Understanding the workflow system of digital broadcasting

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This document is offered compliments of BSP Media Group. www.bspmediagroup.com All rights reserved.

Transcript of Understanding the workflow system of digital broadcasting

Page 1: Understanding the workflow system of digital broadcasting

This document is offered compliments of BSP Media Group. www.bspmediagroup.com

All rights reserved.

Page 2: Understanding the workflow system of digital broadcasting

1/28/2015

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Digital workflows

Philip Haggar

DMD Limited

Digital workflows

Philip Haggar

DMD Limited

Agenda

• Introduction

• The Context

• The Situation

• The Approach

• Summary

Introduction

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They missed the bigger picture!

The Context

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OBs and

Studios

Post

Production

Ingest / QC /

Compliance

Library

Schedule

Transmission

Rights /

Acquisitions etc

Analogue

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OBs and Studios

Post Production

Ingest / QC / Compliance

Library

Schedule

Transmission

Rights / Acquisitions

etc

Extended coverage + cable

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OBs and Studios

Post Production

Ingest / QC / Compliance

Library

Schedule

Transmission

Rights / Acquisitions

etc

Now - DTT/DTH

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OBs and

Studios

Post

Production

Ingest / QC /

Compliance

Library

Schedule

Transmission

Rights /

Acquisitions

etcEncoding

Over The Top (OTT)

Coming soon, to a screen near you -

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Encoding

OBs and

Studios

Post

Production

Ingest / QC /

Compliance

Library

Schedule

Transmission

Rights /

Acquisitions

etc

Coming soon, to a screen near you -

The Situation

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The Situation

• Your audience is watching online content

• The Internet is not going to get slower

• You (will) need to meet your audience, where

they are, and that’s in front of their devices

• You need the appropriate infrastructure

• Do you have it and what is it?

A broadcaster• Current issues:

– Run several channels, incoming tapes gradually being replaced by incoming files

– Avid edit suites, Avid ISIS online storage – expensive maintenance contracts, running

out of storage space

– Sales people selling content to multiple platforms e.g. OTT services, cable companies

offering on-demand content, different versions of content for channel launches in new

territories

– Media operations breaking down, multiple silos with own ‘systems’

• The results:

– Risk of lost files, or airing content that may not be approved (license/penalties)

– Stress, resulting in staff turnover

– Costly proprietary systems

– Future migration complexity as files are in OP1a proprietary format

A transmission company

• Current issues:

– Run tens of channels for international broadcasters

– File ingest, automatic QC, archive, playout but … delivers linear channels only

– Increased demand for delivering files to other platforms (just like previous broadcaster)

– Increasing demand from clients to offer OTT services as part of playout contracts

– 1 developer, overworked, creating an encoding and delivery mechanism for a huge

broadcast services company

– No demonstrable capability that can be demonstrated

• The results:

– Client dissatisfaction

– Definite loss of revenue

– Delivery risk

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The Approach to

Digital Workflows

5 Keys

1. Get senior level buy-in

2. Gather and verify requirements

3. Define the strategy

4. RFP/purchase/install

5. Appoint and train internal champions

5 Keys

1. Get senior level buy-in

2. Gather and verify requirements

3. Define the strategy

4. RFP/purchase/install

5. Appoint and train internal champions

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Gather and verify requirements

Compliance

WorkflowPage 1

Version 10!

5 Keys

1. Get senior level buy-in

2. Gather and verify requirements

3. Define the strategy

4. RFP/purchase/install

5. Appoint and train internal champions

Define the strategy #1

• Open standards – reduced cost, increased future options

– e.g. LTO , in the UK ‘DPP’, in the USA ‘AMWA” -> AS=11 intl file format for HD files

• Future proof – allow interconnection of different vendors, add, take-away …

– Enterprise Service Bus and Service Orientated Architecture (*)

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Beware!

Explanation of Enterprise Service Bus approaching.

May involve inappropriate analogy and excessive clipart!

Future-proofing with ESB and SOA

ConsumersProviders

Enterprise Service bus

Monitors

QueuesMessaging

Translates

Service Orientated Architecture

Consumer ‘gets’ the serviceswithout talking directly to

the providers

Pizza service

Fries service

Chicken service

Dessert service

Future-proofing with ESB and SOA

ConsumersProviders

Enterprise Service bus

Monitors

QueuesMessaging

Translates

Service Orientated Architecture

Consumer ‘gets’ the serviceswithout talking directly to

the providers

PlayoutPost Production

QC

Archive

Archive

Transcode

OTT

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Define the strategy #1

• Open standards – reduced cost, increased future options

– e.g. LTO , in the UK ‘DPP’, in the USA ‘AMWA” -> AS=11 intl file format for HD files

• Future proof – allow interconnection of different vendors, add, take-away …

– Enterprise Service Bus and Service Orientated Architecture (*)

• Scalable

– Add extra drives, extra processing nodes …

• Extensible

– Has support for 3rd party plugins

• Flexible

– Workflows can be changed by your own staff

• Cost efficient

– no longer means poor functionality e.g. Adobe Premiere (video), Adobe Audition (audio)

Define the strategy #2

• Legacy content

– How much to digitise, what priority?

• Legacy systems

– Which ones to integrate with? Which ones to

replace?

• People

In summary …

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Existing workflows may appear

comfortable but could well be risky

A single person can present a big challenge so

don’t forget change management

And, don’t miss the bigger picture

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Phil Haggar

[email protected]

� Open standards � Future proof � Scalable � Extensible � Flexible �Cost efficient✪ Legacy content ✪ Legacy systems ✪ People

And, don’t miss out on the big picture : DMD your partner for OTT success