Venetian Art
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Transcript of Venetian Art
Venetian ArtOriginally created by Mr. Douglas Darracott,
Plano West HS Plano, TX
Jacopo Sansovino. The Mint (La Zecca) and the State Library (Venice), begun 1536
Jacopo Sansovino, a refugee from the Sack of Rome/ pairing of state buildings with contrasting
appearances
Superimposed orders on a sculptural façade/ balustrade with figurative sculpture/ La
Serenissima
Left: Andrea Palladio. Frontspiece of I Quattro
Libri dell’ArchitetturaBelow: Giambattista Maganza. Portrait of
Andrea Palladio, 1576
Andrea Palladio. Teatro Olimpico (Vicenza), c. 1586
Andrea Palladio. Villa Godi
Andrea Palladio. Villa Badoer
Andrea Palladio.
Villa Barbaro
Andrea Palladio. Villa Cornaro, c. 1553
Andrea Palladio. Villa Rotonda (near Vicenza, Italy), c. 1566-1570
Andrea Palladio/ a “rural villa” in the Veneto/ influence of Vitruvius/ classical references in a
central plan/ raised plinths for a sculptural form
Thomas Jefferson. Monticello, begun 1770
impact on English and American architecture/ Four Books of Architecture
interior of the Villa Rotonda
Andrea Palladio. West façade of San
Giorgio Maggiore
(Venice), 1565
intersection of two temple
facades/ architecture as “frozen
music
cool, rational interior
Andrea Palladio. Il Rendentore (Venice),
1577-92
Antonello da Messina. Saint
Jerome in his Study, early 1470s, oil on panel
Giovanni Bellini. San Giobbe Altarpiece,
c. 1478-1480, oil on panel
Giovanni Bellini/ popularity of oil painting in Venice/
sacra conversazione/warm light and a sensual mood
Giovanni Bellini. San Zaccaria Altarpiece, San
Zaccaria (Venice), 1505, oil on wood transferred to
canvas
richness of color in Venetian art/ cohesive relationship
between figures and setting
Giovanni Bellini. Madonna of the Meadow, c. 1500-1505, oil and tempera on panel
Giovanni Bellini. Pieta
Giovanni Bellini. Saint Francis, c. 1485, oil and tempera on panel
Giovanni Bellini. Christ Blessing,
c. 1500, tempera, oil, and gold on
panel
Giovanni Bellini and
Titian. The Feast
of the Gods,
1529, oil on
canvas
rustic Olympian gods in an Arcadian landscape
Duke Alfonso d’Este of Ferrara/
camerino d’alabastro/ an erotic, sensual
bacchanal/ from Ovid’s Fasti
Giorgione da Castlefranco (and/or Titian). Pastoral Symphony, c. 1508, oil on canvas
Giorgione/ popularity of the pastoral landscape in Venice/ muses in a “poesia”/ Leonardo’s
influence
Giorgione da Castelfranco. The
Tempest, c. 1510, oil on
canvas
enigmatic landscape
impacted by a storm
Giorgione. Enthroned Madonna with Saints Liberalis and Francis,
Castelfranco Cathedral, c. 1500-1505, oil on panel
Giorgione. Sleeping Venus, c. 1510, oil on canvas
Titian. Meeting of Bacchus
and Ariadne,
1522-1523, oil
on canvas
Titian/ Theseus, Ariadne, and Bacchus/ emphasis on flesh, color, and spectacle/colorito vs. design/
signature on an urn
Titian. Sacred and Profane Love, c. 1514, oil on canvas
NeoPlatonic philosophy types of love depicted with allegorical figures/ resemblance to a cassone/
celebration of a marriage between Nicolo Aurelio and Laura Bagarotto
Titian. Assumption of the Virgin, (Santa Maria Gloriosa dei Frari, Venice), c. 1516-18, oil on wood
Titian. Young Man with Cap and
Gloves, c. 1512-1515, oil on canvas
Titian. Portrait of Ranuccio Farnese, 1542, oil on canvas
Titian. Portrait of a Man in Blue, c.
1512, oil on canvas
Titian. Madonna of the Pesaro Family, Santa
Maria dei Frari in Venice, 1519-1526, oil on canvas
Jacopo Pesaro, bishop of Paphos/
dynamic use of a strong diagonal/ world of courtly
splendor and protocol/
turbaned Turk defeated by papal forces
Madonna of the Pesaro Family seen in situ in
Santa Maria Gloriosa die Frari, Venice
Titian. Venus of Urbino, 1538, oil on canvas
A reclining Venus inspired by Giorgione/ erotic submissiveness of a courtesan designed for a
private audience/ imagery associated with marriage, beauty, and love
Titian. Danae with Nursemaid, 1553-1554, oil on canvas
Titian. The Flaying of Marsyas,
1575-1576, oil on canvas
Titian. Christ Crowned with Thorns, c. 1570-76,
oil on canvas
evolution of style late in life/ painterly approach
Titian. Isabelle d’Este, 1534-1536, oil on
canvas
Left: Titian. Self-Portrait, c. 1550-
1562, oil on canvasBelow: Titian. Self-
Portrait, 1568-71, oil on canvas
Tintoretto. Self-Portrait, c. 1547,
oil on canvas
Tintoretto. Miracle of the Slave, 1548, oil on canvas
Tintoretto (Jacopo Robusti)/ theatrical motion on a large
scale
Tintoretto. Susanna and the Elders, c. 1555-6, oil on canvas
Susanna and the Elders/ female as an object of voyeurism/ references to luxurious wealth of
Venice
Tintoretto. Venus, Mars, and Vulcan, c. 1551, oil on canvas
Tintoretto. St. George Fighting the Dragon, c. 1553, oil on
canvas
Tintoretto. The Last Supper, (San Giorgio Maggiore, Venice), 1594, oil on
canvas
dramatic, supernatural lighting and asymmetry/ diagonal line separating two realms
doctrine of Transubstantiation
Veronese. Marriage at Cana, 1563, oil on canvas
Paolo Veronese/ Marriage of Cana/ a
deemphasized Christ
Palladian backdrop for a festive display of wealth/
image of Venice as a world power
depiction of servants
an ensemble of artists making music
Paolo Veronese. Christ in the House of Levi, 1573, oil on canvas
offensive entertainment at the Last Supper/ before the Inquisition/ loggia framed by three
monumental arches
Paolo Veronese. Triumph of Venice (Hall of the Grand Council,
Palazzo Ducale, Venice), c. 1585, oil on
canvas
Venetian Art