Wanting by Richard Flanagan Sample Chapter
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Richard Flanagan was born in Longford, Tasmania, in 1961. His
novels Death of a River Guide, The Sound of One Hand Clapping ,
Gould’s Book of Fish and The Unknown Terrorist are published in
twenty-six countries. He directed a feature-film version of The Sound
of One Hand Clapping .
Praise for Wanting
‘In Wanting , Richard Flanagan has written an exquisite, profoundly
moving, intricately structured meditation about the desire for human
connection in its many forms—that commingling of compassion,
curiosity, care, lust, attraction, intrigue, selfishness and selflessness
that is clumsily grouped under that most perilous of all abstract
nouns: love.’ — Los Angeles Times
‘A haunting and powerful story . . . Mr. Flanagan does a magical job
of conjuring his native Tasmania as it must have appeared to English
settlers . . . And he enlivens his discursive narrative with some
dazzling set pieces.’ —Michiko Kakutani, The New York Times
‘Flanagan sets his novel in the wilds of nineteenth-century Tasmania
and evokes its inhabitants with exquisite precision . . . Flanagan
forges . . . an entirely unified meditation on desire, “the cost of
its denial, the centrality and force of its power in human affairs.”’
— The New Yorker
Copyright © Richard Flanagan 2008. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system,
transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior writtenpermission of the publisher.
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ALSO BY R ICHARD FLANAGAN
Death of a River Guide
The Sound of One Hand Clapping
Gould’s Book of Fish
The Unknown Terrorist
Copyright © Richard Flanagan 2008. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system,
transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior writtenpermission of the publisher.
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A Vintage bookPublished by Random House Australia Pty Ltd
Level 3, 100 Pacific Highway, North Sydney NSW 2060www.randomhouse.com.au
First published by Knopf in 2008This edition published by Vintage in 2009
Copyright © Richard Flanagan 2008
The moral right of the author has been asserted.
All rights reserved. No part of this book may be reproduced or transmitted by anyperson or entity, including internet search engines or retailers, in any form or byany means, electronic or mechanical, including photocopying (except under thestatutory exceptions provisions of the Australian Copyright Act 1968 ), recording,scanning or by any information storage and retrieval system without the prior
written permission of Random House Australia.
Addresses for companies within the Random House Group can be found atwww.randomhouse.com.au/offices
National Library of AustraliaCataloguing-in-Publication Entry
Flanagan, Richard, 1961–.Wanting.
ISBN 978 1 74166 668 7 (pbk).
Mathinna, 1835–1856 – Fiction.Franklin, John Sir, 1786–1847 – Fiction.
Franklin, Jane Lady, 1792–1875 – Fiction.Dickens, Charles, 1812–1870 – Fiction.
Aboriginal Tasmanians – Fiction.Indigenous women – Tasmania – Fiction.
A823.3
Epigraph from Notes from Underground by Fyodor Dostoevsky, translated byRichard Pevear and Larissa Volokhonsky, published by Vintage. Reprinted by
permission of The Random House Group Ltd.
Cover design by Sandy Cull, gogoGinkoCover image by Getty Images
Author photograph by Colin MacDougallInternal design by Midland Typesetters, Australia
Typeset in Plantin by Midland Typesetters, AustraliaPrinted and bound by Griffin Press, South Australia
Random House Australia uses papers that are natural, renewable and recyclable
products and made from wood grown in sustainable forests. The loggingand manufacturing processes are expected to conform to the environmental
regulations of the country of origin.
10 9 8 7 6 5 4 3 2 1
Copyright © Richard Flanagan 2008. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system,
transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior writtenpermission of the publisher.
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1
1
THE WAR HAD ENDED as wars sometimes do, unexpectedly.
A man no one much cared for, a rather pumped-uplittle Presbyterian carpenter cum preacher, had travelled
unarmed and in the company of tame blacks through the
great wild lands of the island, and had returned with a
motley cluster of savages. They were called wild blacks,
though wild they most certainly were not, but rather
scabby, miserable and often consumptive. They were, hesaid—and remarkably it did now seem—all that remained
of the once feared Van Diemonian tribes that for so long
had waged relentless and terrible war.
Those who saw them said it was hard to believe that
such a small and wretched bunch could have defied the
might of the Empire for so long, that they could havesurvived the pitiless extermination, that they could have
been the instruments of such fear and terror. It wasn’t
Copyright © Richard Flanagan 2008. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system,
transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior writtenpermission of the publisher.
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clear what the preacher had said to the blacks, or what
the blacks thought he was going to do with them, but they
seemed amenable, if somewhat sad, as broken party afterbroken party were embarked on boat after boat and taken
to a distant island that lay in the hundreds of miles of sea
that separated Van Diemen’s Land from the Australian
mainland. Here the preacher took on the official title of
Protector and a salary of £500 a year, along with a small
garrison of soldiers and a Catechist, and set about raisinghis sable charges to the level of English civilisation.
He met with some successes, and, though these were
small, it was on such he tried to concentrate. And were
they not worthy? Were his people not knowledgeable of
God and Jesus, as was evidenced by their ready and keen
answers to the Catechist’s questions, and evinced in theirenthusiastic hymn-singing? Did they not take keenly to
the weekly market, where they traded skins and shell
necklaces for beads and tobacco and the like? Other than
that his black brethren kept dying almost daily, it had to be
admitted the settlement was satisfactory in every way.
Some things, however, were frankly perplexing. Thoughhe was weaning them off their native diet of berries and
plants and shellfish and game, and onto flour and sugar
and tea, their health seemed in no way comparable to what
it had been. And the more they took to English blankets
and heavy English clothes, abandoning their licentious
nakedness, the more they coughed and spluttered anddied. And the more they died, the more they wanted to
cast off their English clothes and stop eating their English
2
Copyright © Richard Flanagan 2008. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system,
transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior writtenpermission of the publisher.
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food and move out of their English homes, which they said
were filled with the Devil, and return to the pleasures of
the hunt of a day and the open fire of a night.It was 1839. The first photograph of a man was taken,
Abd al-Qadir declared a jihad against the French, and
Charles Dickens was rising to greater fame with a novel
called Oliver Twist . It was, thought the Protector as he
closed the ledger after another post mortem report and
returned to preparing notes for his pneumatics lecture,inexplicable.
3
Copyright © Richard Flanagan 2008. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system,
transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior writtenpermission of the publisher.
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