University of Toronto T-Space - Abstract- Drømde mik en ... · Drømde Mik en Drøm i Nat … Anna...
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Drømde Mik en Drøm i Nat …
by
Anna Katherine Höstman
A thesis submitted in conformity with the requirements
for the degree of Doctor of Musical Arts in Composition
Faculty of Music,
University of Toronto
© Copyright by Anna Höstman (2013)
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Drømde Mik en Drøm i Nat …
Anna Höstman
Doctor of Musical Arts in Composition
Faculty of Music University of Toronto
2013
Composed entirely of runes, the 14th century manuscript Codex Runicus is comprised of 101 sheets and
contains historical documents such as “Kings until Erik Menved” and “Boundaries between Denmark and Sweden.”
The end of the codex contains the oldest surviving Nordic music fragment with lyrical text “Drømde mik en drøm i
nat um silki ok ærlik pæl” which translates as [I] dreamt me a dream last night of silk and lovely cloth.1 This
melody, alongside three Norwegian folk slåttar written for fiddle, Fjellbekken (The Mountain Stream), Fjøllrosa
(The Mountain Rose), and Syrgjefuen (The Bird of Sorrow), is used to generate the pitch material for this
composition for string orchestra, english horn and french horn.
The piece is contrapuntal in nature. A large portion of the work is formed from essentially five groups or
layers of melody that comfortably co-exist towards, as well as away from, each other, their independent natures
being most evident in the first half of the piece. Additionally, there are fluctuations within each group itself, for
examples, forms of imitation, slippage, change in register, variation in playing technique, and micro-displays of
rhythmic independence set against more heterophonic textures (Considerable use of rhythmic embellishment is
derived from the ornamental style found in harding fiddle slåttar). Such micro-fluctuations further distinguish the
texture-intentional orchestration of each group. Although the use of layered melody forms the framework for the
entire composition, there is continual exploration of its possibilities through various parameters such as density vs.
transparency, and continuation vs. fragmentation.
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#!Songs from Denmark, edited by Peter Balslev-Clausen, The Danish Cultural Institute, Copenhagen, 1988.!
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Table of Contents
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Abstract ............................................................................................................................... ii
Table of Contents............................................................................................................... iii
Instrumentation/ Performance Notes ................................................................................. iv
Score ....................................................................................................................................1
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iv
drømde mik en drøm i nat…
for Martin Arnold
English Horn
French Horn
3 Violin I
3 Violin II
4 Viola
3 Cello
1 Contrabass (extends to low C)
ca. 14 minutes
score in C
Notes:
The title for this composition refers to the oldest surviving Nordic music fragment with
lyrical text: Drømde mik en drøm i nat um silki ok ærlik pæl which translates as… [I]
dreamt me a dream last night of silk and lovely cloth.
This piece also references three Norwegian harding fiddle songs: Fjellbekken (The
Mountain Stream), Fjøllrosa (The Mountain Rose), and Syrgjefuen (The Bird of Sorrow).
Grace notes are before the beat.
Performers are to be seated in five groups, each at a distance of 1- 1.5 metres from each
other (as possible), in the following configuration:
English Horn
French Horn
3 Violin II 3 Cello/1 Bass
3 Violin I 4 Viola
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q = 48; comfortably, with warmth and slippage, like a folk song
for Martin Arnold
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Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
!
"
!
"
# $ $ $ %legato
p
#&' ( & &mp
&3
) $ $ * *legato
pp
&'3
+p
&3
& &' & &3
pp
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& &' & & $&' #&(& & & &&' && & & &&' &&' && && #
&& &, & -&& &&' $$ & $. -&& &/
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&& $. & &/
$& & $ & $ &/
& $ &3
# * (pizz.)&' & 0 * & * & &' & 0 &( 0 &( 0 &, ( - & &' 0 &. & &' $ - &/ &' - &/ & - &/ $( 0$ &/
13
# $ $ $ %pp
#&( &' &mp
&3
# *p
sul A&2' &2 +2%& &2
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# $ * 0p
sul D&423
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3
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sul A&423
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5 $ % *pp p
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5 $ $ arco* 0pp
&4'3
&p mp
&. &43 + +
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mp
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8
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33
Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
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# ' '(pizz)
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#%) %( % %3 +$ '
# $pp
% & & 'p
#%) %( %mp
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# ' ' ' '
# ' ' ' '
, ' ' ' '
, ' ' ' '
, ' ' ' '
, ' ' ' '
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3
%- %- %-3
%-. *%(
%/(()
#sulG%-
sulA%-( sul G%-
3
%- 0 %(
%/(()
sul D%- %-( %-. %-( *%(
%-. /$(( #
sul D%-(
sul G
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%-. %-%1& $ %-(. %-sul A
(rhythmicallyprecise)
%- %-( %2- %- %- %2-5
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#%) $ %. 0 + '
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#%)$ %. 0 + '
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Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
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"
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"
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(legato)
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3
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% %(mp
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# . +#
mp
%%(/
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mf
%% %%0 %% % %( % %% # % % # %(mp
% # % *% # % *p
%- +%' +
# . 1arco
mp
%(2*(( 2*3
sul E%%4 %4 %)4%& sul D%)4
%(2%)
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# . 1mp
%(2*(( 2*3
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# . . . $mp
%(2%(( 2%
# . . . $mp
%(2%(( 2%
# . . . $mp
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5 . 1pp
overpress% %( %p
% % % % %0( % ## %mf
%( %p
%(2
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overpress% %( %mf
% %( % % %0( % ## % % % %2
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mp
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$%' *p pp
%- + $ . $pp
$%' %(p
*pp
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(pizz.)
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10
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41 "!"!
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#!
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#!
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"!
"!
"!
"!
Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
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"
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"
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& % % % % %
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p
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mf
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sul E
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p
(.0 1
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3
3 5
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sul E
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p
(.0 1
'(
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$()$()(0 $(* )
mp
( ( ( (+(* ## (* (( ((
3
3 5
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sul E
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33 5 3 35 3
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(.* (.
33 5 3 35
3
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2 (pp
norm.(0 1 3 % 'p
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(0 1 3 % % % (overpress)
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11
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Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
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"
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3
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mf
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%%*%%))
p%% % %) % . $ $3
#%/ # %)
%0))&
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& %0))3
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%0 %0)) %0 ,mp
sul E
%0))&
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%)%/)0%))
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12
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"!
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Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
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"
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"
# $p%& ' %
mf
%( % ## %( %) ## %( % ## % %) % %) %* %) %) % % # %5 3
+mf$ $
pp
%& ' , , -
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3
f
$%(
) % % % # % %( % ## %( %) ## %( % ## %& %) %%& %%() %) # % %%)
# %mp pp
% % % % %sul pont.
%& 'p
$%&%) %) % % % % % % %) %)3
% %)5
5
%&
# . , sul D
sul pont.
mp
%/)0
%/
3
%/ %/
%1))
sul A
%) %/)
3
%/ $/)%&sul D
%/ %/)
#sul A%(/) %/
2%/ %(/ %/ ## %/
%&
p
sul pont.%() % % % %( % % %) %) %) %) % %
mf
sul A
%/)0 %/
mp
$/) #
%&
3
3
#sul A%(/) %/
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p
sul pont.% %)0 %mp
%0
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p
$)
#sul A%(/) %/
2%/ %(/ %/ ## %/
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p
sul pont.%) %) %) % % % #
mp
%)0 %0 %)mf
%0 %( %) ##
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% %3
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%0 % sul pont.% %) % % %) % % %mp
% %) % % % % %) %) % % % # %3 3 3
3 %p
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% %'*(0mp
%0 % %)0 % $ #
pp
'mp%&3
3 %p
.pp
sul pont.
mp
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% % % % % % %pp
% 'mp
%) &3
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p
$)mp
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% % %p
% %) % % % % %) % % % $pp3
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3
3
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sul pont.
p
%
%14
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%1%/ %/) %/ sul G%/
3
%/ $/ #
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sul A
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13
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Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
!
"
!
"
$f
%& %& %& %& %& % % %mf
'& 'p
( )
* ) ) legato
p%& %+
, % % '3
$ %%&& %& %%& %%+&& %& ## % % %- % %& % $%,% %& % % % % %& %& % .
mp
% %mf
% %& %%&%
%%+&- % ##
33
$ $%,%& %&mf
% % % % % % %& %&3
p
% '&' (
pp
norm.
(mf
$% %% %%, % #
5
$%/ %/
%0&&
sul A
%& %/&
3
%/)& sul D'/ '/
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norm.
(mp
$% %% %%, % #
$p mp
%& %& %& % %& % % sul A
p
%/'&(1 %/ '/&mp
'/)&
p
norm.( (w/vln. I)
mf%%& % % %+ % ##
3 3
$%&1 %
mp
%1
% '
p
%& ' #
pp
'
$ % %& %'-( % #
p
%&1 %1 %& %1 %+ %& ## ' #
pp
'3
2 % % % % % % %'-( % % %&mf
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norm.(mp
% %& %& %& ,3 3
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norm.%3 4 . (3
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norm.
%5 4 . (3
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*sul C
0%%/ %/ %/ %&%/1 %0&&
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3
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0% norm.
mp
%&
%0&&
$%/& %/ sul G
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14
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56 #$#$
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Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
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"
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"
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() #
pp
& & &'
% * *+ * * *+ * $*, -* * * * *. * #/ * *+ * *+ *+
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f
$*+ *+ **+ *+ *+ *%,& * *%+& *+ *%+& *
**.+*%,& * * * * *
3
33
7
% *mp
*- ) * * #
pp p
).mf
*+ * * )p
)'
#
3 3
%p
*- * # * * * #
pp p
)+mf
*. * * )p
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* * * * * #pp p
). n*- 0 1 &'3
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pp p
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Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
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Hn.
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Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
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17
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Vln. Ib
Vln. Ic
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Vln. IIb
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Vla. a
Vla. b
Vla. c
Vla. d
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Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
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19
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Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
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Vla. a
Vla. b
Vla. c
Vla. d
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Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
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3
3
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(w/ e. horn)
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21
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Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
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norm.
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3
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22
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Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
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# + + + + (p
$% $ $% $ $ $% $ $- $ $ $ $ $ # $ $ $% $%3
3 3 3
$%
# + + + +p
$ $ $ $% $ $% $ $ $ $ $. $ $.$% $ $%
3
# + + + +p
$ $ $ $% $ $% $ $ $ $ $. $ $.$% $ $%
3
# + + + +p
$% $ $ $ $ $ $ $ $% $ $ $ $$%
$ #$
3 3 3
# + + + +p
$% $ $ $ $ $ $ $ $ $ $% $ 'pp3
# + + + +p
$% $ $ $ $ $ $ $ $% $ $% $ 'pp3
/ $ $% $mf
$ $ $ $ $ $ $% $3
$mp
&$
0& '% #
p$& ( ) * + +3
# + + + + + +
# + + + + + +
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23
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Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
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24
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107
Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
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3 3 3
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3
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"!
"!
"!
"!
"!
"!
"!
"!
"!"!"!
"!
L
Più mosso; q = 72
Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
!
"
!
"
# $ $ $ $ $
# $ $ $ $ $
#mf
% % % % %& % % %' % ( #
pp
%$
pp
(' #
mp
(
p
%'5 3
#(
mf
% ( #
pp
%$
p
%' % % % %' %' # % %' % %' %' % % %) % %3 3
#(
mf
% ( #
pp
%$
p
%' % % % % % % % %' %* %'3
% % % % % %3 3
$%
#% % %' % % %' % % % ( #
pp
%$
p
% # %' %&)' % % % % % %%' % % % % %
%&' % % % %% %
3 3 3 6
$%
#(
mf
% ( #
pp
%$ +
(w/vla.)
pizz.,#
pp
$%
$%-
#(
mf
% ( #
pp
%$ +
(w/vla.)
pizz.,#
pp
$%
$%-
. $ $ $ + #mp p
%' #%' ( #
# $ $ $ + #(w/vln.)
pizz.,#
pp
$%
$%-
# $ $ $ + #(w/vln.)
pizz.,#
pp
$%
$%-
. $ $ $ + #(w/vln.)
pizz.,#
pp
$%
$%-
/ $ $ $ $ $/ $ $ $ $ $/ $ $ $ $ $
/ $ $ $ $ $
26
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116 !!
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!!
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"!
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"!
!!
!!
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!!
!!
!!
!!
!!!!!!
!!
Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
!
"
!
"
# $ $ $ $
# $ $ $ $
#mp
% %& % % % % % %%& % % #
%& %& % %& % %% # % % % # % % % %'
%& % (
mf
% % pizz.
mp
%) * +
3 7 5
#%& % % % % % %' % ## ( #
mp
(
p
pizz.% %+ $
3
#% %& % % pizz.
mp
$% & %) + $ $ $3 3
#% , % % % %
'%& -%' %& ## %' %&% # (
mp
( # pizz.
p
%) *
$% &
$3
# +p
%) +($
pp
%) * $ $ $3
# +p
%) +($
pp
%) * $ $ $3
#%
mp
%) %p
pizz.
$ $ $ .% %3
# +p
%) +($
*pp
($
$ $ $ .%)3
# +p
%) +($
*pp
($
$ $ $ .%)3
# +p
%) +($
*pp
($ $ $ $ .%)3
/ $ $ $ $/ $ $ $ $/ $ $ $ $
/ $ $ $ $
27
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MPiù mosso; q = 80120 "!
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"!
"!
"!
"!
"!
"!
"!
"!
"!
"!
"!
"!
"!
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#!
#!
#!
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Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
!
"
!
"
$ %mp&' & &' & & (
mf& & & & & &
&mp
& &#&)& & & & & & &
3 3 3
$ * * + ,$ ,p&-' . &) , / , &-3 &0 , / &-'0
6 3
$ / $
mp
arco&0&1 &' & & &
&' & & & & &mf
& $ &' & & &1' & $
&' & & & & &2 & & &&1& $$
mp& & &'
5 3 3 3 3
3
$ %mp
arco
&' & &' & & (mf
& & & & & &&
mp& &
#&)& & & & & & &3 3 3
$ /arco
mp& &' & &&& & && & & $ & & & &' &' &2 & $ &' &' & $ & & &%2& & & &
mf& &' &1' &'
& &' & && &
mp
& 3 &3
7 5 5
$ ,mp
arco&0 && & &&& & &
& & & $
&' &' & &' && & $ & & & $ & & & & &' &
mf
& & &1 & & & &&' & & & & &
3 7 5 5 3
$ * *mp
arco& & & & & & &' & &#&)
& & & & & & & &3 3 3
$ * * arco3mp
& &' & & & & & &#&)& & & & & & &3
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'(
4arco
/ , overpress
p
& & &0 ( & & & ( (pp
norm./3
4arco
/ , overpress
p
& & &0 ( & & & ( (pp
norm./3
4arco
/ , overpress
p
& & &0 ( & & & ( norm.&0 &3
(3
4arco
/ , overpress
p
& & &0 ( & & & ( norm.&0 &3
(3
+ * * arco ,$ ,pp&-' . &) , / , &-3 &0 , / &-' )6 3
+ * * arco ,$ ,pp&-' . &) , / , &-3 &0 , / &-'0
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28
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124
Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
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"
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"
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#$# ## # 'p
( )3
* #+ , - #. ##% ( -
#. ##+ , #.3 #+ , / ) ) )
" # # # # # #& #& # # ## # # # # #&
# #& # # ## # #& # # # # '
p
) )3
3
5
3
" # #$ # ## #$ # ## # $#%#$ # ## # # #& 'mf
'p
( ) )3
" # #%0& # # # #& #& # # ## # # # # #&
# #& # # ## # #& # # # # '
p
) )3
3
5
3
" #$# ## #
$ #& ###$ # ##
mp# # $#%# # # # # # # # # # '
p
( ) )3 3
"mf
#$# ## #
$ #& ###$ # ##
mp# # $#%# # # # # '
mf
'p
( ) )3
"#'% & #$ # ## #$ # ## # $#%#$ # ## # # # '
mf
'p
( ) )3
1p
('# #+ #& # # #$ # # # # ## #
# # # # #$# ## ' 'mf
#$# ## # 'p
( )3 3 3
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#$ # # # ##& #
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# #+ # #& # #$& # # ## # # # #0 # # # #mf
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( )5
3
3
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#+ #$3
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' ( )
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2p
' ( )
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pizz
mp
#+ ,3 ( ) / / #.& % ( )3
* #+ , - #. ##% ( -
#. ##+ ,mp
pizz
#+ ,3 ( ) / / #.& % ( )3
* #% , - #. ##+ ( - #. ##+ ,mp
pizz
#& % ,3 ( ) / / #.& % ( )3
* #+ , - #. ##+ ( - #. ##+ ,mp
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#& % ,3 ( ) / , , #& % ( )3
29
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NPiù mosso; q = 96129
Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
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%& % % %% % % % % %
mp
% % % %% % # % % %' % % % % %' (
mf
% % % % %5 3 3
33
!pp
%mp
% % % %)% ## % % * * $
mp%+ % %& % % %' %' %
3
33
! , *pp mp% % % % % %
) % ## % % $%+% % % % % % %& %mf
% %' % %)' %' ##
3 3
3
3
!pp
%) % ##p
% %%% %) % ##
mp%)
% ## %% %
p
%mf%) % ## % %) %' # ( #
3
! , *pp p% % % % % %)
% ##
mf
% %$%+% % %' %
p
%+ $ %+ %) %' ##
mp% % %' %) % ##
3 3 3 3
!pp mp
% % % %'% % %
p% % % %
% %+ $ * , "3 3 3
-pp
%p
% % % %) % ## %) % ## % % %mp
%) % ## %) % ##
mf
% %) % # ( #3
- , *pp p
%' % % % %. %) % ## % % $%' +% % %mf
% % %
mp
%& % % % % %) % ##
3
3 3 3
- * $pp%/3 * %/ %/
3
% * , "
- * $pp%/3 * %/ %/
3
% * , "
# " arco
p
% # % % % % %mf
% % % %& $ , $p
%)&mf
% % %)' % %3
3
# *arco
$pp
%/3 * $ %/'
3 , *mp
% % % % %%
mf
% % % % % %)' %pp
% % *6
# *arco
$pp
%/3 * $ %/'
3 , $p%/' + * $ %/' + * ,
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%/'& * $ %/'& * ,
30
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132
Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
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"
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"
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$%& ' ( (# $)* $ + , (# ( $%& * - $% ##'6
! .pp
" "
!mf
/pp
, " "
! /pp
, " "
!pp
.mp
.pp
$ (mf
$%'
f
$ $ $ $ $ $%$ ##
3
!mf
$%$ ## $ $ /
f
$%$ ## $ $%& $ # /
p
$ (mf
$%'
f
$ $ $ $& $ $% $ ##
3
! " " "
0pp
$' ( + +p
$) / #
mf
$ /p mf
$ $& $ $ $ $ $
0mf
$% $ ## $ $& $mp
$% $ ## $%& $& ## $ $% $1 # /mf
/p mf
$ $& $ $ $ $% $1 ##
3
0 " " , (# (mf
$%* - $% ##
'6
0 " " , (# (mf
$%* - $% ##
'6
#$* 2 ( $$& $& $%& $ ## /
p
" + +mf
$$& $&
f
$)& $) $) $%& $ $& $&$&
3
5
# , + #
p
$& ' $mf
$ $& $& $ $& $& $& $& $ $ $p$
+ ,3 7
# "mp
$%& ' ( (# $)* $ + , (# (mf
$%& * - $% ##'6
# ,#
mp
$% $' ( + , $% $' ( (# (mf
$$%&3$$3 2 (
6
31
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135
O
Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
!
"
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"
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# $% & & $'( % &3 ) ) $'% ) & $'(3 ) & $'
3 * & $'( % ) &# & $'+ $% & ) & $'33 6
! " " "mp
$( $, $($( $
$ $( $ $ $$( %mf
$$ $
33
! " " "mp
$ $ $( $ $ $ $ $ $$$( %
mf
$ $( $(3
3
! " " " "
! $ $ $$( %$ $ $ $
pp$% &
mf
$% $- $ ##
f$ $ $ $- $ ## $- $ ##
mp$ $ $ $
p
$- $ ## $ ) *3 33
! . #pp$% & " " /
mp
$( $( $%,& $( $ $( $ $ $$, %mf
$ $ $3
3
! " " " "
0 $ $ $ $ $ $p
$ $ $ $-( $ ##
mf
$ $ $ $-, $ ##
$- $ ## $ $ $f
$- $ ## $- $ ## $p
) *3
3 3
0 $ $ $$%$ $ $p
$ $ $1 &$1 $
mf
$ $ $ $- $( ## $p
$1 & ) * "3
3 3
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) & & $'% ) & $'3 ) $' $'
3
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$ $' $'3
$ ) *3
0 $% & & $'% &3
) & & $'% ) & $'3 ) $' $'
3
$ $' $'3
$ $' $'3
$ ) *3
# $% & ) *mf
$( $( $( $( $$( $( $ $( $ $ $
f
. # ) &# &mp
$'( + $% & ) & $'3
53
6
#f
$( $( $( $( $( $ $( $ $ $ $ $(1 $(1 & ) * * & $'( % ) &# &mp
$'( + $% & ) & $'3
53
6
# $% & & $-( % &3 ) ) $'% ) & $'(3 ) & $'
3 * & $'( % ) &# &mp
$'+ $% & ) & $'33 6
# ) & $'3 $ ) ) & $'3 $ ) " & &mp
$'2 $1 & ) & $'33
32
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139
PTempo primo; q = 48
Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
!
"
!
"
! " " " " # #$ legato% %pp&' & &' &
3 3
(&' ) % &*' &' ) % + &, ##
' % + &, ##' ) &*
3
& % # " # #$p
Syrgjefuen (The Bird of Sorrow)
& $&' & & &3
-poco
3
! & &. & &. & &, & ##
f&,
& ## &, & ## & &. $&. '& &. &/ & &mp
& &. $&. '& & & - 0pp&' ) % #$ # )
p
$&'&$&'
&1 &13 3 3
3
! & &. & & &f
&,%/& & ## &, &. ## & $&'&, & ##&. &/ & 0
pp
" # #$ "3
! " " " " # #$ "
! #mp
&mf
&,. & ## &, &. ## &f
$&'&, &. ## & & &. 0p
0pp
&' ) % #$ "3
! & &2 & & & % " " " # #$ "
! " " " " # #$ "
3 "mf
&, &. ## &
f
$&'&,& ##
&mp
&& &. - #
pp
" # #$ "3
3 " # %mp
$&' & & & & & & - #
pp
" # #$ "3 3
3 #p- - #
mf
&' &*3
- #
pp
% " # #$ "
3 #p- - #
mf&' &*
3
- #
pp
% " # #$ "
( &. ' ) % &*' &' ) % + &, ##' % + &, ##
' ) &*3
& % # " # #$ "3
( &. ' ) % &*' &' ) % + &, ##' % + &, ##
' ) &*3
& % # " # #$ "3
(&' ) % &*' &' ) % + &, ##
' % + &, ##' ) &*
3
& % # " # #$ "3
( &1 ) % # " " " # #$ "
33
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145 !"
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""
""
""
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""""""""""""""""
#"
#"
#"
#"#"
#"
#"#"
#"#"#"#"#"#"#"#"
""
""
""
""""
""
""""
""""""""""""""""
Q
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!"!"!"!"!"!"!"!"
Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
!
"
!
"
$p
% %pp
&'3
%n
%( ) * * + + + * *pp
legato
%( % %( %3 3
,pp
% * - +p
% #%( % % %3
&mp
%'3
& $
pp
* + +
$%
mp
%. &p
%. ) + + + + )p
#%(%#%(
%. % %. %. %3
3
3
$ + + + + + +
$ + + + + + +
$pizz.
p
%mp
% *p
% %( ) * * + + + +
$ + + + + + +
$ + + + + + +
/ + + *pp
%mp
& & &pp
%. ) * +
/ + + -pp
%mp
% & &' &'3
pp
%( ) * * *pp
%. % %. %3 3
/ + + + + + +
/ + + + + + +, + + + + + +, + + + + + +, + + + + + +, + + + + + +
34
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!"
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!"
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!"
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!"
151 #"
#"
#"
#"#"
#"
#"#"
#"#"#"
#"
#"#"#"
#"
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!"!"
!"
!"!"
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!"
!"!"!"
!"
!$
!$
!$
!$!$
!$
!$!$
!$!$!$
!$
!$!$!$
!$
!"
!"
!"
!"!"
!"
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!"
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""
""
""
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""
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""""""
""
""""""
""
Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
!
"
!
"
%mp
& &p
& & ## & 'n
&( ) * * * * *
+ * * * * * * *
% )mp
$&(&$&(
&, & &, &, 'p
&, ) *p
$&(& & & & '3
pizz.
mp
&- - * *
3
3
3
%p
$&(& & & & & &mp
pizz.& - - * * * * -pp
arco
&. &( &3
3
% -pp
&( &p
&( &pp
&( ) - )pizz.
p
* *&, / ) * *&,3 3
% *p
sul D'0 &, ) * *mp
'0 &, ) *p
$&(& & & & '33
% * * * -pp
&( &mp
&( & 'n
&( ) * -pp
&. ( & &1( &3 3 3 3
% * * * * * * *
2p
&3 & & & &33
'n
&, ) * * * *pp
& & trem. norm.&%%%&4 ## &
2p
& &pp
& & ## & 'n
&, ) * * * * -pp
&, & &, &3 3
2 * * *p
&3 & & &mp
&33
'n
&, ) * -pp
& &, &3
2 * * *(w/ cello)
p
& & trem. norm.
mp
&%%%&4 ## & '
n
&, ) * - -pp
&, &3
+ * * *(w/vla.)
pp
& &mp
& &4 ## & 'n
&, ) * *
+ * * * * * * *+ * * * * * * *
+ * * * * * * *
35
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!!
!!
!!
!!
!!
!!
!!
!!
!!
!!
!!!!
!!!!!!
!!
158 "!
"!
"!
"!
"!
"!
"!
"!
"!
"!
"!"!
"!"!"!
"!
#!
#!
#!
#!
#!
#!
#!
#!
#!
#!
#!#!
#!#!#!
#!
"!
"!
"!
"!
"!
"!
"!
"!
"!
"!
"!"!
"!"!"!
"!
R
!!
!!
!!
!!
!!
!!
!!
!!
!!
!!
!!!!
!!!!!!
!!
Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
!
"
!
"
$ %p
& 'pp
& # '( ) * * + + + *p
legato
'( 'mp
'( '3 3
, %pp
&p
-n
'( ) * * + + +p
' $'( ' ' '3 pp
'
$arco
p
sul D&. #
* + + )p
$'( '$'(
'/ ' '/mp
'/ &p
'/ ) + )p
$'( '$'(
'/ ' '/ '/3 3 3 3
$ &p&0 &3
pp' * % +
p
$'(' ' ' ' ' ' pizz.
mp
' * * +arco
p
$'(' ' ' ' ' '3 3
$ %pp
arco
&p-
n
+ *pizz.
p'( * '( * % )
mp
+'/ *p
arco
'( 'mp
'( '3 3 3 3
$pizz.
p
'* % + + +
arco
mp
sul D&. '/ ) + +
$ &mp
&pp
' * % + + + + +
$ %mp
pizz.'/ ) * ) '/ * * )p
+ + + + +'/
1mp
-p
-n
+pp p
'2 ' ' ' '3
pp
' '2n
'/ ) +pp
'2 ' ' ' '3
1mp
-p
-n
+pp
' 'p
' '3 ## 'pp
&n
'/ ) +p
pizz.' ' 4(w/ cello)
mp
' ##/ '
1mp
-p
-n
+ *pp
'/ 'p
'/ ' ' ' 'n
'/ ) + +3 3
1mp
-p
-n
+ *pp
'/ 'p
'/ ' ' ' 'n
'/ ) + +3 3
, %pp
&p
-n
+ + + + $pp
sul A
'.
'. (w/ vla.)
'.
'.3 ## '
.
, %pp
&p
-n
+ + + + +, %
pp
&p
-n
+ + + + +
, %pp
&p
-n
+ + + + +
36
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!!
!!
!!
!!
!!
!!
!!
!!
!!
!!
!!
!!
!!
!!
!!
!!
165 "!
"!
"!
"!
"!
"!
"!
"!
"!
"!
"!
"!
"!
"!
"!
"!
!!
!!
!!
!!
!!
!!
!!
!!
!!
!!
!!
!!
!!
!!
!!
!!
"!
"!
"!
"!
"!
"!
"!
"!
"!
"!
"!
"!
"!
"!
"!
"!
#!
#!
#!
#!
#!
#!
#!
#!
#!
#!
#!
#!
#!
#!
#!
#!
"!
"!
"!
"!
"!
"!
"!
"!
"!
"!
"!
"!
"!
"!
"!
"!
Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
!
"
!
"
$p
% % &n
%' ( ) ) ) ) ) ) )
* &mp
%3
%p
% & #
n
) ) ) ) ) )
$mp
& #
p
%+ ( ) ) ) ) ) ) )
$pizz.
mp
% , - ) ) ) ) ) ) )
$ %' ( , - ) ) ) )pizz.
mp
%+ ( , (p
) )%+
$p&.// #
#
%/
mp%. %. &. #
#n
) ) ,pp
%/.&//3
.&mp
.& ##
n
.%+ ( , , )
$p
sul D&0 # %+ ( ) )pp
%1 % % %2 %23
mp
% %21 %23 &n
mute on) ) )
$ - arco
pp
&p
& #
n
)pp
% % % %2 %23
mp
% %2 %23
&n
mute on) ) )
3mp
& #
p
%+ ( ) ) (pp
%+ % %mp
%3 %p
&2 #
n
mute on) ) )
3 ( %+ , , ( %+ - ( )pp
arco%+ % %mp
%%4 ## %2 %p
&2 #
n
mute on) ) )
3 ) ) ) ,pp
%+ % %2+ %mp
%2+ %p
&2 #
n
mute on) ) )3 3 3
3 ) ) ) ,pp
% %+ %mp
%2+ % %+ & #
n
mute on) ) )3 3 3
$mp
&0
#
p
%0' ( ) )
pizz
pp
%1p
%'pp
% % % % (3 mute on ) ) ) )3
* ) ) ) , $pp
pizz
%' (p
% % %pp
mute on ) ) ) )%'3 3 3
* ) ) )pp
pizz%1 # % ( %+ 5p pp
mute on ) ) ) )% %
* ) ) ) ) mute on ) ) ) )
37
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!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
173 #"
#"
#"
#"
#"
#"
#"
#"
#"
#"
#"
#"
#"
#"
#"
#"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!$
!$
!$
!$
!$
!$
!$
!$
!$
!$
!$
!$
!$
!$
!$
!$
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
!
"
!
"
% & & & & & & & &
' & & & & & & & &
% & & & & &mp
#()( ( ( ( *3 (pp
(+ , - &3
% & arco -pp
(./*..
3
/( /(mp
/* /(n
/(+ , - & -pp
sul D*0 (0
mp
(0+ , - &
% & & -mp
pizz.(+ , - ,p
(+ - - & & & &
% & & & & & & & &
%p
(1 ( ( (2 (23
mf
( (21 (23 ( (n
mute off3 & & & & &
%p
( ( ( (2 (23
mf
( (2 (23
( (n
mute off3 & & & & &
4 ,p
(+ ( (mf
(3 (p
*2n
(2 mute off3 & & & & &
4p
arco( (mf
( (5 $$ (2 (p
*2n
(2 mute off3 & & & & &
4 -p
(+ ( (2+ (mf
(2+ (p
*2n
(2 mute off3 & & & & &3 3 3
4 -p
( (+ (mf
(2+ ( (+ *n
( mute off3 & & & & &3 3 3
%pizz.
p
(1mp
() ( (p
( ( ,3 mute off & & & & & & &3
% -p
pizz.
() ,mp
( ( (p
mute off & & & & & & &()3 3 3
'p
pizz.(1 $ ( , (+ 6mp p
mute off & & & & & & &( (
'p
pizz.(1 $ ( ,mp
(+ 6p
mute off & & & & & & &( (
38
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!"
!"
!"
!"
!"
!"
!"!"
!"!"
!"!"
!"!"
!"
!"
S181 ""
""
""
""
""
""
""""
""""
""""
""""
""
""
!"
!"
!"
!"
!"
!"
!"!"
!"!"
!"!"
!"!"
!"
!"
#"
#"
#"
#"
#"
#"
#"#"
#"#"
#"#"
#"#"
#"
#"
!"
!"
!"
!"
!"
!"
!"!"
!"!"
!"!"
!"!"
!"
!"
""
""
""
""
""
""
""""
""""
""""
""""
""
""
#"
#"
#"
#"
#"
#"
#"#"
#"#"
#"#"
#"#"
#"
#"
Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
!
"
!
"
$ % % &p
#'( ' 'mp
'3
)legato
p
#'(' ' ' '* '*3
'pp
'* '*3
' ) $n
+ %
, % % &p
)mp
) ' '* )pp
% % %
$ %p
sul D)- '
)./ ).pp
sul D
)- '-03 )- $
% %p
sul D)- '
)./ ). $$pp
+
$ %sul Darco
p
'-sul E
)-3 )- )- sul D
pp
'-sul E
)-3 )- $
%&
% %sul D
p
'-sul E
)-3
mp
)- )- $
pp
+
$ %arco
+
sul E
p
'- '-03sul D
)- )- pizz.
pp
' ' '0+
3
% % %sul E
+p
'- sul D'-03
mp
)- )- $
pp
+
$p
#'(' ' ' ' )3 pizz.
mp
'1
'02 & arco
pp
30 )*0mp
'* )p
) $ ) $n
+ %3
$ % +mp
pizz.'& arco
pp
30 )*0mp
'* )p
) $ ) $
n
+ %
$ % &mp
pizz.'2 1 + arco
pp30 ) + %
p
' ' ' ' ' '3
mp
) $n
+ %3
4pp
' ' ''5 $$ ' ) )*mp
)*3 )p
)*pp
) $
n
%pp
' ' ' ' '3
p
) $
n
+ %
4 +pp
'2 ' '2 ' ) )*mp
)*3 )p
)*pp
) $
n
%pp
' ' '' $$ 'p
) $
n
+ %3
3
4 +pp
' '2 ' ) )*mp
)*3 )p
)*pp
) $
n
% +pp
'2 ' '2 'p
) $
n
+ %3 3 3
4 + +pp
'2 ' ) )*mp
)*3 )p
)*pp
) $
n
% +pp
' '2 'p
) $
n
+ %3 3
$ % & ,arco
pp
) ) )*mp
)*3
p
) $mp
) ) $p
) $n
+ %
$ % & , arco
pp
) ) )*mp
)*3
p
) $mp
) ) $p) $
n
+ %
, % &arco
pp
)0 ) )*0mp
)*3
p)0 $
mp)0 ) $
p) $
n
+ %
, % &pp
) ) )*p
)*3
)mp
'5 ) ) $
p
) $
n
+ %
39
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!"
!"
!"
!"
!"
!"
!"
!"
!"!"!"
!"
!"
!"!"
!"
189 #"
#"
#"
#"
#"
#"
#"
#"
#"#"#"
#"
#"
#"#"
#"
!"
!"
!"
!"
!"
!"
!"
!"
!"!"!"
!"
!"
!"!"
!"
#"
#"
#"
#"
#"
#"
#"
#"
#"#"#"
#"
#"
#"#"
#"
""
""
""
""
""
""
""
""
""""""
""
""
""""
""
$%
$%
$%
$%
$%
$%
$%
$%
$%$%$%
$%
$%
$%$%
$%
""
""
""
""
""
""
""
""
""""""
""
""
""""
""
Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
!
"
!
"
& ' ' ' ' ' ' ' '
( ' ' ' ' ' ' ' '
& 'mp
#)*) ) ) ) +3
+ ), - ' ' ' ' '3
& ' 'pp
+. ), - ' 'sul D
p
)/ +/3 +/
mp
+/ $
n
- '
& ' 'arco
pp
+ ), - ' ' 0 pizz.-p
), 1 ), 0mp
), -$ )2 0 1 ) 133
& ' ' ' ' ' ' ' '
& ' ' ' ' ' ' ' '
& ' ' ' ' ' ' ' '
3 ' ' ' 'p
#)*) ) ) )mp
+3
+p
), - 1 ' '3
3 ' ' ' ' ' ' ' '
3 ' ' ' ' ' ' ' '
3 ' ' ' ' ' ' ' '
( ' ' ' ' ' &pp
sul D+/ )/, - 1 ' '
( ' ' ' ' ' ' ' '( ' ' ' ' ' ' ' '
( ' ' ' ' ' ' ' '
40
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197 !"
!"
!"
!"
!"
!"
!"
!"
!"
!"!"!"
!"!"!"
!"
#"
#"
#"
#"
#"
#"
#"
#"
#"
#"#"#"
#"#"#"
#"
""
""
""
""
""
""
""
""
""
""""""
""""""
""
T
#"
#"
#"
#"
#"
#"
#"
#"
#"
#"#"#"
#"#"#"
#"
""
""
""
""
""
""
""
""
""
""""""
""""""
""
Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
!
"
!
"
$ % % % &(legato)
p
#'( ' ' '3
) )* )*3
' #'( ' ' '3
)mp)* )*3
+ % % % &p
)mp
,p
' )* ) $
mp
'*
$mp
)#'(' ' ' '
p
)pp
'- . / /p
sul D,0
poco p
&)0 )0
mp
'1
'2*11 )2mf)211
3
$p'23'
)23
)2mf
)2p
'2 / sul D/p
'0 sul E)0
3 poco
)0
p
&sul D'0 sul E)0
3
)0
mp
'*0 )0
mf
)0
$ / ' /3 .p
'- . '- / . % arco'- /p
sul E
'0 '
'233
poco
)2p
&sul E
/'0 sul D'01
3
)0
mp
'*01 )0
mf
)01
$mp
sul E)0
pp
'0- . / %
p
#'(' ' ' ' )3
pizz.
mp
'.
'1- &
pp
arco
) $ '* ' )*mp
) $pp
'*3
$ % % % /pizz.
mp
'& arco
pp)1 $ '* ' )*1
mp
) $pp
'*1
$ % % % &pizz.
mp
'1- . /
pp
arco
) $ '* ' )*mp
) $
pp
'*
4 % %p
' ' ' ' $$ ' ,pp) $
p
'* ' )* ) $mp
'*4 % % /
p
'- ' '- ' ,pp) $
p'* ' )* ) $
mp'*3 3
4 % % /p
' '- ' ,pp) $
p'* ' )* ) $
mp'*3
4 % % / /p
'- ' ,pp) $
p
'* ' )* ) $mp'*3
$ % % % & +p)
pp) $
mp'* ' )* ) '
mf
'*+ % % % &
p
)pp) $
p'* '
mp)* ) $
mf'*
+ % % % &p
)pp
) $p
'* 'mp
)* ) $mf
'*+ % % % % %
mp
)5 $ ) $
mf
'*5
41
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204 !"
!"
!"
!"
!"
!"
!"
!"
!"!"!"!"
!"!"
!"
!"
""
""
""
""
""
""
""
""
""""""""
""""
""
""
Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
!
"
!
"
# $mp
#$% $ $ $3
p
$ & $pp
' ( ( ( 'pp
#$) % $ $ $3
* +pp
( ( ( ( (
# $,$)
&,)) $$
f$, &,-)) $
$ &, $$
pp
'p
$ #$% $ $3
$ $ $3
$ $) & & $.)
#$/ &/ $
f
$/ &-/ $ &/ $
pp
' ( 0p
$ &)3 & $.
#$/ &-/) $
f
$/ &-/) $ &/ $
pp
' ( 0 'p
$ $3 & $.)
# $mp&. $
f+ & $
pp
' (mp
pizz.$1
$)2 1
mp
$2 13
1%&
$2 13
arco'pp&
# $mp&.) $
f
+ & $pp
' ( 'mp
pizz.$0 arco'
pp
&)
# $mp
&. $
f
+ & $pp
' ( ( 'pp&
3 $ &. $
f
+ & $pp
' ( ( (
3 $ &. $
f
+ & $pp
' ( ( (
3 $ &. $f
+ & $pp
' ( ( (
3 $ &. $
f
+ & $
pp
' ( ( (
*$ &. $
f
+ & $
pp
' ( ( (
*$ &. $
f
+ & $
pp
' ( ( (
*$ &. $
f
+ & $
pp
' ( ( (
*$ &. $
f
+ & $
pp
' ( ( (
42
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!!
!!
!!
!!
!!
!!!!!!
!!!!!!!!
!!
!!
!!
!!
210
Eng. Hn.
Hn.
Vln. Ia
Vln. Ib
Vln. Ic
Vln. IIa
Vln. IIb
Vln. IIc
Vla. a
Vla. b
Vla. c
Vla. d
Vc. a
Vc. b
Vc. c
Cb.
!
"
!
"
" # # #3
$ #$% $ $&mp
$&3
$ # #p# $
n
' ( (
) * 'pp
$& # #mp
#& #&p
# $
n
' ( (
"#
mp
#&+ $mf
#& $ $f
#&+ $ #ffp
#, - $./ 0%&
' *
"#
mp
#& $mf
#&+ $ $f
#&+ $ # $
ff
'%&
( (
"#
mp
#&+ $mf
#& $ $f
#& $ # $
ff
'%&
( (
" # $ $& # $p$& #
mp# # $ pp
' ( (
" # $ $&+ # $p$&+ #
mp#+ # $ pp
' ( (
" # $ $& # $
p
$& #mp
# # $ pp
' ( (
1ppp
overpress
# $ $& # $mf
$&norm
# # # $pp
' ( (
1ppp
overpress
# $ $& # $
mf
$& $norm.
# $ # $pp
' ( (
1ppp
overpress
# $ $& # $mf
$& #norm.
# # $pp
' ( (
1ppp
overpress
# $ $& # $
mf
$& # $
norm.
$ # $pp
' ( (
)ppp# $
pp$& # $
p$& #
mp# # $
pp
' ( (
)ppp# $
pp
$& # $
p
$& #mp# # $
pp
' ( (
)ppp# $
pp
$& # $p
$& #mp
# # $pp
' ( (
)pp
# $
p
$&, # $
mf
$&, #p
#, # $pp
' ( (
43