-.

Abracadabra

'-

BOOK1-.

SECONO EOITION

Fully revised and expanded

-

Peter Davey

withChristopher Hussey

A & e Block. London

~~~ ....

2

~ 11"

Second edition 2002Reprinted 2003 and 2005A&C Black Publishers Ltd38 Soho Square, London W1D 3HB(t) 2002, 1985 A&C Black Publishers Ltd

Book ISBN 10: O7136 63081Book ISBN 13: 978 O7136 63082BooklCD ISBN 10: O 7136 6309 XBooklCD ISBN 13: 978 O7136 6309 9

Technical diagrams by Kanako Damerumand Yuzuru TakasakiIlIustrations by Paul ParksCover iIIustration by Dee ShulmanDesign by jacelyn LucasMusic setting by Christopher Hussey and jeanne FisherEdited by Christopher Hussey and jane Sebba

CONTENTS

step 1.J 1 1 Pizz on Dpizz. 2 Pizz A pizza!

3 Bobby Shafto

step 2- Ji 4 When the saints go

marching inarca 1"1~ ~ 5 Supercalifragilistic-

expialidodousA tisket, a tasketLittle playmatesMobile phoneFiddle fanfare

Photocopying prohibiteélAlI rights reserved. No part of thispublication may be reproduced in anyform or by any means - photographic,

electronic or mechanical, includingphotocopying, r~cording, taping orinformation storage and retrieval systems- without the prior permission in writingof the publishers.

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'C:)A&C Black uses paper produced withelemental chlorine-free pulp, harvestedfrom managed sustainable forests. 4

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Printed by Caligraving Ltd, Thetford,Norfolk

O.e. al Fine 23 Au clair de la lune24 Twinkle, twinkl~ little bow25 Miss Mary Mac26 The song that never stops27 Whistle while you work

-'""t;1;ii

~

"~;

step 6~ ~ : ~ 28 Secret agents

0.5. 29 Little birdo s.b. 30 Summer shine

31 Halfway down the stairs32 Old MacDonald

G major scale

6V 7

8+ 9

step 310 A friend in DEED

:~ 11 One f.jnger dance

12 Eee-abba-dabba-dee!13 Spinning wheel14 A stitch in time

2, 11..

step 4ostinato

~15 Frere Jacques16 Welsh lullaby (Suo-ganJ17 Windmill song

) n 18 Hot cross buns

19 Merrily we roll along

step 520 Pease pudding hot21 Clown dance22 Road monsters

.,.~j

step 733 Brown bread34 Big Ben35 Tum the glasses over (a round)36 Off to France in the morning

D major scale

~~

~-~-~~C

-~~(c

step 837 Racing driver (a round)38 Long, long ago39 Ode to joy

- 40 The way you look tonight41 (Meet the) Flintstones

-(~(

'-'e

-'e'-' .

\-

"

step 942 l carne from Alabama43 Morningtown ride44 Troika45 Daydreamer

- (-~(

~(-

/\

~ -"-... . . .._---

-./I

step 10J f 46 Roses from the South

47 lavender's blue

~ 48 Call of the carousel-----------

slow fast

J .J

step 11P f 49 We all stand together

50 Edelweissq 51 On top of Old Smokey

52 london's burning(a round)

53 The hippopotamus song

step 12.J. f.b. 54 london Bridge

55 Tea for two56 Stand by me

step 13~ -=- 57 Skye boat song

58 Jupiter

-= 59 Feed the birds

step 14.J r cresc. 60 Kalinka

61 The old bazaar in Cairo; r m:p '"!f 7 62 Muck! (a round)= U 63 WaltL

r-r 64 Puff the magic dragon).J) 65 Dumplins

step 15g 66 Row, row, row your boat

(a round)

67 Pop! goes the weasel

68 Dance of the cuckoos

69 The shepherdess (a round)

O majar arpeggio

G major arpeggio

70 We're off tosee the Wizard

() 2

-~-- ..step 1671 Egyptian snake dance72 Shalom (a round)

73 Summer is icumen in(a raund)

74 Part of your world

step 17) 75 Short'nin' bread

76 What shall we do with the

drunken sailor?n 77 Winterwonderland

78 EastEnders

step 18r.\ 79 Happy birthday

80 Heigh-ho

81 The Addams family82 The mocking bird83 Chim chim cher-ee

step 1984 Ragamuffin's rag

A major scaleA major arpeggia

85 Who will buy?G majar seale (two octaves)

G major arpeggia (two octaves)

86 Beauty and the Beast

step 2087 Barcarolle88 Millennium89 Watch out kookaburra!

(a round)

rall. 90 Nocturne

AcknowledgementsIndexGlossary

~......

u-u-G D A E

~o1 Pizz ~11D u

Playyour part twice. D

You

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~Piz zi ea to, squashed to ma

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to.~l

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ring. ".~(

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Pluek your violín strings to play the tunes in step 1.This teehnique is ealled pizzicato, or pizz.

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lis - ten to the soundstring.zi to o- ea

5

~ dy beatokeep a steabar,'ryCount - ing in, evtwo

You

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Moz za rel

Your teacher

fJ .J

~pizza!

~.J fJ .J

Shaf to's gone to.

I~ .J fJ .J

buck les on his

2- Play your part twice.

CH/1S

A

.J .J

la, pizz A

Chee - sy piz - za, Mar - ghe - my

You

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.J

80b by5

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Sil ver

Your teacher

ri - ta, That's fav -' rite treat.tea - time

traditionaJ

I~ .J

sea oh,

.J

knee oh.

Bob - by Shaf - to's gone to Sil - ver on his knee.-buck - lessea.-

He'U come back and mar - ry

FJme.- Bon - ny to.Bob - by Shaf

Pizzicato is an Italian word,meaning 'plucked'.

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traditiona/spiritua/--(~--./c

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From now on, play 011the tunes arco - with your bow - unless pizzicato is indicated.

n marks a down-bow.

~ tells you to lift your bow in a circular motíon to prepare for the next down-bow.

4 W~en t~e saints 5~ \'nar(~in5 in(pupil's part)

~ -o-G

lift~

lift~

lift~

lift~

---

6

~

lift~

lift~

lift~

-- - -

-

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-

Richard M Sherman andRobert B Sherman

lift.S uperea I i... Even though the...

9.

. If you say iLSupereali...

.Su - per - ea - li - fra - gi - lis - tic - ex - pi - a - Ii - do - cious! E - ven though the

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6-sound of it is some - thing quite. a - tro. - cious, If you soy it loud e - nough. you'lI

~~al -ways sound pre - eo - cious. Su- per - ea - li - fra - gi - lis - tic - ex - pi - a - Ii - do - cious!

..

.

4 When the saints go marching in(teacher's part)

7

arcoV

~ ¡ ¡

Oh, when the saints go mareh - ing in, Oh, when the

J¡

~.saints go mareh - ing in, want to be with - in that

7

~.~ - J

num - ber- When the saints go mareh - ing in.

6 ~~i1 ~i1 ~i1

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1 l,ttl e plaj'tnates FX Chwatal

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i1 V i1

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6 -A-tts"et, a-tas"et

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words CH, music traditional

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-rJbas - ket, Itbis - cuit, 1'11

tis - ket,tos - ket,

o - tos -o - tis -

ket. There's some - thing in myket, A choc - 'lote or - ange T")

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.smells so sweet: ¡t's good to eot, I'd bet you'd like to toste it. 2. A I don't wont to waste ¡tI

eot it now be - fore you con, 'Cos

V marks an up-bow.

The bowing i1 V i1 tells you to".

playa down-bow, an .

up-bow and a down-bow,

without lifting your bow off thestring in between.

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11. 112. I

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1() i\ fTictld 'h DEED CH/1S

Playand sing this song with a friendoIt is likea conversation, in which you and your friend play question and answer phrases.

YouO 1 O O O O

~~!j J S J ~j ~-D E E D, You're a friend in deed.

Your friend5 O O O O 1 O

~~d S J ~j j ~-Al ways there to help when I'm in need.

80th9 O 1

.O 1 O O 1 O

~d ~d I~ .J .J ~-~So

we're friends to ge - ther, yes in deed.

Swung... >-..".

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Your friendV Vf} r1 r1

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I~ ~V-~~~AB B A, D A B B A,

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In the second part of One finger dance the open strings D and A are played together - this is called doublestopping.

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11 PO

You

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E9

~D E E, Fred and me, Eee ab - ba - dab - ba - dee!. ' . '--" .'

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V

~~J ~JPush tread - le, drive spm - die, Round goes the spm - ning wheel.

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. ( 1S ) t'rere Jat1t/ese

1\;~nato 1

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traditional French

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~.-Fre - re Jac - ques, Fre - re Jac - ques, Dor - mez vous? Dor - mez vous?

s

~Son - nez les ma - ti - nes! Son -nez les ma - ti - nes! Ding, dang, dong! Ding, dang, dong!

Ostinato 2 Ostinato 3

~012 ~tj~ :

Fre - re Jac - ques Fre - re Jac- ques

~~I

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1 11....-1 I

40 " 1 "~,, - 11 - 11 U

Your friend '

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w. no~@), U U

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TI 11"

11 U U

Sails go round, the corn is ground for flour in - side the wind - milI.

Your friend2 2

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(Suo-gon) traditional Welsh

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Hot cross buns. hot cross buns.Your friend1"} i1

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I,) ., fT ., .,

~~i1 ,~I II

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., ., ., ., - - - - T U

One hot.

buns.a pen - ny. two a pen - ny. cross

~i1 II

~. Ir, ,, - - -" V40 TI ., - 11

i1

~J J S

The next two pieces begin on FU,played with the 2nd finger. Make sure the F~is in tune before you start the piece. Climb up to it by

playing D (open), then E(1st finger). then F~(2nd finger)..

traditional

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s

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Look at the last bar in no. 19. Do you remember the name of this technique? (Look at no. 11.)

traditional

arco

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Swung. .. ..s' .,. . .. .

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pud - ding in the pot grow ing mould!

s

la traditional

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Pease pud - ding hot, pud - ding cold.pea se

5 .

~Pease

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l1 traditional French

Ask your friend to play the ostinato accompaniment on page 17.

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tJ ~~jj jrood troin and a big red bus. A

tor, a trae - tor, .0

112. I

:~ j j~big red bus.

~ad h\~l1sters

~t ~o~t~II words CH/SR, music traditiona/ /srae/i

v . v'-

Big red big red bus, on H. G. v. and obus,

~big red bus. A big red bus. A trae -

v.

A big red bus, big reda

511. 112."

~big red big red traebus. Abus. A

bus, on or - ti - eu - la - ted lor - ry ond o.

. V

~ rtor, trae tor, on or-a

9- 11.

r~I

E=U- ti - cu - la - ted lor - ry ond big reda

21 Ostinato accompaniment for Clown dance

r rbus. big red bus:A

11. 112. I

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traditianal French,

"'.,This piece begins on G, played with the 3rd finger. Make sure the G is in tune before you start the piece.Climb up to it by playing D (open), then E (1st finger), then F~(2nd fjnger), then G (3rd finger).

Fine.'(.'

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T)words 15, music traditianal

(pupil's part)

~t~Fine

fj

f.c.)- ..

Twin -kle, twin -kle lit - tle bow, play this fast then play it slow.0'J

D.e. al Fine- I~

,

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Draw .your bow a - cress the string, care -fui not te let it ping!

-~~r1

112. r1pIZZ. I

.. +

~~j ~- r -11

back, back, back. Miss Ma - ry back.

-->.-

MiSS Mary Ma~

r1 ~ r1 ~

~~

traditional

Miss Ma - ry Mac, Mac, Mac, all dressed in

s ...black, black, black, Her hair was long, long, long, all down her

. .

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. . . .. . ... ..

7 11. 112. .

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pizz. I

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24 Twinkle, twinkle little bow(teacher's part)

.

~~ ~' / ~~

6 . 112. I

.

ti ti I I I I I I I

..40 TI 11

Just whist - le while you work, Just whis - tle while you work. Come

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. 1". ... I

I4) 11 . 11 11 . - 11 .

26 T~e S~115 t~at l1ever ~t~p~Play this song over and aver withaut pausing in between. Find a way ta end the piece.Then play it again, starting slowly and gradually getting faster each time.

v i1

This

V

song can start and

i1

you drop!stop, You'lI keep on play - ing 'tilnev - er

W~j~tle w~jle i'~t{ W~T"V i1 V

words Larry Morey, music Frank Churchill

5 112.V

on get smart, Tune and to whis - tle while you work. Just

V

work.startup

CH

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s.. ..

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words 15. music traditional

arco

Be

pIZZ.

a - wa re and take good careo Watch out for sec - ret a - gents.

.5

v

Codes to crack and cars to chase. Trails to track and foes to face.

"

9n

Be dis - creet all you . do, 'Cos a - gents might be watch - ing you!

s.b. Fine

~J.J .J~~""U'"

s.b. is short for 'slow bow'. Use the whole of your bow to play any note marked s.b.e)c)

c~en) tells you to playa down-bow on the repeat.

little bird traditiana/ German

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nF)nr)r)t()

fe)

Mh?,:>¡

9

r~ v- 0.5. al Fine

~D.e. al Fine

without repeat

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P)

6Finel

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wards CH, music POf')

P1

Ho - Ii - days are on the way, Clouds are gone, days are long.

,:- '\

5r

s.b. '-/I

Sum - mer shine is here to sta y, Lark will sing his""U'"

songo

s.b.

i

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~.§There

V

~.J~. I'm

V

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.

J ~J~~isthe stair where al

words A A Milne, music H Fraser Simson

Introduction

~s

~Holf - way down the stairs is a stair

9

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17

fjIntroduction

~5,~ J

is - n't

not

this

a - ny o - ther stair that's quite

where - sit:

-at the not

Jlike. it.

bot - tom and I'm at the top:

ways stop.

11 ..r.. . ~

16.~~~

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You 3Your friend 11.

b

~S~Old Mac-Do- nald had horse, ee - i - ee - ia

words adapted by SR, music traditional

112. You~_J

<;::)

I.--}

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).G. G here and a G. G there. Here a G. there a G. ev - 'ry- where a G. G.

. '. .'-

.11. pizz. arco I. . . . ~

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5 12. . pizz. arco.' .

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oo..oo.!

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~th

Old

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horse,hadMac - Do -. nald eea

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G majar sea le3

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2 3 o , 2 V 2' o 3

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2 1

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oh! oh! With a

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ee oh!

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Cheerfully2 3 2 .~

2 3 Finen--é

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V n V

s. . -,

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5 232 n D.e. al Fine

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D D ,. ., ,, ,, (J D

Big Ben 011 doy long goes 'Oing, dong, ding, dong'. Smoll clocks

/'¡~ s.b.

'u u ~u U D (J

'"~~I I I I I I I 1"

40

on the woll soy 'Tic k, tock, tick, tock, tick, tock, tick, tock'. Bu - sy lit - tle

~~pIZZ. 3 2

'4) D D D D U ,, 1 I

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40-:-

wotch - es whis - per 'Tick - a -:-tock - a, tick - o-tock - a, tic k- o-tock - a, tick'.

~~I 3 2 I

~110-.40"

T I

"ve been to Hor.- lem, I've been to Do - ver, ¡'ve tro - velled this wide l" J

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world 011 o ver. O ver, o ver, three times o ver,

~~j .J 11

Orink whot you hove to drink ond turn the gloss - es o ver.

* entry point when ployed as a round

traditiona/

Like cIockwork

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TttTh t~e 5'asses ~veT (a round)Allegro

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traditionaJ

wards CH, music PO

-. ~Off to France,

.,

just for a day, Glad that it's not toa far a - way.

Get - ting up at the crack of the dawn, When ev - 'ry - one is yawn - ing.9

~Off on the train and I hope it won't rain, We'lI sing out a song as we roll a - long,

13

~~can't wait, let's ce - le -brate, 'Cos we're off to France.. in the morn - ing.

v . V V ..

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o majar scale .o 1 2 3 .0 1 2 3

~~~~ 11

s

You can .use either the open string or your 4th finger to play the note A. The choice you make will depend onthe notes before and after the note A.

In the following pieces the fingering is marked.

:;;;..R~.tit¡!i driver (a round) words CH, music traditional French

Do you recognise this tune? (Look at no. 15)

4

~Ra - cing dri - .ver, dri - Ver, in car,Inra - cing youryour car,

*.FiII it up with pet -, rol, fill it up with pet - rol, You'lI 90 far, you'lI 90 faro

*entry point when played as a round .~

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Sing me the songs I de- light - ed to hear, Long, long a - go, long a - go.

() ~s.b.1 I 1

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40 - ., ,,, - - - GI

1 ~3 1 I 3 2I I

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'-.Thornas H Bayly

Andante'"

1\ .!.lo

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4I

--

., .. -I "" Te 11 me the tales that to

s.b.me were so dear,

I

Long, long a - go,

s.b.

long, long a - go.

- I I

u .,

5 o o 4 b

Ludwig van Beethoven

Allegro 4 4

6v

4 4

40 jerome Kern

Cantabile

~v

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J5

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I

112. pizz. I

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. arco . arco . arco V . ...' . arco . 11. arco 112. arco

pl~Z. arco V . pIZZ. V plZZ. n

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: ;:/

41 joseph Barbera, Wil/iam Hanna and Hoyt Curtin

(pupil's part)

Aim to play this tune quickly, but practise slowly at first. Notice that there is a rest on the first beat of some bars.

o

~4

~4

~1. Flint - stones,2. From the

theof

they'rethey're

the mod - ern stone ageplace right out of

Flint - stones,Sed - rock,

meettown a

Il.

Eu

112.

:~u

fa - mihis - to

Iy. Let's ride with the- ry.

13

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fam -'Iy down the street, through the of Fred's two feet.cour - te - sy

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When you're with the Flint - stones, have a ya ba da ba doo

~Vo

J~ r~ I

oI

-

a ya ba doo time, you'lI have a good old time.

time,

pIZZ.

~

41

-

(Meet the) Flintstones.(teacher's part)

~J.§.

11 n n

. 7 ''-.7CODA

~.

A slur joins two notes of different pitch and isplayed in one bow,which enables you to play smoothly.

The Ita/ian term for playing smooth/y is legato.

42

5

~

v

Jr1 V

~V

JV

J. . Melody .

1 1-~

o

traditional North American, arr. CH

V r1 V

~JpIZZ.

~V r1

J~' '"

112 pizz. I

~Malvina Reyrrolds

V 4 r1

j~~

-

5 Il.

~

V

J

r1. V

.J W~.

r1 V r1

J o~~

-J

9 12.

t9

V r1 V .

~

V r1

~

. IV r1 p~z.

.J~~

. .0 0. .3 :1

. . ¡+ . .~ 3

r-)'0t')rJ7)11/)4i)"F")rf"')

. }~')')...¡')r)"1

:~

Tr~j~c\Serge Prokofieff

Light and lively

~ v

~S 4 O

~IS.b

. .0.Your teacher r:...r:..r..r-.Dc\}'dre~h\er

~Think how day- dreams soothe, when

CH

J

2

n 3 V O

~all the ed - ges blur.

vJ=i.

To

n V s.b.

~omake the mu . - sic smooth, then join notes with a slur.

. ..-

~ ~ .",".. ~ ."' '...

~ -----

43 Morningtown ride (teacher's part continued)

9 12. . I

.

johonn Strauss 1/

With a HIt

~~oIl.

~4

'

~.j~..~. ~.

pizz. I

~~.112.

:~

Your friend Ipizz.'

l..41 traditional

Dolce 4

blue, di! - Iy, La - ven - der's green;

-"

'(c)

T '}

l")

'f::'}

r')

'()

y'¡

l:')

T

r,:

('

-t

'-',

(

-,.

~i

'-"I

"-'----

54

am You shall be queen.king. dil - Iy,

~.

..

..

(all ~f t~e tar~t{sel. "CH

~. ~. ~.s.b.

~.~. --------4

~.s.b.

~. .~.,-------.6~~II-'~~r~L~'~'~

~~~I I In

-~ Tl '....

4J . Pcer - tain we'lI nev - er give in. Side by side, Hond in

) J.I,I I I I I

I -,-

'-41 r -- -.r T . I I I I

/ "¡J.I,

,,

.. .

41) - o. ~- ~~..... u.

f..7

hond, We 011 stond to - ge - ther We -ge-ther

) J.I, I I I I I I I I I

-"1

:.;;¡'~. . I

,. \J,,41) 1 -

sDynamics tell you how quietly

or loudly to play.

p tells you to play quietly.It stands for pianomeaning 'quiet';

f te 115yo u to play loudly.It stands for fortemeaning 'Ioud'.

1\ 1

In this step you will practise a slow-fast bowing pattern in g r)

t'1slow fast

jJ

o,

r),.;

TiT)

T)1"',

,""

Paul McCartney

p

o o v o o ~é"

~r'

fWin Sink or swim, One thing islose,or

v "C'

p

8 o

14

4

(

..

p

112

f

-''-;:'\--

words Osear Hammerstein 1/, musie Riehard Rodgers

~-,

r;;eSSiVO ~.~P E - del - weiss,

J~'ry- morn - ing youE del - weiss, Ev

~-...

7

f1.o

-

~ ~.-~

Small

I~.greet me. and white, el ea n and bright, -

13

tJ ~.o

~Blos- som of snow, may youYou look hap - py to meet me.

19

r~ ~.~

bloom and grow,

4

~~~m. ~. J~P~

E - del-

~.Bloom and grow for ev er.

~. ~.

-weiss, E del - weiss, Bless my home -Iand for ev er.

11.

-/

11. , '

") JJ. O, I I I I

. l .

4 J., .~p

snow, I lost my true lov -

..~ JJ. VI l

~'\:V~u

., ., .,

11~f¡J,j.

~r",J

~-er,

'\ U

~r"

""40 '-01 I I

51 traditional North American

vo o

top of Old Smo key, Al! COy - ered with

6 s.b.v

4 4

p

s.b

r:;T'

From court - in' too slow.

I I.- I I

traditional

Con fuoco

~Lon -don's burn - ing,

~J

*Jjj

en - gines, fetch theLon-don's burn - ing, Fetch the

*

~wa - ter, pour on wa - ter.

en - gines, Fire, fire! Fire, fire! Pour on

,,-.)

e)~)

rJ~)

lZJ)

~g

~~~~)l@

fj]\.;,.-~J;o,f/.~~e;

~'--E

~(

'-'(2

~C

~<1

.ti'--'{

/""I¿

,~.<--('-' {

(.-;5.'\.".:

,'\;.:..,.

*entry point when played as a round I(

c:

- (

..

words Michael Randers, music Donald Swann

Waltz~.

rry~Mud,

I~.

4

~~.mud, glo - ri - OUS mud! No - thing quite like it for

I

~

7

~Accompaniment

.

~p(~o

Melody .

me, follow.- down to

.§f

hollow,) Andcool - ing the blood. fol - low the

13 .

~~~. there let us wal - low in glo ri - ous mudo

Melody. arco. o o .. o o o o p

fo

(So fol- low me,

1~~~_. ""-'" . . ... .' .'. '.

fol-Iow,- down to the hol-Iow,) f.

. --

.., /

1 2 + 3---r u r

Lon don Bridge

r' ~rLon don Bridge f.b. is short for 'fast bow'.

" ~~I ~. I I I

4U f '---"" ---../ '--""

Lon - don Bridge is fall - ing down, fall - ing down, foil - ing down.

') .u.

.4) '--" . ,-, ' ~. ~. ~"--....I

1

These two rhythms look different,but sound the same:

traditional

o 4 4

p

5 4 o f.b.

Lon don fall fair dy.la

s.b.

down,Bridge ing Myis.

Tea f~T tw~ (pupil's part) words lrving Caesar, music Vincent Youmans, arr. CH

Leggiero

~op

Tea

_.~. ~.for for you andfor and Metwo - two - two tea,two

~.you - you - you for me, f Cao'l

~.- 'ha - we wili

,na hap - pyhowyou see

~)

\:,)

;c')

~}

()

~J

1f)

r)

r)

r)

r:¡¡---:,

C)

l"}

f:)

T)

f()

T'j¡

( .

- )

55 Tea tor two (pupil's part continued)

11.

1-i1 112.

~P

7

~i1

~f

pizz.+ I

~Jbe.

Ben E King, jerry Leiber ond Mike Stoller, orr. CH

Rhythmically

~. ~.

4

f-J. ~. .~ ~.11.2.

~7

~.+ I

~.~

~}. I ~ ~.When the night has come- and !he land is dar!<. And the moon is the

o I ~...

..~on -Iy- light we'U see.- No I won't be a - fraid, No I won't be a-_.-fraid,Justas long as you stand,- stand by me. So dar - ling, dar - ling by

18

.me, Oh.- stand by me, Oh, stand,- stand by- me, stand by- me.

55 Tea tor two (teacher's part)

Learn this zig-zag technique, which uses the whole bo\N.

./ shows a r1 V r1 pattern

1shows a V i1 V pattern

~"}'f b~at s~n5Dolce

n

traditional Scottish

..........

f.b.

7 nFine

p

(p)

11.

v n

112.

V

o.e. al Fine(with repeat)13 f.b.

JtlpitfT (p~pil'spart)Inthis piece, use your 4th finger to play the note D on the G string when marked.

, Maestoso

~f

, Accompaniment. p0.5. al Fine

11.,,0 ,

4... ..

Melady

'---' " -j-

Gustav Holst

rJFJr)C)

r)

(')

t:?;

P)

t)

T)

t'')

I¡

-<:C)

r)

T)'...,¿/1)

F}

¡;'~

~/¡".)

I~~ is a crescendo. It tells you to get gradually louder.

feed t~e birds Richard M Sherman and Robert B Sherman

~g[ntrodu~ion

I~p

fb.~ .

~.J~.

f.b.

~ ~. ~.

fb.

~f

f.b.~ 4

I~.

f.b.

~

.P

7...

f

58 Jupiter (teacher's part).

*.6 .-11

~J

Rn~. D.S. al Fine(Accomp.)

~.. J-~:,.:;;:;,;.~::;~- ";."J.,""; ,','.;.

-~-' : ~.Cj..:..,-;:-:.' ~"Z/,~'~_.o..:;:u.:. -i",Z:",O,i"...;c1';"'':!''';':;...:J.,;~i:''''l''''';~.:1-~-.;..-:,'.''- .,'I.~.:.~:'i :-:':"-=-->~'.~.-:... -=':"-':-~'-':'-''.

1 j rA staccato dot tells you to make anote short and detached.

cresc. indicates a long crescendo. It tells you to get graduallylouder until you reach the next dynamic mark.

6()traditional Russian

Con spirito

~ . 4

~p crese.

5O 4 4 /1.

~f

]/2. I

~f

~

p

. p cresc. .

11. 112. I5

61 T~e ~'d bazaar traditional,ti

arco

~.

5 r1

~ ; cre;c.- . ,--:; - . - . .-

f

. . . . . .. .. . ."

. ..f

..p crese.f

\.1

~)

--"'''\¡ ,

,-,,'l.;

f'Jt;)

t)

cW¡

;~{ }

r:~F'')

r)

r-

()

(~¡

tII

r)f)

)

l

I

--

- -,- ---,-

mp (mezzo piano) tells you to play moderately quietly.

'"!f (mezzo forte) tells you to play moderately loudly.

j r A tenuto line tells you to hold the note for its fulllength.

- ~

62 traditional(a round)

Waltz. .. ~ . . - . ~mp . .Oh you can't put your muck in .our dust - bin. our dust - bin, our dust - bin, you

jcan't put your muck in our dust bin. our dust bin's fui!.

~ v

m.f --/Fish 'n' chips and vin - e - gar,

v .

V

~Pizz.

+ +

~¡

pep - per pep - per pep -per pot. At - choo!

~Fish 'n' chips and vin - e - gar,

VV

~pep - per pep - per pep - per pat.

.One cup of tea, twa cup of tea, three cup of tea, faur cup of tea,

21

~five cup of tea, six cup of tea, sev'n cup af tea, eight.

*entry point when played ds a round

6~ Wa'tz Franz Lehar

~j~ ~JE J~. ~. S.~----'

mp mf =-- mp

9 4

~j~ ~j~ ~. ~. ~.~~mf =- mp

i1 i1 Y~-..v

j j r r-~

These are non-Iegato tieso They tell you to play both notes in the same bow, but tomake them slightly detached by stopping the bow for a moment in mid-stroke.

This technique is sometimes called hooked bowing.

=- is a diminuendo. It tells you to get gradually quieter. ,

~.=-- mp

pIZZ.

~.~~ '

s.

.9.17

11if mp.~ 11if

mp, ~ n

f

lJV)

ri

c:')

f:)

}::)

tj

r)

r;1T)

T)

~'F)

'iJ

7)

~)(-c:~)

T;J

7';)

1')

""')l;)

..~)

...)

At~/~)

~F.~~"~

/"..)

.r..".-.~)

é"J

'-" '

'-' "

64- Peter Yarrow and Leonard Upton

Moderato1"1 1"1 V v v v f.b. 4

o v V 11.6 4 4

" \traditiona/ Caribbean

~.11.

.8u112.

:~.~J.mf '-" '-"

'Ja - ney, you see no-bo-dy pass here?'1TI!J1'NO

me friend.' friend.' 'Well

6 pizz..~ -~- f..

one of me dump-lins gane.' 'Don't tell- me so!' 'One af me dump-lins gane!' .

avcoV V pizz.ll. + lIzo~.! }. o.:.

~ .o". o o .

11if. mp o '0. '0

h nrrn

~ mf . fr

5V V

4 pIZZ. arco

~r1 ~r1

~~7 7 j~--------

That's the way the mon - ey goes. Pop! goes

~nV ~nv ~

.'~ - . ~-

f- -------

Half a pound of tup -pen -ny rice, Half a pound of trea

1

~w) T~W) T~W i'~t{T b~at (around)*

~. J t:¡¡ ~. ~mj'

-

Row,

66

gen - tly down

~Mer - ri - Iy, mer - ri - Iy, mer - ri - Iy. mer - ri - Iy, life

row. row your boat

is but

*entry point when ployed os o round

61

Ostinato accompaniment (play four times)

~.11if

\.1

nr')

í¡

traditional

f0r')

r)

r')

r")

V

~.the stream.

r1

~.

(' )

[) ,

lO')

a dream.~e)

"")

traditional '-'¿~~.;.:

j.)

de, )

-ffi.

the wea - se!.

,; ~~r1 l l

t.J ' u.'nif

~~jJ,pizz.

.1) .' ~. .. ~. - ~. .' ~.

- -~ ------ - - ---~ ,--- 1

Marvin Hatley

Cheekilyarco v r1 v

f

v r1 v r1s,b.V

s

mp. .f

-------

fmf

traditianiJI French

Sheepishly! *. ~ ~

P :~6

~.v v

~r~'~ mf

r1

}¡V n

~ar .

f*

entry point when played as a round

D majar arpeggia G majar arpeggia3

~.

3

~.I1

lO WeJre ~ff t~ see t~e W,zard words E Y Harburg, music Harold Arlen

Con spirito.11if- .

/.

We're off tosee the Wiz-ard, the won-der - fui Wiz - ard of Oz. We

"\

5

WJFn V n

~ ~.

V n

~~the Wiz-ard of Oz

e)

T)

r')

e)

r)

r)

T)

hear he is a whiz of a Wiz if ev - er a Wiz,

there was.

mpIf

ev - er, oh ev - er a Wiz there was, is one be -cause, be-I:J)

If~

ti)

e,fr'j

13

fJrn s.b.

~~--~

be -cause, be - cause,

V

14f

Be -- cause, be-cause, be - cause,

17

~ ¡ ~.V

~~11if

We're

(\J

21

~n V n V

~.

r)C')

.1,1')

1)

7:1

-cause of the won-der - fui things he does.

off to see the Wiz- ard, the won - der - fui Wiz - ard of Oz. (' .¡

, ,,.7 V'1- mp13'I~19

~~f

(.::.-)

---

"

n . V V

.'"!:t - ' ' -

1

F is halfway between E and F#- a semitone higher than Eand a semitone lower than F#.

11 traditional

Misterioso

~ia~mp

2 4

~2

v V 2 Il.

~-----4 2 112. I

~~. .----.--

..

. 'o

~~a'~\'n (a round)

Wcvm1y* o *

.~i~.uuCm:...

,-".

- .

- -= m".¡.a

mp . ':/

Sha - 10m, cha -ve - rim, sha - 10m, cha -ve - rim, sha - 10m,

-hi - tra le hi - tra sha - lóm.oto ot,

*entry point when played as a round

Brightly~ n V

~~'"!f =-

~-o

~~'

12

~-

traditíonallsraeli

*f~ f.b.

J=i

sha - 10m. Le -

fobo

~.sha :. .

'tom~

traditional

*n

i~mp

V

~. J~

n ._.mf::

*entry point when played as a round

~.

,- .

(

r)

(~

r;~)

l')

1)

()

r"'-..j

")

)-" ).

'¡

'

14 words Howard Ashman, music AJan Menken

Cantabilen o 4

mp4

mp

s o 4

9v n

oV n

-=

4 v

mf

13v n V n v v 4 v pizz.

...

4

,

.mp

7 11.. n 112.. .

~#..mf

12.. mp:'y,._,_.~

'"!f

V n

'"!f

- -4

'"!f~-4f

What shall ""e do with the drunk - en sail - oro What shall we do with the drunk - en sail - oro

"¡ V n V

,4) ~~~.~

~,

4 - ",.

fWhat shall we do with the drunk - en sail - or, Ear - Iy in the morn - ing?

n

4

,'

,

1Look carefully at the key signature before you start each piece,so that you can decide where to place your second finger.

T

f',

r'

Lookat the accompaniments for Short'nin' bread and What shall we do with the drunken sailor~Check their key signatures. What do you notice? Where will you place your second finger?

f)~~rt' nin' breadV

jacques Wo/fe and C/ement Wood

Vn

V

16 traditiona/

Con spirito _J~)

)

mf

5

-<:::;'

f

-..:-'

11 words Richard Smith, music Felix Bernard,-

V r1 V

~4r1

J

oV r1 V

~.r1 V

~~.Sleigh be lis ring, are you list - 'nin'! In the lane snow is

~rpA

vor1 V r1 V

~. J3J4

Jr

glist - 'nin', beau - ti - fui sight,- We're hap - py to - night,-

§.

or1

J.V 112.

:J~.I

I7

~Walk -

~.in' in a win - ter won der - land! Sleigh bells -Iand!.

- 11. 112. pizz..

I

~j.~

LesJie Osborne and Simon May

";

r1 V V

~'--'~

71if

11. O . 112. 4

~.~.

pizz.+

~

OJ

~: mf4 11 112.

-~: ~: JJ II-

."¡,t G\ i1 I

fI mf

I

birth - doy deor Mis - sak, hop - py birth - doy to you.

I'J~G\ i1 V i1

,41) V -.f "" ""u .... -d

sAl! the tunes in this step use a mixture of both positions of the2nd finger.

..4

.~

Patty S HiIl and Mildred HiIl

( ~)

ct\

')IFJ

birth - doy to you, hop - py birth - doy to you. Hop - py("")

T')

~r.")

mff'~-~

.;'

5 v v

fV. i1

~ i

V

~

,)

"")

')

')

'"1

")~"

fmf

words Larry Morey, music Frank Churchill

Lively

~f'Heigh - ho',

i

V

~ ""1~o

".¡

~--

'Heigh - ho', To moke your trou - bles go, Just keep on sing - ing )

i i

V

~I

~I

011 doy long 'Heigh - ho', 'Heigh - ho', 'Heigh - ho', 'Heigh - ho', 'Heigh - ho'. ,~.-

"-"'0.f'.

-.'.

6 11.112-

r

_.~

_L

-~_1

nif5

V V11.

V112.n n n

f = mf mp

The next three tunes use both positions of the 2nd finger on the O string: F~and F.

T~e -AddatnS fatnilySpookily

V

VicMizzy

n V n V

traditional Caribbean

f.b.

~.

~b. V

J~o :~~.p mp

I

El

--,

~mf

,,'

1.. ~I I I

4 - 6.-.1 I I ........ I I I rmp

t ¡.¡. V

- ..... -

.. - n n I -e

,,-,,, ,,

~nif=.. V r---.

. I I I .... ~T~m =-

~rj .. I I

'1)-= f mp-

Ij.. n V r7\

"'u :¡j .g' 7::f 7::f.

Richard M Sherman and Robert 8 Sherman

Waltz

r '0)

r

p,

Il.f.b.V n

r')

F")

7')

r-)6 V f.b.

VV

112.

V

p)

!'!p

if~~

")

11. Accompanimentn .

V/ .

\/

= mf p

/)

"')

)~.

. '<)

').' 11.

. mp .Melodyarco8 112." V .

~ii-mf -:::

., ..

~.mp

11

.'.'

I~

Rhythmically1 O-. v

~i1

r4 1 O 112.

A

~:~¡f ==- f

/1.

~mf

V 4 V

~tmp

CH

v

r11.

1 O 1

~

112.

i1 V

A

D.e. al Fine(with repeat)

.:~

mp -=mf

11. 112. ToCado

~~j~n.wif- .

f =-- f ===--

A majarscaleThe finger pattern is the same as that of D major (pa.ge 27), starting on the A string.

. 3

~

7

mp mp

-~2

112. CODA pizz.+

~~U~ ~f

D.e. al Coda

mp

1 O 3 2 1 O

~".

arpeggio 3

~.

Who will buy this won-der - fui morn - ing? Such a sky

.".

... ..~ ..,; ,

Lione/ 8art

you nev- er did see!-

Who will tie it up with a rib - bon, And put it in a box for me?

r,;.;j

~~~tf~

~~)

~7';\..;i

1?)

p)

P9

?Si)

~~~~;)

~I't)

~)~

f~;¡

.~

. .

s '. V V-

.:~~. .. tt ------

mf .. . p

G majarscale (two octaves)

01230123012301

~~ v3 210_321

~arpeggio (two octaves) .

020313231302 o

~. .7IJt- ... c:f.

-r)" :)~)AS)4'1~)""f¡-'r~;'1-. ;1-," ..'

n - n -, p'---'"

-'---'"

Tale as old as time, true as it can be.

,4 v' . .' "*-d

,; ~n 1"1

,)"*~ ~"-"' ~-e- '---" "'-J

=mp

=: P "l:Y

Bare - Iy e - ven friends, then some.- bo- dy bends un - ex - pec-ted - Iy.

J

,,)" '''''.. . "* "*' "*-d

"\ -¡ 1"1 - 1"1 ~r--..

,) ---./ -~.

Just a lit - tle change. Small, to soy the least. Both a lit - tle

, u" I ...

~n 1"1. 1"1

11'---" ' '"--""

-e- y.mf

==p

scared, nei -ther one pre - pared. Beau- ty and the Beast.

",,'

' ...' ...~, ~. ...' .- ~'-"

1$eatity c:\l1d t~e ~eastAndante

words Howard Ashman, music AJan Menken

-":-"

p

5v

p

9 n v 1"1

13v v v

= p

v v

6 n

11

tz1 ~ar(aT~"e jacques Offenbach

Tempo di valseV Vi1 i1 i1 i1

P

i1 i1 V i1 V i1

m:p

~~Millenl1itt\'narco Vi1 V i1

mf

pizz.

f

5

Barcarolle and Millennium both contain three-note slurs.Play each slurred group of notes in one bow.

r)

V]

r)r")

mp p p

5 112.

p p

Robert Williams, Guy Chambers, john Barry and Leslie Bricusse

f¡

I . \)

112.(.'\

;"':'..'

4 .

4jll.. .

......

~ .

Mil- len- ni - um"----

Melody-We've got stors di - rec - ting our fote, ond we're proy - ing it's- not too

lote, 'cos we know- we're foil ing from .groce. We've got

Watch out kookaburra! and Nocturne contain four-note slurs. Play all four notes in one bow.

(a round)4

. :: V *_V-

. ~'"!f

Watch out koo-ka-bur-ra's fea-thers on

traditional Australian

Koo- ka- bur- ra sits on the te - le - phone wire~ fireL

1- v O

~ ~mfFlap your wings. fly

~rfFly

u

koo - ka - bur - ra, fiy koo - ka - bur - ra, high.

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Aleksander Borbdin

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The author and publisher would like to thank the following for their help inthe preparation of this book: jeremy Birchall, Patricia Birchall, jenníferBoston, Adrian Bradbury, Emily Brayshaw, Chris Bryant, Helen Crayford,janet Crew, Louise Dearsley, Tanya Demidova, Philip Dukes, Heather Fleck.David W Giles, Emily'Haward, jocelyn Lucus, Andrew Lynwaod, GraceLynwood, Barry Newland, Maleolm Pollant, Maja Passchier, Aoife Patarot-Hinds, Roland Roberts, Sheena Roberts, Valéríe Saint-Pierre, Elaine Scott,Michelle Simpson, Hally Stirling, Daminic Viall, Matthew Watson andAllison Whitehead. Very special thanks ga to Caria Moss.

We are grateful to the following copyright owners who have kindly grantedpermissio;, for the reprinting of these items:

Beauty and the beast (from Beauty And The Beast) Words by HowardAshman, music by Alan Menken «:J1991 Walt Disney Music Co andWonderland Music Co Inc, USA Warner/Chappell Artemis Music Ltd,London W6 SBS. Reproduced by permission af Faber Music Ltd. AII RightsReserved;

Chim chim c"er-ee (from Mary Poppins) Wards ,and music by Richard M

Sherman and Rabert B Sherman «:J1963 Wonderland Music Company Inc.USA. Warner/Chappell Artemis Music Ltd, London W6 8BS. Reproduced bypermission of Faber Music Ltd. AII Rights Reserved ;

Dance of the cuckoos (Ku-ku) By T Marvin Hatley <C1930, 1932 HatleyMusic Company, USA. Robert Kingston Music Limited, 8/9 Frith Street,London Wl. Used by permission of Music Sales Ltd. AII Rights Reserved.Internatianal Copyright Secured;

Eastenders by Leslie Osborne & Simon May <C1985 ATV Music. Sany/ ATVMusic Publishing (UK) Limited, 10 Great Marlborough Street, London Wl.Used by permission of Music Sales Ltd. AII Rights Reserved. International

, Copyright Secured;Edelweiss from the Sound of Music. Words by Oscar Hammerstein 11,musicby Richard Rodgers <C19S9 by Ríchard Rodgers and Oscar Hammerstein 11.Copyright renewed. This arrangement tO 2002 by Williamson Music.

Williamson Music owner of publication and allied 'rights throughout theworld. International Copyright Secured. AII Rights Reserved;

Feed the birds (from Mary Pappins) Music and words by Richard MSherman and Robe,rt B Sherman <C1963 Wonderland Music Company Inc,USA, Warner/Chappell Artemis Music Ltd, Londan W6 8BS. Reproduced by

permissian ,of Faber Music Ltd. AIIRightsReserved ;,

Halfway down the stairs Text by A A Milne and music by H Fraser Simson.Copyright under the Berne Convention;

Happy birthday to you Wards and music by Patty S HiII and Mildred HiII

<C1935 Summy Birchard Inc, USA. Keith Prowse Music Publishing Co Ltd,London WC2H OQY (far Europe) and Warner/Chappell Ltd, Landan W68BS (far Warld excl Europe). Repraduced by permission of Faber Music Ltdand International Music Publications Ltd. AII Rights Reserved;

Heigh ho Words by Larry Morey. Music by Frank Churchill <Ccopyright 1938by Bourne Co. Copyright Renewed. This arrangement <Ccopyright 2002 by

Bourne Co. AII Rights Reserved. International Copyright Secured. Printedwith permission from Bourne Music Ltd;

lieutenant Kijé (Troika) by Prokofieff. Copyright 10 1936 by Baosey & CoLtd. Reproduced by' permission of Boos~ & Hawkes Music Publishers Ltd;

(Meet the) Flintstones Words and music by joseph Barbera, William Hanna

and Hoyt Curtin <C1960, 1962 (renewed) Barbara-Hanna Music, USA,Warner/Chappell Music Ltd Landan W6 8BS. Reproduced by permission of

Faber Music Ltd. AII Rights Reserved.The Flintstones 1Mis a trademark of

and copyrighted by Hanna-Barbera Production Inc;

Millennium Words and Music by Robert Williams, Guy Chambers, JohnBarry and Leslie Bricusse 10 1998 EMI Virgin Music Ltd. BMG MusicPublishing Ltd and EMI United Partnership Ltd, USA (33.33%) EMI Virgin

Music Ltd, London WC2H OQY (33.34%). Worldwide print rights controlledby Alfred Publishing/IMP Ltd. Reproduced by permission of Faber Music Ltd

and International Music Publications Ltd. AII Rights Reserved. [rhis songcantains a sample from "You Only Live Twice" by Barry & Bricusse 10 EMIUnited Partnership Ltd];

Morningtown ride 10 1959 by Amadeo Brio Music Inc. Administered byMCS Music Ltd, 32 Lexington Street, Londan W1F OLQ;

Off ta France in the morning, One finger dance, Spinning wheel. Summershine and Windmill song <C1985 Peter Davey;

Part of your world (from The Little Mermaid) Music by Alan Menken, wordsby Tim Rice <C1988 Walt Disney Music Company, USA and Wonderland

Music Company Inc, Warner/ChappellArtemis Music Ltd, London W6 8BS.Reproduced by permission of Faber Music Ltd. AII Rights Reserved;

Puff the magic dragon Words and Music by Peter Yarrow and LeonardLipton 10 1963 Pepamar Music Corp and Honalee Melodies, USA, (70%)WarneriChappeii Music Ltd, London Wb 865. Reproduced by permission oi

Faber Music Ltd. AII Rights Reserved;

Short'nin' bread lb>Copyright 1928 (renewed) by Harold Flammer Music(AS CAP), a divisian of 5hawnee Press Inc. International Copyright Secured.

AII Rights Reserved. Reproduced by permission of Chester Music Limited;

Stand by me'Words and music by Ben E King, jerry Leiber and Mike Stoller10 1961 (renewed) jerry Leiber Music, Mike Stoller Music and Trio MusicCompany INC. This arrangement tC 2002 jerry Leiber Music, Mi'ke Stoller

Music and Trio Music Campany INC. AII Rights Reserved;

Supercalifragilisticexpialidocious (from Mary Poppins) Words and musicby Richard M Sherman and Robert B Sherman, USA, Warner/Chappell

Artemis Music Ltd, London W6 8B5. Reproduced by permission of FaberMusic Ltd. AII Rights Reserved;

Tea For two Words by Irving Caesar, music by Vincent Youmans 10 1920Harms Inc, USA Warner/Chappell Music Ltd, Londan W6 8BS. Repraducedby permission of Faber Music Ltd. AII Rights Reserved;

The Addams family Words and music by Vic Mizzy 10 1964 Unison Music,USA. EMI Music Publishing Ltd, London, WC2H OQY. Reproduced bypermission of International Music Publications Ltd. AII Rights Reserved.Europe only;

The hippopotamus song Words by Michael Flanders, music by DonaldSwann <C1952 Chappell Music Ltd, Londan W6 8BS. Reproduced bypermission of Faber Music Ltd. AII Rights Reserved;

The way you look tonight Words by Dorothy Fields, music by Jerome Kern<C1936 T B Harms Co and jerome Kern, USA, (50%) Warner/ChappellMusic Ltd, London W6 8BS. Reproduced by permission of Faber Music Ltd.AIIRights Reserved ; ,

Theme from Jupiter from The Planets Op 32 Music by Gustav HolstlO copyright 1921 Goodwin & Tabb Limited. Transferred to J Curwen & Sons

Limited, 8/9 Frith Street, London W1D 3JB. AII Rights Reserved.Reproduced by permission;

Waltz from The merry widow Original words by Leo Stein and ViktorLeon. English translation by Adrian Ross. Music by Franz Lehar. <C1964Glocken Verlag Ltd. Chappell Music Ltd, London W6 8BS. Reproduced bypermission of Faber Music Ltd. AII Rights Reserved;

Watch out koakaburra (Kookaburra sits in the old gum tree by MarianSinclair) <C1934 and renewed 1989 Larrikin Music Publishing Pty Ltd. 4/30-

32 Carrington St, Sydney, NSW 2000, Australia. International copyrightsecured. AII Rights Reserved. Reprinted by permission of Campbell Connelly& Co. Limited.

We all stand together Words and music by Paul McCartney 10 1984 MPLCommunications Ltd;

We're off to see the wizard Words by E Y Harburg, music by Harold ArlenlO 1939 EMI Catalogue Partnership, EMI Feist Catalog Inc and EMI UnitedPartnership Ltd, USA. Worldwide print rights controlled by Alfred

'

Publishing/IMP Ltd. Reproduced by permission of Faber Music Ltd. AIIRights Reserved;

Whistle while you work Words by Larry Morey. Music by Frank' Churchill. 10copyright 1937 by Bourne Co. AII Rights Reserved. International Copyright

Secured. Printed with permission from Bourne Music Ltd;

Who will buyl <C1960 Lakeview Music Publishing Co Ltd. Suite 2.07, Plaza535 Kings Road, London SW10 OSZ. International Copyright Secured. AIIRights Reserved. Used by permission;

Winter wonderland Words by Richard Smith, music by Felix Bernard 10 1934Bregman Vocea & Conn Inc, USA. (50%) Francis Day & Hunter Ltd, London

WC2H OQY (for Europe) and Warner/Chappell Music Ltd. Landon, W6 8BS(for World excl. Europe and British Commonwealth). 50% Redwood MusicLtd, London, NWl 8BD (for British Commonweafth). Reproduced by

permission of Faber Music Ltd and Internationál Music Publications Ltd.AII Rights Reserved.

AII other original pieces and arrangements are copyright A&C Black.

Every effort has been made to trace and acknowledge copyright owners. Ifany right has béen omitted, the publishers offer their apologies and willrectify this in subsequent ~itions foIlowing notification.

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ABRACADABRA VIOLIN Boob 1 CDViolín - Roland RobertsPiano - Helen CrayfordEngineered by Andrew Lynwoodat Winterbrook RecordingStudio, LondonAIIrights reserved. Copying,publicperformance andbroadcastinq - in whole or in Dart - of the recordinq areprohibited by law.' -

page page page

A friend in DEED, 10 10!

1carne from Alabama, 42 32 I Secret agents, 28 21

A major arpeggio 59I

i Shalom (a round), 72 52I

A major sea le 59 Jupiter, 58 42 i Short'nin' bread, 75 54A stitch in time, 14

I ¡Skye boat song, 57 4212 I I

A tisket, a tasket, 6 8 ¡ Kalinka,60 44 I Spinning wheel, 13 12Au clair de la lune, 23 18 I I Stand by me, 56 41I ¡

I Lavender's blue, 47 34¡

Summer is .icumen in (a round), 73 52! Little bird, 29 IBarcarolle, 87 62

I

22 I Summer shine, 30 22Beauty and the Beast, 86 61 Little playmates, 7 8 i

Suo-géin, 16¡ 14Big Ben, 34 26

I London Bridge, 54 40 ISupercalifragilistic-i I

Bobby Shafto, 3 5 London's burning (a round), 52 38 I expialidocious, 5I Long, long ago, 38 7Brown bread, 33 25 i 29 I

I¡I Tea for two, 55¡ (Meet the) Flintstones, 41 30 .40

Call of the carousel, 48 35 I Merrily we roll along, 19 15,

The Addams family, 81 57Chim chim cher-ee, 83

I58 I Millennium, 88 62 The hippopotamus song, 53 39

Clown dance, 21 16! Miss Mary Mac, 25 19 I The mocking bird, 82 57i Mobile phone, 8 9 i The old bazaar in Cairo, 61 44

Dance of the cuckoos, 68I I49 I Morningtown ride, 43 The shepherdess (a round), 69

Daydreamer, 45 í 32 I 4933 I Muck! (a round), 62 45 I The song that liever stops, 26 20

D major arpeggio I49 ¡ I The way you look tonight, 40 30D major scale 27 I Nocturne, 90 63

II

Troika, 44 33Dumplins, 65 47 Tum the glasses over{a round), 35 26I Ode to joy, 39I

I

29 ITwinkle, twinkle little bow, 24 18I

EastEnders, 78 55 Offto France in the moming, 36 27 IEde1weiss, 50 37 I Old MacDonald, 32 24 IEee-abba-dabba-dee! 12 11 I

One finger dance, 11i Waltz, 63 46

I 11 i Watch out kookaburra!Egyptian snake dance, 71 51 i On top of Old Smokey, 51 38 II I (a round), 89 63i

Feec:t the birds, 59!

Part of your world, 74I We all stand together, 49 3643 53

I

Fiddle fanfare, 9 9i

Pease pudding hot, 20 16Welshlullaby, 16 14I

Frere Jacques, 15 13I

Pizz A pizza! 2 5We're off to see the Wizard, 70 50

í Pizz onO, 1 4What shall we do with

G major arpeggio 49 I Pop!goes the weasel, 67 48 ¡ the drunken sailor? 76 54G major scale 24 I Puff the magic dragon, 64 47

When the saints go marching in, 4 6I ! Whistle while you work, 27G major scale and arpeggio I 20

(two octaves) 60 I Racing driver (a round), 37 28i Windmill song, 17 14

I Ragamuffin's rag, 84 59 Winter wonderland, 77 55I ,I Who willbuy?85Halfway down the stairs, 31 23 I Road monsters, 22 17 60

Happy birthday, 79 56 Roses from the South, 46 II 34 I

IHeigh-ho, 80 56 I Row, row, row your boat iHot cross buns, 18 15 I (a round), 66 48 I.

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down-bowup-bowlift bow in circular motionleft hand pizzicatorepeat from the beginning (Da Capo) up to Rne (the end)repeat from %;(the sign) up to Fine (the end)slow bowfast bow

r'1Vi1 zig-zag bowing patternV,., V zig-zag bowing patterncrescendo - get gradually louderdiminuendo -.get gradually quieterpausewith bowa repeated musical phrasepluckedget gradually slowershort and detachedwith a light accent, lasting fulllength

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(piano) quiet(forte) loud(mezzo piano) moderately quiet(mezzo forte) moder.ately l,!lud

allegroandantecantabilecon fuococon spiritodolceespressivolegatoleggieromaestosomisteriosomoderatotempo di valse

fast and livelyat a leisurely pacein a singing stylewith firewith spiritsweetlyexpressivelysmoothlylightlymajesticallymysteriouslyat a moderate speedlike a wa;tz