TECHNICAL

DRAWINGTECHNICAL DRAWING & BASIC GEOMETRIC CONSTRUCTIONS

JULIA MENA GARCÍA

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OPEN PAGE 88 ON YOUR BOOK

OPEN PAGE 88 ON YOUR BOOK

OPEN PAGE 88 ON YOUR BOOK

OPEN PAGE 88 ON YOUR BOOK

OPEN PAGE 88 ON YOUR BOOK

OPEN PAGE 88 ON YOUR BOOK

OPEN PAGE 88 ON YOUR BOOK

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MORE ABOUT KANDINSKY (1866-1944)

RIDING COUPLE. 1906 CHURCH IN MURNAU. 1910

MORE ABOUT KANDINSKY

UNBROKEN LINE. 1923

COMPOSITION VI. 1913

OTHER ARTISTS WHICH USE GEOMETRICAL SHAPES

PIET MONDRIAN (1872-1944)DE STIJL, MODERN ART

OTHER ARTISTS WHICH USE GEOMETRICAL SHAPES

MALEVICH (1878-1935)SUPREMATISM

SELF PORTRAIT IN TWO DIMENSIONS. 1915WHITE ON WHITE

BLACK SQUARE

OTHER ARTISTS WHICH USE GEOMETRICAL SHAPES

NAUM GABO (1890-1977)CONSTRUCTIVISM

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Constructivism was an artistic and architectural philosophy that originated in Russia beginning in 1919, a rejection of the idea of autonomous art. The movement was in favour of art as a practice for social purposes. Constructivism had a great effect on modern art movements of the 20th century, influencing major trends such as the Bauhaus and De Stijl movements. Its influence was pervasive, with major impacts upon architecture, graphic and industrial design, theatre, film, dance, fashion and to some extent music.

Suprematism (Russian: Супремати зм) was an art movement, focused on basic geometric forms, such as circles, squares, lines, and rectangles, painted in a limited range of colors. It was founded by Kazimir Malevich in Russia, around 1913The term suprematism refers to an abstract art based upon “the supremacy of pure artistic feeling” rather than on visual depiction of objects.

Malevich's Suprematism is fundamentally opposed to the postrevolutionary positions of Constructivism and materialism. Constructivism, with its cult of the object, is concerned with utilitarian strategies of adapting art to the principles of functional organization. Under Constructivism, the traditional easel painter is transformed into the artist-as-engineer in charge of organizing life in all of its aspects.Suprematism, in sharp contrast to Constructivism, embodies a profoundly anti-materialist, anti-utilitarian philosophy. In "Suprematism" (Part II of The Non-Objective World), Malevich writes:

Art no longer cares to serve the state and religion, it no longer wishes to illustrate the history of manners, it wants to have nothing further to do with the object, as such, and believes that it can exist, in and for itself, without "things" (that is, the "time-tested well-spring of life").