Volume XXIX, No. 8 Richmond, Kentucky September, A Chapter of American Wine Society Since March,...
Transcript of Volume XXIX, No. 8 Richmond, Kentucky September, A Chapter of American Wine Society Since March,...
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A Chapter of American Wine Society Since March, 1985
Volume XXIX, No. 8 ▪ Richmond, Kentucky ▪ September, 2013
Jean-Jacques Dufour Newsletter
Spanish wines, Dale said, are wines that bullfighters will kneel to.
Bullfights, Hemmingway would say, are blood sorties into what is true
Of the earthly drama—courage in man standing, in beast kneeling,
Nature put out of balance for a forward thrust, in this way repealing Fear of the bull- strength of the tender vine . . . fear of living as the gods do.
Members of the Jean-Jacques Dufour Chapter of American Wine Society arrived at
the beautiful hacienda of Dale and Alison Emmons for their first hosting of a
chapter meeting, and midst banana trees and the sounds of Spanish music and song,
members enjoyed an enchanted evening. . . . Even Comrade Wilson seemed just
right for the surroundings; quitting his revolutionary garb, he wore an outfit that
made him look like a Basque mine inspector. . . . Charming guest Chris Sullivan,
who grew up in Spain, made the atmosphere liltingly halcyonic with his guitar and
its tempting tango melodies—so much so that some of the ladies had to hasten on
by him and take refuge behind the banana trees in order to prevent unclassified but
forbidden thoughts from taking hold. . . . The Emmonses had placed a spacious tent
over the thick verdant lawn, thus seating us as of one-ear, and everyone paid rapt
attention to their interesting remembrances of Spain. Alison told of the charms of
the Spanish countryside and the friendliness of the people, and Dale related his life-
long desire to see a real Spanish bullfight. In preparation for one the next day, he
tuned in a bullfight on Spanish television. Unable to sustain his stomach for the
whole program, he did not go to the real bullfight the next day. And to think,
Dale is a political consultant and he ought to be used to that sort of thing.
Five Sturdy Spanish Grenaches Educated and Mystified
The Sights and Sounds and Tastes of Old Spain
At Our First-Time All-Spanish Grenache Tasting
On a Stormy August Evening at June Morning
The Heavy Bettors Meetings
WINE 1: Altovinum Evodia, Calatayud, 2012, 14.0%. ($10.99) Points: 16.14—1st
Grape Composition: 100% Grenache. Comments from Afar: “A Spanish red wine that put California
to shame.” . . . “When it comes to bang for the buck, Evodia Garnacha leaves the Golden State in the dust.”
WINE 2: Mayo Viticultors Priorat Glop, Priorat, 2010, 14.5%. ($23.99) Points: 15.80—2nd
Grape Composition: 60% Grenache, 20% Syrah, 20 Carignane. Comment from Afar: “A well-defined
unpretentious bouquet with lifted scents of mulberry, dark plum, and a touch of licorice.”
WINE 3: Almansa la Atalaya, Almansa, 2010, 15.0%. ($18.95) Points: 14.62—5th
Grape Composition: 85% Grenache, 15% Monastrell. Comment from Afar: “Big, smoky, and concen-
trated on the nose, this has a ton of black fruit and char notes. This is mouth-filling, deep—powerful stuff.”
WINE 4: Calatayud Atteca Old Vines, Calatayud, 2011, 15.5%. ($18.99) Points: 15.41—4th
Grape Composition: 100% Grenache. Wine Spectator (88): “Black cherry, blackberry, dark chocolate,
and balsamic flavors mingle in this expressive red, with a plush texture, racy acidity, and gentle tannins.”
WINE 5: Breca Old Vines, Calatayud, 2010, 15.5%. ($20.99) Points: 15.55—3rd
Grape Composition: 100% Grenache. Comment by editor: “Parker rated this wine 94. We rated it 78.
Some of the other four wines received scores of 7, 8, and 9 that other tasters gave 18, 19, and 20. One
taster gave wine 3 a score of 7 (35, undrinkable), while a national wine expert rated it 91. In all my years
in JJD, I have never seen such wild variations in scores. I am mystified. And somewhat embarrassed.”
Hosts Dale and Alison Emmons
Jean-Jacques Dufour Chapter Promoting Appreciation of Wine Through Education
Business Meeting
Comrade Chair David “Lenin” Wilson, now at long last exposed
enough to the manners of polite society so as not to embarrass
himself, called the meeting to order and thanked the Emmonses for
hosting the meeting, which included buying the house, landscaping
with exotic plants, planting banana trees, setting up a large tent,
placating the weather-gods, and arranging for authentic Spanish
guitar music. LaVerne introduced her guests, Tasios and Suzanne
Karathanasis, a very striking international couple. The Emmons’
guests were son Will Emmons, current law student, and Chris
Sullivan, guitarist and sometime resident of Spain.
Denise Hastings announced motherly and proudly that young
son Parker, excessively talented guitar player, will appear
next Monday on the WoodSongs Old-Time Radio Hour.
(Those who heard him play at the last meeting were not
surprised and joined with the others in thunderous applause.)
Denise then added that Parker was surprised that he had so
much fun at the last meeting with old people.
The treasurer, Mike Eidson, asked irately who paid with cash,
this being a violation of chapter policy. Alex Fassas
acknowledged that it was he, but that he had signed the bills.
Bob Miller announced that there was a winner of the
prestigious Jean-Jacques Dufour Award this year at the
Kentucky State Fair wine competition. The award is given to
the winemaker whose wine is judged to be the best of those
made from grapes grown in Kentucky on the winemaker’s
property. The winner this year, receiving a beautiful plaque
that our chapter furnishes, is Ed Whitworth, Taylorsville,
Kentucky for a wine made from Niagara grapes.
Secretary LaVerne Cook has recorded that our membership is at
35. The bylaws allow a maximum of 40. Please see the bylaws
for the procedure for nominating new members.
Kimberly Kidd reminded the members that their meeting has
been moved to October 5 in order to accommodate exigencies.
(Their residence has changed—see the back page of this
newsletter for the new directions.)
l
I am in the autumn of my chairmanship of Jean-Jacques Dufour.
The struggle to transform this wayward, reactionary organization
into a respectable socialist wine commune has been bloody and, at
times, depressing. But I have given my all and I believe that the
future is ahead of us and not behind us. In my last few months of
gallant and exemplary leadership, I must make every effort to
complete my vision of transformation—how we approach wine to
taste it to our greatest benefit rather than just tossing it down like
warm beer. I know that I am fighting a lonely battle, but I also
know that the principles that I have espoused could someday
appeal to intelligent, forward-looking members—if we ever get
any of those.
With this burden heavy on my lonely shoulders, made
somewhat lighter, however, because I know that I am right, I
would like to complete the Articles of the Jean-Jacques Dufour
Revolution. Before I give you my last two, I must remind you by
brief summary of the first five:
Article One: We must break out of our capitalist pattern of
serving only bourgeoisie wines. We must promote and taste more
proletariat and peasant wines.
Article Two: We must somehow get prelim wines under
control so that they do not distract us from the tasting wines.
Article Three: We must demand that the ladies dress more
modestly and eschew cosmetics so that we men can concentrate on
the wine. (Perhaps Muslim women face-coverings would do it.)
Article Four: Sufficient educational information about the
upcoming tasting should be given in the JJD Newsletter so that
the hosts do not have to make extended remarks at the meeting.
Article Five: Members should host regularly or be shot.
Here, then, are my last two revolutionary articles
Article Six: The officers of the JJD Chapter should meet at
least twice a year to discuss any problems or concerns that may
have arisen, and to look to the future in ways that will improve the
chapter. By looking to the future we see future possibilities that do
not exist in the past; but by looking only to the past, we do not see
the future but only how the past refused to look to the future—
which is why revolutions fail, if you didn’t already know that.
Article Seven: We should think seriously, and soon, about
putting an age-limitation on the newsletter editor. The press is a
powerful weapon. If it gets or remains in the hands of a doddering
old codger with axes to grind, with venom to ventilate, and with self-
aggrandizement to sell in his boring attempts at humor, the chapter
suffers, even though it may not know it. The age for retirement of
the editor must be set at 83 or 90, whichever comes first.
“The first wine I drank on that
salad day of my youth must
have been quite good, for I danced
with a maiden fair, one willing sheep,
and the deputy sheriff.”
Sir Edward Arbuckle
Recollections of Essex Days
“Apartheid” Seating at the October Meeting
In a whimsical remembrance of what kept African wines off
our shelves for those years, Donnie and Kimberly will seat
men and women at separate tables—JJD Apartheid! To what
educational purpose you may ask? Donnie himself explains:
“In a somewhat altered ode to apartheid, we will be asking
the ladies and gentlemen to be seated at separate
tables. Some of us have often wondered how the scores
would fair without the influence of oppressive spouses, and
this will be a kind of social experiment to see if our women
folk and men folk are truly different in their tastes. Plus, it
will give each spouse an open forum to speak freely with
their brothers/sisters without their anchor (i.e., moral
compass) holding them back! We may even have separate
prelim wines for the sexes. I can’t wait to hear what
Comrade Chair has to say!”
Jean-Jacques Dufour Chapter Promoting Appreciation of Wine Through Education
Cook’s Particles and Wine Variations
next man I date to know it. I want to show him what to do with
the cork. Would you please explain cork-etiquette? I have
found that in nice restaurants, some of the waiters don’t even
know what to do with the cork. I would very much appreciate
your cork-advice. My future with men probably depends on it.
If my next date orders an expensive bottle of wine and I can
get my hands on his cork, things could turn out well.
University Professor
Dear University Professor:
Your question is especially appropriate in this day when corks
have evolved into somethig other than bark from a tree. The
traditional tree-bark cork, so beloved by makers of very expensive
wines (especially the French, who like doing a thing the same way
they have always done it even if it is patently wrong), is such a
fixture that if a waiter pulled a synthetic cork out of a bottle of
Chateau Margaux, the French ambassador to the United States
would be recalled. Tradition is hard to overcome, but stinky corks
are helping to do it.
Stinky? Yes, a bark-cork can be host to bacteria that make the
wine go bad. And you can smell the problem immediately if you
hold the cork up to your nose. That is why in fine restaurants the
waiter will cremoniously remove the cork and, with an unctuous
thrust of his hand over a white-napkined arm, present the cork to
the man for his examination.
There are therefore two things to consider about a cork-out-of-
the-bottle. If you see a wine-colored streak from the bottom of the
cork to the top, this means the bottle has leaked and too much air
has gotten into the bottle, and it has likely introduced some
contaminants. Immediately smell the cork; even if you don’t see
evidence of leakage, you should smell the cork. Never hesitate to
send back a bottle of wine whose cork doesn’t smell right—and I
would advise the same concerning a man.
New synthetic corks (called stoppers because they don’t come
from the cork tree) are far superior to traditional corks. The chance
of their being contaminated is practically nil. The knock against
them by traditionalists is that they are not the same. (Some people
never like to do anything for the first time, and I hope your next
date is not one of them.) This leaves us with the question of
whether the waiter should present a synthetic cork to be
examined—in your case by you! Even though the need to inspect
the synthetic cork and to smell it is not great, I am still a
traditionalist about certain things. You examine the cork but let
him pay for the dinner.
Ask Amphictyonis
Dear Amphictyonis:
I am a single woman and I like to treat myself
to a nice dinner and fine wine on occasion.
I prefer my own company to that of a man.
This is because men think they know everything
about wine etiquette, especially the cork—what
to do with it when the waiter opens the bottle.
I am confused about that, but I don’t want the
Ask Jerry™
Dear Madison County Gardener:
Yes, as a matter of fact, it can. Since my recent retirement I
have been doing independent research on unified field theory.
My research is, of necessity, independent because of internal
politics in the scientific community. They can't accept the
astounding effectiveness of my mathematical models and my
papers are therefore not accepted by recognized publications.
But fortunately for you, and your timely question, an offshoot
of my groundbreaking research does explain variations in the
taste of wines. But first I must provide some background
information.
Fifty years ago it was determined that electrons and
quarks and other sub atomic particles had mass, not because
they just had mass but because they were submerged in an
invisible substance that we now call the Higgs field. More
recent experiments using the Hadron Collider in Geneva
have finally proven that we are, in fact, up to our asses in
Higgs particles that are conferring mass on everything. The
rest of the scientific community also now believes that the
Higgs particles spin at a constant speed.
However, my own work has shown that most of the
"Higgs particles" spin at various speeds and come in various
sizes. Therefore, I now call all of these nonstandard-size or
variable speed particles: Cook's particles. These particles’
variations in speed can be tricky. A large concentration of
slow spinning particles obviously caused the Big Bang and a
more recent smaller explosion in my basement resulting in
some structural damage to the house and unfortunate plant
mutations in the yard: a forsythia bush became self-aware
and tried to kill me.
As a precautionary measure, I have temporarily shut
down the small particle accelerator that I constructed in my
basement from empty wine bottles, the leaf blower and some
plutonium. Hopefully, the herbicide can fully eliminate all
the plant life in the yard and restore some order. I also
suspect that a small black hole was formed at some point
during my experiments and that my car keys have passed
into it, either being crushed into part of the singularity or
perhaps emerging into another spatial dimension.
But enough about the daily trials of my scientific
research—the issue at hand is wine. Essentially—and I have
an entire notebook full of equations to mathematically
support this statement—wine tastes better if the "Cook’s
particles" surrounding it are larger and spinning rapidly.
Continued as Ask Jerry™ on page 4
Dear Ask Jerry™
I know that you are a physicist. Can
physics explain why one wine tastes
better than another?
Madison County Gardener
Jean-Jacques Dufour Chapter Promoting Appreciation of Wine Through Education
s
The Art of Picture Captions
Some members have recently commented on a regular feature of
this newsletter, the Picture Page. They assume that the editor/
photographer makes up innocuously humorous little captions in
advance of taking pictures and then goes around at the meetings
making pictures that will match the captions. But the reverse is
true. The pictures come first—some requested and arranged, some
spontaneous and on the hoof. Then the editor calls upon Kantian
pure reason to analyze each picture and, after much prayer,
meditation and fasting, the caption emerges. Captioning is not easy
but it is necessary for those members who like to look a lot but
don’t like to read (this newsletter), and they are numerous.
Now it’s your turn. Let’s see who can submit the best caption
for the picture below in which Bob has placed two napkin rings
over his eyes and Meg has hands-blinded herself. There will be a
notable prize for the winner. Results in the next newsletter.
* * *
Ask Jerry™-cont.
If the particles are smaller slow-spinners, then wine tastes worse.
Hypothetically, if the particles were small enough and spinning
slowly enough and there were enough of them, the wine could
explode. I am investigating this hypothesis further to see if there
are military applications of this wine phenomenon from which I
might make a lot of money.
Though the chances of bad wine exploding are slim, I
recommend some caution. If outside, one might be tempted to
toss the contents of a glass of bad wine on a nearby bush.
However, my analysis of the remains of the previously mentioned
homicidal forsythia revealed that it was itself surrounded by
incredibly small slow spinning Cook’s particles; adding more
would only increase the potential instability. Instead, I
recommend drinking bad wine as quickly as possible because it
appears that the human body is almost always primarily
surrounded by average sized "Higgs particles" spinning at a
constant speed. Dilution is the solution. (If these last sentences
don’t make any sense, don’t worry—they didn’t make any sense
to me, either. But if we wait long enough, given the nature of
science, they might make sense later on in a paradigm shift.)
As to why some wines have large rapidly spinning particles
and some have small slow spinning particles, we can only
speculate that it has something to do with growing conditions or
variations in the fermentation process.
dl
Factors Under Our Control and Not Under
Our Control That Affect Wine Judging
Editorial
As suggested by the font chosen by the editor for the headline,
which was an act of his free will, some things about tasting and
scoring a wine are under our control; but the editor had to choose
from fonts available to him in his word processor, which was not
his doing. The same is true about wine judging. Also, the choice
of Old English Text suggests that we have an age-old problem
on our hands. This is true worldwide—especially in France.
At the last meeting someone gave one wine a score of 7 and
another gave the same wine from the same bottle a 20. It would
seem downright rational that we should pause occasionally and
consider the issue of wide variations in how we score wines—or
what’s the point?
Factors Under Our Control The temperature of the tasting-wine is something that we can
control. The wrong temperature can produce wrong, if not
embarrassing, results. For instance, an oaked Chardonnay should
be served at 54–61°F. If it is served significantly colder, it loses
its mellow vanilla oakiness, and the acids take over, throwing the
wine out of balance. If the Chardonnay is served too warm, it
will go flat because the acids are masked. Take the case of
Cabernet Sauvignon. A full bodied, oaked Cabernet should be
served at 59–64°F. Too cold and the wonderfully complex
aromas go away; too warm and the tannic acids, so vital to the
mouth-feel of the wine, take a holiday. (There are good wine-
temperature charts available. We should use them.)
I would like to mention three more factors under our control
two of which, at the mere mention of them, will enrage most JJD
members. Given the nature of our chapter, there is no possibility
that we will change as a chapter regarding them; but these
factors, being objectively true, may serve individual needs and
result in a few superior JJD wine-judgers. Eating spicy foods,
and lots of them, just before we taste a wine, deadens the senses
and confuses the palette. . . . Drinking two ounces each of eight
prelim wines just before we taste the program-wines deadens the
senses and confuses the palette. . . . You’re welcome.
And then there is the most controllable of all—information.
The more you know about the different characteristics of the
many grapes and the wines we drink, the less you will ask a Pinot
Noir to act like a Cabernet Sauvignon. Nothing ruins a good wine
in the mouth like uninformed prejudice. Books can overcome.
Factors Not Under Our Control What drives the “experts” crazy (except in France, where experts
are immune to criticism) is how recent controlled experiments have
determined that body chemistry among the experts varies widely
and this directly influences judgment and affects scores. Too much
acid and too little acid, for instance, may not be as much a flaw in
the bottle as a natural reaction in the mouth, which cannot be
altered. . . . There are psychological and environmental factors at
work in our tasting of wines that we may not be aware of and
probably not be able to do anything about without severe
counseling. For example, researchers have noted that the time of
day and the weather can affect taste, not to mention childhood
experiences with different smells and tastes—some good, some bad.
All of this can explain the difference between scores of 16 and
18. Sadly, it can explain the difference between scores of 7 and 20.
Jean-Jacques Dufour Chapter Promoting Appreciation of Wine Through Education
Spanish Guitar Music and Banana Trees
//
/
Alex: “There, there, sweet
Marva. Don’t cry. Surely,
Bob didn’t mean it that way.
David: “I tried my best to educate
the JJD bourgeoisie in socialist wine
principles.” Chris-to-Himself: “Weird.”
“Okay, close your eyes if you have never
fantasized about making love in a vat
of fermenting Chardonnay.”
Kim-to-Herself: “Here we are listening intently and
respectfully to the lecture on Spanish Grenache.
I hope this gets Bob Miller off his high-horse.”
Guest Suzanne Karathanasis achieved exalted goddess
status in the annals of JJD when she told Charles what
she thought about Cabernet Sauvignon.
,
The photographer wanted to ask Melissa
what she was thinking, but he did not want
to risk having his image of her shattered.
Cynthia: “You want to know what thumb-on-
chin means? ‘Uni navi ne committas omnia.’”
’ Melissa: “Oooo, glad I didn’t!”
Maestro Tasios conducts the ladies in
singing “Carve dat Possum.” LaVerne is
actually singing but Suzanne has lost it.
Don: “Marvelous” Marva is going to find out soon
what it’s like to try to bring order to a bunch of
yowling epicurean wine-cats at the JJD meetings.
Marva: “Unlike Comrade David, I will keep
politics out of the chapter.” Alison: “That’ll be
like trying to keep politics out of my house.”
Dale: “A banana tree in Kentucky
is as rare as a liberal Democrat.
And both need a lot of fertilizer.”
Sandra-to-Herself: “And to think, Jesus
could turn this whole pool into wine. I’m
sure Jerry would be the first one to dive in?
Jean-Jacques Dufour Chapter Promoting Appreciation of Wine Through Education
s
Graham Beck
And the Lexington—
South Africa
Connection
Graham Beck, the South African winemaker and a leading
international breeder who bought Gainesway Farm in Lexington
in 1989, died in 2010 in London at age 80.
Under the Beck family’s ownership and Antony Beck’s
direction, Gainesway has built on the foundation established by
the late John Gaines, who was an early adapter of the stallion
station concept. In addition to the original Gainesway, the farm
now totals more than 1,500 acres, including the former Greentree
and Whitney farms.
Graham Beck Wines is now entering its third generation as a
family winery. It was established in 1983 when entrepreneur
Graham Beck purchased Madeba farm outside the Western Cape
town of Robertson. . . . The success of the Robertson winery has
been extended to the second Graham Beck cellar in Franschhoek,
one of the oldest wine-making regions in South Africa.
Graham Beck was born in Cape Town and his success as an
entrepreneur began while studying commerce at the University of
Cape Town. During this time he established a successful home
renovation business called Kangra, ventured into the coal mining
business, and pioneered the centralized transportation and export
of coal through Richards Bay on the north coast of Kwazulu-
Natal. His business interests are global and he and his wife
divided their time between homes in South Africa, Britain and
America while remaining committed to their African roots and
continuing to invest time, energy and funds in the future success
and growth of South Africa.
The Beck vineyards are located on four diverse farms in the
Western Cape province of South Africa, enabling the Robertson and
Franschhoek Cellars to have access to grape varietals grown in the
climatic conditions and soils to which they are best suited. The two
farms in the Firgrove area in Stellenbosch’s Helderberg district,
provide most of the premium red varietals to the Graham Beck
range. The Stellenbosch region is universally recognized as South
Africa’s premier wine region due to its excellent terroir suited to the
growing of a variety of premium red cultivars. After the success of
the Graham Beck Robertson Cellar, Graham Beck consolidated his
wine interests by bringing the Graham Beck Franschhoek Cellar into
the fold. [From the Graham Beck Winery web site]
Apartheid Kept South African
Wines off American Shelves
Nelson Mandela’s release from prison in 1990, after more than
twenty-seven years in confinement, signaled a new era in South
African politics and paved the way for the lifting of trade
sanctions and the importation of South African wine into the
United States.
South Africa is the world’s seventh largest producer of wine.
And the variety is immense. John Platter (OCW) puts it this way:
“By the early 1990s South Africa produced around 3,500 wines
across the style spectrum, from first-rate dry whites to deep
flavored, splendidly oaked, intense tannic reds; feathery sparkling
wines, including some made strictly in the image of champagne;
and port and sherry types—all this representing a tenfold
expansion of choice within a decade. It is still a chaotic
renaissance on a broad scale—some call it a steeplechase into the
unknown. . . .”
But things seem to be settling down a bit.
The Kidds have selected the following Graham Beck wines for
the October tasting:
- 2010 Chardonnay/Viognier
- 2010 Chenin Blanc Game Reserve
- 2010 Chenin Blanc/ Sauvignon Blanc blend
- 2007 Cabernet Sauvignon
Most of us are familiar with the taste profiles of Chardonnay,
Sauvignon Blanc, and Cabernet Sauvignon. Here is something
about the less familiar Chenin Blanc, “With nearly a quarter of the
total vineyard area, Chenin Blanc is still by far the most widely
grown variety in South Africa. . . . South African growers do not
necessarily admire the style of Loire Chenin. What the French see
as finesse and subtlety, the South Africans see as raw fruit and
acidity. While South Africans are putting some emphasis on bottle
aging, they are still more likely to seek flavors of guava and
banana, pear and pineapple than the sort of mineral tightness that
takes ten years in the bottle to open out.” [Oz Clarke, EG] . . .
“Chenin Blanc wines are moderately distinct, with aromas that are
less easily characterized than those of White Riesling or Sauvignon
Blanc, for example; they are described as having odors of pears,
melons, or peaches. . . . Jancis Robinson considers Chenin Blanc to
be ‘One of the world’s undervalued treasures’.” [Marian Baldy,
UWC] . . . “The nose: Trademark characters such as fresh citrus,
grassy characters are found in dry wines, whereas the sweet wines
offer a honeyed, apricot, peachy character always followed with a
firm backbone of acidity; therefore they can live for forty years or
more. Unoaked wines have a sharper citrus nose than oaked . . .
with high acidity levels.” [Clive Michelsen, TGW]
It’s Off to South Africa We Go!
Jean-Jacques Dufour Chapter Promoting Appreciation of Wine Through Education
www.americanwinesociety.org
Attending the September Meeting
2013-2014 CALENDAR – 6:00 p.m.
October 5, 2013: Donnie and Kimberly Kidd (Note change of date!)
November 7- 9, 2013: AWS National Conference, Sandusky, Ohio
December 14, 2013: Mike and Kathy Eidson
January 11, 2014: Adrianna Francis, Meg Moore, Bob. Miller (Progressive)
February 8, 2014: Lyle and LaVerne Cook
March 8, 2014: Alex and Marva Fassas
April 12, 2014: Donnie and Kimberly Kidd
May 10, 2014: Dave and Judy McGrew
June 14, 2014: Don and Melissa Wiesmann
July 12, 2014: Cynthia Resor and David Wilson
August 9, 2014: Jerry and Verna Kay Cook
September 13, 2014: Ken and Faye Deters
October 11, 2014: Charles and Janet Bruner
October 30 – November 1: AWS National Conference, Charlotte, NC
November 8, 2014:
December 13, 2014: Mike and Kathy Eidson
Next Meeting – October 5, 2013
Donnie and Kimberly Kidd
733 Sovereign Drive
Richmond, KY 40475
Phone: 859-624-3711
DIRECTIONS: From the Eastern Bypass, turn left onto Lancaster Ave/KY-
52. Continue to follow KY-52 for 2.5 miles. Turn left onto Elliott Ford Road.
If you find yourself driving under I-75 on KY 52, turn around because you have just missed Elliot Ford Road. Go 0.3 mile and take the 3rd left onto
Sovereign Drive. The Kidd Villa at 733 Sovereign Drive is 0.2 mile on the
left. Our destination is just past Wisdom Lane, which seems a bit of a shame.
MEMBERS
Hosts: Dale and Alison Emmons
Charles & Janet Bruner
Jerry & Verna Kay Cook
LaVerne Cook
Ken & Faye Deters
Mike & Kathy Eidson
Alex & Marva Fassas
2013 Officers
Chair: David Wilson Sommelier: Marva Fassas Secretary: LaVerne Cook Treasurer: Mike Eidson
News Editor: Bob Miller Past Chair: Dave McGrew Editor Emeritus: Sandra Plant
Letters to the editor or uninvited columns
may be sent to:
Bob Miller
416 Bethlehem Road
Dreyfus, KY 40385
Adriana Francis
Greg & Denise Hastings
Donnie & Kim Kidd
Bob Miller & Meg Moore
Don & Melissa Wiesmann
Cynthia Resor & David “A” Wilson
GUESTS
Will Emmons
Tasios and Suzanne Karathanasis
Chris Sullivan
“The guests are met, the feast is set:
May’est hear the merry din.”
- Coleridge: The Ancient Mariner
The Kidd October Tasting
Wines from the Graham Beck Winery, South Africa (see the article on page 6
for a listing of the wines and background information on the Graham Beck
Winery and South African wines). Please give kind and accepting attention to
the special seating arrangements for this meeting as described on page 2. Four
tasting wines, so bring five glasses.