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CTK481/491-ES-1

USER’S GUIDEGUÍA DEL USUARIO

ES

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625A-E-002A

GUIDELINES LAID DOWN BY FCC RULES FOR USE OF THE UNIT IN THE U.S.A. (not applicable to other areas).

NOTICEThis equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in aresidential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installedand used in accordance with the instructions, may cause harmful interference to radio communications. However,there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmfulinterference to radio or television reception, which can be determined by turning the equipment off and on, the useris encouraged to try to correct the interference by one or more of the following measures:• Reorient or relocate the receiving antenna.• Increase the separation between the equipment and receiver.• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.• Consult the dealer or an experienced radio/TV technician for help.

FCC WARNINGChanges or modifications not expressly approved by the party responsible for compliance could void the user’sauthority to operate the equipment.

Important!Please note the following important information before using this product.

• Before using the optional AD-5 Adaptor to power the unit, be sure to check the AC Adap-tor for any damage first. Carefully check the power cord for breakage, cuts, exposed wireand other serious damage. Never let children use an AC adaptor that is seriously dam-aged.

• Never attempt to recharge batteries.• Do not use rechargeable batteries.• Never mix old batteries with new ones.• Use recommended batteries or equivalent types.• Always make sure that positive (+) and negative (–) poles are facing correctly as indicated

near the battery compartment.• Replace batteries as soon as possible after any sign they are getting weak.• Do not short-circuit the battery terminals.• The product is not intended for children under 3 years.• Use only CASIO AD-5 adaptor.• The AC adaptor is not a toy.• Be sure to disconnect the AC adaptor before cleaning the product.

CASIO ELECTRONICS CO., LTD.Unit 6, 1000North Circular RoadLondon NW2 7JD, U.K.

This mark is valid in the EU countries only.Please keep all information for future reference.

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Safety Precautions

Congratulations on your selection of theCASIO electronic musical instrument.• Before using the instrument, be sure to

carefully read through the instructionscontained in this manual.

• Please keep all information for future ref-erence.

SymbolsVarious symbols are used in this user’s guideand on the product itself to ensure that theproduct is used safely and correctly, and toprevent injury to the user and other personsas well as damage to property. Those sym-bols along with their meanings are shownbelow.

DANGER

This symbol indicates information that, ifignored or applied incorrectly, creates thedanger of death or serious personal injury.

WARNING

This indication stipulates matters that havethe risk of causing death or serious injuryif the product is operated incorrectly whileignoring this indication.

CAUTION

This indication stipulates matters that havethe risk of causing injury as well as mat-ters for which there is the likelihood ofoccurrence of physical damage only if theproduct is operated incorrectly while ig-noring this indication.

Symbol Examples

This triangle symbol ( ) meansthat the user should be careful.(The example at left indicateselectrical shock caution.)

This circle with a line through it( ) means that the indicated ac-tion must not be performed. In-dications within or nearby thissymbol are specifically prohib-ited. (The example at left indi-cates that disassembly is prohib-ited.)

The black dot ( ) means that theindicated action must be per-formed. Indications within thissymbol are actions that are spe-cifically instructed to be per-formed. (The example at left indi-cates that the power plug must beunplugged from the electricalsocket.)

625A-E-003A

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AC AdaptorMisuse of the AC adaptor’s electriccord can damage or break it, creat-ing the risk of fire and electric shock.Always make sure you observe thefollowing precautions.• Never place heavy objects on the

cord or subject it to heat.• Never try to modify the cord or

subject it to excessive bending.• Never twist or stretch the cord.• Should the electric cord or plug

become damaged, contact youroriginal retailer or authorizedCASIO Service Provider.

AC AdaptorNever touch the AC adaptor whileyour hands are wet.Doing so creates the risk of electricshock.

BatteriesMisuse of batteries can cause themto leak, resulting in damage tonearby objects, or to explode, creat-ing the risk of fire and personal in-jury. Always make sure you observethe following precautions.• Never try to take batteries apart

or allow them to become shorted.• Never expose batteries to heat or

dispose of them by incineration.• Never mix old batteries with new

ones.• Never mix batteries of different

types.• Do not charge the batteries.• Make sure the positive (+) and

negative (–) ends of the batteriesare facing correctly.

DANGER

Alkaline BatteriesPerform the following steps imme-diately if fluid leaking from alka-line batteries ever gets into youreyes.1. Do not rub your eyes! Rinse them

with water.2. Contact your physician immedi-

ately.Leaving alkaline battery fluid inyour eyes can lead to loss of sight.

WARNING

Smoke, Strange Odor, OverheatingContinued use of the product whileit is emitting smoke, a strange odor,or heat creates the risk of fire andelectric shock. Take the followingsteps immediately.1. Turn off power.2. If you are using the AC adaptor

for power, unplug it from the walloutlet.

3. Contact your original retailer oran authorized CASIO Service Pro-vider.

AC AdaptorMisuse of the AC adaptor createsthe risk of fire and electric shock.Always make sure you observe thefollowing precautions.• Be sure to use only the AC adap-

tor that is specified for this prod-uct.

• Use only a power source whosevoltage is within the ratingmarked on the AC adaptor.

• Do not overload electrical outletsand extension cords.


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Plastic BagsNever place the plastic bag the prod-uct comes in over your head or inyour mouth. Doing so creates therisk of suffocation.Particular care concerning this pre-caution is required where small chil-dren are present.

Keep off of the product and stand.*Climbing onto the product or standcan cause it to tip over or becomedamaged. Particular care concern-ing this precaution is requiredwhere small children are present.

LocationAvoid locating the product on anunstable stand, on an uneven sur-face, or any other unstable location.An unstable location can cause theproduct to fall over, creating the riskof personal injury.

Do not incinerate the product.Never throw the product into fire.Doing so can cause it to explode,creating the risk of fire and personalinjury.

Water and Foreign MatterWater, other liquids, and foreignmatter (such as pieces of metal) get-ting into the product create the riskof fire and electric shock. Take thefollowing steps immediately.1. Turn off power.2. If you are using the AC adaptor



Disassembly and ModificationNever try to take this product apartor modify it in any way. Doing socreates the risk of electric shock,burn injury, or other personal in-jury. Leave all internal inspection,adjustment, and maintenance up toyour original retailer or authorizedCASIO Service Provider.

Dropping and ImpactContinued use of this product afterit has been damaged by droppingor subjecting it to strong impact cre-ates the risk of fire and electricshock. Take the following steps im-mediately.1. Turn off power.2. If you are using the AC adaptor



625A-E-005A


E-4 625A-E-006A

CleaningBefore cleaning the product, alwaysunplug the AC adaptor from thewall outlet first. Leaving the ACadaptor plugged in creates the riskof damage to the AC adaptor, fire,and electric shock.

BatteriesMisuse of batteries can cause themto leak resulting in damage tonearby objects, or to explode, creat-ing the risk of fire and personal in-jury. Always make sure you observethe following precautions.• Use only batteries that are speci-

fied for use with this product.• Remove batteries from the prod-

uct if you do not plan to use it fora long time.

ConnectorsConnect only the specified devicesand equipment to the product’s con-nectors. Connection of a non-speci-fied device or equipment creates therisk of fire and electric shock.

LocationAvoid the following locations forthis product. Such locations createthe risk of fire and electric shock.• Areas subject to high humidity

or large amounts of dust.• In food preparation areas or other

areas subject to oil smoke.• Near air conditioning equipment,

on a heated carpet, in areas ex-posed to direct sunlight, inside ofa vehicle parked in the sun, orany other area that subjects theproduct to high temperatures.

CAUTION

AC AdaptorMisuse of the AC adaptor createsthe risk of fire and electric shock.Always make sure you observe thefollowing precautions.• Do not locate the electric cord

near a stove or other sources ofheat.

• Never pull on the cord when un-plugging from the electrical out-let. Always grasp the AC adap-tor when unplugging.

AC AdaptorMisuse of the AC adaptor createsthe risk of fire and electric shock.Always make sure you observe thefollowing precautions.• Insert the AC adaptor into the

wall outlet as far as it will go.• Unplug the AC adaptor from the

wall outlet during lighteningstorms or before leaving on a tripor other long-term absence.

• At least once a year, unplug theAC adaptor from the wall outletand wipe away any dust that isbuilt up in the area around theprongs of the plug.

Relocating the ProductBefore relocating the product, al-ways unplug the AC adaptor fromthe wall outlet and disconnect allother cables and connecting cords.Leaving cords connected creates therisk of damage to the cords, fire,and electric shock.


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IMPORTANT!When using batteries, be sure to replace them or shift to oneof the alternate power sources whenever you notice any ofthe following symptoms.

• Dim power indicator• Instrument does not turn on• Display that is flickering, dim, or difficult to read• Abnormally low speaker/headphone volume• Distortion of sound output• Occasional interruption of sound when playing at high vol-

ume• Sudden power failure when playing at high volume• Flickering or dimming of the display when playing at high

volume• Continued sound output even after you release a key• A tone that is totally different from the one that is selected• Abnormal rhythm pattern and Song Bank play• Loss of power, sound distortion, or low volume when play-

ing from a connected computer or MIDI device

<CTK-491 only>• Distortion of microphone input• Dim power supply indicator when a microphone is used• Sudden power failure when using the microphone

Display Screen• Never push on the display

screen’s LCD panel or subject itto strong impact. Doing so cancause the LCD panel’s glass tocrack, creating the risk of personalinjury.

• Should the LCD panel ever crackor break, never touch the liquidinside of the panel. LCD panelliquid can cause skin irritation.

• Should LCD panel liquid ever getinside your mouth, immediatelywash out your mouth with waterand contact your physician.

• Should LCD panel liquid ever getinto your eyes or onto your skin,rinse with clear water for at least15 minutes, and then contact aphysician.

Sound VolumeDo not listen to music at very loudvolumes for long periods. Particu-lar care concerning this precautionis required when using headphones.High volume settings can damageyour hearing.

Heavy ObjectsNever place heavy object on top ofthe product.Doing so can make the product topheavy, causing the product to tipover or the object to fall from it,creating the risk of personal injury.

Correct Stand* AssemblyAn incorrectly assembled stand cantip over, causing the product to falland creating the risk of personal in-jury.Make sure you assemble the standcorrectly, following the assemblyinstructions that come with it. Makesure you mount the product on thestand correctly.

* Stand is available as an option.

625A-E-007B


E-6 625A-E-008A

IntroductionCongratulations upon your selection of this CASIO musical instrument. This keyboard providesyou with the following features and functions.

100 tones• Choose from among orchestral sounds, synthesized sounds, and more.

100 rhythms• 100 versatile rhythms help to add plenty of life to all your keyboard performances.

Auto Accompaniment• Simply play a chord and the corresponding rhythm, bass and chord parts play automatically.

100-tune Song Bank• A wide selection of favorites including “ODE TO JOY” and “JINGLE BELLS” is yours for your

listening enjoyment or play along fun. A simple operation cuts out the melody part or accom-paniment part of the tune, allowing you to play along on the keyboard.

Musical Information System• A big LCD screen graphically shows you fingerings, keyboard keys to be pressed, and notes,

making keyboard play more informative and enjoyable than ever before.

MIDI compatibility• Connecting to another MIDI device lets you sound notes on both this keyboard and the

connected device by playing on this keyboard. You can even playback commercially avail-able pre-recorded MIDI data.


E-7625A-E-009B

Contents

Safety Precautions ................E-1

Introduction ...........................E-6

Contents .................................E-7

General Guide ........................E-8Rear Panel .................................................E-9

Using the Display .....................................E-10

Song BankQuick Reference .................. E-11

Playing Back a Song Bank Tune ............. E-11

Power Supply.......................E-13Using batteries .........................................E-13

Using the AC Adaptor ..............................E-14

Auto Power Off .........................................E-14

Settings ....................................................E-14

Connections.........................E-15Phones/Output Terminal ..........................E-15

Sustain jack Terminal ...............................E-15

Accessories and Options .........................E-15

Basic Operations .................E-16Playing the Keyboard...............................E-16

Selecting a Tone ......................................E-16

Using the Microphone Jack(CTK-491 only) ........................................E-17

Auto Accompaniment .........E-18Selecting a Rhythm..................................E-18

Playing a Rhythm.....................................E-18

Adjusting the Tempo ................................E-19

Using Auto Accompaniment .....................E-19

Using a Fill-in Pattern ..............................E-21

Synchro Starting Accompanimentwith Rhythm Play .....................................E-21

Adjusting the Accompaniment Volume ....E-21

Using the Song Bank ..........E-22Playing Back a Song Bank Tune .............E-22

Song Bank Mode Display ........................E-23

Adjusting the Tempo of a Song Bank Tune ... E-23

Changing the Tone of a Song BankTune’s Melody ..........................................E-24

Playing Along with a Song Bank Tune .....E-24

Applause Sound ......................................E-25

Playing Back All Song Bank Tunesin Succession ...........................................E-25

Using the Chord Book ........E-26Looking Up a ChordUsing the Chord Book..............................E-27

Keyboard Settings...............E-29Transposing the Keyboard .......................E-29

Tuning the Keyboard ...............................E-30

MIDI .......................................E-31What is MIDI? ..........................................E-31

General MIDI ...........................................E-31

Changing MIDI Settings ...........................E-32

Troubleshooting ..................E-34

Specifications ......................E-36

Care of your keyboard ........E-37

Appendix ............................... A-1Tone List .....................................................A-1

Note Table ..................................................A-2

Fingered Chord Chart ................................A-4

Percussion Instrument List ........................A-5

MIDI Implementation Chart


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8

D

96

F JH

G I K

F

5 07 B

A C E4

31

2

*

General Guide

EEEEE SONG BANK CONTROLLER

625A-E-010A

• Key, button, and other names are indicated in the text of this manual using bold type.

REW button

LEFT ON/OFF button(ACCOMP)

PLAY/PAUSE button

FF button

STOP button

Number buttons/Chord specification buttons• For input of numbers to change

displayed settings.• For input of chord specification

data when using the ChordBook.

[+]/[–] buttons• Negative values can be changed only

by using [+] and [–] to increase anddecrease the displayed value.

CCCCC

RIGHT ON/OFF button(MELODY)

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*Attachment of the Score StandInsert both ends of the music stand provided withthe keyboard into the two holes on the top surface.

L MIDI OUT terminal

M MIDI IN terminal

N SUSTAIN jack terminal

O DC 9V jack

P PHONES/OUTPUT terminal

<CTK-491 only>

Q MIC IN jack

R MIC VOLUME

1 Rhythm list

2 Power indicator

3 POWER/MODE switch

4 MAIN VOLUME buttons

5 ACCOMP VOLUME button

6 TRANSPOSE/TUNE/MIDI button

7 CHORD BOOK button

8 Tone list

9 Display

0 RHYTHM button

A TONE button

B SONG BANK button

C Number buttons (Chord specification buttons)

D Song bank list

E SONG BANK CONTROLLER(PLAY/PAUSE, STOP, REW, FF, LEFT ON/OFF, RIGHT ON/OFF)

F Speaker

G Chord name

H Percussion instrument list

I SYNCHRO/FILL-IN button

J START/STOP button

K TEMPO buttons

Rear Panel• CTK-481 • CTK-491

625A-E-011B

NOTE• Illustrations in this User’s Guide shows the CTK-481.

NL M N O PLQ R MO P


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1 An indicator appears next to the type of setting you are currently performing (TONE, RHYTHM,SONG BANK).

2 Tone number, rhythm number, song number, keyboard settings value

3 Rhythm, auto-accompaniment, Song Bank tune beats

4 Tone name, rhythm name, song name, mode name, keyboard settings name

5 Musical staff representation of notes and chords you play on the keyboard. A pedal indicator ( )appears when the keyboard's pedal is depressed. An octave indicator ( ) appears when youplay notes in the range from C6 to C7 to indicate that their actual notation is one octave higherthan that shown on display.

6 Uses a graphic keyboard to show notes and chords played on the keyboard or played during SongBank tune playback

7 Auto-accompaniment, Song Bank, chord book chord names

8 Dots indicate fingerings during Song Bank playback. “L” and “R” indicate left-hand and right-hand parts.

9 Rhythm, auto-accompaniment, Song Bank tune tempo

10 Rhythm, auto-accompaniment, Song Bank tune tempo; volume setting

11 Song Bank controller indicators

NOTE• Display examples shown in this User’s Guide are intended for illustrative purposes only. The actual text and values that appear on the

display may differ from the examples shown in this User’s Guide.

Using the Display

• This is how the display appearswhile the Song Bank is in use.

625A-E-012A

4

1

2 5

11

3

789

6

10


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4. Use the Song Bank list to find the tune you wantto play back, and then use the number buttonsto input the tune’s two-digit number.Example: To select “62 ODE TO JOY”, input 6 and then

2.

5. Press the PLAY/PAUSE button to start play of thetune.• The tune plays in an endless loop, re-starting after it

reaches the end.• The display shows the keyboard keys (on the graphic

keyboard), fingerings (with the fingering indicators),musical notes (on the staff), and chord names.

A selection of 100 Song Bank tunes comes built-in for yourlistening pleasure or play along fun. A simple operation cutsout the melody part or accompaniment part of the tune, al-lowing you to play along on the keyboard. See "Using theSong Bank" on page E-22 for details on playing along withSong Bank tunes.

Playing Back a Song Bank Tune

To play back a Song Bank tune

1. Set the POWER/MODE switch to NORMAL.

2. Use the MAIN VOLUME buttons to lower thekeyboard volume to a relatively low level.

3. Press the SONG BANK button to enter the SongBank Mode.

Song Bank Quick Reference

625A-E-013A

Appears when SONG BANK button is pressed

Staff displayKeyboard keys used

Fingers used

Chord name

MAIN VOLUME

POWER/MODE PLAY/PAUSE

SONG BANK Number buttons


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6. Press the RIGHT ON/OFF button to turn off theright-hand melody part and try playing along onthe keyboard.• The display’s graphic keyboard and fingering indi-

cators show you the melody notes to play.

7. Press the RIGHT ON/OFF button again to turnthe melody part back on.• You can also turn the accompaniment part on and off

by pressing the LEFT ON/OFF button.

8. Press the STOP button to stop playback of theSong Bank tune.

9. Press the TONE button to exit the Song BankMode and return to the tone and rhythm selec-tion screen.

NOTE• You can also perform the following operations during play of a

Song Bank tune.

• Pause: Press the PLAY/PAUSE button.• Fast Forward: Press the FF (fast forward) button.• Rewind: Press the REW (rewind) button.

625A-E-014A

Indicator turns off

STOP RIGHT ON/OFF

TONE


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Important Battery Information The following shows the approximate battery life.

Alkaline batteries .............. 4 hours*Manganese batteries .......... 2 hours** The above value is standard battery life at normal tem-

perature, with the keyboard volume at medium setting.Temperature extremes or playing at very loud volumesettings can shorten battery life.

Any of the following symptoms indicate low battery pow-er. Replace batteries as soon as possible whenever any ofthe following occurs.• Dim power indicator• Instrument does not turn on• Display that is flickering, dim, or difficult to read• Abnormally low speaker/headphone volume• Distortion of sound output• Occasional interruption of sound when playing at high

volume• Sudden power failure when playing at high volume• Flickering or dimming of the display when playing at

high volume• Continued sound output even after you release a key• A tone that is totally different from the one that is se-

lected• Abnormal rhythm pattern and Song Bank play• Loss of power, sound distortion, or low volume when

playing from a connected computer or MIDI device

<CTK-491 only>• Distortion of microphone input• Dim power supply indicator when a microphone is

used• Sudden power failure when using the microphone

WARNINGMisuse of batteries can cause them to leak, resulting in damageto nearby objects, or to explode, creating the risk of fire and per-sonal injury. Always make sure you observe the following pre-cautions.• Never try to take batteries apart or allow them to become

shorted.• Never expose batteries to heat or dispose of them by in-

cineration.• Never mix old batteries with new ones.• Never mix batteries of different types.• Do not charge the batteries.• Make sure the positive (+) and negative (–) ends of the

batteries are facing correctly.

CAUTIONMisuse of batteries can cause them to leak resulting in damageto nearby objects, or to explode, creating the risk of fire and per-sonal injury. Always make sure you observe the following pre-cautions.• Use only batteries that are specified for use with this prod-

uct.• Remove batteries from the product if you do not plan to

use it for a long time.

Power Supply

625A-E-015B

Tab

This keyboard can be powered by current from a standardhousehold wall outlet (using the specified AC adaptor) or bybatteries. Always make sure you turn the keyboard off when-ever you are not using it.

Using batteriesAlways make sure you turn off the keyboard before loadingor replacing batteries.

To load batteries

1. Remove the battery compartment cover.

2. Load 6 AA-size batteries into the battery com-partment.• Make sure that the positive (+) and negative (–) ends

are facing correctly.

3. Insert the tabs on the battery compartment cov-er into the holes provided and close the cover.

The keyboard may not function correctly if you load or re-place batteries with power turned on. If this happens, turn-ing the keyboard off and then back on again should returnfunctions back to normal.


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IMPORTANT!• Make sure that the keyboard is turned off before connect-

ing or disconnecting the AC adaptor.• Using the AC adaptor for a long time can cause it to be-

come warm to touch. This is normal and does not indicatemalfunction.

Auto Power OffWhen you are using battery power, keyboard power turnsoff automatically whenever you leave it on without perform-ing any operation for about 6 minutes. When this happens,use the POWER/MODE switch to turn power back on.

NOTE• Auto Power Off is disabled (it does not function) when you are

using the AC adaptor to power the keyboard.

To disable Auto Power OffHold down the TONE button while turning on the keyboardto disable Auto Power Off.

NOTE• When Auto Power Off is disabled, the keyboard does not turn

off automatically no matter how long it is left with no operationbeing performed.

• Auto Power Off is automatically enabled whenever you turn onkeyboard power.

SettingsAll keyboard settings are returned to their initial defaultswhenever keyboard power is turned back on after beingturned off by operation of the POWER/MODE switch or AutoPower Off.

Using the AC AdaptorMake sure that you use only the AC adaptor specified forthis keyboard.

Specified AC Adaptor: AD-5

[Rear Panel]

Also note the following important warnings and precautionswhen using the AC adaptor.

WARNINGMisuse of the AC adaptor creates the risk of fire and electric shock.Always make sure you observe the following precautions.• Be sure to use only the AC adaptor that is specified for this

product.• Use only a power source whose voltage is within the rat-

ing marked on the AC adaptor.• Do not overload electrical outlets and extension cords.

• Never place heavy objects on the cord or subject it toheat.

• Never try to modify the cord or subject it to excessivebending.

• Never twist or stretch the cord.• Should the electric cord or plug become damaged, con-

tact your original retailer or authorized CASIO ServiceProvider.

• Never touch the AC adaptor while your hands are wet.Doing so creates the risk of electric shock.

CAUTIONMisuse of the AC adaptor creates the risk of fire and electric shock.Always make sure you observe the following precautions.• Do not locate the electric cord near a stove or other sourc-

es of heat.• Never pull on the cord when unplugging from the electri-

cal outlet. Always grasp the AC adaptor when unplug-ging.

• Insert the AC adaptor into the wall outlet as far as it willgo.

• Unplug the AC adaptor from the wall outlet during light-ening storms or before leaving on a trip or other long-term absence.

• At least once a year, unplug the AC adaptor from the walloutlet and wipe away any dust that is built up in the areaaround the prongs of the plug.

AC adaptor AD-5

AC output

DC 9V jack

625A-E-016A


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[Connection Example]

NOTE• You can also connect the keyboard’s MIDI terminal to a com-

puter or sequencer. See “MIDI” on page E-31 for details.

LEFT RIGHTAUX IN or similar terminal

of audio amplifier

White Red PIN plug

Stereo standard plug

PHONES/OUTPUT Terminal

Keyboard amp,guitar amp,etc.

1

2

3

Audio connection

Connections

Phones/Output TerminalBefore connecting phones or other external equipment, besure to first turn down the volume settings of the keyboardand the connected equipment. You can then adjust volumeto the desired level after connections are complete.

[Rear Panel]

Connecting Phones (Figure 1)

Connecting phones cuts off output from the keyboard’s built-in speakers, so you can play even late at night without dis-turbing anyone.

Audio Equipment (Figure 2)

Connect the keyboard to a audio equipment using a com-mercially available connecting cord with a standard plug onone end and two PIN plugs on the other end. Note that thestandard plug you connect to the keyboard must be a stereoplug, otherwise you will be able to output only one of stereochannels. In this configuration, you normally set the inputselector of the audio equipment to the terminal (usuallymarked AUX IN or something similar) where the cord fromthe keyboard is connected. See the user documentation thatcomes with your audio equipment for full details.

Musical Instrument Amplifier (Figure 3)

Use a commercially available connecting cord* to connect thekeyboard to a musical instrument amplifier.

* Be sure to use a connecting cord that has a stereo standardplug on the end you connect to the keyboard, and a con-nector that provides dual channel (left and right) input tothe amplifier to which you are connecting. The wrong typeof connector at either end can cause one of the stereo chan-nels to be lost.

When connected to a musical instrument amplifier, set thevolume of the keyboard to a relatively low level and makeoutput volume adjustments using the amplifier ’s controls.

INPUT 1

INPUT 2

PIN jackPIN plug (red)

PIN plug (white)Stereo standard plug Keyboard or

guitar amp

To keyboard’s PHONES/OUTPUT terminal

Standard plug

625A-E-017A

Sustain jack TerminalYou can connect an optional sustain pedal (SP-2, SP-10, orSP-20) to the SUSTAIN jack terminal to enable the capabili-ties described below.

Sustain Pedal

• With piano tones, depressing the pedal causes notes to lin-ger, much like a piano’s damper pedal.

• With organ tones, depressing the pedal causes notes to con-tinue to sound until the pedal is released.

Accessories and OptionsUse only the accessories and options specified for this key-board. Use of non-authorized items creates the danger of fire,electrical shock, and personal injury.

SUSTAIN jack Terminal

SP-20


E-16

BASS PIANO

This section provides information on performing basic key-board operations.

Playing the Keyboard

To play the keyboard


2. Use the MAIN VOLUME buttons to lower thekeyboard volume.• It’s always a good idea to set the keyboard volume at

a relatively low level before playing.• Pressing [] or [] causes the current volume setting

to appear on the display. Press [] or [] again tochange the setting.

3. Play something on the keyboard.

Selecting a ToneThis keyboard comes with 100 built-in tones. Use the follow-ing procedure to select the tone you want to use.

To select a tone

1. Find the tone you want to use in the keyboard’stone list and note its tone number.

2. Press the TONE button.

Basic Operations

3. Use the number buttons to input the two digittone number for the tone you want to select.Example: To select “26 WOOD BASS”, input 2 and then

6 .

• Now notes played on the keyboard will be playedusing an acoustical wood bass sound.

NOTE• Always input both digits for the tone number, including a lead-

ing zero (if any). If you input one digit and stop, the display willautomatically clear your input after a few seconds.

• You can also increment the displayed tone number by press-ing [+] and decrement it by pressing [–].

• The names of tone numbers 60 through 89 are not marked onthe keyboard console. See the “Tone List” (page A-1) for de-tails.

• Sound effect tones such as 77 VEHICLE sound best when youkeep a keyboard key depressed.

Combination tonesThe following describes the two types of combination tonesthat are available.

Layered Tones (Tone Numbers: 80 through 89)Example: 80 STR PIANO

This tone layers a strings tone with a piano tone so they bothsound when a keyboard key is pressed.

Split Tones (Tone Numbers: 90 through 96)Example: 90 BASS/PIANO

This tone splits the keyboard so one range is assigned a basstone and another range is assigned a piano tone.

625A-E-018B

Appears when TONE button is pressed

MAIN VOLUME

POWER/MODE

TONE

Number buttons


E-17625A-E-019B

Percussion soundsExample: 99 PERCUSSION

This tone assigns various percussion sounds to the keyboard.See the “Percussion Instrument List” on page A-5 for full de-tails.

Sound Effect TonesWith sound effect tones 77 through 79, the type of sound pro-duced depends on the octave where the key you press is lo-cated. When 78 PHONE is selected available sound types arePUSH TONE 1, PUSH TONE 2, RING 1, RING 2, and BUSYSIGNAL.

PolyphonyThe term polyphony refers to the maximum number of notesyou can play at the same time. The keyboard has 12-note po-lyphony, which includes the notes you play as well as therhythms and auto-accompaniment patterns that are playedby the keyboard. This means that when a rhythm or auto-accompaniment pattern is being played by the keyboard, thenumber of notes (polyphony) available for keyboard play isreduced. Also note that some of the tones offer only 6-notepolyphony.

NOTE• When rhythm or auto accompaniment is playing, the number

of sounds simultaneously played is reduced.

Digital SamplingA number of the tones that are available with this keyboardhave been recorded and processed using a technique calleddigital sampling. To ensure a high level of tonal quality, sam-ples are taken in the low, mid, and high ranges and then com-bined to provide you with sounds that are amazingly closeto the originals. You may notice very slight differences involume or sound quality for some tones when you play themat different positions on the keyboard. This is an unavoid-able result of multiple sampling, and it is not a sign of mal-function.

Using the Microphone Jack(CTK-491 only)Connecting a commercially available microphone to the MICIN jack makes it possible to sing along with the keyboard’sbuilt-in tunes or with output from a MIDI device. When con-necting a microphone, be sure to first adjust the MIC VOL-UME to a relatively low setting, and then adjust to the levelyou want after connecting.

1. When connecting a microphone, we recommendthat you set the MIC VOLUME to a very low lev-el.

2. Turn on the microphone’s ON/OFF switch.

3. Use the MIC VOLUME to adjust microphonevolume to the level you want.

IMPORTANT!• Be sure to use the microphone’s ON/OFF switch to turn off

the microphone and to disconnect the microphone fromthe keyboard whenever you are not using it.

Required Microphone Specifications• Microphone Type : Metal shielded

(microphone body)• Microphone and Cord

Connector : Cannon type (3-prong)• Keyboard Jack Connector : Standard plug (monaural)

IMPORTANT!• Connection to the MIDI terminal of an external device can

cause static in the microphone signal. Use of a Cannontype microphone with a metal-shielded body helps to pre-vent static.

• Be sure to disconnect the microphone from the keyboardwhenever you are not using it.

Howling (Feedback Noise)Any of the following conditions can cause howling (feedbacknoise).

• Covering the head of the microphone with your hand• Positioning the microphone too near to a speaker

Should howling occur, try grasping the microphone furtheraway from the head, and move away from any nearby speak-er.

Static NoiseFluorescent lighting can cause static noise in the microphonesignal. When this happens, move away from the lighting yoususpect may be causing the static.

Microphone

Cannon type (3-prong)

Microphone ON/OFF switch

MIC VOLUME dial

HighLow


E-18

3. Use the number buttons to input the two digitrhythm number for the rhythm you want to se-lect.Example: To select “64 WALTZ”, input 6 and then 4.

NOTE• “00 CLUB POP” is the initial default rhythm setting whenever

you turn on keyboard power.• You can also increment the displayed rhythm number by press-

ing [+] and decrement it by pressing [–].

Playing a RhythmUse the following procedure to start and stop rhythm play.

To play a rhythm


2. Press the START/STOP button to start play of thecurrently selected rhythm.

3. To stop rhythm play, press the START/STOP but-ton again.

NOTE• All of the keyboard keys are melody keys while the POWER/

MODE switch is set to NORMAL.

This keyboard automatically plays bass and chord parts inaccordance with the chords you finger. The bass and chordparts are played using sounds and tones that are automati-cally selected to select the rhythm you are using. All of thismeans that you get full, realistic accompaniments for themelody notes you play with your right hand, creating themood of an one-person ensemble.

Selecting a RhythmThis keyboard provides you with 100 exciting rhythms thatyou can select using the following procedure.

To select a rhythm

1. Find the rhythm you want to use in the keyboard’srhythm list and note its rhythm number.

2. Press the RHYTHM button.

Auto Accompaniment

625A-E-020A

Appears when RHYTHM button is pressed

POWER/MODE TEMPO

START/STOP

RHYTHM

Number buttons


E-19

Using Auto AccompanimentThe following procedure describes how to use the keyboard’sAuto Accompaniment feature. Before starting, you shouldfirst select the rhythm you want to use and set the tempo ofthe rhythm to the value you want.

To use Auto Accompaniment

1. Set the POWER/MODE switch to CASIOCHORD or FINGERED.

Adjusting the TempoYou can adjust the tempo of rhythm play within a range of20 to 255 beats per minute. The tempo setting is applied toAuto Accompaniment chord play, and song bank operations.

To adjust the tempo

Use the TEMPO buttons ( / ) to adjust the tempo. : Increases the tempo value. : Decreases the tempo value.Example: Hold down the button until the tempo value 110

is on the display.

NOTE• Pressing both TEMPO buttons ( and ) at the same time

resets the tempo to the default value of the currently selectedrhythm.

About the Graphic MetronomeThe graphic metronome appears on the display along withthe tempo value and beat of a rhythm or built-in tune. Thegraphic metronome helps you keep in time as you play alongwith a rhythm or built-in tune.

625A-E-021A

Graphic metronome

Beat

Tempo value

2. Press the START/STOP button to start play of thecurrently selected rhythm.

3. Play a chord.• The actual procedure you should use to play a chord

depends on the current POWER/MODE switch po-sition. Refer to the following pages for details onchord play.

CASIO CHORD ........................... This page

FINGERED ................................... Page E-20

4. To stop Auto Accompaniment play, press theSTART/STOP button again.

CASIO CHORDThis method of chord play makes it possible for anyone toeasily play chords, regardless of previous musical knowledgeand experience. The following describes the CASIO CHORD“Accompaniment keyboard” and “Melody keyboard”, andtells you how to play CASIO CHORDs.

CASIO CHORD Accompaniment Keyboard andMelody Keyboard

Chord name

Basic fingering of current chord(May be different from chord actuallybeing played on the keyboard.)

Melody keyboardAccompaniment

keyboard

NOTE• The accompaniment keyboard can be used for playing chords

only.No sound will be produced if you try playing single melody noteson the accompaniment keyboard.


E-20

NOTE• It makes no difference whether you press black or white keys

to the right of a major chord key when playing minor and sev-enth chords.

FINGEREDFINGERED provides you with a total of 15 different chordtypes. The following describes the FINGERED “Accompa-niment keyboard” and “Melody keyboard”, and tells you howto play a C-root chord using FINGERED.

FINGERED Accompaniment Keyboard and Mel-ody Keyboard

Major chordsMajor chord names are markedabove the keys of the accompa-niment keyboard. Note that thechord produced when you pressan accompaniment keyboarddoes not change octave, regard-less of which key you use to playit.

Minor chords (m)To play a minor chord, keep themajor chord key depressed andpress any other accompanimentkeyboard key located to the rightof the major chord key.

Seventh chords (7)To play a seventh chord, keep themajor chord key depressed andpress any other two accompani-ment keyboard keys located tothe right of the major chord key.

Minor seventh chords (m7)To play a minor seventh chord,keep the major chord key de-pressed and press any other threeaccompaniment keyboard keyslocated to the right of the majorchord key.

ExampleChord Types

Melody keyboardAccompaniment

keyboard

625A-E-022A

Chord TypesCASIO CHORD accompaniment lets you play four types ofchords with minimal fingering.

See the “Fingered Chord Chart” on page A-4 for details onplaying chords with other roots.

*1: Inverted fingerings cannot be used. The lowest note is theroot.

*2: The same chord can be played without pressing the 5thG.

NOTE• Except for the chords specified in note*1 above, inverted fin-

gerings (i.e. playing E-G-C or G-C-E instead of C-E-G) will pro-duce the same chords as the standard fingering.

• Except for the exception specified in note*2 above, all of thekeys that make up a chord must be pressed. Failure to presseven a single key will not play the desired FINGERED chord.

NOTE• The accompaniment keyboard can be used for playing chords

only. No sound will be produced if you try playing single melo-dy notes on the accompaniment keyboard.

C

Caug *1

Cm7 *2

C75 *1

Cmadd9 *2

Cm

Csus4

Cmaj7 *2

C7sus4

CmM7 *2

Cdim

C7 *2

Cm75

Cadd9 *2

Cdim7 *1

C minor seventh (Cm7)CC DE FF# E #GAA BB CC DE FE#

C seventh (C7)CC DE FF# E #GAA BB CC DE FE#

C minor (Cm)CC DE FF# E #GAA BB CC DE FE#

CC DE FF# E #GAA BB CC DE FE# C Major (C)


E-21

Using a Fill-in PatternFill-in patterns let you momentarily change the rhythm pat-tern to add some interesting variation to your performances.

The following procedure describes how to use the Fill-in fea-ture.

To insert a fill-in

1. Press the START/STOP button to start rhythmplay.

2. Press the SYNCHRO/FILL-IN button to insert afill-in pattern for the rhythm you are using.

Synchro Starting Accompanimentwith Rhythm PlayYou can set up the keyboard to start rhythm play at the sametime you play the accompaniment on the keyboard.

The following procedure describes how to use synchro start.Before starting, you should first select the rhythm you wantto use, set the tempo, and use the POWER/MODE switch toselect the chord play method you want to use (CASIOCHORD, FINGERED).

To use synchro start

1. Press the SYNCHRO/FILL-IN button to put thekeyboard into synchro start standby.

2. Play a chord on the accompaniment keyboardand the rhythm pattern starts to play automati-cally.

625A-E-023A

ACCOMP VOLUME [+]/[–]

START/STOPSYNCHRO/FILL-IN Number buttons

Flash

NOTE• If the POWER/MODE switch is set to NORMAL, only the rhythm

plays (without a chord) when you play on the accompanimentkeyboard.

• To cancel synchro start standby, press the SYNCHRO/FILL-INbutton one more time.

Adjusting the Accompaniment VolumeYou can adjust the volume of the accompaniment parts as avalue in the range of 0 (minimum) to 9.

1. Press the ACCOMP VOLUME button.

2. Use the number buttons or the [+]/[–] buttonsto change the current volume setting value.Example: 5

NOTE• The current accompaniment volume value that appears in Step

1 automatically clears from the display if you do not input any-thing within about five seconds.

• Pressing [+] and [–] buttons at the same time automaticallysets an accompaniment volume of 7.

Current accompaniment volume setting


E-22

NOTE• “00 A WHOLE NEW WORLD (ALADDIN’S THEME)” is the ini-

tial default Song Bank tune setting whenever you turn on key-board power.

• You can also increment the displayed tune number by press-ing [+] and decrement is by pressing [–].

• Before advancing to the next step, which actually starts play-back, you can adjust the tempo (page E-19), select a tone (pageE-16) for the melody part, or turn off the left-hand or right-handpart (page E-24).

5. Press the PLAY/PAUSE button to start play of thetune.

6. Press the STOP button to stop playback of theSong Bank tune.

A selection of 100 Song Bank tunes comes built-in for yourlistening enjoyment or play along fun. You can turn off theleft-hand or right-hand part to practice with the remainingpart, and the display even shows you what keys to press andwhich fingers you should use.

Playing Back a Song Bank Tune

To play back a Song Bank tune

1. Set the POWER/MODE switch to NORMAL,FINGERED, or CASIO CHORD.

2. Adjust the main volume and accomp volume.

3. Press the SONG BANK button to enter the SongBank Mode.

4. Use the Song Bank list to find the tune you wantto play back, and then use the number buttonsto input the tune’s two-digit number.Example: To select “49 ALOHA OE”, input 4 and then 9.

Using the Song Bank

625A-E-024A

Appears when SONG BANK button is pressed

Song NameSong Number

A l o h a Oe

Appears when PLAY/PAUSE button is pressed

Keyboard keys used

Fingers used

Staff displayChord name

REWPLAY/PAUSE

POWER/MODE TEMPO SONG BANK

STOP FF

Number buttons


E-23

To pause Song Bank tune play

1. While a Song Bank tune is playing, press thePLAY/PAUSE button to pause it.

2. To resume play, press PLAY/PAUSE again.

To fast reverse during playback

1. While playback is in progress, hold down theREW button.

• Beeps sound during fast reverse to give you an ideaof where you are located in the tune.1 beep: indicates a change to anther measure.2 beeps: indicates the beginning of the tune.

2. To resume normal playback, release the REWbutton.

To fast forward during playback

1. While playback is in progress, hold down the FFbutton.

• Beeps sound during fast forward to give you an ideaof where you are located in the tune.1 beep: indicates a change to anther measure.3 beeps: indicates the ending of the tune.

2. To resume normal playback, release the FF but-ton.

Song Bank Mode DisplayIn the Song Bank Mode, the display shows a variety of infor-mation about the tune being played.

[Playback Display]

NOTE• Chord names are not displayed for Songs 80 through 99.

Adjusting the Tempo of a Song BankTune

To change the tempo of a Song Bank tuneThe tempo can be set within a range of 20 to 255 beats perminute. The tempo setting can be adjusted while the tune isstopped, playing back, or paused.

Use the TEMPO buttons [/] to adjust the tempo. : each press increases the value : each press decreases the value

NOTE• Pressing both the [] and [] TEMPO buttons at the same

time returns the tempo setting to the preset value for the cur-rently selected tune.

• Song Bank tunes 80 through 99 are arranged so their temposchange part way through the tunes. If you use the above pro-cedure to change the tempo setting while one of these tunes isplaying, however, the tempo you set is used for the entire tunewithout any change part way through.

625A-E-025A

The indicator “” appears while afast reverse operation is in progress.

The indicator “” appears while afast forward operation is in progress.

Tune tempo

Notes played Fingers used

Keyboard keys used Chord name Staff display

The indicator “ II ” appears while atune play is paused.

NOTE• Each time you select a new Song Bank tune, the tone, tempo,

and rhythm that is programmed for the tune are automaticallyselected. You can change a tune’s tone and tempo during play-back, but you cannot change the rhythm.

• You can also adjust the accompaniment volume (page E-21)for tunes 00 through 79.


E-24

Changing the Tone of a Song BankTune’s MelodyYou can select any one of the keyboard’s 100 tones to be usedto play the melody part of a Song Bank tune. The tone settingcan be changed while the tune is stopped or playing back.

1. While a song is playing back, press the TONEbutton.

2. Find the tone you want in the Tone List, and thenuse the number buttons or the [+] and [–] but-tons to specify the tone number.Example: To select “30 VIOLIN”, input 3 and then 0.

NOTE• Pressing both the [+] and [–] buttons at the same time selects

“00 PIANO 1”.• With two-hand tunes (80 to 99), you can select tones for both

the left hand part and right hand part.• To return a Song Bank tune to its original settings, simply se-

lect that tune again.

To play along with a Song Bank tune

1. Perform steps 1 through 4 under “To play back aSong Bank tune” on page E-22 to select the songyou want to play along with.

2. Press the RIGHT ON/OFF or LEFT ON/OFF but-ton for the part you want to turn off.• Press the RIGHT ON/OFF button to turn off the right

hand (melody) part, or the LEFT ON/OFF button toturn off the left hand (accompaniment) part.

• The on/off status of each part is indicated by letters(L and R) that appear inside the hand graphics on thedisplay. A part is turned on when its letter is dis-played, and turned off when its letter is not displayed.

Playing Along with a Song BankTuneEach Song Bank tune has a left-hand (accompaniment) partand a right-hand (melody) part. You can turn off the left-handpart or right-hand part of a Song Bank tune and play alongwith the remaining part on the keyboard.

625A-E-026A

LEFT ON/OFFPLAY/PAUSE

RHYTHMTONE

STOP RIGHT ON/OFF

[+]/[–] Number buttons

Melody

Left-hand notes

Auto-accompaniment

Auto-accompani-ment (percussion,

bass, chords)

TuneNumbers

AccompanimentType

Left-handPart

Right-handPart

00 to 79

Piano Solo

80 to 99

Right-hand notes


E-25

Applause SoundWhenever you turn off the left hand or right hand part of aSong Bank tune and play it back, an applause sound is pro-duced when the tune reaches the end.

To turn off the applause sound

Press the STOP button and the LEFT ON/OFF orRIGHT ON/OFF button at the same time.

• Pressing the STOP button and the LEFT ON/OFF or RIGHTON/OFF button at the same time again turns the applausesound back on.

Playing Back All Song Bank Tunesin Succession

1. Use the TONE or RHYTHM button to change toany mode other than the Song Bank Mode.• Make sure a dot is not on the display next to the SONG

BANK indicator.

2. Press the PLAY/PAUSE button to start playbackof the Song Bank tunes starting from tune 00.

3. To stop Song Bank tune playback, press the STOPbutton.• Pausing playback automatically cancels consecutive

playback of all Song Bank tunes. Re-starting playbackcauses repeat playback of the current tune only.

3. Press the PLAY/PAUSE button to start play of theSong Bank Tune.• Only the part (melody or accompaniment) that is

turned on is played, so you can play the other part onthe keyboard.

• The keys you should press are indicated on the dis-play’s graphic keyboard.

• You can press the RIGHT ON/OFF and LEFT ON/OFF buttons to turn parts on and off while playbackis in progress.

4. To end playback, press the STOP button.

Auto-accompaniment Tunes (Tune Numbers 00to 79)During playback of these tunes in the Song Bank Mode, thechord specification method for the left hand is always FIN-GERED for these tunes, regardless of the POWER/MODEswitch setting.

Two-hand Tunes (Tune Numbers 80 to 99)During playback of these tunes in the Song Bank Mode, theentire keyboard functions as a melody, regardless of the POW-ER/MODE switch setting.

NOTE• With two-hand tunes (80 to 99), you cannot turn off both the

left-hand and right-hand parts at the same time. Turning off apart causes the other part to turn on automatically.

• The selected Song Bank tune continues to repeat until you stopplayback by pressing the STOP button.

• The accompaniment volume setting (page E-21) affects auto-accompaniment tunes (00 to 79) only.

• Chord names are not displayed during playback of two-handtunes (80 to 99).

• Turning off both the left-hand and right-hand parts of the auto-accompaniment tunes (00 to 79) results in obbligato accompa-niment being played.

625A-E-027A

Indicator turns off.


E-26

Chord NamesChords are named using upper-case letters from A throughG, which indicate the root note of the chord. If the root noteis a sharp or flat, the chord itself is sharp or flat. A chordname may also be followed by a degree number or other sym-bols that indicate certain characteristics about the chord.

<Examples>

The Chord Book feature of this keyboard makes it possiblefor you to look up information about chords quickly and eas-ily. Simply input the name of the chord and the keyboardkeys you should press, the fingers you should use, and thenotes that make up the chord appear on the display alongwith the chord name.

What is a chord?A chord is made up of a root note, upon which is stacked anumber of other notes. A variety of different chords can becreated by changing the notes stacked onto a root.

<Example: C chord>

Inverted FormsThere are a number of different ways to play the same chord.A form that is different from the basic form but still producesthe same chord is called an “inverted form.”

<Example: C chord>

All of the following are C chords.

Black keys

White keys

Using the Chord Book

Stacked notesRoot

Major seventh Sus fourthSeventh

RootRoot Degree

Degree

Root Root Root Root Root

Root

Sharp Flat MinorSharp

Diminished

<Note Names>

B

C

C (D )

E (D )

F (G ) A

(G )B

(A )

D E F G A C

625A-E-028A

CHORD BOOK

CLEAR

Sharps and flats can be referred to using eitherof the names shown here. The names in theupper row of this illustration are used by thiskeyboard, because they are the names that aremost commonly used in musical notation.

Chord specificationbuttons


E-27

5. Check to make sure that the chord name on thedisplay is the one you want. If it isn’t, repeat theabove from step 2.

6. If the chord is correct, you can see its fingeringon the graphic keyboard. Try playing the chordon the keyboard.

<Example>

NOTE• The fingering that appears on the display is one standard fin-

gering. You can also use other fingerings to match the size ofyour hands or to make it easier to progress from or to neigh-boring chords.

• You can also use the [+] and [–] buttons to change the dis-played chord name.

• The tone used to sound chords you play on the accompani-ment keyboard while using the Chord Book is the same toneused by the accompaniment part of the rhythm that was se-lected before you entered the Chord Book mode. Dependingon the rhythm that was selected, some of the notes that makeup a chord may be omitted when you play the chord on theaccompaniment keyboard in the Chord Book Mode. This is dueto the internal chord conversion function, arrangements, andpolyphony limitations. Because of this, you should always playthe chords indicated on the display on the melody keyboard(the range that does not have chord names printed above thekeys).

Looking Up a Chord Using the ChordBook

1. Press the CHORD BOOK button to enter theChord Book mode.

2. Press the CLEAR button.• This step is necessary to clear any previously input

chord name.

3. If the chord name you plan to input is a non-major chord, use the chord specification but-tons to specify the chord type.• Chord types are indicated by the small letters above

the chord specifications buttons.• Non-major chords include minor, seventh, sustained,

etc. chords.• See page E-28 for details on the chord specification

buttons.• Skip step 3 if you want to input a major chord name.

<Example: Fm7-5>

4. Press the accompaniment keyboard key that cor-responds to the root note of the chord.• A dash appears in place of the chord name if the chord

cannot be recognized by the keyboard.• To specify F, for example, press the F key.• The key you press is indicated on the graphic key-

board and the corresponding chord sounds.

C D E F G A B C D E FCE F A B C E

625A-E-029A

Keyboard keys used

Chord name

Staff display

Fingers used

<Example: Fm7-5>


E-28

Chord Name Modifier Keys

major C(C major)

minor Cm(C minor)

aug Caug(C augmened) C+5

Csus4sus 4 (C sustained

fourth)

dim Cdim(C diminished) C°

7th C7(C seventh)

CM7M7 (C major Cmaj7 C∆7

seventh)

Cm7minor 7 (C minor

seventh)

CmM7

minor M7 (C minorMajorseventh)

Cm7-5

minor7-5 (C minor Cø

seventhflat five)

ChordType

Symboland

NameReference

ModifierKey

C7sus47sus 4 (C seventh

sus fourth)

add 9 Cadd9(C add ninth)

Cm add9m add 9 (C minor

add ninth)

C7-57th-5 (C seventh C75

flat five)

Cdim7dim7 (C diminished

seventh)

ChordType

Symboland

NameReference

ModifierKey

625A-E-030A

NOTE• Since the chord fingerings that appear on the display are se-

lected to allow chord play within the accompaniment keyboard,inverted chord forms (page E-26) are often suggested. Invert-ed chord forms are useful to help you learn how to play chordvariations that make it possible to move from one chord to an-other with minimal hand movement. These forms come in handywhen using FINGERED Auto Accompaniment play.

• While a chord name is on the display, you can press keys onthe accompaniment keyboard to find out the fingerings of thesame chord with a different root.

• You can also scroll through chord names using the [+] and [–]buttons.

• Chord fingerings that appear on the display are formed usingonly the keys within the range of the accompaniment keyboard(leftmost 18 keys). Chords that cannot be formed using thekeys within this range are not displayed.


E-29

Transposing the KeyboardTranspose lets you raise and lower the overall key of the key-board in semitone units. If you want to play an accompani-ment for a vocalist who sings in a key that’s different fromthe keyboard, for example, simply use transpose to changethe key of the keyboard.

To transpose the keyboard

1. Press the TRANSPOSE/TUNE/MIDI button un-til the transpose screen appears on the display.

2. Use [+] and [–] to change the transpose settingof the keyboard.Example: To transpose the keyboard five semitones up-

wards.

Keyboard Settings

625A-E-031A

TRANSPOSE/TUNE/MIDI [+]/[–]

NOTE• The keyboard can be transposed within a range of –6 to +5.• The default transpose setting is “0” when keyboard power is

turned on.• If you leave the transpose screen on the display for about five

seconds without doing anything, the screen is automaticallycleared.

• The transpose setting also affects Auto Accompaniment.• Playing back a Song Bank tune automatically returns the trans-

pose setting to its standard default of “0”.


E-30

Tuning the KeyboardThe tuning feature lets you fine tune the keyboard to matchthe tuning of another musical instrument.

To tune the keyboard

1. Press the TRANSPOSE/TUNE/MIDI button twiceto display the tuning screen.

2. Use [+] and [–] to change the tuning setting ofthe keyboard.Example: To lower the tuning by 20.


625A-E-032A

NOTE• The keyboard can be tuned within a range of –50 cents to +50

cents.*100 cents is equivalent to one semitone.

• The default tuning setting is “00” when keyboard power is turnedon.

• If you leave the tuning screen on the display for about five sec-onds without doing anything, the screen is automaticallycleared.

• The tuning setting also affects Auto Accompaniment.• Playing back a Song Bank tune automatically returns the tun-

ing setting to its standard default of “00”.


E-31

MIDI

What is MIDI?The letters MIDI stand for Musical Instrument Digital Inter-face, which is the name of a worldwide standard for digitalsignals and connectors that makes it possible to exchangemusical data between musical instruments and computers(machines) produced by different manufacturers. MIDI com-patible equipment can exchange keyboard key press, key re-lease, tone change, and other data as messages.Though you do not need any special knowledge about MIDIto use this keyboard as a stand-alone unit, MIDI operationsrequire a bit of specialized knowledge. This section providesyou with an overview of MIDI that will help to get you go-ing.

MIDI ConnectionsMIDI messages are send out through the MIDI OUT termi-nal of one machine to the MIDI IN terminal of another ma-chine over a MIDI cable. To send a message from this key-board to another machine, for example, you must use a MIDIcable to connect the MIDI OUT terminal of this keyboard tothe MIDI IN terminal of the other machine. To send MIDImessages back to this keyboard, you need to use a MIDI ca-ble to connect the other machine’s MIDI OUT terminal to theMIDI IN terminal of this keyboard.To use a computer or other MIDI device to record and play-back the MIDI data produced by this keyboard, you mustconnect the MIDI IN and MIDI OUT terminals of both ma-chines in order to send and receive data.

MIDI ChannelsMIDI allows you to send the data for multiple parts at thesame time, with each part being sent over a separate MIDIchannel. There are 16 MIDI channels, numbered 1 through16, and MIDI channel data is always included whenever youexchange data (key press etc.).Both the sending machine and the receiving machine mustbe set to the same channel for the receiving unit to correctlyreceive and play data. If the receiving machine is set to Chan-nel 2, for example, it receives only MIDI Channel 2 data, andall other channels are ignored.With this keyboard, messages received over MIDI Channels1, 2, 3, 4, and 10 can be used for multi-timbre play of up tofive different instrument parts. The tone and volume settingsfor these five channels must be controlled by messages sentfrom an external device.When sending operation of this keyboard to an external de-vice, Channel 1 should be selected as the MIDI send channel.

General MIDIGeneral MIDI standardizes MIDI data for all sound sourcetypes, regardless of manufacturer. General MIDI specifiessuch factors as tone numbering, drum sounds, and availableMIDI channels for all sound sources. This standard makes itpossible for all MIDI equipment to reproduce the same nu-ances when playing General MIDI data, regardless of themanufacturer of the sound source.Though the sound source of this keyboard is not GeneralMIDI compatible, you can still connect the keyboard to a com-puter or other MIDI equipment to playback General MIDIdata that is widely available in stores, over computer net-works, and from other sources.

NOTE• General MIDI data made up of a large number of parts may not

play correctly on this keyboard.• You will have most success playing back General MIDI data

that has few parts and is made up of data on channels 1, 2, 3,4, and 10.

MessagesThere is a wide variety of messages defined under the MIDIstandard, and this section details the particular messages thatcan be sent and received by this keyboard.

NOTE ON/OFFThis message sends data when a key is pressed (NOTE ON)or released (NOTE OFF).A NOTE ON/OFF message include a note number (to indi-cate note whose key is being pressed or released) and veloc-ity (keyboard pressure as a value from 1 to 127).NOTE ON velocity is always used to determine the relativevolume of the note. This keyboard does not receive NOTEOFF velocity data.Whenever you press or release a key on this keyboard, thecorresponding NOTE ON or NOTE OFF message is sent byconstant velocity from the MIDI OUT terminal.

NOTE• The pitch of a note depends on the tone that is being used, as

shown in the Note Table on page A-2. Whenever this keyboardreceives a note number that is outside its range for that tone,the same tone in the nearest available octave is substituted.

625A-E-033A

MIDI sequencer

MIDI IN MIDI OUT

MIDI IN MIDI OUT


E-32 625A-E-034A

PROGRAM CHANGEThis is the tone selection message. PROGRAM CHANGE cancontain tone data within the range of 0 to 127.A PROGRAM CHANGE message (0 to 99) is sent out throughthis keyboard’s MIDI OUT terminal whenever you manual-ly change its tone number. Receipt of a PROGRAM CHANGEmessage from an external machine changes the tone settingof this keyboard (this page).This keyboard can send tone data within the range of 00 to99 and receive tone data within the range of 0 to 127.

PITCH BENDThis message carries pitch bend information for smoothlysliding the pitch upwards or downwards during keyboardplay. This keyboard does not send pitch bend data, but is canreceive such data.

CONTROL CHANGEThis message adds effects such as vibrato and volume changesapplied during keyboard play.CONTROL CHANGE data includes a control number (toidentify the effect type) and a control value (to specify theon/off status and depth of the effect).The following is a list of data that can be received usingCONTROL CHANGE.

Effect Control Number

VOLUME 7

HOLD1 * 64

MODULATION 1

* Pressing the foot pedal causes the sustain effect (HOLD1) tobe sent (control number 64).

Changing MIDI SettingsThis keyboard lets you change the settings of two MIDI pa-rameters: TONE MAP and KEYBOARD CHANNEL.

To change MIDI parameters

1. Press the TRANSPOSE/TUNE/MIDI button ei-ther three or four times to select the parameteryou want.

Press the TRANSPOSE/TUNE/MIDI button threetimes: KEYBOARD CHANNELPress the TRANSPOSE/TUNE/MIDI button four times:TONE MAPExample: To select the TONE MAP parameter.

2. Use [+] and [–] to change the setting of the pa-rameter.Example: To change the TONE MAP parameter value

to “G” (GM).

• If you accidentally go past parameter you want, keeppressing the TRANSPOSE/TUNE/MIDI button un-til parameter you want reappears on the display.

• If you leave the parameter selection screen on the dis-play for about five seconds without doing anything,the parameter selection screen is automaticallycleared.



E-33

Parameters and Their Displays KEYBOARD CHANNEL (Basic Channel) (Default: 01)This parameter specifies the keyboard MIDI message sendchannel.

TONE MAP G/N (Default: N)N: This setting specifies the normal tone map, which allows

receipt of a program change value in the range of 0 to 99.Only tones that correspond to the 100 built-in tones of thiskeyboard can be played, and tone numbers outside thisrange are ignored.

G: This setting specifies the General MIDI tone map, whichallows receipt of a program change value in the range of 0to 127. Each of the 128 General MIDI tones is automati-cally assigned to one of the keyboard’s 100 built-in tonesas shown on page A-2. Select this setting when you wantto listen to General MIDI data from a computer or otherexternal equipment.

NOTE• Playing a Song Bank tune causes all MIDI parameters to re-

vert to their default settings.• Song Bank data cannot be sent as MIDI data.• MIDI messages cannot be received while the keyboard is in

the Song Bank Mode.

625A-E-035A


E-34 625A-E-036B

See page

Pages E-13, 14

Page E-16

Page E-16

Page E-16

Pages E-13, 14

Page E-21

Pages E-29, 30

Action

1. Correctly attach the AC adaptor,make sure that batteries poles (+/–) are facing correctly, and check tomake sure that batteries are notdead.

2. Set the POWER/MODE switch tothe NORMAL position.

3. Use the MAIN VOLUME buttons toincrease volume.

4. Normal play is not possible on theaccompaniment keyboard while thePOWER/MODE switch is set toCASIO CHORD or FINGERED.Change the POWER/MODE switchsetting to NORMAL.

Replace the batteries with a set of newones or use the AC adaptor.

Use the ACCOMP VOLUME button toincrease the volume.

Change the transpose or tuning pa-rameter value to 0 or 00.

Problem

No keyboard Sound

Any of the following symptomswhile using battery power.• Dim power indicator• Instrument does not turn on• Display that is flickering,

dim, or difficult to read• Abnormally low speaker/

headphone volume• Distortion of sound output• Occasional interruption of

sound when playing at highvolume

• Sudden power failure whenplaying at high volume

• Flickering or dimming of thedisplay when playing at highvolume

• Continued sound outputeven after you release a key

• A tone that is totally differentfrom the one that is selected

• Abnormal rhythm patternand Song Bank play

• Loss of power, sound distor-tion, or low volume whenplaying from a connectedcomputer or MIDI device

<CTK-491 only>• Distortion of microphone in-

put• Dim power supply indicator

when a microphone is used• Sudden power failure when

using the microphone

Auto Accompaniment does notsound.

The key or tuning does notmatch when playing along withanother instrument.

Possible Cause

1. Power supply problem.

2. Power is not turned on.

3. Volume setting is too low.

4. The POWER/MODE switch is inthe CASIO CHORD or FINGEREDposition.

Low battery power

Auto accompaniment volume is set to0.

The tuning or transpose parameter isset to a value other than 0 or 00.

Troubleshooting


E-35

See page

Page E-24

Page E-21

Page E-31

Page E-33

See the docu-m e n t a t i o nthat comesw i t h y o u rcomputer orsequencer.

Page E-17

Page E-17

Page E-17

Page E-17

Action

1. Check the display to see if the indi-cator for one of the parts is not dis-played. If so, press the part’s but-ton (LEFT ON/OFF, RIGHT ON/OFF) to turn it on.

2. Adjust accompaniment volume.

Connect MIDI cables properly.

Change TONE MAP parameter to“G”.

Turn off the MIDI THRU function onthe computer or turn off LOCALCONTROL on the keyboard.

1. Use a full metal shielded Cannontype microphone.

2. Move the microphone away fromsource of the static.

1. Increase the microphone volumesetting.

2. Change the microphone on/offswitch setting to ON.

Problem

Missing Song Bank tune.

No sound is produced whenplaying MIDI data from a com-puter.

The bass notes of General MIDIdata being played back by acomputer are one octave toolow.

Playing on the keyboard pro-duces an unnatural sound whenconnected to a computer.

Static noise when a microphoneis connected.

No microphone sound

Possible Cause

1. Left-hand or right-hand part isturned off.

2. Accompaniment volume is set to 0.

MIDI cables are not connected proper-ly.

TONE MAP is turned “N”.

The computer’s MIDI THRU functionis turned on.

1. Use of a microphone that is a differ-ent from the type that is recom-mended.

2. Use of the microphone in the vicin-ity of fluorescent lighting.

1. Microphone volume setting is toolow.

2. Microphone on/off switch is set toOFF.

625A-E-037B


E-36 625A-E-038B

Specifications

Model: CTK-481/CTK-491

Keyboard: 61 standard-size keys, 5 octaves

Tones: 100

Polyphony: 12 notes maximum (6 for certain tones)

Auto Accompaniment

Rhythm Patterns: 100Tempo: Variable (236 steps, = 20 to 255)Chords: 2 fingering methods (CASIO CHORD, FINGERED)Rhythm Controller: START/STOP, SYNCHRO/FILL-INAccomp Volume: 0 to 9 (10 steps)

Song Bank

Tunes: 100Controllers: PLAY/PAUSE, STOP, REW, FF, LEFT ON/OFF (ACCOMP), RIGHT ON/OFF

(MELODY)

Display

Name display: TONE, RHYTHM, SONG BANK name/number, keyboard settings name/valueTempo: Tempo value, metronome, synchro standby, beat indicator, volume settingChord: Chord name, Chord formFingering: Fingering indicators, partsSong Bank Status: PLAY, PAUSE, REW, FFStaff: 5 octaves with sharp and flat indications, pedal symbol, octave symbolKeyboard: 5 octaves

MIDI: 5 multi-timbre receive

Other Functions

Transpose: 12 steps (–6 semitones to +5 semitones)Tuning: Variable (A4 = approximately 440Hz ±50 cents)Volume: 0 to 9 (10 steps)

Terminals

MIDI Terminals: IN, OUTSustain Terminal: Standard jackPhones/Output Terminal: Stereo standard jack (Output is monaural.)

Output Impedance: 78

Output Voltage: 4V (RMS) MAXPower Supply Terminal: 9V DC<CTK-491 only>Microphone In: Standard jack (with microphone volume dial)

Input impedance: 40kΩInput sensitivity: 10mV

Power Supply: Dual power supply systemBatteries: 6 AA-size batteriesBattery Life: Approximately 4 hours continuous operation on alkaline batteries

Approximately 2 hours continuous operation on manganese batteriesAC Adaptor: AD-5Auto Power Off: Turns power off approximately 6 minutes after last key operation. Enabled under

battery power only, can be disabled manually.

Speaker Output: 2.0W + 2.0W

Power Consumption: 9V 7.7W

Dimensions: 95.6 x 35.3 x 12.5 cm (37 11/16 x 13 15/16 x 4 15/16 inch)

Weight: Approximately 4.0kg (8.8lbs) (without batteries)


E-37

Avoid heat, humidity or direct sunlight.Do not overexpose the instrument to direct sunlight, or place it near an air conditioner, or in any extremely hot place.

Do not use near a TV or radio.This instrument can cause video or audio interference with TV and radio reception. If this happens, move the instrument awayfrom the TV or radio.

Do not use lacquer, thinner or similar chemicals for cleaning.Clean the keyboard with a soft cloth dampened in a weak solution of water and a neutral detergent. Soak the cloth in the solutionand squeeze until it is almost dry.

Avoid use in areas subjected to temperature extremes.Extreme heat can cause figures on the LCD screen to become dim and difficult to read. This condition should correct itself whenthe keyboard is brought back to normal temperature.

NOTE• You may notice lines in the finish of the case of this keyboard. These lines are a result of the molding process used to shape the plastic

of the case. They are not cracks or breaks in the plastic, and are no cause for concern.

Care of your keyboard

625A-E-039A


A-1625A-E-079A

Appendix/Apéndice

Tone List

Lista de sonidos

SYNTH-SOUND

60 SYN-LEAD 1

61 SYN-LEAD 2

62 SYN-LEAD 3

63 SYN-CALLIOPE

64 SYN-PAD 1

65 SYN-PAD 2

66 SYN-PAD 3

67 GLASS HMCA

68 COUNTRY FARM

69 SYN-BASS

70 PEARL DROP

71 COSMIC SOUND

72 SOUNDTRACK

73 SPACE PAD

74 VOICE BASS

75 APPLAUSE

76 SYNTH-SFX

77 VEHICLE

78 PHONE

79 FUNNY

LAYER

80 STR PIANO

81 STR E.PIANO

82 CHOIR E.P

83 CHOIR ORGAN

84 STR GUITAR

85 STR HARP

86 BRASS STR

87 VIB PAD

88 12 STR GTR

89 CHOIR STR

CTK481_ES_APPENDIX.p65 03.10.7, 2:59 PMPage 1 Adobe PageMaker 6.5J/PPC

A-2 625A-E-080A

(1): Tone number(2): Maximum polyphony(3): Range type(4): Corresponding General MIDI Number

(1): Número de sonido(2): Polifonía máxima(3): Tipo de gama(4): Correspondiente al número de la MIDI general

Note Table

Tabla de notas

00 12 A 00001 12 A 00102 6 A 00303 6 A 00204 12 A 00405 12 A 00506 6 A 00807 6 A 00908 12 A 00609 12 A 007

(1) (2) (3) (4)

10 12 A 01611 12 A 01712 12 A 01813 6 A 01514 12 A 01915 6 A 10416 12 A 02017 6 A 02118 12 A 02319 12 A 022

(1) (2) (3) (4)

20 12 A 02421 12 A 02522 12 A 02623 12 A 02724 12 A 02825 12 A 029, 030, 031, 08426 12 B 03227 12 B 033, 034, 03528 12 B 036, 03729 12 A 105

(1) (2) (3) (4)

30 12 A 040, 04131 12 B 042, 04332 12 A 045, 046, 04733 12 A 048, 05534 12 A 04935 6 A 04436 12 A 05037 6 A 05138 12 A 091, 05239 12 A 053

(1) (2) (3) (4)

40 12 A 05641 12 B 05842 6 A 05743 12 B 06044 6 B 05945 12 B 06146 6 B 06947 12 B 06248 6 B 063, 08349 6 B 070

(1) (2) (3) (4)

50 12 A 06451 12 A 06552 12 A 066, 06753 12 A 06854 12 A 07155 12 C 07256 12 A 07357 12 A 074, 07958 12 A 075, 076, 07759 12 A 078

(1) (2) (3) (4)

60 12 A 08761 6 A 081, 08662 12 A 08063 6 A 08264 6 A 08965 6 A 09066 6 A 09567 6 A 092, 093, 09868 6 A 054, 085, 09469 12 B 038

(1) (2) (3) (4)

70 6 A 09671 6 A 10372 6 A 09773 6 A 10174 12 B 03975 12 D 126, 12776 6 A 10277 6 D 12578 12 D 12479 6 D 123

(1) (2) (3) (4)

80 6 A 10681 6 A 088, 10782 6 A 10883 6 A 10984 6 A 099, 11085 6 A 11186 6 B 11287 6 A 11388 6 A 11489 6 A 115

(1) (2) (3) (4)

90 12 E 100, 11691 6 E 11792 12 E 11893 12 E 11994 12 E 12095 12 E 12196 12 E 12297 12 A 010, 011, 01498 12 A 012, 01399 12 D

(1) (2) (3) (4)


A-3

........Range in which same note is played in nearest octave as a result of transpose and MIDI data receive operation. (When receiving MIDI data)

........Gama en la que la misma nota se ejecuta en la octava más cercana como un resultado de la transposición y operación de recepción de datos MIDI. (Al recibir datos MIDI)

........Range of keyboard play

........Gama de ejecución de teclado*1 With received MIDI data, notes are played one octave lower.*1 Con los datos MIDI recibidos, las notas se ejecutan en una octava inferior.

*2 With received MIDI data, notes are played one octave higher.*2 Con los datos MIDI recibidos, las notas se ejecutan en una octava más alta.

........Playable range(When receiving MIDI data)

........Gama ejecutable (Al recibir datos MIDI)

Range TypeTipo de gama C-1

A(Standard type)(Tipo estándar)

E(SPLIT)

(División)

D(Sound Effect)

(Efecto de sonido)

C9C8C7C6C5C4C3C2C1C0 A0 A1 A2 G9

C*2

A=440Hz

No scale for tones.Sin escala para los sonidos.

Scale changes in accordance with tone.La escala cambia de acuerdo con el sonido.

“55 PICCOLO”only

Solamente“55 PICCOLO”

B*1Low pitch

instrumentsInstrumentos

de alturatonal baja

• See the illustration below for a description of range types (A through E).• Corresponding General MIDI numbers are General MIDI numbers in effect when the tone map setting is “G”.

• Vea la ilustración siguiente para una descripción de los tipos de gama (A a E).• Los números de la MIDI general correspondiente son los números de la MIDI general que se encuentran en efecto cuando el

ajuste del mapa de sonidos es “G”.

625A-E-081A


A-4 625A-E-082A

Fingered Chord Chart

Cuadros de acordes FingeredThis table shows the left-hand fingerings (including inverted forms) for a number ofoften-used chords. These fingering indications also appear on the keyboard’s display.Chords marked with asterisk (*) cannot be played in the Fingered Mode on this key-board.

Esta tabla muestra las digitaciones (incluyendo las formas invertidas) para varios delos acordes más a menudo usados. Estas indicaciones de digitación también aparecensobre la presentación del teclado.En este teclado, los acordes marcados con asterisco (*) no pueden ejecutarse en elmodo de digitación.

1234

5: Left hand finger

numbers

: Números de losdedos de la manoizquierda

M m 7 m7 dim7

C

D

E

F

G

A

B

C (D )

F (G )

E (D )

A (G )

B (A )

Chord Type

Root

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 2, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 3, 2, 1]

*

*

*

M7 m7-5 dim[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]


A-5

Percussion Instrument List

Lista de instrumentos de percusión• PERCUSSION (tone 99) assigns 39 percussion sound to the keyboard as illustrated below.

The sound assigned to each key are indicated above the keyboard.

• PERCUSSION (sonido 99) asigna 39 sonidos de percusión al teclado como se ilustra debajo.Los sonidos asignados a cada tecla se indican sobre el teclado.

*

COWBELL

CRASH CYMBAL 2

CLAVES

RIDE CYMBAL 2

HIGH BONGO

LOW BONGO

MUTE HIGH CONGA

OPEN HIGH CONGA

LOW CONGA

HIGH TIMBALE

OPEN HI-HAT

LOW-MID TOM

HIGH-MID TOM

CRASH CYMBAL 1

HIGH TOM

RIDE CYMBAL 1

CHINESE CYMBAL

RIDE BELL

TAMBOURINE

SPLASH CYMBAL

BASS DRUM

SIDE STICK

ACOUSTIC SNARE

HAND CLAP

ELECTRIC SNARE

LOW FLOOR TOM

CLOSED HI-HAT

HIGH FLOOR TOM

PEDAL HI-HAT

LOW TOM

LOW TIMBALE

HIGH AGOGO

LOW AGOGO

CABASA

MARACAS

VOICE BASS DRUM

VOICE SNARE

VOICE CLOSED HI-HAT

VOICE OPEN HI-HAT

H

HM

LM

H

L

L

V

V

V

V

* No sound is produced when the keys in this range arepressed.

* Cuando se presionan las teclas en esta gama no se produceningún sonido.

aug sus4

C

D

E

F

G

A

B

C (D )

F (G )

E (D )

A (G )

B (A )

Chord TypeRoot

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 2, 1]

[5, 2, 1]

[5, 2, 1]

[5, 2, 1]

[5, 2, 1]

[5, 2, 1]

[5, 2, 1]

[5, 2, 1]

[5, 2, 1]

[5, 3, 1] [5, 2, 1]

[5, 2, 1]

[5, 2, 1]

*

*

7 sus4 m add9 m M7 7-5 add9[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[4, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[5, 4, 2, 1] [4, 3, 2, 1]

[4, 3, 2, 1]

[5, 3, 2, 1]

625A-E-083A


625A-E-084A


625A-E-085A


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CTK481/491-ES-1

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