University of Sheffield Library. Special Collections and .../file/Antcliffe.pdf · 1 University of...

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1 University of Sheffield Library. Special Collections and Archives Ref: MS 45 - 49; MS 227 Title: Antcliffe Mss. Scope: A collection of both manuscript and printed works by Herbert Antcliffe (1875-1964) including published and unpublished material, both musical and textual, during the period 1899 to 1961 (where dated) Dates: c.1899 - 1961 Level: Fonds Extent: 10 boxes Name of creator: Herbert Antcliffe Administrative / biographical history: The collection came to the Library in two separate sections, the first being a collection of typescript copies of unpublished works on the history of both music and Flemish literature (MS 45 - 49) donated by the author in 1961, and the second a more extensive and varied collection of works (MS 227) bequeathed at his death in 1964 and placed in the Music Library until 1998. The latter includes both published and unpublished material, comprising Antcliffe’s own musical works, verse, stage works, translations, articles on music, drawings, and other material. Herbert Antcliffe, musicologist, composer and journalist, was born in Sheffield in 1875. Starting work as a music critic with the Sheffield Daily Telegraph in 1895, he moved to the Evening Standard in 1916. Much of his working life was spent as a music and literary critic in London and Holland; in 1925 he undertook the post of correspondent in Holland of the Daily Mail, and also contributed articles on Dutch art, music and politics to the London Times, as well as acting as correspondent of the New York Herald Tribune and the South African Argus group. From 1928 onwards he was successively Treasurer, Vice-President and President of the Foreign Press Association in Holland, resuming this last post after the war. Caught in Holland by the Nazi invasion he was unable to do any journalistic work during the Occupation, during which both he and his Dutch wife suffered from near-starvation. In January 1949 he returned to Britain. Antcliffe was the author of several books on music, and in recognition of his services to British music was awarded a Civil List Pension. He was in addition a Fellow of the Royal Society of Arts. In the Netherlands he was created, in 1938, a Chevalier, and in 1948 promoted to be Officer, in the Order of Orange Nassau by Queen Wilhelmina. Grove’s Dictionary of Music and Musicians, 5th edition, has an entry under Antcliffe. Related collections: None to date Source: By donation and bequest of the author System of arrangement: By category Subjects: Music; Flemish literature Names: Antcliffe, Herbert Conditions of access: Academic researchers by appointment Restrictions: None Copyright: Variously according to document Finding aids: Listed

Transcript of University of Sheffield Library. Special Collections and .../file/Antcliffe.pdf · 1 University of...

Page 1: University of Sheffield Library. Special Collections and .../file/Antcliffe.pdf · 1 University of Sheffield Library. Special Collections and Archives Ref: MS 45 - 49; MS 227 Title:

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University of Sheffield Library. Special Collections and Archives Ref: MS 45 - 49; MS 227 Title: Antcliffe Mss. Scope: A collection of both manuscript and printed works by Herbert Antcliffe (1875-1964) including published and unpublished material, both musical and textual, during the period 1899 to 1961 (where dated) Dates: c.1899 - 1961 Level: Fonds Extent: 10 boxes Name of creator: Herbert Antcliffe Administrative / biographical history: The collection came to the Library in two separate sections, the first being a collection of typescript copies of unpublished works on the history of both music and Flemish literature (MS 45 - 49) donated by the author in 1961, and the second a more extensive and varied collection of works (MS 227) bequeathed at his death in 1964 and placed in the Music Library until 1998. The latter includes both published and unpublished material, comprising Antcliffe’s own musical works, verse, stage works, translations, articles on music, drawings, and other material. Herbert Antcliffe, musicologist, composer and journalist, was born in Sheffield in 1875. Starting work as a music critic with the Sheffield Daily Telegraph in 1895, he moved to the Evening Standard in 1916. Much of his working life was spent as a music and literary critic in London and Holland; in 1925 he undertook the post of correspondent in Holland of the Daily Mail, and also contributed articles on Dutch art, music and politics to the London Times, as well as acting as correspondent of the New York Herald Tribune and the South African Argus group. From 1928 onwards he was successively Treasurer, Vice-President and President of the Foreign Press Association in Holland, resuming this last post after the war. Caught in Holland by the Nazi invasion he was unable to do any journalistic work during the Occupation, during which both he and his Dutch wife suffered from near-starvation. In January 1949 he returned to Britain. Antcliffe was the author of several books on music, and in recognition of his services to British music was awarded a Civil List Pension. He was in addition a Fellow of the Royal Society of Arts. In the Netherlands he was created, in 1938, a Chevalier, and in 1948 promoted to be Officer, in the Order of Orange Nassau by Queen Wilhelmina. Grove’s Dictionary of Music and Musicians, 5th edition, has an entry under Antcliffe. Related collections: None to date Source: By donation and bequest of the author System of arrangement: By category Subjects: Music; Flemish literature Names: Antcliffe, Herbert Conditions of access: Academic researchers by appointment Restrictions: None Copyright: Variously according to document Finding aids: Listed

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Outline list: Antcliffe Mss. (MS 45 - 49) Typescript copies of unpublished works MS 45 From Wagner to Schönberg: a brief summary of fifty years of European music MS 46 Guido Gezelle: poet and teacher. A short biography MS 47 Music in the service of religion MS 48 A short history of modern Flemish literature MS 49 Various papers relating to Flemish literature Antcliffe Mss. (MS 227) Miscellaneous works, published and unpublished, music and text /1 Sacred choral music, excluding hymns /2 Hymn tunes /3 Part-songs /4 Solo songs /5 Orchestral works /6 Chamber works /7 Works for cello solo /8 Piano works /9 Organ works /10 Musical fragments /11 Original verse /12 Verse translations /13 Stage works /14 Other literary works /15 Articles on music /16 Other articles /17 Drawings /18 Items of a biographical nature /19 Works by friends of Antcliffe, and other miscellany Within each section, the entries are arranged in the sequence Collections - Dated works - Undated works - Incomplete works - Items subsequently added to the collection MS 227 arranged and listed by Tom McCanna, July 1981

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MS 227 Antcliffe Manuscripts Detailed Listing 1. Sacred Choral Music, excluding hymn tunes

1/1 Sic sacrificium [for SATB & organ]. Boston (Mass.): McLaughlin &

Reilly, 1919. 4pp. 13 copies 1/2 Ave verum corpus: anthem for quartet or chorus of mixed voices with

organ accompaniment. [Latin & English text]. New York: Schirmer, 1920. 5pp. For another arrangement, see 4/8

1/3 Missa “Pater noster”: a short mass for male voice choir without

accompaniment - a) [fair copy] 32pp. Also contains: O salutaris hostia (see also

1/23), Tantum ergo (see also 1/13, 2/3 no. 2) - b) [draft]. Begun 11 April 1925, finished 12 June 1925. 23pp.

1/4 Montes et colles: motet for mixed-voice choir. Den Haag, 13 Maart

1926 - a) [fair copy] 10pp. - b) [draft] 7pp.

1/5 Canite tuba: motet for mixed voices. Den Haag, 30 March 1926. 1/6 Bene est tentare. Hush, blessed are the dead: anthem for mixed choir

and organ; words by Bishop E.H. Bickersteth. [English text] - a) [fair copy] 17pp. - b) [draft] “Hush, blessed are the dead: a memorial anthem” 7pp. - c) [draft] Den Haag, 6.8.30. 11pp.

1/7 Amor, amor. [A child is born in Bethlehem]: a Flemish carol, arranged

for mixed choir (a capella). [English text] - a) [fair copy] 4pp. - b) [draft] Chritsmas Eve, 1939. 3pp. - c) [another copy of b)]. Holy Innocents [28 Dec], 1939. 3pp.

1/8 Salve regina [for SATB]

Nihil obstat 20 Jan 1940. 3pp.

1/9 O esca viatorum, voor drie-stemmig manner koor - a-c) [3 fair copies] 3pp. - d) [draft of first verse]. Feest van St Margaret van Schotland [10

June], 1940. 1p.

1/10 Ave Maria, voor drie-stemmig mannerkoor. Feest van SS Vitus, Modesta en Crescentia [15 June], 1940. 3 pp.

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1/11 La priere de Jesus [O pere, que nous avons dans les cieux]; paroles de “Urbi et orbi” de C. Albin de Cigala [for SATB & organ] - a) [fair copy] 3pp. - b) [draft]. Bussum, 3.12.40. 3pp.

1/12 Christus vincit: antiphon voor het feest van Christus Konning, voor

drie-stemmig mannerkoor - a) [fair copy]. Feestdag van den Heilige Stephanus [26 Dec],

1940. 3pp. - b) [draft] 2pp.

1/13 Tantum ergo, voor 4-stemmig koor [TTBB] (a capella). [In A major].

Bussum, 22 Mai 1944. 3pp. Uses same material as 1/3

1/14 Ave Maria, voor gemengd koor a capella. Nihil obstat 20 Jan 1948 - a) [fair copy] 3pp. - b) [draft] 3pp.

1/15 Ave Maria, voor twee-stemmig koor en orgel

- a) [fair copy, in G major] 4pp. - b) [draft] “Ave Maria, for soprano and mezzo-soprano” [in Bb

major] 2pp. - c) [later draft] “Ave Maria, voor twee vrouwen stemmen en orgel”

[in G major] 2pp. - d) [variant fair copy] “Ave Maria, pour sopran et contralt et

orgue” [in G major] 2pp. Not in bequest 1/16 Ave Maria, for two sopranos, wind instruments and harp [in Bb major]

22pp. An arrangement of 1/15

1/17 Ave verum corpus, for 2 equal voices and organ. 3pp. 1/18 Ecce nunc tempus: motet for Advent or Lent; words from the Second

Epistle to the Corinthians [for SATB]. 6pp.

1/19 Gebed voor de vrede [Da pacem, Domine], voor drie-stemmig manner-koor (a capella) - a) [fair copy] 2pp. - b) [draft] 2pp.

1/20 Kyrie [for SATB, in D minor. English text]. 1 p. 2 copies. Also

contains: Dresden Amen, as sung in Lincoln Cathedral 1/21 See 2/13b

1/22 [Mass “Asperges me”, for TTBB & organ] - a) Kyrie eleison (Missa “Asperges me”) 6pp. - b) [organ accompaniment to a)] 2pp. - c) Gloria in excelsis. 6pp. Credo [fragment]. 6pp. - d) Agnus Dei. 5 pp.

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1/23 O salutaris hostia, voor 4-stemmig mannerkoor - a-b) [fair copies] 3pp. - c) [draft, textless] 1pp. - d) [later draft] 3pp. - e) [fragment, arranged with independent organ accompaniment]

1pp.

1/24 Salve regina, voor drie-stemmig mannerkoor (a capella) - a) [fair copy] 4pp. - b) [draft] 4pp. - c) [later draft] 4pp.

1/25 [Salve regina/Regina coeli]

- a) “Regina coeli, for four voices (unaccompanied)” [fair copy, for SATB, in G major] 4pp.

- b) [draft of a)] 4pp. - c) “Salve regina, voor 4-stemmig mannerkoor (a capella)” [fair

copy, for TTBB, in A major] 4pp. - d) [draft of c)] 5pp. - e) [later draft of c)] 5pp.

1/26 Tantum ergo [for SATB, in G major]

- a) [fair copy] 1p. - b) [draft] 1p.

1/27 When all the world in quiet silence lay [for SATB] 3pp.

1/28 Stabat mater, voor gemengd koor (a capella) [fragment] 4pp.

1/29 Veniet Dominus [for SATB, fragment] 4pp.

1/30 [Amen] Threefold amen [for SATB, in G major] 1p. Not in bequest

1/31 Auribus precipe Domine: motet for soprano (or tenor) solo and chorus

[& organ] - a) [fair copy] 5pp. - b) [draft] 5pp.

1/32 [Communion service, in D major] The office of Holy Communion, set

to music in key of D major, together with Benedictus qui venit and Agnus Dei in the key of A major [for SATB & organ. English text]. Sheffield. 24pp. Not in bequest

1/33 Sanctus. benedictus qui venit [for SATB & organ, in F major] 5pp. Not

in bequest

1/34 Missa “Orbis factor” [Kyrie, and fragment of Sanctus. Textless]. Partly printed. 2pp. Not in bequest

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1/35 Civabit illis (Tye, arrd by H.A.) [Sketch for voices & organ(?). Textless]. 3pp. Not in bequest

2. Hymns

2/1 [Selections]. Eight alternative hymn tunes to “Hymns Ancient and Modern”. Sheffield. 10pp.

Contents: 1. Holy Father, cheer our way 2. Blessed feasts of blessed martyrs 3. When all Thy mercies, o my God 4. Within the churchyard side by side 5. Lift up your heads 6. Unchanging God, hear from eternal heaven 7. Holy Father, in Thy mercy 8. Guide me, o Thou great Redeemer For another arrangement of no. 8, see 4/13

2/2 [Selections]

- a) 4pp. Contents: 1. O salutaris hostia [For other copies, see 2/9]

2. Lord of all being; [words by] O.W. Holmes. [Tune: Dainoord]

3. Sing to the Lord a joyful song [Tune: Arnhem] 4. [To the name that brings salvation]. Gloriosi

salvatoris (E.H. 507) - b) [fair copies of nos. 2 & 3] 2pp. - c) [draft of no. 2] “Sing to the Lord a joyful song” [by J.S.B.

Monsell]. Tune: Oliver Homes [sic]. [Music only] 1p. - d) [text to c)] 1p.

2/3 [Selections]

- a) Contents: 1. Unchanging God (A&M 590). Tune: Saint Bruno

2. Tantum ergo [for TTBB, in F major] 2pp.

- b) [another copy of no. 2] 1p. - c) [no. 2 arranged for SATB, in Ab major] 1p.

2/4 [Selections]

The Hague. 1p. Contents: 1. Holy Father, cheer our way; words by R.H.

Robinson. Tune: Hanforth.[Fair copy of 2/1 no. 1] 2. Holy Father, in Thy mercy; words by Isabella S.

Stephenson; (or as an alternative “Art Thou weary”, by J. Mason Neale). [Revision of 2/1 no. 7]

2/5 [Selections]. 1p.

Contents: 1. New every morning is the love; words by John Keble. Tune: Juliana

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2. Jesus gentlest Saviour; words attributed to S. Baring-Gould or F.W. Faber. Tune: Gonzaga

2/6 [Selections]

- a) 1p. Contents: 1. Sinful, sighing to be blest; words by

J.S.B. Monsell. Tune: Gilcar 2. Lord of all being; words by Oliver

Wendell Holmes. Tune: Dainoord. [another copy of 2/2 no. 2]

- b) [draft of no. 1] 1p.

2/7 [Selections] - a) “Six hymns of J.G. Whittier”. The Hague. 4pp.

Contents: 1. Dear Lord and Father. Tune: Zorgvliet 2. Blow winds of God. Tune: Rogation 3. All things are Thine. Tune: St. Nireus 4. Immortal love. Tune: Finlay 5. O brother man. Tune: Caland 6. When on my day. Tune: Newman

- b) [drafts of nos. 1 & 2] 1p. - c) [printed version of no. 5]. “O brother man; words by John

Greenleaf Whittier. Tune: Caland”. The Hague, printed “for private circulation only”. 3pp. 20 copies

2/8 Lord, it belongs not to my care; [words by] Rev. Richard Baxter. Tune:

Heraldic - a) [fair copy] 1p. - b) [draft]. The Hague, May 3 1932, 1p. - c) [later draft] 1p.

2/9 O salutaris hostia

- a) [2 versions] 1p. - b) [draft]. 23.20.32. 1p.

2/10 Jerusalem, my happy home. 28.12.44. 1p.

2/11 [Hymn-tune without title. 87.87.87., Bb major] 1p.

2/12 [Hymn-tune without title. 87.87.87., D major, with descant] 1p. 2/13 A Christmas carol. [Lo, on this night of nights]; words and music by

Herbert Antcliffe - a) [printed version]. 2pp. 4 copies - b) [draft]. “Lo, on this night of nights”. 2pp.

2/14 Hoc erat in vobis. 1p. 2/15 Hush! blessed are the dead; words by Bishop E.H. Bickersteth. Tune:

Mont Pelerin. The Hague. 1p. A different setting from 1/6

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2/16 In the hour of my distress; [words by] Herrick. [Tune:] Cajetan. 1p. 2/17 Mater Jesus [?]. 1p. 2/18 Our bless’d redeemer. 1p. 2/19 Out of the deep; based on Gregorian melody. 1p. 2/20 Out of the deep I call. Tune: Zaandam. Eindhoven, printed. 2pp. 3

copies 2/21 [Paul, ‘tis the end]. W.H. 150. 1p. 2/22 Shall we not love thee, mother dear. [Tune:] Materna. 1p. 2/23 Tantum ergo [for TTBB, in A major. Textless] 2/24 Tantum ergo [for SATB, in E major. Textless] 2/25 He who once (Westminster Hymnal 35). Tune: Ira justa. [Melody

only]. 1p. 2/26 O Christ our God. [Melody only, solfa notation]. 1p. 2/27 Tantum ergo [for SATB, in E minor. Fragment]. 1p.

3. Part-Songs

3/1 A song for the spinning wheel: words by William Wordsworth. [for SATB]. London: Bayley & Ferguson, 1914. 4pp. 3 copies

3/2 A home song, for female voice choir in three parts (unaccompanied);

words by Henry Wordsworth Longfellow. - a) [fair copy]. The Hague, 23rd June 1929. 6pp. - b) [published version]. London: Joseph Williams, 1930. 6pp. Contains details of first performance

3/3 see 3/2b

3/4 Blow, blow, thou winter wind: part song for SSC; words by Shakespeare. London: Bayley & Ferguson, 1931. 8pp. 3 copies

3/5 Sceptre and crown: part song for SSC; words by James Shirley.

London: Bayley & Ferguson, 1931. 8pp. 3 copies

3/6 Parting thought, for female-voice choir in four parts; words by Percy Byshe Shelley. The Hague: 29th January 1931. 4pp.

3/7 The perfect bargain; words by Sir Philip Sydney. [for SSA]

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- a) [fair copy] 7pp. - b) [draft]. The Hague, 12th June 1931. 7pp.

3/8 In medio tutissimus ibis. [I love all beauteous things]: a modern

madrigal; words by Robert bridges. [for SATB. English text] - a) [fair copy] 11pp. - b) [fair copy with piano reduction] 9pp. - c) [draft]. Utrecht, 5.2.32. 7pp.

3/9 Music’s voice; verses by John Dryden, set to music for five-part

(unaccompanied) chorus - a) [fair copy] 8pp. - b) [draft]. The Hague, 28 March 1932. 10pp.

3/10 Tanzlied. [Lass tanzen uns den Reihen] [for TTBB]. The Hague, 27

April 1932. 3pp.

3/11 Komme, komm! [for TTBB]. The Hague, 30 Oct 1932. 3pp.

3/12 Aan den dood: een Korte rhapsody voor tenor solo en a capella koor [for SATB]. 17.8.40. 5pp.

3/13 Nacht stille: gedicht door P.C. Boutens, in toongezet voor 4-stemmig a

capella koor, in piam memoriam P.C.B. 14.3.43 - a) [draft, Dutch & English text] 4pp. - b) “Night silence (after the Dutch of P.C. Boutens) for mixed

choir (a capella).” [fair copy, English text] 3pp. - c) [draft, Dutch text] 3pp. - d) [later draft, Dutch text] 5pp. - e) [later draft, Dutch & English text] 3pp. - f) [2 sets of 4 parts, Dutch text] The chronology of these versions seems to be c, d, a, e, b, f

3/14 O zomeravond; gedicht door Proper van Langendonck, in toon gezet

voor 4-stemmig a capella koor - a) [fair copy]. Bussum, Nov 1943. 7pp. - b) [another copy]. Bussum, Nov 1943. 5pp. - c) [draft]. Bussum, 2.11.43. 4pp. For translation, see 12/68b

3/15 Night music [for SATB]. Bussum, 18.11.43. 4pp. 3/16 Fanny’s knell [for SATB] 6.12.47. 4pp.

3/17 An die Natur: Lied für 3-stimmige Frauen-Chor; Gedicht von J.L. Stolberg. 4pp.

3/18 Child of my own, reposing [for SATB] 2pp., words and music on

separate sheets

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3/19 Du schönes Fischermädchen: Gesang für Männerchor; [words by] Heinrich Heine. 6pp.

3/20 A piper: madrigal for four voices; words by Seumas O’Sullivan [for

SATB] - a) [fair copy] 5pp. - b) [draft] 6pp.

3/21 The voice of the forest: partsong for mixed choir (unaccompanied);

words by Maud Wynne Cole. 6pp. 3/22 Wien neerlandsch bloed. [Tho’ British blood]; [words written and

music] arranged by Herbert Antcliffe. 1p. 4 copies An English version of the Dutch national anthem; one copy contains details of the origin of this version

3/23 Fair summer moon; two part song for female voices; words by G.C.

Bell. 4pp. Not in bequest

3/24 O maiden all excelling; partsong for male voices (unaccompanied); words by Vernon Montrose. 7pp. Not in bequest

4. Solo Songs

4/1 Ship of dreams; words by Lilian L. Spencer; to the memory of the victims of R.101, 5th October 1930. 4pp.

4/2 Barque enchantée: chanson; poème [sic] par Kitty Josselin de Jong.

- a) [fair copy, in B major] 5pp. - b) [draft, in B major]. La Haye, 10.6.37. 3pp. - c) [fair copy, in Eb major] 3pp.

4/3 Wiegenlied (for Princess Beatrix); [words by] Clemens Brentano

- a) [fair copy] 5pp. - b) [draft]. Den Haag, 13 Mai 1938. 4pp.

4/4 Abendständchen; [words by] Clemens Brentano. Den Haag, 30.5.38.

4pp. 4/5 In the garden of my new house; words by Mildred Nickerson

- a) [fair copy]. Terschelling, 1938. 5pp. - b) [draft]. Terschelling, 17.7.38. 4pp.

4/6 The roses of Saadi; [words by] Marcelline Desbordes-Valmore

- a) [fair copy] 4pp. - b) [draft]. La Haye, 3 avril 1939. 4pp.

4/7 Children; words by H.W. Longfellow. Bussum, 21.4.43. 5pp.

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4/8 Ave verum corpus, for solo voice and organ - a) [fair copy] 2pp. - b) [another copy] 2pp. Not in bequest

4/9 Mijn oude straatje; muzick van Vernon Montrose, woorden van Floris

van den Aemstel. Printed facsimile of composer’s manuscripts. 3pp. 6 copies

4/10 Night and day: a unison song; words by Shapcott Wensley. 5pp. 4/11 September; words by Dorothea Mackellar

- a) [fair copy] 4pp. - b) [draft] “Yonder; words by Nick Sanders”. 3pp. - c) [later draft] 3pp. - d) [later draft] 5pp.

4/12 You are mine (Summer, autumn, winter): duet for soprano & tenor

voices (with pianoforte accompaniment); words from “Rose of my life” - a) [fair copy] 6pp. - b) [draft] 5pp.

4/13 [Guide me, O Thou great Redeemer]. Solo: Guide me [for voice &

piano, with cues for orchestra]. 3pp. Not in bequest 4/14 Old Father Christmas comes once more; [words by] John Dyson. 4pp.

Not in bequest. Also contains fragment of song: “To the autumn wind; words by Alfred Austin”

4/15 Stay at home; [words by] H.W. Longfellow

- a) [fair copy, in E major. Incomplete] 3pp. - b) [draft, in D major] 2pp. Not in bequest

5. Orchestral Music

5/1 In medio de fonte leporum: a drum tune for orchestra. The Hague, 19th October 1933. 64pp.

5/2 A Friesland fantasy, for orchestra

- a) [fair copy] 45pp. - b) [draft]. 9th January 1934. 57pp. - c) [arranged for piano trio] 18pp.

5/3 [Two marches]

- a) [fair copy] “Two short marches, for small orchestra” Contents: 1. RRR: quickstep for small

orchestra. 12.6.35. 19pp.

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2. A march movement (1685-1935). 12.7.35. 21pp.

- b) [draft of no. 1] “Quickstep march”. 16pp. - c) [later draft of no. 1] “Quickstep march” 19pp. - d) [no. 1 arranged for large orchestra. Incomplete] 3pp. - e) [draft of no. 2] 10pp. - f) [parts of no. 1] 25 parts - g) [parts of no. 2] 18 parts

5/4 The march of the two trees: marche de dedication. Den Haag, 26.1.36.

Score (27pp.) & 26 parts 5/5 Fantasy on Polish airs, for orchestra

- a) [first version]. La Haye, 29 mai 1936. 45pp. - b) [revised version]. “Fantasie sur airs polonaises” [sic}. Revised,

Doorn, 21.2.38. 47pp.

5/6 [Passacaglia, for string orchestra] - a) [fair copy]. “Passacaglia voor strykorkest”. Bussum, 10.10.40.

16pp. - b) [draft]. “A short passacaglia for strings]. Bussum, 3 och 1940.

12pp.

5/7 Valse-passacaglia [for string orchestra] - a) [fair copy]. Bussum, Dec 1940. 15pp. - b) [draft]. “Valse-passacaglia, voor stryk-orckest”. 15pp.

5/8 Overture ostinato [for string orchestra]. Bussum, 10.1.41. 13pp.

5/9 Aubade, for small orchestra

- a) [fair copy]. 31pp. - b) [draft]. 31pp. - c) 21 parts

5/10 Andante non troppo lento [for flute & string orchestra, in C major].

[fragment]. 2pp.

5/11 Elegy, for wind instruments and drums. [fragment]. 6pp. 5/12 Nocturne [for orchestra, fragment]. 6pp.

5/13 [Sheffield]: tone poem of an industrial city [for orchestra. Fragment]. 5pp.

5/14 [Sheffield]. “Interlude for ‘Sheffield’” [for small orchestra. Fragment].

4pp.

5/15 Chromatic fantasia [by] J.P. Sweelinck [arranged for orchestra. Fragment]. 15pp.

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5/16 Variations on “Est-ce Mars” [by] J.P. Sweelinck [arranged for orchestra. Fragment]. 20pp. Includes copy of original work, published Amsterdam: Alsbach, 1929

5/17 [Communion service, in Bb major, anonymous, orchestrated by

Antcliffe]. - a) Kyrie. Gloria tibi. Credo. 21pp.

- b) Sanctus. Benedictus. Agnus Dei. Gloria in excelsis. 16pp.

Not in bequest

5/18 [Communion service, in F major, by B. Tours, orchestrated by Antcliffe]. “Tours in F”. 16pp. Kyrie, Gloria tibi & Credo only.

Not in bequest 6. Chamber Works

6/1 [Ostinato, for woodwind quartet]. Ostinato voor vier blasers. The Hague, 9th October 1927. Score (7pp.) & 4 parts

6/2 Passacaglia, for wind quintet - a) [fair copy] 17pp. - b) [draft]. The Hague, Feb 1946. 9pp. 6/3 Tempo di minuetto, [for violin & piano] 4pp.

7. Works for Solo Cello

7/1 Aria in G, for violoncello solo. The Hague, 31st March 1931. 4pp. 7/2 Alla tarantella, for violoncello solo. The Hague, 14th April 1931. 4pp. 7/3 Ländler, for violoncello solo. The Hague, 28th April 1931. 4pp.

8. Piano Works 8/1 Valse humoresque, gecomp. door Vernon Montrose

- a) [fair copy]. Bussum, August 1943. 7pp. Includes notes for orchestration

- b) [draft] 3pp. 9. Organ Works

9/1 Andante cantabile, for the organ - a) [fair copy]. The Hague. 5pp.

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- b) [draft]. “Andante cantabile pour l’orgue”. La Haye, 7 Jan 1926. 3pp.

9/2 Andante sentimentale, pour l’orgue. La Haye, 6 fevrier 1926. 3pp. 9/3 Postlude on a ground bass, for organ - a) [fair copy] 6pp. - b) [another fair copy]. St Leonards-on-Sea. 6pp. - c) [another fair copy, with registrations] 7pp.

- d) [draft]. “Postludium en forma ostinata”. Bussum, 11 May 1944. 3pp.

9/4 Improvisation. 20.5.44. 3pp. 9/5 Aria ostinato, for organ. 15.6.44. 3pp. 9/6 Andante, for organ. 4.8.44. 2pp. 9/7 Moto moderato perpetuo. 7.8.44. 3pp.

9/8 Prelude (on a ground bass by Anton Bruckner), for organ. St Leonards-on-sea, May 1948. 4pp.

9/9 Rondo on a ground bass, for organ. The Hague, 29.6.48. 7pp. 9/10 Andante commodo. 4pp. 9/11 Impromptu, for organ. Incomplete copy, pp. 1-4 only

9/12 Impromptu meditative, pour l’orgue. 3pp. Also contains: Air profane, pour l’orgue. 2pp.

9/13 Interlude on a ground bass. 7pp. 9/14 Corale variation [Fragment]. 6pp.

10. Other Musical Fragments

10/1 [Sketchbook] 30pp. Contents: - 1) Hymn to St Peter (Italian melody, harmonised by Herbert

Antcliffe] - 2) Them the Good Shepherd leads [melody only] - 3) During rosary [for organ] - 4) When on my day [hymn-tune], Newman. [Sketch for 2/7 no. 6] - 5) All things are thine [hymn-tune], St Nireus. [Sketch for 2/7 no.

3] - 6) O brother man [hymn-tune], Caland. [Sketch for 2/7 no. 5]

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- 7) Out of the deep, O Lord [hymn-tune], Zaandam. [Sketch for 2/20]

- 8) Highwood Hill [hymn-tune] - 9) Hush! blessed are the dead [hymn-tune], Portian. [Sketch for

2.16] - 10) Jesu, gentlest Saviour [hymn-tune], Gonzaga. [Sketch for 2/5

no. 2] - 11) Tantum ergo [in G major, melody only] - 12) Quartet (chaconne or passacaglia), for fl., ob., cl. & bass.

[Sketch for 6/1] - 13) [Other sketches, for organ pieces]

10/2 [Sketchbook]. 6pp. Contents:

- 1) Kyrie, for 2 female voices and one male voice, B flat - 2) [Fragment of organ piece, C major] - 3) Andante in aria style [for organ, in C major] - 4) Motet for All Saints [O quam gloriosum] [for SATB; fragment]

10/3 [Sketch, 4-part in Bb major. Hymn-tune or motet, ending “Amen”]. 1p.

11. Original Verse

11/1 A bundle of verse, translated and original. 1p. [Title-page of a loose-leaf collection of many poems, catalogued separately]

11/2 The legend of St Jan’s procession

- a) [Fair copy, with list for circulation]. Bussum, 1943. 5pp. - b) [Another copy] “St Jan’s procession”. Bussum, 1943. 3pp. - c) [Draft] “How the relics came to Laren: a true story”. 2pp.

11/3 The story of the Naadermeer

- a) [Fair copy] 2pp. - b) [Draft] “The Naadermeer”. 1p. - c) [Later draft] “The Naadermeer”. Bussum, Sept 1943. 3pp.

11/4 My parish church. Ms. Bussum, 25.10.43. 2pp. 11/5 The coward’s prayer. Bussum, Nov 1943. 1p. 11/6 To Christ the infant king. Bussum, Nov 1943.

- a) & b) [Two versions]. 2pp.

11/7 To talkers (in the didactic manner of Ella Wheeler-Wilcox). Bussum, Dec 1943 - a) & b) [Two versions]. 2pp.

11/8 Beneath the pine trees. 1944. 1p.

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11/9 November 1944 (in Holland, where there was not light and little fuel). 1944. 1p.

11/10 In the darkness. Dec 1944. 1p. 11/11 A night prayer. 17.12.44. 1p. 11/12 Diana of the lanes. Bussum, 1945. 1p. 11/13 A prayer for peace (1945). [1945]. 1p. 11/14 Miranda. Jan 1945. 1p. 11/15 Think not of the sombre things. 23.1.45. 1p. 11/16 Beauty in age. Feb 1945. 1p. 11/17 The dark lady. Feb 1945. 1p. 11/18 Miranda ages. Feb 1945. 1p. 11/19 Youth is a flower (La gioventu e un fiore che non ritorna piu).

- a) [Fair copy] 1p. - b) [Another copy]. The Hague, 1.2.48. 1p.

11/20 Hydrangea or hortensia! [written after a discussion as to the name of a

plant outside the dining room window). - a) [Fair copy]. Oct 1953. 1p. - b) [Draft] 1p.

11/21 On a rainy Remembrance Day

- a) [Fair copy]. 11.11.53. 1p. - b) [Draft]. 1p.

11/22 To the great adventurer. “Wynn-a-Winton”. [Nov 1953]. 1p. Attached

is the poem “To Churchill on his 79th birthday”, by Richard Easton 11/23 A little carol.

- a) [Fair copy]. St Leonards, Christmas 1953. 1p. - b) [Draft] 2pp.

11/24 A sonnet for Sir Thomas: suggested reading on his 75th birthday or on

some other suitable occasion. St Leonards, April 1954. - a) [Fair copy] 1p. - b) [Another copy] 1p. A ms. draft is contained in 11/64

11/25 Sunset walk in Sussex.

- a) [Fair copy]. St Leonards, April 1954 - b) [Draft] 1p.

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11/26 Vidi aquam de coelo. - [Fair copy]. St Leonards, 2nd May 1954. 1p. - [Draft]. Ms. 1p.

11/27 A serious parody. St Leonards, 5th May 1954. 1p. 11/28 Experiments in “strambotto” form. Ms. 4pp. Contents:

- 1) In Italy long years ago - 2) See how the sun - 3) Silent falls the snow on sea and shore - 4) When the world with all its treasure

11/29 Song lyrics, by Vernon Montrose. Sheffield. 11pp.

- a) Contents: o 1) The rosebush (from the Songs of Eduard Ferrand) o 2) To Nature (from the Songs of F.L. Stolberg) o 3) Heroism and sympathy: a fragment o 4) The seasons four o 5) Summer days o 6) Poesy o 7) The falling leaf o 8) Then and now o 9) Two trysts o 10) Love is not sadness

- b) [Another copy of “The falling leaf”, by H.A.; signed “Vernon Montrose”]. 1p.

11/30 At a National Gallery (war) Concert. Ms. 1p. 11/31 A Christmas Carol [Lo, on this night of nights]

- a) [Fair copy] 1p. - b) [Signed copy] 1p.

11/32 A Christmas song [Now the Christmas bells are ringing]

- a) [Fair copy] 1p. - b) [Another copy, stamped “The Hague”] 1p.

11/33 Come, sons and daughters of our faith. St Leonards. 1p. 11/34 Could I but hear th’angelic song. Ms.

- a) [Fair copy] 2pp. - b) [Draft] 3pp.

11/35 Dedication

- a) [Fair copy] 1p. - b) [Draft] “My day”. Ms. 1p. - c) [Typed copy of (b)] 1p.

11/36 An Epiphany carol [When Christ the King of Heaven]

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- a) [Fair copy] 1p. - b) [Draft] Ms. 2pp. - c) [Variant typed copy] 1p.

11/37 Evening prayer. Ms. 1p. 11/38 Evening thanks. 1p. 11/39 Le flaneur. Ms. 4pp.

11/40 God lives in me and I in him. Ms. 1p. 11/41 God save our gracious Queen (a new version of the National Anthem)

- a) [Fair copy] 1p. - b) [Another copy]. St Leonards. 1p.

11/42 The heron. Doncaster. 1p. 11/43 Hilversum Common. 1p. 11/44 How doth the little busy B. Ms. 1p. 11/45 Humanity. 1p. 11/46 Hymn in time of war

- a) [Fair copy] 1p. - b) [Draft] 1p.

11/47 I wrote a poem

- a) [Fair copy, signed] 1p. - b) [Another copy] St Leonards. 1p.

11/48 Iamo and Iamoque, or, The Undying head: a study in verse. St

Leonards. 39pp. 11/49 An impromptu. Ms. 1p. 11/50 Life is a symphony

- a) Fair copy] 1p. - b) [Another copy, with dedication] 1p.

11/51 The little child

- a) [Fair copy] St Leonards. 1p. - b) [Draft] Ms. 1p.

11/52 Margriet of melody

- a) [Fair copy] St Leonards. 1p. - b) [Draft, with many ms. revisions] 1p.

11/53 Miranda reads. 1p.

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11/54 Music of the future - a) [Fair copy] St Leonards. 1p. - b) [Another copy, with revisions] 1p.

11/55 Mutual admiration. 1p. 11/56 My dad he played this ole banjo. Ms. 2pp. 11/57 My love comes to me, by Vernon Montrose. London. 1p. 11/58 Mystery

- a) I. The window open. 1p. - b) II. In the distance. 1p.

11/59 Nostalgia, by Vernon Montrose. London. 1p. 11/60 On seeing a picture of Our Lady. Stamped “The Hague”. 1p. 11/61 On sight, by Vernon Montrose. London. 1p. 11/62 Our house. 1p. 11/63 Peace, truth and love: a hymn for Christmas. 1p. 11/64 Poor starved exotic plant. Ms. 2pp. Also contains ms. draft of 13/24 11/65 Pork pie: a sad story about two little pigs

- a) [Fair copy] 1p. - b) [Draft] “A nonsensical nursery rhyme”. Ms. 1p.

11/66 Quiet. 1p. 11/67 Sans souci [A man of fifty had a fortune made]. 1p. 11/68 A silver jubilee song

- a) [Fair copy] 1p. - b) [Draft] Ms. 1p.

11/69 Society and solitude. 1p. 11/70 The soldier rests. 1p. 11/71 A sonnet to his lady’s eyebrows. The Hague. 1p. 11/72 Strambotto [The lady that I love is fair]. Ms. 1p. 11/73 A “stuffy” summer

- a) [Fair copy] St Leonards. 1p. - b) [Draft] Ms. 1p.

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11/74 Summer glee, by Vernon Montrose. 1p. 11/75 To a falling leaf

- a) [Fair copy] Signed “Herbert Antcliffe”. 1p. - b) [Another copy, signed “Vernon Montrose”]. 1p.

11/76 To a young book borrower. 1p. 11/77 To Flanders

- a) [Fair copy] 1p. - b) [Another copy, with revisions] 1p.

11/78 To men of goodwill. Stamped “The Hague”. 1p. 11/79 To music. 1p. 11/80 To my porcelain children, by Vernon Montrose

- a) [Fair copy] London. 1p. - b) [Draft] Ms. 2pp.

11/81 To Nelly: inspired to poetic utterance by the death of her husband. 1p. 11/82 To Queen Elizabeth the Second on her return from the Antipodes

- a) [Fair copy] St Leonards. 1p. - b) [Draft] Ms. 2pp.

11/83 To the linden tree, by Vernon Montrose. London. 1p. 11/84 The triangle. Ms. 1p. 11/85 A vocational hymn

- a) [Fair copy] St Leonards. 1p. - b) [Draft] Ms. 1p.

11/86 A wish. 1p. 11/87 The witches talk (from a projected opera scene). 1p. 11/88 [Selected poems] [A collection of 12 ms. fragments]. 14pp. 11/89 A bird flew past. Ms. Incomplete? 2pp. 11/90 Bored thro [the] solid rock ground. Ms. Incomplete but signed. 2pp. 11/91 Christians, ‘twas at the midnight hour. Ms. Incomplete. 1p. 11/92 Come, H[astings] men. Ms. Incomplete? 1p. 11/93 Dove and Darrent: a Peak song. Ms. Three incomplete drafts. 4pp.

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11/94 Elegy on a pet cat. Ms. Incomplete. 1p. 11/95 Far have I travelled in foreign lands. Ms. Incomplete. 2pp. 11/96 Five parts there are on England’s southern coasts. Ms. Incomplete?

2pp. 11/97 I have had friends of every rank and stand. Ms. Incomplete, 1p. 11/98 I love November mornings. Ms. Incomplete. 1p. 11/99 I plucked it by the old church tower. Ms. Incomplete. 6pp. 11/100 It is not oft I dream. Ms. Incomplete. 1p. 11/101 Lord, let me love thy greatness to proclaim. Ms. Incomplete? 1p. 11/102 Mother of the Holy Child. Ms. Incomplete. 2pp. 11/103 O for a little silence. Ms. Incomplete? 1p. 11/104 Overheard. Ms. Incomplete. 1p. 11/105 A Sussex gardener speaks. Ms. Incomplete. 1p. 11/106 There was a man named H.A. Ms. Incomplete? 2pp. Also contains

notes with title “Music is essential” 11/107 These times is ‘ard for folks like us. Ms. Incomplete. 1p. Draft for a

Christmas card greeting 11/108 They also serve who only stand and wait. Ms. Incomplete? 1p. 11/109 Versatility. Ms. Incomplete? 1p. 11/110 When Orpheus sang and played his lute. Ms. Incomplete. 2pp. 11/111 When the world was young. Ms. Incomplete. 2pp. 11/112 When William came from Normandy. Ms. Incomplete? 1p. 12. Verse translations (all single page typescript unless stated)

12/1 [List of translations] A mirror of Flanders: modern Flemish verse translated (with an introduction) into English. [Title page & contents of loose-leaf collection, catalogued separately]. - a) Bossum, 1942-45. 5pp. - b) “Flemish poems translated by Herbert Antcliffe”. 4pp.

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12/2 Mother of sorrows… [from the Dutch] 12/3 BOENS, DAAN: Dankbare ode

a) [original] b) “Thankful ode” 2pp. c) “Thankful ode (after the Dutch)” 2pp.

12/4 BOUTENS, P.C. Afternoon tea (from the Dutch) 12/5 BOUTENS, P.C. Echo (from the Dutch) 12/6 BOUTENS, P.C. Night-silence 12/7 BRUNCLAIR, Victor J.: Offergang

a) [original] b) “Procession”

12/8 BUCKIN, Pieter G. Midst clouds and roses the moon shone bright. Ms. 2pp. 12/9 BURSSENS, Gaston: Hypnose

a) [original] b) “Hypnosis”

12/10 BUYLE, F.: De nacht, de nacht, en altijd door die wind…

a) [original] b) “The night, the night”

12/11 CAUWELAERT, August van: Draagt me zacht…

[original only] 12/12 CAUWELAERT, August van: De jong-gewijde spreekt [original & incomplete ms. translation] 12/13 CAUWELAERT, August van: Maria’s kind

a) [original]. 1p. b) “Child of Mary: a fragment” [with ms. addenda]. 1p.

12/14 CLERCQ, René de: Dorschenslied

a) [original] b) “Thresher’s song”

12/15 CLERCQ, René de: Lenteregen

a) [original] b) Spring rain

12/16 CLERCQ, René de: Tier liedeken

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a) [original] b) “A tender song”

12/17 CNEUDT, Richard de: Ik dank u, Zon…

a) [original] b) “I thank you, Sun”

12/18 DECORTE, Bert: Patroklos

a) [original Flemish] b) [English translation]

12/19 DEMEDTS, Andre: Lof aan mijn land [original & incomplete ms. translation] 12/20 DONKER, Antonie The dream (from the Dutch) 12/21 DONKER, Anthonie Legend (from the Dutch) 12/22 E…, B. van Those who passed… 12/23 EECKERS, Constant: Vergeten

a) [original] b) “Forgotten”

12/24 EEDEN, Fr. van After sunset at sea (from the Dutch) 12/25 FRANCKEN, Fritz: Klinkdicht [original only] 12/26 FROWEIN-GRATAMA, Ela Silent strength (from the Dutch) 12/27 GEZELLE, Caesar: Poeta nascitur?

a) [original Flemish] b) [English translation]

12/28 GEZELLE, Guido Before he knows it 12/29 GEZELLE, Guido How calm it is. Ms. 12/30 GEZELLE, Guido My heart is like a growing flower. Ms. 12/31 GEZELLE, Guido: Aanroepinge

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a) [original] b) “Invocation”

12/32 GEZELLE, Guido: Aurora

a) [original Flemish] b) [English translation]

12/33 GEZELLE, Guido: Bezoek by ‘t graf

a) [original]. 2pp. b) “Visit to the grave”. 2pp.

12/34 GEZELLE, Guido: Ego flos

a) [original Flemish] b) [English translation]

12/35 GEZELLE, Guido: Een

a) [original] b) “One”

12/36 GEZELLE, Guido: Gij badt op eene berg

a) [original] b) “Thou prayedst on a mount”

12/37 GEZELLE, Guido: Het gulden vlies

a) [original]. 2pp. b) “The golden fleece”. 2pp.

12/38 GEZELLE, Guido: Moeder

a) [original] b) “Mother”

12/39 GEZELLE, Guido: O ‘k sta mij zoo geren

a) [original]. 3pp. b) “O, gladly do I stand”. 3pp.

12/40 GEZELLE, Guido: O ‘t ruischen van het ranke riet

a) [original]. 2pp. b) “O’ the rustling of the slender reed”. 2pp.

12/41 GEZELLE, Guido: O wilde en onvervalschte pracht

a) [original] b) “O beauty unalloyed”

12/42 GEZELLE, Guido: Populier

a) [original] b) “The poplar”

12/43 GEZELLE, Guido: De vlaamsche tale

a) [original] b) “The Flemish tongue”

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12/44 GEZELLE, Guido: Waarom en kunnen wij niet a) [original] b) “Wherefore”

12/45 GEZELLE, Guido: Wie zijt gij

a) [original] b) “What are you?”

12/46 GEZELLE, Guido: Willens, nillens

a) [original] b) “Willy-nilly” c) [signed carbon copy of b)]

12/47 GIJSEN, Marnix: De mislezer

a) [original] b) “The celebrant” c) “The celebrant” Ms. 2pp.

12/48 GIJSEN, Marnix: Het radio-gezang

a) [original] b) “The radio-song”

12/49 GILLIAMS, Maurice: Annunciate

a) [original] b) “Annunciation”

12/50 GILLIAMS, Maurice: De kroning in de hemel

a) [original] b) “The coronation in heaven”

12/51 GILLIAMS, Maurice: Tristitia ante

a) [original Flemish] b) [English translation]

12/52 HEGENSCHEIDT, Alfried: Aan ‘t woord

a) “To the word” [fair copy] b) [carbon copy of a), with amendment]

12/53 HEGENSCHEIDT, Alfried: Starkadd (uittreksel uit eerste bedrijf)

a) [original] b) “Fragment from ‘Starkadd’”

12/54 HEGENSCHEIDT, Alfried: Starkadd (uittreksel uit het vijfde bedrijf)

a) [original] b) “Starkadd (extract from the fifth act)” c) “Fragment (from the Flemish drama ‘Starkadd’)”

12/55 HERREMAN, Raymond: Avond

a) [original] b) “Evening”

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12/56 HERREMAN, Raymond: De heilige Maria leidt a) [original] b) “Mary will lead”

12/57 KLOOS, Willem God is no king (from the Dutch) 12/58 KLOOS, Willem The sea (from the Dutch) 12/59 KLOOS, Willem Sonnet (from the Dutch)

12/60 LAEY, O.K. de: De begankenis

a) [original] b) “Procession”

12/61 LA MONTAIGNE, Victor de: Op de hoeve

a) [original] b) “On the farmstead”

12/62 LANGENDONCK, Prosper van: Gij zegt mij, vriend

a) [original] b) “Sonnet”

12/63 LANGENDONCK, Prosper van: Langs zomervelden

a) [original] b) “Through summer cornfields” c) [another copy of b), with ms. alternative translations]

12/64 LANGENDONCK, Prosper van: Mater dolorosa

a) [original Flemish] b) {English translation]

12/65 LANGENDONCK, Prosper van: Mei

a) [original] b) “May”

12/66 LANGENDONCK, Prosper van: Naglans

a) [original] b) “After glow”

12/67 LANGENDONCK, Prosper van: O pure nacht

a) [original] b) “O night so pure”

12/68 LANGENDONCK, Prosper van: Zomeravond

a) [original] b) “Summer evening”

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12/69 LEROUX, Karel: Albast van haren leest [original only, ms.] 12/70 LEROUX, Karel: De avond en het zwijgen van den wind

a) [original] b) “The evening and the silence of the wind”

12/71 LEROUX, Karel: Liedern op landelijke wijzen IV

a) [original] b) “Where once the barley”

12/72 LEROUX, Karel: Middernacht [original & incomplete ms. translation] 12/73 LEROUX, Karel: Wandeling

a) [original] b) “Walk”

12/74 LEROUX, Karel: Winteravond

a) [original] b) “Winter evening”

12/75 MENNEKENS, Jef: Gebed [original & incomplete ms. translation] 12/76 MENNEKENS, Jef: In de oneindigheid van het licht

a) [original] b) “In the eternity of light”

12/77 MENNEKENS, Jef: De varen

a) [original] b) “The fern” c) “The fern”. Ms.

12/78 MINNE, Richard: Kalm is mijn hand

a) [original] b) “Calm is my hand”

12/79 MINNE, Richard: Schietgebed

a) [original] b) “Ejaculation”

12/80 MINNE, Richard: Twijfel

a) [original] b) “Doubt”

12/81 MINNE, Richard: De wereld is een fluit

a) [original] b) “The world is a flute”

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12/82 MOENS, Wies: Knielen zal ik a) [original] b) “I will kneel”

12/83 MOENS, Wies: Neen, niet terug

a) [original] b) “No, not back again” c) “No, not back again”. Ms.

12/84 MONT, Pol de: Als Jezus zou slapen

a) [original] b) When Jesus must sleep

12/85 MONT, Pol de: Ik wil de dichter der lenter zijn

“Poet of the spring” 12/86 MONT, Pol de: Sprookje

a) [original]. 2pp. b) “Legend”. 2pp. c) “Legend”. Ms. 2pp.

12/87 MUSSCHE, Achilles: Dualiteit

a) [original] b) “Duality”

12/88 MUSSCHE, Achilles: ‘t Geluk dat ik zoek

a) [original] b) “The happiness that I seek”

12/89 NIJLEN, Jan van: De haven

a) “The harbour” b) [Carbon copy of a), with amendment]

12/90 NIJLEN, Jan van: Kan men ooit

a) [original] b) “Can one ever”

12/91 NIJLEN, Jan van: De kooi

a) [original] b) “The cage”

12/92 NIJLEN, Jan van: Landschap

a) [original] b) “Landscape”

12/93 NIJLEN, Jan van: De merel

a) [original] b) “The blackbird”

12/94 NIJLEN, Jan van: Het oute lied

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a) [original] b) “The old song”

12/95 NIJLEN, Jan van: Trouw

a) [original] b) “Fidelity”

12/96 OEVER, Karel van den: De avond

a) [original] b) “Evening”

12/97 OEVER, Karel van den: De nacht-trein

a) [original] b) “The night train”

12/98 OEVER, Karel van den: Het onderzoek

a) [original] b) “The trial”

12/99 OEVER, Karel van den: De ziel

a) [original] b) “The soul”

12/100 OSTAIJEN, Paul van: Guido Gezelle

a) [original] b) [translation]

12/101 OSTAIJEN, Paul van: Melopee

a) [original] b) [translation]

12/102 OSTAIJEN, Paul van: Nachtelijk optocht

a) [original] b) “Nightly patrol”

12/103 OSTAIJEN, Paul van: De oude man

a) [original] b) “The old man”

12/104 PEAUX, Augusta: Autumn stroll (from the Dutch) 12/105 RODENBACH, Albrecht: Fantasie

a) [original] b) “Fantasy”

12/106 RODENBACH, Albrecht: Klokke Roeland

a) [original] b) “The Bell Roland”

12/107 RODENBACH, Albrecht: O nacht

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a) [original] b) “O night”

12/108 ROELANTS, Maurice: Hart van een al te kinderlijk-beminende man

a) [original] b) “Heart of an all too childlike…”

12/109 ROELANTS, Maurice: Herfst in de ziel IV

a) [original] b) “Autumn in the soul IV” c) [translation of 2 different stanzas, beginning “Upon your bosom”]

12/110 ROELANTS, Maurice: O nederige grootheid

a) [original] b) “O humble greatness” c) [draft of b)]. Ms.

12/111 ROELANTS, Maurice: Van zeel af aan

a) [original]. 2pp. b) “From the beginning onwards”. 2pp.

12/112 ROELANTS, Maurice: De zwaluw

a) [original] b) “The swallow”

12/113 SWARTH, Helene: The rose of my poetry (from the Netherlands) 12/114 THANS, Hilarion: Der lieve vrouwe

a) [original] b) “Just as the sea”

12/115 THANS, Hilarion: Mater dolorosa

a) [original] b) “The world the sin of Adam presses”. 2pp.

12/116 VANSINA, Dirk: De bron

a) [original] b) “The spring”

12/117 VANSINA, Dirk: Nu ik u in mijne armen hou Typescript, with partial translation 12/118 VERSCHAEVE, Cyriel: De meeuw

a) [original] b) [translation of stanzas 1-3] “The sea-mew”. Ms. 3pp. c) [translation of stanzas 6-7] “The sea-mew: an excerpt”

12/119 VERSCHAEVE, Cyriel: Dood van Arteveld

a) [original] b) “The death of van Arteveld”

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12/120 VERWEY, Albert: Christ on the cross (from the Dutch) 12/121 VOORDE, Urbain van de: De nachtelijke aam der zee

a) [original] b) “The night breath of the sea”

12/122 WALGRAVE, Alois: Noordzee

a) [original, with ms. translation] b) “North Sea” c) [another copy of b), lacking stanzas 1 & 5]

12/123 WOESTIJNE, Karel van de: Gezichten mijner dood

a) [original] b) “O visions of my dead”

12/124 WOESTIJNE, Karel van de: Koorts-deun

a) [original] b) “Fever ditty”

12/125 WOESTIJNE, Karel van de: Niet waar?

a) [original] b) “Not true?”

12/126 WOESTIJNE, Karel van de: Ode aan den dichtergeest

a) [original] b) “Ode to the spirit of poetry” c) [another translation of the first 12 lines] “To the spirit of poetry: a

fragment”

12/127 WOESTIJNE, Karel van de: De rozen doomen en daauwen a) [original] b) “In dew and mist”

12/128 WOESTIJNE, Karel van de: Threnos om een jongen gevallen

a) [original] b) “Threnody on one who fell young”

12/129 WOESTIJNE, Karel van de: Zegen der zee

a) [original] b) “Sea blessing”

12/130 A holy and a happy Christmas: a free translation of a popular Breton

greeting 12/131 JOUBERT, H.H.: Dawn (after the Afrikaans) 12/132 KEET, A.D.: Aontrast (after the Afrikaans) 12/133 MALHERBE, D.F.: The song of the night wind (from the Afrikaans)

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12/134 STORM, Theodor: The town (translated from the German by Vernon Montrose)

12/135 VERHAEREN, Emile: Dead kisses (from the French)

a) [fair copy] b) [another copy, with slight variants]

12/136 VERHAEREN, Emile: O, the splendour (from the French)

a) [fair copy] b) [another copy, with slight variants]

13. Stage works

13/1 Christine, or The fate of the fairies: a fairy play, for music. Typescript a) [fair copy]. 35pp. b) [excerpt] The fairies come c) [excerpt] The fairies’ invitation d) [excerpt] The fairies dance e) [excerpt] Song of the naught children

13/2 EYSSELSTEIJN, Ben van: Double-redoubled¨a play full of

entanglements and confusion, in three acts, translated from the Dutch by Herbert Antcliffe and Arnold Mackenzie Hunter. Typescript. 65pp.

13/3 EYSSELSTEIJN, Ben van: The cursed coast (Vrouwenzand), or, The

Lady of Stavoren: an old saga of Friesland, translated by Herbert Antcliffe. Typescript. 64pp. [The title is amended in pencil to “The lady of the sands”]

14. Other literary works

14/1 Baker Wilson’s eyes. Typescript. St Leonards. 5pp. 14/2 From light to shadow. Typescript. 412pp. A biography of Rembrandt 14/3 Half-interned: a record of quiet days amidst a stormy world, or, A story

of Holland during the Occupation. Typescript, with ms. additions. 176pp.

14/4 My strangest dream. Typescript. 2pp. 14/5 A play on surnames: musicians. Ms. 9pp. 14/6 Two friends met on the front at Hastings. Ms. 1p.

15. Articles on music

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15/1 [A collection of cuttings of published articles on music, 1899-1911]. 73pp.

15/2 The essential nature of music. Musical Quarterly 2, April 1916,

pp.163-170 15/3 A brief survey of the works of Granville Bantock. Musical Quarterly 4,

April-July 1918, pp.333-346 15/4 The recent rise of chamber music in England. Musical Quarterly 6, Jan

1920, pp.12-23 15/5 Some notes on Coleridge-Taylor. Musical Quarterly 68, April 1922,

pp.180-192 15/6 Rutland Boughton: a man of contradictions. Today 9(53), March 1923,

pp.108-112 15/7 The significance of Scriabin. Musical Quarterly 10, July 1924, pp.333-

347 15/8 Musica pianistica per la mano sinistra. Il Pianoforte Agosto-Settembre

1924, pp.223-225 15/9 The renascence of Dutch music. Proceedings of the Musical

Association Session 51, 4 Nov 1924, 14pp. 15/10 Pre-reformation hymn-singing. The Universe 12 Dec 1924, p.9 15/11 Space and spacing in music. Musical Quarterly 11, Jan 1925, pp.116-

123 15/12 A decade of English song. Musical Quarterly 11 (April 1925), pp.219-

230 15/13 Prometheus in music. Musical Quarterly 12 (Jan 1926), pp. 110-120 15/14 Seven little essays on musical education. Ts. & ms. The Hague, Easter

1926. 55pp. “Originally published in The Child, The Educational Times, The Choir, Musical News, Scottish Musical Magazine and Il Pianoforte.”

Contents: 1) Music and the health of the child 2) Improvisation and the child 3) Unaccompanied singing in schools 4) The selection and composition of vocal exercises and studies 5) On teaching aesthetics: some negative rules 6) Economy in teaching 7) Left hand pianoforte music

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15/15 The musical mentality of Holland. Musical Quarterly, 12, Oct 1926, pp.602-613

15/16 Problems of music and history. Music & Letters, 9, July 1928, pp.265-

275 15/17 The undulations of technique. Musical Quarterly, 15, Jan 1929, pp. 37-

49 15/18 Music in the life of the ancient Greeks. Musical Quarterly, 16, April

1930, pp.263-275 15/19 Music as a social science. Music & Letters, 13, Oct 1932, pp.405-417 a) [fair copy]

b) [draft] “The place of music in the social sciences”. Ts. The Hague. 18pp.

15/20 The tyranny of the organ. Clergy Review, Aug 1935, pp. 120-121 15/21 Jan Pieterszoon Sweelingck. Proceedings of the Musical Association,

Session 61, 13 Dec 1934, 37pp. 15/22 Muzikale morailteit. Wetenschappelijke Bladen, 1937, Afl. 6, pp. 318-

322. Translated from The Chesterian, Jan-Feb 1937 15/23 Hungarian music and western Europe. Hungarian Quarterly, Aug 1938,

pp.505-512 15/24 Did Handel become English? Musical Times, 90, April 1949, pp.111-

112 15/25 Mozart’s musical autobiography. Proceedings of the Royal Musical

Association, Session 76, 17 Nov 1949, 10pp. a) [fair copy] b) [draft of a)]. Ts. 66pp. c) [musical examples]. Ms. 4pp. 15/26 What is popular music? Ts. St Leonards, [May 1958]. 4pp. 15/27 Remembering conductors. Ts. St Leonards, [Feb 1961]. 5pp. 15/28 Alphons Diepenbrock. Published in volume 155 of an unidentified

journal, pp.145-150 15/29 Composition, interpretation and criticism. a) [fair copy]. Ts. 5pp. b) [draft]. Ms. 10pp. c) [fragment of another draft]. Ts. pp.3-4 15/30 ‘Congregational singing’ in England. [Dutch text]. Printed. 5pp.

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15/31 Edgar Allan Poe and music. Ts. with ms. revisions. 12pp. 15/32 Engeland wordt muzikaal (England becomes musical): a short history

of the development of music and musical life in England during the period from 1880 to 1935. [English text]. Ts. 106pp. Cover title: Music in England 1830-1930

15/33 England: the singing nation. Ts. 22pp. 15/34 Essential differences between Bach and handel. Ts. St Leonards. 6pp. 15/35 An estimate of Bruckner. Ts. St Leonards. 6pp. 15/36 Gregory’s silver thread. Ts. The Hague. 7pp. 15/37 Holland and the moto proprio. Published in an unidentified issue of

The Ave Maria, pp.455-459 15/38 Inappropriate music. Ts. St Leonards. 6pp. 15/39 Lied and song a) [fair copy]. Ts. St Leonards. 3pp. b) [draft]. Ms. 11pp. 15/40 A millennium of hymn tunes. Ts. 12pp. 15/41 Music in the service of civilization: eight essays on the influence of

music on the various activities upon which our modern civilization is based. Ts., with ms. additions and revisions. c.200pp.

Contents: 1) Music in the service of war and peace 2) Music in the service of pure literature 3) Music in the service of labour 4) Music in the service of sport 5) Music in the service of religion 6) Music the mother of drama 7) Music in the service of the theatre 8) What is a civilization? 9) Music in the service of social life 15/42 Musical tyranny a) [fair copy]. Ts. St Leonards. 4pp. b) [draft]. Subtitle ‘a character sketch’. 17pp. 15/43 Nationality and church music. Published in an unidentified issue of

The Contemporary Review, pp.724-728 15/44 The oldest instrument a) [fair copy]. Ts. St Leonards. 4pp.

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b) [draft]. Ms. 14pp. 15/45 On practising. Ms. 3pp. 15/46 The romance of Gregorian music. Ts. The Hague. 9pp. 15/47 Shelley on the power of music. Ts. a) [fair copy]. 10pp. b) [draft]. 2pp. c) [examples]. 21pp. 15/48 Some notes on the sociology of music. Ts. St Leonards. 13pp. 15/49 Three aspects of Gregorian music. Published in an unidentified issue of

The Clergy Review, pp.304-310 15/50 What is musical history. Ts. St Leonards. a) [fair copy]. 5pp. b) [draft]. 4pp. 15/51 Why listen to music? Ts. St leonards. 4pp. 15/52 [Music and] world politics. Ts. Incomplete copy, pp.2-3 only 15/53 The poets & novelists & music. Incomplete. Ms. 9pp. Contents: 1) Marcel Proust & music 2) Music in Chaucer

16. Other articles

16/1 Catholic influence on modern Dutch literature. The Ave Maria 27 Sep 1924, pp.385-389

16/2 Prometheus in literature. The Nineteenth Century Dec 1924, pp.815-

824 a) [published version] b) [notes]. Ms. 8pp. c) [proof of a)]. 10pp. 16/3 The catacombs of Holland. The Month April 1928, pp.346-349 16/4 In a word, I’m glad I live here. Bulletin des Journalistes 21 Aout 1929,

p.1 16/5 Will the Hohenzollerns return? by “Dornatis”. Atlantic Monthly Sept

1934, pp.374-381 16/6 Art criticism and the newspapers. Ts. 4pp.

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16/7 Guido Gezelle a) [published version, in unidentified journal, pp.300-310] b) [draft ts.] The Hague, 10pp. 16/8 Guido Gezelle and Flemish poetry. Ts. 21pp. 16/9 Guido Gezelle: poet and teacher: a short biography. Ts. 125pp. 16/10 Jan Toroop: a catholic artist. Published in an unidentified journal,

pp.228-233 16/11 Modern Dutch literature. Published in unidentified journal, pp.461-466 16/12 The poetry of Flanders. Ts. a) [fair copy] 23pp. b) [draft] 13pp. c) [another draft] 21pp. d) [another version, based on c)] “Some notes on Flemish and English

literature”. 7pp. 16/13 The power of words. ts. The Hague. 8pp. 16/14 Priest, patriot and statesman. Ts. The Hague. 11pp. On William Hubert

Nolens 16/15 Prometheus and Christianity. Ts. The Hague. 13pp. 16/16 Rembrandt: artist of movement. Ts. St Leonards. 7pp. 16/17 Robert Burns and Guido Gezelle: a comparison and a contrast. Ts. The

Hague. 5pp. 16/18 William Hubert Nolens. Published in an unidentified journal, pp.400-

407

17. Drawings

17/1 [A collection of drawings by Herbert Antcliffe] 36pp. 17/2 [A collection of drawings by Zoltan Forrai, mainly of Herbert

Antcliffe]. 7pp. 17/3 Flamingo. [Signature indecipherable]. Woodblock print

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18. Items of a biographical nature

18/1 [A collection of press cuttings reviewing Antcliffe’s books, lectures, etc.] 23pp.

18/2 [Correspondence, notices, etc. about Antcliffe’s Golden Jubilee as a

journalist, 19 March 1948] a) 36 letters b) 11 telegrams c) 9 visiting cards d) Official invitation “Huldiging Herbert Antcliffe 1898-1948”. 3pp. e) Signatures of guests. 3pp. f) 5 press notices 18/3 [Autobiographical notes, some probably for a speech at his Golden

Jubilee]. Ts. & ms. 81pp. 18/4 [5 letters from Sidgwick & Jackson Ltd and Institut Belge, concerning

Antcliffe’s work on Flemish literature]. 1949 18/5 [Drafts of 3 letters by Antcliffe, written near the end of his life]. Ms.

3pp.

19. Works by friends of Antcliffe, and other miscellaneous items

19/1 FRANCHI, Dorothea A.: The oxen: carol for SATB unaccompanied; words by Eileen Duggan. London: Novello, 1949. 7pp. Signed by the composer

19/2-4 FRANCHI, Dorothea A.: [3 settings of words by Herbert Antcliffe,

11/36, 11/23, 11/51]. Ms. 2) An Epiphany carol (SATB). 12pp. 3) A little carol (SSATBB unaccompanied). 6pp. 4) The little child (SSA & piano). 8pp. 19/5 HALE, Matthew: The shepherds amazed: carol for SATB with S solo

and keyboard); words from ‘A Good Christmas Box’, 1847 a) [music]. Ms., in Antcliffe’s hand? 2pp. b) [text]. Ts., on Antcliffe’s notepaper. 1p. 19/6 HALE, Matthew: I sing the birth was born tonight: carol for SATB;

words by Ben Jonson. Duplicated ms. in unidentified hand. 1p. 19/7 HALE, Matthew: Jesus in the manger: [carol for SATB & organ];

words transl. from the Latin by the Rev. H.R. Bramley. a) [music]. Ms. in an unidentified hand. Christmas 1906. 1p. b) [text]. Ts., on Antcliffe’s notepaper. 1p. 19/8 [Photograph of Frederick Lamond]

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19/9 LECK, Nelly Kuypers van der: De Zee, “to Mr & Mrs Antcliffe, in

thankful remembrance of the good neighbourship during the years 1933-1937”. Ts. s’Gravenhage, Oct 1937. 27pp.

19/10 LECK, Nelly Kuypers van der: [A collection of 44 poems, mainly in

Dutch]. Ts. 1941-1950. 43pp. 19/11 RILKE, Rainer Maria: het urenboek, vertaling van Nelly Kuypers van

der Leck. Ts. 1943. 60pp. 19/12 LECK, Nelly Kuypers van der: [Letter to the Antcliffes from

Rotterdam, dated 2 Jan 1951]. Ts. 2pp. 19/13 Officieel Programmaboek van de Kerkmuziek ter gelegenheid van het

Gouden Jubileum der Nederlandsche St Gregorius-Vereeniging, 26-30 Augustus 1928, te Utrecht. 72pp.