Vol.20 No. 6 June - 2019 News - 2019.pdf · Fatana Sandhya” – a program on Gujarati traditional...

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Vol.20 No. 6 June - 2019

[email protected]

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Preserving ancient Indianheritage in all its manifestationshas been the fulcrum of activitiesof Bharatiya Vidya Bhavan sinceinception in 1938.

Re-invigorating these ideals,the Bengaluru Kendra haspioneered several programmesthat have focussed on leaving alasting legacy for futuregenerations. Taking it to thecommon man through variedmedia such as performing arts,seminars and institutionalizedteaching of many branches ofIndian knowledge have been theroad map chosen by theBengaluru Kendra to keep aliveIndian culture.

The Kendra has especiallyfocussed on this, its pioneeringwork in resurrecting rare andfading arts in eleven States acrossthe country and conductinginternational conferences onIndian immortal scriptures beingits landmark contribution in

MESSAGE OFMAHABHARATAA UNIQUE FIVE DAYFESTIVAL FROMJUNE 26 TO 30, 2019

recent years. The visionaryoutlook and focus on reachingout to youth through all theseactivities has ensured theparticipation of youngsters inthese programmes.

Since 2013, the Kendra hasbeen holding mega annualconferences on Indian scripturesof antiquity and world literature -Veda Samvada (2013),Upanishad Sandesha (2014),Message of Mahapuranas (2015),Message of Mahakavyas (2016),Message of Bhagavata (2017)and Message of Ramayana(2018).

Over 350 top doctoralscholars from across thecountry have participated inthese seminars, presentingabout 350 papers, each one ofthe topics having a connectionand relevance to presenttimes, lending them practicalvalue. 30 established scholarswere honoured on theseoccasions.

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As an integral part ofdisseminating knowledge throughthese seminars, book exhibitionswere held as an adjunct to themain event, with every eveningdevoted to music, dance andtheatre, their themes drawnfrom the seminar topics.The international conferenceswere a holistic intellectual,literary, and cultural comingtogether of the best in the chosenfields, interspersed with therecitation of Vedas all through.

The Kendra acknowledgesthat ISKCON, Bengaluru, hasgiven unconditional support,without whose activeinvolvement, the conferenceswould not have been sosuccessful. Similarly, Tirupati-

Tirumala Devasthanams (TTD)have been supporting the Bhavanfinancially without whosesupport, it would not havebeen possible to take up suchconferences on mammoth scale.This year too, the BengaluruBhavan, TTD and ISKCON areorganizing a five-day seminar,Message of Mahabharata, fromJune 26 to 30, 2019, focussingon topics such as cosmology,geography, genealogy, yoga,legends, music and dance.

The most importantoutcome and lasting legacy ofBengaluru Bhavan, has been thedocumentation of all theconferences in both book anddigital form, which is of greatarchival value.

MESSAGE OF MAHABHARATA

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CALENDAR OF EVENTS

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CALENDAR OF EVENTS

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CALENDAR OF EVENTS

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CALENDAR OF EVENTS

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A total of an impressive

587 programmes featuring 5672artistes,attracting an audience ofapproximately 172216 – that hasbeen how well-received theBharatiya Vidya Bhavan-InfosysFoundation Cultural Outreachprogramme since its launch in2015 February.

“A Sculpture Workshop”was organized byThiruvananthapuram Kendra(Kerala).The famous sculptor,Shri Satheeshan, gave thestudents basic lessons in claymodelling and pottery.

A program based on GujaratiSugam sangeeth by young andtalented artistes “Ghanu JivoGujarati,” “Bajaba Gana

Fatana Sandhya” – a programon Gujarati traditional ancientmarriage songs,“MahashivaratriNritya Arpan”, and“Pt. Paluskar SangeetSamaroh” were organized byAhmedabad Kendra (Gujarat).

A dance drama on the lifeof saints of Maharashtra,“Samarpan,”and “IndiaInternational Dance Festival”–a dance program by youngdancers and specially abledartistes, a blend of three classicaldances “Shivarpanam” wasorganized on the occasion ofShivarathri. “MaanVandana”was organized on the occasion ofthe birth centenary of SwarajChotta Gandharva and“SwarVasant” – a solo

BVB-INFOSYS FOUNDATION CULTURALOUTREACH PROGRAMMES : NEW UPDATES

Shivarpanam by Smt.Anuja Bathe and troupe held on Mar 2nd at Pune

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performance of the sarod, violinand vocal classical music wereorganized by the Pune Kendra(Maharashtra).

A drama organized inassociation with MalayalamAmateur Samithy,“Lankalakshmi,” wasconducted by Kolkata Kendra(West Bengal/Agarthala).

A dance drama andtraditional folk dance,“PrahalladaNatak” and“Gotipua Nata,” “Pala”,“Folk Song of Odisha”,Chhau Nrutya of Mayur Bhanja“Kumuda Bandhu Ko-Aham,”“Lakshmi Purana” and“Puppet Dance and AnimalDance” was organized byBhubaneshwar Kendra (Odisha).

“VivekanandaBirthday Celebrations”,“Thyagaraj Aaradhana”,“Nadhaswaram Concert”,“Flute Concert,” and two“Vocal Concerts”, “VeenaTrio” was organized by TrichyKendra (Tamil Nadu).

KERALA

Sculpture Workshop washeld on 16/02/2019 in twosessions and Shri.Satheeshan, thefamous sculptor, gave the studentsbasic lessons in clay modellingand pottery. The students enjoyedthe practical class. An exhibitionof the sculpture created duringthe workshop was also held at thevenue.

BVB-INFOSYS FOUNDATION OUTREACH PROGRAMMES

SculptureWorkshop

byShri.

V. Satheesanheld on

Feb 16that

Kodunganoor

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GUJARAT

Ghanu Jivo Gujarati waspresented on 19/01/2019 bySmt.Shaili Shah & troupe.The artistes performed manyregional Gujarati well known andnot so well known compositionsfor the benefit and learning of theaudience. The singing was alsosupported by reciting poems andthe best pieces of regionalliterature.

Bajaba Gana FatanaSandhya was presented


on 02/03/2019 by Shri.RameshKarolkar & troupe. The programwas based on Gujarati TraditionalAncient Marriage Songs byvery young artistes from villages.The female artistes from villageswere performing on the stage forthe first time. The theme basedtraditional marriage songsreflected the funny and healthyrelationship between the twomarriage parties. It’s a reflectionof society and their balance withthe current times, languages anddiversities.

Bajaba Gana Fatana Sandhya by Shri.Ramesh Karolkar & troupeheld on Mar 2nd at Ahmedabad

Ghanu Jivo Gujarati by Smt.Shaili Shah & troupe held on Feb 21st at Ahmedabad

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Mahashivaratri NrityaArpan was presented on03/03/2019 by the disciples ofGuru.Smt.Rucha Bhatt. A smalltribute was paid to Lord Shivathrough a classical Bharatanatyamand Odissi dance. This programstarted with Lord Ganesha stutiand then continued with ShivKautram, Shiv Varnam, andShiv Tandav. Kala Guru Smt.Suprva Mishra performed two

Odissi dance items calledAstshambhu and Natraj Stuti.

Pt. Paluskar SangeetSamaroh was presented on31/03/2019 by M.Kantilal andtwo of his Sons.The programwas organized to pay tributeto legendary singer PanditVishnushankar Paluskar.He was the original singerof the most popular religiouscomposition: ‘Raghupati RaghavaRaja Ram’ and the founder of


Mahashivaratri Nritya Arpan” by the disciples of Guru.Smt. Rucha Bhattheld on Mar 3rd at Ahmedabad

Pt.Paluskar Sangeet Samaroh presented by M.Kantilal & two of his Sonswas held on Mar 31st at Ahmedabad

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Gandharva Maha Vidyalaya in1901.The program wasorganized in association withSwaram Academy of classicaland light music. Young studentspresented vocal and instrumentalmusic.

MAHARASHTRA

Smt. Anagha Kakade andthe students of Bharatiya KalaKendra, Pune, presented adance drama on 18/01/2019 onthe life of Saints of Maharashtra,to pay tribute to the founder ofKendra and celebrated dancer,theatre artiste and television star,the late Ashwini Ekbote, througha program titled “Samarpan”(To dedicate).

India International DanceFestival was presented on

26/01/2019 & 27/01/2019 byyoung dancers and specially abledartistes in association with IndiaInternational Dance Festival(IIDF) and Samskritiki.The festival of dance by youngdancers was conducted,comprising of Priyanka Bhide,Mumbai (Kathak), 8 dancers ofLokkala, Pune (folk dance),Vaishali Sohoni, Pune (Flemanco),

SamarpanDirected

by Smt.AnaghaKakade held on

Jan 18th at Pune

MofassalHossen,Mumbai(Bangladeshifolk), AnjaliBagal

Spain dance form- Flemanco

by Kum VaishaliSohoni heldon Jan 26th

at Pune


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and troupe of 6 artistes ofKalavardhini, Pune(Bharatanatyam) and

Amarnath Ghosh, Mumbai(Rabindra Nritya). There was aspecial slot for specially abledartistes in which three artistes,namely Gauri Gadgil, GayatriKale, Isha Patki showcased theirtalent.

Shivarpanam was presentedon 02/03/2019 by Smt. AnujaBathe and troupe. On theoccasion of Mahashivratra,Shivanjali Dance Academy,Pune, presented Shivarpanam.This programme was a blend of3 Indian classical dance styles:Kathak, Bharatanatyam andKuchipudi.

Maan Vandana waspresented on 15/03/2019 byShri. Shankar Kulkarni andtroupe.On the occasion of thebirth centenary of the late SwarrajChotta Gandharva, a specialNatya Sangeet programme titled“Maan Vandana” was conducted.Eminent theatre vocalists


Kathakrecital

byShri.Siddhi

Abhayheld on

Jan 27that

Pune

Chotta GandharvaSmrutigaan presented

byShri.Shankar Kulkarni

and troupeheld on Mar 15th

at Pune

Mohiniattamby

Kum.UnnatiHimatbhai

Ajmeraheld on

Jan 27that Pune

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presented the traditional singingstyle of Chotta Gandharva –Shri Mukundraj Godbole,Mrs. Sucheta Avachat, and ShriChinmay Jogalekar, Shri Vidyanand Shri Deshpande (Tabla) andShri Jayram Potdar (Organ)accompanied them.

Swar Vasant was presentedon 28/03/2019 by Smt. UrvashiShah and troupe. The programmeSwar Vasant commenced witha solo violin performance byMrs. Anjali Singde Raoaccompanied by Pandit RamdasPalsule on the tabla. Thereafter,

Mrs. Urvashi Shah renderedclassical songs and wasaccompanied by Pandit RamdasPalsule on the tabla andShri. Leeladhar Chakdradeoon the harmonium. Then PanditPartho Sarothy, senior disciple ofPandit Ravi Shankar, presenteda solo sarod performanceaccompanied by Pandit RamdasPalsule on the tabla.

WESTBENGAL/AGARTHALA

Lankalakshmi, directed byShri.K.Nandakumar, a drama,was organized on 24/02/2019


Swar Vasantpresented

bySmt.Urvashi

Shahand troupe

held onMar 28th at Pune

in associationwith MalayalamAmateur Samithy.

Lankalakshmi –Direction

byShri.K.Nandakumar

held on Feb 24th at Kolkata

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The play is based on the epicRamayana, written by lateC.N. Srikantan Nair in 1966.He has written three playsbased on the Ramayana knownas the Ramayana triology. Theseplays are ranked among thetop in Malayalam literature.Lankalakshmi is a classicalplay depicting the happeningsat the Ravanasabha during theRama Ravana war. This playshows the various emotionsof the king who wanted the bestin the world for his people andfought for it. This is a veryclassical way of storytellingwherein Ravana and his entirefamily including his nephews,children, uncle, grandfather, wife,brothers are characterized in aremarkable manner.

ODISHA

Pala was presented on07/01/2019 by Smt. BinapaniPadhi and Party.Pala has forgeda firm bond with the people ofOdisha and their livelihood andcultural consciousness forhundreds of years. Pala is themessenger / news carrier ofliterature and culture. The unionof vocal and instrumental music,the beat of the song and significanthearing mix well in Pala to makeOdiya literature melodious andlively. The palagayakas not onlyintroduce Odiya literature to thepeople but also renowned poetsof Sanskrit and regional language.As Pala is the strongest mediumto advertise and spread life’svalues, it has established itself


Pala presented by Smt. Binapani Padhi and Party held on Jan 7th at Bhubaneshwar

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deeply not with standing the gloryof modernization. Recitation,explanation and dramatization aresignificant aspects of Pala. Whilepresenting the subject matter, thegayak’s dramatization attracts theaudiences. The real proof ofbrilliant palagayak is his brilliancein using Raga Ragini (tune) withcorrect recitation and presenceof mind. In the past, only menperformed Pala but since the pasttwo decades,many ladies haveproved their mettle in this field.One such lady gayika is Smt.Binapani Padhi of Delang villageof Puri district.

Prahallada Natak waspresented on 19/01/2019 byShri Lakshminrusingha Natya


Parishad and Gotipua Natawas presented by Odisha DanceAcademy.

PrahalladaNatak

Prahallad Natak, a dancedrama, was written around 1860AD in Odiya attributed to RajaRama Krishna Dev Chotaray ofJalantara, now in AndhraPradesh.This story narrates theemergence of Narasimha, theman-lion avatar of Lord Vishnu,from the stone pillar of the royalcourt to kill Hiranyakashipu, thedemon king, who tortured his sonPrahallad for not giving up utteringthe name of Lord Srihari and hisclaim that God is presenteverywhere. In sheer frustration,when he asked Prahallad whether

PrahalladaNatak presented

byShri

LakshminrusinghaNatya Parishad

held onJan 19th

atBhubaneshwar

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Srihari was present in the pillar,and gets an affirmative answer,he kicks it in anger, andNarasimha emerges from insideand tears Hiranyakashipu apartand blesses Prahallad. Thisperforming art is very attractive inits combination of Odiya andSanskrit shlokas of colloquiallight music based on classicalCarnatic and Hindustani ragasand well defined talas, using boththe Sutradharaas done in Sanskritplays and the Gahakalike intraditional folk plays.

It contains as many as 42Sanskrit shlokas, with 120 songsbased on 35 ragas and six talas.There are twenty male and fivefemale characters in PrahalladNatak, four rasas predominantly,i.e. Hasya, Karuna, Bhayanakand Raudra.

The play was originallyenacted over seven nights; later itwas brought down to two nights;now it is restricted to an entirenight. The various punishmentand enforcement procedures laidout by Hiranyakashipu to destroyhis son Prahallad throughdemons, elephants, snakes, fire,


etc., are reduced to cut short thetime. An important aspect of thisplay is the use of the mask ofNarasingha. The mask is offereddaily puja in the Kotha Ghara orin the temple.After the withdrawalof royal patronage, the PrahalladNatak popularly known as RajaNatak became a Praja Natak.

Today, the Prahallad Natakgroups are supported by villagers.All the artistes and musicians whotake part in this play are amateurs,coming from different professionssuch as teaching, cultivation andsmall businessmen, etc. Thegroups travel and perform all overthe country on invitation at fairsand festivals.This entertaining folktheatre form has been influencedby its contemporary forms ofSouth India like Yakshagana ofKarnataka, Bhagavat Mela andTherukoothu of Tamilnadu.

Gotipua Nata

The incomparable richnessof our traditional and folk danceshas epitomized the essence ofsocio-cultural and religious lifeof the people of Odisha. Onesuch traditional dance is GotipuaDance which had contributed

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immensely as one of the mostlyrical and graceful classicaldances of India.In the process ofevolution from Mahari orDevadasi service attached toLord Jaganath, the Gotipuadance with its spiritual essencehas been enriched by the basicelements and nuances of Mahartdance.

Later, as an inevitableritualistic service to LordJaganath and other gods indifferent fairs and festivals likeJhulan Yatra, ChandanYatra andHoli, etc., the dance form hasbeen kept alive.Gotipua meanssingle boy. The dance of a boydressed in female garb and

costume is called Gotipua dance.The Vaishnavas inspired by thephilosophy of Chaitanya preachedand practised the cult of SakhiBhava (offering one’s own selfto Krishna as a female attendant)and popularized Gotipuadance through dancing on thecompositions of medieval poetsdedicated to Lord Krishna andhis play (leela).

The Gotipuas from the ageof 5 to 6 stayed at the gurukul,learnt and practised the danceunder the direct and constantsupervision of their Guru.They lead a life of rigorous trainingand exercise to make themselvesfit for singing, dancing and


Gotipua Nata by Odisha Dance Academy held on Jan 19th at Bhubaneshwar

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BandhaNritya (acrobatics danceusing difficult and intricate posesof the body).

Folk Song of Odishawas presented on 04/02/2019by Guru Jalandhar Pradhan. Folksongs and folk music, performedin various regions of Odisha, andwhich was developed by ancienttradition are quite worth hearingand touch the heart of the listener.As South Odisha’s Chhanda,Champu, Chautisha entertainexpert and skilful listeners,

the sweet melody of the folkmusic of North and West Odishahas crossed the borders of Odishato entertain the listeners of thewhole world. Guru JalandharPradhan’s Nrutya SangeetAnusthan of Jatni Town ofKhordha district is one of the bestinstitutions of Odisha, striving hardto keep alive traditional folk songs/ music. The main purpose of thisorganization is to teach traditionalmusic and songs like Chhanda,Champu, etc. along with Odissi


Folk Song of Odisha presented by Guru Jalandhar Pradhanheld on Feb 4th at Bhubaneshwar

music. In this era ofmachines, the efforts ofJalandhar Babu to keepalive the ancient traditionare very laudable.

Kumuda BandhuKo-Aham was presentedon 18/02/2019 byGuru Sadashiv Pradhan.Chhau Nrutya is the bestamongst India’s mute

Kumuda Bandhu Ko-Aham presented by GuruSadashiv Pradhan held on Feb 18th at

Bhubaneshwar

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dances. In this, there is no scopefor the dances to exhibit theirsinging skills. The dancer presentsthe subject matter according tothe tune and measure of the musicby different gestures or difficultbody movements.

The Chhau Nrutya ofMayurbhanj is quite difficult incomparison to that of ChhauNrutya of Saraikela and Purulia.The Saraikela and Purulia Chhauartistes use a mask whereas thestyle of manifestation ofMayurbhanj Chhau Nrutya isgesture and body movements.

Kendra Sangeetha NatakAcademy award-winning andglobally acclaimed Nrutya GuruSj Sadashiv Pradhan is oneamongst some Nrutya Guruswho are devoted to research onChhau Nrutya. He is striving hardto make the Mayurbhanj ChhauNrutya style famous worldwide.He has deviated from the


traditional style and createdtwo new methods based on theBhagavat Geeta to make it morefascinating - “Kumuda Bandhuand MuaKiye”. He has gainedfame by presenting these atvarious places.

As there is a very deeprelationship between Prakruti andPurush (Women and Men),likewise the relationship betweenthe Moon and Lily is very cordial.The existence of a lily is quiteimpossible without the Moon. TheLily becomes mad and surrendersherself to behold the Moon in aclear sky. “Kumuda Bandhu” isbased on the above facts.

Lakshmi Purana waspresented on 11/03/2019 bySri Sri Maa Mangala KalapataNatya Sangha. Every householdin Odisha is well acquainted withThe Lakshmi Purana writtenby Balaram Das. In the past,based on this story, many drama /

Lakshmipuranapresented

bySri Sri

Maa MangalaKalapata

Natya Sanghaheld on Mar

11th atBhubaneshwar

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singing theatrical performanceand pantomimes of a differentflavour were staged at variousplaces in Odisha.In comparisonto that of other regions, suchdramatic performances werequite different in Ganjam district.

During the 19th Century,this drama was performed ontwo stages. One for Maa Laxmiand another for Lord Jaganath.By this method, drama wouldbecome extinct / weaken as theaudiences were not interested init. It is a matter of joy that LaxmiPurana’s dramatic performancewas resurrected by the efforts ofMr. Banoj Sahu of Duan Pallivillage under the Polasara block.It is not performed on one stagelike Radha Krishan Prema Leela.This drama preaches theimportance of eradication ofcaste conflict and the necessity

of the female,as males and menare quite incomplete withoutwomen.

Puppet Dance andAnimal Dance was presentedon 25/03/2019 by Guru Shri.Alok Bisoi and group.The BichitraVarnali Natya Sansad is one ofthe institutions which strives hardfor the revival and resurrectionof near extinct folk arts. The headof this institution is SJ Alok Sahu,a youngster, under whosestewardship this institutionorganizes various styles of folkart like Ghuduki Nata, SakhiNata, Pashumukha Nata, RanapaNata, Chadeya Nata, etc.. Nowthe new entrant is Kandhei Nata(Toy dance / Puppetry). His styleof performing Kandhei Nata isquite different from others.Kandhei Nata is based on“Kanji Upakhyana”, a popular

legend of thesouth and haswon spectatorsadmiration andappreciation. Alongwith Kandhei Nata,he also performsPashumukha Nata(Animal MaskDance).

Puppet dance and animal dance presented byGuru Shri. Alok Bisoi and group held on

Mar 25th at Bhubaneshwar


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Fluteconcert –by Shri

V.M. JyothiSharma and

party heldon Mar 8th

at Trichy

Nadhaswaramconcert – bySrirangam

Harikrishnanand party held

on Mar 7that Trichy

ThyagarajaAradhana –rendering of

Pancharatna Kritisby young artistsheld on Feb 3rd

at Trichy

Veena Trioby

Dr.VeenaiSivakumar andparty held on

Mar 11that Trichy

TAMILNADU

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TAMILNADU

Vocal concertby

Selvan PrithviHarish and

party held onMar 10that Trichy

Vocal concertby

Dr. Apoorva SaiGowtam and partyheld on Mar 12th

at Trichy

Vocal concertby

Smt. Anusuya andparty held on

Mar 13that

Trichy

Vivekanandabirthday

celebrations speechby

Shri JayahindhuRaajaraaman

held on Jan 12th at

Trichy

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BHAVAN-INFOSYS FOUNDATIONOUTREACH CULTURALPROGRAMMES :FEB & MARCH, 2019

Instrumental music : Veena Venu and Violin Concert :

Veena : Smt. Vani Yadunandan, Violin : Shri. Aniruddha Bharadwaj,

Venu : Smt. Deepak Hebbar and party on Feb 23,

at Vasantha Vallabha Kalyani, Konanakunte,

Vasanthapura, Bengaluru.

Instrumental Music : Saxophone :

Vidwan Sridhar Sagar on March 23, at Vasantha Vallabha Kalyani,

Konanakunte, Vasanthapura, Bengaluru.

Fri 5.30 p.m. - KRG Hall07. Ballala Rayana Durga -The Untapped Eco-Tourism Potentialof Chikmangaluru Dist of KarnatakaBook Launch by Shri B.L.Shankar,President, Karnataka ChitrakalaParishathauthored by Shri. J.W. Lobo,former Regional, Director of ICCR

6.30 p.m. - Khincha HallKuchipudi recital :Shri. Surya N. Rao

Sat 4.00 p.m. - Khincha Hall08. Bharatanatya ArangetramMs. Hita Poonacha

Fri 6.30 p.m. - Khincha Hall21. “Veena Trio” :Shri Vishnu Teja S, Ms. SreeramyaAnand and Shri. Mahesh Prasad,Bengaluru

Tue 6.00 p.m. - Khincha Hall25. BVB- Shailusham Artsand Creations presentsJyothy Memorial EndowmentChinnara Kalarava - 2019featuring child prodigies

Wed - Sun BVB-ISKCON jointly 26 - 30 presents a five -dayNational Conference on‘Message of Mahabharata’(For more details pl see page 1-9)

PROGRAMME :JUNE - 2019

Fri 11.00 a.m.- Bhavan premises10. Inauguration of refurbishedGandhi Centre of ComputerEducation and InformationTechnology

Fri 6.30 p.m. - Khincha Hall14. Bharatanatya recital :Ms. Jalpa Mahadev

Sat 6.00 p.m. - Khincha Hall15. Carnatic music concertspecial child Master Devesh. Hunder S.P. Rajalakshmi andM.V. Jayaram endowment.

Fri 6.30 p.m.- Bhavan premises21. International Yoga daycelebrations.Chief Guest : Prashanth Kumar M.Awardee ‘Yoga Sadhaka’ in 2010

Fri 6.30 p.m. - Khincha Hall28. Bharatanatya recital :Ms. M.A. Shreya Balaji

Sat 6.30 p.m. - KRG Hall29. Horizon series -

Veena recital :Smt. Yoga Vandana J.(in association with Indian Councilfor Cultural Relations)

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June - 2019

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Vol.20 No. 6 June - 2019 News - 2019.pdf · Fatana Sandhya” – a program on Gujarati traditional...

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