Urizen (Rodrigo Bussad)

13
Rodrigo Bussad URIZEN The Chain of Reason for C Flute, Bass Flute and Guitar SPRING 2012

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Music score of Urizen (Rodrigo Bussad)

Transcript of Urizen (Rodrigo Bussad)

Page 1: Urizen (Rodrigo Bussad)

Rodrigo Bussad

URIZEN The Chain of Reason

for C Flute, Bass Flute and

Guitar

SPRING 2012

!!

Rodrigo Bussad Cesar
Page 2: Urizen (Rodrigo Bussad)

!

Rodrigo Bussad

URIZEN The Chain of Reason

for C Flute, Bass Flute and Guitar

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!Commissioned!by!the!8th!SoundSCAPE!Festival!!

!!!!

Duration: ca.7 min.

SPRING 2012

Page 3: Urizen (Rodrigo Bussad)

Performance Notes

Flute

Breath in

Breath out

Breath inside the mouth piece .

Rapid attack of the tongue into the mouth piece .

Inhaling with the mouth covering the mouthpiece and with the teeth closed.

Play with more sound than air

More air than sound (aeolian)

Speak/sing with the lips touching the mouthpiece

Key sound with the exact pitch

Diads Chart:

Text – How to Perform The words should be pronounced as they are read. In the soft dynamics the performer should whisper the text and develop a more guttural (throat) sound as the dynamics become louder.

Stage Diagram:

Page 4: Urizen (Rodrigo Bussad)

Guitar (right hand)

Tambora Bridge Neck

(others)

Intertwine the strings (which is indicated) one over the other.

While crossed, bend the string without reaching a determinate pitch.

Percussion on the body of the instrument.

Tune Glissandi: after playing the indicated harmonic, the performer should tune the indicated string towards the next note indicated by the arrow.

Soffio – slide on the string indicated with the tip of the finger or the finger nail as indicated. If there is no dynamic indicated, but there are crescendi and decrescendi, the performer should play from pp to mp.

Beyond the frets, play fast on the first and second strings, applying a little pressure with the left hand to produce harmonics.

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

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