Undergraduate Architecture Portfolio

36
SHANE SMITH Undergraduate Architecture Portfolio

description

A sampling of projects completed during my Undergrad. in the Clemson University School of Architecture.

Transcript of Undergraduate Architecture Portfolio

Page 1: Undergraduate Architecture Portfolio

SHANE SMITHUndergraduate Architecture Portfolio

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Let me introduce myself. My name is Shane Smith; I recently graduated from the Clemson University School of Architecture. I am currently looking for a full time position after graduation. Let me help you get to know me as a person and hopefully my portfolio will give you a glimpse of my potential as a designer.

I am an avid reader though some might say bookworm, and I am equally content to read a book on architecture theory as a science fiction novel and anything in between. That’s not to say I don’t live an active lifestyle; I spent a substantial portion of my free time at Clemson hiking the foothills searching out hidden waterfalls. I am an adventurer and a wanderer, and I’ve never been lost, though I have been mighty confused a few times. I am a food enthusiast (though a terrible chef) and though I am good with people I’m bad with jokes, I always seem to get the punchline wrong.

I encourage you to take a look through my portfolio; within you will find a broad range of projects which showcase my talents as a designer. If you have questions or like what you see you can find my resume and contact information at the end of this portfolio. I look forward to hearing from you.

Sincerely,Shane Smith

INTRODUCTION

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Mobile Brew Team

MB

T

Passeig Del MercatConnecting Market Place to Public SpaceFall 2012 | Barcelona, Spain

InvigorateCreating A Revitalized CommunitySpring 2012 | Fountain Inn, South Carolina

IlluminateSculptural Lamp and CenterpieceSpring 2013 | Charleston, South Carolina

PATCHAn Interface for ConnectivitySpring 2014 | Asheville, North Carolina

Brew CrewMobile Nano-Brewery Design/BuildSpring 2014 | Clemson, South Carolina

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Fountain Inn, South CarolinaRendered perspective of Train Station

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INVIGORATESet in Fountain Inn, South Carolina; Invigorate was part of a master planning project for the town. Fountain Inn is a typical southern town on the decline; most of the industry from the town has dried up and moved on. All that is left is a shrinking downtown with no life to speak of, and a seldom used railroad that cuts through the town. The challenge of this project was to find a way to reconnect and revitalize Fountain Inn. My hope was that by redeveloping Fountain Inn as a destination to visit from the larger city of Greenville it would reinvigorate the downtown area and create a new vision of Fountain Inn.The second part of the project focused on the design of a critical element of the master plan. I chose to design a Light Rail station. By imagining a light rail from Greenville to Fountain Inn I provided a much needed link to the City both for the residents of Fountain Inn and an escape from the City for the residents of Greenville. I wanted my design to be an Iconic structure to represent a new beginning for Fountain Inn so while I held my design to the scale of the surrounding context I made no attempt to mimic the existing town. My Train Station features an ornamental canopy structure to shade and cover the platform area. The canopy was inspired by Origami corrugation patterns and is a variation on the Yoshimura folding pattern. The station itself is a small open concept plan nestled beneath the canopy that is mostly dedicated to circulation space. I wanted to add some texture to the glass façade without compromising the fullness of the light entering the space; After some research I found a product called Slump glass, a structural glass system that allows for greater spans of glass with less structural frame support.

R E V I T A L I Z A T I O N T H R O U G H R E _ I N T E G R A T I O N

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CANOPY PLANSITE PLAN

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1.2.3.4.5.6.7.8.9.10.11.12.13.14.15.16.17.18.19.20.

ENTRY FOYERTICKETING BOOTHLOUNGESEATING/CIRCULATIONWOMENS RESTROOMMENS RESTROOMFIRE STAIRELEVATORSTATION CAFEBOARDING PLATFORMDEBARKING PLATFORMELEVATORCATWALKROOFTOP LOUNGEHALLWAITING AREAOFFICE SUITEFIRE STAIRADMIN OFFICECONFERENCE

SECOND FLOOR PLAN FIRST FLOOR PLAN

INDEXIN

VIGO

RATE

REVITALIZATION THROUGH RE_INTEGRATION

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Fountain Inn, South CarolinaInterior perspective of Train Station

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INVIG

OR

ATEREVITALIZATION THROUGH RE_INTEGRATION

SECTION A.02

SECTION A.01

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CO

NN

ECTIN

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ARKETPLA

CE TO

PUBLIC SPA

CE

Site with relation to CityBarcelona, Spain

Passeig de Gracia Gran Via

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CO

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ECTIN

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ARKETPLA

CE TO

PUBLIC SPA

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PASSEIG MERCATC O N N E C T I N G M A R K E T P L A C E T O P U B L I C S P A C E

Barcelona, SpainL’ Eixample at the Intersection of Passeig de Gracia and Gran Via

L’Eixample in Barcelona, Spain is a unique urban environment whose design owes its roots to Ildefons Cerda, a Spanish architect and urban planner who conceived of what is now the typical city block structure. L’Eixample is composed of square city blocks with chamfered corners which allow for ease of pedestrian movement, and a network of roads within the Eixample is composed of main arteries which connect centers of the city and subsidiary roads which network the neighborhoods together. While L’Eixample is an amazing example of urban planning it falls short of Cerda’s original plan. Cerda originally called for “green avenues for pedestrian movement between the blocks but future urban planners took advantage of the space and filled them in to be the four sided block that is typical in Barcelona. Pedestrian space is seeing a new rise in demand and the need to explore new options for the often dead space within the block is becoming more pressing. The Development of “Passeig del Mercat” (which in Catalan means Market Promenade) was an attempt to meet two needs at once while creating a unique usable space out of what is now a parking garage at the center of a block. Passeig combines a marketplace with a public square while retaining the existing parking structure that occupies the site. The goal was to create a hidden oasis above the converted parking structure for public activities and to improve the interior appearance of the block interior as a neglected façade. By introducing a walkable surface and green space above the market place and creating access to the site it became possible to redefine the interior of the block as a nucleus for social and commercial interactions.

DEL

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MARKET PLACECATWALKSUNKEN COURTYARDSTOREFRONT ENTRANCEALLEY ENTRANCEHOTEL ENTRANCEROOFTOP PROMENADEWITH GARDENS

1.2.3.4.5.6.7.

INDEX

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A.01

A.02

SECTION

SECTION

EXERIOR FLOOR PLAN

INTERIOR FLOOR PLAN@ STREET LEVEL

@ PROMENADE LEVEL

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PASSEIG MERCAT

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Passeig, Market and ParkRooftop Render with Context

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Section Perspective,Promenade In relation to Marketplace

S E C T I O N A . 0 1

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ELEVATED PATHWAY

CORTEN LIGHT WELL

GREEN ROOF

EXISTING CATALAN VAULT

EXISTING IRON STRUCTURE

INTERIOR PATHWAY

PASSEIG MERCAT

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Passeig del Mercat, Market and ParkEntry Sequence

E x p l o d e d A x o n o f B a s i c E l e m e n t s

Overhead view from office

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Asheville NC, MOOGFEST 2014PATCH Architecture Installation

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Asheville NC, MOOGFEST 2014PATCH Architecture Installation Custom Stools

In the spring of 2014 my senior studio was challenged with the opportunity to create an engaging public installation space for Moogfest 2014, we responded with the concept of Patch: a place for interaction and connection between both festival-goers and Asheville locals. Inspired by Bob Moog’s use of cables to patch singular sounds together to create complex songs within his legendary synthesizers, the installation aims to link the many diverse pixels (people, ideas, places) that inhabit our space into a collective image that expresses a common passion for design, music and innovation. Patch consists of four key interfaces to achieve this goal: a groundscape for comfortable conversation, a userscape with movable furniture and cell phone charging stations, a mediascape with photo backdrops and virtual interactive games, and a cloudscape that hovers over the users, acting as a visual landmark and providing shelter from the elements.

P A T C H A N I N T E R FA C E F O R C O N N E C T I V I T Y

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EMERALD LOUNGE VOLTAGE TV EYE BLEND I DO DANCES ON A ROLL FOREVER TATTOOLORETTA'SROSETTAS KITCHENBROADWAY

10' ISOSHP. CONT.

10' ISOSHP. CONT.

10' ISOSHP. CONT.

10' ISOSHP. CONT.

20' ISOSHP. CONT. 20' ISO

SHP. CONT.20' ISO

SHP. CONT.10' ISO

SHP. CONT.

10' ISOSHP. CONT.

39'-6"27'-4"

41'-6" 24'-10"

19'-2

"

19'-2

"

20'-4" 36'-8" 26'-8"

19'-6

"

39'-0"25'-8"

GENERATOR2

GENERATOR1

12' FIRE LANE

CHARGING STATION: 120 VOLTMULTI CHARGER AND LEDLIGHTING (2 OUTLETS) TYP.

INFLATABLE CANOPYCLASS A TYVEK WITHPARACORD SAFTEY CABLES

ADHESIVE REMOVABLEOUTDOOR GROUND

SURFACE EACH "ROOM"

MAP ART INSTALLATION110 VOLT OUTLET TYP.

INFLATABLE CANOPYCLASS A TYVEK WITHPARACORD SAFTEY

CABLES

NOTE: 30 STOOLS PER "ROOM" TYP.

120 VOLT BLOWER FAN FORINFLATABLE ABOVE CONTAINER AND LIGHTING (2 OUTLETS) TYP.

NOTE: ALL EXTENTION CORDSCOVERED WITH CABLE DROPCOVER " YELLOW jACKET" TYP.

NOTE: ALL EXTENTION CORDSCOVERED WITH CABLE DROPCOVER " YELLOW jACKET" TYP.

12' FIRE LANE

12' FIRE LANEN. LEXINGTON AVE..

I-240 ABOVE

NOTE: 30 STOOLS PER "ROOM" TYP.

TEMPORARY INSTALLATION PLANDRAWING USED FOR CITY PERMITING1

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PA

TC

H AN INTERFACE FOR CONNECTIVITY

Asheville NC, MOOGFEST 2014Overall Render of PATCH Installation

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Asheville NC, MOOGFEST 2014Snapshot Render of PATCH Installation

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Our Task

WHY PATCH?..that starts with the city of Asheville itself.

Inspired by Bob Moog’sway of patching synthesizers.

CONNECTS PEOPLE, IDEAS & PLACES THROUGH AN INTERFACE...

PATCH

to provide an engaging interstitial space that fuses the surrounding Moogfest venues.

Virtual Connection

PhysicalConnection

Virtual Connection

PhysicalConnection

Virtual Connection

PhysicalConnection

WHAT are we patching? WHO? WHY?

SPACES BETWEEN VENUES+ WITHIN THE CITY

FESTIVAL GOERS + ASHEVILLE LOCALS

INTERACTIVE EXPERIENCES:MOOGFEST + ASHEVILLE

GATHERING SPACES WITHIN OUR SITE

PA

TC

H AN INTERFACE FOR CONNECTIVITY

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How?

Furniture ElementsUSER_SCAPE

Shipping Containers STREET_SCAPE

Inflatable Canopies + Charging Stations

CLOUD_SCAPE

QR Tag + Media Patching

VIRTUAL_SCAPE

THROUGHA SERIES OFINTERFACES

PA

TC

H AN INTERFACE FOR CONNECTIVITY

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PA

TC

H AN INTERFACE FOR CONNECTIVITY

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DATE: 04.21.14

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DATE: 04.21.14

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BREW CREW Mobile Brew Team

MB

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M O B I L E N A N O - B R E W E R Y D E S I G N / B U I L D

The Nano- Brewery Project was developed for a creative inquiry in the Spring of 2014. The Clemson University Brew Crew a campus club wanted a mobile platform to mount their Nano-Brewery System which they could then take to brew festivals around the country to use as a teaching mechanism. This project came with many challenges; the first of which was the very narrow budget, we were given $1,000 to provide the club with a fully functional mobile platform for brewing. In order to make the most of this budget we acquired a trailer used for a previous design/build that had fallen out of use and begun to deteriorate and which the club could lease until they had the funds to purchase it outright. The Trailer now formed the foundation of the project and we had to constrain our design to fit within its envelope. The result is a compact program contains Kitchen facilities, storage space, Brew space and a teaching porch from which the club can educate participants on the science of brewing and their own unique brew system. We utilized a variety of materials and construction methods to create the space. Most of the major elements were cut on the CNC Router to cut down on material waste. Also Several Items such as the sink and water return tank were reclaimed and repurposed materials salvaged from the junk yard. Construction Began in July 2014 and is expected to be complete in early August. Photos of the final product will follow when they become available.

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Polycarbonate stair treads on all frames in front of an opperable door. Seal all edges with heat activate shrink wrap. Attach to steel frame with self tapping screws.Untreated exterior plywood - Attached to joists in subfloor. Covered by vinyl tile with epoxy adhesive paint.10’ 1x6 pressure-treated wood (2) used for running board. Attach to steel frame using self tapping screws.

Fascade Skinning Guide: Galvalume (dark grey).

Fascade Skinning Guide: Exterior Plywood (painted white with latex paint).

2 pc. counter top. Maple finish grade plywood poly coated and covered with resin. Tabbed into wall and legs.

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a f

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ROOF PLAN

FLOOR FRAMING PLANMEASURED FLOOR PLANSCALE: NOT TO SCALE SCALE: NOT TO SCALE

SCALE: NOT TO SCALE

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CNC route Brew Crew Logo into rear top plywood sheet. Paint original surface with white latex paint. Cover recessed surface with deck sealant.

Fascade Skinning Guide: Exterior Plywood (painted white with latex paint).

Fascade Skinning Guide: Polycarbonate

Fascade Skinning Guide: Galvalume (dark grey)

A B C Da fE

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Tabed cabinetry. CNC routed 3/4” maple plywood. Treated with poly rub and sanded

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three times.Sliding doors on two tracks. Maple frames routed to house cut to size galvalume. wheels attached on both sides of the frame.Installed refrigerator.

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BREW CREW

MOBILE NANO-BREWERY DESIGN/BUILDMobile Brew Team

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ELEVATIONSSCALE: NOT TO SCALE1

NOTES:

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A B C D Ea f

Install sink system into counter top with faucet, sink basin, water tank and drain tank.Plytood wall. Exterior grade plywood painted white with latex paint. Rubber C-channels attached to top and bottom of plywood sheets. Fill the seem with silicone. Attach to steel frame using self-tapping screws.

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Galvalume Roofing. Overlap one corrigation totalling 3 sheets from side to side. Overlap 2 sheets (modify length if necessary) so that the ends overlap over one full span between the steel supports. Attach to frame using self tapping screws. Seal all seams with silicone caulk.

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Sliding doors on two tracks. Maple frames routed to house cut to size galvalume. wheels attached on both sides of the frame.

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1 Step One: Strip Frame of paint, Repair and grind structural members, Prime and Repaint. 2 Step Two: Frame floor joists, Apply plywood Sub-floor

and Composite Vinyl Tiles. Install Water Tank. 3 Step Three: Cut and Install stair treads out of 1”

4 Step Four: Install Front and Rear wall panels (3/4” Pine Plywood) Sealed and painted with White 5 Step Five: Apply Galvalume to remaining walls and

roof overlapped by one corrugation, afix with 3/4” 6 Step Six: Install cabinetry and countertops, Sink, Fridge and other Electrical and Plumbing Fixtures.

BREW CREW

MOBILE NANO-BREWERY DESIGN/BUILDMobile Brew Team

MB

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White Polycarbonate

exterior grade Enamel Self tapping screws.

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Box ProjectView from above into lamp

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ILLUMINATES C U L P T U R A L L A M P A N D C E N T E R P I E C E

Illuminate began as a project in an Intro to Craft Studio; the original project was to build a box, the box could contain anything so long as it fit within the volumetric limits of the project. After some thought about what I would put in a box and if the box would be used often, I began to think of unconventional things to put in a box; this is how Illuminate was born. I wanted to design a Box to contain light; a traditional lamp with a shade was not an option. The end result of my design is a truncated prism composed of two components; the base and the shade. The shade is built like a lattice that is denser at the base than the top, this allows light to bleed out from the larger openings and less from the tighter weave. The base contains all of the electrical components of the lamp. Because the lamp is intended to act as a centerpiece I did not want it to have a cord so I incorporated a battery operated system that is activated by remote. The lamp is not intended as a source of light in most cases, rather it is intended to be used for ambience or low lighting.

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LATTICE CONSTRUCTION1. Cut 1 12” segment from walnut using circular saw2. On Band Saw split in half3. Plane and Join to ¼” thickness4. Assemble DADO Blade on Table Saw and use Sled to Adjust height of blade to cut 1/8”5. DADO board segments in specified increments on one side of Boards6. Flip boards and DADO second set of specified increments7. Check that measurements between alternating DADO cuts are correct8. Replace fine cut blade on Table Saw and rip boards into ¼ X ¼” strips (88)9. Divide Strips into 4 equal groups of 2210. Weave strips together according to pattern beginning at the Dense base area11. Glue Lattice together and set aside to dry

FRAME CONSTRUCTION1. From unfinished piece of Walnut cut one 20” segment using circular saw2. Join and Plane to ½” 3. Rip into (4) 2” strips on table saw and set aside remainder for later4. STEPS 5 THROUGH 10 APPLY TO ALL FOUR 2” STRIPS (SIMULTANEOUS EXECUTION)5. Set angle of blade on table saw to 45.555 degrees6. Cut wood so that inside of the miter is ¼” from edge of wood ( verify that transverse dimension is ¾” long)7. Reverse wood and cut another miter to bookend miter joint8. Trim flat outside edge of second piece to that inside of miter is ¼” from new edge.9. Set up DADO Blade to 1/4” and set height to cut ¼” deep; rip outside corners of miter joint along the entire length of the segment10. DADO mitered strip on Inner Top edge @ 82 Degrees 11. Set aside for later (8PCS)

ORDER OF OPERATIONS:

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STEPS 12 THROUGH 16 APPLY TO ALL FOUR SIDES OF TOP FRAMEUsing section of board planed to ½” set aside in (step 3 of FRAME CONSTRUC-TION) rip one ¾” strip from edge and set aside remaining for use later.Set angle of Table Saw to 82 Degrees and trim (2) parallel sides of strip so that the width between has a dimension of ½”Set up DADO Blade on Table Saw @ ¼” at a cutting height of ¼” at an 82 Degree angle and DADO a ¼” strip from edge of segmentCut into (4) equal segments using Compound Miter SawReplace Cross Cut Blade and angle to 45.555 Degrees and miter ends of segments so that the dimension along the outer face is ( ) (Verify that four segments form a square with side dimension of ( ) and set aside for later. STEPS 19 THROUGH 22 APPLY TO ALL FOUR SIDES OF BOTTOM FRAMEUsing section of board planed to ½” Set angle of Table Saw to 82 Degrees and rip (2) ¼” strips from edge and set aside remaining for use laterLay strip flat in ½” dimension and rip to ¼”Using Compound Miter Saw cut into 10” segmentsOn Table saw angle blade to 45.555 Degrees and miter ends of segments so that long dimension on outside is (8”)

ASSEMBLY OF FRAMESAssemble 4 individual trapezoidal frames together and glueATTACHING THE LATTICE TO FRAMESOverlay the frames on the Latticework and trace Edges onto LatticeUsing the Band Saw cut excess from verticals and Rough trim horizontalsAngle Table Saw Blade to 82 Degrees and trim horizontals Flush with tracingsGlue lattice to framesGlue individual frames together along miter joint to form a trapezoidal prismEND OF LAMP SHADE CONSTRUCTION.

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Clemson University: Expected Graduation: August 8, 2014

AFFILIATION:Alpha Lambda Delta Honors Fraternity (ALD) American Society of Architecture Students (AIAS) Clemson Outdoor Recreation Education (CORE) Outdoors Club Member Club Teams: Ultimate Frisbee, Softball

AWARDS:Palmetto Fellows Scholarship ($7,500 Annual) Trustee Scholarship ($2,500 Annual) Dean’s List

Woodland High School: GPA: 4.0

National Honors Society National Technical Honors Society Interact Club FIRST Robotics Team (BOSCH TEAM 342) Varsity Cross Country Team 2006-2010

Graduated May, 2010Saint George, South Carolina

AFFILIATION:

Clemson, South Carolina

To gain experience in multiple categories of architecture design and scale in order to grow as a designer and determine my future career path.

EDUCATION:Bachelor of Arts Degree: Major: Architecture

Minor: Business AdministrationGPR: 3.0 Major GPA: 3.9

OBJECTIVE:

ARCHITECTURAL EXPERIENCE:Byers Design Group: Full Service Architecture & Landscape Architecture Firm

CAD Drafting Translating sketches to measured drawings Creation of construction documents Code research Some small scale project management

Contact/Reference:125.5 Spring St. Charleston SC, 29403

Period: January 2013 – June 2013 (7 months)Position: Architectural InternResponsibilities:

Project Types: Commercial, Mixed Use, Residential

Sandy Byers (Principle) Luke Jarrett (Principle)

Phone: 843.577.5703Address:

RESUMERELEVENT SKILLSPROGRAMS

AutoCADRhinoSketch UpRevitMasterCam IllustratorPhotoshopInDesignMuseAfterEffectsMaxwell Render3DS MAXX Grasshopper V-RayAutodesk Inventor

DIGITAL FABRICATION

Use/Maintenance/Repair3D Printer

Laser Cutter

CNC Router

WOODWORKINGProficient with a variety of woodworking tools. See portfolio for sample project [ILLUMINATE]

METALWORKINGWelder [MIG]Plasma CutterGas Welder/Cutter

Use/Maintenance/Repair

Use/Maintenance/Repair

Shane M. Smith

CONTACT INFO

Alternate Email:[email protected]

Preferred Email: [email protected]

Phone: 843.560.0860Mailing Address:373 1st Texas Rd.Saint George SC, 29477

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RELATED EXPERIENCE:

Office Responsibilities: Clerical work Shipping and Receiving Billing and Invoicing Inventory Management Purchasing Customer assistance.

Dover Hydraulics: Hydraulic Systems repair shopPeriod: May 2012 – August 2012 (Summer Job)

Position: Office Assistant/CAD Designer

Responsibilities:

Landscaping and Basic Maintenance of Plant Machinery and Grounds Operated CAT Loader and other Equipment as needed.

Banks Construction:Asphalt Paving and Land Grading CompanyPeriod: May 2010 – August 2010 (Summer Job)

Position: Plant Maintenance/Laborer

Responsibilities:

General Job Labor, assisted crew in installation and repair of Storm/Water and Sewer Systems. Trained on CAT Track-hoe and Loader.

Landmasters Development: Underground Utilities Contractor (Storm Drain/Water/Sewer)Period: May 2008 – August 2008 / May 2009 – August 2009 (Summer Job)

Position: Laborer

Responsibilities:

Graphic design of cabin life saftey documents for the Carnival Triumph and P&O Cruises Pacific Jewel

Bourne Group: Graphic design of all facets of onboard signage for cruise vessels. Period: Freelance May 2013 - July 2013

Position: Freelance Graphic Designer

Responsibilities:

CAD Design Responsibilities; Designed replacement hydraulic assemblies to be contracted out for production and for internal use.

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