University Theatre-Title of Show

1University Theatre

3University Theatre

University TheatreDepartment of Theatre and DramaUniversity of Wisconsin-Madison

presents

July 8 – 23 and September 9 – 18, 2011

Mitchell Theatre

Director/Choreographer – David Furumoto

Music Director – Jake AeblySet Designer – Katy Lai

Costume Designer – Katie GrayLighting Designer – Erik S Barry Sound Designer- Casey Martin

Technical Director – Christina Keryczynskyj Stage Managers – Marian Zennie and Mike Hennessy

This production is made possible with grant support from The College of Letters and Science and the Hilldale Fund.

[title of show] was originally produced on Broadway by Kevin McCollum, Jeffrey Seller, Roy Miller, Laura Camien, Kris Stewart, Vineyard Theatre, and LAMS Productions at the Lyceum

Theatre, where it opened on July 17, 2008.

Originally produced by the Vineyard Theatre, New York City, February 2006

[title of show] was originally presented by Bridge Club Productions at the 2004 New York Musical Theatre Festival

[title of show] is presented through special arrangement with R & H Theatricals: www.rnh.com

Music & Lyrics byJeff Bowen

Book byHunter Bell

4 University Theatre

ACKNOWLEDGEMENTS

Electronic Theatre Controls, Middleton, Wisconsin

THE CAST

Jeff, a composer/lyricist ..........................................................................................Chris TiernanHunter, a book writer..................................................................................................Stuart MottSusan, their actor friend ..............................................................................................Alli RekowHeidi, their actor friend.........................................................................Haley Kosup-KennedyLarry, the pianist ............................................................................................................ Jake Aebly

The show takes place in various locales in Jeff and Hunter’s lives during the creation of [title of show]

The show is performed without an intermission and runs approximately 1 hour and 40 minutes.

MUSICAL NUMBERS

Untitled Opening Number .......................................................................................... CompanyTwo Nobodies in New York ...................................................................................Jeff & HunterAn Original Musical ...................................................................... Jeff & Blank Paper (Hunter)Monkeys And Playbills .................................................................................................. CompanyThe Tony Award Song .............................................................................................Jeff & HunterPart Of It All .................................................................................................................Jeff & HunterI Am Playing Me .....................................................................................................Heidi & OthersWhat Kind Of Girl Is She? ..................................................................................... Heidi & SusanDie Vampire, Die! .................................................................................................. Susan & OthersFilling Out The Form ...................................................................................................... CompanyMontage Part 1:September Song ............................................................................. CompanyMontage Part 2:Secondary Characters ........................................................... Heidi & SusanMontage Part 3:Development Medley ................................................................... CompanyChange It, Don’t Change It .......................................................................................... CompanyAwkward Photo Shoot .................................................................................................. CompanyA Way Back To Then ................................................................................................................ HeidiNine People’s Favorite Thing ...................................................................................... CompanyFinale ................................................................................................................................... Company

5University Theatre

FROM THE D IRECTOR OF THEATRE PRODUCTION

Fireflies, fireworks on the 4th of July and frosty cold drinks on a hot day are all part of enjoying summer. Likewise, the arts offer moments of reflection, refreshment and reju-venation. I hope you are able to take part of what Madison has to offer this summer.

Welcome to UT’s summer production of [title of show]. I’d like to take this time to thank my fantastic cast, crew, and designers whose creativity and collaborative spirit made this show possible. I couldn’t have done it without you.

University Theatre is the producing wing of the Department of Theatre and Drama here at UW-Madison. The plays that you attend serve as the laboratories for our students to practice what they learn in classes offered by the Department. Your presence is a vital part of the whole learning process so we thank you for your attendance. If you are not already a member, please consider becoming a Friend of University Theatre. Information about this important support group is available in the back of your program.

It gives me pleasure to announce the 2011-2012 UT Season:

• [title of show] will be back for a short revival in September so that those who left town for the summer can enjoy it;

• Ti-Jean and His Brothers, a Derek Walcott play based on a Caribbean folk tale will open in October

• Bat Boy: The musical will bring the fall semester to a rocking end;• Ma Rainey’s Black Bottom will open the spring semester and represents the

continuation of the Lorraine Hansberry project; • Pedro and War Cantata is our Theatre for Youth production - this play is a new

work by Argentinean playwright Maria Inés Falconi;• Two Gentlemen of Verona will bring the season to a witty end with guest direc-

tor Ken Albers.

Tickets for these shows are on sale now; order online at utmadison.com or by phone at 608-265-ARTS. Please come and enjoy the variety of experiences being offered next season.

Aloha,David Furumoto

Director of Theatre Production

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the message?Connect with Footlights on Facebook and Twitter! Get the latest updates about your favorite theatres, win

tickets to shows and more.

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!!!!!

Abbey Moore(designer)

Steve Marcus{president/publisher)


You might want to get familiar with some of the more obscure terms used in the show. Alice Ripley - Unbelievable Broadway actress and belter. As in, “Alice Ripley was f’in fierce in Side Show.”

Ass-broke - Without funds. Used like, “If I don’t get that check from Paper Mill, I’m gonna be ass-broke, y’all.”

Bagels and Yox - 1951 Jewish review that ran on Broadway around the same time as Borscht Capades.

Betty Comden and Adolph Green - Book writers and lyricist of many musicals. As in, “Adolph, quit fartin’ around and help Betty write those Will Rogers Follies lyrics.”Bitches - Friends, pals, loved ones. As in, “I appreciate you bitches being so sup-portive at my grandma’s funeral.”

Brazilian wax - Depilatory treatment that hurts like a mother f’er.

Bus and truck - The tour of a show that usually plays short gigs in many cities. Heidi may say, “Y’all, should I audition for that bus and truck of Seussical?”

Commodore 64 - Computer released in August of 1982. As in, “Hunter, I just got Donkey Kong for my C64!”

Dan Pessano - “Daddy Warbucks” to Heidi’s “Annie” in 1982. Heidi may say, “Y’all, should I audition for that production of Hello, Dolly! that Dan Pessano is directing?”

Dinah Manoff - (See “Empty Nest”).

Dixon Ticonderoga - A soft, number 2 pencil. Used like, “Jeff prefers to write songs with a Dixon Ticonderoga, not an f’in Faber-Castell.”

Doc Hollywood - 1991 film featuring Michael J. Fox, currently running every hour on the hour on TBS.

Empty Nest - (See Dinah Manoff ).

Henry, Sweet Henry - The best damned Don Ameche musical ever.

John Cameron Mitchell - Talented creator of Hedwig and the Angry Inch. Used like, “Susan thinks by saying John Cameron Mitchell’s name in the show it increases her chances of meeting him.”

Ken Billington - Lighting designer of A Doll’s Life, Annie Warbucks and [title of show].

Kwamina - Interracial musical from 1961 with music and lyrics by Richard Adler. Used like, “You can borrow my Kwamina record, but I’ll kill you if you scratch it.”

Lynda Carter - The most beautiful actress in the world. For example, “If Jeff wasn’t gay, he’d have a serious boner for Lynda Carter.”

Mamie Duncan-Gibbs - Talented theatre actress and star of Chicago. One of Mamie’s friends may say, “Mamie Duncan-Gibbs, that’s my girl!”

[TOS] SARY – (c o n t.)

7University Theatre

[TOS] SARY – (c o n t.)

Mary Stout - Lovable Broadway actress. As in “Mary Stout was excellent as “Enid” in A Change in the Heir.”

Me doots - A variant pronunciation of “my doubts.” As in, “I hope this [tos]sary helps explain [title of show], but I have me doots.”

Mexcellent - When something is both Mexican and excellent. Used like, “My travel agent Eileen said Cancun was Mexcellent this time of year.”

Pink Sawdust - A deodorizing powder developed to absorb and neutralize vomit odors.

Roller Coaster Tycoon 3 - PC game for lonesome nerds. Jeff may say, “My Roller Coast-er Tycoon 3 upgrade better have arrived in the mail today or I’m going to be sad.”

Roma Torre - NY One anchor and notable theatre critic. Our press agent may say, “I hope Roma Torre doesn’t rip [title of show] a new a’hole.”

Seafood Mare - Chelsea eatery featuring outdoor dining. A Chelsea boy may say, “I was sitting outside at Seafood Mare when--oh, my god, there’s Tim Gunn.” (see Tim Gunn)

S’luck - An appropriate response to “Wish us luck!”

Smell-em-ups - Any scented room sanitizer.

Smell-O-Vision - A 60’s invention that allows audience members to smell what they’re watching. As in, “When Susan eats Chinese food, it’s fortunate for the audi-ence that the show isn’t in Smell-O-Vision.”

Starlight Express - Andrew Lloyd Weber + roller skates = AMAZING!

The Gray Lady - The New York Times. As in, “The Gray Lady could take the Post in a cage match any day.”

The O’Neill Center - Connecticut-based summer camp for grown-up theatre nerds. Hunter may say, “I made out hard with that dude at The O’Neill Center.”

The Rink - Kander and Ebb musical from 1984 that starred Chita and Liza. Where’s a time machine when you need it?

Tim Gunn - Design mentor of TV’s “Project Runway.” Used like, “I saw Tim Gunn walk by Seafood Mare.”

Tippy Turtle - Iconic reptile used as a litmus test for aspiring artists. For example, “My ‘Tippy Turtle’ drawing wasn’t so good, but my ‘Pete the Pirate’ totally rocked.”

Word - Street vernacular. Short for “word to your mother.” As in, “Word.”

Reprinted from the official [title of show] website www.titleofshow.com

Friday, August 19 at 7:30 pmSaturday, August 20 at 7:30 pmSunday, August 21 at 2:00 pmThe Wisconsin Union Theater

Visit www.fourseasonstheatre.com for more information

9University Theatre

PRODUCTION STAFF

Assistant Stage Managers ................................................. Jennifer Current, Merle HansenMaster Carpenter .......................................................................................................Niffer ReiderCarpenters..................................................................................... Ally Carlson, Michael BryantScenic Artist ..........................................................................................................................Katy LaiPainters.............................................................................Stephanie Vidalakis, Alanna ReevesProps Master ...............................................................................................................Niffer ReiderCostume Studio Crew .................................................................. Sean Douglas, Caelin Ross, Jennifer Current, Alyssa TaylorElectrics Studio Crew ....................................Becky Carlton, Jeff Parulski, Alanna ReevesMaster Electrician .......................................................................................... Chelsie McPhilimyAssistant Master Electrician .................................................................................. Niketa MillerLight Board Operator ................................................................................... Chelsie McPhilimySound Board Operator ..............................................................................................John SalutzSound Engineer ...........................................................................................................John Salutz

WHO’S WHO

Actors

Haley Kosup-Kennedy (Heidi) is thrilled to be a part of this electrify-ing production! This is her second UT show. She was previously in The Rocky Horror Show this past spring. Haley will be a senior in the fall and is a Theatre & Drama - Acting Specialist major. She has also been a member of the univer-sity’s hip-hop dance crew, Hypnotiq, for the past three years. Haley would like to thank her mom for being ahmayzing, Alli, Chris, and Stuart for being my main squeezes this summer, and you. Yes, you! I appreciate you. So snuggle into your cozy seat and get ready, because this is about to get crazy.

Stuart Mott (Hunter) is beyond thrilled to be a part of this electrifying produc-tion!! Thanks to the cast for making this such an awesome experience...with the exception of Alli...I have the vague feeling she still doesn’t know my name. Stuart is a junior majoring in Theatre and Drama as an Acting Specialist and is also earning a certificate in Integrat-ed Liberal Studies. Past credits include [previous University production], [me-diocre student written play], and [lame high school show]. He would especially like to give several heart felt [obliga-tory thank yous to family and friends]. Thank you for coming and enjoy [title of show]...it’s time...believe...dream!Alli Rekow (Susan) is completely

beyond thrilled to be a part of this electrifying production!!! Although the sheer size of the cast was daunting at first, we’ve all become very close. Isn’t that right, Chris, Haley, and… I wanna say Steven? (Just kidding Stan!) But seriously, a truly genuine thank-you to David, Jake, and the rest of the production team. Working on this show has been an honor. Much love to my amazing familia for their unwavering support. And lastly, a shout out to the ladies of Spooner: I actually have the best roommates in the world.

Chris Tiernan (Jeff ) is totally and completely beyond thrilled to be a part of this electrifying production!!!! Other musical productions you may have recently seen Chris in include The Rocky Horror Show (Dr. Frank’N’Furter), Into the Woods (Cinderella’s Prince), and Wild Party (Mr. Black). Chris would like to thank David, Jake, Marian, and the rest of the production staff for this incredible experience, as well as his agent, Alli Rekow; his publicity manag-er, Haley Kosup-Kennedy; his personal assistant, Steven Mott; his family, FS, and friends, and you, and you, and you (you know who you are) for all of their support. He would also like to thank Jesus Christ. The End.


WHO’S WHO (c o n t.)

Artistic/Production stAff

David Furumoto (Director/Choreogra-pher) David was born and raised in Ho-nolulu. Receiving both his BA and MFA in theatre at the University of Hawaii, his focus of study was on traditional Asian theatre with an emphasis on ka-buki and kyogen. He was a recipient of the Crown Prince Akihito Scholarship which allowed him to study in Japan for one year-spending that time with individual teachers of kabuki, kyogen, and as a special foreign observer at the Natioanl Theatre of Japan Kabuki training program. David also received his professional Classical Japanese Dance name, Onoe Kikunobuhide, from the Onoe Kikunobu School of Japanese Dance. He has been a mem-ber of the faculty of the UW Theatre and Drama department since 2000. Re-cent directing projects have included Narukami-The Thunder God, The Zen Substitute, Dragonwings, and Accord-ing to Coyote. He is also a member of both Actors Equity Association and the Screen Actors Guild. An avid collec-tor of ghost stories he is also a proud player of the Scottish bagpipes.

Jake Aebly (Music Director/Larry) is very excited to be a part of University Theatre’s production of [title of show], both as musical director and playing the role of Larry. Larry is a man of very few words, so this role represents Jake’s greatest acting challenge yet! Jake graduated from UW Madison with a BA in music composition and theatre, and is thrilled to have returned to his alma mater for yet another fine UT produc-tion. He also served as musical director for UT’s production of Dames at Sea, CTM’s Narnia and Goodnight Moon, and assistant musical director of Four Season’s Sweeney Todd. He would like to thank the cast, crew, and creative team for their tireless work putting this show together, his family and friends for their continued support, his boyfriend for putting up with his schedule and his music teachers for making him practice.

Katy Lai (Scenic Designer) is heading into her third year MFA in scenic design. She designed Eurydice, and Lady from the Sea for UT in the last two years. She worked as the Scenic Artist for UT production of the 25th Annual Putnam County Spelling Bee. Before moving to Madison, she was the Production Director for ABA Productions Ltd in Hong Kong and also the Set Designer for Around the World in 80 Days and the Peter Pan Asia Tour 2007-2008. She also worked in stage management, produc-tion management and in all other as-pect of technical theater in Vancouver, Canada and Hong Kong.

Katie Gray (Costume Designer) is very excited to return to University Theatre to design [title of show]! She wishes to thank the wonderful cast and crew of TOS; and, Emily Smith for being such a wicked awesome friend. Katie is a 3rd year MFA graduate student in costume design at UW. She holds a Bachelor’s degree in Theatre Arts from Susque-hanna University. Past productions include Valparaiso, The 25th Annual Putnam County Spelling Bee, Closer, Na-rukami: the Thunder God, and Three Days of Rain. Most recently, Katie designed University Theatre’s production of The Rocky Horror Show. Finally, Katie would like to say “Die, Vampire, die!”

Erik S Barry (Lighting Designer) is thrilled to be involved with [title of show]. Over the past year, he completed his second year as an MFA student at the University of Wisconsin - Madison, study-ing Lighting Design. Designs include The Rocky Horror Show, The Grapes of Wrath, and The Lady from the Sea (University Theatre) He was also an assistant to Tom Littrell on Into The Woods. Next year, he will be designing Bat Boy for University Theatre. For the remainder of the sum-mer he is traveling to Houston, Texas to design The Wiz for Houston Center Stage. He dedicates this and every per-formance to the memories of Mom and Dad, and reminds Sara, Karen, Kate and Iris that he owes it all to them.

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WHO’S WHO (c o n t.)

Casey Martin (Sound Designer) has designed for Children’s Theatre of Madison, Four Seasons Theatre, and Madison Repertory Theatre. His work was recently featured on the Todd Hammes album “Music for Percussion (Mostly)” and can also be heard on the podcasts from the Wisconsin Story Project “Wisconsin Storycast” available at iTunes. He currently is the Electrics & Sound Supervisor for the Department of Theatre and Drama at the University of Wisconsin-Madison teaching classes in sound design for theatre, automated lighting and stage lighting technology. He is grateful to be collaborating with this group of amazing people (directors, cast, crew and designers) and wishes to thank everyone at University Theatre for the opportunity to design [Title of Show].

Christina Keryczynskyj (Technical Director) has been excited to work on such a fun production as [title of show]

as her last show at UT. She recently graduated with a BA in Theatre and Drama and will be attending the Yale School of Drama in the fall to study Technical Design and Production. Some of her recent credits with UT include technical direction for Valparaiso and The Revolt of the Beavers, as well as assistant technical direction for The Rocky Horror Show, Into the Woods, and Narukami. Christina is happy to be mov-ing on to a new and exciting part of her life after five great years in Madison and with the Theatre Dept., but she will greatly miss the family she’s gained here. She would like to thank everyone that has supported her over the last few years, including her family, friends, mentors, and teachers.

Marian Zennie (Stage Manager, June-July) is very happy to have been a part of University Theatre’s [title of show]. Previous UT credits include The Rocky Horror Show (AD), Into the Woods (SM), The Imaginary Invalid (SM), and A Midsummer Night’s Dream (SM). Having just graduated from the University of Wisconsin – Madison with a BA in Theatre and Drama, she will leave Madison behind in the fall to pursue a career in stage manage-ment. Huge, unbelievable, earth-mov-ing thanks to David Stewart, Univer-sity Theatre, and the Department of Theatre and Drama. It has been an amazing ride. Much love to family, friends, and Zack. Enjoy the show!

Mike Hennessy (Stage Manager, September) is proud to be stage managing [title of show] during the fall semester at UW Madison. He has previ-ously worked on University Theater productions of The Rocky Horror Show and Valparaiso. During the summer of 2011, Mike stage management assignment is the Madison Savoyard’s production of Utopia Limited, a light opera by Gilbert and Sullivan. He would like to thank all of his friends and family for all of their support, and Marian Zen-nie for getting the show on its feet over the summer.

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13University Theatre

UNIVERS IT Y THEATRE

Director of Theatre Production..................................................................... David FurumotoGeneral Manager .............................................................................................. Michele Traband Production Manager .............................................................................................David StewartUT Technical Director ..............................................................................................Dan LisowskiScene Studio Supervisor ....................................................................................Chuck MitchellCostume Studio Supervisor ........................................................................................Jim GrecoElectrics and Sound Studio Supervisor ...........................................................Casey MartinUT Office Manager ..............................................................................................Cindy SchkirkieHouse Managers ...............Mary McAvoy, Carol Carlson, Erin Hood, Liz Foster-ShanerPR/Marketing Assistant ........................................................................................ Mary McAvoy

DEPARTMENT OF THEATRE AND DRAMA FACULTY, ACADEMIC AND CLASSIFIED STAFFS

Department Chair ............................................................................................ Ann M. ArchboldActing/Directing Faculty/Staff .....................................Patricia Boyette, David Furumoto, Norma Saldivar, Patrick Sims, Susan SweeneyDesign/Technical Faculty/Staff ........................................ Ann M. Archbold, Gail Brassard, Jim Greco, Dan Lisowski, Casey Martin, Chuck Mitchell, David StewartTheatre Research Faculty/Staff ................................... Aparna Dharwadker, Kristin Hunt, Michael Peterson, Mary Trotter, Michael Vanden Heuvel, Manon van de WaterTheatre for Youth Director..................................................................... Manon van de WaterTheatre for Cultural and Social Awareness Director ......................................Patrick SimsDepartment Administrator ............................................................................Melinda MenardDepartmental Office Staff .................................Terri Bonner, Jean Hauser, Brenda Weiss

Footlights would like to introduce new sta member Abbey Moore.

Abbey will be working as production artist, social media guru and in addition, our new sta� photographer. If you’re interested in having a photo

shoot or your actors are in need of new headshots feel free to contact your sales person or Abbey directly at:

262.782.9751 x107 [email protected](actual photos by Abbey)


FR IENDS OF THE UNIVERS IT Y THEATRE

The FRIENDS of UT is a group of individuals that serves as a support organization for UW Madison’s University Theatre, providing members with opportunities to connect with and offer support for student actors, dramaturgs, directors, and de-signers involved in University Theatre productions. FRIENDS of UT plan and host receptions prior to productions, enjoy exceptional performances together, and work to encourage broader awareness and appreciation of the UW Department of Theatre and Drama throughout the community.

Funds raised by FRIENDS of UT will provide much needed production support, including technical enhancements such as state-of-the-art equipment up-grades, as well as special guest artist residencies that will support the training of our students.

In the past, Friends of UT have enjoyed invitations to a special post-performance reception with Olympia Dukakis as well as a pre-performance discussion with show directors. They sponsored a visit with Anthony Rapp (from the original Broadway cast of RENT). Funds raised were used to support a Suzuki acting work-shop with Brandeis Professor Eric Hill and several guest sound designers.

Last fall, the group sponsored a day trip for FUT members and UT students to Ten Chimneys in Genesee Depot, WI. This coming fall (2011), the group plans to attend a performance of the play Ten Chimneys being produced by the Milwaukee Repertory Theatre.

We are proud to share the names of the FRIENDS of UT with you throughout this season. If you would like to become a Friend of University Theatre, simply call the University Theatre office at 608-262-1582 or contribute online at utmadison.com

FRIEND ($50-$249)Roger & Elizabeth GrayHeather & Samuel MurnJeanne WhitishGuy Plunkett III & Joanne

Harper PlunkettLouis & Julie SwedarskyHal & Shirley

WinsboroughSusan Cook & Roger

PiersonDr. Jay & Sabrina GoldShawn & George KlasekBonnie D. LewisEric Mueller & Torrie

Kopp MuellerDavid & Jodie Rohrer

Gerald & Vicki StewartBob and Sharon

StephensonKatherine & Bailey WalshJohn & Nancy WebsterWilliam & Sharon

KoenenMaureen SkeltonProf Barbara BuengerPeter & Donna

NapoleoneNorlin & Cynthia

BenevengaDavid & Shirley SusanLaura & Barry BurdenJoe & Jeanne SilverbergA. Erick Weber

ANGEL ($250 and up)Tim & Rhonda CurrentDennis DornShana Lewis & Robert

MagasanoHoward & Ellen Louise

SchwartzMerry AndersonTim & Pat SizeJon Sorenson

CORPORATE ($250 and up)Lathrop and Clark

15University Theatre

CONTRIBUTIONS TO THE DEPARTMENT OF THEATRE AND DRAMA

(from January 1 to June15, 2011)

$1,000+Evjue Foundation Inc.Jonathan B. and Susan

LippTimothy K. and Patricia

B. Size

$250-999Russell HowesPatricia Kugler WhitelyRobert D. Magasano and

Shana R. Lewis

$100-249Patricia J. BoyetteDaniel P. BoylenBarbara C. BuengerDennis L. and Katherine

A. DornMelissa J. FriesenJulie M. JohnsonEric D. Loring

John E. Reilly, Jr.David M. ShawSusan R. SweeneyJoseph VargaMilan Zivanovic

$1-99Ann M. ArchboldWilliam P. and Martha K.

BarlowSteven D. BurchKatherine M. CharronPeter M. ColeChris M. and Joan M.

CollinsPamela S. Decker-NelsonMariam A. DuckwallDavid H. FennemaDavid J. FurumotoRoger E. and Elizabeth

E. GrayJohn M. GulleyJessica HolmesVirginia A. HostetterTamara S. M. Kaplan

Marna J. KingBonnie D. LewisKimberley B. MarraCharles W. Mc GrawSamuel and Heather L.

MurnJames W. Neely, Jr.Sue A. NilssonJoohee ParkGuy D., III and Joanne H.

PlunkettSybil C. RobinsonJudith R. ShulerRobert and Joann SklootBob and Sharon

StephensonC. John and Barbara R.

TolchMichael J. and Tracy L.

Vanden HeuvelAllen and Brenda WeissJeanne H. WhitishMary T. Zellmer

HOW TO CONTR IBUTE

There are many ways to contribute to the Department of Theater and Drama, including:

• Gifts of appreciated securities, personal property, and real estate • Deferred gifts such as bequests, trusts, and life income agreements • Permanently endowed scholarships, fellowships, and professorships named for a relative or friend For more information about all giving opportunities, please call Jon E. Sorenson at the UW Foundation, (800) 443-6162 or (608) 262-7211. Please make your check payable to University of Wisconsin Foundation and mail to Univer-sity of Wisconsin Foundation, US Bank Lockbox, PO Box 78807, Milwaukee, WI 53278-0807. Indicate that your contribution should be credited to the Department of Theater and Drama.


FOR YOUR INFOR M ATION

Cameras and Recorders: No photographs or recordings may be made during the performance.

Restrooms: Restrooms and drinking fountains for patron use are located in the lower level of the theatre lobby. Wheelchair accessible facilities are available on the lobby level. Please use lower level facilities unless special needs dictate otherwise.

Emergency Calls: Doctors and parents are asked to leave the campus security phone number, 264-2677, with their service or sitter. Please inform the house manager of your seat location if the possibility of a call exists.

In order not to disturb other patrons, please turn off all paging devices, electonic devices, cell phones and watch alarms.

Latecomers: Performances begin promptly. Latecomers will be seated only at a suitable break, which in some cases may not be until intermission.

Exchanges and Refunds: No refunds are given, but exchanges may be made up to 24 hours prior to the ticketed performance date when tickets are available. Patrons who cannot use their tickets are asked to contact the Vilas Hall Box Office 24 hours in advance of the performance. Postdated tickets have no value and cannot be exchanged. Unused tickets can be donated to the theatre for resale, the proceeds of which will go to improvements of the theatre.

Ticketing: Any person entering the theatre must have a ticket. Babes in arms can not be admitted. UT discourages bringing small children to the theatre except when the production is specifically for young audiences.

Accessibility: University Theatre can accommodate your special needs. Call 265-2787 for information regarding wheelchair accessibility and hearing-assist systems.

Parking: Parking passes are available for purchase by arts patrons in UW owned parking lots close to venues. Call Campus Arts Ticketing at 265-2787 for more information.

University Theatre-Title of Show

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