Two Million Years of Art in Human Evolution Art MECA10B UP Gravettian Meme4.pdf · 4th Meme of the...

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Two Million Years of Art in Human Evolution James Harrod, Ph.D. Adjunct Instructor in Art History, Maine College of Art, Portland, Maine Director, Center for Research on the Origins of Art and Religion originsnet.org (pleistocenecoalition.com) AH 224 Paleolithic Art, Spring 2012

Transcript of Two Million Years of Art in Human Evolution Art MECA10B UP Gravettian Meme4.pdf · 4th Meme of the...

Page 1: Two Million Years of Art in Human Evolution Art MECA10B UP Gravettian Meme4.pdf · 4th Meme of the Evolution of Art, Symbol & Myth Era and Techné 4th Meme: Mythic III = Homo sapiens

TwoMillionYearsofArtinHumanEvolution

JamesHarrod,Ph.D.AdjunctInstructorinArtHistory,MaineCollegeofArt,Portland,Maine

Director,CenterforResearchontheOriginsofArtandReligionoriginsnet.org(pleistocenecoalition.com)

AH224PaleolithicArt,Spring2012

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Page 3: Two Million Years of Art in Human Evolution Art MECA10B UP Gravettian Meme4.pdf · 4th Meme of the Evolution of Art, Symbol & Myth Era and Techné 4th Meme: Mythic III = Homo sapiens

4MemeModel:2MYEvolutionofArt,Symbol&MythEra and Techné Four Meme Model (JamesHarrod)

Oldowan EO ~2.6 to 2.0 Ma ‘Classic’ ~2.0 to 1.4 Ma Developed ~1.7 to 1.2 Ma

‘Rudimentary Symbolic’ = 2.0-3.5 yrs // human = great ape cognition (A. Russon 2004) = Australopithecus (similar cognitive level by triangulation to common great ape ancestor) First ‘art object’: ‘animacy in stone’; ‘animated spirit that inhabits the body’

Conceptual-Symbolic Modeling = Homo habilis/rudolfensis (out-of-Africa) First Metaphor = ‘core-seed-sustenance-essence in interpersonal interaction’; ‘rhomboids of the mind’ First Ethos = carnivore axis First Joke:’ hit the baboon head’ anvil (drill cupules)

Acheulian (sensu lato) EA ~1.7 to 1.0 Ma MA ~1.0 Ma to 500 ka LA ~650 to 200 ka FA ~300 to 150 ka

Complex Idea Modeling = Homo erectus/ergaster (out-of-Africa) Biface pairing of complementary shapes (contraria sunt complementa, Niels Bohr; coincidentia oppositorum, C. G. Jung; ‘co-poiesis’, Bracha Ettinger) Sheath, the Womb Source of Animacy (Life-Giver) & Vehicle, Cutting Spirit, Energy of Initiative (Death-Giver) colorants, marking traditions, mortuary practice, adornments, anthropomorphs & zoomorphs

Middle Paleolithic / Middle Stone Age EMP ~300 to 40 ka MMP ~150 to 60(100) ka LMP ~60 to 30/35 ka

Mythic I &II EMP =archaic Homo sapiens / MMP = Homo sapiens sapiens (out-of-Africa) Beings of the Dreaming, Creatrix of Life-Forms, stone arrangements, landscape art, image representation, mortuary practices with grave goods; geometric ‘signs’

I. ‘Gaia’ (M. Witzel) = Khoisan

II. ‘Gondwana’ (M. Witzel) = ‘Southern Route’ Africa to SE Asia & Australia

Upper Paleolithic / Later Stone Age EUP ~150 to 60 ka MUP ~40 to 20 ka LUP ~25 to 10 ka

Mythic III = Homo sapiens sapiens (out-of-SW-Central-Asia)

‘Eurasian’ (Y. Berezkin) ‘Laurasian’ (M. Witzel) = Shamanic

6 Worlds Shamanism; Soul Journey, Soul Retrieval; Mother-of-Animals, Master-of-Animals; Geometric Protolanguage, UP(E) array of 12 female and 12 male spiritual transformations (J. Harrod)

Templeton (2010, 2002): genetics = 3 waves out-of-Africa – 1.9 Ma; 650 ka; 130 ka; 1 out-of-Asia (recent)

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UpperPaleolithic/LaterStoneAgePalaeoart

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4thMemeoftheEvolutionofArt,Symbol&MythEra and Techné 4th Meme: Mythic III = Homo sapiens sapiens

Upper Paleolithic / Later Stone Age EUP ~60 to 150 ka MUP ~40 to 20 ka LUP ~25 to 10 ka

Mythic III: ‘Laurasian’ (M. Witzel) = ‘Shamanic’ mythologies

•  6 Worlds: Upper, Middle and Lower Worlds and central Axis Mundi (M. Eliade)

•  Soul Journey and Soul Retrieval; psychopomp

•  Mother-of-Animals, Master-of-Animals

•  Upper Paleolithic (European), UP(E), subset of geometric signs used under application of combinatory matrix to generate array of 6 female and 6 male spiritual transformation processes, their respective symbolization and mythologies (Harrod 2004 a,b online OriginsNet.org; Harrod 1997; Harrod 1987 Valcamonica Symposium paper)

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Meme#4UpperPaleolithic/LSA:Mythic III Shamanic,‘Laurasian’(M.Witzel)

6‐WorldsShamanism(SoulJourney,SoulRetrieval),Mother‐of‐Animals,Master‐of‐AnimalsEarthdiveremergence;UP(E)arraysoffemaleandmalespiritualtransformations

Upper(MilkyWayStar)WorldLife‐GiverDeath‐Giver

2UpperWorlds(skyworld&celestial,starworld)

(GreatSpirit,tutelaryspirit)

creatorbeingsspiritsofthedeaddreamintobeingreturn‐to‐homelandscape,alldormant,incubatinglifeformspre‐emergenceinterconnected‘negativecapability’usingsacredpower(inversepower)

2MiddleWorlds(thisworld&parallel,ghostworld)

waterholequicksand(generativity)(vortex,abyss)

2LowerWorlds(worldbeneathearth&waterworld)

(spiritanimals)

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EuropeanUpperPaleolithicAgePeriod From(yearsago) To(yearsago)

InitialUP(BohunicianandBachokirian) 50,000 40,000

Proto‐AurignacianCItephra/HEIV~39‐40kya

45,000 40,000

Aurignacian 40,000 28,000

Gravettian 28,000 22,000

Solutrean 22,000 17,000

Magdalenian 17,000 13,000

LateMagdalenianYoungerDryas12.8‐11.5kya;impact~12.9kya

13,000 10,000

MesolithicAge 10,000 5,000

NeolithicAge 9,000 5,000Chalcolithic/MegalithicAge

5,500 3,700

BronzeAge 5,000 3,000

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IceAgeEurope(MarshackA.TheRootsofCivilizationfig.)

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EURASIAN—GRAVETTIAN~34‐22kya

TYPICALSYMBOLICARTANDRITUALTRANSFORMATIONSITES

MacrolanguageFamily:(U5‐mtDNA?)Pre‐Finno‐Ugric?;(RO=mtDNAandH17’29?)Pre‐Sumerian‐Basque?&(N*/N1=mtDNA)Pre‐NE‐Caucasic

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CougnacandPechMerle,France

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L: Pech Merle red dots, hands, entrance to side chamber with female-bison combi R: Pech Merle red dots, entrance to Le Combel

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Redmegaloceros,ibex,marks,‘FriezeoftheMegaloceros’,Cougnac,Lot,France,~25‐19.5kya

Tracing,MichelLorblanchet.LorblanchetM,LabeauM,VernetJL,FitteP,ValladasH,CachierH,ArnoldM.1990.PalaeolithicPigmentsintheQuercy,France.RockArtResearch7,1:4‐20.314CredpigmentdatesconversionOnlineCalPal=~28.7calkya(JBH)

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FemaleandMaleIbex,Cougnac.25‐19.5kya

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Dolni‐Vestonice,CzechRepublic

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NecklacesL:ArcticFoxTeeth;C:Shells;R:OwlPendant.Dolni‐Vestonice,Gravettian~29calkyaT:youngbovid;C:bear;L:imprintofloom‐woventextileonfragmentfiredloess.

Allphotos:DonHitchcock2008,apparentlyoriginals,display,DolníVěstoniceMuseum.

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FiredLoessfigurines.Dolni‐Vestonice,Gravettian~29calkyaT:youngbovid;C:bear;L:imprintofloom‐woventextileonfragmentfiredloess.White,Randall.2003.Prehistoricart:thesymbolicjourneyofhumankind:Fig.96‐98.CandR:bear,lion,mammoth,rhino,mustelid(?mink)photos:DonHitchcock2008,apparently

originals,display,DolníVěstoniceMuseum.

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Ivorysculptures.Dolni‐Vestonice,Gravettian~29calkyaL:‘stickwithbreasts’,8.5cm;TopC:‘simplehumanface’,4cm;BottomC:‘breasts’,W2cm;R:‘abstractfemalefigure’,8cm.White,

Randall.2003.Prehistoricart:thesymbolicjourneyofhumankind:Fig.99‐102.

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Sunghir,Russia

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S1AdultandDoubleChildS2andS3Burials.Sunghir,Russia,Gravettian~24kyaS1~60yearsold(~19or23kya);S2boy~12‐13andS3girl~9‐10yearsold(~26or24kya)Dates:Kuzmin,Burretal2004.Recreationillustrations,LiborBalákfromDonsmaps.com

3burials,13,000ivorybeadsindozensofstrands.Experimentsshoweachbeadtakes1hourtomake;S1beadwork3,000hours;S2andS35,000hourseach.Strandofivorybeadswithinterlockingfoxteeth.Adultmanwears24polishedmammothivorybracelets,somewith

tracesblackpaint,somered.Aroundhisneck,small,flatschistpendantpaintedred,withsmallblackdotononeside.WhiteR.2003:141‐145.

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Kostenki,Russia

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View,KostenkiVillageandtheDonRiverValley(ViewofvillageofKostienkifromhighground.DistantloopofDonindistance.Photo:VladimirGorodnjanski,2006.Don’sMaps(online)

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View,Kostenki12andKostenki1,K14andK16towardsourceendoftheravine,andtheDonRiverValley(Holliday,Hoffeckeretal.2007.GeoarchaeologyoftheKostenki‐BorshchevoSites,DonRiverValley,Russia.Geoarchaeology22,2:fig.3,4)

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TypesofArtandTools,Kostenki1‐1,DonValley,Russia‐‐Gravettian~27‐28calkya(Holliday,Hoffeckeretal2007)Kostenki1arttypesDonsmapsfromSinitsyn2007afterPraslovandRogachev1982

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‘Longhouse’,Kostenki1‐1,DonRiverValley,Russia‐‐Gravettian,~27‐28calkya(Holliday,Hoffeckeretal2007)Excavatedinthe1930s.~35mlongby~16mwide;9hearths,16peripheralpits,4‘sleepingareas’and12as‘caches’,entirefloorcoveredwith‘internalstoragepits’;Kleinnotconvinceditissinglestructure;6femalefigurinesoflimestone(marl)andivoryandmanyfragmentaryremainsoffigurines(KleinRG1973.Ice‐AgeHuntersoftheUkraine)

Gravettian Ritual Art Space

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Kostenki1,DonRiverValley,Russia‐‐Gravettian,~27‐28calkya(Holliday,Hoffeckeretal2007)Limestone(marl)andivorysculptures–mammoth,horse,feline,bear,birds,indet.zoomorphs;vulvasculptureslocatedbetweenhearths4and7,whilefemalestatuettesdispersedoverentirehabitation,includingcached;zoomorphsintwogroups,withaboutequalarea,hearths6‐10carnivores(feline,bear),hearths1‐5,mostlymammoths(IakovlevaL.2004:49,addinganimals,afterP.P.Efimenko)

Gravettian Ritual Art Space – Distribution of Zoomorphic Sculptures

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Kostenki1,DonRiverValley,Russia‐‐Gravettian,~27‐28calkya(Holliday,Hoffeckeretal2007)Limestone(marl)andivorysculptures–mammoth,horse,feline,bear,birds,indet.zoomorphs;vulvasculptureslocatedbetweenhearths4and7,whilefemalestatuettesdispersedoverentirehabitation,includingcached;zoomorphsintwogroups,withaboutequalarea,hearths6‐10carnivores(feline,bear),hearths1‐5,mostlymammoths(IakovlevaL.2004:49,addinganimals,afterP.P.Efimenko)

Gravettian Ritual Art Space: Zoomorphic Sculptures

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SchematicofSomePitContents.Kostenki1,Avdeevo,Gagarino,Gravettian~27‐28calkyaBasedonpitdescriptionsinWhite,Randall.2003.Prehistoricart:thesymbolicjourneyofhumankind:138‐142;combinedwith

zoomorphlocationsinIakovleva2004.KostenkiIdate:Holliday,Hoffeckeretal2007

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KostenkiI‐1,DonRiverValley,Russia‐‐Gravettian~27‐28calkya(Holliday,Hoffeckeretal2007)

Gravettian Ritual Art Space Female Spiritual Transformation #5: ‘Double Goddess’ and Her Animal Quaternion

Wolverine

Waterbird

Mammoth Lion

Predator Prey

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‘DecoratedMattock’,Chevrons(Zigzag),2Bi‐Lines.

KostenkiI‐1,DonRiverValley,Russia,Gravettian~27‐28calkya(Holliday,Hoffeckeretal2007)AbramovaZA.1995.L’artpaléolithiqued’EuropeorientaleetdeSibérie:Fig.66.13

Female Spiritual Transformation #5: ‘Double Goddess’ Transform Signs

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Femaleand‘anthropomorphic’statuettes,KhotylevoII,Russia.Gravettian~27‐28calkya(Holliday,Hoffeckeretal2007)AbramovaZA.1995.L’artpaléolithiqued’EuropeorientaleetdeSibérie:Fig.30and31combined

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‘DoubleFemale’statuette,KhotylevoII,DesnaRiver,Russia.Gravettian~27‐28calkya(Holliday,Hoffeckeretal2007)GavrilovKN.2010.AnewfemalefigurinesfromthesiteKhotylevo2:Fig.5,6.Paper,L’artpléistocènedanslemonde,IFRAOIRAC2010.

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Mezhirich mammoth bone hut, Gravettian shrine with decorated mammoth skull and with figurines

(B. Johnson, Buffie. Lady of the Beasts pl 13)

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‘DecoratedMammothTusk’,Mezhirich,RosavaintoRosRiver,Ukraine.Epi‐Gravettian~13‐16kya(Iakovleva2004)Interpretation:The6‐WorldsofShamanicCosmos(JamesHarrod).Othersinterpretasearliestmapwithhutsandriver.

Nosource,butcompareAbramovaZA.1995.L’artpaléolithiqued’EuropeorientaleetdeSibérie:Fig.13.1

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2‘DoubleFigurines’,Grimaldi,NWItaly.Epi‐Gravettian~14‐19kya(Bisson,TisneratandWhite1996)

Humanfemale,obverse‘uncertain,notreptile,probablycarnivore,notfeline:foxorwolf,ormartenorwolverine)BissonandBolduc1994.JennettKD.2008.FemaleFigurinesoftheUpperPaleolithic:Fig.13,Thesis,TexasStateUniversity.CollageafterBissonMS,BolducP.1994.

CurrentAnthropology35,4:458‐468;sketch:Mussi2002;color:www.civiilization.ca/archeo/paleofig/imags/palfig6a.gif;palfig5a.gif;palfig7a.gif

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‘DecoratedMammothSkull’,DwellingNo.1,Mezhirich,DonBasin,Ukraine

Epi‐Gravettian~13‐16kya(Iakovleva2004)‘Reconstructionmammothskullpaintedwithredochre’,W:60cm,afterPidoplichko;BahnPandVertutJ.1997.JourneyThroughtheIceAge:fig7.6

Female Spiritual Transformation #2: ‘Tree of Life / Vulva-Seed Source / Birthgiver’