Using music as a production of interethnic consensus/differentiation SCARDUA, Anderson SOUZA FILHO,...
-
Upload
pauline-harris -
Category
Documents
-
view
212 -
download
0
Transcript of Using music as a production of interethnic consensus/differentiation SCARDUA, Anderson SOUZA FILHO,...
Using music as a production of interethnic
consensus/differentiation
SCARDUA, AndersonSOUZA FILHO, Edson
Universidade Federal do Rio de Janeiro – BrazilPrograma de Pós-graduação em psicologia
Objectives• To investigate how music is represented,
according to ethnic groups;
• To investigate the relations between these representations and musical likes and dislikes;
• To investigate the possibility of the utilization of music as a way to demarcate/reflect socio-cultural differences among the groups.
• PARTICIPANTS:
243 - SELF-DEFINED AS:
141 White
73 Mixed
29 Black
• QUESTIONS
WHAT IS MUSIC TO YOU? WRITE WHATEVER YOU WANT.
WHICH MUSICAL STYLES ARE YOU USED TO LISTEN TO?
WHICH MUSICAL STYLES DO YOU LIKE LESS?
Categories• Way of expression – feelings (is an expression;
reflects what I am feeling); • Stimulate/provoke emotions/sensations (makes me
feel fine; provokes a good sensation);• Entertainment/distraction (helps time pass;
entertainment); • Therapeutic function (relieve the stress; relax;
meliorate melancholy); • Work instrument (it’s my job; it’s my profession); • Technical music descriptions (is melody; harmonic
sonority); • Escape from reality (dream; trip);
• Musical likes/dislikes (I like heavy metal; I just don’t like pagode);
• Comparison with other arts and generic descriptions of music as an art (it’s poetry; it’s culture; it’s a kind of art; it’s useful to dance);
• State of mind and psychological adjectives (happiness; tranquility; state of mind; inspiration);
• Stimulate reflection/thinking (make us reflect about our lives; expression of thoughts, ideas);
• Background for life (accompany me in every moments; is a background for daily life);
• Diversity/relativism (we could not say if it is good or bad, there are ears and ears, hearts and hearts; doesn’t matter the style; it is everything around people);
• Necessity/like music (I wouldn’t know how to live without it; it’s life; I adore).
Table 1: Percentages of themes used to represent music, according to ethnic groups _______________________________________________________________________Categories/groups Whites Mixed Blacks
______________________________________________ F. % F. % F. %
_______________________________________________________________________
Way of expression – Feelings 40 13,60 24 16,00 6 9,37
Provoke emotions/Sensations 38 12,92 17 11,33 4 6,25
Entertainment/ distraction 35 11,90 18 12,00 14 21,87
Therapeutic function 33 11,22 11 7,33 4 6,25
Work instrument 4 1,36 3 2,00 0 0
Technical descriptions 32 10,88 13 8,66 6 9,37
Escape from reality 10 3,40 6 4,00 2 3,12
Musical likes/dislikes 10 3,40 0 0 1 1,56
Comparison with other arts 38 12,92 12 8,00 9 14,06
State of mind 9 3,06 19 12,66 8 12,5
Stimulate reflection/Thinking 15 5,10 9 6,00 10 15,62
Background for life 5 1,70 2 1,33 0 0
Diversity/relativism 12 4,08 7 4,66 0 0
Necessity/like music 13 4,42 9 6,00 0 0___________________________________________________________________________________________________________________________________________χ2= 52,377; gl= 26; p<0,0016 (comparison among all groups); χ2= 25,54; gl=13; p<0,0196 (comparison between Whites and Mixed); χ2= 34,155; gl=13; p<0,0011 (comparison between Whites and Blacks)χ2= 23,369; gl=13; p<0,0375 (comparison between Blacks and Mixed)
White % Mixed % Black %
Rock 16,5 Rock 14 MPB 14,1
MPB 14,9 MPB 14 Hip-hop 10,1
Pop 8,1 Pagode 8,7 Rock 9,1
Hip-hop 5,7 Pop 7,3 Pagode 7,1
Electronic 5,2 Electronic 6,3 Brazilian Pop
7,1
Classical 5,2 Hip-hop 5,8 Pop 7,1
Chart 1: Musical Likes
Chart 2: Musical Dislikes
White % Mixed % Black %
Brazilian Funk
28,7 Brazilian Funk
21,3 Brazilian Funk
26,7
Pagode 21,1 Pagode 17,7 Pagode 21,7
Sertanejo 8,4 Forró 8,5 Sertanejo 10
Axé 8 Sertanejo 8,5 Samba 6,7
• Contact: