End Rhy. Fig. 8

let ring

Youth

Gtrs. 3 & 5: w/ Rhy. Fig. 8

Bm

ain’t gon na

A

- change

G5

the way

E5

you die.

Bm A G5

Dear

E5

Rose -

Gtr. 4

fdbk.

Gtr. 5: w/ Rhy. Fig. 2

B5

mar- y.-

Asus2 G E5

Dear Rose

B5

mar- y.-

Asus2

G

E5

1

11 9 9 7 7 6 6 7 7 6 6 4 4 2 2 4

2443

2443

2443

2443

0222

0222

0000

3X0033

3X0033

3X0033

3X0033

022

00

022

2443

2443

2443

2443

0222

0222

0000

3X0033

3X0033

3X0033

3X0033

022

00

022

4 4 4 11 11 9 9 7 7 6 6 7 7 6 6 4 4 2 210

1112

11 9 11 9 9

0 0 0 0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

6

VerseGtrs. 3 & 5: w/ Rhy. Figs. 3 & 3A

Gtr. 4 tacet

Bm

You’ve2. got a way,

A'2

- got a way,

G

- got a way

E5

- with things.

Bm A'2 G

E5

Gtr. 6 (elec.)

w/ dist.

f

Gtr. 3: w/ Rhy. Fig. 4

Gtr. 5: w/ Rhy. Fig. 2

Bm

You got a way,

A'2

- got a way,

G

- got a way

E5

- with things.

Bm A'2 G

E

Gtrs. 1 & 2: w/ Riff B

Gtrs. 3 & 5: w/ Rhy. Figs. 3 & 3A

Bm

False starts,

A'2

your hearts

G

get shat

E5

tered.-

Bm

Pick up the piec

A'2

es- com in’- down

G

a round- you.

E5

Gtrs. 3 & 5: w/ Rhy. Figs. 5 & 5A

Bm

You ran a way,

A'2

- ran a way.

G

- It was right

E5

on cue.

Bm A'2 G E5

Can I go

A5

14 74 5

4 24

5 35

5 24

5

7 14 74 5

4 24

5 35

5

0 0 0 0

7

14 74 5

4 24

5 35

5 24

5

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

7

D.S. al Coda 1

1 Coda

on,

Gtr. 5: w/ Rhy. Fig. 6

B5

and on,

A5

and on,

Gtr. 6 tacet

B5

and on,

A5

and on,

B5

and on

A5

a gain?-

B5 A5

Gtr. 3

Harm. Harm. Harm. Harm. Harm. Harm.

Pitch: E E E

Gtr. 6

die.

Bm

A G5

E5

*Gtrs. 3,

5 & 7

Rhy. Fig. 9 End Rhy. Fig. 9

Bridge

G5

This was no or

Gtr. 4 tacet

A

di- nar- y- life.

Bm

(This was no or

A

di- nar- y life.

Gtr. 2

Gtr. 4

*Gtr. 7 (acous.), played mf.

799

7 7 799

577

5 5 577

799

7 7 799

577

5 5 577

799

7 7 799

577

5 5

7 16 16 16 16 16 16

17

7

11 9 9 7 7 6 6 7 7 6 6 4 4 2 2 4

3 2

5 2 3 52

43

25 3

4 0 22 3 5

4

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

8

D.S.S. al Coda 2

2 Coda

Gtrs. 3, 5 & 7: w/ Rhy. Fig. 9 (2 times)

G5

This was no or

A

di- nar- y- life.

Bm

This was no or

A

di- nar- y- life.)

Gtr. 2

Riff C End Riff C

I’m

Gtr. 2: w/ Riff C

G5

here from

A

now on.

Bm

But once

A

I’m gone,

Gtr. 7

G5

I’m gone.

E

Gtr. 4

Gtrs.

3 & 5

die.

Bm

A G5

Dear

E5

Rose -

Gtr. 4

0

3 25 2 3 5

2

43

25 3

4 0 22 3 5

0

3 25

43

43 5

4

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

0000

022100

799

799

799

799

799

799

15

11 9 9 7 7 6 6 7 7 6 6 4 4 2 2 4

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

9

Gtrs. 3 & 5: w/ Rhy. Fig. 1 (4 times)

Bm

mar- y,-

(Dear

A'Ê

Rose

G

mar- y,-

you’re

Em7

part

Bm

of me.

you’re

A'Ê

part

G

of me.

Dear

Em7

Rose -

Gtr. 6

Gtr. 4

Bm

mar- y,-

Dear

A'Ê

Rose

G

mar- y,-

please

Em7

par

Bm

don- me.

please

A'Ê

par

G

don- me.)

Em7

11 9 9 7 7 6 6 7 7 6 6 4 4 2 2 11 9 9 7 7 6 6 7

11 9 9 7 7 6 6 7 7 6 6 4 4 2 2 11 9 9 7 7 6 6 7 7 6 6 4 4 2 2

7 6 6 4 4 2 2 11 9 9 7 7 6 6 7 7 6 6 4 4 2 2 11 9 9 7 7 6 6 7

11 9 9 7 7 6 6 7 7 6 6 4 4 2 2 11 9 9 7 7 6 6 7 7 6 6 4 4 2 2 4

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

10

*B5

A5 G5 E5

Dear Rose

B5

mar- y.-

A5 G5

B5

Gtr. 3

P.H.fdbk.

Pitch: F# A

Gtr. 6

grad. bend

1

2

Gtr. 4

grad. bend

1

2

Gtr. 5

grad. bend

*Chord symbols implied by bass.

1

2

Outro

Gtrs. 3 - 6 tacet

B5

You got a way,

A5

- got a way,

G5

- got a way

E5

- from me.

B5 A5 G5

E5 B5

Now get a way,

A5

- get a way,

G5

- get a way

E5

- from

µ

me.

Gtr. 4

Harm. let ring

Pitch: B

**

**Harmonic loacted one-third the distance between the 3rd & 4th frets.

3.3

D

2 2022

022

022

022

7 7 9 7 7

0 0 0 0

4 6 4 4

0 0 0 0

2 2022

022

022

022

5

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

11

Intro

Moderately fast q = 169

Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear

White Limo

Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC

All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.

All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission

from Foo Fighters - Wasting Light

Gtr. 1 (dist.)

*

mf

B'b9

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

A5 B5 C5 B5 A5 C5

Gtrs. 2 & 3 (dist.)

f

*Chord symbols reflect implied harmony.

B'b9

A5 B5 C5 B5 A5

Uh!

F5/C

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

(Gtr. 2, cont. on higher staff)

7 7

8

7

10

7 7

8

7

10

799

77 7

7

7 7 7 7

8

7

10

7 7

8

00

57

79

79

810

79

57

810

57

79

79

810

79

57

810

810

7

8

7

10

7 7

8

7

10

799

77 7

7

7 7 7 7

8

7

10

7 7

8

00

57

79

79

810

79

57

88

10

810

57

79

79

810

79

57

88

10

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

1

B'b9

A5 B5 C5 B5 A5 C5

Gtrs. 1 & 2

Rhy. Fig. 1

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

Gtr. 3

Rhy. Fig. 1A

P.M.

B'b9

P.M. P.M. P.M. P.M. P.M. P.M. P.M.

A5 B5 C5 B5 A5End Rhy. Fig. 1

F5/C

End Rhy. Fig. 1A

VerseGtrs. 1 & 2: w/ Rhy. Fig. 1 (1 1/2 times)

Gtr. 3: w/ Rhy. Fig. 1A (1 1/2 times)

I’ll1.

B'b9

take it out ta- the wish in’- well. I’m think in’- I have a plan.

A5 B5 C5 B5 A5 C5

B'b9

Go with your bad self.

Why did you cheat your self?-

A5 B5 C5 B5 A5 F5/C

You

B'b9

think you’re los in’,- it’s time to stop ac cus- in’.- You’re nev er- gon na- take a hit on the head.

A5 B5 C5 B5 A5 C5

88

10

7

8

7

10

7 7

8

7

10

799

77 7

7

7 7 7 7

8

7

10

7 7

8

00

57

79

79

810

79

57

810

88

10

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 00

57

79

79

810

79

57

81010

810

7

8

7

10

7 7

8

7

10

799

77 7

7

7 7 7 7

8

7

10

7 7

8

00

57

79

79

810

79

57

88

10

81010

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 00

57

79

79

810

79

57

88

10

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

2

B'b9

Now if you don’t care, take a ride some where.-

A5 B5 C5 B5 A5

Hey!

B5

Gtrs. 1 & 2

P.M. P.M. P.M. P.M. P.M.

Rhy. Fig. 2

P.M. P.M. P.M.

End Rhy. Fig. 2

Gtr. 3 Rhy. Fig. 2A End Rhy. Fig. 2A

Chorus

You got some

D5/A

thin’,- you wan na- try

Bb5

and buy us in.

G5

Hey!

B5

Rhy. Fig. 3 End Rhy. Fig. 3

Gtrs. 1 & 2: w/ Rhy. Fig. 3

You got some

D5/A

thin’,- it’s go in’- ’round

Bb5

and ’rounda

and gain.

’round

G5

-

a gain.-

B

Gtr. 3

810

7

8

7

10

7 7

8

7

10

799

77 7

7

7 7 7 7

8

7

10

7 7

8

00

57

79

79

810

79

57

799

81010

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 00

57

79

79

810

79

57

799

799

799

799

799

799

799

00

5577

5577

5577

5577

5577

00

688

688

688

688

688

0 355

355

355

355

355

0 799

799

799

799

799

799

799

00

5577

5577

5577

5577

5577

00

688

688

688

688

688

688

00

3X0033

3X0033

3X0033

3X0033

3X0033

00 2

44

244

244

244

244

244

244

00

0023

0023

0023

0023

0023

00

133

133

133

133

133

133

00

3X0033

3X0033

3X0033

3X0033

15 00 2

44

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

3

CTo oda

Go!

D

Go!

Bb

You

You said

nev

that

er-

I’ve

have

been

been

a

a

way

way

G

-

-

so

so

long.

long.

B

Gtrs. 1 & 2

Rhy. Fig. 4

Gtr. 3

Rhy. Fig. 4A

Go!

D

Go!

A

And the ride was shared.

Em A5 B5 C5 B5 A5

Go

C5

End Rhy. Fig. 4

End Rhy. Fig. 4A

799

799

89

00

101212

101212

1112

00

688

688

78

0 355

355

45

0799

244

244

0023

0023

133

133

3X003

3X003

244

799

799

89

00

101212

101212

1112

00

577

577

67

0 022X00

57

79

79

810

79

57

810

244

244

0023

0023

02220

02220

022000

57

79

79

810

79

57

81010

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

4

Interlude

B'b9

lim o.-

A5 B5 C5 B5 A5

Go

F5/C

Rhy. Fig. 5

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

Rhy. Fig. 5A

B'b9

lim o.-

A5 B5 C5 B5 A5 C5

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

End Rhy. Fig. 5

End Rhy. Fig. 5A

Verse

Gtrs. 1 & 2: w/ Rhy. Fig. 5 (1 3/4 times)Gtr. 3: w/ Rhy. Fig. 5A (1 3/4 times)

I2.

B'b9

guess you’re stuck in the Hab i- trail.- You’ve grown to lov in’- this shit.

A5 B5 C5 B5 A5 F5/C

810

7

8

7

10

7 7

8

7

10

799

77 7

7

7 7 7 7

8

7

10

7 7

8

00

57

79

79

810

79

57

88

10

81010

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 00

57

79

79

810

79

57

88

10

88

10

7

8

7

10

7 7

8

7

10

799

77 7

7

7 7 7 7

8

7

10

7 7

8

00

57

79

79

810

79

57

810

88

10

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 00

57

79

79

810

79

57

81010

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

5

D.S. al Coda

Coda

B'b9

Way out on a back shelf,

you nev er- meant what you planned.

A5 B5 C5 B5 A5 C5

Look

B'b9

what you’re do in’,- now ma ma- said it’s ru ined.- You got a mol lusk- in the palm of your hand.

A5 B5 C5 B5 A5 F5/C

B'b9

So

it’s a bad smell.

Gtrs. 1 & 2: w/ Rhy. Fig. 2

Gtr. 3: w/ Rhy. Fig. 2A

Your ass won’t win.

A5 B5 C5 B5 A5

Hey!

B5

And the ride was shared.

E B

Gtr. 2

Gtr. 1

Gtr. 3

Gtrs. 1 & 2: w/ Rhy. Fig. 4

Gtr. 3: w/ Rhy. Fig. 4A

Go!

D

Go!

Bb

What ev- er- hap pened- to Day

G

Glo- clothes?

B

Go!

D

Go!

A

And the ride was shared.

Em A5 B5 C5 B5 A5

Go

C5

577

577

67

0 799

799

99

00

799

577

577

67

002

02

12

00

799

02220

02220

022

022

244

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

6

Interlude

Gtrs. 1 & 2: w/ Rhy. Fig. 5 (1st 4 meas.)Gtr. 3: w/ Rhy. Fig. 5A (1st 4 meas.)

B'b9

lim o.-

A5 B5 C5 B5 A5

Go

F5/C

B'b9

lim o.-

A5 B5 C5 B5

Yeah!

A5

Gtrs. 1 & 2

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

Gtr. 3

Guitar Solo

A5 E5/B

All

B

right!

A

*Gtr. 4 (dist.)

f

*Dave Grohl

1 1 1 1

**Gtrs. 1, 2 & 3

Rhy. Fig. 6 End Rhy. Fig. 6

**Composite arrangement

88

10

7

8

7

10

7 7

8

7

10

799

77 7

7

7 7 7 7

8

7

10

7 7

8

00

57

79

79

810

79

0 577

88

10

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 00

57

79

79

810

79

0 577

000

077

977

77

977

77

977

77

97 7

7

1212

577

577

577

577

577 0

0

7799

7799

7799

7799

7799 0

2444

2444

2445

2445

2444

2444

2445

2444

2445

2444

2444

0222

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

7

*Gtr. 5 (dist.)

Gtrs. 1, 2 & 3: w/ Rhy. Fig. 6 (2 times)Gtr. 4 tacet

E5/B

f

B A

*Dave Grohl

1 1 1/2 1/2 11 1

Gtr. 4

Gtr. 5 tacet

E5/B B

1

grad. bend

A

5

1 1/22

2 1/2

2

2 1/2

1/21

Gtr. 5

Gtr. 4 tacet

E5/B B A5 B5 C5 B5 A5 C5

Gtrs. 1, 2 & 3

00

00 9

797

11 119 9

1310

1310

1412

1412

00

0000

000 9

9 9 9 9 9 9 9 9 9 9 9 9 9

00

00

77

77

77

77

77

77

77

77

00

57

79

79

810

79

57

810

577

577

577

577

577 0

0

7799

7799

7799

7799

7799 0

2444

2444

2444

2444

2444

2444

2444

2444

57

79

79

810

79

57

810

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

8

Gtr. 5

Interlude

B'b9Gtr. 5 tacet

A5 B5 C5 B5 A5 F5/C

Gtr. 1

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

Gtrs. 2 & 3

(Gtr. 2, cont. on upper staff)

B'b9

µ

Whoa!

C5

Gtrs. 1 & 2

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

Gtr. 3

810

810

7

8

7

10

7 7

8

7

10

7 799

77 7

7

7 7 7 7

8

7

10

7 7

8

00

57

79

79

810

79

57

88

10

810

57

79

79

810

79

57

88

10

88

10

7

8

7

10

7 7

8

7

10

7 799

77 7

7

7 7 7 7

8

7

10

7 7

8

81010

88

10

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 81010

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

9

OutroGtr. 2: w/ Rhy. Fig. 5 (1st 7 meas.)

B'b9 A5 B5 C5 B5 A5 F5/C

Gtrs. 1 & 3

B'b9

(Gtr. 3, cont. on lower staff)

Gtrs. 1 & 2

B7(no3rd) A

1/2 1/2 1/2 1/2

Gtr. 3

1/2 1/2 1/2 1/2

Gtrs. 1 & 2

Gtr. 3 tacet

w/ bar

G#5 A5 µ

-1/2

81010

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

00

57

79

79

810

79

57

88

10

88

10

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

00 0 2 2 2 2 0 2

X2

0 2 2 2 2 0 0X2

0 2 2 2 2 0 0X2

00

0 2 2 2 2 022

00 0 2 2 2 2 0 2

X2

0 2 2 2 2 0 0X2

0 2 2 2 2 0 0X2

0 2 2 2 2 0222

022

022

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

10

Intro

Moderately q = 116

Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear

Arlandria

Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC

All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.

All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission

from Foo Fighters - Wasting Light

Gtr. 2 (dist.)

**

mf

C#m

1/4

Gtr. 1 (dist.)

f

1/4

*Gtr. 3 (dist.)

f

*Doubled throughout

**Chord symbols reflect implied harmony.

119

911

9

119

911 9

11 119

911

9

9 1211 9 11

9 1211 9

12 9 9 1211 9 11

9 9

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

1

Gtr. 3 tacet

Ain’t1. that the way

it al ways-

Gtr. 2

1

Gtr. 1

1

starts?

Verse

Gtrs. 1 & 2 tacet

C#m7 Asus2 E5

A sim ple

F#

- round of con ver- -

Gtr. 4 (dist.)

Rhy. Fig. 1

mpP.M.

sa

C#m7

tion-

Asus2 E5

be came- a

F#

shame ful- e qua- -

End Rhy. Fig. 1

P.M.

119

911

99 9

9 1211 9 11

12 12

4X4

4X4

4X4

0X4

0X4

0X4

0X4

0X4

0XX4

0XX4

0XX4

2XX3

2XX3

2XX3

2XX3

00

4X4

4X4

4X4

0X4

0X4

0X4

0X4

0X4

0XX4

0XX4

0XX4

2XX3

2XX3

2XX3

2XX3

00

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

2

tion.

Gtr. 4: w/ Rhy. Fig. 1 (2 1/2 times)

C#m7 Asus2 E5

I flipped to

F#

sta tion- to sta tion.

C#m7

-

Asus2 E5

F#

Hey,

C#m7 Asus2 E5

don’t go and

F#5

turn the oth er- way.

Gtr. 1

Rhy. Fig. 2

mp

End Rhy. Fig. 2

P.M.

Gtr. 1: w/ Rhy. Fig. 2 (2 times)

C#m7 Asus2 E5

Don’t say there’s

F#5

noth in’- more to

C#m7

say.

Asus2 E5

Come on,

F#5

hear me out.

Hush,

C#m7

hush,

Asus2

set tle- down. But

E5

ton- up, don’t

F#

make a sound.

Gtr. 2

Riff A

let ring

1 1 1 1

Gtr. 4

Gtr. 1

424

424

424

024

024

024

024

024

0224

0224

0224

24

24

24

24

24

119

119

119

119

4X4

4X4

4X4

0X4

0X4

0X4

0X4

0X4

0XX4

0XX4

0XX4

2XX3

2XX3

2XX3

2XX3

00

424

424

424

024

024

024

024

024

0224

0224

0224

244

244

244

244

04

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

3

Shame,

C#m7

shame,

Asus2

go a way.- Come

E5

a gain- some

F#

oth er- day.

Gtr. 2

End Riff A

let ring 1 1 1 1

Gtr. 4

mf

Gtr. 1

*Gtr. 5 (dist.)

f

*Doubled throughout

Gtrs. 1, 2 & 4 tacet

Pre-Chorus

C#5

You used to say I could n’t- save

A5

you e nough,- so I’ve been sav

E5

in’- it up, I start ed- sav

B5

in’- it up.

F#5

Gtr. 5

Rhy. Fig. 3

119

119

119

119

4X4

4X4

4X4

0X4

0X4

0X4

0X4

0X4

0XX4

0XX4

0XX4

2XX3

2XX3

2XX3

2XX3

00

424

424

424

024

024

024

024

024

0224

0224

0224

244

244

244

244

04

16

466

466

466

466

466

466

466

00

02255

02255

02255

02255

02255

02255

02255

0000

022

022

022

022

022

022

022

00 2

44

244

244

244

00

244

244

244

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

4

C#5

And when you said I could n’t- give

A5

you e nough,- I start ed- giv

E5

in’- you up, I start ed- giv

B5

in’- you up.

C5

Gtr. 6 (dist.)

mf

Gtr. 5 End Rhy. Fig. 3

Gtr. 7 (dist.)

mf

Chorus

C#m7

You are not me,

F#7'4

Ar lan- dri- a,-

Rhy. Fig. 4A

Rhy. Fig. 4

Rhy. Fig. 4B

16000

4466

4466

4466

4466

4466

4466

4466

00 0

225

0225

0225

0225

0225

0225

0225

000

022

022

022

022

022

022

022

00 2

44

244

244

044

355

355

355

0

16

4665

4 6 46 4

244

466

466

466

46

06

0

466

466

00

244

244

244

244300

244

00

4 2 4 24 2

424

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

5

CTo oda

A'9

Ar lan- dri- a.-

B5 C

End Rhy. Fig. 4A

1 1

End Rhy. Fig. 4

End Rhy. Fig. 4B

You

Gtrs. 5, 6 & 7: w/ Rhy. Figs. 4, 4A & 4B

C#m7

and what ar my?-

F#7'4

Ar lan- dri- a,-

A'9

Ar lan- dri- a.

-

B5

Oh, God, you got

C

ta- make it

577

5776 9 9

7 797

9 10 108 8

108

0

5776

5776

577

06

0

577

06

0

577

577

06

0

00 2

44

244

244

00 3

555

3555

3555

00

57

2244

2244

2244

00

3355

3355

3355

00

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

6

stop.

Interlude

C#m7 Asus2

Gtr. 7 tacet

E5

F#7'4 C#m7

Asus2 E5

F#7'4

Gtr. 5

Gtrs. 1 & 4

P.M. P.M. P.M. P.M.

Gtr. 7

Chase

Verse

2.

Gtrs. 1 & 5 tacetGtr. 4: w/ Rhy. Fig. 1 (1 1/2 times)

C#m7 Asus2 E5

all of those

F#

mem o- ries- a -

Gtr. 8 (clean)

mplet ring throughout

Riff B End Riff B

way.

Gtr. 8: w/ Riff B (2 times)

C#m7 Asus2 E5

Save them all

F#

for an oth- er-

C#m7

day.

Asus2 E5

Don’t you re

F#

mem- ber- it was

400

400

400

400

400

400

400

400

400

400

400

300

300

300

300

300

400

400

400

400

400

400

400

400

400

400

400

300

300

300

300

300

4 0 4 00 0 0 2

4 0 4 00 0 4 2

466

64

0

44

00

0

24

0

43

00

0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

7

rain

C#m7 Asus2

that drowned

E5 F#

you?

µ

Gtr. 8

Gtr. 4

P.M.

Wait!

Gtrs. 4 & 8 tacet

C#m7 Asus2 E5

I wan na

F#

- see if you can

Gtr. 5

Riff D1 End Riff D1

Gtr. 3

Riff D

End Riff D

Gtr. 3: w/ Riff D (2 times)

Gtr. 5: w/ Riff D1 (3 times)

C#m7

change.

Asus2 E5

I wan na

F#

- keep all I can

C#m7

take.

Asus2 E5

I feel much

F#

bet ter- now.

64

0

44

00

0

24

0

4

4X4

4X4

4X4

0X4

0X4

0X4

0X4

0X4

0XX4

0XX4

0XX4

2XX3

4

4

4 0

4

0

4

00

4

0 2

3

2

3

2

9

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

8

D.S. al Coda

Coda

Use

C#m7

me up,

Asus2

spit me out. Let

E5

me be your

F#

hand me down.

Gtr. 2

let ring

1 1 1 1

Fame,

C#m7

fame,

Asus2

go a way.-

Come

E5

a gain- some

F#

oth er- day.

Gtr. 2

let ring 1 1 1 1

Gtr. 5

stop.

Bridge

*

Gtr. 5: w/ Rhy. Fig. 3

C#m

My sweet

Gtr. 6 tacet

A

Vir gin- ia,-

E

I’m the same

Gtr. 6

1

Gtr. 7

*Chord symbols reflect combined harmony, next 7 meas.

129

129

129

129

129

129

129

12

9

4

4

4 0

4

0

4

00

4

0 2

3

24

119

119

5 5 5 46 4 4 2 1

00

5 5 7

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

9

B

as I was in

F#

your arms.

C#

My sweet

A

Vir gin- ia,-

Gtr. 7

let ring

E

I’m the same

B5

as I was

C5

in your heart.

1 1 1 1 1 1 1

Interlude

Gtr. 4: w/ Rhy. Fig. 1

C#m7 Asus2

Gtr. 7 tacet

E5

F# C#m7

Asus2 E5

F#

Gtr. 7

Shame,

VerseGtr. 4: w/ Rhy. Fig. 1 (3 times)

3.

C#m7

shame,

Asus2

go a way.- Come

E5

a gain- some

F#

oth er- day.

Mem

C#m7

o- ries- keep

Asus2

haunt ing- me. Help

E5

me chase them

F#

all a way.-

7 4 4 46 4 6 6 4

6

00

5 5 46 4

4 2 100

5 597

9 97

107 8

10 108

118 9

119

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

10

Hush

C#m7

now,

Asus2

set tle- down.

But

E5

ton- up, don’t

F#

make a sound.

Gtr. 7

**w/ delay*

**Set for quarter-note regeneration w/ multiple repeats (hold for next 12 meas.).

*Pluck strings behind nut.

Close

C#m7

your eyes,

Asus2

turn a round.-

Help

E5

me burn this

F#

to the ground.

Come

Gtr. 2: w/ Riff A

C#m7

now,

Asus2

take the blame.

That’s

E5

o kay,- I’ll

F#

play the game. I

C#m7

don’t care, it’s

Asus2

all the same.

Watch

E5

it all go

F#

up in flames.

Use

C#m7

me up,

Asus2

spit me out. Let

E5

me be your

F#

hand me down.

Gtr. 2

let ring

1 1 1 1

Gtr. 4

XXXXXX

129

129

129

129

4X4

4X4

4X4

0X4

0X4

0X4

0X4

0X4

0XX4

0XX4

0XX4

2XX3

2XX3

2XX3

2XX3

00

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

11

Fame,

C#m7

fame,

Asus2

go a way.-

Come

E5

a gain- some

F#

oth er- day.

µ

let ring

1 1 1 1

mf

Pre-Chorus

Gtrs. 2 & 4 tacetGtr. 5: w/ Rhy. Fig. 3

C#5

You used to say I could n’t- save

A5

you e nough,- so I’ve been sav

E5

in’- it up, I start ed-

Gtr. 7

Gtr. 6

129

129

129

129

4X4

4X4

4X4

0X4

0X4

0X4

0X4

0X4

0XX4

0XX4

0XX4

2XX3

2XX3

2XX3

2XX3

9 9 9 9 7 7 7 7 5 5 5 4 5 4 5 44 4

4 5 4

5 5 5 5 4 4 4 46 6 6 4 6 4 6 4

64 4 6 4

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

12

sav

B5

in’- it up.

F#5 C#5

And when you said I could n’t- give

A5

you e nough,- I start ed-

giv

E5

in’- you up, I start ed- giv

B5

in’- you up.

C5

1

5 4 0 0 9 9 9 9 7 7 7 7 5 5 5 4 5 4

6 46 6

5 5 5 5 4 4 4 46 6 6 4 6 4

5 44 4

4 5 4 5 4 015 15 15 1513 13 13 13

6 46

4 4 6 4 6 4 4 5 5 5 5

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

13

Outro-Chorus

Gtr. 5: w/ Rhy. Fig. 4 (4 times)

C#m7

You are not me,

F#7'4

Ar lan- dri- a,-

A'9

Ar lan- dri- a.-

B5 C

Riff E1 End Riff E1

1

Riff E End Riff E

You

Gtrs. 6 & 7: w/ Riffs E & E1

C#m7

and what ar my?-

F#7'4

Ar lan- dri- a,-

A'9

Ar lan- dri- a.

-

B5

Oh, God, you got

C

ta- make it

stop.

C#m7

My sweet

F#7'4

Vir gin- ia.-

A'9 B5

Oh, God, you got

C

ta- make it stop!

µ

Gtr. 7

Gtr. 1

9 9 9 7 7 7 7 5 5 5 4 5 4 5 44 4

4 5 4 5 4 015 15 15 1513 13 13 13

65 5 5 4 4 4 4

6 6 6 4 6 4 6 46

4 4 6 4 6 46

4

355

355

355

0

119

911

9

119

911 9

11 119

911 9

11

12 12 12 12 13 13 13 13

9 1211 9 11

9 1211 9

12 9 9 1211 9

12 9 799

799

799

799

81010

81010

81010

81010

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

14

Intro

Moderately q = 133

Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear

These Days

Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC

All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.

All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission

from Foo Fighters - Wasting Light

Gtr. 1 (elec.)

*

mpw/ clean tone

w/ fingers

let ring throughout

A Dsus2

111

A

13

D5/A

A Dsus2

*Chord symbols reflect implied harmony.

One

Verse

1.

A

of these days,

Dsus2

the ground

A

will drop

Dsus2

out from

Riff A End Riff A

Gtr. 1: w/ Riff A (8 times)

A

be neath-

Dsus2

your feet.

A Dsus2

One

A

of these days,

Dsus2

your heart

A

will stop

Dsus2

and play

A

its fi

Dsus2

nal- beat.

A

Dsus2

012

110

12

11

1212

12

0

1212

12

0

120

12

11

120

12

11

1212

12

0

1212

12

0

12

012

11

120

12

11

1212

12

0

1212

12

0

120

12

11

120

12

11

1212

12

0

1212

12

0

12

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

1

Gtr. 2 (elec.)

mfw/ clean tone & chorus

A

let ring

Dsus2

A

let ring

Dsus2

One

A

of these days,

*Dsus2/A

the clocks

A

will stop

Dsus2/A

and time

Riff B

let ring throughout

End Riff B

*Bass plays A.

Gtr. 2: w/ Riff B (2 times)

A

won’t mean

Dsus2/A

a thing.

A Dsus2/A

One

A

of these days,

Dsus2/A

their bombs

A

will drop

Dsus2/A

and si -

-

A

lence ev

Dsus2/A

’ry- thing.

-

A

Dsus2/A

Gtr. 2

Riff C End Riff C

Pre-Chorus

C

But it’s all

G

right.

D'4

Yeah, it’s all

A'4

right.

*Gtrs. 1 & 2

Riff D

*Composite arrangement

120

110

120

110

120

110

120

110

120

110

120

110

1212

012

1212

012

120

110

120

110

1212

012

1212

012

120

110

120

110

1212

012

1212

012

120

110

120

110

1212

012

1212

00

32

3

02

33

23

02

35

45

04

55

45

04

5

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

2

C

Said it’s all

G5

right.

µ

Eas y- for you

End Riff D

Gtrs. 1 & 2 tacet

Chorus

µ

to say.

A

Asus2

Your heart has nev er- been bro ken,

Em7

- your pride has nev er- been stol -

Gtr. 3 (elec.)

Rhy. Fig. 1

fw/ dist.

Gtr. 4 (elec.)

Rhy. Fig. 1A

fw/ dist.

*Gtrs. 5 & 6

Rhy. Fig. 1B

flet ring throughout

*Gtr. 5 (elec.) w/ dist.; Gtr. 6 (acous.).

Composite arrangement

32

3

02

30

3 3

003

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

011

011

011

09

07

07

07

07

07

07

00

0 010

00

12

0

010

00

12

0

010

00

12

0

010

00

12

0

010

00

12

0

010

00

12

0

010

00

12

0

010

00

12

0

010

00

12

0

010

00

12

0

00

011

011

011

09

07

07

07

07

07

07

00

0 079

07

0

079

07

0

079

07

0

079

07

0

079

07

0

079

07

0

079

07

0

079

07

0

079

07

0

079

07

0

00

0222

0222

0222

0222

02200

02200

02200

02200

02200

02200

02200

0 022030

022030

022030

022030

022030

022030

022030

022030

022030

022030

000

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

3

C'9

en.- Not

yet, not yet.

D

One of these

End Rhy. Fig. 1

End Rhy. Fig. 1A

End Rhy. Fig. 1B

Gtrs. 3 & 4: w/ Rhy. Figs. 1 & 1A

Gtrs. 5 & 6: w/ Rhy. Fig. 1B

µ

days,

A

Asus2

I’ll bet your heart ’ll- be bro ken.

Em7

-

I’ll bet your pride ’ll- be stol -

C'9

en.- I

bet,

I bet,

D

I bet, I bet.

One of these

81012

81012

81012

81012

81012

81012

81012

81012

81012

81012

81012 0

0

10

09

11

10

09

11

10

09

11

10

09

11

10

09

11

10

09

11

10

09

11

10

09

11

10

09

11

10

09

11

10

09

11

10

09

11

3203

3203

3203

3203

3203

3203

3203

3203

3203

3203

3203

00

554

554

554

554

554

554

554

554

554

554

554

554

32010

32010

32010

32010

32010

32010

32010

32010

32010

32010

32010

000

00232

00232

00232

00232

00030

00232

00232

00232

00232

00232

00232

00232

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

4

CTo oda

Gtr. 6

Rhy. Fig. 2C End Rhy. Fig. 2C

*A

days,

D5/A

one of these

A

days.

D5/A

Gtr. 3

Rhy. Fig. 2 End Rhy. Fig. 2

Gtr. 4

Rhy. Fig. 2A End Rhy. Fig. 2A

Gtr. 5

Rhy. Fig. 2B End Rhy. Fig. 2B

*See top of first page of song for chord diagrams pertaining to rhythm slashes.

One

Verse

2.

Gtr. 1: w/ Riff A (4 times)Gtr. 2: w/ Riff B (3 times)

Gtrs. 3 - 6 tacet

A

of these days,

Dsus2/A

your eyes

A

will close

Dsus2/A

and pain

A

will dis -

Dsus2/A

ap- pear.-

A Dsus2/A

One

A

of these days,

Dsus2/A

you will

A

for get-

Dsus2/A

to hope

Gtr. 2: w/ Riff C

A

and learn

Dsus2/A

to fear.

A

Dsus2/A

011

011

011

011

011

011

011

011

012

012

012

012

012

012

012

012

011

011

011

011

011

011

011

011

012

012

012

012

012

012

012

012

022

022

022

022

022

022

022

022

077

077

077

077

077

077

077

077

022

022

022

022

022

022

022

022

077

077

077

077

077

077

077

077

577

577

577

577

577

577

577

577

557

557

557

557

557

557

557

557

577

577

577

577

577

577

577

577

557

557

557

557

557

557

557

557

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

5

D.S. al Coda

Coda

Pre-Chorus

Gtrs. 1 & 2: w/ Riff D

C

But it’s all

G

right.

D'4

Yeah, it’s all

A'4

right.

*Gtrs. 3 & 4

mf

*Composite arrangement

C

Said it’s all

G5

right.

Eas

µ

y- for you

(cont. in notation)

A

days.

D5/A

3X033

3X033

3X033

3X033

3X033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

0023

0023

0023

0023

0023

0222

0222

0222

0222

0222

000

3X033

3X033

3X033

3X033

3X033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

011

011

011

011

011

011

011

011

012

012

012

012

012

012

012

0000

022

022

022

022

022

022

022

022

077

077

077

077

077

077

077

00

577

577

577

577

577

577

577

577

557

557

557

557

557

557

557 0

00

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

6

Bridge

Csus2

But

it’s all

G5

right.

D5/A

Yeah, it’s all

A

right.

Asus2

*Gtrs. 3 - 6

Rhy. Fig. 3 End Rhy. Fig. 3

*Composite arrangement

Gtr. 2

Riff E End Riff E

Gtr. 2: w/ Riff E (2 times)

Gtrs. 3 - 6: w/ Rhy. Fig. 3 (2 times)

Csus2

Said

it’s all

G5

right.

D5/A

Yeah, it’s all

A

right.

Asus2

Csus2

Don’t

say it’s all

G5

right.

D5/A

Don’t say it’s all

A

right.

Asus2

Csus2

Don’t

say it’s all

G5

right.

Gtrs. 3 - 6

Gtr. 2

3X033

3X033

3X033

3X033

3X033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

0023

0023

0023

0023

0023

0222

0 02200

02200

02200

02200

02200

32

3

02

03

23

02

30 5

45

04

05

45

04

5

3X033

3X033

3X033

3X033

3X033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

32

3

02

03

30

0

30

0

30

0

30

0

30

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

7

InterludeGtr. 1: w/ Riff A

Gtrs. 2 - 6 tacet

A

Dsus2

A

Dsus2

One

Verse

Gtr. 1: w/ Riff A

3.

A

of these days,

Dsus2

your heart

A

will stop

Dsus2

and play

A

its fi

Dsus2

nal- beat.

A Dsus2

Gtr. 1

C

But it’s all

G

right.

Eas y- for you

Chorus

Gtr. 1 tacet

Gtrs. 3 & 4: w/ Rhy. Figs. 1 & 1A (2 times)

Gtrs. 5 & 6: w/ Rhy. Fig. 1B (2 times)

µ

to say.

A Asus2

Your heart has nev er- been bro ken,

Em7

-

your pride has nev er- been

stol -

C'9

en.-

Not

yet,

not yet.

D

One of these

µ

days,

A

Asus2

I bet your heart ’ll- be bro ken.

Em7

- I’ll bet your pride ’ll- be stol -

012

11

120

12

11

1212

12

0

1212

12

0

120

12

11

120

12

11

1212

12

0

1212

12

0

32

3

02

30

320

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

8

C'9

en.-

I’ll

bet,

I’ll

bet,

D

I’ll

bet,

I’ll bet.

One of these

Gtrs. 3 - 6: w/ Rhy. Figs. 2, 2A, 2B & 2C (2 times)

A

days,

D5/A

one of these

A

days.

D5/A

One of these

Gtr. 7 (elec.)

w/ dist.

f

Gtr. 6

A

days.

D5/A

A

D5/A

Gtr. 7

11 1 1

Gtr. 3

Gtr. 4

Gtr. 5

17

75

12 710 5

0 53

011

011

011

011

011

011

011

011

012

012

012

012

012

012

012

012

011

011

011

011

011

011

000

002

022

022

022

022

022

022

022

022

077

077

077

077

077

077

077

077

022

022

022

022

022

022

000

002

577

577

577

577

577

577

577

577

557

557

557

557

557

557

557

557

577

577

577

577

577

577

000

002

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

9

Intro

Moderately q = 138

Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC

All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.

All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission

from Foo Fighters - Wasting Light

Back & ForthWords and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear

Gtr. 1 (dist.)

**

mf

F5 F#5 B5 C5 G5 G#5 C#5

5fr

1342

A

A5

P.M.

*Gtrs. 2 & 3 (dist.)

mf

*Composite arrangement

**Chord symbols reflect overall harmony.

Gtr. 2 tacet

Once1.

A

Verse

up on- a time,

A,7

I was some

Gtr. 3 tacet

A6

bod- y- else.

A5

In

C5

Gtr. 1

P.M. P.M.

Gtr. 3

133

244

224

335

355

466

446

07

07

07

07

07

07

07

133

244

224

335

355

466

446

577

577

07

07

07

07

07

07

07

079

10

07

07

07

06

06

06

06

04

04

04

02

02

02

0 35

5776

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

1

an oth- er- life,

C(#4)

I

C

sold my

C(#4)

self.- Way

G

back then,

Gsus4

back

Gtr. 1

P.M.

G

when I

G6

was new.

D Dsus4 D5

P.M.

Gtr. 3

Some

*A

where- down the line I start

Gtr. 3 tacet

A6

ed- to slip.

A5

Years

C5

gone by,

C(#4)

bit

C

ing- my

C(#4)

lip. All

G

Gtrs. 1 & 2

Rhy. Fig. 1

P.M.

*See top of first page of song for chord diagrams pertaining to rhythm slash.

the while,

Gsus4

all

G5

this time

G6

I knew.

D Dsus4 D5 µ F5 F#5 B5 C5 G5 G#5

Now2.

C#5

P.M.

Gtrs. 1, 2 & 3End Rhy. Fig. 1

35

35

35

35

34

34

34

00 3

232

32

34

34

34

34

32

32

32

32

32

330

330

330

00

35

35

35

37

37

37

00 5

454

54

54

54

55

55

057

57

57

57

57

57

57

57

0

07

07

07

06

06

06

06

04

04

04

02

02

02

35

35

35

35

35

34

34

34

00 3

232

32

34

34

34

34

32

32

32

32

32

330

330

330

00

35

35

35

37

37

37

00 5

454

54

54

54

55

55

57

133

244

224

335

355

466

446

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

2

Verse

A5

you’re on your own,

A,7

worn

Gtr. 3 tacet

A6

through the pag

A5

es.- O

C5

ver- the hill

C(#4)

and through

C

the ag

C(#4)

es.- Does

G

*Gtrs. 1 & 2

Rhy. Fig. 2

P.M. P.M.

End Rhy. Fig. 2

*Composite arrangement

Gtr. 3

Rhy. Fill 1 End Rhy. Fill 1

my heav

Gsus4

en- burn

G5

like hell

G6

on you?

D Dsus4 D5

Gtr. 3: w/ Rhy. Fig. 1 (last meas.)

µ F5 F#5 B5 C5 G5 G#5

Half

C#5

Gtrs. 1 & 2

P.M. P.M.

Gtrs. 1 & 2: w/ Rhy. Fig. 2Gtr. 3: w/ Rhy. Fill 1

A5

be neath- the cracks,

A,7

they’re com

A6

ing- in waves.

A5 Roll

C5

ing- like an earth

C(#4)

quake- un

C

der- the pave

C(#4)

ment.- Where

G

07

07

07

06

06

06

06

04

04

04

02

02

02

02

35

35

35

35

35

34

34

34

000

32

32

32

34

34

34

34

32

079

32

32

32

32

330

330

330

00

35

35

35

37

37

37

00 5

454

54

54

54

55

55

057

0 133

244

224

335

355

466

446

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

3

they now?

Gsus4

Tell

G5

me if it’s

G6

still true.

D Dsus4 D5

You got a lot of nerve,

A5

Gtrs. 1 & 2

P.M. P.M.

Gtr. 3

Pre-Chorus

A5 Ab5 G5 Ab5 A5

oh.

Ab5

G5

*Gtrs. 1, 2 & 3

Riff A End Riff A

*Composite arrangement

Ab5

F5

Now show a lit tle- back

G5

bone,- why don’t you?

Gtr. 3 Rhy. Fill 2A End Rhy. Fill 2A

Gtrs. 1 & 2 Rhy. Fill 2 End Rhy. Fill 2

32

32

32

32

330

330

330

00

35

35

35

37

37

37

00 5

454

54

54

54

55

55

00 5

757

57

57

57

57

57

57

5

14 5

5

000

4 4

000

3 3

000

4 4

000

5 5

000

4 4

000

3

3

000

4 4 13

000

000

81010

81010

81010

81010

81010

810108

81010

81010

101212

101212

101212

101212

101212

101212

101212

101212

3

000

4 4

000

00

133

133

133

133

133

133

133

133

355

355

355

355

355

355

355

355

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

4

Chorus

C5

I’m look ing- for some back

F5

and forth with you.

C5

Are you feel ing- the same

*Gtr. 4 (dist.)

mf

Rhy. Fig. 3A

*Two gtrs. arr. for one.

Gtrs. 1, 2 & 3

Rhy. Fig. 3

F5

as I do now

D7

and

now

F7

and

then?

A5 5 A 5 A 5 A 5 A

End Rhy. Fig. 3A

1/4 1/2

End Rhy. Fig. 3

Gtrs. 1, 2 & 3: w/ Rhy. Fig. 3

Gtr. 4: w/ Rhy. Fig. 3A

C5

I’m look ing- for some back

F5

and forth with you.

C5

Are you feel ing- the same

F5

as I do

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

81010

81010

81010

81010

81010

81010

81010

81010

88

1010

88

1010

88

1010

88

1010

88

1010

88

1010

88

1010

88

1010

81010

81010

81010

81010

81010

81010

81010

81010

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

545

545

545

545

545

545

545

545

X8

10X8

10X8

10

8

X

10

8

X

10

8

X

10

8

X

10

8

X

10

88

1010

88

1010

88

1010

88

1010

88

1010

88

1010

88

1010

88

1010

109

10

109

10

109

10

109

10

109

10

109

10

109

10

109

10

131213

131213

131213

131213

131213

131213

131213

131213

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

5

CTo oda

down

D7

and

out?

F7

Gtrs. 1, 2 & 3: w/ Rhy. Fig. 1 (last meas.)

µ F5 F#5 B5 C5 G5 G#5

Roll3.

C#5

-

Verse

A5

ing- my path,

A,7

I’ve wait

A6

ed- and wait

A5

ed.- How

C5

could sim ple- life

C(#4)

get so

C

com pli- cat

C(#4)

- ed?- Shoes

G

Gtrs. 1 & 2

Rhy. Fig. 4

P.M. P.M.

End Rhy. Fig. 4

Gtr. 3

Rhy. Fig. 4A End Rhy. Fig. 4A

to fill,

Gsus4

se crets

G5

- to spill

G6

down you.

D Dsus4 D5 µ F5 F#5 B5 C5 G5 G#5

Deer

C#5

P.M. P.M.

07

07

07

06

06

06

06

04

04

04

02

02

02

02

35

35

35

35

35

34

34

34

00 3

232

32

34

34

34

00

32

07

35

35

35

32

32

32

32

32

33

33

33 3 5

35

35

35

37

37

37

00 5

454

54

54

54

55

55

00 5

7

0 133

244

224

335

355

466

446

32

32 5

454

54

133

244

224

335

355

466

446

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

6

D.S. al Coda

Coda

Gtrs. 1 & 2: w/ Rhy. Fig. 4Gtr. 3: w/ Rhy. Fig. 4A

A5

in the head

A,7

lights,- spoke

A6

in the wheel.

A5 You

C5

won’t pre

C(#4)

tend- I

C

mean for

C(#4)

real. I’m

G

tak ing- it back,

Gsus4

all

G5

my I

G6

O U’s.

D Dsus4 D5

You got a lot of nerve,

A5

Gtrs. 1 & 2

P.M. P.M.

Rhy. Fill 3 End Rhy. Fill 3

Gtr. 3

Gtr 5. (dist.)

µF5 F#5 B5 C5 G5

*fdbk.

f

G#5

15ma

C#5

**Gtrs. 5 & 6

loco

Riff B

Interlude

A5 A,7 A6 A5 C5

*Microphonic fdbk., not caused by string vibration.

Pitch: A

**Gtr. 6 (dist.), played f. Composite arrangement

1 1 1 11

Gtrs. 1, 2 & 3

Rhy. Fig. 5

32

32

32

32

33

33

33 3 5

35

35

35

37

37

37

00 5

454

54

54

54

55

55

00 5

757

57

57

57

57

00

20 5

32

32 5

47

547

547

5

X1210

12 12 1110 10

119 9

119

9 9 9 9 77 7 7 5

1008

133

244

224

335

355

466

446

07

07

07

06

06

06

06

04

04

04

02

02

02

00 3

5

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

7

C(#4) C C(#4) G

1 1 1 1 1

Gsus4 G5 G6

End Riff B

D

1 1 1 1 1

Dsus4 D5 µ F5 F#5 B5 C5 G5 G#5 C5

1 1 1 1 1 1 1

End Rhy. Fig. 5

108

108

10 10 98 8

97 7

97

9 7 7 7 95 5 5 7

9 97 7

14 1412

35

35

35

35

34

34

00 3

232

32

34

34

00

32

1412

1412

14 14 1512 12

15 15 15 1713 13 13 13

17 17 1915 15 15 17

1917

97

32

32

32

32

33

33

33

00

35

35

35

37

37

00 5

4

97

97

9 9 107 7

108 8

1210

8 96

9 107 7

10 11 118 8 9 9

54

54

54

54

55

55

00 5

7

133

244

224

335

355

466

446

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

8

Gtr. 6

Gtrs. 1, 2 & 3: w/ Rhy. Fig. 5Gtr. 5: w/ Riff B

A5 A,7 A6 A5 C5

1 1 11

C(#4) C C(#4) G

1 1 1 1 1 1

Gsus4 G5 G6 D

1 1 1 1

Dsus4 D5

Gtrs. 1, 2 & 3: w/ Rhy. Fill 3

You got a lot of nerve,

A5

Gtr. 6

1 1 1

Gtr. 5

1 1 1

Pre-Chorus

Gtrs. 1, 2 & 3: w/ Riff A (4 times)

Gtrs. 5 & 6 tacet

A5 Ab5 G5 Ab5

A5

oh.

Ab5 G5 Ab5

A5

1614

1614

1614

1412

1412

1412

14 1210

1210

1210

1210

1210 0

0

19 1917

1917

1917

1917

1917

1715

1715

1715

17 1513

1513

1513

1715

1715

1715

1715

1715

1715

1715

17 1917

1917 18

151815

1815

1815

181210

1210

1210

1210

1412

1412

1715

1715

1715

1715

1715

1715

97

97

97

97

108

108

1210

1210

1210

1210

1210

1210

1210

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

9

Nerve,

A Ab

G Ab

A

oh.

Ab

G Ab

Gtr. 4

Gtrs. 1 & 2: w/ Rhy. Fill 2

Gtr. 3: w/ Rhy. Fill 2AGtr. 4 tacet

F5

Now show a lit tle- back

G5

bone,- why don’t you?

Gtrs. 1, 2 & 3: w/ Rhy. Fig. 3 (3 times)

Gtr. 4: w/ Rhy. Fig. 3A (3 times)

Outro-Chorus

C5

I’m look ing- for some back

F5

and forth with you.

C5

Are you feel ing- the same

F5

as I do now

D7

and

now

F7

and

then?

C5

I’m look ing- for some

back

F5

and forth with you.

C5

Are you feel ing- the same

F5

as I do now

D7

and

now

F7

and

then?

C5

I’m look ing- for some back

Fsus2

and forth with you.

C5

Are you feel ing- the same

Gtr. 6

P.S.

Fsus2

as I do down

D7

and

out?

F7

Gtr. 6 tacet

µ

F5 F#5 B5 C5 G5 G#5 C#5

Gtrs. 1, 2 & 3

4X6

3X5

3X5

2X4

2X4

3X5

3X5

4X6

4X6

3X5

3X5

2X4

2X4

3X5

3X5

4X6

XXX 11

12

14

121315

121315

121315

121315

121315

121315

121315

121315

121313

121313

121313

121313

121313

121315

121313

121315

121315

121315

121315

121315

121315

121315

121315

121315

121313

121313

121313

121313

121313

121315

121313

00

111010

111010

111010

111010

111010

111010

111010

111010

141313

141313

141313

141313

141313

141313

141313

141313

133

244

224

335

355

466

446

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

10

Intro

Moderately fast q = 172

Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC

All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.

All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission

Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear

A Matter of Timefrom Foo Fighters - Wasting Light

Gtr. 1 (dist.)

*fdbk.

mf

µ

**Gtrs. 1 & 2

Rhy. Fig. 1

E5

134

F#5

134

G5

11

E5

F#5 G5 F#5End Rhy. Fig. 1

E5

*Microphonic fdbk., not caused by string vibration.

Pitch: E

**Gtr. 2 (dist.), played mf.

Gtr. 3 (dist.)

F#5 G5

mf

F#5 E5 F#5 G5 F#5 E5

Gtrs. 1 & 2

X000

0799

0 0799

799

799

0 244

355

244

022

0799

0 0799

17 0799

0 0799

799

799

0 244

355

244

022

799

799

0 244

355

244

022

0799

0 0799

799

799

0 244

355

244

022

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

1

Gtrs. 1, 2 & 3

Rhy. Fig. 2

µEnd Rhy. Fig. 2

Verse

Gtrs. 2 & 3 tacet

E

Let’s1. change the sub ject- to some

G#5/D#

one- else. You know, late -

Gtr. 1

Rhy. Fig. 3

P.M.

Gtr. 2

Rhy. Fill 1 End Rhy. Fill 1

D5

- ly I’ve been sub ject- to change.

A/C#

*F#5 G5 F#5 E5

P.M.

*See top of first page of song for chord diagrams pertaining

to rhythm slashes.

Nor

Gtr. 2 tacet

C

mal- ly- I reel in the strange

E

hang o- -

P.M.

0799

0 0799

799

799

0

76

76

76

76

76

76

76

76

76

76

76

76

76

76

76

76

66

66

66

66

66

66

66

66

66

66

66

66

66

66

66

66

57

57

57

57

57

57

57

57

57

57

57

57

57

57

57

57

47

47

47

47

47

47

47

47

47

47

47

00

244

355

244

0

32

32

32

32

32

32

32

32

32

32

32

32

32

32

32

32

76

76

76

76

76

76

76

76

76

76

76

76

76

76

76

76

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

2

*A'9

vers,- I’m old

Am%

er.-

Gtr. 3

Riff A1

w/ clean tone & amp tremolo

End Riff A1

let ring

Gtr. 2

Riff A End Riff A

let ring

Gtr. 1

P.M.

End Rhy. Fig. 3

*Chord symbols reflect overall harmony.

You’re

Verse

2.

Gtr. 1: w/ Rhy. Fig. 3

Gtr. 2: w/ Rhy. Fig. 3 (1st 8 meas.)Gtr. 3 tacet

E

one to talk. The heart

G#5/D#

is a clock just like a bomb

D5

that keeps on tick ing- a way,-

A/C#

F#5 G5 F#5 E5

count

C

ing- down to det o- nate.-

E

You will

Gtr. 2

Rhy. Fig. 4 End Rhy. Fig. 4

P.M.

011

90

00

911

010

110

00

1110

011

90

00

911

010

110

00

11

14

0119

0119

0119

0119

0119

0119

0119

0119

0119

0119

0119

0119

0119

0119

0119

0119

01011

01011

01011

01011

01011

01011

01011

01011

01011

01011

01011

01011

01011

01011

16

35

35

35

35

35

35

35

35

35

35

35

35

35

35

35

35

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

3

Gtrs. 2 & 3: w/ Riffs A & A1

A'9

need

an ar

Am%

my-

to sum mon-

me.

E'9Pre-Chorus

Am('9)

It does n’t- mat ter- much to me

Gtr. 1

Rhy. Fill 2 End Rhy. Fill 2

Gtr. 2

Rhy. Fill 2A End Rhy. Fill 2A

let ring

if it does n’t- mat ter- much to you,

E'9

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

17

09

011

09

011

09

011

09

011

09

011

09

011

09

011

09

011

0119

00

11

0119

00

11

0119

00

11

0119

00

11

0119

00

11 119

0119

11

0119

11

170

0

10

0

9

0

0

10

0

9

0

0

10

0

90

10

0

9

0

0

10

0

9

0

09

011

09

011

09

011

09

011

09

011

09

011

09

011

09

011

011

013

011

013

011

013

011

013

011

013

011

013

011

013

011

013

0

0

10

0

9

0

0

10

0

9

0

0

10

0

90

10

0

9

0

0

10

0

9

00

11

0

911

011

0

911

011

0

911

11

0

911

011

0

911

0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

4

oo.

Am('9)

It does n’t- mat ter- much to me

if it does n’t- mat ter- much to you.

E'9 B5 C#5

*Gtr. 4 (dist.)

mf

*Doubled throughout

Gtr. 3

Gtr. 1

Gtr. 2

011

013

011

013

011

013

011

013

011

013

011

013

011

013

011

013

09

011

09

011

09

011

09

011

09

011

09

011

09

011

09

011

011

0

911

011

0

911

011

0

911

11

0

911

011

0

911

00

0

10

0

9

0

0

10

0

9

0

0

10

0

90

10

0

9

0

0

10

0

9

0

12 0 2X4

4X6

5X7

7X9

9X11

2X4

4X6

09

011

09

011

09

011

09

011

09

011

09

011

09

011

09

011

011

013

011

013

011

013

011

013

011

013

011

013

011

0

0

10

0

9

0

0

10

0

9

0

0

10

0

90

10

0

9

0

0

10

0

9

00

11

0

911

011

0

911

0119

011

119

011

0 7X9

9X11

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

5

Chorus

D

It’s just a mat ter- of time

A'9/C#

be fore,- be fore.-

Gtr. 4

Riff B

Gtr. 3

Rhy. Fig. 5A

Gtrs. 1 & 2

Rhy. Fig. 5

C

It’s just a mat ter- of time

E

be fore,- be fore.

B5

-

C#5

End Riff B Fill 1 End Fill 1

End Rhy. Fig. 5A Rhy. Fill 3A End Rhy. Fill 3A

End Rhy. Fig. 5 Rhy. Fill 3 End Rhy. Fill 3

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

5777

5777

5777

5777

5777

5777

5777

5777

5777

5777

5777

5777

5777

5777

5777

5777

47

06

0

47

06

0

47

06

0

47

06

0

47

06

0

47

06

0

47

06

0

47

06

0

47

06

0

47

06

0

47

06

0

47

06

0

47

06

0

47

06

0

47

06

0

47

06

0

101212

101212

101212

101212

101212

101212

101212

101212

101212

101212

101212

101212

101212

101212

101212

101212

912

912

912

912

912

912

912

912

912

912

912

912

912

912

912

912

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

9X11

3555

3555

3555

3555

3555

3555

3555

3555

3555

3555

3555

3555

3555

3555

3555

3555

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

2X4

4X6

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

0799

0799

0799

0799

0799

0799

0799

0799

0799

0799

0799

0799

7X9

9X11

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

6

2CTo oda 1CTo oda

Gtr. 3: w/ Rhy. Fig. 5A

Gtr. 4: w/ Riff B

D

And though I hate to re wind-

A'9/C#

be fore,- be fore,-

Gtrs. 1 & 2

C

it’s just a mat ter- of time.

E5

F#5 G5 F#5 E5

Gtrs. 1 - 4

Do

VerseGtr. 1: w/ Rhy. Fig. 3 (2 times)

1st time, Gtrs. 2 & 3 tacet2nd time, Gtr. 2: w/ Rhy. Fig. 3 (1st 8 meas.)

4.

E

My

ing

3.

-

past

my

is

time

get ting

for

- us no

line

G#m/D#

where

af

-

ter-

fast,

line. When

I

will

was

I

nev

learn

-

*Gtr. 5 (clean)

mfw/ amp tremololet ring throughout

*12-str. elec.

D6

- er

to

one

sing

for

these

tak

cramps

ing

to

- things

my

slow.

self?-

A/C#

1st time, Gtr. 2: w/ Rhy. Fill 1

F#5 G5 F#5 E5

101212

101212

101212

101212

101212

101212

101212

101212

101212

101212

101212

101212

101212

101212

101212

101212

912

912

912

912

912

912

912

912

912

912

912

912

912

912

912

912

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

14 0799

0 0799

799

799

0 244

355

244

022

99

79

99

09

89

79

89

09

710

710

710

010

65

55

65

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

7

1.

2.D.S. al Coda 1

1 Coda

No

Pris

2nd time, Gtr. 2: w/ Rhy. Fig. 4

C6

where

on

-

- ers-

seems like

to

some

share

where

a

- to go.

cell

E

with.

Come

I’m

o

hold

-

-

Gtrs. 2 & 3: w/ Riffs A & A1

Gtr. 5 tacet

A'9

-

-

ver

ing,

and

still

o

hold

Am%

ver.

ing,

-

-

hold ing- you in.

Gtrs. 1 & 2: w/ Rhy. Fills 2 & 2A

E'9

E

Gtr. 4

Gtrs. 1 & 2

Gtr. 3

55

55

55

05

45

45

45

05

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

079

09

0

079

09

0

079

09

0

079

09

0

079

09

0

079

09

0

079

09

0

079

09

0

079

09

0

079

09

0

079

09

0

079

09

0

079

09

0

079

09

0

079

09

0

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

2 3 2 0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

8

Where

Bridge

Gtrs. 3 & 4 tacet

Am('9)

the

hell were

Gtr. 1

Gtr. 2

you?

E'9

Oo.

017

017

017

016

016

016

014

014

014

017

017

017

016

016

014

014

017

017

016

016

016

014

014

014

017

017

017

016

016

014

014

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

016

016

016

014

014

014

013

013

013

016

016

016

014

014

013

013

016

016

016

014

014

013

013

013

016

016

016

014

014

013

013

119

00

11

119

00

11

119

00

11

119

00

11

119

00

11

119

00

11

119

00

11

119

00

11

119

00

11

119

00

11

119

00

11

119

00

11

119

00

11

119

00

11

119

00

11

119

00

11

119

00

11

119

00

11

119

00

11

119

00

11

119

00

11

119

00

11

119

00

11

119

00

11

119

00

11

119

00

11

119

00

11

119

00

11

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

9

D.S.S. al Coda 2

Where

Am('9)

the

hell were

Gtr. 1

Gtr. 3

Fill 2 End Fill 2

Gtr. 2

you?

Gtrs. 1, 2 & 3: w/ Rhy. Fig. 1

E5 F#5 G5 F#5 E5Gtrs. 1, 2 & 3: w/ Rhy. Fig. 2

B5 C#5

Gtr. 4

017

017

017

016

016

016

014

014

014

017

017

017

016

016

014

014

017

017

017

016

016

016

014

014

014

017

017

017

016

016

014

00

17

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

0

0

10

0

9

7X9

9X11

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

10

2 Coda

E

B5 C#5 D

What does it mat ter- now?

Gtr. 7 (dist.)

mf

Riff C2

Gtr. 6 (dist.)

mf

Riff C1

Gtr. 4 Riff C

Gtr. 3

Rhy. Fig. 6A

Gtrs. 1 & 2 Rhy. Fig. 6

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

000

10X12

10X12

10X12

9X11

9X11

9X11

7X9

7X9

7X9

10X12

10X12

10X12

9X11

9X11

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

9X11

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

2X4

4X6

5777

5777

5777

5777

5777

5777

5777

5777

5777

5777

5777

5777

5777

5777

5777

5777

0799

0799

0799

0799

0799

0799

0799

0799

0799

0799

0799

0799

7X9

9X11

101212

101212

101212

101212

101212

101212

101212

101212

101212

101212

101212

101212

101212

101212

101212

101212

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

11

A'9/C#

What does it mat ter- now?

A5 B5

C

End Riff C2

End Riff C1

End Riff C

End Rhy. Fig. 6A

End Rhy. Fig. 6

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

9X11

10X12

10X12

10X12

9X11

9X11

9X11

7X9

7X9

7X9

10X12

10X12

10X12

9X11

9X11

7X9

7X9

9X11

9X11

9X11

7X9

7X9

7X9

5X7

5X7

5X7

9X11

9X11

9X11

5X7

7X9

8X10

8X10

8X10

7X9

7X9

7X9

5X7

5X7

5X7

8X10

8X10

8X10

7X9

7X9

5X7

5X7

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

5X7

7X9

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

47

06

0

47

06

0

47

06

0

47

06

0

47

06

0

47

06

0

47

06

0

47

06

0

47

06

0

47

06

0

47

06

0

47

06

0

5X7

X7

93555

3555

3555

3555

3555

3555

3555

3555

3555

3555

3555

3555

3555

3555

3555

3555

912

912

912

912

912

912

912

912

912

912

912

912

5X7

7X9

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

12

Gtr. 7

Gtrs. 1 & 2: w/ Rhy. Fill 3

Gtr. 3: w/ Rhy. Fill 3AGtr. 4: w/ Fill 1

E B5 C#5

Gtr. 6

Gtrs. 1 & 2: w/ Rhy. Fig. 6

Gtr. 3: w/ Rhy. Fig. 6A

Gtrs. 4, 6 & 7: w/ Riffs C, C1 & C2

D

What does it mat ter- now?

A'9/C#

What does it

mat ter- now?

A5 B5 C

It’s just a mat ter- of time.

Outro

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (4 times)

E5 F#5 G5 F#5 E5

Gtr. 3: w/ Fill 2

F#5 G5 F#5 E5

Time.Screamed:

Gtr. 3: w/ Rhy. Fig. 1 (2 times)

F#5 G5 F#5 E5

F#5 G5 F#5 E5

11X13

11X13

11X13

9X11

9X11

9X11

7X9

7X9

7X9

11X13

11X13

11X13

11X13

12X14

7X9

7X9

7X9

5X7

5X7

5X7

4X6

4X6

4X6

7X9

7X9

7X9

7X9

9X11

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

13

Intro

Free time

Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear

Miss the Misery

Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC

All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.

All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission

from Foo Fighters - Wasting Light

Moderately q = 120

Gtr. 1 (dist.)

*

w/ slow amp tremolo

Em

mf

**Em7

VII

1

E5

12 34

Em7

2 34

G5

1 34

A7sus4

5fr

134

D5

7fr

134

E5

134

B5

134

C5

G(b5)

amp tremolo off

*Fade in **Chord symbols reflect basic harmony.

1/2 1/2

Gtr. 1Em7

Gtrs. 2 & 3 (dist.)

Riff A

mf

End Riff A

1/2 1/2

(Oh,

Gtrs. 2 & 3: w/ Riff A (2 times)

oh.)

Gtr. 1Riff B End Riff B

022000

033

233

233

033

033

233

233

033

023

5 17 0

02

0 302

03

23

23

03

02

0 302 0 2 2 0

02

0 302

03

23

23

03

02

0 302 0 2 2 0

10X12

9X11

7X9

5X7

5 0 5 7 70

10X12

9X11

7X9

5X7

5 0 5 7 70

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

1

Gtrs.

2 & 3

Rhy. Fill 1A End Rhy. Fill 1A

Verse

*E5

If1. I had my way,

Gtrs. 1, 2 & 3 tacet

Em7

if I had

G5

to

A7sus4

lose,

Em7

Gtr. 4 (semi-clean)

Rhy. Fig. 1

mf

End Rhy. Fig. 1

Gtr. 1Rhy. Fill 1 End Rhy. Fill 1

*See top of first page of song for chord diagrams pertaining to rhythm slashes.

Gtr. 4: w/ Rhy. Fig. 1

would n’t- take

G5

back

A7sus4

one

Em7

thing. Nev er- had much

G5

to choose.

A7sus4 Em7

Gtr. 4: w/ Rhy. Fig. 1 (3 1/2 times)

2nd time, Gtr. 1: w/ Rhy. Fill 12nd time, Gtrs. 2 & 3: w/ Rhy. Fill 1A

Em7

Then

What2.

it

a

dawned

nice

G5

on

long

A7sus4

me,

leash,

Em7

com

what

ing

a

- down

nice

G5

on

tight

A7sus4

you

noose.

Em7

like

Nev

a

er-

cold

worked

G5

sky

for

A7sus4

rain

me

Em7

ing

but

- un

sure

der

would

- a

look

burn

good

G5

ing

on

- moon.

you.

A7sus4

Em7

Been

022033

022033

3X0033

02033

02033

0033

2033

2033

0033

022033

022033

3X0033

02033

02033

0033

2033

2033

0033

022000

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

2

wait ing- all

G5

your

A7sus4

life,

Em7

your wish is com

G5

ing

A7sus4

- true.

Em7

Gtr. 3

1/2

Gtr. 2

Gtr. 4

w/ dist.

Bless your heart

G5

for

A7sus4

beat

Em7

in’- me

Em7

right out

G5

of you.

A7sus4 D5 E5VII D5

(cont. in slashes)1/2

233

033

233

033

022000

033

233

033

233

033

5577

7799

7799

5577

022000

577

799

799

577

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

3

Gtrs.

3 & 4

Rhy. Fig. 2 End Rhy. Fig. 2

Pre-Chorus

C5

Miss the mis

D5

er- y,-

VIIE5

need a rea

B5

son- for a change.

Gtr. 2

Gtrs. 3 & 4: w/ Rhy. Fig. 2

C5

Need a rea

D5

son- toex

re plain,

frain,

-

-

E5

so turn it on

B5

a gain.-

Chorus

Csus2

Don’t change

D

your mind.

Em7

You’re wast

B5

in’- light.

Gtrs. 2,

3 & 4

Rhy. Fig. 3 End Rhy. Fig. 3

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

6X8

6X8

6X8

6X8

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

9X11

9X11

9X11

9X11

10X12

10X12

10X12

12

3X033

3X033

3X033

3X033

3X033

3X033

3X033

3X033

0232

0232

0232

0232

0232

0232

0232

0232

022033

022033

022033

022033

022033

022033

022033

022033

244

244

244

244

244

244

244

244

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

4

1.

2.

Gtrs. 2, 3 & 4: w/ Rhy. Fig. 3 (1st 2 meas.)

Csus2

Get in

D

and let’s

Gtr. 1

Fill 1 End Fill 1

go,

Gtr. 1: w/ Riff B (1 1/2 times)Gtrs. 2 & 3: w/ Riff A (1 1/2 times)

Em7

go.

D5/A E5/B D5/A

Gtr. 1Rhy. Fill 2 End Rhy. Fill 2

Gtr. 3 Rhy. Fill 2B End Rhy. Fill 2B

(cont in slashes)

Gtr. 2 Rhy. Fill 2A End Rhy. Fill 2A

5 17 0

5

7

5 0 5 7 70

5

7

5 0 577

799

799

577

02

0 302 0 2 2 0

02

02

302

5577

7799

7799

5577

02

0 302 0 2 2 0

02

02

302

577

799

799

577

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

5

Gtr. 3

Gtr. 1 tacet

Bridge

C5

Miss the mis

D5

er- y,-

VIIE5

give me rea

B5

son- for a change.

Gtr. 2

C5

Miss the mis

D5

er- y,-

E5VII

give me rea

B5

son- to re frain.-

Gtr. 4

Gtr. 2

Gtr. 3: w/ Rhy. Fig. 3 (1 1/2 times)

Csus2

Miss your mis

D

er- y- to day.-

Em7

Miss your mis -

Riff C

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

6X8

6X8

6X8

6X8

6X8

6X8

6X8

6X8

5 12

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

1212

1212

1212

1212

1413

1413

1413

1413

1212

1212

1212

1212

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

6

B5

- er y- to day.-

Csus2

Come on and turn

D

it on a gain.-

*Gtrs. 1 & 4

End Riff C

*Played by Gtr. 4 only

when recalled.

Interlude

Em7

Gtrs. 1 & 4

**w/ octaver

**Set for one octave below.

1 1 1 1 11 1

Gtrs. 2 & 3

1/2 1/2

1110

1110

1110

1110

1213

1213

1213

1213

1415

1415

1415

17

9X11

9X11

9X11

9X11

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

12X14

12X14

12X14

12X14

12X14

12X14

12X14

75

7 105 8

1210

75

7 1412

10 128 10

02

02

302

0 2 2 0

02

02

302

0 2 2 0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

7

1 1 1 1 11 1

1/2 1/2

E5 Bb5 C5

*

F5 G5 E5 C5 D5 G5 A5

1

*Vol. swells

1 1 1

Em7

octaver off

1 1 1 1 11 1

1/2 1/2

75

7 105 8

1210

75

7 1412

10 128 10

02

02

302

0 2 2 0

02

02

302

0 2 2 0

2 10 5 12

02

02

68

810

810 8

101012

1012

02

02

810

1012

1012 10

121214

1214

75

7 105 8

1210

75

7 1412

10 128 10

02

02

302

0 2 2 0

02

02

302

0 2 2 0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

8

Chorus

Gtr. 1 tacetGtrs. 2 & 3: w/ Rhy. Fig. 3 (2 1/2 times)

Gtr. 4: w/ Riff C (1st 4 meas.)

Csus2

Don’t change

D

your mind.

Em7

You’re wast

B5

ed- light.

Gtr. 4: w/ Riff C

Csus2

Don’t make

D

this right.

Em7

Don’t

make

B5

this right.

Csus2

Get in

Gtr. 1: w/ Fill 1

D

and let’s

go,

Gtr. 1: w/ Riff B (1 1/2 times)Gtrs. 2 & 3: w/ Riff A (1 1/2 times)

Em7

go.

Gtrs. 1, 2 & 3: w/ Rhy. Fills 2, 2A & 2B

D5/A E5/B D5/A

Gtrs. 1, 2 & 3

Outro

Em7

1/2 1/2

1/2 1/2

02

02

302

20 2 0

02

02

302

20 2 0

02

02

302

20 2 0

02

02

302

20 2 0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

9

Intro

Moderately fast q = 115

Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear

I Should Have Known

Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC

All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.

All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission

from Foo Fighters - Wasting Light

(Strings)

µ

8 sec. Gtrs. 1 & 2 (slight dist.)

*

mfw/ fingers

Gm

let ring

*Chord symbols reflect overall harmony.

I1. should have known

Verse

Gm

that it would end this way. I should have

Riff A

let ring

known

Cm6

there was no oth er- way. Did

Am7b5

n’t- hear your warn -

let ring let ring

31

3

00

31

31

3

00

31

31

3

00

31

31

3

00

31

31

3

00

31

31

3

00

3

0

31

3

21

31

31

3

21

31

01

0

21

00

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

1

Bb

ing.- Damn,

Cm7

my heart gone deaf.

F'9

I should have

let ring let ring

End Riff A

let ring

known,

Gtrs. 1 & 2: w/ Riff A

Gm

look at the shape you’re in. I should have

Gtr. 3 (dist.)

mp

Cm6

known, but I dove right in. One

Am7b5

thing is for cer -

tain

Bb

as

Cm7

I’m stand ing- here,

F'9

I should have

10

1

30

10

31

3

31

30

13

1

2 03

1

0

5

6 5

5 6 3

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

2

known.

Pre-Chorus

Gtr. 3 tacet

Gm

F'9/A Bb

Gm7/F C

Gtr. 1

Riff B

let ring let ring let ring let ring

End Riff B

let ring

Gtr. 2

Riff B1

let ring let ring let ring let ring

End Riff B1

let ring

Gtr. 4 (dist.)

mf

Riff B2 End Riff B2

Lay

Gtrs. 1 & 2: w/ Riffs B & B1

Gtr. 4: w/ Riff B2 (2 times)

Gm

your

F'9/A

hands

Bb

in

Gm7/F

mine.

C

Heal

Gm

me

F'9/A

one

Bb

last

Gm7/F

time.

C

Though I can -

Gtr. 1

let ring let ring let ring let ring let ring

Gtr. 2

let ring let ring let ring let ring let ring

31

00

53

00

65

00

80

0

87

0

8

0

8

0

8

00

8

0

8 0

31

00

53

30

65

30

1

30

33

23

02

3 32

3

02

3 0

3 5 65 8 8 3

31

00

53

00

65

00

80

0

87

8

8

0

8

0

8

0

8

8

0

8

0

31

00

53

30

65

30

1

30

33

23

02

3 32

3

02

30

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

3

not

Chorus

Eb

for give- you yet.

Gm

No, I can not

Eb

- for give- you yet.

Gm

Gtr. 1

let ring let ring let ring let ring

Gtr. 2

let ring let ring let ring let ring

Gtr. 4

Leave

F'4

my heart in debt.

C9

I2.

µ

should have

let ring *

*Increase strum intensity.

let ring ** ***

**Increase strum intensity. ***Allow 5th string to ring after notes are muted.

65

04

56

0

3

00

30

00

65

46

56

0

3

00

3

0

3

0

65

34

56

0

3

3

3

33

5

3

06

56

4

56

05

3

5

33

5

3

0

11 11 3 11 11 3

88

8

6

88

0

X8

00

X8

00

X8

00

X8

00

X8

00

X8

00

X8

00

X8

008

X8

008

X8

008

X8

008

X8

008

X8

008

32

11

03 0

32

32

32

323

323

323

323

3231

3231

3231

3231

3231

3231

3

8 8 3 3 3 3 3 3 3 3 3 3 3 3 3

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

4

known

Verse

Gtrs. 1 & 2: w/ Riff A (2 times)Gtr. 4 tacet

Gm

I was in side- of you. I should have known

Cm6

there was that side of you.

Gtr. 5 (slight dist.)

mf

Rhy. Fig. 1

Came

Am7b5

with out- a warn ing,

Bb

- caught

Cm7

me un a- ware.-

F'9

I should have

End Rhy. Fig. 1

known

Gtr. 5: w/ Rhy. Fig. 1

Gm

I’ve been here be fore.- I should have known,

Cm6

don’t want it an y- more.-

One

Am7b5

thing is for cer tain,

Bb

- I’m

Cm7

still stand in’- here.

F'9

I should have

known.

Pre-Chorus

Gm

F'9/A Bb

Gm7/F C

Gtr. 2

Riff C

let ring let ring let ring let ring

End Riff C

let ring

Gtr. 1

Rhy. Fig. 2

let ring let ring let ring let ring let ring

End Rhy. Fig. 2

5333

10888

13141313

12101110

10888

3211

3

30

0

5

60

0

6

60

0 0

10

03

0

3

02

0

3

02

31

20

31

00

53

00

65

00

80

0

8 8

07

08

07

08

07

08

8

07

08

8

07

08

8

07

08

8

07

08

8

07

08

8

07

08

8

07

08

8

07

08

00

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

5

Lay

Gtr. 1: w/ Rhy. Fig. 2 (2 times)Gtr. 2: w/ Riff C

Gm

your

F'9/A

hands

Bb

in

Gm7/F

mine.

C

Feel

Gm

me

F'9/A

one

Bb

last

Gm7/F

time.

C

Though I can -

Gtr. 2

let ring let ring let ring let ring let ring

not

Chorus

Eb

for give- you yet.

Gm

No, I can not

Eb

- for give- you yet.

Gtr. 1

Rhy. Fig. 3

let ring let ring let ring

Gtr. 2

Riff D

let ring let ring let ring

3

30

0

5

60

0

6

60

0 0

10

03

0

3

0 0

3

02

31

02

0

650

650

504

6504

6504

0 3X00

3X00

33

3X00

3X00

000

650

650

504

6504

6504

0

65

34

56 0

53

5

3

5 06

53

4

56

0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

6

Gm

Leave

F'4

my heart in debt.

C9

No, I can -

End Rhy. Fig. 3

let ring

Rhy. Fig. 4 End Rhy. Fig. 4

let ring

End Riff D Riff E

let ring

End Riff E

let ring

not

Gtr. 1: w/ Rhy. Fig. 3Gtr. 2: w/ Riff D

Eb

for give- you yet.

Gm

No, I can not

Eb

- for give- you yet.

Gm

You leave

F'4

my heart in debt.

C9

I should have

Gtr. 1

Gtr. 2

let ring

3X00

3X00

33

3X00

3X00

000

8

08

6

8

08

6

8

08

6

000

X8

008

X8

008

X8

008

000

53

5

3

50

08

70

6

70

03

02

01

2 0

8

08

6

8

08

6

8

08

6

8

08

6

8

08

6

0000

8

07

08

8

07

08

8

07

08

8

07

08

8

07

08

8

07

08

8

07

08

8

07

08

8

07

08

8

07

08

8

07

08

8

07

08

8

07

08

8

07

08

8

07

08

000

87

06

0

80

3231

3231

3231

3231

3231

3231

3231

3231

3231

3231

3231

3231

3231

3231

3231

000

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

7

InterludeGtr. 2 tacet

Gm

known.

F'9/A Bb6

Gm7/F C'2

Gtr. 5

Gtr. 1

Rhy. Fig. 5 End Rhy. Fig. 5

Gtr. 5

Gtr. 1: w/ Rhy. Fig. 5

Gm F'9/A Bb6 Gm7/F C'2

grad. bend1

May

Bridge

Gtr. 1: w/ Rhy. Fig. 5 (2 times)

Gm

be- you was right,

F'9/A

did

Bb6

n’t- wan na- fight,

Gm7/F

I should have

C'2

known.

3 3 3

Gtr. 5

Gtr. 6 (slight dist.)

Riff F

mf

End Riff F

3 2 3 3 10 9 9 9

3100

3100

3100

3100

5300

5300

5300

5300

6500

6500

6500

6500

10

08

0

10

08

0

10

08

0

10

08

0

8

07

0

8

07

0

8

07

0

8

07

0

8

07

0

8

07

0

8

07

0

8

07

0

8

07

0

8

07

0

8

07

0

8

07

0

8

07

0

8

07

0

8

07

0

8

07

0

3 2 3 3 10

10 10 10

3 3 5 5 7 7 10 9 9 9

0 2 3 3 7 7 5 5

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

8

Could

Gtr. 6: w/ Riff F

Gm

n’t- read the signs,

F'9/A

could

Bb6

n’t- see the light,

Gm7/F

I should

Gtr. 5

have

C'2

known. No, I can -

1

not

Outro-ChorusGtr. 1: w/ Rhy. Fig. 3Gtr. 2: w/ Riff D

Gtr. 5 tacet

Eb

for give- you yet.

Gm

No, I can not

Eb

- for give- you yet.

*Gtr. 7 (dist.)

f

Rhy. Fig. 6

*Doubled throughout

Gm

Leave

Gtr. 1: w/ Rhy. Fig. 4

Gtr. 2: w/ Riff E

F'4

my heart in debt.

C9

No, I can -

End Rhy. Fig. 6

3 3 5 5 7 7 10

10 10 10 10 108 8 8 8

10 10 10 108 8 8 8

10 10 10 108 8 8 8

10 10 108 8 8 8

111313

111313

111313

111313

111313

111313

111313

355

355

355

355

355

355

355

111313

111313

111313

111313

111313

111313

111313

355

355

355

355

355

355

355

131515

131515

131515

131515

131515

131515

131515

81010

81010

81010

81010

81010

81010

81010

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

9

not

Gtr. 1: w/ Rhy. Fig. 3Gtr. 2: w/ Riff D

Gtr. 7: w/ Rhy. Fig. 6

Eb

for give- you yet.

Gm

No, I can -

not

Eb

for give- you yet.

Gm

You leave

F'4

my heart in debt.

C9

No,

C5

I can

D5

-

Gtr. 1

Gtr. 7

Gtr. 2

let ring let ring

8

08

6

8

08

6

8

08

6

000

8555

8555

131515

131515

131515

131515

131515

131515

131515

81010

81010

81010

81010

81010

81010

101212

87

06

70

03

02

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

10

not

Gtr. 1: w/ Rhy. Fig. 3

Gtr. 2: w/ Riff D

Gtr. 7: w/ Rhy. Fig. 6

Eb

for give- you yet.

Gm

No, I can -

not

Eb

for give- you yet.

Gm

You leave

F'2

us all in debt.

C9

I

µ

should have

Gtr. 1

Gtr. 2

let ring

Gtr. 7

known.

Gtrs. 1, 2 & 7 tacet

8

08

6

8

08

6

8

08

6

8

08

6

8

08

6

0000

8

07

08

8

07

08

8

07

08

8

07

08

8

07

08

8

07

08

8

07

08

8

07

08

8

07

08

8

07

08

8

07

08

8

07

08

8

07

08

87

06

0

80

3231

3231

3231

3231

3231

3231

3231

3231

3231

3231

3231

3231

3231

131515

131515

131515

131515

131515

131515

131515

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

81010

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

11

Intro

Moderately q = 132

Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear

Walk

Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC,I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC

All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.

All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSICAll Rights Reserved Used by Permission

from Foo Fighters - Wasting Light

Gtr. 1 (slight dist.)

*

mf

Asus2

123

A

231

E

134111

F#m

132

D

231

Dm

let ring

Gtr. 2 (slight dist.)

mp

Rhy. Fig. 1 End Rhy. Fig. 1

P.M.

*Chord symbols reflect overall harmony.

Verse

Gtr. 2: w/ Rhy. Fig. 1 (4 times)

Asus2

A1. mil lion- miles a way,-

E'4/A

your sig -

Gtr. 1

Riff A

let ring let ring

910

9

710

910

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

910

9

710

910

99

9

79

910

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

1

Bm7/A

nal- in the dis

tance- to whom

Dm6/A

it may con cern.-

let ring

End Riff A

let ring

Asus2

I think I lost my way.

E'4

Get ting- good

Gtr. 1

let ring let ring

Gtr. 2

P.M.

Bm7

at start ing- o ver- ev ’ry- time

Dm6

that I re

Dm7

turn.

-

let ring let ring

P.M.

710

7

710

7

7

1010

10

710

1010

910

9

710

910

99

9

79

910

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

079

079

079

079

079

079

079

079

079

079

079

079

079

079

079

079

710

7

710

7

7

1010

10

710

10

8

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79

79 5

757

57

57

57

57

57

57

57

57

57

57

57

57

57

00

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

2

Chorus

Gtr. 1: w/ Riff A (2 times)

A'9

Learn ing- to walk a gain.-

E'4

I be lieve-

*Gtrs. 2 & 3

*Gtr. 3 (slight dist.), played mp.

Composite arrangement

Bm7

I’ve wait ed- long e nough.- Where do I

Dm6

be gin?-

A'9

Learn ing- to talk a gain.-

E'4

Can’t you see

Bm7

I’ve wait ed- long e nough?- Where do I

Dm6

be gin?-

(In.)

076

076

076

076

076

076

076

076

076

076

076

076

076

076

079

00

079

079

079

079

079

079

079

079

079

079

079

079

079

079

079

00

7977

7977

7977

7977

7977

7977

7977

7977

7977

7977

7977

7977

7977

7977

7977

00 5

776

5776

5776

5776

5776

5776

5776

5776

5776

5776

5776

5776

5776

5776

5776

00

076

076

076

076

076

076

076

076

076

076

076

076

076

076

079

00

079

079

079

079

079

079

079

079

079

079

079 9

9

079

079

079

00

7977

7977

7977

7977

7977

7977

7977

7977

7977

7977

7977

7977

7977

7977

7977

00 5

776

5776

5776

5776

5776

5776

5776

5776

5776

5776

5776

5776

5776

5776

5776 0

0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

3

Interlude

A

Gtr. 1

fw/ dist.

Gtrs. 2 & 3

fw/ dist.

Verse

A

Do2. you re mem- ber- the days

E E'4

we built

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

07910

079

10

079

10

079

10

079

10

079

10

079

10

079

10

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

7999

7999

7999

7999

7999

7999

799

10

799

10

799

10

799

10

799

10

799

10

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

4

Bm7

these pa per- moun tains- and sat

Dm

and watched them burn?

A

I think I found my place.

E E'4

Can’t you feel

7977

10

7977

10

7977

10

7977

10

7977

10

7977

10

7977

10

7977

10

7977

10

7977

10

7977

10

7977

10

01010

01010

01010

01010

01010

01010

01010

01010

01010

01010

01010

01010

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

577

577

577

577

577

577

577

577

577

577

577

577

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

7999

7999

7999

7999

7999

7999

799

10

799

10

799

10

799

10

799

10

799

10

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

022100

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

5

Bm7

it grow ing- strong er,- lit tle- con

Dm

quer- ors?

Dm/E

-

Dm/F Dm/G

Chorus

A

Learn ing- to walk a gain.-

E E'4

I be lieve-

Rhy. Fig. 2

Rhy. Fig. 2A

let ring

7977

10

7977

10

7977

10

7977

10

7977

10

7977

10

79XX10

79XX10

79XX10

79XX10

79XX10

79XX10

79XX10

01010

01010

01010

7X1010

7X1010

7X1010

8X1010

8X1010

8X1010

10X1010

10X1010

10X1010

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

5X7

5X7

7X9

7X9

8X10

8X10

10X12

10X12

0

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

7999

7999

7999

7999

7999

7999

7999

799

10

799

10

799

10

799

10

799

10

799

10

799

10

799

10

799

10

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222 0

0

0221

0221

2100

0221

0221

2100

0221

0221

2100

0221

0221

0221

000

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

6

Bm7

I’ve wait ed- long e nough.- Where do I

Dm

be gin?

Dm/E

-

Dm/F

(In.)

Dm

End Rhy. Fig. 2

End Rhy. Fig. 2A

A

Learn ing- to talk a gain.-

E E'4

I be lieve-

Rhy. Fig. 3

Rhy. Fig. 3A

let ring

7977

10

7977

10

797710

7977

10

7977

10

797710

7977

10

7977

10

7977

10

7977

10

7977

10

7977

10

7977

10

7977

10

797710

7977

10

01010

01010

01010

X7

1010

X7

1010

X7

1010

X8

1010

X8

1010

8X1010

01010

01010

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

00

5X7

5X7

7X9

7X9

8X10

8X10

5X7

5X7

00

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

7999

7999

7999

7999

7999

7999

7999

799

10

799

10

799

10

799

10

799

10

799

10

79910

799

10

799

10

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0221

0221

2100

0221

0221

2100

0221

0221

2100

0221

0221

0221

000

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

7

Bm7

I’ve wait ed- long e nough.- Where do I

Dm

be gin?

Dm/E

-

Dm/F Dm/G

Gtr. 4 (dist.)

Fill 1

f

End Fill 1

Gtr. 1 End Rhy. Fig. 3

Gtrs. 2 & 3

(cont. in slashes)

End Rhy. Fig. 3A

Gtrs.

2 & 3

Rhy. Fig. 4A

Now,

Bridge

*A

for the ver y- first time

Gtr. 4

Riff B End Riff B

Gtr. 1

Rhy. Fig. 4

*See top of first page of song for chord diagrams pertaining to rhythm slashes.

155X7

7X9

8X10

10X12

12

7977

10

7977

10

7977

10

7977

10

7977

10

7977

10

7977

10

7977

10

7977

10

7977

10

7977

10

7977

10

7977

10

7977

10

7977

10

7977

10

01010

01010

01010

7X1010

7X1010

7X1010

8X1010

8X1010

8X1010

10X1010

10X1010

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

00

5X7

5X7

7X9

7X9

8X10

8X10

10X12

10X12

4X6

4X6

5X7

5X7

5X7

7X9

7X9

7X9

9X11

11X13

12X14

4X6

4X6

5X7

5X7

5X7

7X9

7X9

7X9

9X11

11X13

12X14

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

07910

079

10

079

10

079

10

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

8

Gtr. 4: w/ Riff B (2 times)

E

don’t you pay no mind.

Gtr. 1

End Rhy. Fig. 4A

F#m

Set me free

D

a gain.-

Dm

To

Gtr. 4 Riff C End Riff C

Gtr. 1

End Rhy. Fig. 4

keep

Gtr. 1: w/ Rhy. Fig. 4 (2 times)Gtrs. 2 & 3: w/ Rhy. Fig. 4A (2 times)

Gtr. 4: w/ Riff B (5 times)

A

a live- a mo ment- at a time, but still in side- a whis per- to a ri ot.- To

sac

E

ri- fice,- but know ing- to sur vive.- The first to cry an oth- er- state of mind. I’m

7999

7999

7999

7999

7999

7999

7999

7999

7999

7999

7999

7999

7999

7999

7999

7999

7999

7999

7999

7999

7999

7999

7999

7999

7999

7999

7999

7999

7999

7999

7999

7999

4X6

4X6

5X7

5X7

5X7

7X9

7X9

7X9

9X11

11X13

12X14

4X6

4X6

5X7

5X7

5X7

7X9

8X10

8X10

8X10

10X12

12X14

9111110

9111110

9111110

9111110

9111110

9111110

9111110

9111110

9111110

9111110

9111110

9111110

9111110

9111110

9111110

9111110

5777

5777

5777

5777

5777

5777

5777

5777

5776

5776

5776

5776

5776

5776

5776

5776

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

9

on

F#m

my knees, I’m pray ing- for a sign. For ev

Gtr. 4: w/ Riff C

D

- er,- what ev- er,- I nev

Dm

er- want to die. I

Gtr. 5 (dist.)

mf

Gtr. 6 (dist.)

mf

nev

Gtr. 4: w/ Riff B (5 times)

A

er- want to die.

I nev er- want to die.

I’m on my knees, I nev er- want to die. I’m

10

8X10

14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 15 14

12

14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

12X14

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

10

danc

E

ing- on my grave and run ning- through the fire. For ev- er,- what ev- er,- I nev er- want to die. I

nev

F#m

er- want to leave. I’ll nev er- say good bye.- For ev

Gtr. 4: w/ Riff CD

- er,- what ev- er.- For ev

Dm

- er,- what ev- er,- oh.

12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

11X13

14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

9X11

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

11

Gtrs.

2 & 3

Chorus

A

Learn

Gtrs. 4, 5 & 6 tacet

ing- to walk a gain.-

Gtrs. 4 & 5

Gtr. 6

Gtr. 1

Gtr. 1: w/ Rhy. Fig. 2 (last 6 meas.)

Gtrs. 2 & 3: w/ Rhy. Fig. 2A (last 6 meas)

E E'4

I be lieve-

Bm7

I’ve wait ed- long e nough.- Where do I

Dm

be gin?

Dm/E

-

Dm/F

(In.)

Dm

Gtr. 1: w/ Rhy. Fig. 3

Gtrs. 2 & 3: w/ Rhy. Fig. 3A

A

Learn ing- to talk a gain.-

E E'4

Can’t you see

Bm7

I’ve wait ed- long e nough?- Where do I

Dm

be gin?

Dm/E

-

Gtr. 4: w/ Fill 1

Dm/F Dm/G

Gtr. 1: w/ Rhy. Fig. 2 (1st 6 meas.)

Gtrs. 2 & 3: w/ Rhy. Fig. 2A

Gtr. 4: w/ Riff B (3 times)

A

Learn ing- to walk a gain.-

14

X12

14

079

10

079

10

079

10

079

10

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

12

E E'4

I be lieve-

Bm7

I’ve wait ed- long e nough.-

Gtrs. 1 & 4

D5 Em F5 G5

Gtr. 1: w/ Rhy. Fig. 3 (1st 6 meas.)

Gtrs. 2 & 3: w/ Rhy. Fig. 3A

Gtr. 4: w/ Riff B (3 times

A

Learn ing- to talk a gain.-

E E'4

Can’t you see

Bm7

I’ve wait ed- long e nough?-

Gtrs. 1 & 4

D5 *C F5 Em/GGtrs. 2 & 3: w/ Rhy. Fig. 3A (last 2 meas.)

D5 C F5 Em/G

*Bass plays C.

Gtr. 3

Gtr. 1

Outro

A

Gtrs. 2 & 4

12X14

12X14

10X12

10X12

8X10

8X10

10X12

10X12

10X12

12X14

12X14

10X12

10X12

8X10

8X10

7X9

7X9

12X14

12X14

10X12

10X12

8X10

8X10

7X9

7X9

079

10

079

10

079

10

079

10

079

10

079

10

079

10

07910

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

07910

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

079

10

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222

0222 5

555

55

55

55

55

55

55

55

55

55

55

55

55

55

00

577

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

13