Visual Order (draft)

48
visual order

description

A 48 page document created for my Visual Communication Class at the Kansas City Art Institute.

Transcript of Visual Order (draft)

Page 1: Visual Order (draft)

visual

order

Page 2: Visual Order (draft)
Page 3: Visual Order (draft)

figure/groundsimilarityproximityclosurecomtinuancetranslationrotationreflectionglide/reflectiondilationstructured spacesymmetric balanceasymmetric balanceambiguous balanceneutral balance

Page 4: Visual Order (draft)

figure/ground we tend to see figures with similar characteristics—eg: shape, color, texture, etc. as belonging together.

figure/ground

Page 5: Visual Order (draft)

The spacial rela-tionship

between an object (positive space)

and it’s background

(negative space)

Page 6: Visual Order (draft)

Similarity

Page 7: Visual Order (draft)

Objects that share similar visual characteristics are often viewed as belonging together.

Page 8: Visual Order (draft)

Similar objects that are placed close to one an-

other are often perceived to be in a group.

Page 9: Visual Order (draft)

P R O x I

MI

TY

Page 10: Visual Order (draft)
Page 11: Visual Order (draft)

Viewing an incomplete object and wanting to

mentally compl te it.

Page 12: Visual Order (draft)

Continuance

Page 13: Visual Order (draft)

A group of figures / objects

that are arranged to imply movement

through the

group.

Page 14: Visual Order (draft)

The repetition of an object with each

repetition spaced in uniform se-

quence and intervals.

Page 15: Visual Order (draft)
Page 16: Visual Order (draft)

Rotatio

nTurning an object around a pre-determined axis often implies move-ment/ continuance. Causes the viewer’s eye to follow a path created by the object(s).

Page 17: Visual Order (draft)

Rotatio

n

Page 18: Visual Order (draft)

Reflection The placement of a figure on a plane of 180 degrees. Achieves

the same effect as seeing the du-plicate of a fig-ure in the mirror.

Page 19: Visual Order (draft)
Page 20: Visual Order (draft)
Page 21: Visual Order (draft)

Turning an object

around a prede-termined axis often implies movement/

continuance. Causes the view-er’s eye to follow a path created

by the object(s).

Page 22: Visual Order (draft)
Page 23: Visual Order (draft)
Page 24: Visual Order (draft)

DilationThe repetition and change in size

of an object coupled with uniform

spacing.

Page 25: Visual Order (draft)

Dilation

Page 26: Visual Order (draft)

Structure 1

Page 27: Visual Order (draft)
Page 28: Visual Order (draft)

Structure 2

Page 29: Visual Order (draft)
Page 30: Visual Order (draft)

Structure 3

Page 31: Visual Order (draft)
Page 32: Visual Order (draft)

Structure 4

Page 33: Visual Order (draft)
Page 34: Visual Order (draft)

Structure 5

Page 35: Visual Order (draft)
Page 36: Visual Order (draft)

Structure 6

Page 37: Visual Order (draft)
Page 38: Visual Order (draft)
Page 39: Visual Order (draft)

Symm

etricB

alance

A form of balance characterized by similar ob-jects placed on opposite sides of a central axis,

but the placement creates a uniform, equal, proportionate composition.

Page 40: Visual Order (draft)

Asymm

etric

Balance

Page 41: Visual Order (draft)

Asymm

etric

Balance

A form of balance characterized by ob-jects being placed on opposite sides of a central axis but the

placement of the items causes the composition to appear unequal and non-uniform. It does

not look proportionate.

Page 42: Visual Order (draft)
Page 43: Visual Order (draft)

Ambiguous

Balance

A form of bal-ance charac-terized by it’s

undecided nature. The

objects in the composition do not clearly or directly re-late to one an-

other.

Page 44: Visual Order (draft)
Page 45: Visual Order (draft)

Neutral Balance

A form of bal-

ance charac-

terized by it’s

random and

haphazard

placement of

objects. There

is no clear em-

phasis.

Page 46: Visual Order (draft)
Page 47: Visual Order (draft)
Page 48: Visual Order (draft)

© nick howland, 9/21/12

completed as a requirement for visual communication in the

graphic design department at the kansas city art institute.

michael kidwell, assistant professor.