First Name Last Name Title/Rank School Department Program if applicable

Instrument if applicable

Mark Adamo AdjunctProfessor,Composition

Steinhardt Music/PerformingArtsProfessions

Music Composition

Mana Allen

VocalPerformance/Director/Adv.Audition

Tisch Acting/Voice CAP21

Bruce Arnold Instructor Steinhart MusicProfessions JazzStudies Guitar,SuperCollider

Michael Beckerman Professor FacultyofArtsandScience

Music Piano

Cathy Benedict AssistantProfessor Steinhardt MMAP MusicEducaiton

Stanley Boorman Professor FacultyofArtsandScience

Music Harpsichord

Suzanne Cusick Professor FacultyofArtsandScience

Music Organ

J.Martin Daughtry AssistantProfessor FacultyofArtsandScience

Music

Isabel Diaz‐Cassou Adjunctprofessor TheSteinhardtSchoolofMusicandPerformingArts

MusicandPerformingArtsProfessions

MusicTechnology

Krause Drew AdjunctAsstProf Steinhardt Music&PerfArts Theory/AuralComp

Composition

David Elliott Professor Steinhardt MPAP MusicEd Trombone

Mary Farbood Steinhardt Music&PerformingArtsProfessions

MusicTechnology

Marion Feldman adjunctinstructor‐Performance

Steinhardt musicperformance individuallessonsformusicmajors/chambermusic

Cello

Catherine FittermanRadbill AsstClinicalProfessor&Director,UndergraduateMusicBusinessProgram

Steinhardt Music&PerformingArtsProfessions

MusicBusiness n/a

Joshua Fried AdjunctInstructor Steinhardt MusicandPerformingArts

MusicTechnology Shoes,SteeringWheel,Laptop,Percussion

Fabio GardenaldaSilva Adj.AssistantProfessor

Steinhardt MusicandPerformingArts

PianoPerformance

Piano

Leslie Giammanco Voiceteacher CAP21 VOICE Undergraduate Voice

Susan Glaser

John Goodwin AdjunctProfessor Steinhardt MusicandMusicProfessions

ChoralArtsSociety/Conducting

NA

Larry Guy AdjunctProfessorofClarinet

Steinhardt Music Clarinet

Kate GuytonDirector,4thYearPracticumActingFaculty

TischSchooloftheArts

CAP21musicaltheater

Acting

Erin Heisel Steinhardt MPAP VocalPerformance

Voice

Barbara Hesser AssociateProfessorofMusicTherapyaqndAppliedPsychology

Steinhardt MusicandPerformingArtsProfessionsandAppliePsychology

MusicTherapy Piano,Guitar

Emily Hodges Ms. Steinhardt MPAP Master'sforMusicPerformance

Flute

Elizabeth Hoffman AssociateProfessor FacultyofArtsandScience

Music

Jan Horvath FieldInstructor NYU Tisch CAP21 PrivateVoice

Chet Kaplan AdjunctInstructor Steinhardt MusicandPerformingArts

MusicEducation Clarinet

Louis Karchin Professor FacultyofArtsandScience

Music Piano

Joan LaBarbara AdjunctFaculty,MusicComposition

Steinhardt MusicComposition MusicandPerformingArtsProfessions

Voice

Mary LawField Instructor NYU

Tisch School of the Arts CAP 21 Voice

Maureen Mahon AssociateProfessor FacultyofArtsandScience

Music

Michael Moloney GlobalDistinguishedProfessor

FacultyofArtsandScience

Music tenorbanjo,octavemandolin,mandolin,guitarandbouzouki

Catherine Moore Dr Steinhardt MusicandPerformingArtsProfessions

MusicBusiness Organ

Jairo Moreno AssociateProfessor FacultyofArtsandScience

Music bass

Rena Mueller ClinicalAssociateProfessor

FacultyofArtsandScience

Music

Dafna Naphtali Steinhardt MusicandPerformingArtsProfession

MusicTechnology

Marilyn Nonken AssistantProfessorofMusic&MusicEducation;Director,PianoStudies

SteinhardtSchoolofCulture,Education&HumanDevelopment

Music&PerformingArtsProfessios

PianoStudies Piano

Jerica Oblak AdjunctAssistantProfessor

Steinhardt Music Composition Composition(acoustic,electronicandfilm)

Christiane Pors‐Sadoff

Christine Reimer AdjunctInstructor Steinhardt MusicandPerformingArts

VocalPerformance

Voice,Mezzo‐soprano‐alsoapianist

Michael Ricciardone AssociateCoordinatorofVocalStudies

Steinhardt Music&PerformingArtsProfessios

VocalPerformance

Voice

Kathleen Riley adjunctprofessor Steinhardt musicandperformingartsprofessions

pianostudies piano

Dr.Christopher

Roselli

PrivateVoiceInstructor,ClassVoiceInstructor,VoiceandSpeechInstructor

NewYorkUniversity

TischSchooloftheArts,DramaDepartment

CAP21,LeeStrasbergTheatreandFilmInstitute

Voice

Ron Sadoff AssociateProfessorandProgramDirector

Steinhardt MusicandPerformingArtsProfessions

FilmScoring Composer‐Pianist

David Samuels AssociateProfessor FacultyofArtsandScience

Music

Charlie Sanders AdjunctProfessor NYUSchoolofEducation

MusicBusiness Graduate Saxophone;Attorney

Martin Scherzinger AssociateProfessor Steinhardt Media,Culture,andCommunication

Piano,Harpsichord,Marimba,Mbira

Ira Shankman SuperAdjunctAssistantProfessor

Steinhardt MusicandPerformingArtsProfessions

MusicEducaton Piano

Nancy Shankman SuperAdjunctAssistantProfessor

Steinhardt MPAP MusicEducation Voice/Piano

Marissa Silverman AdjunctInstructor SteinhardtSchool

MusicandPerformingArtsProfessions

MusicandMusicEducation

Flute

John Simpkins AdjunctFaculty Steinhardt MusicandPerformingArts

VocalPerformance(MusicTheatre)

‐

Jason Stanyek AssistantProfessor FacultyofArtsandScience

Music guitar,cavaquinho,berimbau

Kent Underwood Head,AveryFisherCenterforMusicandMedia

BobstLibrary AveryFisherCenter

Martin Wind Education Music Jazz UprightBass,ElectricBass,Cello

MonicaChiyoung

Yoon Musicinstructor Steinhardt MisucandPerformanceArts

Master Piano

Highest earned degree and institution

Courses you teach Interest in co-teaching a course

Music research interests

Your music performance activities or interests

B.M.cumlaude CatholicUniversityofAmerica

ElectronicMusic,Music‐Drama

BachelorScience

GeorgetownUniversity

MusicalTheatrecomposersandhistory

MusicalTheatrehistorian

created9composerprojects/revues

B.M Berklee SerialComposition,Improvisation,SuperCollider

SerialBasedstructuresastheyrelatetoimprovisation.Classicalstructuresasbaseforimprovisation

BruceArnoldTrio.SpookyActions,see:http://muse‐eek.com/brucearnoldpromo.html

Ph.D. ColumbiaUniversity music, war, and

oppression; 19th- and

20th-century music; film music; Eastern European music

Doctorate,Ed.D TeachersCollege,ColumbiaUniversity

Pedagogy,CurriulumDevelopment,EudcationalPhilosophy,TeacherPreparation,SocialJustice,Multiculturalism,PeerObservation

ElSistema

Ph.D. UniversityofLondon 15th-16th century music -- performance, notation, transmission

Baroqueperformingensemble

Ph.D. UniversityofNorthCarolina

music in early modern Italy; gender, sexuality and embodiment in relation to music; acoustical violence in contemporary war

Ph.D. UCLA ethnomusicology; music of the Russian-speaking world; music and memory; music and politics; the significance of sound in conflict zones

Master'sdegreeinMusicTechnology

NewYorkUniversity Sounddesign;interactivemusic;soundart

Sounddesign;interactivemusic;soundart

Sounddesign;interactivemusic;soundart

DoctorofMusicalArts

UniversityofIllinois Computer‐AssistedComposition

PhD CWRU MusicEducation‐AllAreas,PhilosophyofMusic,CommunityMusic,Creativity

NewYorkUniversity,SteinhardtSchool,Dept.ofMusicandPerformingArtsProfessions

Musiccognition,computationalmodeling

Modelinghowlistenershearmusicalstructuresinrealtime.Studyinghowlistenersperceivetensionandexpectationinmusic.Modelinghowtimeandmemoryconstraintsaffecttheperceptionofhierarchicalstructuresinmusic.Exploringhowlistenersperceivedifferencesintuningandtemperament.Usingmathematicaltechniquestoanalyzeempiricaldata.Implementingcomputer‐assistedcompositionsystemsthatvisualizemusicalstructuresintuitively.

Harpsichordperformance.Creativemusicsoftwareforeducationalpurposes

MastersofScience JuilliardSchoolofMusic CelloPedagogy/StringQuartetrepertoire

GreatCellistsandteachersofthe20thCentury:theircontributionstorepertoireandcellotechnique.

co‐directorNYUStringQuartetWorkshop;ChamberMusicandRecitalperformanceatNYUandthroughouttheUSAandFarEast

M.A.ArtsAdministration

CincinnatiCollegeConservatoryofMusic

musicentrepreneurship,livemusicindustry

BA CornellUniversity Real‐timeprocessiong,DSP.Performanceconcepts,NIME(NewInterfacesforMusicalExpression),Post‐Minimalism,ElectronicDanceMusic

Real‐timeprocessiong,DSP.Performanceconcepts,NIME(NewInterfacesforMusicalExpression),Post‐Minimalism,ElectronicDanceMusic

LivePerfrmance,Composition

PhD NYU ChamberMusic

MMdegreeinVociePerformance

NorthwesternUniversity

TheArtoftheCabaret

Steinhardt Composition LinguisticProsodyandMusicalPhrasing

FlutePerformance,ChamberMusic,Recording

Mastersdegree UniversityofIowa Performance Chora/OrchestralMusic19thCtopresent

ChoralArtsSociety

Post‐GraduateDiploma,ManhattanSchoolofMusic

Appliedclarinet,chambermusic

yes,perhapsanorchestralrepertoirecourse

pedagogy,recordingsofgreatclarinetistsofthepastforeducationalpurposes

chambermusic,recitalrepertoire

MFAfromgradactingdepartment,NYU

NYU professionalactress

LucyLiu'sassistanton"CashmereMafia"starredoppositeAlecBadlwinin"EntertainingMr.Sloane"

MM,currentlyABDforPhDatNYU

MMfromUniversityofMassachusetts,Amherst

RecenttrendsinAmericanMusic,PlayTheoryandmovementimprovisation

TherecentvocalmusicofDavidDelTredici,GermanExpressionismesp.themusicofAntonWebern

RecentperformancesinSouthAmericaandCentralEurope,participantinOftheRefraincollaborationatNYU,upcomingperformanceatWeillHall

MAinMusicTherapy

CombsCollegeofMusic,Philadelphia,PA.

Musictherapyaspracticedwithallpopulations,musicpsychotherapy,theinterfacesofmusicandpsychology

PIatNordoff‐RobbinsCenterforMusicTherapy

B.A. NYU Orchestra,variousEnsembles,privatelessons

Ph.D. UniversityofWashington composition (including computer-generated); comparative models for analysis and

criticism of 20th-century music

CompterMusicPerformance

BFAMusicalTheater

CincinnatiConservatoryofMusic

VocalTrainingTechniques

NewSongs Concerts

M.A. NYU SchoolMusic OrchestralPerformance

Ph.D. Harvard Investigations in music analysis of late twentieth century music and 21st century works; relation of performance to composition and analysis

Conducting the Washington Square Ensemble (professional ensemble which gives 2-3 concerts of new music annually in Merkin Hall) Co-conducting the Chamber Players of the League ISCM (professional ensemble which gives 4-5 concerts of new music annually in various Manhattan concert halls.) Conducting the Orchestra of the League of Composers (professional ensemble which gives one concert each year of new chamber orchestra work.)

B.S. NYUSchoolofEducation experimentalmusic,extendedvocaltechniques,contemporaryopera,computerandelectronics,electroacousticmusic,interactivetechnology,media,theater,dance,performance,etc.,etc.

Iamanachkowledgedpioneerinthefieldofextendedvocaltechniquesandusingthevoiceasaninstrumentinavarietyofareasinmusic,performance,theaterandfordance,videoandfilm.

performance,especiallyvocal,theater,creatingmusicfordance,video,film,concerts,newopera,etc.

Master of Music

Yale School of Music Broadway Performer

Instructor, Private Voice, Pace University (Currently)

Broadway, Concerts, Regional and Off Broadway Performing.

Ph.D. NYU ethnomusicology and cultural anthropology; the construction and performance of race and gender in music; African American popular music

Ph.D. UniversityofPennsylvania

ethnomusicology; folklore; Irish studies

radioandtelevisionpresentationandproduction

PhD UniversityofLiverpool,UK

musicbusiness,genresinpopularmusic,media/culturaltradepolitics,globalizationstrategy,17th‐centuryItalianmusic,andperformancepractice

culturalvarietyasmusicbusinessstrategy,businessmetricsforthelivemusicbusiness,combininginternationalmusicmarketing&translationtheory

notasaperformer,butactiveasamusiccritic

Ph.D. YaleUniversity theory; history of theory; Latin-American music

Ph.D. NYU 19th-century music; Liszt; Wagner; opera; orientalism; film music

NewYorkUniversity,SteinhardtMPAP

ComputerMusic,Interactive,Electro‐Acoustic,Composition,Improvisation,Voice,Max/MSP/Jitterprogramdesign.

interactiveelectro‐acousticperformance,mappingofnewgesturalcontrollersandalgorithmsforuseinperformanceandsoundinstallations

Max/MSP/Jitterprogramdesign,performance,composition,sounddesign,soundinstallations.

Ph.D ColumbiaUniversity musictheory,performance,andperception;20th‐&21st‐centurypianomusic,particularlypost‐CageanAmericancompositionandFrenchpianomusicafterMessiaen

ecologicalpsychologyanditsrelationtomusicperception

FrenchpianomusicafterMessiaen;20th&21st‐centurypianomusic;post‐CageanAmericancomposition

Ph.D.inCompositionandTheory

PittsburghUniv./YaleSchoolofMusic

Microtonalmusic(spectralmusic,stretchedharmonics),film/multi‐media/musicvideos,andcounterpoint.

Microtonalmusic(spectralmusic,stretchedharmonics),film/multi‐media/musicvideos,andcounterpoint.

Contemporarymusicperformance.

SteinhardtSchool ViolinInstructor Violinist

BachelorofMusic,PianoPerformance

SanFranciscoStateUniversity

VocalPedagogy‐especiallyMusicalTheater

VoiceTeacher,Coach/Accompanist,MusicDirector,OperaSinger,MusicalTheater/CabaretPerformer

MasterofMusic PrivateVoicetoMajors,MusicTheatreRepertoire,VocalCoach,MusicDirectorofAnnualMusical,AuditionCommittee

PhD NYU pianoperformance,technique,physiologyandbiomechanics,injuryretraining

multimodalfeedbacktechnologyinchildren'smusiclearning;biofeedbackretrainingofmusicians'injuriesandtechnicalproblems;physiologyandbiomechanicsformusicians;analysisofhighlevelpianotechnique

pianoperformance,accompaniment

DoctorofMusic

IndianaUniversity Vocology

ActiveProfessionalSoloandEnsembleSinger

Ph.D. E85.2048‐ScoringforFilmandMultimediaE85.2550‐FilmMusic:HistandAesthPerspE85.2090‐SongwritersForumE85.2321‐PrivateComposition(filmscoring)

Analytical/Aesthetic/Historicalcoursethatprovidescriticalsynergiesofmusicandmovingimages,i.e.film,television,radio,gaming,etc.

FilmMusicAnalysis&PhilosophyFilmScoring&TechnologyQualitativeResearchMusicTrendsintheEntertainmentIndustry

ComposingforFilmandMultimediaSilentFilm:LivePerformancePianoPerformance

Ph.D. UniversityofTexasatAustin

ethnomusicology and linguistic anthropology; music and semiotics; Native American music and poetics

MastersofLaws(LL.M.),PostJurisDoctorate

NYUSchoolofLaw CopyrightLaw,Creator'sRights,FirstAmendment,MusicPlagiarismandPiracy

PhD Steinhardt:Media,Culture,andCommunication

Researchspecializesinmusicalculture,mediaandpoliticsofthetwentiethandtwenty‐firstcenturies,withaparticularinterestinthemusicofhighmodernism,minimalism,post‐modernism,transnationalmusicalfusions,electronicdancemusic(fromdiscototrance),non‐westernmusic,andtheeconomicdeterminantsofglobalization.Theworkisresolutelyinterdisciplinary,spanningthefieldsofethnomusicology,musicology,andmusictheorynolessthansoundstudies,performancestudies,andcriticaltheory.Otherinterestsincludethepoeticsofcopyrightlaw,queertheoryinmusic,censorship,andthepoliticsofmass‐mediatedmusic.

MediaAnalaysis,PracticesofListening,AfricanMusic,Musicofthe20th/21stCenturies,MusicalAnalysis,Composition

ActiveComposerandPerformer(Mbira,Percussion,PianowithEchoEnsemble:AfricanAlchemies)

MA,MEd HunterCollege/TeachersCollege

MusicTechnology/Improvisation

PositivereinforcementasrelatedtoMusicPerformanceandImprovisation

Conductor,Arranger,ChoralActivities

MA+AdvancedCertification

HunterCollege/CSI Expandingthewallsoftheclassroomthroughcollaborationswiththeculturalcommunity

CurriculumDevelopment‐CreatedtheNYCDepartmentofEducationBlueprintforTeachingandLearninginMusic

Conductor,NYUMadrigalSingers,Choraltrainingandtechniques,Vocalpedagogy,Performer

PhD NewYorkUniversity musiceducationphilosophy,generalmusic,artisticinterpretation,teachereducation,andinterdisciplinarycurriculumdevelopment

musiceducationphilosophy,generalmusic,artisticinterpretation,teachereducation,andinterdisciplinarycurriculumdevelopment

fluteperformance,chambermusicperformance

MasterofArts NewYorkUniversity StageDirector‐musicals StageDirector‐musicals

Ph.D. UniversityofCalifornia,SanDiego

ethnomusicology; Brazilian music; technologies of popular music; global hip hop; music and diaspora

activecomposerfordanceproductionsandfilms;performsandrecordsregularly

Ph.D. StanfordUniversity Renaissance,Baroque,Twentieth‐CenturyAvant‐Garde

MastersDegree NYU Jazz/ClassicalCrossoverConcepts

EuropeanJazzBassists MartinWindQuartet

Bachelor KoreanNationalUniversityofArts

Pianoperformance&Teaching

Romanticperiod recital,ensemble,concerto

Interests in cross-department or school research or performance collaborationsElectronicMusic,Music‐Drama

direction/coaching/creatingrecitals,groupprojects.

Recordingclassicalmusicwithimprovisationparticularly20thCenturyMusic.SuperCollidercollaboration,

Anythingthathastodowithmyresearch/practiceinterests.Especiallyteacherpreparation,curriculumdeveloment,pedagogy,peerobservation

Continuo;Renaissancevocalensembles

early music performance projects, and/or on projects related to music in relation to trauma, violence, etc.

Sounddesign;interactivemusic;soundart

Solo/chamber/orchestralmusiccommisions

MusicEducation‐AllAreas,PhilosophyofMusic,CommunityMusic,CreativityInterestedincollaborationswithmusictheorists,experimentalpsychologists,researchersinmathandcomputerscience/machinelearning,andeducation.

Chambermusic

newventurecreation

NIME,InterdisciplinaryCollaboration(e.g.Icomposeforyourchoreography,film,etc.).Seeradiowonderland.org.I'vehadmultipleresidenciesattheMacDowellColony,Yaddo,etc.andwemayalreadyknoweachother.

ChamberMusic

AuditionTechniques

MusicPerception,Linguistics,ChamberMusic,Electronicsanyperformance

astudyofDalcroseEurythmicsforrhythmstudyanddevelopmentamongstudents,withemphasisondirectapplicationtoperformance.

stageacting,filmacting,printwork,commercials,musicaltheater

VocalChamberMusicofanystyleortimeperiod,PerformanceArt,NewMusic

music,psychology,creativearts,creativeartstherapies

Creatingensembleswiththegoaltoperforminsomevenuesaroundthecity

Composition

StudentTeaching

Collaborating with artists/composers whose interests overlap with the above, and collaborating with artists/students who might wish to learn/perform my compositions.

interestedincollaboratingwithchoreographers,filmmakers,videoartists,musictechnology,theaterarts

Voice Performance Coaching, Private Voice Instruction

collaborate a lot with Appalachian and Cape Breton musicians and dancers, also with early 20th century jazz and string quartets in various popular music genresinallareaslistedbefore,especiallytranslationtheory,andbusinessmetricsforthelivemusicbusiness

Interestedincollaborationswithvideo/filmartists,dancers,theaterartistsandothermusiciansandsite‐specificinstallations.

Musicalandtheatricalperformance;multi‐mediaperformanceaesthetics;ecologicalpsychologyanditsrelationtoaestheticperceptionandexperience

IwishtofurtherdevelopmyAugmentationMatrix,amicrotonalsystembasedonspectralsound/structuralmanipulations.Ialsowishtocollaborateonvariousvideo/film/dance/theaterperformances.

Playerinchamberororchestralconcerts

ChamberMusic,Recitals,Opera,MusicTheater,Cabaret‐asaSingeroraPianist

SingerandPianistandCoach

technologyinmusiclearning,musictechniqueanalysis,biofeedbackretraining,MIDIapplications;biomechanicsofmusicmaking

TischFilm/TV:LiveperformancewithFilmandOrchestraTisch/Steinhardt:Director/ComposerJounalism/Steinhardt:Directors/Composers

Ifexpertiseishelpful

MusicAnalysis,TopicsinAudiovision,Aesthetics,Composition

Opentoideas

Interdisciplinaryconnectionswithotherartsdisciplinestodevelopforums,masterclassesandcollaborationswiththeNYCCulturalCommunity.Opentootheropportunities.

psychologyofmusicandmusiceducation,philosophyofmusicandmusiceducation,communityoutreach

allJazzmusicans/ClassicalMusiciansandComposersensemble