Warehouse Home

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ESSENTIAL READING FOR WAREHOUSE LIVING

1

4-6 8-17 18-32 34-37

ICONIC ARCHITECTURE

Sir Terence Conran and Tom Bloxham MBE

on preserving Britains rich industrial heritage

INTERIORS TRENDS

Brass, copper and concrete are must-have

materials for lofts and warehouse conversions

HOME STYLING

Inspiration for every room, from reclaimed

and vintage to contemporary and industrial

URBAN L IV ING

Award-winning restaurant design, real homes

with style and Liverpools new Titanic Hotel

E S T . 0 4


2/21

WE LC OM E TO WAR EH OU SE HO ME .. .

Director

Peter Clie-Roberts

Editor

Sophie Bush

[email protected]

ArtDirector

Paul Rider

Advertising Manager

Silvia Weindling

[email protected]

Editorial Assistant

DaisyBird

[email protected]

Photographer

Charlie Surbey

Stylist

Carole Poirot

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hree years ago, my husband and I bought our home in a Grade II listed

warehouse in South East London. I remember the rst time we caught

sight of the enormous Victorian warehouse on the bank of the Thames.

The sheer scale of it was so impressive. But on closer inspection it also

revealed surprising and beautiful original details inside, remnants of its

previous life. The building continues to have an e ect on me, even now. And I am

clearlynot alone. Every day, I pass people pointing out the huge dormant cranes andwater towers and obviouslytrying to imagine the former warehouse in its working

heyday. I think most of us share a sense of fascination and pride for Britains rich

industrial past, reected in these historic buildings. On pages 4-5, Terence Conran

recalls the transformative moment in 1981 when he rst caught a glimpse of the

derelict waterfront warehouses of Shad Thames. Since that dayover 30 years ago, he

has been instrumental in the restoration of manyof Londons most iconic warehouses.

These imposing industrial buildings have unmatchable character and a quality that

leading propertydeveloper Tom Bloxham describes as grit (page 6). Whether you want

to embrace a strong urban loft look with concrete and steel or prefer to complement

the heritage features of your warehouse home with vintage originals, our publication

aims to provide all the essential interiors inspiration you might need. From high street

brands, to the handcrafted and high-end, we have spent months sourcing uniquedesigns and decorative ideas. I hope you enjoythis launch issue of Warehouse Home as

much as we have enjoyed putting it together for you. Please get in touch to let us know

what you particularlylike. Issue Two will be published in June 2015. Until then, you will

nd regular inspiration from our team online at mywarehousehome.com. And you

can also stay up to date by following us @mywarehousehome on Twitter and Pinterest.

Editor

Sophie Bu

Look out for these

EDITORS

PICK

mywarehousehome.com/newspaper


3/21

he veryrst time I saw Butlers Wharf, I fell

in love. I instantly knew that it was a fantastic

development opportunity. Curiously, I spotted

it from the river in the summer of 1981 on a

cruise along the Thames for an oce party. Youhave to remember that in those days Butlers

Wharf was a pretty desolate area. There waslittle reason to visit other than for the views

of Tower Bridge. But the moment I saw these

wonderful derelict warehouses on the south

bank of the Thames, the party was over for

me. My mind was doing cartwheels over the

possibilities, which were just beginning to

formulate in my imagination. The next day, I

raced over to visit the site. I was overwhelmedand quite smitten by the rough and robust

Victorian industrial architecture. The

waterfront buildings and the streets behind had

been used to grind and store spices and the air

was still richly fragrant with their smells.

We managed to buy the site for 3 million.

But frankly that was the easy part. Our

architecture practice, then called Conran

Roche, created the masterplan for a mixed-

use scheme combining new buildings with

the sensitive restoration of the old ones.There would be homes, shops, restaurants,

workshops, oces and a new Design

Museum in a 1950s banana warehouse. We

had diculties with the planners, then the

expensive and unpleasant realisation that the

principal part of Butlers Wharf only had proper

foundations at one end. Finally, there was the

crippling recession of the mid-eighties. It

was a very dicult and stressful time for us

all and our full vision for the site was nevertruly realised. Although today Butlers Wharf

is a nancially successful development and a

thriving part of London, I sometimes dream of

what it could have been, both aesthetically and

in terms of creating a unique community.

I still remember the howls of derision

when I rst announced my plans to open my

restaurant Le Pont de la Tour at Butlers Wharf.

I was repeatedly told that nobody would ever

cross the river to eat lunch, much less dinner.I showed Chris Corbin and Jeremy King (Le

Caprice, The Ivy, The Wolseley) the ground

oor warehouse space where I intended to

create Le Pont de la Tour. And apparently they

spent the duration of their taxi ride home

together belly laughing and saying dear old

Terence Conran has lost it. Nearly 25 years

later, and having hosted dinner at Le Pont de la

Tour for the likes of Bill Clinton and Tony Blair

among many others, I think I can now al low

myself a rueful smile, if not a belly laugh.

The practice of breathing new life into these

beautiful old ladies, taking historic buildings

and transforming them for new uses, has been

one of the constant threads running through mywhole career. In addition to warehouses, there

have been empty garages, unused basements,

an old printworks, a tyre factory and abandoned

arches under a railway bridge in New York. Even

in the early Habitat days some of the stores

were located in previously disused spaces; a

church in Tunbridge Wells, a 1920s cinema

on the Kings Road and a Spitre Factory in

Chester. I remember for the rst Habitat the

landlord threw in the basement free of charge

as he did not think anybody would ever have ause for it! At the heart of it, I suppose I am easily

seduced by quirky, eccentric spaces, often othe beaten track. They may have been rejected

as too dicult to develop by others, but they

tend to oer cheap freeholds or low rents and,

most inspiring of all, there is the opportunity

to kickstart an areas regeneration. Saving an

old building, giving it a new lease of life and

seeing an area thrive as a result gives everybody

involved a degree of pleasure that an entirelynew project might not perhaps inspire.

It might not be on the scale of Butlers Wharf,

but I can honestly say the day I purchased

Michelin House was the happiest day of my

life. Designed by the Michelin engineers from

their factory at Clermont-Ferrand in France,

not architects astonishingly, it is a amboyant

representation of the achievements, hopes and

aspirations of a company that contributed to

the future of motoring and much more besides.A building like this would never be built in

modern times. Not only is it lled with charming

ceramic and glass details and embell ishments,

but it is also the rst pre-cast concrete building

in the UK with gently sloping oors, al lowing

tyres to roll from the rear of the building to the

tyre tting bay at the front.

The site of the rst Habitat store was just over

the road from the Michelin building and over

the years I had fallen in love with the delightfully

quirky Art Deco architecture. I dreamt about

transforming it into a wonderful shop and, of

course, a rst class restaurant. I wrote endless

letters to the Michelin headquarters in Franceasking them what they intended to do with

the building as it appeared to be unused. One

glorious day in 1985, I nally learned they were

prepared to sell. I promised the ir Managing

Director that I would restore the building to

its former glory and that Michelin would be

proud of the building when it was nished. I

committed to repairing all the original features,

including the stained glass windows, the

Bibendum-esq light ttings and the damaged

faience tiling on the faade. Michelin agreed tosell. Our enthusiasm had won the day. Michelin

House was converted into a Conran Shop a nd arst class restaurant and oyster bar.

I think when you are inspired by a building

and have an excellent design team around

you then the results can be surprising and

beautiful. I have always felt there is a great deal

of synergy in the contrast between modern

design and existing architecture. The Conran

style has always been eclectic, mixing antiquefurnishings and ea market nds with the

very best of contemporary style. I take great

pleasure in putting modern furniture in period

spaces as I think it helps make modernism more

interesting. I think this approach can be enjoyed

at Michelin House. However, the same applies

to our interior design work and architecture.

When you apply your own style and taste to

a building and avoid becoming a slave to its

history then you have a good foundation forcreating something rather special. The key is

nding synergy between the old and the new.

Shoreditch derives its special character from

the way the old and the new rub shoulders. Both

end up looking and feeling better for it. I think

Boundary embodies this. That is certainly how

I felt when I rst clapped eye s on the Victorian

warehouse and former printing works - I could

not wait to start work. The building had been

left unoccupied for many years and at rstglance it was obvious that parts of its structure

had become slightly dilapidated. We were aware

it was a huge job we were taking on. But on

closer inspection we discovered the original

1893 conguration had barely changed since

its inception and the potential and creative

opportunities immediately lifted our spirits.

We preserved the most attractive industrial

features and, in many ways, it was these that l ed

the creative process. We restored the original

brickwork, both inside and out, and madesure the vast scale of the spaces remained a

key part of the architecture. The double height

basement with pavement light wells and alcoves

makes Boundary restaurant one of the most

spectacular and inspiring places to eat in

London. Meanwhile, the original sash windows

provide an abundance of natural light for the

hotels individually designed bedrooms.

There were so many challenges at Boundary,

but every single one of them was absolutely

worthwhile. Creating an environmentally

friendly building in a Victorian printworks and

insulating a 120-year-old building in a modern

way is not easy. The main and most important

element in this regard is the buildings boreholes. Working with the Environment Agency,

two 120 metre bore holes were drilled below

the oor in the restaurant. One collects water

and energy from the London aquifer and the

other returns the same untainted resource after

it has been used to operate air conditioning,

refrigeration systems, ice machines and various

other equipment throughout the old building.

One of my favourite projects for D&D London

was Old Bengal Warehouse. Built between

1768 and 1771, it was the rst of the British EastIndia Companys storehouses on the Thames

and would have been stued brim-full withspices, tea, cigars and port. Poet L aureate John

Maseeld once remarked that it held the wealth

of the world and Londons power. Working on

a building of such rich history and majestic

beauty is the sort of project that really keeps

you going. When D&D London purchased the

Grade II listed Old Bengal Warehouse building

and enlisted the help of Conran and Partners

in renovating it, the whole team were thrilled.

We designed four spaces that pay homage to the

warehouses exotic, mercantile past. Today, itcomprises New Street Wine Shop, Fish Market,

New Street Grill and the Old Bengal Bar. I

particularly like the interior of the Old Bengal

Bar, which takes its cues from the more stylish

of Londons clubhouses, by way of Brooklyn. The

walls are raw brick and the ceiling is dark wood;

deep red leather sofas beg to be sunk into.

Britain has such a rich and glorious he ritage.

And I feel particularly proud to have played

a part in renovating and rejuvenating key

elements of our nations industrial past. Gutsyand raw Victorian warehouses and factories

have now been sensitively and imaginativelyconverted in most British cities. Many designers

ICONIC ARCHITECTURE

erence Conran / A life of design

THE VISIONARYTerence Conran has masterminded the restoration and redevelopment of many

of Londons most iconic warehouses. In an exclusive feature for Warehouse Home,

the internationally renowned designer recounts his remarkable vision for the

transformation of Butlers Wharf and shares his passion for giving new life to the

old Victorian warehouses he refers to as beautiful old ladies.

Photography courtesy of Conran and Partners

Words by Terence Conran / Edited by Sophie Bush

are, like myself, attracted to these robu

engineered buildings that truly reect

energy and entrepeneurialism of the V

era. I have never been particularly enth

by the worst of Victorian opulence, but

we have demonstrated that modern de

can take the very best of the periods in

creations and turn them into somethin

and inspirational for contemporary life

Butlers Wharf has changed beyond bsince I rst caught sight of it all those y

I often wonder how dierent my life, an

Southwark, would have been had we op

more conventional oce party in a res

rather than a river cruise. The regener

has spread to other parts of the area an

Southwark on the London map as a de

for Londoners, tourists and businesses

On a warm summer evening, there is n

I enjoy more than a stroll along the rive

With the restaurants and bars of Butlespilling out on to the terraces and the b

happy chatter lling the air, it really is the best places on e arth, never mind L

1. The 1950s banana warehouse in Shad Thames

which was to become the Design Museum

2. Bibendum Restaurant, Michelin House

3. Rooftop Bar & Grill, Boundary4. Completed in 1873, Butlers Wharf was once the larg

warehouse complex on the Thames

5. During the early nineteenth century, working horses

stabled close to Butlers Wharf

6. Fish Market, Old Bengal Warehouse

7. Boundary, Shoreditch

1.

2.

3. 6.

4.

5.

7.

OPENSDESIGNMUSEUM

989

OPENSCANTINADEL PONTE

99

OPENSPONT DE LATOUR

99

OPENSOLD BEWAREH

0

OPENS FIRSTHABITATSTORE ONFULHAMROAD INCHELSEA

964

RECEIVESKNIGHTHOOD

98

OPENSCONRAN &COMPANY

95

NROLS INENTRALCHOOLF ARTS &RAFTS

948

OPENSBUTLERSWHARF CHOPHOUSE

99

CATCHESFIRSTGLIMPSE OFBUTLERSWHARF FROMTHE THAMES

98

BibendumandOldBengalWarehouse:PhotographybyPaulRaeside

OPENSBOUNDARYON NEWYEARS EVE

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arehousehome.com/newspaper

Britain has such a rich

and glorious heritage.

And I feel particularly

proud to have played a

part in renovating and

rejuvenating key elements

of our industrial past.

OPENS FIRSTCONRAN SHOPAT RESTOREDMICHELINHOUSE

987


4/21

PIONEERING DESIGN

SPOTTING EMERGING TALENTIn the lead up to this our launch issue, we were proud to be invited to support emerging design talent as a media

partner of Tent London 2014. Our Editor, Sophie Bush, reects on the creations of two designers which really stood out.

Heavy-duty industrial materials and simple functional forms characterise these surprising, striking works. Both designs

transform the humble into the high-end. Both would look very much at home in an urban loft or warehouse conversion.

Jeonghwa Seo /South Korea Ben Storms /Belgium

The Material Container Series uses twelve materials in fteen distinctive combinations.

Designer Jeonghwa Seo has deliberately selected materials for their tactile qualities and

because they are not usually used for furniture. Every piece in the collection is crafted in

a unique way and by a different craftsman, depending on the selected material. While

the wooden stool or table is turned on a lathe, the brass and copper versions are welded

and the aluminium interpretation is sand-cast in various nishes. The contrasting tops

provide the perfect nishing touch. Collectively and individually beautiful.jeonghwaseo.com

I was immediately struck by In Vein. While the original workshop trestle table is the

epitome of simplicity, practicality and mobility, Ben Storms has reimagined it entirel

Cast iron and leather trestles support a surprisingly light luxurious marble sliver of a

tabletop. But the table also has a secret secondary function. Prop the tabletop

upright against the wall and it reveals, on its underside, a full length mirror. At two

metres in length and one metre wide, this is a sizeable piece of furniture. But I think

it is the remarkable design that packs the biggest punch. benstorms.be

ELISEE CONSOLE TABLE

I love the Elisee pure breed console in newglossyred

it is a bold statement with humour and wit which

contrasts nicelywith industrial architecture.1,650

EILEEN GRAY FOLDING SCREEN

To divide spaces in an informal, elegant

I would use a couple of Folding Screens

by Eileen Gray. They feature perforated

panels in a high-gloss lacquer finish. 2,

USM SIDEBOARD TWO DOORS

USM modular storage is Swiss designed and made to the

highest quality. Their systems can be re-congured and

added to endlessly to suit your changing needs.1,199

In association with

ARAM SELECTS2014 marks the 50th anniversary of the acclaimed

contemporary furniture store Aram. First opened by designerZeev Aram in 1964 on the Kings Road, in 2002 the store

relocated to a large contemporary warehouse conversion in the

heart of Covent Garden. Zeev Aram has an uncompromising

eye for innovative design, bringing together iconic brands

and design classics and supporting and showcasing new

emerging talent. 50 years since its launch, the Aram store is

still regarded as an essential destination for leading designers

and design-conscious homeowners alike. We spoke to Zeev

Arams daughter, and Director of the Aram Store, Ruth Aram.

She shared her interior styling tipsand recommended these statement designs from aram.co.uk

specically for lofts and warehouse homes.

TIP 1

Open-plan living at its best is both rewarding and liberating, but

a blank canvas without the usual spatial constraints can be difcultto visualise. To allow the space to evolve and develop overtime, it is best to choose elements with built in exibility.

TIP 2

Warehouse spaces often benet from high ceilings and great

natural light so they can take some vibrant colour do not be

afraid to experiment! If the envelope is relatively neutral then some

well-chosen pops of colour can enrich the home environment.

TIP 3

I believe less is more so if you are contemplating what furniture

to put in your wonderful light lled warehouse space,

I would recommend starting slowly with one or two great

pieces of modern design that you love.

/ 1

/ 2

/ 3

ICONIC ARCHITECTURE

On completion in 1873, Lister Mills wasthe largest silk mill in the world. The Grade II*

listed building still dominates Bradfords skyline.

The contemporary metal rooftop additionwas inspired by the weave of silk threads.

Albert Mill dates from 1869. The Grade II listed

former cotton mill is one of the last remaining

Victorian mills in the heart of Manchester.

Constructed between 1825

and 1831, Royal William Yardis steeped in history. It isconsidered to be one of the

most important groups of

historic military buildings in

Britain and the largest collection

of Grade I listed militarybuildings in Europe. Urban

Splash has already been involved

with the site for ten years.

om Bloxham cares deeply about Britains cities

and theirpotential. I hate seeing identical high

streets, with the same shops and the same fascias,

he declares passionately. We should celebrate

the diversityof Britains cities. And what makesties so unique is their historic buildings. Like me, many

e feel very stronglyabout these heritage buildings.

play a huge part in local civic pride and rightlyso.

might have fallen into disrepair, but often theystill have

endous promise and a verylong possible future. Theyhave

the badge of historyand time well. Properlyrestored,

ould continue to do so formanyyears to come.

e conversion of former industrial buildings into

ential schemes is a more recent phenomenon in the

an in the USA and Tom recalls that Urban Splashs

ering attitude to their restoration was not initiallyd. We kickstarted the loft living revolution in the 1990s.

hen we rst started developing loft apartments, nobody

ght it would catch on. Theywere in old buildings, located

ycentres. Our cities at that time were pretty grim and

dyreally wanted to live there. But the urban renaissance

as taken place in the last few years is amazing. Around

f the population todaydo not look at newbuild homes.

s quite an indictment of house building in this country.

while, the scale and qualityof these heritage conversions

ares veryfavourably with most new-build ats. Formerand warehouses have high ceilings and oer large open

s with the potential to be recongured or used in a

tyof ways. Frankly, theytend to be much more interesting

a newbuild. Tom conrms that people who buy or rent

rehouse conversions or loft apartments usuallyhave a

eye for design and a passion for architecture and

ry. But above all, he explains, they are seeking a home

ndividuality, style and grit.

e restoration of heritage sites and listed buildings

s with manychallenges, as well as oering excitingrtunities. Urban Splash works with such renowned and

cted architects as Foster+ Partners, Glenn Howells and

KM as well as running selectcompetitions forlocallybased

ners and emerging talent. When looking at a heritage

erty, however, Tom summarises thatthe overarching

n Splash approach is quite simple. Whateveris good is

red and celebrated. Where we have to make interventions

xample, to insertnew services, re escapes, extensions),

ways tryto do so in an uncompromisinglycontemporary

ner. In this way, visitors can immediately appreciate what

riginal and enjoywhathas been added. I am excited by

sual stimulation the juxtaposition of the old and new.bout leaving behind a legacy. Byrestoring a heritage

ertywe are ensuring its legacylives on formanyyears to

. Butwe are also starting a new legacy, with the modern

dditions to the site. Theywill stand the testof time too.

n you think aboutit, mostbuildings are adaptations,

ng and changing overtime. So it is perfectlyappropriate

mplementolderfeatures with the verybestof 21st century

n and technology. In theirtime and in their way, these

uildings would have been groundbreaking. Today, wea much widercolour palette and range of materials

ble to us. To drawon contemporaryinnovations and

rials during redevelopmentis entirelyin-keeping with the

ering ethos behind the buildingsoriginal construction.

er the coming months, we can expect to hear a lot more

Urban Splash. There are, Tom coylyintimates, one or

heritage projects under consideration, as well as exible

ustomisable newhousing and at least one possible hotel

me. There will be further projects across the country,

ver Tom is clear that his guiding principle will alwaysin the same. I shall not leave mycityany less, but rather

er than I found it.* urbansplash.co.uk

THE INNOVATORUrban Splash has been credited with pioneering innovative urban regeneration and has gained particular acclaim for

transforming post-industrial towns in the north of England. Based in Manchester, the rm has been responsible

for the redevelopment of decaying i ndustrial warehouses and mills and dilapidated Victorian terraced houses.

We spoke to Chairman and Co-Founder Tom Bloxham about creating new legacies for our cities and their iconic buildings.

T MANCHESTERCOMPLETED

008

BRADFORD

COMPLETED

006

PLYMOUTH

CO MP LETIO NDUE 06/7


*FromtheEphebicOath,swornbytheyoungmenofancientGreece.


5/21

THE RECLAIMERSWe meet four British designers who are recycling and reusing, helping us reduce

our carbon footprint and raising the style stakes at the same time. From

salvaged metals, reclaimed timber and vintage treasures come contemporary

industrial creations and timeless quirky designs. These reappropriated

pieces are part of an increasingly popular aesthetic and answer a common call for

distinctly individual homeware and interiors. All hail, the reclaimers.

Paul Firbank originallystudied

metalwork with the intention of

customising bikes and motorcycles.

Buthis passion forrepurposing led him

to branch out into crafting bespoke

furniture, lighting and accessories.

He launched The Rag and Bone Man

atTent London 2011 and sold all ofhis pieces within three days. The rest

is reclamation history. Paul reworks

abandoned mechanisms, machineryand

scrap into unique contemporarypieces,

each with a strong industrial look and

entirelynew purpose. Everyitem is a

one-o, individuallytagged with a serial

numberand the date on which itwas

completed. Investin a future heirloom

from this twentieth centurytotter andyou will certainlynot be disappointed.

Christopher Berry is passionate

about creating original and

affordable decorative pieces. With

a degree in furniture and product

design and a fascination with

medieval furniture, Christopher

combines modern processes and

traditional techniques to craft acollection of beautiful and practical

wooden items. Christopher also

places great importance on the

fact that the Factory Twenty One

collection uses sustainable or

recycled wood. The majority of

the collection is handcrafted

from reclaimed industrial pallets -

including coloured pallet pendant

shades and the planter andclock featured here, launching

exclusively in Warehouse Home.

When Calum Balding struggled

to find distinctive furniture for

his family home, he simply began

adapting items he had inherited

and restoring unusual vintage

pieces he found on his travels.

Dapper Franks is named after

Calums grandfather and it is his

hope that he can one day involvehis three-year old son Frankie

too. Whether reviving a battered

old trunk or reworking a vintage

coat rack, Calum clearly takes

pleasure in restoration and

upcycling. Entirely self-taught, he

has a keen eye for the potential of

a piece. Calum is currently hard

at work on a new collection of his

own designs. He calls his piecesvintage with swagger. Well, they

cut the perfect dash with us.

Jessica Jackson believes in creating int

things from old, abandoned and under

objects. Materials include past treasure

the lofts and garages of friends and fam

occasional junk shop nds and generou

donations. From reclaimed timber to o

musical instruments, everything is car

restored and recycled and given a new

of life as lighting and candlesticks. As a

enterprise, a percentage of the busines

go into a local recycling scheme. Jessicruns creative recycling workshops, wit

focus on supporting and educating tho

disadvantaged backgrounds. We nd Je

commitment to the cause inspiring an

have really fallen for her quirky creatio

The Rag and Bone Man /Margate

Dapper Franks /York

JESSICAFOUNDIT /

WORKSHOP

1.

2.

1. ADJUSTABLE HEIGHT DESK LAMP

Madeto orderfrom 750,theragandbon eman.co.uk

SOLE HANGING

WALL PLANTER

19.99, factorytwen tyone.co.uk

2. LEATHER RACHET BAR STOOL

1,500, theragand boneman.co.uk

3. THE LOVESEAT

Price on requ est, theraga ndboneman.co .uk

HANGING CLOCK

39.99, factor ytwentyon e.co.uk

1. VINTAGE HALL STAND

Made to ord er and cust omisable,from 425, dapper franks.co.uk

2. COPPER PIPING WELLY RACK

From 49, dapper franks.co.uk

1. DARK HORSE TABLE LAMP

Made to orde r from 375,jessicafoun dit.com

2. COOLING OFF

PERIOD CANDLESTICK

25, blackbough.co .uk

1.

2.

QUIRKY

COMPONENTS

UPCYCLED

PALLETS

DRAB

TODAPPER

INDUSTRIAL

UPCYCLING

PhotographybyJodyDaunton,DamianGrifths

1.

3.

2.


Factory Twenty One /Eastbourne


6/21

If raw concrete homeware

feels a little too stark for you

then there are a wealth of

designs, both large and small,

incorporating colour. Our

favourite combination is softgrey concrete paired with

vibrant yellow. Take a

look at these funky finds.

SET IN

STONEConcrete was a strong trend at this

years design shows. We saw it castin bold geometric forms and beautiful

sculptural shapes, polished to a smoothnish and etched with delicate details.

Designers from all over the world

demonstrated the versatility of concrete.Whether you choose to inject smallindustrial touches into your home or

embrace an all over urban edge, there

can be no better environment in which

to channel this trend than a loft orwarehouse conversion. We have rounded

up the latest concrete designs.

Here they are, rough and ready.

YELLOW AND GREY

PURE CLASS

CONCRETEMETALS

ROSIE CONCRETE KNOBS / $15.97for a set of two, kastconcrete.com

These concrete knobs were specially commissioned by WarehouseHome and handcrafted by Kast Concrete in Ohio. They are namedafter the American cultural icon Rosie the Riveter, who appeared oncolourful inspirational posters throughout the Second World War,championing the women working in factories as part of the war effort.

Magis Chair One with concrete base

415, nest.co.uk

Stockholm (Fragments) set of 4 coasters

33.82, afutureperfect.grJura kast concrete basin

950 basin only, lowinfo.com

Nud Base concrete

and empire

yellow lampholder

57, goodhoodstore.com

E3 dining table

2,300, setworkshop.co.uk

Frank candlestick

20 per pair, andymurraydesign.com

SIDE TABLE /price on requ est, bentud esign.com

Chinese experimental design studio Bentu brought their versatile cside table to 100% Design 2014 in London. The simple open cubetted with colourful metal legs or stacked in groups as big-impact

T1 CONCRETE

PENDANT LIGHT /

from 149, gantligh ts.de

Elegant lighting combiningrough cast concreteand a gold interior.

HEALS DISCOVERS MAYA CONCRETE STOOL BY TOM PARF

595, heals.c o.uk

Made from 90% recycled material and offering storage space for ma

MR FAHRENHEIT /

49, sweatshopdeluxe.com

Handmade concrete candleholderinspired by humble plumbing pipes.

BURST BY ROUGH FRONT /

from 150 per sq m,kazaconcrete .com

Concrete tiles with subtle textures,available in a variety of colours.

1. House Doctor DK Astonbrass pendant light75, bodieandfou.com

2. Bloomingville copper pendant lamp

185, designvintage.co.uk

3. Tessellate brass wall light275, habitat.co.uk

4. Copper baskets set 139, idyllhome.co.uk

5. Isaac iron armchair in copper85, grahamandgreen.co.uk

6. Bloomingville brass hexagon tray95, scandinaviandesigncenter.com

7. Copper plated hexagonal table318, outthereinteriors.com

8. Madam Stoltz large brass stool85, miaeur.com

Madam Stoltz small copper stool68, miaeur.com

9. FRAMA 90 wall brass218, dohmus.com

10. Brass salad servers 42, hollys-house.com

3.

4.

5.

6.

7.

8.

9.

10.

Sheffield-based designer

Daniel Schofield launched

his beautiful new Tarnish

Collection in September,

during London Design

Festival 2014. The range

of solid brass functional

items has been designed

with a simple surface

treatment to build anarrative, says Schofield.

Each brass plate, vase

and container is mirror

polished to a high shine

but then only laquered on

one half. The untreated

half will tarnish with time

and handling, creating

an effect, a story, that

is unique to both that itemand its owner.From 70,

danielschoeld.co.uk

TarnishReputation

1.

2.

Interiors trends are moving away from high shine in favour of warmer tones and pleasing patinas.

Chrome and gold are yesterdays news. Rose-hued copper and brushed brass are the new

must-have metals, bringing understated glamour with an industrial edge. From stand-out seating

to striking lighting and cool culinary accessories, we review our favourite statement pieces.



7/21

When Kat and Andy Wyethstruggled to find an impressive

light to hang over their dining

table, they decided to make their

own, converting a salvaged steel

drum into a dramatic pendant.

The compliments they received

spurred them on to found

Lichtfass Company and bring

their inspired industrial lighting

to market. The patented barrel-lamps are crafted from 60 litre

and 200 litre drums, but by no

Heritage style bulbs are

increasingly popular. ThFactorylux lament bulb

been made in Switzerlan1906. Here UK stockist UCottage Industries discuthe most popular shapesurbancottageindustries.c

PROCESS /

PRESERVATION / PATINA

Over the course of about threeweeks, the steel drum sections passthrough the hands of at least tendifferent experienced workers, slowly

undergoing their transformation fromdistressed storage cylinders to bigimpact contemporary pendant lights.

FAR FROM HUM DRUM

means does every barrel makethe cut to become a Lichtfass

says Kat. Old steel containers

are individually selected for their

dents, rustiness and distinctive

colours. They are then sliced

horizontally into three equal

sections. The lamps are

skillfully handcrafted in Germany

to the highest quality and no

two are the same. 60 litrependant, 38.4cm diameter,

589, lichtfasscompany.com

20cm

FACTORY WORKSFunctional industrial lighting has transitioned from the factory to the home. Originally

designed to cast accurate directional light for workers, salvaged shades now hang above

kitchen islands and dining tables. Meanwhile, modern interpretations of classic utilitarian

shapes are being crafted in coloured enamels or spun from rose-hued copper for a look

that is chic and contemporary. Vintage and modern, we cast a light on factory shades.

Photography by Charlie Surbey

Styling by Carole Poirot and Sophie Bush

LARGE GLOBE

EXPOSED FILAMENT

A beautiful large globe w

squirrel cage lament. Lostunning when dimmed ilamp without a shade. 2

OVAL SPIRAL FILAME

The lament in this bulb

threaded. It gives a warmrelaxing light. Perfect folights and mood lighting

LONG TUBE LINEAR

STRIPLIGHT FILAMEN

Striking long tube lightb

a linear lament. A real fewhether lit or unlit. Perfehallways and stairwells.

PEAR SHAPE ECO-FIL

CARET LAMP, E27 SCR

The low energy alternativlament bulbs. Lasts lon

25,000 hours, so ideal foto reach light ttings. 3

LIGHTING

e is a strong industrial feel to the creations of French

ng designer Marine Breynaert.The original inspiration

from her grandfathers car plant in Bordeaux. Marineme fascinated by the shapes of the motors assembled

and carved out a workshop space within the factory

e she could experiment with raw parts and recycled

rials. Using mixed metals such as brass, steel and

er, Marine crafts stacked lamp bases of varying heightsombinations. The metals are offset by marble and

ate coloured glass. Each statement lamp is topped with

rated sheet metal formed into a shade and fixed with

.Bespoke lamps, fro m 700 each, hollowaysofl udlow.com

dustrial Inuence /From the facto ry oor

1. GALVANISED

ANGLED RETRO

ZINC SHADE

With the bulb holder setto the side of the shadesapex, this cone lamp hangsat an angle and directslight both sideways anddownwards.29cm diameter,112.80 shade only,urbancottageindustries.com

2. ZACH METAL

INDUSTRIAL LIGHT

IN BLUE

Modern aluminium andiron pendant with a strongindustrial shape and coppergrill. Shown here in navyblue but also available in

grey and matt iron nishes.40cm diameter, 274.95,shoreditchlighting.co.uk

3. 1930s BENJAMIN

ENAMEL PENDANT LIGHT

Vintage industrial pendantlamp, fully rewired formodern use. Light grey

enamel with originalmanufacturers label. Idealfor indoor or outdoor useand as stylish now as inthe 30s. 38cm diameter,94.99, thegiftedfew.com

4. SOLID COPPER

FACTORY PENDANT

Shown here in solid copper,this beautiful polishedshade is also available in

spun solid brass. Craftedin the UK, it is available intwo sizes, 35cm and 43cmin diameter. 43cm diameter(shown here), 258 shade

only, copperandsilk.com

6. EASTERN BLOC

INDUSTRIAL LIGHT

Polished aluminium vintage

light from a factory inthe former Eastern Bloc.Features the originalmanufacturers plaque.22cm diameter, 408,

skinintdesign.co.uk

7. NOSTALGIA LIGHTS

EUROPEAN ENAMEL

SHADE

This understated midnight

blue shade with whiteenamel interior looksstriking hung low over

a breakfast bar. 28cmdiameter, 30 shade only,

nooklondon.com

8. LARGE COPPER

INDUSTRIAL SHADE

British-made and machinedfrom solid copper. Finespinning lines created

during manufacturingremain visible. 36cmdiameter, 196.80,

urbancottageindustries.com

9. BRITISH INDUSTRIAL

LIGHTING BY REVO

Vintage lamp dating fromc.1950. Vitreous enamelledshade with polishedaluminium gallery, both withthe original manufacturersmark. 35.5cm diameter,350, skinintdesign.co.uk

5. CANDY COLLECTION

FACTORY SHADE

Salvaged from a German

factory. Available in threenishes. Shown here in a

blush pink matt nishwith aluminium interior.35cm diameter, 225,

auxilium-salvage.com

10. NOSTALGIA LIGHTS

CLOCHE ENAMEL SHADE

Contemporary angledfactory style shade inmidnight blue with a white

enamel interior and blackrim. 25cm diameter,42 shade only,

nooklondon.com


THE HISTORY BU

1. 3.

2.

4.

5.

6.

7.

8.

9.

10.


8/21

BOLD AND BRASSIn a railway arch i n the heart of Battersea, experienced artisans and craftsmen are elevating the ordinary

into the extraordinary. From this workshop beneath the tracks comes showstopping design. We are

lled with admiration for their latest creations, Heavy Metal and Electricity. This is pure i ndustrial luxe lighting,

rock and roll illumination. Buster + Punch just raised the bar. Come and join them.

assimo Buster Minale is

a champion of British

manufacturing and productdesign. Devoted to exquisite

craftsmanship, he founded

London design studio Buster + Punch in 2012.

There is something slightly maverick and

entirely masterful about Massimos daring

designs. Fashioned in copper, brass, gunmetal,

steel and matt black, the collection channels

80s rock and is inspired by high-end biker

style. The devil, as they say, is in the detail.

Tactile knurled surfaces lend a particularlygritty, industrial quality to the range. It is

an effect created using the same process

employed in the production of non-slip tool

handles, but applied to precious metals it adds

a sexiness and edginess. The final flourish

then comes in the finish. The solid new Heavy

Metal pendant lights are crafted in steel cut

with whisky, copper soaked in olive oil and

smoked bronze. Complete your dramatic

lighting scheme with new Electricity switchesand dimmers. They are available in a range of

finishes and frankly nothing else would really

cut the mustard. Clockwise from above: Heavy

Metal pendant lights in copper and bronze,125; Electricity dimmer s, from 40, and swit ch,

from 30; busterandpunch. com

INE FIXTURES

nother Country offers

ntemporary craft furniture

d accessories, complemented

a unique lighting range. Thesemarkable wall and ceiling

hts are introduced to the UK

clusively by Another Country.

afted in the USA by Brooklyn

design studio Workstead, the lights

fuse function, flexibility and style

with a refined industrial edge.

They use joints originally intended

for workbench lighting in the 20th

century. The Industrial Chandelier

can be articulated in a largevariety of ways. The Bent Wall

Lamp and elegant Brass Wall Lamp

are less light fixtures and more

works of art. anothercountry.com

1. WORKSTEAD BENT

WALL LAMP / 760

2. WORKSTEAD

INDUSTRIAL CHANDELIER/ 1,565

3. WORKSTEAD BRASS

WALL LAMP /1,265


LIGHTING

1. 2. 3.


9/21


10/21

London based

bespoke lighting

and furniture

designer.

tony-miles-industrial-designs.myshopify.com

[email protected]

GENTLEMANS RELISHThe original Crittall windows, exposed brickwork and hardwood ooring in this Victorian warehouse home create an instantly

masculine feel. Carole Poirot and Sophie Bush style a gentlemans reading corner, combining vintage original

treasures with statement heritage-style pieces and bold splashes of red. Pull up a comfortable chair and enjoy a dram.

he classic Chesterfield shape is as popular as ever. Reminiscent of gentlemens clubs, the strong form is characterised by

rolled back, wide scrolled arms and deep-set buttons. Finished in natural linen and textured burlap, and with its wooden

ame exposed, this unusual armchair combines those classic Chesterfield style characteristics with an aged effect. The light

tural linen makes the armchair suitable for any home, from contemporary to country. 850, unicheinteriorfurnis hings.co.uk

econstructed

etails / Te beauty is within

LIVING ROOM

From left: Erased Heritage rug

by Jan Kath, 2,380 per sq m,wearefront.com; Large H

and O neon signage lettersfrom the Angus Steakhouserestaurant in LondonsLeicester Square, 300 eachre-wired, lassco.co.uk;(On the windowsill) Vintage brownglass apothecary and poisonbottles, from 12 each,

piteldlondon.com; NostalgiaLights heritage style lament

bulb (in box), from 10,nooklondon.com; VintagePenguin books and Ordnance

Survey maps, stylists own,for similar vintage mapsusedordnancesurveymaps.co.uk;Hemmingway Havana leatherarmchair, 995, grahamandgreen.

co.uk; Dark grey linen cushion,35, homageonline.co.uk; FlyingScotsman pendant light in Lava

(black basalt with drippingvintage gold interior), 570,

aditistudios.com; Ex Bank ofEngland bullion cart, 1,250,lassco.co.uk; (On the cart) LSAPolka metallic tumbler, set of four28, johnlewis.com; Vintage glassdecanter, from 22,piteldlondon.com; Andrew MartinInterior Design Review, 45,teneues.com; Medium coppervase, 11.50, rigbyandmac.com;

Vintage Ordnance Survey maps asbefore; Pipework candelabracopper by Nick Fraser, 50,heals.co.uk; Red dinnercandles, 1.50 each,piteldlondon.com; Vintagemedium storage documentcylinder (used upside down as aside table), 75,turnerandcox.co.uk; Clay vase

with golden glaze, 25,homageonline.co.uk; Vintage redglass bottle, 9.50, piteldlondon.

com; All owers courtesy ofThe Fresh Flower Company,freshower.co.uk

This vintage cart was once

used to move gold bullion in the

vaults at the Bank of England.

Extremely heavy duty, its sturdy

castors and wheels were capable

of supporting substantial

weights. Estimated as dating

from the late Victorian period,

the cart still bears the mark of

its manufacturer, Fairbanks &

Co. Fairbanks has produced

industrial trucks, carts andtrolleys since the 1830s

and is still in operation today.


Photography by Charlie Surbey / Styling by Carole Poirot and Sophie Bush

EDITORS

PICK


11/21

INDUSTRIAL LUXEAs the evenings draw in, a darker p alette and luxurious metals dene a stylish home. Sumptuous

textures and rich tones, under low lighting and the warm glow o f candles, create an inviting

retreat on frosty nights. Carole Poirot and S ophie Bush style an industrial luxe living space

using deep indigo velvet, rose-hued copper and warm brass to offset original exposed brickwork

and hardwood ooring. Come in from the cold and warm yourself in our warehouse home.

Photography by Charlie Surbey / Styling by Carole Poirot and Sophie Bush

This page from left:Erased Heritage rug, 2,380 per sq m, wearefront.com; Mesh locker side table in copper nish, 289, bowlesandbowles.co.uk; (On top of the

locker) Copper desk letter box, 22, anthropologie.eu; Copper bowl, 10, johnlewis.com; (Inside the locker) Books, stylists own; Rise & Fall School Light in polishedcopper with white interior, 385, davey-lighting.co.uk; Azure large sofa, 1,525, barkerandstonehouse.co.uk; (On the sofa) Morosini indigo cushions, 60cm x 45cm,

80 each, designersguild.com; Velvet and linen cushion in sage, 40cm x 30cm, 17.50, coxandcox.co.uk; Industrial low pallet table, 450, turnerandcox.co.uk; (Onthe table) Lup copper candlestick by Hay, 27, selfridges.com; True Grace navy dinner candles, 3 each, johnlewis.com; Large copper effect taper candle holder, 10,sainsburys.co.uk; Glass vase, 6.99, hm.com; Gilded rim red wine glass, 18, anthropologie.eu; All owers courtesy of The Fresh Flower Company, freshower.co.uk

In the hands of sofa.com, the classic Chesterfield shape

been refashioned into a more graceful feminine form.

Featuring longer, more elegant legs, it has a higher profiits traditional low-level counterpart. It is now also avail

this beautiful new Prussian Blue cotton matt velvet. This

Oscar. We think it is a winner. 1,750 (as shown), sof a.com

LIVING ROOM

AK PALLET TABLE

e humble builders yard

llet has been transformedo a modern centrepiece.e one as a low-level table

stack two together. From95, plantandmoss.com

COFFEE TABLE

ndmade to order in London,s striking coffee tableatures a polished concreterface supported by steel

s and a shelf for storage.,400, setworkshop.co.uk

DUSTRIAL STEELOFFEE TABLE WITHLAID YARDSTICK TOP

is coffee table has a top

aid with vintage yardsticksdifferent colours and lengths.s certain to prove a popular

king point with your guests.95, theoldcinema.co.uk

DUSTRIALOLLEY TABLE

wheelable wooden trolley,urced from an old timber mill

Holland and dating from the50s. Vintage industrial chic

ble for your living room.25, turnerandcox.co.uk

Oscar Winner / A sofa to sink int o

COFFEE TABLES

FOUR

VERYDIFFER

EN

T

STATEMENT

COF

FEETABLESFO

RY

OUR

LIVI

GROOM

/

This page from left: (On the sofa) Dark blue velvet cushion cover, 40cm x 40cm, 6.99, hm.com; Navy knitted textured throw, 30, sainsburys.co.uk; (On the coffee table) Pipework candelabra copper by Nick Fraser,

heals.co.uk; Brass cake stand, 7.99, hm.com; Rose gold champagne cork holder, 45, grahamandgreen.co.uk; Gilded rim stemless glasses, 16 each, anthropologie.eu; Gilded rim white wine glass, 18, anthropoloMesh locker treble unit in copper nish, 469, bowlesandbowles.co.uk; (On top of the locker) Vintage blue headache cure bottles, 9.90 each, pedlars.co.uk; Large and small mason jars, 28 and 18, anthropologie.e

the locker from top) Vintage blue glass bottles, from 8 each, piteldlondon.com; Vintage glass decanter, from 22, piteldlondon.com; Nostalgia Lights heritage style lament bulb (in box), from 10, nooklondon.comoor) Small and large Ebb & Flow Glow in a Dome lamps, 181 and 215, amara.com; (On the windowsill) Vintage brown glass apothecary and poison bottles, from 12 each, piteldlondon.com; Victorian reupholsterevelvet nursing chair, 170, theoldcinema.co.uk; Velvet and linen cushion in atlantic deep, 40cm x 30cm, 17.50, coxandcox.co.uk; All books, stylists own; All owers courtesy of The Fresh Flower Company, freshow



12/21

This beautiful Wall Garden wallpaper is

of the new Greenhouse collection fromWalls. Combining vintage hand drawn

designs with worn timber planks, it is a

rough and rustic yet delicate and femin

making it perfect for papering a bedrooower patterns had been long forgotten

their heydayover a hundred years ago,

onlyrecently rediscovered in dustyarch

France. Theyhave been given a newlea

byas part of this charming wallcoverin33 per sq m, rebelwalls.co.uk

BEDROOM

LockerStyl

e

Storage

ESSENT

IALBE

DROOM

1no.014

NTAGE LOCKERS

st for:practical storage.ntage industrial lockers ord metal school lockers areacious and functional. Theyd a strong industrial edge tointerior and are even morearacterful when they displaye dents and scuffs of aged frequent use. For similartheoldcinema.co.uk

ON SIX DOOR INDUSTRIAL

OCKER CABINET

st for:stowing slippers,

oes and boots. Turn yourotwear storage into a featureh this vintage industrial

yle cabinet in brushed iron.th six spacious cupboards,

ere is plenty of room for allyour favourite footwear.45, alexanderandpearl.co.uk

AGAZINE HOLDER

st for:tidying away books

d magazines. This wall-ounted metal magazine

lder is available in whited purple. It is perfect for

home ofce or study but

ually useful as a bedsideution for your reading.4.90, nordicbliss.co.uk

Wall Flowers /perfect paper for a romantic bedroom

Pretty Paints

BEDROOM WALLS

Britains oldest family-owned paint manufacturer,Mylands, has releasedtwo limited edition paintsto celebrate its 130thanniversary. Inspiredby vintage champagne,Vintage No.1884 is aclassic shade of off white.Rose Blush No.1884 is adelicate dusky pink. Teamit with grey tones andindustrial furniture for apretty yet sophisticatedscheme. 18.48 for

1 litre in marble mattemulsion, mylands.co.uk

SOFT INDUSTRIALhe original features of a warehouse conversion, such as exposed brickwork, can often feel hard and

masculine. Old and new steel furniture is especially striking in such spaces but can also feel cold.

Bring warmth and soften the look by adding a variety of textured fabrics like linen, tweed and velvet

and use softer colour schemes, particularly in a bedroom. Flowers and decorative glassware further

enhance the femininity of a space, while using select vintage pieces enhances your homes heritage

features. A bespoke galvanised steel pipe bed, designed exclusively for Warehouse Home, is the focal point

of our warehouse bedroom. Styling the room with a masculine and feminine palette of greys and blush pinks

together with vintage accessories, Carole Poirot and Sophie Bush prove that industrial chic can have a soft side.Photography by Charlie Surbey / S tyling by Carole Poirot and Sophie Bush

T

Finding The Bottles

These porcelain vintage style milk bottlescome in a range of pretty pastel colours

and look lovely in a bedroom lled withowers. Try mixing and matching colours

and arranging in groups on a windowsill.

AUD$39 + shipping,urbancartel.com.auThis page from left: Industrial metal serviette holder, 99, littleparis.co.uk; (On the serviette holder) Plain hand towel in rose, 12, thelinenworks.co.uk; Fringe hand

towels in pale grey, 24 each, thelinenworks.co.uk; Pipe coat rack, 65, coxandcox.co.uk; (On the coat rack) Bath robe in rose, 120, thelinenworks.co.uk; French

galvanised wire crate, 50, mayyvintage.co.uk; (Inside the wire crate, from the back) Old rose linen pillowcase, 50cm x 75cm, 30, conranshop.co.uk; Blue-greyOxford linen pillowcase, 65cm x 65cm, 30, conranshop.co.uk; Nude pink brushed cotton cushion, 50cm x 50cm, 35, homageonline.co.uk; (On the windowsill) Vintagepink glass bottle, 12, littleparis.co.uk; Antique French peach seltzer bottle, 50, mayyvintage.co.uk; Bespoke galvanised steel pipe kingsize bed, 2,385, inspiritdeco.

com; (On the bed) mug, tray and book, all stylists own. Opposite page from left: Vintage steel French industrial cabinet, 95, mayyvintage.co.uk; (On top of thecabinet) Vintage Co-Op bread tins, 22 each, theoldyard.co.uk; Vintage Penguin books, stylists own; LSA Polka metallic tumblers, 28 for a set of four, johnlewis.

com; (just visible) Ines Cole handblown glass tumbler in damson, 9, inescole.com; Flying Scotsman pendant light in pink oral, 570, aditistudios.com; English Fancyghost sign, based on an original, painted by Mike Meyer, betterletters.co; (On the bed from left) Seersucker pigeon pink kingsize duvet cover, 70, habitat.co.uk; Oldrose linen kingsize duvet cover, 220, conranshop.co.uk; Toulon grey kingsize duvet cover, 250, thelinenworks.co.uk; Dusty pink Lazy linen kingsize tted sheet, 85,

loaf.com; (Pillows and cushions, from back left) Old rose linen pillowcase, 50cm x 75cm, 30, conranshop.co.uk; Blue-grey linen pillowcase, 50cm x75cm, 30, conranshop.co.uk; Nude pink brushed cotton cushion, 50cm x 50cm, 35, homageonline.co.uk; Herringbone linen rectangular madder

cushion cover, 30cm x 55cm, 45, conranshop.co.uk; Linen cushion dark grey, 50cm x 50cm, 35, homageonline.co.uk; Blue-grey linen pi llowcase,50cm x 75cm, 30, conranshop.co.uk; Linen cushion dark grey, 50cm x 50cm, 35, homageonline.co.uk; (On the frame of the bed) Rough DiamondCage with rose pink cord, 79, the-electrical-shop.co.uk; (Under the bed) Large industrial metal bins, 55 each, turnerandcox.co.uk; (In the left hand

metal bin) Louise Roe Sailor Knit cushion in light grey merino wool, 50cm x 50cm, 95, culow.com; (In the right hand metal bin) Scrunch cushion industy pink, 65cm x 65cm, 55 including feather pad, loaf.com; Louise Roe Sailor Knit throw in light grey merino wool, 120cm x 60cm, 170, culow.

com; Linen cushion light grey, 50cm x 50cm, 35, homageonline.co.uk; Original galvanised Tolix A56 armchair, 250, littleparis.co.uk; (On the chair)books and mug, stylists own; All owers courtesy of The Fresh Flower Company, freshower.co.uk



13/21

An independent home interiors store offering a carefully

curated collection from a range of designers, with a focus on

handmade reclaimed wood furniture and one-off finds.

[email protected]

homageonline.co.uk

WAT ER WO RLDThere is a new emphasis on bringing warmth to the wet room through less conventional wall coverings and metal xtures

and furniture. Rather than slavishly tiling every corner of your bathroom, bring in more texture. Wood is being

used more generously, alongside brass and copper with softer brushed nishes. Simply adding new fawcetts is a cost-effective w

to give your bathroom a stylish update, but if you plan a larger-scale revamp we have plenty of inspiration for that too.

Add traditional character

bathroom with this polish

cistern. The front plate ca

customised with your add

or inscription. Bespoke hicistern, from 1,200, chadd

Amsterdam-based design firm Barn in the City have made it

their purpose to give new life to old barnwood. In the nineteenth

century, farmers across the Netherlands built the barns on their

land using pine, hickory and hemlock. In more recent years,

many of these beautiful barns have fallen out of use and into

disrepair. Considered a unique part of Dutch cultural heritage,

each farm must maintain one of their old barns. But the others?

Barn in the City salvage the grey weathered sidings and use it to

craft distinctive customised furniture and wall coverings. Iced

finishes infuse the barnwood with a cool contemporary edge.From kitchen cabinets to shower panels, these remarkable

reclaimed creations make an immediate impact. barninthecity.com

Barn In The City /Old barn, new bathroom

URBANE

Distinctly industrial and

contemporary design with

diamond-shaped knurling

detailing. With two spout and

handle options.From 771.60

ELAN VITAL

Award-winning range with

a simple stripped-down

aesthetic. Its parts are strongly

reminiscent of ball valves and

plumbing unions.From 706.80

BROOKLYN

Featuring distinctive handles

inspired by gate valves found

in Brooklyns mid-century

apartment blocks. Ideal for a

strong urban look.From 781.20

LONDON

Elegant design combiningclassical elements with clean

lines. Perfectly complements a

modern interior with heritage

features. From 688.80

The Watermark Collectionwas founded by Herman Abel

in 1976. His passion for metalnishing remains at the heart

of the Brooklyn company.Local artisans hand craftevery fawcett, working with

leading designers on ranges

that are classic, contemporaryand industrial. The brand

is new to the UK this year.thewatermarkcollection.co.uk

WATERMARKOF DISTINCTION

CLASSIC CISTERN

POWER

SHOWER

Custom-made shower panelin antique white iced barnwood. Price on application,barninthecity.com

UNIQUE

UNIT

Custom-made bathroom

furniture in Iced Grey barnwood. Price on application,barninthecity.com

APHRODITE

CYPRUS BASIN IN

BRUSHED COPPER

Beautiful basin withan enamel interior.945, redearth.com

Soak in Style

BATHROOM

The handsomeBabylon bath is hand

nished in the UK.

Made from solidcopper, it retainsits heat long after

you draw a bath. It

is available with a

polished nickel interior.5,700, redearth.com


www.brush64.co.uk

For contemporary

loft living,

inspiration and

ideas, please

visit us online

at brush64

Vintage Industrial, Reclaimed and Rustic Style

Furniture and Home Accessories.

Shop Online At www.vincentandbarn.co.uk

[email protected]

0118 328 7088


14/21

STUDY TIMEOur work habits are changing. Whether full or part-time, more and more of us are working from home.

The functional nature of a home ofce or study often means that style can be in short supply.

But invest in a good desk as a focal point, bring in some top-notch task lighting and add plenty of smart

storage solutions and you will actually look forward to going to work.

nusual Indoor table is hand crafted from a set of vintage exterior

en doors. The beautiful Italian doors date from the end of the 1800s

re solid chestnut. When theyare closed, the piece functions as a

g table with space for four to six people. When open, it transforms

spacious desk. Inside, iron straps have been inserted into the old

panels for holding paperwork. Two storage drawers, one xed andiding, have also been added, with the larger drawer sliding in both

directions to create additional work space. The antique doors remain

exactlyas they were and the bold dash of blue varnish on their inside

frames, together with their original hinges and latch, reallyadds to

the character of this door-table-desk. Each Manoteca creation is

one-of-a-kind and completelyhand made in Italy. Each is numbered,

signed and accompanied bya certicate of authenticity. If you are lookingfor an investment piece, this is it. 5,000 + shipment, manoteca.com

e Great Indoor /It is a door, it is a table, it is a desk

rently, a cluttered working

onment affects your clarityought. Whether you believe

r not, we think it is aenient excuse to buy some

h desk accessories. Choosebrass holders and you will

nly need a smart new penatch from emerging design

Ajoto. Or opt for industrial

n your study with concreteintage mechanics boxes.

Y DESK,Y MIND

FERM LIVING BRASS

DESK ACCESSORIES

From 22, goodhoodstore.com

THE PEN

- BRASS SPUN

150, ajoto.com

CONCRETE PEN TRAY

33, menschmadedesign.com

SWISS ARMY MECHANICS BOX

39, pedlars.co.uk

Covetable Correspondence

Cayce Eastwood produces customised stationery using a

late Victorian Arab Foolscap letterpress. We are delighted

with our specially commissioned Warehouse Home

notecards.From 15 for a pack of ten, ceruleanpress.com

ANGLEPOISE TYPE 75DESK LAMP PAUL SMITHSPECIAL EDITION

A colourful new interpretationof the classic Anglepoise

Type75 table lamp by Paul

Smith. Elegant and fully

adjustable. Limited Edition.

From 149, anglepoise.com

JIELDE SIGNAL

TWO ARM DESK LIGHT

Originally designed in 1950

as a workshop light, this

versatile lamp is available in

a wide variety of colours andis adjustable in all directions.

220, hollowaysoudlow.com

LAMPE GRAS N211/311ARCHITECT LAMP - RED

One of a series of robust

lamps designed in 1921 for

use in ofces and industrial

environments. Always popularwith artists and architects.405.90, hollowaysoudlow.com

ICONS OFILLUMINATION

OFFICE


Available from selected USM Partners.

Home: LondonAram Store 020 7557 7557 NottinghamAtomic Interiors 0115 965 79 20Stockport Innerform 0161432 4040Contract: LondonAram Contracts 020 7240 3933,Dovetail Contract Furniture 020 7559 7550,Scott Howard Interiors 020 7724 1130 Manchester Ralph Capper Interiors 0161 236 6929Irish Republic OHagan Design +353 1 535 8555

International showrooms:

Berlin, Bern, Dsseldorf, Hamburg, Munich, New York, Paris, Stuttgart, Tokyo www.usm.com

HarmonyI n perfect balance

USM creates timeless solutions.

.i

EDITORS

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STORAGE

STOREFRONT

Whatever you need to organise,

stack or hang, there is a stylish

storage solution to suit. They

come with wheels, with rivets, in

brushed steel or in bold colours,

they are both wall-mounted and

freestanding. We round up the

most striking and practical ways

to restore order to your home.

Bookshelv

es

andstorag

e

ESSENT

IALST

ORAGE

1no.EST . 2

014

MODULAR SHELVING

Swiss-made USM ModularFurniture offers exible and

functional storage solutions

that do not compromise onstyle. Available in 14 colours

and over 1,000 differentcongurations to suit every

individual and their home.From 350. Modular shown

is 5,873.03, usm.com

FOUR PLY BOOK SHELFBY B DESIGN

Simple and practical, thisaluminium book shelf is a

reasonably priced solution

for storing books. A shelf and

bookends in one, it is a great

space saver and looks just athome in the study or beside

the bed. 40, darwinshome.com

BK ENDS BYWONDERSTUFF STUDIO

These cast concrete book

ends are reminiscent of 1900swood block type. They are

produced in two siliconemoulds and hand polished toa ne nish. Robust yet

stylish, they have the perfectlook for an urban loft.

39, britishbydesign.org

BOOKEN BOOKCASEBY LEMA

Make a feature of your books

with this statement bookcase

by Italian design brand Lema.

Use the 20 oak bookmarks to

suspend your tomes and markfavourite passages. Available

in red or black lacquer. From

540, gomodern.co.uk

HED ALUMINIUM WALL STORAGE BOARD WITH POCKETS

looptheloop.co.uk

H500 STOOL WITH

SHELF BY TOLIX

283.40, espacio.co.uk

BROOKLYN WHEELED

METAL BASKET

35, johnlewis.com

VALISES CABINET

BY CASAMANIA

From 7,812, madeindesign.co.uk

USM HALLER OPEN SHELF

CABINET WITH DOOR

From 1,100.49,usm.com

SPIKE - THE WILD

BUNCH SHELF - BY MAGIS

Length 120cm, 135,madeindesign.co.uk

A CLOTHES RAIL

335 each, andnew.co.uk

A

fratellilamiere.com

MR

700, fratellilamiere.com

MRS

700, fratellilamiere.com

LIVORNO 60

BOOKCASE BY DANESE

187, madeindesign.co.uk

mperfect Home began with

a hand-beaten brass spoon.

Discovered in Tokyos Japan

Folk Craft Museum, the humble

spoon was useful and unique.

It prompted Mark and Sally to studywabi-sabi, the Japanese concept of finding

beauty in the imperfect and practical. And

it inspired them to embark on a globaljourney seeking homeowners who had

embraced the ethos. Imperfect Home

shows that ordinary objects, weathered

and worn, battered and frayed, bring

character and soul to a space, making

it feel both homely and personal. Each

chapter explores a decorative theme:

textiles, texture, colour, the handmade andcollections. Obscure finds are painstakingly

repaired and repurposed. Simple everydayitems are displayed alongside industrial

fittings to create a striking contrast. The

Victorian art critic John Ruskin once wrote

that to banish imperfection is to destroy

expression. It can take imagination to see

the potential in objects, particularly if their

original purpose was not domestic. But this

beautiful books shows that the reward is a

perfectly imperfect, individual home.

An Imperfect Home / Four ways to get the look

OLD WOODENAPPLE CRATES

Still bearing signs of life

in the orchard, thesecrates can be stacked in

groups as shelving. 28

each, baileyshome.com

INDUSTRIAL COFFEETABLE ON WHEELS

A small square coffeetable with distressed

yellow paint and woodboard top. 445,

outthereinteriors.com

OLD SCHOOLRULER COAT RACK

A patchwork of rulerswith six sturdy hooks.

Perfect for hallways.59.95, unicheinterior

furnishings.co.uk

BESPOKE GGRAIN SAC

Individually sand designed

in vintage line

sacks. From kellyswallow.co

SEEKING IMPERFECTIONMark and Sally Baileys distinctive style has evolved over twenty ve years. The creative couple behind

Herefordshire-based homeware store Baileys Home & Garden popularised the now ubiquitous

use of vintage crates as modern rustic storage solutions and have worked with brands such as Liberty,

Conran and Habitat. Their latest book celebrates the less perfect and more personal abode.

Photography by Debi Treloar

Imperfect Homeby Mark & Sally Bailey

Photography by Debi Treloar

Published by Ryland Peters & Small

Available from amazon.co.uk

19.99

I

READING

1. 2. 3. 4.

1.

3.

2.

4.

mywarehousehome.com/newspapermywarehousehome.com/newspaper

EDITORS

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HAUTE CUISINECurrent kitchen designs feature an abundance of warm, natural materials, with particular emphasis on wood. In many cases

storage is completely hidden. Doors and drawers are disappearing, often handleless, into unbroken surfaces and

minimalist lines. But there are glamorous nishing touches for an understated earthy-coloured backdrop. Brushed copper

and brass hardware have entered the culinary space. Join us in the kitchen, something special is cooking.

KITCHENPROMOTION


The new FLOAT kitchen collection from Modulnova has recently launched

in the UK - and it is a thing of pure minimalist beauty. The units are crafted

from Rovere Cuoio (a fine raw oak) and a Pietra Piasentina stone worksurface

is suspended on top, seemingly floating. The extractor hood is formed from

the same stone. The kitchen can include an aluminium and glass display

cabinet and a substantial walk-in pantry with an ambient temperature for wine

and food. If the kitchen is the heart of your home, and budget allows, this iscertainly the finish to invest in. Kitchens from 25,000, d esignspacelondon. com

Touch Wood /Warm oak and clean contemporary lines

BEAUTIFUL BRASSWAR

For a touch of pure glamou

stunning taps have an elect

cyprum nish produced fro

gold and copper. (From top

single hole mixer and Tara

single lever mixer, both by Design, from 769, dornbra

LOVELY HANDLES

Add some rock chic to youwith these striking furniture

available in brass, steel and

black. Hang pots, pans and

from this edgy solid brass h

Furniture Handle, 30 each

20 each, busterandpunch

The Vintage Fridge Company specialises

in the refurbishment of original ice

boxes and vintage refrigerators. These

remarkable wooden refrigerators date

from the 1850s and were hand craftedfrom the nest timber. Sourced from

across Europe and South America, eachis different in size, style and character. In

some cases it has taken up to two yearsto refurbish a fridge and ret it for the

modern home. Prices vary dependingon size, thevintagefridgecompany.com

RETRO FITREFRIGERATION

EDITORS

PICK

TRACTOR SEAT STOOLS

These upcycled tractor seat stools are madorder and will bring a touch of industrial ch

breakfast bar. They are height adjustable a

360 degrees. 490 each, theragandbonema

BARAK7Following its success on the continent, a new industrial-style collection has now launched in the UK.

Belgian company BARAK7 has its nger rmly on the pulse of the industrial trend and has developed a broad

range of distinctive furniture and accessories to designer quality yet at affordable prices. Visit barak7.co.uk

hen young artists Mael

Doudelet and Coralie

Verheyden were handed the

keys to their first home, the

keyring was labelled BARAK7.

As they set about decorating their new hometogether, the couple found it difficult to

source affordable furniture and accessories

in their preferred raw aesthetic. So Mael

and Coralie began to employ their artistic

talents, designing their own industrial-

inspired pieces for their home. Their

scribbles and sketches were transformed

into prototypes by talented craftsmen and

it began to dawn on them that their designs

would appeal to other homeowners too.Then they were reminded of that keyring

- and Barak7 was founded. Robust and

practical yet full of character, every piece

is individually handmade and unique.

Crafted from wood, metal and canvas, each

piece has a distressed or aged finish.

Some items feature stencilled details,

further enhancing their vintage industrial

look. There are quirky designs, such as

the bicycle suspension lamp (above) andpedal bar stool (below). There is a range of

smaller decorative accessories and finishing

touches. From lighting to bar stools,

tables to TV stands, Barak7 have created a

collection of furniture and accessories that

will be conversation pieces in any home.

Perfect for a warehouse conversion or loft

apartment, they will also prove popular

with anyone looking to add touches of

industrial style to their homes. Dedicatedto smart shopping, BARAK7 cut out all

intermediaries to sell products direct to

customers, which means their prices are

more affordable. Take a look at their

full range for industrial-style inspiration.

BICYCLE

INDUSTRIAL

SUSPENSION

LAMP / 39

PEDAL INDUSTRIAL

BAR STOOL / 129

DUSTRIAL STYLEL SIDEBOARD / 776

DUSTRIAL STYLE

KSHELF / 1,249

DUSTRIAL STYLE

TABLE / 239

INDUSTRIAL STYLE COFFEE TABLE WITH HANDLE / 399

This height adjustable table is also on wheels for greater exibility.

INDUSTRIAL FURNITURE

WITH DRAWERS / 225

BOAT

INDUSTRIAL

SUSPENSION

LAMP / 89

Above: Old newspaper

advertisement for Leonard

cleanable refrigerators

EMBOSSED

LEATHER INDUSTRIAL

CHAIR / 129

2. 3.

HARDWARE


17/21

Our stock is handpicked

for the home or workpl

Items include design

classics, industrial

furniture and quirky

home decorations.Daily deliveries throughout uk.

www.arkmidcentury.co.u

Contact [email protected]

Tel: 07958402991

Online

furniturestore

Andy Plant and Dan Morrison both have many years of experience working

as artist-engineers. In 2012 the life-long friends founded BLOTT WORKS.

The BLOTTWORKS studio is based

at the southern end of the Pennines,

in a part of Britain characterised by

its striking natural landscape and richindustrial heritage. That industrial

past has clearlyhad a strong inuence.

Locally sourced mechanical parts are

keyingredients for these imaginative

engineers. In Andyand Dans expert

hands, machine components and

the basic concepts of common

appliances are re-imagined as

original sculptures with a remarkable

renementand beauty.

Meeting BLOTT WORKS during 100%

Design 2014, we were immediatelystruck not only by the quality of

their craftsmanship but also by the

uniquely engaging nature of their

creations. These hand engineered

limited-edition pieces are not only

elegant, they have personalities. Invest

in the disarming Baby Bustard, for

example, and you know that he will betreasured by generations to come.

[email protected]

blottworks.com

DISTINCTIVE DININGWith more of us choosing to dine in, statement dining tables are increasingly practical and sturdy in design.

Trestle-shapes, iron and steel bases and reclaimed timbers evoke functional workshop and

factory furniture. Whether vintage or contemporary, these large solid styles are perfect for a warehouse home.

Tubular steel seating complements most industrial tables, with the option to add a playful

edge in modern and mismatched colours. Entertaining was never so, well, entertaining.

DINING

mywarehousehome.com/newspapermywarehousehome.com/newspaper

h designer Charlie Major likes to create talking points, individual

ment pieces hand crafted from various unusual and upcycled materials.

e are two sides to Jekyll. The black walnut slab lifts off its sturdy low

ole / coffee table base and transforms into a striking centrepiece for

dining table. Vintage laboratory stands clasp herita ge filament bulbs, to

warm light. The conical flasks will hold water, or better still wine. Your

er guests will certainly talk about Jekyll. 2,100, muttonandflami ngo.com

entic Discovery / From the lab to the dining table

TAKE THETUBE

VITRA STANDARD SP CHAIR

Modern twist on the Jean Prouv

classic of 1934. Plastic seat and back

with powder coated steel frame. Inseven colours.From 364, aram.co.uk

AIRO CHAIR

Airo has a powder coated steelframe and laser cut back support.

With an oak, ash or walnut seat.From 220.83, junctionfteen.com

CANTEEN UTILITY CHAIR

Inspired by post-war British school

chairs. Light weight, stackable, in

four colours and beach or oak. From

258, verygoodandproper.co.uk

BMO CRUSHER INDUSTRIAL TABLE

The cast iron base of this eye-

catching table was once a corn

crush for making animal feed. It dates

from c.1910 and still features original

blue paint. The top was crafted

from a Dutch fork lift truck platform.1,900, original-house.co.uk

INDUSTRIAL STYLE DINING TABLE

The double trestle legs give this

contemporary dining table a strong

workshop look. The zinc top further

enhances the industrial feel. Thistable is as stylish as it is practical

and well suited to a family home.495, house-envy.co.uk

DINING CHAIR RED

Hand formed from birch plywood

and tubular steel, this light weight

chair is both comfortable and

playful. 140, primarygrey.co.uk

eel tubing was rst

ed for hospital

rniture from around

90. In 1925, Marcel

euer designed the rst

odernist household

bular steel chair,

e Wassily armchair.

nce revolutionary,

bular steel chairs are

periencing a revival.

CONV

ERSATIONSTARTERS-

TW

O

STAND-O

UTD

INING

TABLESWITH

AS

TRONG

INDU

S T

RI

AL

LO

OK

/

ON

THE

TABLE

EDITORS

PICK

PROMOTION


18/21

Whichclientshavereallyexcitedandinspiredyou?

First, we never look at a brief as a project per

se, we always look at the potential relationshipwe can have with the client. It is all about the

relationship. It is a two-waystreet of course. What

can our clients do to challenge us as designers?

And howcan we meet their needs byexceedingtheir expectations? We are inspired byall of our

clients, in individual ways. For instance, Jamie

Oliver is remarkable because of his brand integrity.

Everything is done with honestyand humour. The

Four Seasons Hotels & Resorts are inspirational

because theyare incrediblyservice-orientated.

Yourmostrecent award was forWhyte & Brown.

Whatqualities do you think particularly

marked this restaurantout forthe judges of

the Restaurant& BarDesign Awards?

The individual and collective intent for Whyte

and Brown was simple - alchemy. A place and a

destination where the ordinaryis made extra-

ordinarythrough taste, touch, smell and sound. It

is not only about what you see at this restaurant, it

is about the memories we have made. Design is our

tool to ultimately improve guests experiences.

The industrial look is so popular at the

moment and prevalent in both residential

and commercial interior design -

whydo you think this mi ght be?

We have just come from a period of austerity.

People feel more comfortable retreating back to

the basics. It is about stripping things back,

allowing interiors to feel more purposeful and

durable rather than lavish and opulent.

LIFESTYLE

BLACKSHEEP FAMILYBlacksheep is an independent, international and multi-award-winning design agency based in London. Over the last twelve

years, this expert practice has delivered a wide range of remarkable and successful projects within the hospitality industry.

Current work includes projects in Saudi Arabia, South Africa and India. We spoke to the design rm on a self-proclaimed ques

for worldwide brilliance and learned more about the passion and vision behind some of our favourite restaurants in the UK.

Tim Mutton /Co-Founder & Managing Director, Blacksheep

Whyte & Brown /London

lummy Choice /inter warmer

Jamies Italian &Spritz Bar/London

Reds TrueBarbecue/Manchester

Tucked behind bustling Carnaby

Street is a new restaurantconcept. The hero ingredients

are free range chicken, eggs

and craft beer, dishes are

largely traditional but there are

occasional contemporary twists.The founders brief for the interior

was a leaning towards industrial

but softened around the edges.

It combines industrial and

reclaimed features, temperedby leather upholstery, coloured

glassware and traditional kitchen

features such as butler sinks.Directions:

Add all the ingredients to a cocktail shaker

Shake once without any ice to add some texture

to the egg white

Fill the cocktail shaker with ice, shake and thenstrain into a cocktail glass

Sprinkle freshly ground nutmeg to garnish and

add 3 dashes of toasted pecan bitters and serve

For the vanilla sugar:

Add 1.5kg sugar to 1litre water with one split

vanilla pod. Heat the mix slowly over a gentle heat

until the sugar is fully dissolved

For the plum and damson puree:

Blend roughly 3 de-stoned and skinned plums

and 5 ripe damsons with 100ml of apple juice

Sieve to remove any damson skin. If plums are

not ripe the mix can be sweetened.

1.EAT fairground lights sign,

from 695, goodwinandgood

2.Raffaele brass pendant lam

540 each, fredandjuul.com

3. Industrial vintage style side

from 390, hegrondecarle.co

4.Harlem industrial swivel bar

250, alexanderandpearl.co.uk

5. Vintage British enamel light

for similar skinintdesign.co.u

6.Ghetto superstar mirror wit

395, alexanderandpearl.co.u

Located on the edge of Islington,

the brief for this Jamies Italian

was to reect the vibrancy of the

area and add a Milanese avour.

Each of the three levels has itsown character. Moretti beer is

on tap in the rst standalone bar

for the brand. The main dining

space fuses industrial and Italianelements, with crackle glazed

terracotta tiles and zinc panelling.

The atmospheric back room is

dominated by an open kitchen,

which provides the theatre.The motto at Reds is low

and slow. A brand full of

passion and attitude, strong

religious references are

used in connection with themeat and how it is cooked.This heavily inuenced the

interior decor. The space ishumorous and irreverent.Strong industrial and

reclaimed features combine

with fairground-style lighting

and bespoke neon artworks.

GET THE

LOOK

Take design inspiration

from the award-winning

work of Blacksheep.

From fairground inspired

lighting and vintage

lamps to industrial style

furniture, here are some

features from Blacksheep

projects that you canincorporate at home.

1.

2.

4.

3.

LIQUORED UPEast London Liquor Company has brought spirits

production back to Londons East End after

more than a century. Journey to a former glue factoryin historic Bow Wharf, to sample artisanal infusions

in an industrial chic setting. The double-distilled

vodka, premium gin batch and whisky is produced on

site and available from the bottle shop next door.

Set aside an evening, sample the full range

and do not leave empty handed. Once home, whip up thiswinter warmer cocktail, created exclusively for

Warehouse Home. And when your reservesrun low, visit eastlondonliquorcompany.com

Beverage photography by Charlie Surbe y

40ml East London Liquor

mpany vodka

10ml vanilla sugar

10ml Pedro Ximenez Sherry

35ml plum and damson puree

10ml lime juice

1 whole egg white

3 dashes Miracle Mile Toasted

can Bitters

5. 6.


gleaming pair of copper stills

e the stars of the show at

st London Liquor Company


19/21

VINTAGE TEA CHESTS

These charming vintage wooden tea chests still bear

their o

Warehouse Home

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