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8/8/2019 US Plugins Acrobat en Motion Support h2 h2 Intro

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CINEMATOGRAPHERS

FIELDGUIDE

KODAK


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Cinematographers

Field Guide

KODAK

MOTIONPICTURECAMERAFILMS


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CinematographersTwelfth Edition, October 2006

Eastman Kodak Company, 2006

ISBN 0-87985-749-8

Library of Congress Catalog Card No. 97-77797


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CONTENTS Page No.

INTRODUCTION. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . iv

KODAKMOTION PICTURE CAMERA FILMS

I n t r o d u c t i o n . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M P F - 1H-1 Data Sheets Available. . . . . . . . . . . . . . . . . . . . . MPF-1Color Temperature . . . . . . . . . . . . . . . . . . . . . . . . . . . MPF-2KODAK Motion Picture Camera Films . . . . . . . . MPF-4Film Data (for each camera film) . . . . . . . . . . . . . . MPF-6Incident-Light IlluminationTable (footcandles) . . . . . . . . . . . . . . . . . . . . . . . . . MPF-38

FILTER INFORMATIONIntroduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1Types of Filters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1Filters for Black-and-White Films . . . . . . . . . . . . . . . . . . . 1Color Compensating Filters . . . . . . . . . . . . . . . . . . . . . . . . 3Conversion Filters for Color Films . . . . . . . . . . . . . . . . . . 4KODAK Light Balancing Filters . . . . . . . . . . . . . . . . . . . . 5Neutral Density Filters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6Approximate Correlated Color Temperature for

Various Light Sources . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

TIPS AND TECHNIQUES

Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9Aspect Ratios . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9Force (Push) Processing . . . . . . . . . . . . . . . . . . . . . . . . . . . 11Storage and Care of Motion Picture Films . . . . . . . . . . 11Raw Stock Relative Humidity . . . . . . . . . . . . . . . . . . . . . 11Filmmakers Flow Chart . . . . . . . . . . . . . . . . . . . . . . . . . . 12Storage Conditions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14Temperature. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14Protection Against Harmful Radiation . . . . . . . . . . . . . 14Film and Airports. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14Foreign Travel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Unprocessed Film Before and After Exposure . . . . . . 15Processed Film Storage. . . . . . . . . . . . . . . . . . . . . . . . . . . . 15Shooting for Television . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16Getting Ready . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17Flashing Camera Films to Lower Contrast. . . . . . . . . . 21Exposed FilmWhat Now? . . . . . . . . . . . . . . . . . . . . . . 21


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CONTENTS (continued) Page No.

FORMATS AND PACKAGING

I n t r o d u c t i o n . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 3Specification Numbers for Camera Films. . . . . . . . . . . 23How to Read a Film Can Label . . . . . . . . . . . . . . . . . . . . 24Cores and Spools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25Winding Designations . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27Perforation Types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27QuantitiesStandard Packages . . . . . . . . . . . . . . . . . . . 28

ORDERING RAW STOCK

I n t r o d u c t i o n . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 9How to Order . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29The Catalog Number (CAT No.) . . . . . . . . . . . . . . . . . . . 29Product and Technical Information . . . . . . . . . . . . . . . . 30Limitation of Liability on Sensitized Goods . . . . . . . . 38


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INTRODUCTION

This pocket-sized publication provides up-to-date andeasy-to-use information about all KODAK Motion

Picture Camera Films and several related subjects. Wedesigned the book to help you choose and order the rightfilms for your needs and to help you use the films mosteffectively. The guide is divided into five major sectionsfor easy reference:

Motion Picture Camera Films

Filter InformationTips and Techniques

Formats and Packaging

Ordering Raw Stock

Brief but comprehensive descriptions of each black-

and-white and color camera film appear in the sectionKODAK Motion Picture Camera Films. The section FilterInformation contains charts for color conversion, neutraldensity, color balancing, filter factors, and color temper-ature. The section Tips and Techniques covers filmstorage and care, shooting for television, must-have itemsfor your on-location ditty bag, survival tools, flashing

techniques, force processing, a filmmakers flowchart,and more. The section Formats and Packaging clears upany questions you might have concerning spec numbers,iden numbers, film can label terms and numbers, andpackaging information. The last section, Ordering RawStock, tells you how to order film and lists names,addresses, and telephone numbers of Kodak peopleworldwide who can answer your questions about filmand film orders.

This edition includes the newest KODAK VISION2Color Negative Films, the highest quality camera filmsavailable from Kodak. VISION2 Films offer superior tech-nology for image capture and seamlessly intercut with all

KODAK Motion Picture Color Negative Films.


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KODAK VISION2 Films are the first line of productsspecifically created for both traditional and digital post-production. Offering wider latitude, superior shadowand highlight detail, and excellent tone scale and flesh-to-

neutral reproduction. VISION2 Films are also engineeredto maintain neutrality through the full range of exposure,allowing you more flexibility from capture to post.

An edge-numbering system for KODAK MotionPicture Camera Films features both electronic- and oper-ator-read characters. The digital numbers, calledEASTMAN KEYKODE Numbers, are in the form of amachine-readable barcode and a human-readable lettercode. This feature provides the potential for automatedfilm handling. All KODAK Motion Picture ColorNegative and Black-and-White Camera Films haveKEYKODE Numbers.

Note: The Kodak filter materials and other brand nameproducts we describe in this publication are availablefrom photographic supply dealers. Equivalent materialscan be used.

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US Plugins Acrobat en Motion Support h2 h2 Intro

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