FLIGHT DECK

FRONT ROW offers •Preferenliolticletbookingslo,performingorts

horn Opera to Rock •Exd!.IMveseotingunO"Yailobletothegueral

pubM< •Eose0fbooking -1ichtsrnnbemaileddi1ert

lo your door•

How to use FRONT ROW Rndthesliowyoowishtobookin lhe FRONT ROW Guide ltien diol the number atthe foololthepage. BereodyloquoledetoilsofyourFlightDeckor Asts (ordondyouruedilcord

FRONT ROWoperntes in Sydney, Melbourne, Adelcide,BrisooneondPerthondNewZeoland.

Best Seats Guaranteed ••• Youwillbeguoronteedtheb~t~ovailobleat tl,e lime of booking. Howmr, we need to remind youthottheeorlieryoubook, thebettertheseats.

Phonelineslorbookings oreopen bU5iness hourson\y. 'l'leose ollowoneweek forcolle<tionond deliveryoltickets.

' Limiloltwodiscountti1ket1permember. Fullpriretic.ketsunlimi1ed.

'No1efundOl' reh.1rn11mep1ed

Weore proudloofferlhise~dLJSiveservice in · oddi1ion lopriv~eges olreody e,ijoyed through fllGKlOECKondlhelru,t'sARTSCARD. Weencourogeollmembers!o tokefullodvoJl!oge ofthisexclusiveo,sociotioo

hoW....,.,. .. JNfflffll"""~-boou,g. 11Yi...,.o11«ri..beoomoi1oro ...... 11ooriolor...,,;, flOJJIOl'il,..K\flOW..,,oilN-,ltdbr'N~ t..m,M<DII0001mo!arlldlhor-.

TRUST MIMBIRSHIP Pleoo;econtoctyourneores1Tru.t0ffice: !IEWSOUTHWAUS C.n:~Mlrlri · m 1.-., SI Oippeoool1 II~ 2008 JeltphlN!01) 698\6S8

l'ICTOlLI.: Oiannain11 Kllr1 · Lml4/!KiMIIDf'Sr*""Meb:untl'IC320S 1~10116121!11

SOlfJIIAllmAUA: ~t,tddJ!m. lter!Milll!(11\ffir1Grof1SI AdeloiHSA5000 T~:l01)2l18156

wmilNAIJSTIAUk

""""""""'· & Mo~t(slheal1tH~SI.MWA600Q Teliphgne!09JJ1149Sl

OUUNw.ND: 11.!nloylo,i-Hill· Sin:«p 1\eetre TIITTIOI St lri!bo111 QLD 4000 Telephooi:(07J221 ts18

HEWZEALAIID {oli!Wrif"· MidiaelblorUf1111,P08o,2199,~111 T~I04l11J2l8

Publisher Naralie Ching EdiJor Peter Chmg A.sristantEditor J11sti1reReil/y

Ad•·ertising (01}3615211

FRONT ROW

THE AUSTRALIAN ELIZABETHAN THEATRE TRUST , __ ,.,..,,a,

Lady Potterly's Chatter THE HIGHLIGHT OF EVENTS IN THE 1as1couplcof momhs.wasdefinitely1hcGala Preview of the musical C/11:SS at the newly refurbished Theatre Royal in Sydney.

Over a thousand Tru~l Members and Friend~werc thcrc tosce theshow{crealedby Tim Rice wnh music by A bbl!\ Benny and Bjom)aweckbeforeitopcnedtothePublic.

Aftcrtheshow.ara champagnesuppcrrn 1hetheatn: foyer. those present had the good fortune tomeet JodieGill ies.Maria Mercedes, JohnWoodandDavidWhitney, the s1ars of CJ/ESS. who were introduced by Trusl Chief Executive Adam Salzer.

AmongthethrongbeinggreetedbyTrust Chairman, fames Strong, were many of che corporaiewortd's>tan;-GraceBrosguru JohnSaintyandCheryl.Susan Bell of Yann Campbell Hoare &Wheeler. B.T. Aumalia'~ Jillian Broodb<:m.adveftising"sNeville Jcffren. v1gnerons Sir James Hardy and Don McWilliam. Peter Conrell of Email accompanied by Barbara. S1r Neil Cume. chairman of Coal And Allred. Chase AMP"s David Andcrwn, Estee Lauder·~ Australian supremo Chns Wctherall and Duesbury·s Cully Gower with wife Susan. who aho auended theTrust"sfirst l'atron·sNightin Sydney.

From th~ entertainment world. I ~aw MargarctFinkandLeonardTeale;author MorrisWestaccompaniedbyJoyandJudy White. a Go\·emor of the Trusl. who has JUSt received rave reviews for her new book "'S)doeyMcmories".

Ladie\ Rcnouf.Hcnlcy, MasonandStreel. "erealsop1esentattheprcviewaswasNick :md Judy Whitlam. Neville and Jill Wran and loyaleagleJohnGoodyearofPhill1psFox.

Allinall cheeveningwasasmashhic! Alsoin Sydneywasaveryhappy.yctsad

evening,IOfarewelltheElii.abethan Philharmonic Orchestra. Ladies Commmee Chairman and Trost Governor, Shirley Hay, presided and among the crowd were NSW Board Members and NSW Governors, C.E. Adam Salter, Warwicl.. Ross. Sue and Donald Wrigh1cr. Bill Comun and orchestra members andtheirhusbandsandwivcs.

IN MELBOURNE we had a special evening toraise fundsforourpiano, andtheguessing compctitionw:iswon byverypoputar Founder Bend actor Roberta Mecoles. The p11rno isasourceofgrcatprideandpleasure andwasplayedonthe nightby PaniHanna· Landau

We hadachangeof venuefortheFebruary HappyHourandwenlonatourtoCaptain Starhght'sRestaurant.AlsoinFcbruary,we took our Commonwealth Bank of Australia Patron Of The Trus1 to sec STEAMING at the ComedyTheatreduring theopcning v.-eek.

NEXT ISSUE I plnn to chatter about the AdelaideFcs1i"al and the SA Fe~tival Literary Luncheon with David Malouf.

Beforc!signoff,! wouldlikelothankall those members who have wril!en 10 me with oommentsancl news - nearlye\·erylettcrasks meformorepholo!!raphs.Andtherehasbecn much posit1"e rcacuon to the new FRONT ROW format · several oiher initiatives are 1nstoreformembers incomingissues

AT THE TRUST SYDNEY COMMfTTEI:.' FAREWELL TO TIIE 1:1.IZARF.TflAN

PHfLHARMONfC ORCHESTRA: I. (f to,) Sru Wrighttr, Warwick Ron, Donald Wrighttr

and WiJiiom Collam. AT Tllf: GAi.A CHESS OPENING: 2. Jtarrnt-Claudt Nowatka,

Jamu Slrong, Adam Salu,, Jr,dit Gillier, Daphnt Gui11,u and Moria Mtrctdts. 3. Chuyl and

John Saini] ""ith Su zit 1111d Da•id Riddft. 4. Max Rabtrts cha/ling to Sir Jam,r Hardit .

5. (I 111 r} Marit Arrdtrsun, Htltn and Bill Young, Bouley and Ian Smith. 6. (I to r) Maria

Mtretdrs, John Woud and Jodit Gil/its. 7, Pamela Upworth (le/I) with Cully and Susan Gowtr.

8. The I/on. Ntvillt Wran Q.C. a11d his /ovtly wife Jill Hie/Iron.

THE NATIONAL BOARD OF THE TRUST acknowledges the ge n e rous s upport o f

THE AUSTRALIAN GOVERNMENT Through the Performing Ans and Literature Board of THE AUSTRALIA COUNCIL - the Federal Government's Ans Funding and Ad visory Body, and the DEPARTMENT OF FOREIGN AFFA IRS

THE STATE GOVERNMENTS OF Vic1oria through the Ministry for The Ans, New South Wales through the Ministry for The Ans. Weste rn Australia through the WA Depanmem for The Ans

fRONlROW PogeTwo

THE FOLLOWING CORPORATIONS AND FOUNDATIONS: ANZ Tru~!ees • Esso Australia Ltd• Austral ian Airlines • BP Australia • Commonwealth Bank of Australia • Vincent Fairfax Family Foundation• Ian Potter Foundation • Qantas Airways Ltd• The Seaborn. Broug hton & Walford Founda1ion • Sidney Myer Founda1ion • Showtrnvel To urs • Smorgon Family Charitable Foundation , Thomas Nationwide • Unilc \•er Australia Ltd • Honeysett Priming Group • Triumph-Adler • Gr.r.ce Removals (a division of Brambles)

GORDON K.O.'D WHEN SAVAGE STORMS banered Britain recently.an 11dver1ising ho~rding smashed through the windscreenofacar being driven by Gordon Kaye. As Rene. in the TV sitcom. 'AUO "AUO, Kaye wai. a vital element in the Aumalianstageproduction of that hit comedy. But his in\'nlvemenl wasnot lobe. The star is still recovering af1erbeingplacedonthe critical listinhosp1tal.

At the eleventh hour.just as the produce1s were about 1opullthe plugon the Australian project. Max Gillies stepped forward.

A week aflersig l;tingthc script,Gilliesamued one and all with his gra~pof Kaye's character. Rene

Direc1orPeter Farago saidofGillies'efforts:'"I wanted to cry with relief. He isunder ludicruuspressure but itisajoytowatchh1m."

Gillies was recently awarded another comme nd· ation-mcmbcrship of 1hc Order of Australia.On accepting the award.he expressed displeasure at needingtheQueen·s approval forhisO.A.M Gill ics'commcntsangcred SecretarytotheGovcrnor Gcneral,MrDavidSmith, forone.MrSmith,accused theactor of"'graceless discourtcsy"and "' ignorance".

'"ThcGovcmor-Gcncral's secretary said l wasignorant because I didn't know lhe difference between the QucenofAustraliaandthe Queen of England. ldo understand the d iffe rence andthedifferenceis thatshe isthe samepcrson."said Gillies.

Although Australia adopted its own system of honour lOyears ago.in 1990.thenames onthe list arestillsanctioncdbythc Queen. ··1 think ii'saserious polilicalpointand quitea legitimate topic for discussion. K said Gillies. " It was thcappropriatetimc to bring it up.··

MISIRABll PHANTOM WITH ABOUT lOOO pcrformancesasEnroljasin LES MISERABLES under his belt Anthony Warlow has wonthestarringrolc in Cameron Mackintosh 's

Melbourne production of THE PHANTOM OF TIIE OPERA. The show will open December 8 at the Princess Thealreand Warlow will he joined in the PHANTOM by fellow Miserables Marina Prior and Dale Burridge.

Opcratrained28yearold Warlowbea1offcompe1itiun forthelead partfromthe likes o f Barry Crocker. Little River Band·sGlenn ShorrockandSaltO/Tht Cr111ury's Tony Barber.

RSC IN A SPOT OF BOYVIR TIIE ROYAL SIIAKE-speare Company is in aspo1 ofbovver. Tl11: Company's accumulated deficit threatens co reach a staggering£stg4.7million {$A l0.8 m1llion)by next November if its London theatres, the Barbicanand thePit.don"tcloseupfora ,easonortwo.

The purse strings have alreadytigh1encd,canee1ling regional touring as well asa new musical. CHILDREN OF EDEN. Pressure is such that th,; British government's funding body, theAl1SCouncil,might havc to withdraw subsidies a ltogecher.

Strangelyenough, all this comes at a lime when LES MISERABLES is s till earning the RSC £800. 000 million a year. Bu1out of the red, comes A CLOCKWORK ORANGE . 2004. Anthony Bu,gess's book. A ClorkworkOrangt.has already spawned the Stanley Kubrick directed film of the samcnamc. ltbccameoncor the most controversial moviesof lhe '70s. So controversial.infact . thal Kubrick decided to pull the film from re!case in England after receiving death threats tuhimsctfandhisfamily.

ThcRSC'sproduct1on is basedon1hedramatised version of the book submincd to the company in 1984. The 15-ycarold "bovver·boywholoves Beethoven and violence (Malcolm McDowell ' s role inthe film)isplaycdbyl'hil Daniels. Ron Oaniels(no rela1ion)directstheplayand the fight sequences are cho,cographed by Arlene Phillips of CA.TS fame Guitaristwithlrishrock

groupU2, The Edge. was commissioned to write the soundtrack.

BIG ON BRANDO MARLON BRANDO HAS twu sc,;nes in a new movie calledAOryWhitcScason. andrepomindicatethathc isanythiugbut '"onaone-way tickc1 to l'alooka\·illc ...

Apparently thefilm"s stand on apartheid issues waspaymcnccnough forthe WildOnetooffertoperform forno1hing

MGM producer Paula Weinsteinsaid,'"There wasn"tanactoronthisfilm who wasn·t absolutely awed to be around Brando.""

Donald Sutherland who takesthclcadroJcin the newmovie,saidof his fellowactor. ··whatcanl te ll you.lhaveanenormous crush on him:·

Brando's scenes have impressed preview audiences forA DryWhiteStason. reponedlystunned by the power of his performance.

CLOS! INCOUNTIRS? FOR BLOCKBUST ER moviemakcrS1evcn Spielberg,abudget of SUSS million is a tad modes1. But thal 'sallhe intendstospend on hisnc.ufilm project wriuen by sister Annie Spielberg.

Thesc,ipt focuseson1he livesofhcrfamousbrother, herselfandiheirmother.

FRONTIOW Pogelhret

Top ltfl: Gordon

Kayt ,lht 1farof

'HW 'AllO.

KaJt is 0 11 tilt

mtnd afttr

&ting injurtd

his ,isit 10 A u1,alioforS1ogt apptaranets in

'A.LLD 'ALLO was no/ to bt. His charac/u Ht11t

ha1 si11tt bttn adapltd bJ Max Gil/its f/tfl) . 'A.LLO

' ALLO starring Gi l/its, Carmtn SUvtta , Kim Har/ma", Vick i Michtflt and Rithard Marntr p/aJs

ol /ht Ftsfiva/ Thtalre, Adtloidt April 3-10.

A II I h On y War/ ow(R)

piclurtdlurr

I •i" >i< LES MISERABLES

s/an Marina

PriorondDale

Burridgt. All

lhrtt it'U/ Sltp

out of 1/uir

L,s Mis tO)lumts and inlo lhtir ntll' rolts for Comtron Mackintosh's

nul box offict bonanza 111£ PtlANTOM Of THE OPEN.A.. TIit

shaw,slarrint Wo,low inllltltad ralt ,is 11awbooking.

FRONT ROW offers •Preferenliolticletbookingslo,performingorts

horn Opera to Rock •Exd!.IMveseotingunO"Yailobletothegueral

pubM< •Eose0fbooking -1ichtsrnnbemaileddi1ert

lo your door•

How to use FRONT ROW Rndthesliowyoowishtobookin lhe FRONT ROW Guide ltien diol the number atthe foololthepage. BereodyloquoledetoilsofyourFlightDeckor Asts (ordondyouruedilcord

FRONT ROWoperntes in Sydney, Melbourne, Adelcide,BrisooneondPerthondNewZeoland.

Best Seats Guaranteed ••• Youwillbeguoronteedtheb~t~ovailobleat tl,e lime of booking. Howmr, we need to remind youthottheeorlieryoubook, thebettertheseats.

Phonelineslorbookings oreopen bU5iness hourson\y. 'l'leose ollowoneweek forcolle<tionond deliveryoltickets.

' Limiloltwodiscountti1ket1permember. Fullpriretic.ketsunlimi1ed.

'No1efundOl' reh.1rn11mep1ed

Weore proudloofferlhise~dLJSiveservice in · oddi1ion lopriv~eges olreody e,ijoyed through fllGKlOECKondlhelru,t'sARTSCARD. Weencourogeollmembers!o tokefullodvoJl!oge ofthisexclusiveo,sociotioo

hoW....,.,. .. JNfflffll"""~-boou,g. 11Yi...,.o11«ri..beoomoi1oro ...... 11ooriolor...,,;, flOJJIOl'il,..K\flOW..,,oilN-,ltdbr'N~ t..m,M<DII0001mo!arlldlhor-.

TRUST MIMBIRSHIP Pleoo;econtoctyourneores1Tru.t0ffice: !IEWSOUTHWAUS C.n:~Mlrlri · m 1.-., SI Oippeoool1 II~ 2008 JeltphlN!01) 698\6S8

l'ICTOlLI.: Oiannain11 Kllr1 · Lml4/!KiMIIDf'Sr*""Meb:untl'IC320S 1~10116121!11

SOlfJIIAllmAUA: ~t,tddJ!m. lter!Milll!(11\ffir1Grof1SI AdeloiHSA5000 T~:l01)2l18156

wmilNAIJSTIAUk

""""""""'· & Mo~t(slheal1tH~SI.MWA600Q Teliphgne!09JJ1149Sl

OUUNw.ND: 11.!nloylo,i-Hill· Sin:«p 1\eetre TIITTIOI St lri!bo111 QLD 4000 Telephooi:(07J221 ts18

HEWZEALAIID {oli!Wrif"· MidiaelblorUf1111,P08o,2199,~111 T~I04l11J2l8

Publisher Naralie Ching EdiJor Peter Chmg A.sristantEditor J11sti1reReil/y

Ad•·ertising (01}3615211

FRONT ROW

THE AUSTRALIAN ELIZABETHAN THEATRE TRUST , __ ,.,..,,a,

Lady Potterly's Chatter THE HIGHLIGHT OF EVENTS IN THE 1as1couplcof momhs.wasdefinitely1hcGala Preview of the musical C/11:SS at the newly refurbished Theatre Royal in Sydney.

Over a thousand Tru~l Members and Friend~werc thcrc tosce theshow{crealedby Tim Rice wnh music by A bbl!\ Benny and Bjom)aweckbeforeitopcnedtothePublic.

Aftcrtheshow.ara champagnesuppcrrn 1hetheatn: foyer. those present had the good fortune tomeet JodieGill ies.Maria Mercedes, JohnWoodandDavidWhitney, the s1ars of CJ/ESS. who were introduced by Trusl Chief Executive Adam Salzer.

AmongthethrongbeinggreetedbyTrust Chairman, fames Strong, were many of che corporaiewortd's>tan;-GraceBrosguru JohnSaintyandCheryl.Susan Bell of Yann Campbell Hoare &Wheeler. B.T. Aumalia'~ Jillian Broodb<:m.adveftising"sNeville Jcffren. v1gnerons Sir James Hardy and Don McWilliam. Peter Conrell of Email accompanied by Barbara. S1r Neil Cume. chairman of Coal And Allred. Chase AMP"s David Andcrwn, Estee Lauder·~ Australian supremo Chns Wctherall and Duesbury·s Cully Gower with wife Susan. who aho auended theTrust"sfirst l'atron·sNightin Sydney.

From th~ entertainment world. I ~aw MargarctFinkandLeonardTeale;author MorrisWestaccompaniedbyJoyandJudy White. a Go\·emor of the Trusl. who has JUSt received rave reviews for her new book "'S)doeyMcmories".

Ladie\ Rcnouf.Hcnlcy, MasonandStreel. "erealsop1esentattheprcviewaswasNick :md Judy Whitlam. Neville and Jill Wran and loyaleagleJohnGoodyearofPhill1psFox.

Allinall cheeveningwasasmashhic! Alsoin Sydneywasaveryhappy.yctsad

evening,IOfarewelltheElii.abethan Philharmonic Orchestra. Ladies Commmee Chairman and Trost Governor, Shirley Hay, presided and among the crowd were NSW Board Members and NSW Governors, C.E. Adam Salter, Warwicl.. Ross. Sue and Donald Wrigh1cr. Bill Comun and orchestra members andtheirhusbandsandwivcs.

IN MELBOURNE we had a special evening toraise fundsforourpiano, andtheguessing compctitionw:iswon byverypoputar Founder Bend actor Roberta Mecoles. The p11rno isasourceofgrcatprideandpleasure andwasplayedonthe nightby PaniHanna· Landau

We hadachangeof venuefortheFebruary HappyHourandwenlonatourtoCaptain Starhght'sRestaurant.AlsoinFcbruary,we took our Commonwealth Bank of Australia Patron Of The Trus1 to sec STEAMING at the ComedyTheatreduring theopcning v.-eek.

NEXT ISSUE I plnn to chatter about the AdelaideFcs1i"al and the SA Fe~tival Literary Luncheon with David Malouf.

Beforc!signoff,! wouldlikelothankall those members who have wril!en 10 me with oommentsancl news - nearlye\·erylettcrasks meformorepholo!!raphs.Andtherehasbecn much posit1"e rcacuon to the new FRONT ROW format · several oiher initiatives are 1nstoreformembers incomingissues

AT THE TRUST SYDNEY COMMfTTEI:.' FAREWELL TO TIIE 1:1.IZARF.TflAN

PHfLHARMONfC ORCHESTRA: I. (f to,) Sru Wrighttr, Warwick Ron, Donald Wrighttr

and WiJiiom Collam. AT Tllf: GAi.A CHESS OPENING: 2. Jtarrnt-Claudt Nowatka,

Jamu Slrong, Adam Salu,, Jr,dit Gillier, Daphnt Gui11,u and Moria Mtrctdts. 3. Chuyl and

John Saini] ""ith Su zit 1111d Da•id Riddft. 4. Max Rabtrts cha/ling to Sir Jam,r Hardit .

5. (I 111 r} Marit Arrdtrsun, Htltn and Bill Young, Bouley and Ian Smith. 6. (I to r) Maria

Mtretdrs, John Woud and Jodit Gil/its. 7, Pamela Upworth (le/I) with Cully and Susan Gowtr.

8. The I/on. Ntvillt Wran Q.C. a11d his /ovtly wife Jill Hie/Iron.

THE NATIONAL BOARD OF THE TRUST acknowledges the ge n e rous s upport o f

THE AUSTRALIAN GOVERNMENT Through the Performing Ans and Literature Board of THE AUSTRALIA COUNCIL - the Federal Government's Ans Funding and Ad visory Body, and the DEPARTMENT OF FOREIGN AFFA IRS

THE STATE GOVERNMENTS OF Vic1oria through the Ministry for The Ans, New South Wales through the Ministry for The Ans. Weste rn Australia through the WA Depanmem for The Ans

fRONlROW PogeTwo

THE FOLLOWING CORPORATIONS AND FOUNDATIONS: ANZ Tru~!ees • Esso Australia Ltd• Austral ian Airlines • BP Australia • Commonwealth Bank of Australia • Vincent Fairfax Family Foundation• Ian Potter Foundation • Qantas Airways Ltd• The Seaborn. Broug hton & Walford Founda1ion • Sidney Myer Founda1ion • Showtrnvel To urs • Smorgon Family Charitable Foundation , Thomas Nationwide • Unilc \•er Australia Ltd • Honeysett Priming Group • Triumph-Adler • Gr.r.ce Removals (a division of Brambles)

GORDON K.O.'D WHEN SAVAGE STORMS banered Britain recently.an 11dver1ising ho~rding smashed through the windscreenofacar being driven by Gordon Kaye. As Rene. in the TV sitcom. 'AUO "AUO, Kaye wai. a vital element in the Aumalianstageproduction of that hit comedy. But his in\'nlvemenl wasnot lobe. The star is still recovering af1erbeingplacedonthe critical listinhosp1tal.

At the eleventh hour.just as the produce1s were about 1opullthe plugon the Australian project. Max Gillies stepped forward.

A week aflersig l;tingthc script,Gilliesamued one and all with his gra~pof Kaye's character. Rene

Direc1orPeter Farago saidofGillies'efforts:'"I wanted to cry with relief. He isunder ludicruuspressure but itisajoytowatchh1m."

Gillies was recently awarded another comme nd· ation-mcmbcrship of 1hc Order of Australia.On accepting the award.he expressed displeasure at needingtheQueen·s approval forhisO.A.M Gill ics'commcntsangcred SecretarytotheGovcrnor Gcneral,MrDavidSmith, forone.MrSmith,accused theactor of"'graceless discourtcsy"and "' ignorance".

'"ThcGovcmor-Gcncral's secretary said l wasignorant because I didn't know lhe difference between the QucenofAustraliaandthe Queen of England. ldo understand the d iffe rence andthedifferenceis thatshe isthe samepcrson."said Gillies.

Although Australia adopted its own system of honour lOyears ago.in 1990.thenames onthe list arestillsanctioncdbythc Queen. ··1 think ii'saserious polilicalpointand quitea legitimate topic for discussion. K said Gillies. " It was thcappropriatetimc to bring it up.··

MISIRABll PHANTOM WITH ABOUT lOOO pcrformancesasEnroljasin LES MISERABLES under his belt Anthony Warlow has wonthestarringrolc in Cameron Mackintosh 's

Melbourne production of THE PHANTOM OF TIIE OPERA. The show will open December 8 at the Princess Thealreand Warlow will he joined in the PHANTOM by fellow Miserables Marina Prior and Dale Burridge.

Opcratrained28yearold Warlowbea1offcompe1itiun forthelead partfromthe likes o f Barry Crocker. Little River Band·sGlenn ShorrockandSaltO/Tht Cr111ury's Tony Barber.

RSC IN A SPOT OF BOYVIR TIIE ROYAL SIIAKE-speare Company is in aspo1 ofbovver. Tl11: Company's accumulated deficit threatens co reach a staggering£stg4.7million {$A l0.8 m1llion)by next November if its London theatres, the Barbicanand thePit.don"tcloseupfora ,easonortwo.

The purse strings have alreadytigh1encd,canee1ling regional touring as well asa new musical. CHILDREN OF EDEN. Pressure is such that th,; British government's funding body, theAl1SCouncil,might havc to withdraw subsidies a ltogecher.

Strangelyenough, all this comes at a lime when LES MISERABLES is s till earning the RSC £800. 000 million a year. Bu1out of the red, comes A CLOCKWORK ORANGE . 2004. Anthony Bu,gess's book. A ClorkworkOrangt.has already spawned the Stanley Kubrick directed film of the samcnamc. ltbccameoncor the most controversial moviesof lhe '70s. So controversial.infact . thal Kubrick decided to pull the film from re!case in England after receiving death threats tuhimsctfandhisfamily.

ThcRSC'sproduct1on is basedon1hedramatised version of the book submincd to the company in 1984. The 15-ycarold "bovver·boywholoves Beethoven and violence (Malcolm McDowell ' s role inthe film)isplaycdbyl'hil Daniels. Ron Oaniels(no rela1ion)directstheplayand the fight sequences are cho,cographed by Arlene Phillips of CA.TS fame Guitaristwithlrishrock

groupU2, The Edge. was commissioned to write the soundtrack.

BIG ON BRANDO MARLON BRANDO HAS twu sc,;nes in a new movie calledAOryWhitcScason. andrepomindicatethathc isanythiugbut '"onaone-way tickc1 to l'alooka\·illc ...

Apparently thefilm"s stand on apartheid issues waspaymcnccnough forthe WildOnetooffertoperform forno1hing

MGM producer Paula Weinsteinsaid,'"There wasn"tanactoronthisfilm who wasn·t absolutely awed to be around Brando.""

Donald Sutherland who takesthclcadroJcin the newmovie,saidof his fellowactor. ··whatcanl te ll you.lhaveanenormous crush on him:·

Brando's scenes have impressed preview audiences forA DryWhiteStason. reponedlystunned by the power of his performance.

CLOS! INCOUNTIRS? FOR BLOCKBUST ER moviemakcrS1evcn Spielberg,abudget of SUSS million is a tad modes1. But thal 'sallhe intendstospend on hisnc.ufilm project wriuen by sister Annie Spielberg.

Thesc,ipt focuseson1he livesofhcrfamousbrother, herselfandiheirmother.

FRONTIOW Pogelhret

Top ltfl: Gordon

Kayt ,lht 1farof

'HW 'AllO.

KaJt is 0 11 tilt

mtnd afttr

&ting injurtd

his ,isit 10 A u1,alioforS1ogt apptaranets in

'A.LLD 'ALLO was no/ to bt. His charac/u Ht11t

ha1 si11tt bttn adapltd bJ Max Gil/its f/tfl) . 'A.LLO

' ALLO starring Gi l/its, Carmtn SUvtta , Kim Har/ma", Vick i Michtflt and Rithard Marntr p/aJs

ol /ht Ftsfiva/ Thtalre, Adtloidt April 3-10.

A II I h On y War/ ow(R)

piclurtdlurr

I •i" >i< LES MISERABLES

s/an Marina

PriorondDale

Burridgt. All

lhrtt it'U/ Sltp

out of 1/uir

L,s Mis tO)lumts and inlo lhtir ntll' rolts for Comtron Mackintosh's

nul box offict bonanza 111£ PtlANTOM Of THE OPEN.A.. TIit

shaw,slarrint Wo,low inllltltad ralt ,is 11awbooking.

Thinking of overseas travel between May

and Oetober1

ABAS TRAVEL will

assis1 Trust members plan their itinerary.

Some highlights of

visit to Shakespeare's

birthplace. London,

WHAT'S UP WITH THE TRUST? THE TRUST. a.k.a. the Australian Elizabethan Theatre Trust . is up to its ears in innovative developments for the Australian arts industry.

Its role as an "incubator" of cultural bodies in Australia continues unabated. The Trust has always nurtured theatrical companies until strong support systems are established. Then, as with the Australian Opera, the Australian Ballet and others, the companies become capable of managing their own affairs.

IBECENTLY. THE ELIZABETHAN Philharmonic Orchcsna. under The Trust·s umbrella for the past 17

year~. ha} bernrne an autonomous bod) run by1heorchestra'splayers.thcAustralian Opera and the Australian Ballel.

Likcthc MelbourncOrchcstra.t,,,oycars ago.theEhzabethanPhilharmonkhas ach1e\·cdthcstabihtyandrcputationneeded to leave the fold.

"Ourfeel1ng15thatasculturnlbo{lics become ~trong enough, they ~hould stand on thc1rown fect,"saysCh1cffaccull\'C. AdamSalzer,says ... l1 'simportanttha1 management resources of The Trost arc freedup 1omee1 thenewchallengesof 1he '90s."

The Australian Content Department -which was set up to foster inr1ova1i1•c w01h andtouringactivitiesforAustraliandrarna bolh locally and over~eu. i~ now gearing upforitsexpcc1cdindcpendcnceinJuly 1990. Thal Department has gained a fine rcputationfor itsspecia!1st touring managementanditssucccsseswith contemporary Abongmal drama (especially the "orh or WA playwright Jack Davis). Thisyearltstouringhighlighu include LIPSTICK DREAMS (s!arring Lorraine Bayly) and Jeannie Lewis" VOXY LADY.

The Trust itself, has always been commiucd toensuring worthy production~ bencfitfromits touring facilities. lnthc 1950s. The Tru\l was respon~ibk for lhe firs, overseas tour of Ray Lawler'sT/1£ SUMMER OF THE SEVENTEENTH DOLL.

Ncgotiationsarcalsoundcrwaycurrently for the Theme Of The Deaf (TOD) to become an autonomous organisation. TOD has been with The Truu for lOyearsand has now become a force in Australian dra,na.

The Trust is currently reviewing e~citing new initiatives for us .. incubation" programs. Thcsc willheannouncedassoon as.they are finalised.

OTHER IN1TIATIVES r,.AT!ONAL ARTS WEEK is a national forum dedicated toawarenessoftheartsin Australia. TheTrust,a)CO-ordinatorofthis Week,advoca1cssupportfortheartson bchalfof1heentire Aus1ralianarts industry.

Theotherimportantarea through which The Trust advocates support for the arts is thcbusinesscommumty.

ABSA (Aurnalian Business Support for the Arts)has a very 1ntens1ve program for

1990. This division ofTheTrustisdesigned roassist business becomemoreinvolvedin 1hearts.

During the year ahead. ABSA will make a~ailable the resu!1sofresearch by Yann, Campbell. Hoare & Wheeler. Thal company·sexpertisc has provided important stati,ticalinformationonhusiness sponsorshipoftheans-essen1ialfor bu)ine)ses iuvolvedin,or considering mve;tingmoncy inthisburgeonmgarea.

The trends these stud ies reveal are encouraging for Australian bus ines~. For eumple.percapi1a. 1hereismoremoney mvesledintheaminAustralia thanis mves1ed byequivalentbusinesses in the U.K . And in1hreeyearsto 1989. moneiary contributions to the ans inAus1 raha (excludi ngpurchasesofw01ksofvisual ans) hasincreascd by 50pcrcent1oanall timehighof$47million

To furthcr1ncreasc bu;incsssupport. ABSA is deve loping a Taxation platform for 1hcartsindustry. ltha,alwsetabout educating thebus inesssectorasto lheman)' advantages of inve~ting in corporate art collection.

" How To"guidesarealsobeing producedtodemystifysponsorshipforarts industry people as well as the business community.

ABSA workshops are planned for July/August later this year in Per1h. Brisbane and Adelaide. Carol Barbei towill work with an~ companies showing ways in which fund-raising units can be established. Shcwillalso run scparateworbhopson howtomanagesponsorshipprogramsfor thecorporateseclor.

ABSA has recently appointed Jayne Binet.as National Manager. replacing Lesley Allen, who was instrumental in lhe first year's e~tablishment of ABSA initiatives.Ja)·nchasspent manyycars work i11g in corporate relations and as a journalist in France and in Australia

fay neor hersiaff are ready toanswer your questions about Australian Bu)incss Support for the Anson (02)698 1688.

FRONT ROW Page Four

Ada"' Solu,, Trust Chit/ Bxu11tive · u11 •1 importonl that "'on o t e m en I rtsouuesof TheTrusl artfrredup lt1metl /ht /feW c/1afltlfgtJ Of lhe '90s."

h,

HALF-PRICE TICKETS ,,

ROCK CONCERTS .. , All PEIFOlalNG

ARTS

a1r91rat ,n,s•, tills •• lls111 11 • ., raifie pr19r1• 1111, • ..... , •• fri••,

H 211 (All I ... 7H) ,.-...-HALFTIX Hatflh lllh U.: NSSS 1516

hrdiu, ,-, hH triu ridm 12-5.31•• .... hi; IM,- s.t

Allftllll.llaSllllll .... ft.MI

TRUST RESTORES SYDNEY'S OLDEST THEATRE SYDNEY 'S OLLJEST theatre. The Independent, is 1oberes1ored1oitsformcr Edwardian glory. Eminent heritage architect.Mr Clive Lucas. has drawn up plans for the theatre\ re~loration. So cherished is this monumcn1,1ha1 The Trust has appointed a committee ofpeopletoassistitlobring this project lo fruition

ThcChairmanoftheThe Independent Theatre Rcs1oration i.,Ed Barnum. Chairman of Time Aumalia. Other committee members are\1ichacl CJark10.(Wang Australia), Julia King(Louis Vuillon), Ian Angu~ (N.C.R.), Len B!casel {AGL). Ray Newall (Limas), Carlo Borgazoni (Johnson & Johnson)and Frank Hooke (Baker& McKenzie).

THI LONG ARM OF LUKE HITTNER A GATHERING OF international arts administrationbiggunsmel inFebruaryataSydney eonfercnceonArtsfunding. Among those.Luke Rittner, Secretary-General of Britains Arts Council.whose appointment provoked great hosiilityin'83.

Rittnerreckonsit's much cheapertocreateafull-time artsjobthanitistocreate a full-umcjobm industry.

Ril\ncris a passionate believer in "arm~-length" funding principles.whereby politicians decide how much rnoneyistobcspentonthe artsbut1101011whom ilis10 bcspent.Scepticsat the conference were silenced when it was revealed that last year. with inflation runningat8%.interes1 ra1es climbing and high unemployment. the Aris Council ofBrilainrcceiveda 12.9%incrcascinpublie funding.

"The arts arc an increasingly important eeonomicp\ayerinany country·seeonomy," Rinner proclaimed."'Theartscreate jobs"

CLOSED ENCOUNTERS BAY ST THEATRE IN Sydncycloscditsdoors for the last 1imeon February 3, ironically al lhc condu~ion ofitsproductionofTHE

BA1TLER. The building's owner apparently has plans of his own, which don"t i11cludcthetheatrecompa11y.

Also losing its life supportsys1cm-intheform of funding subsidies from 1he Victorian Mini~tryofthe Arts - The Church (Australian Contemporary Theatre Company), in Melbourne, is now out of business.

YOUNG TURKS MELBOURNE-BASED Square One Theatre has hecninvitcdto pcrformat the International Arts Festival in Istanbul. Five playerswillperformatthc Fcsuval in May inan exchange of Australian and Turkish theatre. Banjo Palerson. Henry Lawson. Jack Hibberd plussume juggling.downing strccl theatre will be introduced to the Turkish. In return Square Onewillbringbackto Australia play~ ranging from Turki~h folklore to a story se1inls1anbul'sredlight district.

THI PROFESSOR 15 A WOMAN! DR ANNE BOYD. ONE OF Australia 's leading ,;omposershasbecomethc firs1cvcrwomonmusic professor at Sydney University. At lheage of43 shcisalsotheyoungest.

BUY BRANAGH BELFAST-BORN KENNETH Branagh is 28-yearsoldand a thespian who is definitely not the modest type.

He has already published hisautobiographyand1he youngac1or'sownfilm company recently nominated him foranOscarforbis single-handed adaptation of HENRY V.

Asactoranddirec1or. Branagh madethccrit ically acclaimed film fora budget of£slg4.5million.

Branagh maybe his own grcalestfan.butJapane!>C giant.Sony,alsohasfaith. because CBS which Sony acquired for$US2 billion (SA2.63billion),isthe largest shareholder in B,anagh"seompany Renaissance Films. Sony has a rather committed interest inthefilmindumy - it rccenllysignedacheque for SUS4.3billion1obuy Columbia Pictures.

GAYS fN TIIE BUCK Bttwtetl /985 and 1987, Sydney's Go,- Mardi Gras rectired a 1010/ of $17, 500. Tht mos/ recent Mo,di Gras in FtbruarJ this ytor rtttivtd nt1 govttnmt11t sltbsid,- wha/It1t vrr.

Re1ardlesst1/thtt1pi11fons t1f itsdtlratlor1,itisoertditto iu t1rgonisers that this prrfo,,nontt baud rvtnt is profitably run ll'ilhoul the nttd for s11b1idiu. The feslivilies art o, goniud by tht S,-dnty Goy ond lultian MordfGrosAut1ciatfon - o full timt organisolio11. Currul 111n1over of lht Mardi Gros is $/, / millfo" and ii injects on Ulimaltd $15 million into rht tily 's rro 11omy. From tht look of those statistics, rhr Mordi Gras npptors stl t'1 stoy dtspilt ll'hato11ypt1/itido,u orprolt1/trsmight1hint.

THE INDEPENDENT is SydntJ's t1fdeu thtotrt. With the nid t1f Tht T11m and its tommilftt of

top txttlltivu, thtlhtolre will ltt rtstt1red; 1C~,--";._.j...;I without th,,. Th e llldeptndtnl wt1u/d quilt

!/,,,,J;;;;;:;;:;;;~~*"'c:=,'.~~~~~:t;jl filctfyjadt ilflt1/htonnnlsof A.11strolion thtalrt.

FRONTROW Po9eflve

11-------, in August. Among

the pouibilitits tipptd to rtploct Whtrrtl/art 1989 Dirtc/'1rofthe Ytar. Neil Armfitld; forllftr ortistit

director t1/ tht SA Stolt Thtatre Com· pony, }t1hn Gaden; musicals matstrt1 Jim Sharman; ond MTC's taltnttd GaltEdwords.

Thinking of overseas travel between May

and Oetober1

ABAS TRAVEL will

assis1 Trust members plan their itinerary.

Some highlights of

visit to Shakespeare's birthplace. London,

WHAT'S UP WITH THE TRUST? THE TRUST. a.k.a. the Australian Elizabethan Theatre Trust . is up to its ears in innovative developments for the Australian arts industry.

Its role as an "incubator" of cultural bodies in Australia continues unabated. The Trust has always nurtured theatrical companies until strong support systems are established. Then, as with the Australian Opera, the Australian Ballet and others, the companies become capable of managing their own affairs.

IBECENTLY. THE ELIZABETHAN Philharmonic Orchcsna. under The Trust·s umbrella for the past 17

year~. ha} bernrne an autonomous bod) run by1heorchestra'splayers.thcAustralian Opera and the Australian Ballel.

Likcthc MelbourncOrchcstra.t,,,oycars ago.theEhzabethanPhilharmonkhas ach1e\·cdthcstabihtyandrcputationneeded to leave the fold.

"Ourfeel1ng15thatasculturnlbo{lics become ~trong enough, they ~hould stand on thc1rown fect,"saysCh1cffaccull\'C. AdamSalzer,says ... l1 'simportanttha1 management resources of The Trost arc freedup 1omee1 thenewchallengesof 1he '90s."

The Australian Content Department -which was set up to foster inr1ova1i1•c w01h andtouringactivitiesforAustraliandrarna bolh locally and over~eu. i~ now gearing upforitsexpcc1cdindcpendcnceinJuly 1990. Thal Department has gained a fine rcputationfor itsspecia!1st touring managementanditssucccsseswith contemporary Abongmal drama (especially the "orh or WA playwright Jack Davis). Thisyearltstouringhighlighu include LIPSTICK DREAMS (s!arring Lorraine Bayly) and Jeannie Lewis" VOXY LADY.

The Trust itself, has always been commiucd toensuring worthy production~ bencfitfromits touring facilities. lnthc 1950s. The Tru\l was respon~ibk for lhe firs, overseas tour of Ray Lawler'sT/1£ SUMMER OF THE SEVENTEENTH DOLL.

Ncgotiationsarcalsoundcrwaycurrently for the Theme Of The Deaf (TOD) to become an autonomous organisation. TOD has been with The Truu for lOyearsand has now become a force in Australian dra,na.

The Trust is currently reviewing e~citing new initiatives for us .. incubation" programs. Thcsc willheannouncedassoon as.they are finalised.

OTHER IN1TIATIVES r,.AT!ONAL ARTS WEEK is a national forum dedicated toawarenessoftheartsin Australia. TheTrust,a)CO-ordinatorofthis Week,advoca1cssupportfortheartson bchalfof1heentire Aus1ralianarts industry.

Theotherimportantarea through which The Trust advocates support for the arts is thcbusinesscommumty.

ABSA (Aurnalian Business Support for the Arts)has a very 1ntens1ve program for

1990. This division ofTheTrustisdesigned roassist business becomemoreinvolvedin 1hearts.

During the year ahead. ABSA will make a~ailable the resu!1sofresearch by Yann, Campbell. Hoare & Wheeler. Thal company·sexpertisc has provided important stati,ticalinformationonhusiness sponsorshipoftheans-essen1ialfor bu)ine)ses iuvolvedin,or considering mve;tingmoncy inthisburgeonmgarea.

The trends these stud ies reveal are encouraging for Australian bus ines~. For eumple.percapi1a. 1hereismoremoney mvesledintheaminAustralia thanis mves1ed byequivalentbusinesses in the U.K . And in1hreeyearsto 1989. moneiary contributions to the ans inAus1 raha (excludi ngpurchasesofw01ksofvisual ans) hasincreascd by 50pcrcent1oanall timehighof$47million

To furthcr1ncreasc bu;incsssupport. ABSA is deve loping a Taxation platform for 1hcartsindustry. ltha,alwsetabout educating thebus inesssectorasto lheman)' advantages of inve~ting in corporate art collection.

" How To"guidesarealsobeing producedtodemystifysponsorshipforarts industry people as well as the business community.

ABSA workshops are planned for July/August later this year in Per1h. Brisbane and Adelaide. Carol Barbei towill work with an~ companies showing ways in which fund-raising units can be established. Shcwillalso run scparateworbhopson howtomanagesponsorshipprogramsfor thecorporateseclor.

ABSA has recently appointed Jayne Binet.as National Manager. replacing Lesley Allen, who was instrumental in lhe first year's e~tablishment of ABSA initiatives.Ja)·nchasspent manyycars work i11g in corporate relations and as a journalist in France and in Australia

fay neor hersiaff are ready toanswer your questions about Australian Bu)incss Support for the Anson (02)698 1688.

FRONT ROW Page Four

Ada"' Solu,, Trust Chit/ Bxu11tive · u11 •1 importonl that "'on o t e m en I rtsouuesof TheTrusl artfrredup lt1metl /ht /feW c/1afltlfgtJ Of lhe '90s."

h,

HALF-PRICE TICKETS ,,

ROCK CONCERTS .. , All PEIFOlalNG

ARTS

a1r91rat ,n,s•, tills •• lls111 11 • ., raifie pr19r1• 1111, • ..... , •• fri••,

H 211 (All I ... 7H) ,.-...-HALFTIX Hatflh lllh U.: NSSS 1516

hrdiu, ,-, hH triu ridm 12-5.31•• .... hi; IM,- s.t

Allftllll.llaSllllll .... ft.MI

TRUST RESTORES SYDNEY'S OLDEST THEATRE SYDNEY 'S OLLJEST theatre. The Independent, is 1oberes1ored1oitsformcr Edwardian glory. Eminent heritage architect.Mr Clive Lucas. has drawn up plans for the theatre\ re~loration. So cherished is this monumcn1,1ha1 The Trust has appointed a committee ofpeopletoassistitlobring this project lo fruition

ThcChairmanoftheThe Independent Theatre Rcs1oration i.,Ed Barnum. Chairman of Time Aumalia. Other committee members are\1ichacl CJark10.(Wang Australia), Julia King(Louis Vuillon), Ian Angu~ (N.C.R.), Len B!casel {AGL). Ray Newall (Limas), Carlo Borgazoni (Johnson & Johnson)and Frank Hooke (Baker& McKenzie).

THI LONG ARM OF LUKE HITTNER A GATHERING OF international arts administrationbiggunsmel inFebruaryataSydney eonfercnceonArtsfunding. Among those.Luke Rittner, Secretary-General of Britains Arts Council.whose appointment provoked great hosiilityin'83.

Rittnerreckonsit's much cheapertocreateafull-time artsjobthanitistocreate a full-umcjobm industry.

Ril\ncris a passionate believer in "arm~-length" funding principles.whereby politicians decide how much rnoneyistobcspentonthe artsbut1101011whom ilis10 bcspent.Scepticsat the conference were silenced when it was revealed that last year. with inflation runningat8%.interes1 ra1es climbing and high unemployment. the Aris Council ofBrilainrcceiveda 12.9%incrcascinpublie funding.

"The arts arc an increasingly important eeonomicp\ayerinany country·seeonomy," Rinner proclaimed."'Theartscreate jobs"

CLOSED ENCOUNTERS BAY ST THEATRE IN Sydncycloscditsdoors for the last 1imeon February 3, ironically al lhc condu~ion ofitsproductionofTHE

BA1TLER. The building's owner apparently has plans of his own, which don"t i11cludcthetheatrecompa11y.

Also losing its life supportsys1cm-intheform of funding subsidies from 1he Victorian Mini~tryofthe Arts - The Church (Australian Contemporary Theatre Company), in Melbourne, is now out of business.

YOUNG TURKS MELBOURNE-BASED Square One Theatre has hecninvitcdto pcrformat the International Arts Festival in Istanbul. Five playerswillperformatthc Fcsuval in May inan exchange of Australian and Turkish theatre. Banjo Palerson. Henry Lawson. Jack Hibberd plussume juggling.downing strccl theatre will be introduced to the Turkish. In return Square Onewillbringbackto Australia play~ ranging from Turki~h folklore to a story se1inls1anbul'sredlight district.

THI PROFESSOR 15 A WOMAN! DR ANNE BOYD. ONE OF Australia 's leading ,;omposershasbecomethc firs1cvcrwomonmusic professor at Sydney University. At lheage of43 shcisalsotheyoungest.

BUY BRANAGH BELFAST-BORN KENNETH Branagh is 28-yearsoldand a thespian who is definitely not the modest type.

He has already published hisautobiographyand1he youngac1or'sownfilm company recently nominated him foranOscarforbis single-handed adaptation of HENRY V.

Asactoranddirec1or. Branagh madethccrit ically acclaimed film fora budget of£slg4.5million.

Branagh maybe his own grcalestfan.butJapane!>C giant.Sony,alsohasfaith. because CBS which Sony acquired for$US2 billion (SA2.63billion),isthe largest shareholder in B,anagh"seompany Renaissance Films. Sony has a rather committed interest inthefilmindumy - it rccenllysignedacheque for SUS4.3billion1obuy Columbia Pictures.

GAYS fN TIIE BUCK Bttwtetl /985 and 1987, Sydney's Go,- Mardi Gras rectired a 1010/ of $17, 500. Tht mos/ recent Mo,di Gras in FtbruarJ this ytor rtttivtd nt1 govttnmt11t sltbsid,- wha/It1t vrr.

Re1ardlesst1/thtt1pi11fons t1f itsdtlratlor1,itisoertditto iu t1rgonisers that this prrfo,,nontt baud rvtnt is profitably run ll'ilhoul the nttd for s11b1idiu. The feslivilies art o, goniud by tht S,-dnty Goy ond lultian MordfGrosAut1ciatfon - o full timt organisolio11. Currul 111n1over of lht Mardi Gros is $/, / millfo" and ii injects on Ulimaltd $15 million into rht tily 's rro 11omy. From tht look of those statistics, rhr Mordi Gras npptors stl t'1 stoy dtspilt ll'hato11ypt1/itido,u orprolt1/trsmight1hint.

THE INDEPENDENT is SydntJ's t1fdeu thtotrt. With the nid t1f Tht T11m and its tommilftt of

top txttlltivu, thtlhtolre will ltt rtstt1red; 1C~,--";._.j...;I without th,,. Th e llldeptndtnl wt1u/d quilt

!/,,,,J;;;;;:;;:;;;~~*"'c:=,'.~~~~~:t;jl filctfyjadt ilflt1/htonnnlsof A.11strolion thtalrt.

FRONTROW Po9eflve

11-------, in August. Among

the pouibilitits tipptd to rtploct Whtrrtl/art 1989 Dirtc/'1rofthe Ytar. Neil Armfitld; forllftr ortistit

director t1/ tht SA Stolt Thtatre Com· pony, }t1hn Gaden; musicals matstrt1 Jim Sharman; ond MTC's taltnttd GaltEdwords.

(Bdo.., riglllJ Olivia

Ntwlon-Jol,11 /tat

fortgon,ll1t /a111tand

f or/111110/ lltrprt vious

music"' 1111d 111ol'it

tndtavo11u,prt/trring

ins1tad1odirt(lhtr

t/fomto,.,ord saving

lhtplanf/.

(Abovt right} Dianna

Rou. " II 1aol: 11u Jtars1obuyafurro11/

and/..,onnawtar il."

M ran .. ·hilt in

ruponst to rriticism Ilia/

rlr r ag,ing

rodtr

" s tiling Dul",

MrCartn t y's

odviu h: "go

livt inRuu ia."

CONTEMPORARY Music-------UP-<OMINGTOURS

Frcnct1 dancesensationsLES NEGRESSES VERTES. known for chesongZobila MourhtwilltourinMay

Janguitarisl EMlLY REMLER will tour Australia April/Ma)".

Canadian singer RITA MACNEIL will tour mid )tar lltr Reason To Belitve album hasbeenan1mponam in!roduc1ion 10Aus1rnlian audiences. In South Australia icwentto#I.

Veter:mB111hhrockers URIAH HEEP will rnur 1n July/August

KAOMA rumoured for June

Flauti~1 JUDITH HALL will tour with guilari$tTIM WALKER in Septembe1.

W1tchout forUB40"scurrent tour ofSydney.Brisbane. Ne..,cutle,GoldCoast. WollongongandGosford Marchand April.

PI-IIL COLLJNS S)dneyf:n1ertainmen1Centre March27,28, Adelaide Memorial Drive March J I. PerthEntertatnmentCentre April4.5.

ALICE COOPER April 12.CanberraBruce Stadium. April 20 Melbourne Tennis Cenirc,April23 Sydncy Entertainm,mt Ccnt1e. April26Brisb:tne Entertainment Centre

KINKY FRIEDMAN Sydney Kinselas April 11. lD"s MelboumeApnl 13.14. 15. The Bridge Hotel Rozelle SydneyApnl20.21.

FLEETWOOD MAC MelboumeNationalTenni> CentreMareh28.29.31. Adelaide Memorial Drive April 4. PerthE11tertainment CentreApril 8.and9. Sydney EntenainmentCentrc Apr1I 12, 14.15.17

CDlllfliltdbylobH.igjM1

MOTLEY CRUE Mclbourncl',at1onalTcnnis CentreApril 27.28. Brbbane Entertainment Centre May l . SydneyEnlertainmentCcnlle May3, 4.

Ll11'LE Rl\'ER BAND. with special guest WARREN ZEVON: Melbourne Hilton Apri\ 3. 4, 5,6,7,Sydncy HihonApril9.10.11, 12.14. !5. Brishane llil!onApril 17, 18. 19.20,21.Adelaide H11tonApril 26,27.28,Pcnh BurswoodCasino RcsortMay 3.4.5.6.TuecdHeads SeagullsR.L.F.C.(LRB onlyJ May 10, 11.12.13.

JAMES MORRISON Sydney Don Bunows Supper ClubMarch 27.2S.Syd11C)" Orpheum Thealre Cremorne April l. Cairns Hilton April 4, 5.Townsv11leApril 6,Sydney RcalAleCafo. Apnl9.

SHIRLEY BASSEY Sydney Hilton May 14, IS.and 16.

fROKTROWPoaem.

OLIVIA NEWTON-GREIN

STAGE DEBUTS STING. WELL-KNOWN

AFTER 26 TOP FORTY s inger. songwriter. actor and hitsandAhandful of greenie recently madehis Hollywood films to her s tage debut in Washington cmlit.OliviaNew1on-John playingMacheathi11the is content 10 leave fame aud Brecht/Weil classic, THE fo r1Une behind in favour of THREE-N :NNY OPERA. ·grcen•er' paslUres.

Shc"sbeenbusymaking ecology documentaries and fulfilling her role as honorary environment ambauador forthe United Nations. She isaho involved with ECO-the EarchCommunication Office (along with TomCruise, kff Bridges. Michael Keaton, Sally Field. Belinda Carlisle.Jack Thompson. Phillip Adamsa11dNormie Rowe,tonamebut a few).

Far fromjumpingonthc hand-wagon, Olivia's concerns were evident back in the '70s. She and Helen Rcddyvetoedconcercs in Japan bccau~c of that coun1ry"scondoningof dolphin slaughtering.

IS DIANNA FUR REAL? ALSO OUTSPOKEN ON cnvironment issucsis cx-Supreme. DiannaRoss.

At a gossamer lensed press conference when she 10uredAustraliala1elast ycar.4SyearoldMs Ross spouted:"Right now l"m concerned about the cnvi,onrncnt -animalsand soon. l juslthinkthat therc·scertainthingsl won't do-akoholic heveragesand things likethat.

'"As fa,as fur, righi now. and animals, we wanna do cherightthing.llove myfur coa1~ by1heway. lt took me years tobcablctobuy afur coat and I wanna wea,il!""

Recently Harrodsin London closed down ib furs ~ection and fashion trend scttcrs allover lhe worldare advocating fake furs.

Well almo~t all over the world· Bernhard Hammerman Furs in Sydney dearlyinte ndtomakinga killing regardless. Their concerted efforts have now turncd1owardcreating real fursthatlooklikefake furs.

BACK IN THE USSR Despite the improb-abilityof A Beatlcs reunion(if, without Lennon.such a thing could be thoughtpo!isible).Paul McCarlney"spopularity continues toastonish allbuta few llpanesefansare rcportcdtobebuying dropsof theex-Beatle'spcrspiration for$US16aphial. He was alsothetoastoftherecent 1989Grammics (1l\x:itsoggy undc, thc arms). but a few of Paul"s dctractorsare aceusing himofse11ingout. ln response tothcir criticismofhis dccisiontocnlisLl"Orpurate sponsor-ship,thc agcing ,oekeristelli ngthem, none too kindly, 10 "go live in Russia.~

'"His actinghaslinle resonance and his s inging voice issurprising ly 1hin" said the New Yor.1:Timts. lndifferenttosuch cr1tieism. Stingoffered " l havemuch more comfortable things I could be doing right now.'"

MEANWHILE. AT Watford's Palace Theacrcin England.Brit ish cr itics are queuingupmpan Jerry Hall, accompl- ishcdmodel and 33year-old child-rearingcompanionofMick Jagge,. The lanky Texan stars as Cherie in BUS STOP (a ro le made famou~ hyMarilynM0111ocinthe 195S mo,•ic).

Hall has performed the role previously in New Jersey,where crilin agreed she had anairforcomedy. Buton theother sideofthe Atl antic this time.play ing opposite formcrteenidol Shaun Cassidy,thescribes a retell ing Jerrysheis unbelievably unbelievable.

ALSO STATUESQUE, BUT closer to home. TV rock repor1er. Basia Bonkowski. recentlyappearedon s1age playing1he motherof14· year old Polish boy. Tadzio. inthedramalisationof Thomas Mann's novel. DEATII IN VENICE.

NUREYEV - PRIMA DONNA? RUDOLF NUREYEV IS AN ex - director of the Pari~ Opera Ballet. The 'ex' came asa result ofRudi 's failure toseeeyetoeyewith preside111oftheParisOpera houses. Monsieur Pierre

M. Berge is not amanto be dealt with lightly. In a pre\·iousrun-i11. Daniel Barenboim,thenaniscic director of the new Basli lle Opera.camctoM. Berge demand ing more money, upon whieh, theconductor was promptly told to take his job and shove it. Barenboimdidexacllythat-butthen his o ptions were ra1herlimited .

BacktoNurcyev, whose tounngofNorth America in the 1ide role of THE KING ANDI leflcertain responsi· bilities wi1hhisParis Opera Balle t unattended.

We ll those absences did not escapetheattent ionof M. Rerge.whoa1sofeltthat when the dancer/director did show up for work in Paris, hecoulddobeuerthan throw thermos flasks al the heads of his dancers.

So when Nureyev threatened not locomeba~k torari s unless hcgota bettcr deal,hereccivedno argument from M. Berge.

The newly appointed ar1is1icdirec10rfortheParis Opera Ba11et is Monsieur Patrick Dupond .

IMMEDIATE FAMILY Stairing Glenn Close. James Woods. Mary Stuan Masterson. Ke~in Dillon. Screenplay by Barbara Benedek.Direeteclby JonathanKaplan.

GLENN CLOSE AND JAMES WOODS MUST haveembrnccdthcge11tlencssofth1SSI01}'andthe synirati1e1icnarureof thcirclwlracterswith cnlhusia,m-ifnotrclicf•aftermuchof theirrccent .cn:cn"ork.

Ms. Close (Fat11/ At1rac/iot1. Dangtrous Uaiooo,s) returns to th<: warmth of her Big Chill perr,ona a5 Linda Spc<:tor. a woman who can"t bear childrcn'sbuthdaypart,esbecausethey'rcajaning rcminderofothcr people'sfcnili1y.,nconuas1to

James Woods (C.:op . The Boost) plays her husband.Michael.am:in "holookslonginglyat fathcrspointrngoutlhe finerpointsofbaseballlU theirch,ldren.llle)""vebeenhappiLy mamed forlO years.F111anc1allylhey"recomfonab!ebm.desp1te allthcireffons.prcgn:inc) elUdcsthem

Theyfinallyabaridonated1ous,undignified programofartificial rnsemmauonandfertili1y drugsinfo,·ourofan "open"adopt,on."hercihcy meet the mother oftheu future child before us birth. Theadop1ionagencyamingesforLucy (MaryS!uartMasterson)to!eaveher"ould·be musician boyfriend Sam (Kevin Dillon). in Ohio 10 g,vcbuthtoherbabylnSeaulcwhereLindaand Michael live

1llerelationshipbe1weenthefin.uiciaLLyand emotiona!lydeprivcd Lucyandh.:rbabyanrt1t.,, future parents of her ch,kl i , :it 1t,,: heart of1his film. lnn!herhands.i1migh1have1umedinto sent1mem:tlschlock. b\11din:c1orJonathanKaplan (ThtAccused):indscreenwriterB:irbaraSencdek (Thr Big Chi If} manage to s1eer away from clichl'd excesses to present a iotallycred1ble,tOI)' tha1 ,., bo!hpainful andfWUlr.

With intimate smries like lm=dia1t Fflmily castingiscrucial.You"ou!d expectline perfonnances from both Close and Wood~ and lhcy don"!disappoin1,bu1thesurprisi, w,nner1sMary S1uartMastcrsonwho bring, a,hy.v11\nerabk toughnc~~•othe role of Lucy.

This isnotalilm 1uoffend:myo,,e."Tiiere"sno violcnce.nov11lains. nufour-lener""onls. Nordo )'OUneedawadoftissu,:.,.tocnpcw,chit.And dcspi!eallofti,eal,uve it'~well worthlhepriceof admission

THE COOK, THE THIEF, HIS WIFE ANO HER LOVER StarringMK:haelGambon, Helen Mirien. Aicha1dBohrifl!ler. Wnttooanddirected by Peter Greenaway.

THE ENIGMATIC PETER GREENAWAY WI 10 ianta.liSOOourscmesuf perspcctivewnh suchfilms as The Druughm,um'sCrmtrurl. A Zed And Two Nou~hr.,· :md Hdly 0/ ,\,i Arrhrlt CI surp,n!iCS himself with hi~ nc" film Tht Coolr.. The Thitf. H,s WifeA11d/fulo,·a.

lntt.,,,tylcofa Jacobcan traged)heprestnts Michael Gambon as the vile 'lll1efw1lh pretension~. whoregularl) visits the best restaurarn in IO"n "'ith his subdued w,rc (Helen Mirren). The ownerofthcrcstauram andehcf(R1ehard Bohringcr)witntsscs thepassiona1eaffairlh:J1 develops behmd the Th,ef"s bad, beN«n the Wife undascholarly. sh)cu1nomu(AlanHo,,r.lffl),and dec1destoprote<:1Lhe!ovu1,.

Btlow It/I: Jamts Woods and G/tnn CIDst • un lihly stthrs of a quit/

horn, lift of/tr lhtir pnl f t w movie rolts • ,,,ail palit nl/J in hopt for tht ==--:== pol/tr of Iii/ It fut in

Greenaway's!oveofart(in thi,,.caset.able painting).ofs~stems. (here i1',culoursofthc rainbowmsteadof numbc.,;orl~ner,ofthe a!pMbet) andhisfascina1ionwi1htt.,,humanbody aretheco11CeitSanddelightSof1hefitm

Cinematograph,cally b1ea1h1aking,withfa5t-pa,:edlater.J.ltrackingshois.visuWlylu;hwi1hits co!ourco·ordina1ed locationsandcu,tu11'1C:S designedbyJe:in-PaulGauluer,lhefitm nevenhelusmayno1appealtothesquc:amishwith i1Sooncentration on humanbodilyfu11c!ion1and oneparticularlygruesome tort,m,,cqllence.

The amoum of literary. arti,tic amt musical knowlcdgercquiredforafull apf'R'Cialionofany Greenaway film is fonnid:ible. llowever. informed or not. TheC(J()k. Th,Thi,f.Jfis WifeAndHtr lo1·eri:iasumptunusfeai.1ofafilmtha1w,lLbe savoured by some and prove indigc~1iblctoothcrs

MUSIC BOX StarringJessicalange.ArminMueller-Stahl Screen~aybyJoeEszterhas.01rectedbyCosta· Gavras

FRENCH R LMMAKER COSTA-GA\'l{AS IS nn1miernflinchfrompre5Cnnnglhcmoral issue~ ufuur!imeindramaucfonnonlhcbigscreen In M"-'ir8ru:hepresentsasccnariothatmaybevery relevanttothiscouno-yinlhcnearfuture: Hungarian born Mike Laszlo (Annm Mueller· S1W11).~solidAmerican citizcn fornearly40years, i~~uol,lenlyand.h,sfamilybchcve.mistakenly dl."Cu<ed of war crimes. At stake ,s has American cifr,enship.llisdaughter. AnnThlbot(Jessica l.ange).agt(tedcriminal lawyer.decidestodefend hcrfa1l,erfor hersclf.

As the trial progresses Ann becomes less and lesscenai,:ofher fatho.'r"stnoocence,andsodowe. 1he audience. Wimesse,s are brought from Hungary whoexpcrienccd the crudtyof'Mischka" during thewar.Theyi<icn1ify1111earlyphorogra.phofher father on a document which se,ems 10 pl"O't his membcrshipofaspcc,aJ:scc1ionofanSSDcalh SqUlld. But isthe d1scred,11ngof Md:el.a~llopan ofanorgam~planbythe KGBtosiJence outspokencnttcsofcommun,sm?

This fine lilm which rccentl~ shared it.,, Golden BearforBe.stFilm a1LheBerlinFilmf™;val UU:kles the cons.equences of the o~eiwhdming moralissucofourccnturyin3way1ha1provokcs and illuminates. Ouisiandingperfonnam:e,from Mueller-SrahlandL:lngema!<ehe.u-t·" n:nching stuffofanalread)po"·erful..iurybyfar1crhasto whichCosu.Gavr.isbring,a,rn,n·dlouslyddicatc balance. M,w c Bo.r i, one film not to be missed

Marga1etPome1anzhostsandprod11ces "1eM0vl1ShowlorSBSTelevlsionAuslralla

FRONT IOWPogeSmn

IMMEDIATE FAMIH.

H oward), Tht Cool: (Rirhard Bohringtr), Ewan Sttwa11 as llarris, Tht Wift (lltltn MirrtnJ,

Ron Coo.I: as Mtws, Th t 1'hitf (Michatl Gambon) and Tim Roth as Mitrht /1.

Btlow: Mil:t Lai;z/o (Armin Mutlltr·Slllhl), his grandson, Mikty (L1uas Haas)

ond his daughltr, Ann Talbot (}tnfra Lange) loo.I: a lightly knil bunch htrt. Bui

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CONTEMPORARY Music-------UP-<OMINGTOURS

Frcnct1 dancesensationsLES NEGRESSES VERTES. known for chesongZobila MourhtwilltourinMay

Janguitarisl EMlLY REMLER will tour Australia April/Ma)".

Canadian singer RITA MACNEIL will tour mid )tar lltr Reason To Belitve album hasbeenan1mponam in!roduc1ion 10Aus1rnlian audiences. In South Australia icwentto#I.

Veter:mB111hhrockers URIAH HEEP will rnur 1n July/August

KAOMA rumoured for June

Flauti~1 JUDITH HALL will tour with guilari$tTIM WALKER in Septembe1.

W1tchout forUB40"scurrent tour ofSydney.Brisbane. Ne..,cutle,GoldCoast. WollongongandGosford Marchand April.

PI-IIL COLLJNS S)dneyf:n1ertainmen1Centre March27,28, Adelaide Memorial Drive March J I. PerthEntertatnmentCentre April4.5.

ALICE COOPER April 12.CanberraBruce Stadium. April 20 Melbourne Tennis Cenirc,April23 Sydncy Entertainm,mt Ccnt1e. April26Brisb:tne Entertainment Centre

KINKY FRIEDMAN Sydney Kinselas April 11. lD"s MelboumeApnl 13.14. 15. The Bridge Hotel Rozelle SydneyApnl20.21.

FLEETWOOD MAC MelboumeNationalTenni> CentreMareh28.29.31. Adelaide Memorial Drive April 4. PerthE11tertainment CentreApril 8.and9. Sydney EntenainmentCentrc Apr1I 12, 14.15.17

CDlllfliltdbylobH.igjM1

MOTLEY CRUE Mclbourncl',at1onalTcnnis CentreApril 27.28. Brbbane Entertainment Centre May l . SydneyEnlertainmentCcnlle May3, 4.

Ll11'LE Rl\'ER BAND. with special guest WARREN ZEVON: Melbourne Hilton Apri\ 3. 4, 5,6,7,Sydncy HihonApril9.10.11, 12.14. !5. Brishane llil!onApril 17, 18. 19.20,21.Adelaide H11tonApril 26,27.28,Pcnh BurswoodCasino RcsortMay 3.4.5.6.TuecdHeads SeagullsR.L.F.C.(LRB onlyJ May 10, 11.12.13.

JAMES MORRISON Sydney Don Bunows Supper ClubMarch 27.2S.Syd11C)" Orpheum Thealre Cremorne April l. Cairns Hilton April 4, 5.Townsv11leApril 6,Sydney RcalAleCafo. Apnl9.

SHIRLEY BASSEY Sydney Hilton May 14, IS.and 16.

fROKTROWPoaem.

OLIVIA NEWTON-GREIN

STAGE DEBUTS STING. WELL-KNOWN

AFTER 26 TOP FORTY s inger. songwriter. actor and hitsandAhandful of greenie recently madehis Hollywood films to her s tage debut in Washington cmlit.OliviaNew1on-John playingMacheathi11the is content 10 leave fame aud Brecht/Weil classic, THE fo r1Une behind in favour of THREE-N :NNY OPERA. ·grcen•er' paslUres.

Shc"sbeenbusymaking ecology documentaries and fulfilling her role as honorary environment ambauador forthe United Nations. She isaho involved with ECO-the EarchCommunication Office (along with TomCruise, kff Bridges. Michael Keaton, Sally Field. Belinda Carlisle.Jack Thompson. Phillip Adamsa11dNormie Rowe,tonamebut a few).

Far fromjumpingonthc hand-wagon, Olivia's concerns were evident back in the '70s. She and Helen Rcddyvetoedconcercs in Japan bccau~c of that coun1ry"scondoningof dolphin slaughtering.

IS DIANNA FUR REAL? ALSO OUTSPOKEN ON cnvironment issucsis cx-Supreme. DiannaRoss.

At a gossamer lensed press conference when she 10uredAustraliala1elast ycar.4SyearoldMs Ross spouted:"Right now l"m concerned about the cnvi,onrncnt -animalsand soon. l juslthinkthat therc·scertainthingsl won't do-akoholic heveragesand things likethat.

'"As fa,as fur, righi now. and animals, we wanna do cherightthing.llove myfur coa1~ by1heway. lt took me years tobcablctobuy afur coat and I wanna wea,il!""

Recently Harrodsin London closed down ib furs ~ection and fashion trend scttcrs allover lhe worldare advocating fake furs.

Well almo~t all over the world· Bernhard Hammerman Furs in Sydney dearlyinte ndtomakinga killing regardless. Their concerted efforts have now turncd1owardcreating real fursthatlooklikefake furs.

BACK IN THE USSR Despite the improb-abilityof A Beatlcs reunion(if, without Lennon.such a thing could be thoughtpo!isible).Paul McCarlney"spopularity continues toastonish allbuta few llpanesefansare rcportcdtobebuying dropsof theex-Beatle'spcrspiration for$US16aphial. He was alsothetoastoftherecent 1989Grammics (1l\x:itsoggy undc, thc arms). but a few of Paul"s dctractorsare aceusing himofse11ingout. ln response tothcir criticismofhis dccisiontocnlisLl"Orpurate sponsor-ship,thc agcing ,oekeristelli ngthem, none too kindly, 10 "go live in Russia.~

'"His actinghaslinle resonance and his s inging voice issurprising ly 1hin" said the New Yor.1:Timts. lndifferenttosuch cr1tieism. Stingoffered " l havemuch more comfortable things I could be doing right now.'"

MEANWHILE. AT Watford's Palace Theacrcin England.Brit ish cr itics are queuingupmpan Jerry Hall, accompl- ishcdmodel and 33year-old child-rearingcompanionofMick Jagge,. The lanky Texan stars as Cherie in BUS STOP (a ro le made famou~ hyMarilynM0111ocinthe 195S mo,•ic).

Hall has performed the role previously in New Jersey,where crilin agreed she had anairforcomedy. Buton theother sideofthe Atl antic this time.play ing opposite formcrteenidol Shaun Cassidy,thescribes a retell ing Jerrysheis unbelievably unbelievable.

ALSO STATUESQUE, BUT closer to home. TV rock repor1er. Basia Bonkowski. recentlyappearedon s1age playing1he motherof14· year old Polish boy. Tadzio. inthedramalisationof Thomas Mann's novel. DEATII IN VENICE.

NUREYEV - PRIMA DONNA? RUDOLF NUREYEV IS AN ex - director of the Pari~ Opera Ballet. The 'ex' came asa result ofRudi 's failure toseeeyetoeyewith preside111oftheParisOpera houses. Monsieur Pierre

M. Berge is not amanto be dealt with lightly. In a pre\·iousrun-i11. Daniel Barenboim,thenaniscic director of the new Basli lle Opera.camctoM. Berge demand ing more money, upon whieh, theconductor was promptly told to take his job and shove it. Barenboimdidexacllythat-butthen his o ptions were ra1herlimited .

BacktoNurcyev, whose tounngofNorth America in the 1ide role of THE KING ANDI leflcertain responsi· bilities wi1hhisParis Opera Balle t unattended.

We ll those absences did not escapetheattent ionof M. Rerge.whoa1sofeltthat when the dancer/director did show up for work in Paris, hecoulddobeuerthan throw thermos flasks al the heads of his dancers.

So when Nureyev threatened not locomeba~k torari s unless hcgota bettcr deal,hereccivedno argument from M. Berge.

The newly appointed ar1is1icdirec10rfortheParis Opera Ba11et is Monsieur Patrick Dupond .

IMMEDIATE FAMILY Stairing Glenn Close. James Woods. Mary Stuan Masterson. Ke~in Dillon. Screenplay by Barbara Benedek.Direeteclby JonathanKaplan.

GLENN CLOSE AND JAMES WOODS MUST haveembrnccdthcge11tlencssofth1SSI01}'andthe synirati1e1icnarureof thcirclwlracterswith cnlhusia,m-ifnotrclicf•aftermuchof theirrccent .cn:cn"ork.

Ms. Close (Fat11/ At1rac/iot1. Dangtrous Uaiooo,s) returns to th<: warmth of her Big Chill perr,ona a5 Linda Spc<:tor. a woman who can"t bear childrcn'sbuthdaypart,esbecausethey'rcajaning rcminderofothcr people'sfcnili1y.,nconuas1to

James Woods (C.:op . The Boost) plays her husband.Michael.am:in "holookslonginglyat fathcrspointrngoutlhe finerpointsofbaseballlU theirch,ldren.llle)""vebeenhappiLy mamed forlO years.F111anc1allylhey"recomfonab!ebm.desp1te allthcireffons.prcgn:inc) elUdcsthem

Theyfinallyabaridonated1ous,undignified programofartificial rnsemmauonandfertili1y drugsinfo,·ourofan "open"adopt,on."hercihcy meet the mother oftheu future child before us birth. Theadop1ionagencyamingesforLucy (MaryS!uartMasterson)to!eaveher"ould·be musician boyfriend Sam (Kevin Dillon). in Ohio 10 g,vcbuthtoherbabylnSeaulcwhereLindaand Michael live

1llerelationshipbe1weenthefin.uiciaLLyand emotiona!lydeprivcd Lucyandh.:rbabyanrt1t.,, future parents of her ch,kl i , :it 1t,,: heart of1his film. lnn!herhands.i1migh1have1umedinto sent1mem:tlschlock. b\11din:c1orJonathanKaplan (ThtAccused):indscreenwriterB:irbaraSencdek (Thr Big Chi If} manage to s1eer away from clichl'd excesses to present a iotallycred1ble,tOI)' tha1 ,., bo!hpainful andfWUlr.

With intimate smries like lm=dia1t Fflmily castingiscrucial.You"ou!d expectline perfonnances from both Close and Wood~ and lhcy don"!disappoin1,bu1thesurprisi, w,nner1sMary S1uartMastcrsonwho bring, a,hy.v11\nerabk toughnc~~•othe role of Lucy.

This isnotalilm 1uoffend:myo,,e."Tiiere"sno violcnce.nov11lains. nufour-lener""onls. Nordo )'OUneedawadoftissu,:.,.tocnpcw,chit.And dcspi!eallofti,eal,uve it'~well worthlhepriceof admission

THE COOK, THE THIEF, HIS WIFE ANO HER LOVER StarringMK:haelGambon, Helen Mirien. Aicha1dBohrifl!ler. Wnttooanddirected by Peter Greenaway.

THE ENIGMATIC PETER GREENAWAY WI 10 ianta.liSOOourscmesuf perspcctivewnh suchfilms as The Druughm,um'sCrmtrurl. A Zed And Two Nou~hr.,· :md Hdly 0/ ,\,i Arrhrlt CI surp,n!iCS himself with hi~ nc" film Tht Coolr.. The Thitf. H,s WifeA11d/fulo,·a.

lntt.,,,tylcofa Jacobcan traged)heprestnts Michael Gambon as the vile 'lll1efw1lh pretension~. whoregularl) visits the best restaurarn in IO"n "'ith his subdued w,rc (Helen Mirren). The ownerofthcrcstauram andehcf(R1ehard Bohringcr)witntsscs thepassiona1eaffairlh:J1 develops behmd the Th,ef"s bad, beN«n the Wife undascholarly. sh)cu1nomu(AlanHo,,r.lffl),and dec1destoprote<:1Lhe!ovu1,.

Btlow It/I: Jamts Woods and G/tnn CIDst • un lihly stthrs of a quit/

horn, lift of/tr lhtir pnl f t w movie rolts • ,,,ail palit nl/J in hopt for tht ==--:== pol/tr of Iii/ It fut in

Greenaway's!oveofart(in thi,,.caset.able painting).ofs~stems. (here i1',culoursofthc rainbowmsteadof numbc.,;orl~ner,ofthe a!pMbet) andhisfascina1ionwi1htt.,,humanbody aretheco11CeitSanddelightSof1hefitm

Cinematograph,cally b1ea1h1aking,withfa5t-pa,:edlater.J.ltrackingshois.visuWlylu;hwi1hits co!ourco·ordina1ed locationsandcu,tu11'1C:S designedbyJe:in-PaulGauluer,lhefitm nevenhelusmayno1appealtothesquc:amishwith i1Sooncentration on humanbodilyfu11c!ion1and oneparticularlygruesome tort,m,,cqllence.

The amoum of literary. arti,tic amt musical knowlcdgercquiredforafull apf'R'Cialionofany Greenaway film is fonnid:ible. llowever. informed or not. TheC(J()k. Th,Thi,f.Jfis WifeAndHtr lo1·eri:iasumptunusfeai.1ofafilmtha1w,lLbe savoured by some and prove indigc~1iblctoothcrs

MUSIC BOX StarringJessicalange.ArminMueller-Stahl Screen~aybyJoeEszterhas.01rectedbyCosta· Gavras

FRENCH R LMMAKER COSTA-GA\'l{AS IS nn1miernflinchfrompre5Cnnnglhcmoral issue~ ufuur!imeindramaucfonnonlhcbigscreen In M"-'ir8ru:hepresentsasccnariothatmaybevery relevanttothiscouno-yinlhcnearfuture: Hungarian born Mike Laszlo (Annm Mueller· S1W11).~solidAmerican citizcn fornearly40years, i~~uol,lenlyand.h,sfamilybchcve.mistakenly dl."Cu<ed of war crimes. At stake ,s has American cifr,enship.llisdaughter. AnnThlbot(Jessica l.ange).agt(tedcriminal lawyer.decidestodefend hcrfa1l,erfor hersclf.

As the trial progresses Ann becomes less and lesscenai,:ofher fatho.'r"stnoocence,andsodowe. 1he audience. Wimesse,s are brought from Hungary whoexpcrienccd the crudtyof'Mischka" during thewar.Theyi<icn1ify1111earlyphorogra.phofher father on a document which se,ems 10 pl"O't his membcrshipofaspcc,aJ:scc1ionofanSSDcalh SqUlld. But isthe d1scred,11ngof Md:el.a~llopan ofanorgam~planbythe KGBtosiJence outspokencnttcsofcommun,sm?

This fine lilm which rccentl~ shared it.,, Golden BearforBe.stFilm a1LheBerlinFilmf™;val UU:kles the cons.equences of the o~eiwhdming moralissucofourccnturyin3way1ha1provokcs and illuminates. Ouisiandingperfonnam:e,from Mueller-SrahlandL:lngema!<ehe.u-t·" n:nching stuffofanalread)po"·erful..iurybyfar1crhasto whichCosu.Gavr.isbring,a,rn,n·dlouslyddicatc balance. M,w c Bo.r i, one film not to be missed

Marga1etPome1anzhostsandprod11ces "1eM0vl1ShowlorSBSTelevlsionAuslralla

FRONT IOWPogeSmn

IMMEDIATE FAMIH.

H oward), Tht Cool: (Rirhard Bohringtr), Ewan Sttwa11 as llarris, Tht Wift (lltltn MirrtnJ,

Ron Coo.I: as Mtws, Th t 1'hitf (Michatl Gambon) and Tim Roth as Mitrht /1.

Btlow: Mil:t Lai;z/o (Armin Mutlltr·Slllhl), his grandson, Mikty (L1uas Haas)

ond his daughltr, Ann Talbot (}tnfra Lange) loo.I: a lightly knil bunch htrt. Bui

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danrtrs f rom CHESS· TIIF.

MllSICA L dirultd by Jim ShormanarSydnty'sntwlJ

rtfurbished Thtalrt Royal.

Su Listings.

~HOW ~TOPPER~ mlG SISTER IS SOMt"THING OF A COME.

bac:k.RegLl\·ermore,lhe~how'swn1erand star.ha.skeptarclativclylowpmfilcdurini;

thepa,tfiveye.w.~agonlyoa:ai;iooallyfor. TV g~n gnome Don Bude.

Bu1lhenla.1tyear,Regd1dwri1eiltldperfonntus o""-man WO" Wish You 11\off lltrr And won! has i1(frum~luckyeooughtoca1chanyuf~SO ..,11-ou1performarcesa1Ksrrnrnba'sClan:mloo) lhai Reg 1\ Wiper than eH,r. While Reg seaicho:d foraproduca.hisncw'\Cnpt,AUJrr/Ai,.",Opna. B,gSi,ruwasal~gemngsharper

1'oww,thTheOutbackBushSymphony On:he:Straandnc3SloflO,Mr L1vermorcis11,ell Md truly back ... as producer and as M, Gem Na111,itl, a know·iHII Gundagai widower. She i.s a gcnu1.,.,Aussieb.11tlerandagloriouslyfonmd1ble 1emme fa1ak, who is onl> jusi sur,,.;,,ng the bomlom of her truek Stop on the Hume H1ghwa>··

Ano.ln0lur1iketha1h1gh"'ay'strucks,hfco;eems tnbcpa1,n1gf'..:mby. onc1111ghteven5,aysheis ulinlc.ourcd 8utnevenhdes~.,hc:'1convioced tlmher,ui1c.o,cfullofl'0<.'~1ailfmcbi,jus1"'ai1ing fortlwtumc11,hcnfonu11ec,,rr1<:,1<nu.~inga1h<,r door - prcferablyinthc:formnfsomegorgcou,i:uy.

Fred Hampton has wrinen the 11irring. emo1ional music and Mtlr.c Mcl.anen has dc,ignc:d a, ibram. gr-.iphic,de(c1dedLyAustralian,se1.Theshowis .;irtttedbyf'eterlfatcy,whohasdm:ctcdallof Reg's one-man shows. L,~nnon: llas done the rest

The"orlo.lpremiercsea,onof,\ Loml;i,i'5 OJ)<'m-BigSU1rropensatPm:m131U'slt1ve1ulc ThearrconSundayApril29.

GEORGES KAUFMAN AND MOSS IIART·s Broadway h,1 On1Y /,i A L,ftnmt. stomlcd lhe bo~ office5a1a 11me"hcnOcprcssionthn:atcocdthe indomi1ablc ~pirit of the ·30s, Alld 11 ,;ccms fining th:ir. lhe popular comedy should resurface now m Sydncy,,.hcnal113lkintheEmt:raldC11y«ntrcs aroulldn:cc,.,ion,and/ordepressions

S>d.,.,y'TheatreCompany'sdeparungR1chan:I V.'hcm,n (l\'.>.igncd and finishing at STC in Augusl) willdu~tRidiMIRoxbu,gh, HelenBud1y,M,les B...:hanan,Gaicvic,eL::rnooand RachelS~layin thisd~,c nigs 10 riches tale. Roger Kirk deMgned lheso:tswh1chdepict l lolty11, ood duringn,mos1 glamorouscra. Optnu11hcDram.:i'Thea1n:oflhe Sydncy()peraHou.conWi,dnesd:iy \lay10.

SELF-STYLED 'DANC'IN ' MA'<' DAVID Atlm1s,isbao;k"'ithane11,all.,ingmg,Jll-dancrng re,·ue called Oynami/t.'Thc form;,1 i, ""';1,.,. to DoN:oti' Mon, he~}'>, bu1 the pn:,duc1inn i, mLO::h rnorcCQnl(mporarybothmlookandmcontcnt

Lcg, M.tmbo (the d1mmoll\'C gMg,tcr pla)"O.I by Adans) and his moll. Oyr;1ers (Shtl\:c da Cos1.a\. "'illrc1umintJ,c,conunumg,101)·,w1thlcgsth,s 1imccaugh1upm~arioosBroadwaymus1cabfn)m D1"N1"gvl, m llh1 Sidt SrlJr)•

ll,edancing1.ap,i1,wayfrom 194-0shoofingto a Michael Ja,;K5JOT[ numhe,. TI,,,rc's a lribute 10 Gene Kclly,aFredAslaircand CydO,ari-scnumber, Flash-Dirty Dancing aJ. per the muvir,. and a new piece~pccmllychon:ograpflcdforSl""""daCosta 10Ravel's8"/uo.

Jflheshowuplodc:s, li~e its name suggc:m.at 1heboxoffitt,Atkins,spl""'1ingaproductionof Grtastfortherndoftheyearandthcn.inthencw y.,.,-, M) 011eAnd Only. a Brooo.lway rnus,c.i abou1

Gusll11,in. As,dc from <lancing. Atkins obviously love.1Jui;glinghat.s.Theentrcpreneurialrole.would. hesays.sui11limius1fincfor ayearor.so -panicubrlyinl1gh1ofhisandShc:rtt'~other produciion numt,,,r, Tobias. aged si.x months.

DYNAMIC PRODUCER Of 42ND STREIT. ~lenMom.agu.hasnlreadychorcographedthc show'snextrn0>e. TheAu.:;trahanproducnonof 4]nd Snur is 10 be the first Wes1em mus,cal to play m the East Berlin Opera Home. Theoptimislic mw.icaliss.urely1hcmessagcE.astGeffllllllSan: eager w near - lha1 an>·one can become a sw. lhat drcamscancomeuue,thatlifecar,beglineringand beautifut ··comeandmec1tllosedancingfeet, ·cos d,.,H,enuel'mtiling yuutois ... E.as1Berhn." 4!ndS1rttropt:m i11Ea,1Berlin inOc1ober.

AND NOW FOR THE NEXT BLOCK BUSTER .. 'Forgc1A1do."' saytheproduccrs,"Cormet1reall> lends 11.SClfto ipect~cle ... And speciacle is what this productionisa!labo~. Are\'olvingbullring,bull· fighterlsansbulls),fl:imencoo.lancers,:ibseilersand hor,,e,.compctewithsingersforanenuon.

Theproductionisablw,ewithcolourand movema,1,,,.fochth~opcr;irnorethansuppon,11,1th ii- upliftmg, stirring and familiar 5COTl' And wnh MariaE11,mginthetitlo:rulc,wccanb,,cenainlhe ~inging .. ·illbevcryhi1a,.,fonng.E"ing,WTed1n Camlt'ninLondonandTo'<}owhc..,,ht,nu,ived 1tandingova1ion>artdravcrcv1c11,s,lnMdboume, thcrolcofDonJo!ltwillbcsungbySpanish iennr All1on100rdoi\cz,artdinSydncy,Nci1Shicoff.

Allhoughtht,n:wcn: pmbltms"1ththcsou11din L.ondon'ib:tm·hkcEarlsCourt.hm::lhesoondnf cai.taneisw,ll echo form,Jes- thcproduccrsha,·c assurcd ustha1!hey"vct1e,·elopcdthcpcrf«1$0Und >y$1emforAustralia

Cam,en/producedbythe VictonanStnic()pcra in associa11on w,th lmemational M:i.nagcment GruupandHarveyGoldr;rn1th).play<;attheNational TcrU1i,, Centre m Melbourne (M ,mpress,~e , ·cnuc:) unMay l0.l2and l5:indattheSydncy Et11a1ammcmCcnwonJW1C2,4,and6

TIIE T£\fP£ST IS l'ERHAPS SHAKESPE.ARE'S mosipcrf«1playandctruunlyoncofhi,mos1 beautiful. Neil Armfield directs The femp;'J/ for BcL,oirSUtttTheatrewilh JohnBelltalungthcrolc ofd.,oldrnylh·maker.AtthcS1clne) Cntu;:s· A11,•anl while Neri Amifiel(I won the Rosemount Award fnrhi, O u1~1and,ng Contribution to S>'llney 'lllcatn:a,11,ell a\,,,.eralothen.bothinSycineyand ,n Melbourne's Grccmoum Awards. H,, Trw/JII UM/st>ldrconfirmedhimd,1hr:n10,1bril!i:i.n1and 1nsp1redd1rcctorinAustrdlia10<Ll)

rnE TWENTIETII CEJ\'TURY LIMITED WAS A lu,Ul)PJ.'"'"Jcrimin"hich r.mfromChicagolo New Yolk m the ·10.. Cy Coleman (S"'tt/Chartf)'. Bamum)n:crcatc_,1heton,amic1ptri!ofth.ltjourm:y Ill t,,s mu,ical On Thr T~,·mir1h C~,irnry·. 'The Regals Musical Soc,ct> pn::miere, CuJeman·s mas,cal at Rockdale Town 11,,11, Prum:5 Highway Rocl<dale,wi1haGalaOpcningN,gh1onFriday

I May l!!.a18pm.GalaNigh1ticlci,a1S16.00an: only S4 more than other performancr:,. \8pm May L9, 23,lS,26 and2pmSunMay20)-panorthe proceedsgo 1othc:Na1100alHeartFOllfKWionor Au>1nthaandpango1o"ard.s)·ourch..:kenartd champag,,esupper.

42NDSTREET M«<,c: lforrJl\,:,urn.lll B•bin D1r«11J,·~fork8ruml,lr CAorro~raphrr · KorinBo~t' Stall /Van<)·rllo).S.BurryQ~,n /oru/..m,rQnd Ulnzyboxofliecscnsa~on.Gneat toe-11.pp,ns song~ and roulinos S«i1t,,forcitsoes10Bcrhn IOIAAJE5!HlHL\TII Ck,oySl, Hayffi11 s.a ... ,o,ulM$ """"2p,,Wed&St! /JJ'H.UD $.\O(!lon-llul

'" S.\Hfli-Sa1111t!intl

ANYTHING GOES ,1/IJJic & Lyfll>. Cul,Pum, D1r«tor Ph,/Cu,ad Clw,,cgroph)·:Kir~P,1trs011 Sta, J. G,ia/di,,,,Tu,n,.,,S,m,,n 8u,(t,PtrrrWhir/oed, Maggir K"kpo1r1r!,Gr""1Dod>o•t/l Muhi-aw'1Jd,.·1nnmg8ro3dway hitwahColePor1er·;mos1 rnemurahlcmu"c 5WETHEA!R£ 49Morl:ttlt ..r,l, IN'f U1tlM1JU 1prnwod.Sa,;6.~r"; 1,.,,w..1;,pms.t;Ji,mloo 1Ul1111 omlll h!O!E IHI TIU\I

CHESS·TheMusica1 l,:,· 1'imRir..Bjo,nAnder>lun /JtnnyU/mt~$ {)arl'Ncr 1,mSltarm11n Stars . llxJi, Gillrn Do,·iJ Md.rod, Robb,~K'"P'~' L:,,·1<hproduc1,on lromonfonn l1mShi.nnanplu1top·llnemu,;1c from Abb~·~ Benny and Bjorn TIIEA!J:!•OYAl ltlil(unlr1¥Mv o., ...... .iy &p,nllot-Sal;n111.2i,m!ci,lpmWod I.IIH.110 $42C!lon-lluhots.) . "' al IIUI I ~ii ,100 IUTI m 1um 10, !~~c:;1~:li~[l~;ilrlll, Mll A!D JUI!

ON THE TWENTIETH CENTURY by C)'Colmu,n Dorrctor. LorryllmiJS M~<1ra/ [),,,c,cr.C11ry:ira1ro Chutrn8rophrR,oh l)a/y Srors. Paulllolmrs.U,1hDaly Aformor b,gtimed1n:ciorme,10 pcrsLladchisu.loverandnow Hol1)wood,1ar, LilyGarland. 10 s,gn up for his new ,ho11,. TI,,, h1lan1ytakes placeaboarda lu,urypassenger lraino!the'30s cr,rnuteovemigh110NewYort. ROOOJAU lOWNHAU P'61i,H""'°',lod<.dolo Mt-y19, U,1S, 26~;eiot~n!.., Ammo Sl?(Glt!Sl~I

BACKSTAGE PASS h)W,n,lt lfarmu o.,,aor. Rmlfori~ s,~,. KruB,dento,Vm·iJ f;;;'~':';· lthnndo D<'JI, 711,..,,,h)

Australia'sfavoumcfernalc comic,Wendy Harmc,,wrote th,; e,plor:11ionof lheconn1ctbe1wccn tht,worldofgm"p,csand that of

AmCARD(02)6~81688 FRONT ROW Pi;ieeElgh1

lheir~nl5. TIIEROOOTIIEATII lOH,e••·toSrNl.lhelOOO ..,.11-11 11<111,?p:n.lprll,lt; ~Spm.lp,20,?I

S6o.\lron

FRANKENSTEIN'S SHADOW O,rn:1<1r.R,rM,JMwplit1 TIIEJUFORMAN[Em(E lttOr..londSlioe1, l.!I., •n-Moys S.-,WeHor;moli.4,<!l,MoyS, ...;,1,t.,,.,Sat

'" HAY FEVER ';J,~';:,cr;,;~JWillu11ns Cmtwnrt:Cl,jfmdfa.,e, Srars:CaroiRay,, Jon Suln,y,,\,,,,., Ue.Mar1/Jt The 1925 Bhss housc:hold ,s a comicevoca1ionofEngli>h «cen1nei1yandrom.:mlicfcver. PUYHOU~l S)ft)'0,..1~ 10..,.·19 Mr, l,i,/4M.>II; m111,,.w..i.2pms.i lmCARD 511.90

Sll.90

HENCIFORWARD z:~~;/;,~Co11rrll A)ckboom'sneweslcomcdy,s 1bou11hefutune.Completew11h robolsandhigh·!ecllgadgctry, KOKll!SIOETll!ATUCG.ltP,INY ?"'-'cn~~ .... a... UIIIMoy 12 USpmT ... !>llt nibl11nWNl, Spns.thr1 lmCUD ,11(1..,Thul

s1rn ... 11MJ1 SZWri·Sall

HOPPING TO BYZANTIUM bJ·Br111nC/a,*,Kmh,L<>·in Di,u1cr. Swufr11Ba1r, Stars:/Vam1011Kay, .Ha, h,l \tlird Je"IC>lf'o,.31, ahighly suc:cc.11fulmodemuoman,1na:t, 7llycaroldSau1Drachman.A funny and warm play, IIIUM9ll!HEATII 11M,Dout,ISl,'4ilNll'l M.1·Apr29 a,,.Tw,So!;Spm~; oitl1Dllllu tmCUD SIi (Tue-llu)

Sil S2S (111<11$11)

THE IMAGINARY INVALID bJ·Mo /i,rr D,,,.cror. R,~C,a"'lllwm \1uliere·~ l&t winy effon take~ ahla,1~11hernedical profession TitflllOAlln.ATRE ?ISAn,., rdo.~"' MoyS-Jn2 s,.,we,1.s.i, ,rnwo sn

"' THE lEISURE OF THE DAMNED SOU/V/JIJ/SPU,Y ~J,J,,: PN,rLJsimu, IHEPO:fORM.IMCl ~A(( lttOr,el,nl\~to!,lodlern lf,U-22 8.llpr,Fti,~1111

"' NOW h>Sli,ll,ylA1ir11

D,s,gnrr·Rag,rl\°""' lHErlRFOOONCISPACE 199<h>tlad\rtt1,W,m Ap,H .. ..... ,,. ONCE IN A LIFETIME byKa1<f,,,,,,,,l/11r1 D1,.<1ar:R1rl,ardl't'htrrr11 S1,u., Rwlian/R,,./>u,~h. 11,l,n 81<dav,Mi!tJ81<eM1lllt,Grm,,·1"'" u.,,,,n,RachdS:alay Ragstonchcshilanty a~lhrcc small lime Vaudeville anim followthc:ir,ilver•scn::endrcarn andconqucrhollywood. DRAMA ffiEAllE Sy,loryi)pmtHIUII Moy30·M1 8prnMon·'id;IMIIW..!,Sa1 All\CAIO SVlMM-fho)

'" PERFECT MISMATCH b>Ko,hylm, and BLACkCOMEDY bJl'ttrrS!wUa DOUBlEIIU Start·\',cfor111N1ro/lt. Hcn Rlonrhard. $11,,mWaglfajf lnLcuc·,afterma1h10TVgame ,huwl'eif«1Ma1ch. 1hc:malrh-moking pro,·esfar fromperfocL Victo,faNicoll,andRon Blanchard then b.,,c~ oplOJO<n S1uan Wagstaff in Blad Com~lfy - acn><eia11imcforan~pand comi~anist"hen,ucldenlythe ligh!> gooul. QINSREEl'IHWRE tilen'.tfrsd,\Fo,r,1 Apr1'·May2 8prn T.,..fri;8.lCJfflSal; mOllll"'b,Wed;51"'1<! ,mum S23.'10 ... PRIVATILIYES ~;~;:,:c;:::'w,11ui,,,. Sta,s: IIMondaMo,:g/t llm,An,ra Lu, Drnni,Q/,r,i, Ba,.lw/om,,w

""'" Averypopularandsucces,fol ' 30.play.ctinmmanncfrance PU.YHOIISE l)'hyO~rolloiM M.y2HNJJ ..... lot il':fflll"'W .. ,211"So! lmmo SJ1.'10

'"" SIMPSONV202 byRicharJBr,·,.,,n Dmx/or· M,U O'Brirn S1a,t:Gillw~M,rtl An ,nsigh1in1olheshol1l>u1 gloriouslifeofSimp,on.Hcand hisfonr-lc8g<dfriend,adonley, bccameun1ikclyGJllipo1iheroc, EHIOOUTIIL\m 1811tDou,,ISl,JtU..on.l'I M1y2-1'113 8i,m! .. ~ . mot1.%ro1-,s«lx,, l.fflC.UO S21{1uellul

SIREN

Sllf1..,Jlu& m1t1I s1w,,r..c,1

SYDN£YTl/f:AT1/F.COMPANY

~i,~,111': i:::~:;::::~mrll Stars· ll,u/"aMour.Jvhn\\li/11m . Wilflam&pp,, World premiere of Williamson's ta1estcomcdyinwh,ch a ,om,p1ionen11·:,pmen1opcr.uion 1:0<.$ wildly wrong. A wom1111 .vi1h apurpose,whoc011'tl«p1hemen ""'l)', findlhcrself1nthcmlddlc.

+(02) 698 1432

WIWfffiL\l':E ~4,Wokltky u,•1 .. 9 BpnMcn-s.t;!pmSm; lpmlilo,28, l.po411, 11 .l.ffiWO S16(Mon-llul

"' THETEMPEST byW/11,omSlraM';ptare /),r,r,or;Nr<IA,mfi,ld Sta,.LJnhnB,11 A play about social organis~1ion and1hepo»ihili1ic,oflifcin whicholdmindsorcthrus1m1on new world The ,~lam] world Shake1pean'creatcsrdect,and define ou, "w" BID'OIISl!HEATRE 'l51ottoi"S~111. SurrvHlk MoylO·J1124 8jftlt1-fri;I.X,,,.Stt, 1M1>.S,..!.tl/SrA,;lrH J1n61p11 I.IIHUD S?l(l,.n.,J

"'

BASICALLY BACH FESTIVAL Stockholm Ba<hChoiran,d Dn,un,nghn1m Ran~11ic E11\Cmhlc jointheAuw·.ilianChamber Orchc~lnl, the Brandenburg En.s.emble,andothcrexci1ing mu,icaltak:nis,forlhisyear·s uihute10Bachandhi, contcmpoarie, SYDmDPWHOUSE ArHl rn11H11D1un1coff1mnus1

Ol'Wffi[Affl l)'WYO,.olkw MOJt-23 1.Xtp,,Nion,s.n,6.l)pm,lpmS<n .lfil{UO S4S(Aln)\J?(I)

$49{Aln)S43(11

ONEGIN llUSTRAUANBAU£f OPEKAJH[Affl 1,-dntyO,.,Ollcw ..,.10.10 1.JOir>,Mcft.W, lp11,.630prlSot AfflWD S4S(Ah1ISJl(I)

S49(Ut1)S41Cll

son BRUISING StDN£Y OANCE C0/11/'ll/VY Dance·drama agnppinglookal lhevulncr:,bih!)'of!hehumlll\ hcanandthremotionalstrcng1h 1h~tln,ci11,pires DRAMAll!L\11£ IJ'Ull'll?er•IIMt lf,i·M.yl9 Spr,t;4.30prnA,,14,21, ?8, u . .,,s,11, 19 AfflWD 529 . "' 610UPIOOll10\AYAllllll

DYNAMITE S11vs:Da.,,J1trt,.,,,r;,.,,11r,na, ~h-,,,w c ,,,w A(debrationofsonganddance, high1igh1i11g tlollywood, Broildwa) andthebe1tofRock mu1k.Aspor1adclha1includes noth1ngbu1alt-1imcfavoorites. fOOTBRIDGETHEATRE f'lrr-1lo IN!!, 1,1,1,o t,,6 .IN 30 ::';;.:Spn~ unwo SJ1son ... ni.1 • mso

!~,Ec~~SJ~~1~~o~!b~~ftom Tlr,,T,....-, ,,..iy Ph,m~fi,1m u dr1,11/s

AIDA Ml6, 9, l'l. 16(mot), 19, 73 lmat), 16, n; lllJ, 6

CARMEN Music:CMr8t<8/tEI Sws·Mnrit>f.',.,i~g./Vr,/ Shiroff Amusicalspcclackwi!ha rcvolvmgbullnng,p:issiooote mu&ic,Oamcncofireand the "''O•ld'sfinestCarmcn, Maria Ewing SYONfiEIHUlAllWEHlCEH!RE JlMl'l, t ,S, i Affi(..UD SllO IUl'I) )1401Ptero. l..J • Sll5 Sl45 fUIIHIIHlAlll(OlllCltlU\l

COSI FAN TUTTE Ul1J, 16, 20, 2l, 2S, l0, Jul 4,1

LUCREZIA BORGIA U.14, 18,?'l, ?l, lO; full?

GYPSY PRINCISS .W'l,S, IO, l l, 14(mn ), ll,21, 2S,2•; ll'9J, i,,1J, 16, 11, 21, ll

EUGINE ONEGIN lll lJ, 1•. 1t , 24, 21, l0, 4"'4

LA BOHEME lll21, ll; Aui4lm11!1, S,l l, ll, ll (...tl 20, 24, V, JD

TURANDOT ll'914.1a.n. 2s, 1'l

CATALYST ~us GRADUATION BALL plus MY NAME IS !~~~!B11~~!~)RIPlE Bill Crodaa1w11Ba/l - high-spiritcd balletsettaJohannS1rnuss· melodie,.Cowl)'Jt·Stephen Raync, ' wiani~emry ,nThe A~slra.hlll\ Ballct'i25th Ann,vcrs.ryO,on:o,raphic Cornpetmonpn::m,tres. The third 11,0'1;,al111premiering. ishascdon dl<:lircofNedKdly-crealffib> 1imo1hyGordoo1omu,icbyPc1er Sculthorpc.

AffiCAID (02J 6981688

SPECIAL OFFIR ON TICKETS 8kyycurViluJvon,maro(t,1s th,,.,..gh1h,Tn,,1fcr$6,arh -o di,co,,Mof$4.$()on ~rn,,,c/p~blie priers. \'alidf1>1four"'°"tlrs"i1h M limilt!nm.mb,,,,ftre!~llpurr:ha.,~ J/"")·~hilrourJ/oda/11!,/ F,/,.. ,oud,~,sfor Grr111rrUt1iot1 ,,,.J llayts<mr,i1,umay bt pu.rrlias,dfmm1lr,,Trust o!fict for onl)S7.50. l <>uchtrJarr op,ndoi,d an,Jr,t/u.rn~.-Jforfirk(IJ /ll lht l>o .. obiu.Sa...,Sa1uuloy aNlhc/11Jay rtllrt(fion,applyto 1h, lr ~s,. ,\'o lr,,,W/mifuuchu'K"'l m,r·u 1htr, <Jny/,,...rw1h~n,,mber1NJ1 mrmMrs ...,, buy. DJJroums of $2.50a,t11/Jr,o/fr1td ~tlht Ma,idoli11CilmM, l~r1HndJ. Marnn l'lact, tkt Crrmomr Orphu..,ar.d1h, A""1r11t1T..,i11 Padd1np:1ona10/l p,rfor,no.nc,$ nup1Smu,JaJ·p,., Thntd11eaunrs ar,/,,,,;1,dtoonrp,r..umbui.pon prrs.rn1a11an0j1MllmL'arda11M IHJra/fkr. ll, ,i,, Ro,r,o/11~ c,,,,,.,.,, 1h,:Ar11Card><111:'1)"()<,a$2 d1rr011nt ,.,1h a n,aomumpwrlitlst o[n.<>1irtr11

itil1\i:H'IM1lliii NAY FEYER DINNER AND SHOW ...... Forecourt Kc1lauran1.0pcra llouse. Caro] Raye,JonSidne)', AnnoLtt. DmcattheBrnne1ong Re.,1aurru,t61.,,. cn,1S6S

CHESS CELEBRITY LUNCH M..,U M«1 members of the ca.st of the h11n1us1calCheu-JodieGill,cs, MariaMrn.'Cde,,JohnWood. Rol>bicKrup,ki,D;,.idWl1i1111:y. D»1dMcL:od. Co,t$J3Shordton Wemworth.

FILM. TV AND RADIO SCHOOL MOJ 7, 10.l0.. ln,1,tttionoflho,ch,. ,l fnllowt:d bylunchatthenearblyluxury Ma«1uan•Rcsor1Ho1el.Epping Road,l\'onhRydc. Co,tS28

DYNAMITI ..,, Secthefabu1ou,DavidA11kin, andSherccdcCoMa.Enjoydmncr inoldworldcharmatThcTcmice

Jtcsn..r.uit, GlebePom1Road. Gkbe.Cost SM.

THE IMAGINARY INVALID .., .. NIDA Theatre, Kr:n,ington, Thi~ is 1hefir,tproducuonof1hc:ncw NIDAcompanyin1he1rfabollou, newthc:am:. Enjo> <upperwi1h1hc u.st afte r lhc ,how. Cost (,lmw a11d <np1,cr) $25

PRIVATE LIVES ..,,. Playho~sc:Thutn!,()pcmHou,;e · ANoel C011,ardclassicwnha wondcrfu1ca11-Arnand1 f.h,jjglcton, Ranholomewjul111, Dcnni,Olsc:n,AnnaLcc.Dmncr at thcllennclong Restaurnnl S69

SIMPSON Y 202 En.cmble n.eam:.Oinncrand show. The11oryorSimpsonand hi,donkcy. wilikdyhcror:,nf Gallipoli CosiS49 .

WEEKEND TOUR Moys-6 Thn::cdayhi,torictourioCowra, Canow,ndm, Gooloogong, 3J!d Balhnr11.Lunch a1lovely Emw011bang.Scchi>1oricCroO\e Co1tagc,GooloogCM1gandCan::oa,. Cost inclu,ive S235.

QUIEN'S BIRTHDAY J-11 To celcbra1c Her Ma,JCMY Queen Ehl.abeth ll'sll1nhday-l'alronot theAnstralianElizabethanTheatrc Truu - ThcS)·dneyComm,neean: ho ld ing a luocheonm thr:Gala<y Room, Q ueen Ehu.beth Stabd, Ranw,c k. Th,s ,s anopponun,tyforpeople intheworl<fol\:ttoha,eadoyat 1heRace~ano.lenjoy1hepri,·ileKe,, ofMembersh,p 1ickcl<S45·mdudr:slullCh. aftemoontea,cntrance10 Racecourse and MernMn Stand· plu, frccpart.,ng.

HUNTER VALLEY VINEYARD TOUR MOJ27 Join othcrmembersonaday1our andsampk thr:famousHuntcr ValteyWinuatl'yn:ll'sGrapc Estatc,HungcrfordHill.Lu,ury coach,lunchandrr.oming1ea inc1udcdS69.

ANYTHING GOES CELIBRITY LUNCH .,,.,, A CclebntyLunchartheSheraton W.,n1wonh H01el.Mcetlhecastof llfl)"lhiJ1g G'"1 - 0erald1ncTumer. Sirnon Bur\c. PcterWhitford, Grant Dodwell. Co,t S33 Sheraton W.,n1wonh.

THEATRE LOVERS OYERSIAS TOUR, Joly28 ·.bgnt31, 1990 loin usonth1snc1tingtour. You'll .,..,Oubhn'sOruidTheatn: ,nlnebmd and,whcnwctour Scotland and England, yo,.·n take intheEdinburghThnooandvisi1 Sh•l.e,1,e~1e', birthplace al S1n11ford. G~ess11,ho'llbcplay,ngpoloa1 Wi~orwhcn)'OU&lopbya1 Gatcombc Park, home of!he Prince,sRoyal.forthe horse trial,? Thcrc ' llbepknlyoftimefor lheatre ,nLondon,whcn:you'II <CC Tht PMtilCM 0/1'ht Optra, MIJJ Saig,,,.ondme,,istars ol stagellJld=. Thcn onloEuropc -Pan,. Rome, Salib,.rg, Vitnnoandfinall>· a1wo daystopovcrinS,ngaporcfor sllupp1ng..,,.ltbc~tn:1 Sh1rlcyllay,.,llbcyourc.1eon. Kev1nS;,dl,cr, ,.·dlknownlheotrc en tic and r.ulio commentator. w, 11 be you,EnlertainmcntGuidc (Youh~,e [KOOahlyheardKe,·in tal~aboutourc~c,lingo,·cr><:as 1o ur on,adco,t.oi1on ?GII.) Phone ThcTrus1NOWforfunhet

Nole 1/w.1 Amrricu i, omi11,dfrom t>wr im,aary , .. ,...,·uduid~d ra doafull1ou,of11rt'S101n,n/'}<}/

FROHTRDW l'ogeNirie

Top ld1 : SydtitJ

Oanrt Company's

Lta f'rands and L'arl

Plaisltd in SOFT BRlllSING · Gratmt Murphy's firu wark

for 1990.

Right : ShtlltJ Losito in NOW, at lht

Ptrforma11u Spau from April 5th 10 8th.

Cut of HOPPING TO BYZANTIUM (p/ayint DI Tht £nsr111blt) c/ock,.,ist

from It/I: Callttn

Clifford, Rarhtl

Word, Vic /111,..kins,

f,tn Kaurman,

Norman Kayt,

Jarq11tlint Koll and

Patritk Word.

+102)6981432

Da rid Meltod lf'ilh lht

danrtrs f rom CHESS· TIIF.

MllSICA L dirultd by Jim ShormanarSydnty'sntwlJ

rtfurbished Thtalrt Royal.

Su Listings.

~HOW ~TOPPER~ mlG SISTER IS SOMt"THING OF A COME.

bac:k.RegLl\·ermore,lhe~how'swn1erand star.ha.skeptarclativclylowpmfilcdurini;

thepa,tfiveye.w.~agonlyoa:ai;iooallyfor. TV g~n gnome Don Bude.

Bu1lhenla.1tyear,Regd1dwri1eiltldperfonntus o""-man WO" Wish You 11\off lltrr And won! has i1(frum~luckyeooughtoca1chanyuf~SO ..,11-ou1performarcesa1Ksrrnrnba'sClan:mloo) lhai Reg 1\ Wiper than eH,r. While Reg seaicho:d foraproduca.hisncw'\Cnpt,AUJrr/Ai,.",Opna. B,gSi,ruwasal~gemngsharper

1'oww,thTheOutbackBushSymphony On:he:Straandnc3SloflO,Mr L1vermorcis11,ell Md truly back ... as producer and as M, Gem Na111,itl, a know·iHII Gundagai widower. She i.s a gcnu1.,.,Aussieb.11tlerandagloriouslyfonmd1ble 1emme fa1ak, who is onl> jusi sur,,.;,,ng the bomlom of her truek Stop on the Hume H1ghwa>··

Ano.ln0lur1iketha1h1gh"'ay'strucks,hfco;eems tnbcpa1,n1gf'..:mby. onc1111ghteven5,aysheis ulinlc.ourcd 8utnevenhdes~.,hc:'1convioced tlmher,ui1c.o,cfullofl'0<.'~1ailfmcbi,jus1"'ai1ing fortlwtumc11,hcnfonu11ec,,rr1<:,1<nu.~inga1h<,r door - prcferablyinthc:formnfsomegorgcou,i:uy.

Fred Hampton has wrinen the 11irring. emo1ional music and Mtlr.c Mcl.anen has dc,ignc:d a, ibram. gr-.iphic,de(c1dedLyAustralian,se1.Theshowis .;irtttedbyf'eterlfatcy,whohasdm:ctcdallof Reg's one-man shows. L,~nnon: llas done the rest

The"orlo.lpremiercsea,onof,\ Loml;i,i'5 OJ)<'m-BigSU1rropensatPm:m131U'slt1ve1ulc ThearrconSundayApril29.

GEORGES KAUFMAN AND MOSS IIART·s Broadway h,1 On1Y /,i A L,ftnmt. stomlcd lhe bo~ office5a1a 11me"hcnOcprcssionthn:atcocdthe indomi1ablc ~pirit of the ·30s, Alld 11 ,;ccms fining th:ir. lhe popular comedy should resurface now m Sydncy,,.hcnal113lkintheEmt:raldC11y«ntrcs aroulldn:cc,.,ion,and/ordepressions

S>d.,.,y'TheatreCompany'sdeparungR1chan:I V.'hcm,n (l\'.>.igncd and finishing at STC in Augusl) willdu~tRidiMIRoxbu,gh, HelenBud1y,M,les B...:hanan,Gaicvic,eL::rnooand RachelS~layin thisd~,c nigs 10 riches tale. Roger Kirk deMgned lheso:tswh1chdepict l lolty11, ood duringn,mos1 glamorouscra. Optnu11hcDram.:i'Thea1n:oflhe Sydncy()peraHou.conWi,dnesd:iy \lay10.

SELF-STYLED 'DANC'IN ' MA'<' DAVID Atlm1s,isbao;k"'ithane11,all.,ingmg,Jll-dancrng re,·ue called Oynami/t.'Thc form;,1 i, ""';1,.,. to DoN:oti' Mon, he~}'>, bu1 the pn:,duc1inn i, mLO::h rnorcCQnl(mporarybothmlookandmcontcnt

Lcg, M.tmbo (the d1mmoll\'C gMg,tcr pla)"O.I by Adans) and his moll. Oyr;1ers (Shtl\:c da Cos1.a\. "'illrc1umintJ,c,conunumg,101)·,w1thlcgsth,s 1imccaugh1upm~arioosBroadwaymus1cabfn)m D1"N1"gvl, m llh1 Sidt SrlJr)•

ll,edancing1.ap,i1,wayfrom 194-0shoofingto a Michael Ja,;K5JOT[ numhe,. TI,,,rc's a lribute 10 Gene Kclly,aFredAslaircand CydO,ari-scnumber, Flash-Dirty Dancing aJ. per the muvir,. and a new piece~pccmllychon:ograpflcdforSl""""daCosta 10Ravel's8"/uo.

Jflheshowuplodc:s, li~e its name suggc:m.at 1heboxoffitt,Atkins,spl""'1ingaproductionof Grtastfortherndoftheyearandthcn.inthencw y.,.,-, M) 011eAnd Only. a Brooo.lway rnus,c.i abou1

Gusll11,in. As,dc from <lancing. Atkins obviously love.1Jui;glinghat.s.Theentrcpreneurialrole.would. hesays.sui11limius1fincfor ayearor.so -panicubrlyinl1gh1ofhisandShc:rtt'~other produciion numt,,,r, Tobias. aged si.x months.

DYNAMIC PRODUCER Of 42ND STREIT. ~lenMom.agu.hasnlreadychorcographedthc show'snextrn0>e. TheAu.:;trahanproducnonof 4]nd Snur is 10 be the first Wes1em mus,cal to play m the East Berlin Opera Home. Theoptimislic mw.icaliss.urely1hcmessagcE.astGeffllllllSan: eager w near - lha1 an>·one can become a sw. lhat drcamscancomeuue,thatlifecar,beglineringand beautifut ··comeandmec1tllosedancingfeet, ·cos d,.,H,enuel'mtiling yuutois ... E.as1Berhn." 4!ndS1rttropt:m i11Ea,1Berlin inOc1ober.

AND NOW FOR THE NEXT BLOCK BUSTER .. 'Forgc1A1do."' saytheproduccrs,"Cormet1reall> lends 11.SClfto ipect~cle ... And speciacle is what this productionisa!labo~. Are\'olvingbullring,bull· fighterlsansbulls),fl:imencoo.lancers,:ibseilersand hor,,e,.compctewithsingersforanenuon.

Theproductionisablw,ewithcolourand movema,1,,,.fochth~opcr;irnorethansuppon,11,1th ii- upliftmg, stirring and familiar 5COTl' And wnh MariaE11,mginthetitlo:rulc,wccanb,,cenainlhe ~inging .. ·illbevcryhi1a,.,fonng.E"ing,WTed1n Camlt'ninLondonandTo'<}owhc..,,ht,nu,ived 1tandingova1ion>artdravcrcv1c11,s,lnMdboume, thcrolcofDonJo!ltwillbcsungbySpanish iennr All1on100rdoi\cz,artdinSydncy,Nci1Shicoff.

Allhoughtht,n:wcn: pmbltms"1ththcsou11din L.ondon'ib:tm·hkcEarlsCourt.hm::lhesoondnf cai.taneisw,ll echo form,Jes- thcproduccrsha,·c assurcd ustha1!hey"vct1e,·elopcdthcpcrf«1$0Und >y$1emforAustralia

Cam,en/producedbythe VictonanStnic()pcra in associa11on w,th lmemational M:i.nagcment GruupandHarveyGoldr;rn1th).play<;attheNational TcrU1i,, Centre m Melbourne (M ,mpress,~e , ·cnuc:) unMay l0.l2and l5:indattheSydncy Et11a1ammcmCcnwonJW1C2,4,and6

TIIE T£\fP£ST IS l'ERHAPS SHAKESPE.ARE'S mosipcrf«1playandctruunlyoncofhi,mos1 beautiful. Neil Armfield directs The femp;'J/ for BcL,oirSUtttTheatrewilh JohnBelltalungthcrolc ofd.,oldrnylh·maker.AtthcS1clne) Cntu;:s· A11,•anl while Neri Amifiel(I won the Rosemount Award fnrhi, O u1~1and,ng Contribution to S>'llney 'lllcatn:a,11,ell a\,,,.eralothen.bothinSycineyand ,n Melbourne's Grccmoum Awards. H,, Trw/JII UM/st>ldrconfirmedhimd,1hr:n10,1bril!i:i.n1and 1nsp1redd1rcctorinAustrdlia10<Ll)

rnE TWENTIETII CEJ\'TURY LIMITED WAS A lu,Ul)PJ.'"'"Jcrimin"hich r.mfromChicagolo New Yolk m the ·10.. Cy Coleman (S"'tt/Chartf)'. Bamum)n:crcatc_,1heton,amic1ptri!ofth.ltjourm:y Ill t,,s mu,ical On Thr T~,·mir1h C~,irnry·. 'The Regals Musical Soc,ct> pn::miere, CuJeman·s mas,cal at Rockdale Town 11,,11, Prum:5 Highway Rocl<dale,wi1haGalaOpcningN,gh1onFriday

I May l!!.a18pm.GalaNigh1ticlci,a1S16.00an: only S4 more than other performancr:,. \8pm May L9, 23,lS,26 and2pmSunMay20)-panorthe proceedsgo 1othc:Na1100alHeartFOllfKWionor Au>1nthaandpango1o"ard.s)·ourch..:kenartd champag,,esupper.

42NDSTREET M«<,c: lforrJl\,:,urn.lll B•bin D1r«11J,·~fork8ruml,lr CAorro~raphrr · KorinBo~t' Stall /Van<)·rllo).S.BurryQ~,n /oru/..m,rQnd Ulnzyboxofliecscnsa~on.Gneat toe-11.pp,ns song~ and roulinos S«i1t,,forcitsoes10Bcrhn IOIAAJE5!HlHL\TII Ck,oySl, Hayffi11 s.a ... ,o,ulM$ """"2p,,Wed&St! /JJ'H.UD $.\O(!lon-llul

'" S.\Hfli-Sa1111t!intl

ANYTHING GOES ,1/IJJic & Lyfll>. Cul,Pum, D1r«tor Ph,/Cu,ad Clw,,cgroph)·:Kir~P,1trs011 Sta, J. G,ia/di,,,,Tu,n,.,,S,m,,n 8u,(t,PtrrrWhir/oed, Maggir K"kpo1r1r!,Gr""1Dod>o•t/l Muhi-aw'1Jd,.·1nnmg8ro3dway hitwahColePor1er·;mos1 rnemurahlcmu"c 5WETHEA!R£ 49Morl:ttlt ..r,l, IN'f U1tlM1JU 1prnwod.Sa,;6.~r"; 1,.,,w..1;,pms.t;Ji,mloo 1Ul1111 omlll h!O!E IHI TIU\I

CHESS·TheMusica1 l,:,· 1'imRir..Bjo,nAnder>lun /JtnnyU/mt~$ {)arl'Ncr 1,mSltarm11n Stars . llxJi, Gillrn Do,·iJ Md.rod, Robb,~K'"P'~' L:,,·1<hproduc1,on lromonfonn l1mShi.nnanplu1top·llnemu,;1c from Abb~·~ Benny and Bjorn TIIEA!J:!•OYAl ltlil(unlr1¥Mv o., ...... .iy &p,nllot-Sal;n111.2i,m!ci,lpmWod I.IIH.110 $42C!lon-lluhots.) . "' al IIUI I ~ii ,100 IUTI m 1um 10, !~~c:;1~:li~[l~;ilrlll, Mll A!D JUI!

ON THE TWENTIETH CENTURY by C)'Colmu,n Dorrctor. LorryllmiJS M~<1ra/ [),,,c,cr.C11ry:ira1ro Chutrn8rophrR,oh l)a/y Srors. Paulllolmrs.U,1hDaly Aformor b,gtimed1n:ciorme,10 pcrsLladchisu.loverandnow Hol1)wood,1ar, LilyGarland. 10 s,gn up for his new ,ho11,. TI,,, h1lan1ytakes placeaboarda lu,urypassenger lraino!the'30s cr,rnuteovemigh110NewYort. ROOOJAU lOWNHAU P'61i,H""'°',lod<.dolo Mt-y19, U,1S, 26~;eiot~n!.., Ammo Sl?(Glt!Sl~I

BACKSTAGE PASS h)W,n,lt lfarmu o.,,aor. Rmlfori~ s,~,. KruB,dento,Vm·iJ f;;;'~':';· lthnndo D<'JI, 711,..,,,h)

Australia'sfavoumcfernalc comic,Wendy Harmc,,wrote th,; e,plor:11ionof lheconn1ctbe1wccn tht,worldofgm"p,csand that of

AmCARD(02)6~81688 FRONT ROW Pi;ieeElgh1

lheir~nl5. TIIEROOOTIIEATII lOH,e••·toSrNl.lhelOOO ..,.11-11 11<111,?p:n.lprll,lt; ~Spm.lp,20,?I

S6o.\lron

FRANKENSTEIN'S SHADOW O,rn:1<1r.R,rM,JMwplit1 TIIEJUFORMAN[Em(E lttOr..londSlioe1, l.!I., •n-Moys S.-,WeHor;moli.4,<!l,MoyS, ...;,1,t.,,.,Sat

'" HAY FEVER ';J,~';:,cr;,;~JWillu11ns Cmtwnrt:Cl,jfmdfa.,e, Srars:CaroiRay,, Jon Suln,y,,\,,,,., Ue.Mar1/Jt The 1925 Bhss housc:hold ,s a comicevoca1ionofEngli>h «cen1nei1yandrom.:mlicfcver. PUYHOU~l S)ft)'0,..1~ 10..,.·19 Mr, l,i,/4M.>II; m111,,.w..i.2pms.i lmCARD 511.90

Sll.90

HENCIFORWARD z:~~;/;,~Co11rrll A)ckboom'sneweslcomcdy,s 1bou11hefutune.Completew11h robolsandhigh·!ecllgadgctry, KOKll!SIOETll!ATUCG.ltP,INY ?"'-'cn~~ .... a... UIIIMoy 12 USpmT ... !>llt nibl11nWNl, Spns.thr1 lmCUD ,11(1..,Thul

s1rn ... 11MJ1 SZWri·Sall

HOPPING TO BYZANTIUM bJ·Br111nC/a,*,Kmh,L<>·in Di,u1cr. Swufr11Ba1r, Stars:/Vam1011Kay, .Ha, h,l \tlird Je"IC>lf'o,.31, ahighly suc:cc.11fulmodemuoman,1na:t, 7llycaroldSau1Drachman.A funny and warm play, IIIUM9ll!HEATII 11M,Dout,ISl,'4ilNll'l M.1·Apr29 a,,.Tw,So!;Spm~; oitl1Dllllu tmCUD SIi (Tue-llu)

Sil S2S (111<11$11)

THE IMAGINARY INVALID bJ·Mo /i,rr D,,,.cror. R,~C,a"'lllwm \1uliere·~ l&t winy effon take~ ahla,1~11hernedical profession TitflllOAlln.ATRE ?ISAn,., rdo.~"' MoyS-Jn2 s,.,we,1.s.i, ,rnwo sn

"' THE lEISURE OF THE DAMNED SOU/V/JIJ/SPU,Y ~J,J,,: PN,rLJsimu, IHEPO:fORM.IMCl ~A(( lttOr,el,nl\~to!,lodlern lf,U-22 8.llpr,Fti,~1111

"' NOW h>Sli,ll,ylA1ir11

D,s,gnrr·Rag,rl\°""' lHErlRFOOONCISPACE 199<h>tlad\rtt1,W,m Ap,H .. ..... ,,. ONCE IN A LIFETIME byKa1<f,,,,,,,,l/11r1 D1,.<1ar:R1rl,ardl't'htrrr11 S1,u., Rwlian/R,,./>u,~h. 11,l,n 81<dav,Mi!tJ81<eM1lllt,Grm,,·1"'" u.,,,,n,RachdS:alay Ragstonchcshilanty a~lhrcc small lime Vaudeville anim followthc:ir,ilver•scn::endrcarn andconqucrhollywood. DRAMA ffiEAllE Sy,loryi)pmtHIUII Moy30·M1 8prnMon·'id;IMIIW..!,Sa1 All\CAIO SVlMM-fho)

'" PERFECT MISMATCH b>Ko,hylm, and BLACkCOMEDY bJl'ttrrS!wUa DOUBlEIIU Start·\',cfor111N1ro/lt. Hcn Rlonrhard. $11,,mWaglfajf lnLcuc·,afterma1h10TVgame ,huwl'eif«1Ma1ch. 1hc:malrh-moking pro,·esfar fromperfocL Victo,faNicoll,andRon Blanchard then b.,,c~ oplOJO<n S1uan Wagstaff in Blad Com~lfy - acn><eia11imcforan~pand comi~anist"hen,ucldenlythe ligh!> gooul. QINSREEl'IHWRE tilen'.tfrsd,\Fo,r,1 Apr1'·May2 8prn T.,..fri;8.lCJfflSal; mOllll"'b,Wed;51"'1<! ,mum S23.'10 ... PRIVATILIYES ~;~;:,:c;:::'w,11ui,,,. Sta,s: IIMondaMo,:g/t llm,An,ra Lu, Drnni,Q/,r,i, Ba,.lw/om,,w

""'" Averypopularandsucces,fol ' 30.play.ctinmmanncfrance PU.YHOIISE l)'hyO~rolloiM M.y2HNJJ ..... lot il':fflll"'W .. ,211"So! lmmo SJ1.'10

'"" SIMPSONV202 byRicharJBr,·,.,,n Dmx/or· M,U O'Brirn S1a,t:Gillw~M,rtl An ,nsigh1in1olheshol1l>u1 gloriouslifeofSimp,on.Hcand hisfonr-lc8g<dfriend,adonley, bccameun1ikclyGJllipo1iheroc, EHIOOUTIIL\m 1811tDou,,ISl,JtU..on.l'I M1y2-1'113 8i,m! .. ~ . mot1.%ro1-,s«lx,, l.fflC.UO S21{1uellul

SIREN

Sllf1..,Jlu& m1t1I s1w,,r..c,1

SYDN£YTl/f:AT1/F.COMPANY

~i,~,111': i:::~:;::::~mrll Stars· ll,u/"aMour.Jvhn\\li/11m . Wilflam&pp,, World premiere of Williamson's ta1estcomcdyinwh,ch a ,om,p1ionen11·:,pmen1opcr.uion 1:0<.$ wildly wrong. A wom1111 .vi1h apurpose,whoc011'tl«p1hemen ""'l)', findlhcrself1nthcmlddlc.

+(02) 698 1432

WIWfffiL\l':E ~4,Wokltky u,•1 .. 9 BpnMcn-s.t;!pmSm; lpmlilo,28, l.po411, 11 .l.ffiWO S16(Mon-llul

"' THETEMPEST byW/11,omSlraM';ptare /),r,r,or;Nr<IA,mfi,ld Sta,.LJnhnB,11 A play about social organis~1ion and1hepo»ihili1ic,oflifcin whicholdmindsorcthrus1m1on new world The ,~lam] world Shake1pean'creatcsrdect,and define ou, "w" BID'OIISl!HEATRE 'l51ottoi"S~111. SurrvHlk MoylO·J1124 8jftlt1-fri;I.X,,,.Stt, 1M1>.S,..!.tl/SrA,;lrH J1n61p11 I.IIHUD S?l(l,.n.,J

"'

BASICALLY BACH FESTIVAL Stockholm Ba<hChoiran,d Dn,un,nghn1m Ran~11ic E11\Cmhlc jointheAuw·.ilianChamber Orchc~lnl, the Brandenburg En.s.emble,andothcrexci1ing mu,icaltak:nis,forlhisyear·s uihute10Bachandhi, contcmpoarie, SYDmDPWHOUSE ArHl rn11H11D1un1coff1mnus1

Ol'Wffi[Affl l)'WYO,.olkw MOJt-23 1.Xtp,,Nion,s.n,6.l)pm,lpmS<n .lfil{UO S4S(Aln)\J?(I)

$49{Aln)S43(11

ONEGIN llUSTRAUANBAU£f OPEKAJH[Affl 1,-dntyO,.,Ollcw ..,.10.10 1.JOir>,Mcft.W, lp11,.630prlSot AfflWD S4S(Ah1ISJl(I)

S49(Ut1)S41Cll

son BRUISING StDN£Y OANCE C0/11/'ll/VY Dance·drama agnppinglookal lhevulncr:,bih!)'of!hehumlll\ hcanandthremotionalstrcng1h 1h~tln,ci11,pires DRAMAll!L\11£ IJ'Ull'll?er•IIMt lf,i·M.yl9 Spr,t;4.30prnA,,14,21, ?8, u . .,,s,11, 19 AfflWD 529 . "' 610UPIOOll10\AYAllllll

DYNAMITE S11vs:Da.,,J1trt,.,,,r;,.,,11r,na, ~h-,,,w c ,,,w A(debrationofsonganddance, high1igh1i11g tlollywood, Broildwa) andthebe1tofRock mu1k.Aspor1adclha1includes noth1ngbu1alt-1imcfavoorites. fOOTBRIDGETHEATRE f'lrr-1lo IN!!, 1,1,1,o t,,6 .IN 30 ::';;.:Spn~ unwo SJ1son ... ni.1 • mso

!~,Ec~~SJ~~1~~o~!b~~ftom Tlr,,T,....-, ,,..iy Ph,m~fi,1m u dr1,11/s

AIDA Ml6, 9, l'l. 16(mot), 19, 73 lmat), 16, n; lllJ, 6

CARMEN Music:CMr8t<8/tEI Sws·Mnrit>f.',.,i~g./Vr,/ Shiroff Amusicalspcclackwi!ha rcvolvmgbullnng,p:issiooote mu&ic,Oamcncofireand the "''O•ld'sfinestCarmcn, Maria Ewing SYONfiEIHUlAllWEHlCEH!RE JlMl'l, t ,S, i Affi(..UD SllO IUl'I) )1401Ptero. l..J • Sll5 Sl45 fUIIHIIHlAlll(OlllCltlU\l

COSI FAN TUTTE Ul1J, 16, 20, 2l, 2S, l0, Jul 4,1

LUCREZIA BORGIA U.14, 18,?'l, ?l, lO; full?

GYPSY PRINCISS .W'l,S, IO, l l, 14(mn ), ll,21, 2S,2•; ll'9J, i,,1J, 16, 11, 21, ll

EUGINE ONEGIN lll lJ, 1•. 1t , 24, 21, l0, 4"'4

LA BOHEME lll21, ll; Aui4lm11!1, S,l l, ll, ll (...tl 20, 24, V, JD

TURANDOT ll'914.1a.n. 2s, 1'l

CATALYST ~us GRADUATION BALL plus MY NAME IS !~~~!B11~~!~)RIPlE Bill Crodaa1w11Ba/l - high-spiritcd balletsettaJohannS1rnuss· melodie,.Cowl)'Jt·Stephen Raync, ' wiani~emry ,nThe A~slra.hlll\ Ballct'i25th Ann,vcrs.ryO,on:o,raphic Cornpetmonpn::m,tres. The third 11,0'1;,al111premiering. ishascdon dl<:lircofNedKdly-crealffib> 1imo1hyGordoo1omu,icbyPc1er Sculthorpc.

AffiCAID (02J 6981688

SPECIAL OFFIR ON TICKETS 8kyycurViluJvon,maro(t,1s th,,.,..gh1h,Tn,,1fcr$6,arh -o di,co,,Mof$4.$()on ~rn,,,c/p~blie priers. \'alidf1>1four"'°"tlrs"i1h M limilt!nm.mb,,,,ftre!~llpurr:ha.,~ J/"")·~hilrourJ/oda/11!,/ F,/,.. ,oud,~,sfor Grr111rrUt1iot1 ,,,.J llayts<mr,i1,umay bt pu.rrlias,dfmm1lr,,Trust o!fict for onl)S7.50. l <>uchtrJarr op,ndoi,d an,Jr,t/u.rn~.-Jforfirk(IJ /ll lht l>o .. obiu.Sa...,Sa1uuloy aNlhc/11Jay rtllrt(fion,applyto 1h, lr ~s,. ,\'o lr,,,W/mifuuchu'K"'l m,r·u 1htr, <Jny/,,...rw1h~n,,mber1NJ1 mrmMrs ...,, buy. DJJroums of $2.50a,t11/Jr,o/fr1td ~tlht Ma,idoli11CilmM, l~r1HndJ. Marnn l'lact, tkt Crrmomr Orphu..,ar.d1h, A""1r11t1T..,i11 Padd1np:1ona10/l p,rfor,no.nc,$ nup1Smu,JaJ·p,., Thntd11eaunrs ar,/,,,,;1,dtoonrp,r..umbui.pon prrs.rn1a11an0j1MllmL'arda11M IHJra/fkr. ll, ,i,, Ro,r,o/11~ c,,,,,.,.,, 1h,:Ar11Card><111:'1)"()<,a$2 d1rr011nt ,.,1h a n,aomumpwrlitlst o[n.<>1irtr11

itil1\i:H'IM1lliii NAY FEYER DINNER AND SHOW ...... Forecourt Kc1lauran1.0pcra llouse. Caro] Raye,JonSidne)', AnnoLtt. DmcattheBrnne1ong Re.,1aurru,t61.,,. cn,1S6S

CHESS CELEBRITY LUNCH M..,U M«1 members of the ca.st of the h11n1us1calCheu-JodieGill,cs, MariaMrn.'Cde,,JohnWood. Rol>bicKrup,ki,D;,.idWl1i1111:y. D»1dMcL:od. Co,t$J3Shordton Wemworth.

FILM. TV AND RADIO SCHOOL MOJ 7, 10.l0.. ln,1,tttionoflho,ch,. ,l fnllowt:d bylunchatthenearblyluxury Ma«1uan•Rcsor1Ho1el.Epping Road,l\'onhRydc. Co,tS28

DYNAMITI ..,, Secthefabu1ou,DavidA11kin, andSherccdcCoMa.Enjoydmncr inoldworldcharmatThcTcmice

Jtcsn..r.uit, GlebePom1Road. Gkbe.Cost SM.

THE IMAGINARY INVALID .., .. NIDA Theatre, Kr:n,ington, Thi~ is 1hefir,tproducuonof1hc:ncw NIDAcompanyin1he1rfabollou, newthc:am:. Enjo> <upperwi1h1hc u.st afte r lhc ,how. Cost (,lmw a11d <np1,cr) $25

PRIVATE LIVES ..,,. Playho~sc:Thutn!,()pcmHou,;e · ANoel C011,ardclassicwnha wondcrfu1ca11-Arnand1 f.h,jjglcton, Ranholomewjul111, Dcnni,Olsc:n,AnnaLcc.Dmncr at thcllennclong Restaurnnl S69

SIMPSON Y 202 En.cmble n.eam:.Oinncrand show. The11oryorSimpsonand hi,donkcy. wilikdyhcror:,nf Gallipoli CosiS49 .

WEEKEND TOUR Moys-6 Thn::cdayhi,torictourioCowra, Canow,ndm, Gooloogong, 3J!d Balhnr11.Lunch a1lovely Emw011bang.Scchi>1oricCroO\e Co1tagc,GooloogCM1gandCan::oa,. Cost inclu,ive S235.

QUIEN'S BIRTHDAY J-11 To celcbra1c Her Ma,JCMY Queen Ehl.abeth ll'sll1nhday-l'alronot theAnstralianElizabethanTheatrc Truu - ThcS)·dneyComm,neean: ho ld ing a luocheonm thr:Gala<y Room, Q ueen Ehu.beth Stabd, Ranw,c k. Th,s ,s anopponun,tyforpeople intheworl<fol\:ttoha,eadoyat 1heRace~ano.lenjoy1hepri,·ileKe,, ofMembersh,p 1ickcl<S45·mdudr:slullCh. aftemoontea,cntrance10 Racecourse and MernMn Stand· plu, frccpart.,ng.

HUNTER VALLEY VINEYARD TOUR MOJ27 Join othcrmembersonaday1our andsampk thr:famousHuntcr ValteyWinuatl'yn:ll'sGrapc Estatc,HungcrfordHill.Lu,ury coach,lunchandrr.oming1ea inc1udcdS69.

ANYTHING GOES CELIBRITY LUNCH .,,.,, A CclebntyLunchartheSheraton W.,n1wonh H01el.Mcetlhecastof llfl)"lhiJ1g G'"1 - 0erald1ncTumer. Sirnon Bur\c. PcterWhitford, Grant Dodwell. Co,t S33 Sheraton W.,n1wonh.

THEATRE LOVERS OYERSIAS TOUR, Joly28 ·.bgnt31, 1990 loin usonth1snc1tingtour. You'll .,..,Oubhn'sOruidTheatn: ,nlnebmd and,whcnwctour Scotland and England, yo,.·n take intheEdinburghThnooandvisi1 Sh•l.e,1,e~1e', birthplace al S1n11ford. G~ess11,ho'llbcplay,ngpoloa1 Wi~orwhcn)'OU&lopbya1 Gatcombc Park, home of!he Prince,sRoyal.forthe horse trial,? Thcrc ' llbepknlyoftimefor lheatre ,nLondon,whcn:you'II <CC Tht PMtilCM 0/1'ht Optra, MIJJ Saig,,,.ondme,,istars ol stagellJld=. Thcn onloEuropc -Pan,. Rome, Salib,.rg, Vitnnoandfinall>· a1wo daystopovcrinS,ngaporcfor sllupp1ng..,,.ltbc~tn:1 Sh1rlcyllay,.,llbcyourc.1eon. Kev1nS;,dl,cr, ,.·dlknownlheotrc en tic and r.ulio commentator. w, 11 be you,EnlertainmcntGuidc (Youh~,e [KOOahlyheardKe,·in tal~aboutourc~c,lingo,·cr><:as 1o ur on,adco,t.oi1on ?GII.) Phone ThcTrus1NOWforfunhet

Nole 1/w.1 Amrricu i, omi11,dfrom t>wr im,aary , .. ,...,·uduid~d ra doafull1ou,of11rt'S101n,n/'}<}/

FROHTRDW l'ogeNirie

Top ld1 : SydtitJ

Oanrt Company's

Lta f'rands and L'arl

Plaisltd in SOFT BRlllSING · Gratmt Murphy's firu wark

for 1990.

Right : ShtlltJ Losito in NOW, at lht

Ptrforma11u Spau from April 5th 10 8th.

Cut of HOPPING TO BYZANTIUM (p/ayint DI Tht £nsr111blt) c/ock,.,ist

from It/I: Callttn

Clifford, Rarhtl

Word, Vic /111,..kins,

f,tn Kaurman,

Norman Kayt,

Jarq11tlint Koll and

Patritk Word.

+102)6981432

THUNDERBIRDS f.A.B. S,,1rr1111andwr,ti,n t,y:A,.,.,..,.. o,,,..,,,, ,ea,;11ROMnson

ofcvil:r.,:interpmcdbylhc coiuidcniblc imagiruu,vepowcrof Hmna.n Melv,IJ,e .!dOrwn Wdles SUNCORPTHEATRE ~ 51.W... ..,.26-flrJ12 ....,6pll•.-m:n..w.:11Jrl'>II !,pfci,IMIN.-Sall.fl'll,SolMo,S SltJO,-,.....

A spoof on the lV pupp,! .show wh,ehpromisestokh1lanou1 LYlJCTl!Wlf

A ndrtw Da1111on an d Guvin Robtrtso11 (pinurcdJ f rom

Londo11'1 Mimt Thtatrc Projt CI havt deviud and writftn a

TH! GLASS MENAGERIE ,orr: byT,,.,,,.,,,witl,am, Dor, r1,,,. A•IJ,-ryM;/lor t::, J;an,ft• F/<JM·rrs. \ m,,..ca

S1Louismlhc'JO,,etsll'lesccnc torfrnnc;=Wilhlms'portra)o.l ofhisearher lifeMdmrrnoriesof h,.,,,.,,.,,i,tc, UIMUN!TIIUTUQPAC M.-.yl Urlf.1 &pm."81• rnrnlD sms

m.so

LITTLE SHOP OF HORRORS ~y Ho~wdllSN'lall

.lfflWD sms S2S.SO

PUSS IN BOOTS t,y N,rltola,s, .... .,,,,c,ay D/"(11" R,rMnJ Rigg Sms·¾Mry ll'ifk" Would )·oukl)'OUrch,ldm,grow upwnhou1=1ngl'uss ln8oou? BRISBANE ARTS THEATRE ,.1ne..,..,,hbai ....... ..,,14',., ?,..ScJiooltlolilln 1.mWII SI

IHI REAL THING t,yT01t1Stoppard Di";tor. GaryO'Nr,I s1orpard·~wl)ohsc,va11rmo•nd craft)dioloiucal"ay$en1<ru1n .>ridpn:!'vidcfoodforlhought. BRISBANE ARTS THEATRE ,....twr.,, ..... a,.21·M.yU S,,,,, AffiWP SIO

"' 1001116\lll ?lll

ROSYAPPllSNEED SHINING b;·JohnBradley Dor,c,or:Jru,fec BIMUids, Premien,productu:,nofancw Qi;cen<l:ondeomedy rtlMCBSTIIMI! -~-A,rlS · MtJ'SUO, .. illSC.Wl Sl9

.. , A,119-21 ,~..iSotl~ IJUWII S?O.SO

"'" TWELFTH NIGHT i>y w.11;,.,,., SNlUJMa,.-Oirtt1m. 1'01 wo11ar, s,a,. · JrnnyMm11m,Jr,,yW~·1,. Mu,ti11Lr<,n.,,d,Kn-111Gt0f'!,t Mmakenidcntn)". d11iu,..,and unn:quitedlo, c oncofThe B:inl'$ mouforw;m.1-!lt.inking play, . BWAh'EAmTlfEAlll hlnllon1<1, ..... Uolil A,r 21 illHllil 510

1(2 10011mmno

WALLFLOW!RING byPtro Mu,,ay D,,rc,o,:Annt'll,D<>"'"" P<:ganJ01ffmaybcaimccful couplconlhedanccfloorbutro thetrd1smay,m1ddleageholdsno sucheles;im,c LABOITETliEATAE Hdt Stoe1, Mio lon1<1 .-,10-.i.. 23 8plll,6.JOFafri Affi(.110 SIi

"' . IOOUl;!litlill

,-

I

TJ/E QUE£NSl.1NO BALU:r Cha,,ag,aphrr: HarolJC"'l,,u t~;,;'; sr,ph~n Ru,,..,.,T,,.i,Ur

ThcQuccns!andBallel'sJOth)·•:ir opemiiscolebra!<onsby pre<en1Jng1his.thegreare;1 lovc ,1mytfdlll1111t: IUN(ORPIHL\m

:~i::~•Sotlplll UISOJD SJOSO • suoo D1rN1or Gm, .. ,·nl,ua:,

M•J,cDlr«tto• l'u•ID,llu S1a,s· Br,<>nCa1•"""8A llicnc,ghbourhoodplon!nu~ry w1llncw,rl)e1hcume ofterlhis ,trangraridfuru,ymusical lABOITEHiEATRE

'" . SIEPPING OUT

by R,chardHams S1<J,s:J<'o11ntl.mlt, 1'01 McD011,1/d, Mr~on ~,11,onu.G,c,1/J,ar Morro~ ,\hi1comedyon l<mdon 's We.sc £nd,inu.h1<hal•d,es1apdance d8'sprcparcs for a GrandChamy Eh!l. h ',no1un1il nouvuuriche butweU--meonmg Veracom,s alons, tlm\hen,alpcrscmahti!es em,rge

MIDSUMMER NIGHTS .J:. DREAM o~d OTHEUO flfE QUEENSLAND 8"'1J.ET \f..,,c b> 1,f£ \DELSS0HN ~nd TCHAIKO\SKY Choua~raphy. Ha,(){JC<>ll,ns

ar,., hii.lllpa&I~ AITHAIO Sll

'" itom,11111011

MOBYDICK RQTC

i7.:::7,,~·l,1lltU/XJ/'1tJby l:or,r/u,- Rt,J,,,.;·Fi,ho Sl<l,s:f;ukr•rG1/jrdd" TI,chuman,..,11 ,cnu,lhcforco

IWUfTIINKiKICOW'UX (C.,,.ld,So...ltili u,111.,,21

"""""' tllClllln'lftd,?pmSot UJSWD S1UO

S29.SO

J~,:qi.,C.,,.-.,/1 Star,: \la,iu,M,ch,I Woi1dprrmi,,reS<'.t>Orl. WHCORPIBLIIIE l..,.1Sl,lris!aw 1116•!1 Spo,.6~1uo,mc1'iatlplll IJIHAlD S3UO

""" ROMEO AND JULIET byT( HMK01SKY

~HOW ~TOPPER~ 1110H THE FIRST TIME IN 27 YEARS.

lhere's~ncwfest11·al,nBnsb.:inc. Fmm Mar(h)l toApnl8th,lhcBn.>bunc

lmtmanonal Comtdy llan:uua wtll pre~nt nm,: dly,ofco111aly:ind=i,:r,1cminmenLHos1of A8ClV', B,g r.Js Gly1m Nichola.c will offer his pcoctratmilookin10lhcpsy-:heofar,ubo,Jy, Gl}nn Wit~A W~y? (April ~7. RialroThe.1tn:) and Melboume lunnypcrsonRodQuantock willhe flogging uckclS for his bu5 tour, Bus, Son Of Tram (March J0.31, ?:utnl)·aJ).

Fornincdays,Tran1fomers(l270wloc!eStJ will Go Runi,,,,,s, wi!h a ~howc= of comedy. film. mUlii<.:anJ givuway, . FromAJlr11 3-8,"Feral Televis10,t'', an animated shan fmm Damien L«i"'i!chand1oad;;howplusa"Mar·~ruddedca.iof nauonal and international comedians" will pn:mien: dtavenue.ytttobe3dvi,W,

THE QUEEN SU.ND BALU:.'1"S 3(11'H YEAR w,U open "l!h HamtoAlld /Witt Ani<uc Diroctor, lb rold Collin1 M.8 E has provided th,s gre~ic,;, of lovestoricsw1!hwmc\1unnmgandpoweriul chorw[traphy 10 (he mcmorabtc Tcha,lu,·-.k)' scon,. Acconhng 10J'li,/\iu1ral11mnc:w<papcr.1hc dana:11. Siephcn Rowe and Tem·lce Milne:, embotly"lhcve,ye>$enceof51.lr-<cro!.5edlo,·e" Th' THEATRE CO:O.!PANY'S SE,\SON fo, 1990 offersSpred'TMP/o,.·, Br,r{Li,·esandlho pn:mierenfa,.,wQu«nslandcomcdycalledHon-Applrs Nrr,I Shmmg. 11.., IJnc, w:i., workshoppcd byTN!duringiis inaugural 1989"Play, In Pro~s.s" wnten;· ass11tancepmgram. La1crinlhe year, TN!will ?J"><'ll!lhccla,;..s,c.f'liardm.Say, TN1 anisoc din::ctor Ricl:81llmgllurst"[nlhcf111al anal),is,pn,,.luctiorn; havttobeenienJJmng1ofind

an audienceand lbelic,e!hel990suson forll'I! " ·illbeanen1ert:,iningooc. Weha,·emovecltoan nk:hcmyof joy, tendemes.,anddangcri111ouching !herelat1onsh,pofallofuswi1hlifc."

IN 19 L7THE TIVOLI WAS A IJAKEKY. Bcfon:,t becameknown asllieTiv 11 ,.,asnhumblc FormudeVallcyfWTI1twcfactoryand. more n:cemJy.astoreroomforlheO.~leyL1brary. BU1 aftcrrefl!lbi1hmcntbyAnnG:umsandLyndal CIJrk.ThcTivolihasbecome"hatilis today. The o ldwooden vaul!"O ceihng reTTWnSilSpndeand joyand!hc .,.ttinicouldn'1be bmeredforlhe cum:ntsho,.,f1111in'OnTh,Rirz,producedbyP<:1CT Nononto RobcnClarl<'sarranK"mcni,;of mu,ical gems from Ge~hwin, lkrlin. Kem Md Pone,. Thc ,how ,s 90 mmutes of cntaainmcnt ho\ted hy Eric Summons, bnlhartll)' lit with Munning oo,tumc, :,nd aca11ofeight.l~ 'l'ivohoffc~acomprehens,vea· Ll<artemcnuandwmehstandaftcrthc5ho". p.uromc;md.inc:eonull lam.

Tl!E QUEENSLAND YO\JTH ORCHESTRA has a reputation a, ,,.., uf1hc fine,i )'0111horehcstras mthc " orld. With ,,,:vennve""'-"!OW'IIOl1SCl'C([i1, the 'J5 p1ccc On:he)tra hal. n:ceml) re!ume,;I form a murof !he l'ocific Rim - Amaica. Ca,oada. Japan, Chmaan<JHongKong.Lookomforrheu pe,formaoce1.!hc fir.,tup1ncluding Samucl Barber\ O,·rrture for "Thr Scl,o,,/ For Scu,11/<1/" , Edw:mJElgafS/mroJ11c1w1111ndAllt11rofor S1rinj/, and Banok'sCo,,c,no For0rrht£rru. ThcQYO ,mend, 10 premier,: ,.,,o new won..,- a violin crn;cenob) Bri,banc comJ)Ol.CrPctcr Kanl mcand American Willil!ITI Thomas McKmley·s 61h Symptiony.

HAGEN QUARTET MUSICA VIVA M0llJ(f-Qu,u<rrmD.K57S WOf.f'./talu,,.S,,,nad, SCHU8F.RT ·Q..,,,1rnJa1: S//OSTAKOIICl/,Quartt1Nt11 (19,IJ )

COH[EITOOQPJ.C s....w.~ ....... .1.mWD S25.70

S71.00

JAZZ'N' BLUES Afterafou,-coumno<h,up,jozz.-loving dine,.,dlTI>< Tiwli cn ' "ingihcni&hta"aytolhc sounJsolJoe'Fingen;' Webstcr. THETIVOLI )l(o<tin\t, li,igoryllffl<O n ... .....,. UTSWD $ll w,,•1,.,.,..1,.., IIOIIKH!1111S?ln2

QUEENSLAND PHILHARMONIC ORCHESTRA MOZNIT· S>·,r,pkan,·N,,6. K, 43 S11/fo11,,, Canc<'fft1n.e/or ri<>i1,r and \lioln, KJ6' D,..,,.,,mrnlo/r,rs<,ing,KJQ.I J.UMOIIUMCPAC ~ Brd. lriltmo lpr21 1pr1 AlllWD SJ8A

"' QUEENSLAND POPS ORCHESTRA BRfflSIIU,STNIGlfr AT l/ff::l'I/UMS Fca1un:solJfavoun1,,likelanJ OfllDfH AndGl(JrJandamus1cal ll.,ttlc bo:1wocn Sc<llS and Vil:1ng~ mM1lcolrnWilhai11"'n',Th~ Wall w takeyourfla,,anddrc,, forbattle . lncluJ,, a ,upponini pn,gramofsotoimandchOll.IS. COHCIRll(J.l.LQPAC *"'iG/a,11;,kno AF• Hlpm ARTWJD S19.,0

QUEENSLAND SYMPHONY

~~h~~n!!t,. \.,,d,011 MENDOSS0/1\. · P1Unt1Co,,ur1<1 N,. I

AffiCAR0(07)2219S2B fROtfTROW PogeTen

DVORAK S)mph,,,,yll'o 7 Canducrur· W,rnr,AltdrrasAIM'I f'iano:Mouralympany CancmHa// Q/'AC SOUTHBAHk,BRISBAHE

"'" a,..,,l'ur<n:,n 11lkl.l>,ffl(JIIM[ol.il) IJUCAID S1l

"' Colm Sl'/£1/S v,,,,.,.,,,,,,n,ofor S1ringJ Richw,ISTRAUSS·Dun Cnne,,r,no U ,\GETl· A1mosphut ZEMUNSKY · S1,if,m,m11 ConJuc1ar: w,rnr, And""' /\It,," Cla,iRtl:P(Ju/DMn Ba,s(}()n: l'er,rMos:,on UCMllllCCEIIIJIE ,.,, 111111,w..1~ &p,208pm !'t., .... ,111,1• 1.Xlpm AffiCAJD Sil

"' ffAYDN·S)·mpl>tinyN<> J02(Tht M,,(1(:/<) l!M/1Jt.L . Jla,pCa11ctno OFRUSSY , SnertdnMPr<>/ant Dt1M t J ~~;::~/AN/NOV · S>·mp,_,c

Col!dw.ror. w,,,,.,,ARdrtasAlb,,s /la,p: AhaGi/es COHCERTHAUCm ~kd. 1ril«n McJ U 8pnt Tlf(CIIITT:l hndalRoad, ..rteriPorodiie Moy Ja !pm AffiWD m

"' QUEENSLAND YOUTH ORCHESTRA 8AIIB£R .Q,r,rutr1o ·n «Scfu1<1/ Fo,Sco,W/' £/,GAR· ln1'odurr/1>na>tdAl/11ro fo, Sumv Canu,,o (TB.4.) BARTOK . Cm,u'1ufi,r Orcii,.,s,a ConducMr. JalinC~rra IMYNEHJ.LL u~m0\ltell!lao( s1.woo Apr71pm

IHI FLYING OUTCHMAN l.)" COp,,,, afQu<m<land C<>nJm·,,,, Jnhn Mmh~Jlnl l),,,c,or. Bnrr,,,dB,n,hau~ Dt>1gnu: S haunGw"o" S1a,s· /Jan~ldMclfJIJre.C11r/aPnM W:ignc,idu "'l''"'l~r. Donald Mdniyn:sing< !hc ti!lc rok:a,-.1 dmmn11c sopranoCarlaPOOl (from lhe Berl,nStat~Upcra).,ing.s Senta. Mu,;icbyQldS)mphon) ond Ph,lhar,wnic Orchcstra< LTIICIHUJREQPA{ So.i'koi,8,ilkno Mo-,12·26 130p,t, n»i< lloy1]6',m, llloylt1~ AIDCAID sse ($48nol\)

S60 !SSOnol\l

11•,ryfunny and sucunful spoof

on thtttlrvision

puppttdassir,

,;Tht Thundtr·

birds", Thert '1

jus, four p t r·

formancts of

TH U N D E R · BIRDS F.A, B.,

so only "uuly

bird1" will catch

1hisou1rageou1

comt dJ. Su

li11ings.

iril~i:if'IW1H·l·II Gold Coast members <an now receive aTrust DistHnl to performances at The Centre, Surfers Paradise.

CARNIVAL! AND AUCTION &p,,166 J0.9pol Thi,i,•"TrusifundR;ii, er' w p!ca\Cjtlinin. Fahulou•g11o<lic<10 beauCU()(ICdll\dud,ngawcekcnd at!heShcratonat Noosa. llVllSIDECOOlE ARTSCARDS3D

IJ5

HILTON HOTH CABAREIS AfnllMI Thc Truse inQuecnslaJtdnow ha, disco11n1,foraJIH1l1onH01cl Ca~i.whichcon, is!ofasct 1hn:e~our<emc,1landashow. Thc ncA1ca~1i,wi!hThcLit!le Ri,·crBartdandfca1urif1i Spccisl g11e<1WarrenZevon. The sOOws !akc pbce,nthcballroom i.mmo m . ., 10011"1 ,HOlt lll !lll

PUTTIN' DN TH! RITZ NIGHT AT TH! TIVOLI M1J4 ~.llpm Throwon your'gladragSond jo1nusforantzyn,gh1outat thc mag.nificentncwTivoliThealre Rc,1aurant.Withall1he ucitcmcm andflamhoylll,ccof the '30.,Purtin' OnThcRit: fe11iure1thcmu,ic o!Cole P011cr, JrvmgBer!inandGeorge Gershwin nvoUTl!UTRERElliURANI SlCoiTW1SlfM!, 6<ogo,yler1t11t .i.mmo SIS !.liowfdl' olt<Gr11r ... 1a1.....ip<im.

TRUST TIPPLING TIMI Hcld 11!hePian0 Ba1 (bchind lhc tiftsinlheA1num) on!hcla,1 Fridayofevel)· mon!h. Come al11ngand mee1wi!lt.oth,r:r Trust mcmbers. For!hoscof)ououl !hcn: whoaresingleorwho uc lookingfo,somr:c:ine1o go1o !hc theauewi1h,1hi,isanoppor1unity !omcc1hke•mindedpcoplc Tlf[HllJON HOTEL S.JOi,n,·1,,,,

TRUST NIGHT WITH GLYNN NICHOLAS AprilS8p<1 fo,comedy lovorsandfans of ThrBig l,ig. don' rmiss our Tru~! N,ghiwnhthisgihctl humouri,1 W.DOTHUTIE AmCAtO S7l.SO

${07)221 7762

'AUO'AllO l,y Jt,cmyUoyd, Oav,dCrq/1 D,rw:1ar: l't1rr f'a, ,,90 .~t11rs. "'"' G,m,., Cu,11i,n S,t,·,r11. Rirloa"1Ma, ,,.,, . Renc(Oi!lie•)isaFrenchcaf~ ownc:rcaughl bc1wocn cn!crl~,,., ing111cmbcn,ofihcOcsU1poand mcmbcTS of the Re, isumcc. H,s elfortstorema,nw,!h !he .. nghl'' sidcar,:attl>eheanof!lt.is fan:e FrnJ'IJ.tllDIIE .J.IOlpol AIDWD S3UO

$39.90

ANYTHING GOES b ) T,,,,,,,h) Cro~u . John Wr,d,,1,:in Musicwtdl.y,u::s: Coltl'orfrr D ine/or: Phil Cu:,ork Clw,,c,gr<l(>hJ . K.,tl',,,rsan S1orJ, Ge,a/din.-Tu,,.,r.S,man tJ..,-U, Pnrr W~i,fo,d. Mags lr Ki,t/>(ls,/ct .G,un1 D,>dwrll ColePorter ',mos!mcmorahlc 111,,.,C isa fcatun:ofthismulti-aw;m.lwinningBroadwayhil direct from Sydney ADWIDEFmMLCMIIE ap.. .i.2.JO

"""" "' ., COMEDY OF ERRORS (TH!) b:,WiWamShaUspu,r, Dfr<cwr:SlmrmPA1/lip.< Sto,s:Gft,ff,.-:,R..sli. D,,bllornu y, J,,,.,,.,,,,.,,,,.., llieullimateiden1i1y crisis fo, 1wn ,,.,l,nfi<lcn!ical1wins - two idcniicalmu1crswi!h two identical servants THltlAYIIO~ "' 2HP.y26 &pml .. So1;1.JOpmMfvl; i.,..Majo lS; lpll"°'l'S;\lom"°'l'9 .lffiWD m m.so DAYUGHT SAVING byNid£~r,~h1 D/,.-cU>r: Ga,,yFry S1ar1: KatrRairon, Julla Mtwdy P1tnly nflaughs in 1his previou~\y siazctl,cll-outsuccc!L..sconccm 1ni; whatishopcdwooldbcaromanuc ev..imgbetweenCJt-lo,crs ..... "'" I.IUWD Sll.90

SIS.90

MARAT SAD! byPrtrrW~iJJ Oirw:10,: Si"""' Phillip.< SUJrs.Gr<>ffrqRu,h.Jan, M,n.-1-,, Bal, Hor~ry lnrnaiesplayou11hedea1hof Mara.11othedirectio nof no10rious Marquis de Sade. Se1 inanasylumbathhou!>C. lllEPUYHOUSE ..,1-1.,. .l.fflWD S2S

"' SWIMMERS t,yNic/cGill D1rtt1o, .. G/rnMcGU/ovary Sw,1: G, ahamDocUl/, 1/en,y Ca/lfns. MiJ:n,l £aJ1, D0,•idJ"'1/h,g, Ndlfu""""1r A socludcd •wimming hole, tnditionally!hemeetingplattof """1,is infoct«lbya ' mysrerious' illncss.Humourous lookat n:l1uonsh1psandbc,ngali, e UOMTl!LIRE U..,.Mlc.n,Uolci6o

Am CAR0(08)23181S6

..,1s-20 1.30pn,1 .. 111;10p,nSot AffiWD S11

m WOGS DUT 01 WOIIK Diut:/or M~,t Game Srar1: Man·al'0'1r<i, MicNl,l8/ai,, R<>MnoMiral, Laughami~utestuff!hathllS cm..,,dcdhouscs"hcrevernhas pla~ed. IO IWESIY1IBEA111[ ...,u.,., .,..1 .... 11w;1cn.11Dp1ffl.'ial;5pmJL111l .lffiWD SIi

'" .. ~ ~r!oPIORA OF SA

f.'I.GAJI-Sr,r,UW,fo,Sr,,,.K, HICJ/ARO MIUS • Ft.,r, Car1rt '10 SA/,\7. SAt,'NS s,mpJ,o,,y NaJ AOWJOE TOWII OO Moy 16 6.lOpr,I ArlsCard S2D(ARes) Sl5 {8)

'" LEST W!IDRGET ANZAC OM CONCERT Ff"Qlurt1 ·1/agr, Hu,,.·~ll{bar,u,,r,} FESIIVALIBLIJtE

"'" UtlCAlD SJO ICO

TDIIONTO SYMPHONY ORCH!SIRA Cundum,r. G..,,,r,1/rrb,g MNIU'R $Jmpl/OltyNa. 7 100.lt0£TOQ ~All .., .... i.mwo S291HtsJS1.llt

~· llO v .. m,,,: Jolln ,l4</u,n VAL DOONICAN IN CONCERT f :',.J;i;ff,,~::~ Rua Huniu, :tc=~ar~t.i~i:"~·/:: Road

sing,ng horo rciums. :Vi~.~tt:.19,?2 :~~EFESll'IAl{(IITU

Spm lffiWD SU.90 ..... AD!LAJD! CHAMBER AUSTRALIAN ASSOCIATION ORCH!STIIA FOR DANCE EDUCATION SU8S<.: IUYl'ION SERIES lfffERNATIONA.1. DANCf! OAY flrt<o(f'/\'t Ct11tuft.< Fcaturing danccfromaround!hc DavidJOSE.Pll ·Nrw,..,,,kfe, work!. O,xan andSm~g Or,'Mtrn> illPHl!IIEAJlE HAYl)'J .Sympfumy N,,, 4] Fflliloo(Como

gei;1....u;·~"',:::.:;;"~~£Mo)Q' A,12' Opus11 UIH.U!I SJ lilWIDllOWNl!All • SS ...,23 Ip,, ClllOU. flll

.l.fflWD !~IAltsl t~~.S0!8)

ADELAIDE SYMPHONY DIICHISTRA IAMILYCONC!RTS c,,~,rtt, Fa11t11SY !And - Tammy ITCHO c,,~,,,11, r,,,.,. M, O,cM,11a Da~n Sp""· /,miui11:Ro/fllllR/US

f5!NI.LTHUTIE 7pm ... 21Conton l 1pm.,.2S(Olllfl1 11

ICI

AD!LAJDE SYMPHONY ORCHESTRA MAIIIRSS!Rl!S FIRST CONCERT

cl.usical, modemrutd multicultunl ..,, 23'21 ~~~ic"r !IIUl l!Ulll COWll{f IIUI!

IHI DANCERS' CHOREOGRAPH Clw,rogrop~trs:SinanP, aroct, C,ai>a 8uda1 On,1nrr : All,so11 8 ote Vib,an1~cwdanceworl:s prcscnicd inlllcimima1c surroundmg~of 1hc Balcon)' thcatn: AIIJ IWCOMYIHEAl1! lf<2'·Moy5Bp'II .i.mcuo s,

112

" WOGS OUT OF WORK" has hardly bttn out of wort ti11ce

if wat/irsf prestnltd in 198 7, Tht show ironstt nds ilt

Lfi!RARY LUNCHEONS C. DAVID HEYMANN . au!hor ofla<:kieOnassi,b,ography UNIOMIIDffi W..,,....,ih~I Af,r11S 1!-2'wn S2S TRUil MIMB!ts. S30 FUGIIT OKI..

EDWARD DE BONO · t /iM RIG/IT, YOU ARE. WRO,\G Mcc1!he ch1ef proponcntflf LateralThmkmg. ... !Ul!Nltlllill\CQNIA(l11Ul l

AIDA DINNER SPECTACULAR RESERVATIONS SHOULD BE MADE NOW for ttus "dumcr w1!h ad,fference",NumbeTSate definiiclylimited.T:ablcsseal ciiht,so (wMe!lt.is is Jx»sibk) you , onorganisc)·ou,o,.,11 party or nominatc wllo)OU"'Uh los,! u.ith.Bool:ingfonnsfor !he AIDA DinnerSpecw:ular,. ill bescnt along wi!h all ncv,~leuc" """"' Adelaide mcmhc:11.

A REMINDER ALSO THAT forS l.OO youcould hc: m !hc runningforprizes fromQanla<, AnS<'llAirhnes. Diana Bonython·s Acur deLi>fashions, B1l100-Melhoumc. PlayboA Thcatre. Mclboumc and S!atcOpcra S.A Apply forbooks ofrafllc11ckets !lt.rough The Trusl office .

ff i p p an I

rtpulal ion by

b r oach ing fin h il a,io111

fashion) 11111t1trs

tliotsho11ldbc

co11sidued by

all Autlralians,

Mari a Por1ui (pic1urtd)iso11t

of 11,t show't

LITERARY LUNCHEONS

C. David Heymann D Edward de Bono 0 Ta: AETT li1t1ar,~(l)fflll!a GPOloJl10UdeltideSASOOI l'lu>esend m~ .. .... 11rtet1 @ S25fU 0 l havc""°looal a ch«tucfLO' S . . ,_ .... PilY•ble io AETT Literary Lund1cons togclhe, ,.·i!hanaddressedcnv,:l,:,p, iolheuct ot>may be ""'t bact wilhoklldday.

Name .... Address ...

P/Code ...

P hone

Names of guests (Ulll9WllllHIOll'lfflWlffllfCISW'l'l

Condur<o,: Nicl,,J, . ..- 8 ,11,1h .. .,,/,r P1ano: Mournl.y,..,,,,.ny 8D?U0ZU Car,a.,, O,•r,,u,r 5Clf/JMANN Piu,wCont:rrW MAlll£RSJmphor1yN,,, 5 AD(LlHlt:TOWNHJ.U lpr S. 6,7 UJt.pS;""".lf,6,1 mmto S?HUtslS11C8) ~H OW ~TO PPER ~

THEY ' RE BACKIII S?t.50 m

SFCONnCONCF.RT C,,,,,J.,c,,,r. Nic/1()/as Brwth .. .,,,r, M OZART . Sympll011y18 'P,agu,· RAl'EL , PrnnaCancr,1a,oG TCIIAJKOVSKY · St'"P"""J Na. 6 .,,,.,~, .. ,,.,~· AIIEWOE IO'Nlt!lALL Af, 266.3!Jin;A,r27,21Spm l.ffiWD S!UARo.) $17(1)

S?t.50 SlS

Tli/RD CONCERT C,md<K10,.Bryd,0Thonuan Ro>plu.r/ W,1/(li>eh-Crl/o lfAYDN,Symp,_yNa 118 BWC/1 ,Schrlonw MART/NU, Sy"'{IIIOnyN(). Dl'ORAK -SrhtrMCo>pt lrrwso

AOEIAIDl:1DWNIIALL Moy31, .... l, 2 6.30p<,, Ma,.31;BJ1'1l11>l, l J.ffiWO S1H.Uts) Sl1l1J

S?t.SO S2S

ADILAIDI SYMPHONY ORCHESTRA MEET THE MUSIC SERIES f'fRSfCONCERT CandlfcUJr. Rfrha"1 Mills Flulr. Vi'!'""'Ta)lor l'IVAW/ . F,,,., S,a,.,,.,,s,.,,,,...,, arron,,m,11,byGo/M"'Y

~,,..,h,1...,,,,,,,.,,.,..,.~,,,,,~8" di«ounu a1ollW.1llisCIA<..as · r..·a 1,dn, 01lfudrn1pn'cts a1·a,lablra1 Ac<JJlt"'JCin,,.,,,c~. Glu , 11 c;.,,,.Q c,,,~ , Pittodif/1 Nartlt Atkl,w/, andCltdsf"O K,11,i•glon.

l)l:RINGSTORMS WIIICII RECENTLY rcdBritain.Gon:lorlKi yc,staJo fBriush dy 'A//o • .Allo .wascriuca!lyinjun:d.

nie gales d1at bl~w a pmjcct,Jc :IO violently !It.rough K~ye's wind.~=n lool:~ ~ toblow plan.sfor thc Au>1ralian =g• producuonof!ha1ouirageousshow. Onthe cveofc.anccllingthcproduction.award-winning comedy aaor M"" Gillies c~ forward.

Within a week. G illies i~ himself m Kaye's roleof Rcncand hadproduccrsanddim:!Or Petcrfllffliosighingw,th rchd.Now!lt.atlhc hilariouscomedyis upandrunrung. you' llho~C10 gc1upandru":1ing 1ogct tickcts. A/lo ' A//01sm Adctaideforonlyonc wcck(Apnl)-10).

SA STATE TIIEA'JRE C0:0.1PANY' S DIRECTOR. SirnonPh11lip:s. hasgathcrro anillusuiou.seas1for Shakespeare's A COMCdyQ/ Errort. Accomplished designerShaunGunon sc1thcstagtfor !lt.1s1alcof mistaken identity which 113$ Geo'!"Y Rush. Bob Homcry and Jane Menelaus i:nectmg each ~er.in a series of increasingly more disa5UQtlS combmalxms - wivcs.courtcsans,dcbtoTS.cm:limr.,,<juad ,,.and

WOGS OUTOF WORK IS ABOlITTO HIT Adelaide. This record breal<.i11gshnw ha.sheen SttJ1

byoncinthirtyAu,,traliansandhas 1nspiredan Auwalian TV siH:om "hic h 1opped it~ nmc ~IOI for

:;t:01 ~::.~ ~1:::: ~~:h:~y

FRONT ROW Page Eleven

N,cl: Giannopou!os. s ,mon Palomares and Maria !'ones,. Theireffons were :at f1™ dim:tcd :at a two weel( run for Melbourne's Comedy Fewval in 19g7 btllthcshow hasn' t stoppedsiooc.

Thcth=performershaveanineAAaWStible cncrgyand!hehumour isearthy,,m,vcrenl,Yulgar andatothertimessubclc.

lhe Wogs entourage le3vcs from Pamunaua in Sydneybefore goingon10Griffith. Canbe:rra, l'tnrith. Wollongong,Geelong,S~on. Perth, Mildura,AdelaideandfinallymDarwin.

NICK ENRIGt{T"S SELL-OUT COMEDY DaylighlSm·ing was amajor~inSydnc:yt&I year.ForitslOW'of .. TheSou!h',!he!Jiow tw , anracledabigrwnecast!ha1 includt::sKate Ra1son (alias Ca!hy Hayden of A CQWt/ry Pmc:tice) and Julia Moody (ab LiL Smith of StJ,u And Daughurs or Mrs West of Rajfruy"5 Rwlu). Also fearurcd art: Duncan Wassandl'l,ittG,een, Barbara Monon and AntouyG<as..

Moodyplay.o;Fclicil)·.asuc;ccssfulresuiuratt:ur, ;: !~:~111~~::::e;i:t~ws':~~y hoc1e r. Movrs 1n tcally relivcold timcsan: promptcd.Arnl ofcourse, that's thecueforthe une~poctcdand unwclcon:ioo arrival ofthrcc unrelmtingvisimrs. Doy/,gluSa,1ng canbcscen -pm,·iding:youwastcno timeinbooking_- at vanous venue.saroundSouth Austra.liafromEllisonto M! Gambier.

.. (08)2318302

THUNDERBIRDS f.A.B. S,,1rr1111andwr,ti,n t,y:A,.,.,..,.. o,,,..,,,, ,ea,;11ROMnson

ofcvil:r.,:interpmcdbylhc coiuidcniblc imagiruu,vepowcrof Hmna.n Melv,IJ,e .!dOrwn Wdles SUNCORPTHEATRE ~ 51.W... ..,.26-flrJ12 ....,6pll•.-m:n..w.:11Jrl'>II !,pfci,IMIN.-Sall.fl'll,SolMo,S SltJO,-,.....

A spoof on the lV pupp,! .show wh,ehpromisestokh1lanou1 LYlJCTl!Wlf

A ndrtw Da1111on an d Guvin Robtrtso11 (pinurcdJ f rom

Londo11'1 Mimt Thtatrc Projt CI havt deviud and writftn a

TH! GLASS MENAGERIE ,orr: byT,,.,,,.,,,witl,am, Dor, r1,,,. A•IJ,-ryM;/lor t::, J;an,ft• F/<JM·rrs. \ m,,..ca

S1Louismlhc'JO,,etsll'lesccnc torfrnnc;=Wilhlms'portra)o.l ofhisearher lifeMdmrrnoriesof h,.,,,.,,.,,i,tc, UIMUN!TIIUTUQPAC M.-.yl Urlf.1 &pm."81• rnrnlD sms

m.so

LITTLE SHOP OF HORRORS ~y Ho~wdllSN'lall

.lfflWD sms S2S.SO

PUSS IN BOOTS t,y N,rltola,s, .... .,,,,c,ay D/"(11" R,rMnJ Rigg Sms·¾Mry ll'ifk" Would )·oukl)'OUrch,ldm,grow upwnhou1=1ngl'uss ln8oou? BRISBANE ARTS THEATRE ,.1ne..,..,,hbai ....... ..,,14',., ?,..ScJiooltlolilln 1.mWII SI

IHI REAL THING t,yT01t1Stoppard Di";tor. GaryO'Nr,I s1orpard·~wl)ohsc,va11rmo•nd craft)dioloiucal"ay$en1<ru1n .>ridpn:!'vidcfoodforlhought. BRISBANE ARTS THEATRE ,....twr.,, ..... a,.21·M.yU S,,,,, AffiWP SIO

"' 1001116\lll ?lll

ROSYAPPllSNEED SHINING b;·JohnBradley Dor,c,or:Jru,fec BIMUids, Premien,productu:,nofancw Qi;cen<l:ondeomedy rtlMCBSTIIMI! -~-A,rlS · MtJ'SUO, .. illSC.Wl Sl9

.. , A,119-21 ,~..iSotl~ IJUWII S?O.SO

"'" TWELFTH NIGHT i>y w.11;,.,,., SNlUJMa,.-Oirtt1m. 1'01 wo11ar, s,a,. · JrnnyMm11m,Jr,,yW~·1,. Mu,ti11Lr<,n.,,d,Kn-111Gt0f'!,t Mmakenidcntn)". d11iu,..,and unn:quitedlo, c oncofThe B:inl'$ mouforw;m.1-!lt.inking play, . BWAh'EAmTlfEAlll hlnllon1<1, ..... Uolil A,r 21 illHllil 510

1(2 10011mmno

WALLFLOW!RING byPtro Mu,,ay D,,rc,o,:Annt'll,D<>"'"" P<:ganJ01ffmaybcaimccful couplconlhedanccfloorbutro thetrd1smay,m1ddleageholdsno sucheles;im,c LABOITETliEATAE Hdt Stoe1, Mio lon1<1 .-,10-.i.. 23 8plll,6.JOFafri Affi(.110 SIi

"' . IOOUl;!litlill

,-

I

TJ/E QUE£NSl.1NO BALU:r Cha,,ag,aphrr: HarolJC"'l,,u t~;,;'; sr,ph~n Ru,,..,.,T,,.i,Ur

ThcQuccns!andBallel'sJOth)·•:ir opemiiscolebra!<onsby pre<en1Jng1his.thegreare;1 lovc ,1mytfdlll1111t: IUN(ORPIHL\m

:~i::~•Sotlplll UISOJD SJOSO • suoo D1rN1or Gm, .. ,·nl,ua:,

M•J,cDlr«tto• l'u•ID,llu S1a,s· Br,<>nCa1•"""8A llicnc,ghbourhoodplon!nu~ry w1llncw,rl)e1hcume ofterlhis ,trangraridfuru,ymusical lABOITEHiEATRE

'" . SIEPPING OUT

by R,chardHams S1<J,s:J<'o11ntl.mlt, 1'01 McD011,1/d, Mr~on ~,11,onu.G,c,1/J,ar Morro~ ,\hi1comedyon l<mdon 's We.sc £nd,inu.h1<hal•d,es1apdance d8'sprcparcs for a GrandChamy Eh!l. h ',no1un1il nouvuuriche butweU--meonmg Veracom,s alons, tlm\hen,alpcrscmahti!es em,rge

MIDSUMMER NIGHTS .J:. DREAM o~d OTHEUO flfE QUEENSLAND 8"'1J.ET \f..,,c b> 1,f£ \DELSS0HN ~nd TCHAIKO\SKY Choua~raphy. Ha,(){JC<>ll,ns

ar,., hii.lllpa&I~ AITHAIO Sll

'" itom,11111011

MOBYDICK RQTC

i7.:::7,,~·l,1lltU/XJ/'1tJby l:or,r/u,- Rt,J,,,.;·Fi,ho Sl<l,s:f;ukr•rG1/jrdd" TI,chuman,..,11 ,cnu,lhcforco

IWUfTIINKiKICOW'UX (C.,,.ld,So...ltili u,111.,,21

"""""' tllClllln'lftd,?pmSot UJSWD S1UO

S29.SO

J~,:qi.,C.,,.-.,/1 Star,: \la,iu,M,ch,I Woi1dprrmi,,reS<'.t>Orl. WHCORPIBLIIIE l..,.1Sl,lris!aw 1116•!1 Spo,.6~1uo,mc1'iatlplll IJIHAlD S3UO

""" ROMEO AND JULIET byT( HMK01SKY

~HOW ~TOPPER~ 1110H THE FIRST TIME IN 27 YEARS.

lhere's~ncwfest11·al,nBnsb.:inc. Fmm Mar(h)l toApnl8th,lhcBn.>bunc

lmtmanonal Comtdy llan:uua wtll pre~nt nm,: dly,ofco111aly:ind=i,:r,1cminmenLHos1of A8ClV', B,g r.Js Gly1m Nichola.c will offer his pcoctratmilookin10lhcpsy-:heofar,ubo,Jy, Gl}nn Wit~A W~y? (April ~7. RialroThe.1tn:) and Melboume lunnypcrsonRodQuantock willhe flogging uckclS for his bu5 tour, Bus, Son Of Tram (March J0.31, ?:utnl)·aJ).

Fornincdays,Tran1fomers(l270wloc!eStJ will Go Runi,,,,,s, wi!h a ~howc= of comedy. film. mUlii<.:anJ givuway, . FromAJlr11 3-8,"Feral Televis10,t'', an animated shan fmm Damien L«i"'i!chand1oad;;howplusa"Mar·~ruddedca.iof nauonal and international comedians" will pn:mien: dtavenue.ytttobe3dvi,W,

THE QUEEN SU.ND BALU:.'1"S 3(11'H YEAR w,U open "l!h HamtoAlld /Witt Ani<uc Diroctor, lb rold Collin1 M.8 E has provided th,s gre~ic,;, of lovestoricsw1!hwmc\1unnmgandpoweriul chorw[traphy 10 (he mcmorabtc Tcha,lu,·-.k)' scon,. Acconhng 10J'li,/\iu1ral11mnc:w<papcr.1hc dana:11. Siephcn Rowe and Tem·lce Milne:, embotly"lhcve,ye>$enceof51.lr-<cro!.5edlo,·e" Th' THEATRE CO:O.!PANY'S SE,\SON fo, 1990 offersSpred'TMP/o,.·, Br,r{Li,·esandlho pn:mierenfa,.,wQu«nslandcomcdycalledHon-Applrs Nrr,I Shmmg. 11.., IJnc, w:i., workshoppcd byTN!duringiis inaugural 1989"Play, In Pro~s.s" wnten;· ass11tancepmgram. La1crinlhe year, TN!will ?J"><'ll!lhccla,;..s,c.f'liardm.Say, TN1 anisoc din::ctor Ricl:81llmgllurst"[nlhcf111al anal),is,pn,,.luctiorn; havttobeenienJJmng1ofind

an audienceand lbelic,e!hel990suson forll'I! " ·illbeanen1ert:,iningooc. Weha,·emovecltoan nk:hcmyof joy, tendemes.,anddangcri111ouching !herelat1onsh,pofallofuswi1hlifc."

IN 19 L7THE TIVOLI WAS A IJAKEKY. Bcfon:,t becameknown asllieTiv 11 ,.,asnhumblc FormudeVallcyfWTI1twcfactoryand. more n:cemJy.astoreroomforlheO.~leyL1brary. BU1 aftcrrefl!lbi1hmcntbyAnnG:umsandLyndal CIJrk.ThcTivolihasbecome"hatilis today. The o ldwooden vaul!"O ceihng reTTWnSilSpndeand joyand!hc .,.ttinicouldn'1be bmeredforlhe cum:ntsho,.,f1111in'OnTh,Rirz,producedbyP<:1CT Nononto RobcnClarl<'sarranK"mcni,;of mu,ical gems from Ge~hwin, lkrlin. Kem Md Pone,. Thc ,how ,s 90 mmutes of cntaainmcnt ho\ted hy Eric Summons, bnlhartll)' lit with Munning oo,tumc, :,nd aca11ofeight.l~ 'l'ivohoffc~acomprehens,vea· Ll<artemcnuandwmehstandaftcrthc5ho". p.uromc;md.inc:eonull lam.

Tl!E QUEENSLAND YO\JTH ORCHESTRA has a reputation a, ,,.., uf1hc fine,i )'0111horehcstras mthc " orld. With ,,,:vennve""'-"!OW'IIOl1SCl'C([i1, the 'J5 p1ccc On:he)tra hal. n:ceml) re!ume,;I form a murof !he l'ocific Rim - Amaica. Ca,oada. Japan, Chmaan<JHongKong.Lookomforrheu pe,formaoce1.!hc fir.,tup1ncluding Samucl Barber\ O,·rrture for "Thr Scl,o,,/ For Scu,11/<1/" , Edw:mJElgafS/mroJ11c1w1111ndAllt11rofor S1rinj/, and Banok'sCo,,c,no For0rrht£rru. ThcQYO ,mend, 10 premier,: ,.,,o new won..,- a violin crn;cenob) Bri,banc comJ)Ol.CrPctcr Kanl mcand American Willil!ITI Thomas McKmley·s 61h Symptiony.

HAGEN QUARTET MUSICA VIVA M0llJ(f-Qu,u<rrmD.K57S WOf.f'./talu,,.S,,,nad, SCHU8F.RT ·Q..,,,1rnJa1: S//OSTAKOIICl/,Quartt1Nt11 (19,IJ )

COH[EITOOQPJ.C s....w.~ ....... .1.mWD S25.70

S71.00

JAZZ'N' BLUES Afterafou,-coumno<h,up,jozz.-loving dine,.,dlTI>< Tiwli cn ' "ingihcni&hta"aytolhc sounJsolJoe'Fingen;' Webstcr. THETIVOLI )l(o<tin\t, li,igoryllffl<O n ... .....,. UTSWD $ll w,,•1,.,.,..1,.., IIOIIKH!1111S?ln2

QUEENSLAND PHILHARMONIC ORCHESTRA MOZNIT· S>·,r,pkan,·N,,6. K, 43 S11/fo11,,, Canc<'fft1n.e/or ri<>i1,r and \lioln, KJ6' D,..,,.,,mrnlo/r,rs<,ing,KJQ.I J.UMOIIUMCPAC ~ Brd. lriltmo lpr21 1pr1 AlllWD SJ8A

"' QUEENSLAND POPS ORCHESTRA BRfflSIIU,STNIGlfr AT l/ff::l'I/UMS Fca1un:solJfavoun1,,likelanJ OfllDfH AndGl(JrJandamus1cal ll.,ttlc bo:1wocn Sc<llS and Vil:1ng~ mM1lcolrnWilhai11"'n',Th~ Wall w takeyourfla,,anddrc,, forbattle . lncluJ,, a ,upponini pn,gramofsotoimandchOll.IS. COHCIRll(J.l.LQPAC *"'iG/a,11;,kno AF• Hlpm ARTWJD S19.,0

QUEENSLAND SYMPHONY

~~h~~n!!t,. \.,,d,011 MENDOSS0/1\. · P1Unt1Co,,ur1<1 N,. I

AffiCAR0(07)2219S2B fROtfTROW PogeTen

DVORAK S)mph,,,,yll'o 7 Canducrur· W,rnr,AltdrrasAIM'I f'iano:Mouralympany CancmHa// Q/'AC SOUTHBAHk,BRISBAHE

"'" a,..,,l'ur<n:,n 11lkl.l>,ffl(JIIM[ol.il) IJUCAID S1l

"' Colm Sl'/£1/S v,,,,.,.,,,,,,n,ofor S1ringJ Richw,ISTRAUSS·Dun Cnne,,r,no U ,\GETl· A1mosphut ZEMUNSKY · S1,if,m,m11 ConJuc1ar: w,rnr, And""' /\It,," Cla,iRtl:P(Ju/DMn Ba,s(}()n: l'er,rMos:,on UCMllllCCEIIIJIE ,.,, 111111,w..1~ &p,208pm !'t., .... ,111,1• 1.Xlpm AffiCAJD Sil

"' ffAYDN·S)·mpl>tinyN<> J02(Tht M,,(1(:/<) l!M/1Jt.L . Jla,pCa11ctno OFRUSSY , SnertdnMPr<>/ant Dt1M t J ~~;::~/AN/NOV · S>·mp,_,c

Col!dw.ror. w,,,,.,,ARdrtasAlb,,s /la,p: AhaGi/es COHCERTHAUCm ~kd. 1ril«n McJ U 8pnt Tlf(CIIITT:l hndalRoad, ..rteriPorodiie Moy Ja !pm AffiWD m

"' QUEENSLAND YOUTH ORCHESTRA 8AIIB£R .Q,r,rutr1o ·n «Scfu1<1/ Fo,Sco,W/' £/,GAR· ln1'odurr/1>na>tdAl/11ro fo, Sumv Canu,,o (TB.4.) BARTOK . Cm,u'1ufi,r Orcii,.,s,a ConducMr. JalinC~rra IMYNEHJ.LL u~m0\ltell!lao( s1.woo Apr71pm

IHI FLYING OUTCHMAN l.)" COp,,,, afQu<m<land C<>nJm·,,,, Jnhn Mmh~Jlnl l),,,c,or. Bnrr,,,dB,n,hau~ Dt>1gnu: S haunGw"o" S1a,s· /Jan~ldMclfJIJre.C11r/aPnM W:ignc,idu "'l''"'l~r. Donald Mdniyn:sing< !hc ti!lc rok:a,-.1 dmmn11c sopranoCarlaPOOl (from lhe Berl,nStat~Upcra).,ing.s Senta. Mu,;icbyQldS)mphon) ond Ph,lhar,wnic Orchcstra< LTIICIHUJREQPA{ So.i'koi,8,ilkno Mo-,12·26 130p,t, n»i< lloy1]6',m, llloylt1~ AIDCAID sse ($48nol\)

S60 !SSOnol\l

11•,ryfunny and sucunful spoof

on thtttlrvision

puppttdassir,

,;Tht Thundtr·

birds", Thert '1

jus, four p t r·

formancts of

TH U N D E R · BIRDS F.A, B.,

so only "uuly

bird1" will catch

1hisou1rageou1

comt dJ. Su

li11ings.

iril~i:if'IW1H·l·II Gold Coast members <an now receive aTrust DistHnl to performances at The Centre, Surfers Paradise.

CARNIVAL! AND AUCTION &p,,166 J0.9pol Thi,i,•"TrusifundR;ii, er' w p!ca\Cjtlinin. Fahulou•g11o<lic<10 beauCU()(ICdll\dud,ngawcekcnd at!heShcratonat Noosa. llVllSIDECOOlE ARTSCARDS3D

IJ5

HILTON HOTH CABAREIS AfnllMI Thc Truse inQuecnslaJtdnow ha, disco11n1,foraJIH1l1onH01cl Ca~i.whichcon, is!ofasct 1hn:e~our<emc,1landashow. Thc ncA1ca~1i,wi!hThcLit!le Ri,·crBartdandfca1urif1i Spccisl g11e<1WarrenZevon. The sOOws !akc pbce,nthcballroom i.mmo m . ., 10011"1 ,HOlt lll !lll

PUTTIN' DN TH! RITZ NIGHT AT TH! TIVOLI M1J4 ~.llpm Throwon your'gladragSond jo1nusforantzyn,gh1outat thc mag.nificentncwTivoliThealre Rc,1aurant.Withall1he ucitcmcm andflamhoylll,ccof the '30.,Purtin' OnThcRit: fe11iure1thcmu,ic o!Cole P011cr, JrvmgBer!inandGeorge Gershwin nvoUTl!UTRERElliURANI SlCoiTW1SlfM!, 6<ogo,yler1t11t .i.mmo SIS !.liowfdl' olt<Gr11r ... 1a1.....ip<im.

TRUST TIPPLING TIMI Hcld 11!hePian0 Ba1 (bchind lhc tiftsinlheA1num) on!hcla,1 Fridayofevel)· mon!h. Come al11ngand mee1wi!lt.oth,r:r Trust mcmbers. For!hoscof)ououl !hcn: whoaresingleorwho uc lookingfo,somr:c:ine1o go1o !hc theauewi1h,1hi,isanoppor1unity !omcc1hke•mindedpcoplc Tlf[HllJON HOTEL S.JOi,n,·1,,,,

TRUST NIGHT WITH GLYNN NICHOLAS AprilS8p<1 fo,comedy lovorsandfans of ThrBig l,ig. don' rmiss our Tru~! N,ghiwnhthisgihctl humouri,1 W.DOTHUTIE AmCAtO S7l.SO

${07)221 7762

'AUO'AllO l,y Jt,cmyUoyd, Oav,dCrq/1 D,rw:1ar: l't1rr f'a, ,,90 .~t11rs. "'"' G,m,., Cu,11i,n S,t,·,r11. Rirloa"1Ma, ,,.,, . Renc(Oi!lie•)isaFrenchcaf~ ownc:rcaughl bc1wocn cn!crl~,,., ing111cmbcn,ofihcOcsU1poand mcmbcTS of the Re, isumcc. H,s elfortstorema,nw,!h !he .. nghl'' sidcar,:attl>eheanof!lt.is fan:e FrnJ'IJ.tllDIIE .J.IOlpol AIDWD S3UO

$39.90

ANYTHING GOES b ) T,,,,,,,h) Cro~u . John Wr,d,,1,:in Musicwtdl.y,u::s: Coltl'orfrr D ine/or: Phil Cu:,ork Clw,,c,gr<l(>hJ . K.,tl',,,rsan S1orJ, Ge,a/din.-Tu,,.,r.S,man tJ..,-U, Pnrr W~i,fo,d. Mags lr Ki,t/>(ls,/ct .G,un1 D,>dwrll ColePorter ',mos!mcmorahlc 111,,.,C isa fcatun:ofthismulti-aw;m.lwinningBroadwayhil direct from Sydney ADWIDEFmMLCMIIE ap.. .i.2.JO

"""" "' ., COMEDY OF ERRORS (TH!) b:,WiWamShaUspu,r, Dfr<cwr:SlmrmPA1/lip.< Sto,s:Gft,ff,.-:,R..sli. D,,bllornu y, J,,,.,,.,,,,.,,,,.., llieullimateiden1i1y crisis fo, 1wn ,,.,l,nfi<lcn!ical1wins - two idcniicalmu1crswi!h two identical servants THltlAYIIO~ "' 2HP.y26 &pml .. So1;1.JOpmMfvl; i.,..Majo lS; lpll"°'l'S;\lom"°'l'9 .lffiWD m m.so DAYUGHT SAVING byNid£~r,~h1 D/,.-cU>r: Ga,,yFry S1ar1: KatrRairon, Julla Mtwdy P1tnly nflaughs in 1his previou~\y siazctl,cll-outsuccc!L..sconccm 1ni; whatishopcdwooldbcaromanuc ev..imgbetweenCJt-lo,crs ..... "'" I.IUWD Sll.90

SIS.90

MARAT SAD! byPrtrrW~iJJ Oirw:10,: Si"""' Phillip.< SUJrs.Gr<>ffrqRu,h.Jan, M,n.-1-,, Bal, Hor~ry lnrnaiesplayou11hedea1hof Mara.11othedirectio nof no10rious Marquis de Sade. Se1 inanasylumbathhou!>C. lllEPUYHOUSE ..,1-1.,. .l.fflWD S2S

"' SWIMMERS t,yNic/cGill D1rtt1o, .. G/rnMcGU/ovary Sw,1: G, ahamDocUl/, 1/en,y Ca/lfns. MiJ:n,l £aJ1, D0,•idJ"'1/h,g, Ndlfu""""1r A socludcd •wimming hole, tnditionally!hemeetingplattof """1,is infoct«lbya ' mysrerious' illncss.Humourous lookat n:l1uonsh1psandbc,ngali, e UOMTl!LIRE U..,.Mlc.n,Uolci6o

Am CAR0(08)23181S6

..,1s-20 1.30pn,1 .. 111;10p,nSot AffiWD S11

m WOGS DUT 01 WOIIK Diut:/or M~,t Game Srar1: Man·al'0'1r<i, MicNl,l8/ai,, R<>MnoMiral, Laughami~utestuff!hathllS cm..,,dcdhouscs"hcrevernhas pla~ed. IO IWESIY1IBEA111[ ...,u.,., .,..1 .... 11w;1cn.11Dp1ffl.'ial;5pmJL111l .lffiWD SIi

'" .. ~ ~r!oPIORA OF SA

f.'I.GAJI-Sr,r,UW,fo,Sr,,,.K, HICJ/ARO MIUS • Ft.,r, Car1rt '10 SA/,\7. SAt,'NS s,mpJ,o,,y NaJ AOWJOE TOWII OO Moy 16 6.lOpr,I ArlsCard S2D(ARes) Sl5 {8)

'" LEST W!IDRGET ANZAC OM CONCERT Ff"Qlurt1 ·1/agr, Hu,,.·~ll{bar,u,,r,} FESIIVALIBLIJtE

"'" UtlCAlD SJO ICO

TDIIONTO SYMPHONY ORCH!SIRA Cundum,r. G..,,,r,1/rrb,g MNIU'R $Jmpl/OltyNa. 7 100.lt0£TOQ ~All .., .... i.mwo S291HtsJS1.llt

~· llO v .. m,,,: Jolln ,l4</u,n VAL DOONICAN IN CONCERT f :',.J;i;ff,,~::~ Rua Huniu, :tc=~ar~t.i~i:"~·/:: Road

sing,ng horo rciums. :Vi~.~tt:.19,?2 :~~EFESll'IAl{(IITU

Spm lffiWD SU.90 ..... AD!LAJD! CHAMBER AUSTRALIAN ASSOCIATION ORCH!STIIA FOR DANCE EDUCATION SU8S<.: IUYl'ION SERIES lfffERNATIONA.1. DANCf! OAY flrt<o(f'/\'t Ct11tuft.< Fcaturing danccfromaround!hc DavidJOSE.Pll ·Nrw,..,,,kfe, work!. O,xan andSm~g Or,'Mtrn> illPHl!IIEAJlE HAYl)'J .Sympfumy N,,, 4] Fflliloo(Como

gei;1....u;·~"',:::.:;;"~~£Mo)Q' A,12' Opus11 UIH.U!I SJ lilWIDllOWNl!All • SS ...,23 Ip,, ClllOU. flll

.l.fflWD !~IAltsl t~~.S0!8)

ADELAIDE SYMPHONY DIICHISTRA IAMILYCONC!RTS c,,~,rtt, Fa11t11SY !And - Tammy ITCHO c,,~,,,11, r,,,.,. M, O,cM,11a Da~n Sp""· /,miui11:Ro/fllllR/US

f5!NI.LTHUTIE 7pm ... 21Conton l 1pm.,.2S(Olllfl1 11

ICI

AD!LAJDE SYMPHONY ORCHESTRA MAIIIRSS!Rl!S FIRST CONCERT

cl.usical, modemrutd multicultunl ..,, 23'21 ~~~ic"r !IIUl l!Ulll COWll{f IIUI!

IHI DANCERS' CHOREOGRAPH Clw,rogrop~trs:SinanP, aroct, C,ai>a 8uda1 On,1nrr : All,so11 8 ote Vib,an1~cwdanceworl:s prcscnicd inlllcimima1c surroundmg~of 1hc Balcon)' thcatn: AIIJ IWCOMYIHEAl1! lf<2'·Moy5Bp'II .i.mcuo s,

112

" WOGS OUT OF WORK" has hardly bttn out of wort ti11ce

if wat/irsf prestnltd in 198 7, Tht show ironstt nds ilt

Lfi!RARY LUNCHEONS C. DAVID HEYMANN . au!hor ofla<:kieOnassi,b,ography UNIOMIIDffi W..,,....,ih~I Af,r11S 1!-2'wn S2S TRUil MIMB!ts. S30 FUGIIT OKI..

EDWARD DE BONO · t /iM RIG/IT, YOU ARE. WRO,\G Mcc1!he ch1ef proponcntflf LateralThmkmg. ... !Ul!Nltlllill\CQNIA(l11Ul l

AIDA DINNER SPECTACULAR RESERVATIONS SHOULD BE MADE NOW for ttus "dumcr w1!h ad,fference",NumbeTSate definiiclylimited.T:ablcsseal ciiht,so (wMe!lt.is is Jx»sibk) you , onorganisc)·ou,o,.,11 party or nominatc wllo)OU"'Uh los,! u.ith.Bool:ingfonnsfor !he AIDA DinnerSpecw:ular,. ill bescnt along wi!h all ncv,~leuc" """"' Adelaide mcmhc:11.

A REMINDER ALSO THAT forS l.OO youcould hc: m !hc runningforprizes fromQanla<, AnS<'llAirhnes. Diana Bonython·s Acur deLi>fashions, B1l100-Melhoumc. PlayboA Thcatre. Mclboumc and S!atcOpcra S.A Apply forbooks ofrafllc11ckets !lt.rough The Trusl office .

ff i p p an I

rtpulal ion by

b r oach ing fin h il a,io111

fashion) 11111t1trs

tliotsho11ldbc

co11sidued by

all Autlralians,

Mari a Por1ui (pic1urtd)iso11t

of 11,t show't

LITERARY LUNCHEONS

C. David Heymann D Edward de Bono 0 Ta: AETT li1t1ar,~(l)fflll!a GPOloJl10UdeltideSASOOI l'lu>esend m~ .. .... 11rtet1 @ S25fU 0 l havc""°looal a ch«tucfLO' S . . ,_ .... PilY•ble io AETT Literary Lund1cons togclhe, ,.·i!hanaddressedcnv,:l,:,p, iolheuct ot>may be ""'t bact wilhoklldday.

Name .... Address ...

P/Code ...

P hone

Names of guests (Ulll9WllllHIOll'lfflWlffllfCISW'l'l

Condur<o,: Nicl,,J, . ..- 8 ,11,1h .. .,,/,r P1ano: Mournl.y,..,,,,.ny 8D?U0ZU Car,a.,, O,•r,,u,r 5Clf/JMANN Piu,wCont:rrW MAlll£RSJmphor1yN,,, 5 AD(LlHlt:TOWNHJ.U lpr S. 6,7 UJt.pS;""".lf,6,1 mmto S?HUtslS11C8) ~H OW ~TO PPER ~

THEY ' RE BACKIII S?t.50 m

SFCONnCONCF.RT C,,,,,J.,c,,,r. Nic/1()/as Brwth .. .,,,r, M OZART . Sympll011y18 'P,agu,· RAl'EL , PrnnaCancr,1a,oG TCIIAJKOVSKY · St'"P"""J Na. 6 .,,,.,~, .. ,,.,~· AIIEWOE IO'Nlt!lALL Af, 266.3!Jin;A,r27,21Spm l.ffiWD S!UARo.) $17(1)

S?t.50 SlS

Tli/RD CONCERT C,md<K10,.Bryd,0Thonuan Ro>plu.r/ W,1/(li>eh-Crl/o lfAYDN,Symp,_yNa 118 BWC/1 ,Schrlonw MART/NU, Sy"'{IIIOnyN(). Dl'ORAK -SrhtrMCo>pt lrrwso

AOEIAIDl:1DWNIIALL Moy31, .... l, 2 6.30p<,, Ma,.31;BJ1'1l11>l, l J.ffiWO S1H.Uts) Sl1l1J

S?t.SO S2S

ADILAIDI SYMPHONY ORCHESTRA MEET THE MUSIC SERIES f'fRSfCONCERT CandlfcUJr. Rfrha"1 Mills Flulr. Vi'!'""'Ta)lor l'IVAW/ . F,,,., S,a,.,,.,,s,.,,,,...,, arron,,m,11,byGo/M"'Y

~,,..,h,1...,,,,,,,.,,.,..,.~,,,,,~8" di«ounu a1ollW.1llisCIA<..as · r..·a 1,dn, 01lfudrn1pn'cts a1·a,lablra1 Ac<JJlt"'JCin,,.,,,c~. Glu , 11 c;.,,,.Q c,,,~ , Pittodif/1 Nartlt Atkl,w/, andCltdsf"O K,11,i•glon.

l)l:RINGSTORMS WIIICII RECENTLY rcdBritain.Gon:lorlKi yc,staJo fBriush dy 'A//o • .Allo .wascriuca!lyinjun:d.

nie gales d1at bl~w a pmjcct,Jc :IO violently !It.rough K~ye's wind.~=n lool:~ ~ toblow plan.sfor thc Au>1ralian =g• producuonof!ha1ouirageousshow. Onthe cveofc.anccllingthcproduction.award-winning comedy aaor M"" Gillies c~ forward.

Within a week. G illies i~ himself m Kaye's roleof Rcncand hadproduccrsanddim:!Or Petcrfllffliosighingw,th rchd.Now!lt.atlhc hilariouscomedyis upandrunrung. you' llho~C10 gc1upandru":1ing 1ogct tickcts. A/lo ' A//01sm Adctaideforonlyonc wcck(Apnl)-10).

SA STATE TIIEA'JRE C0:0.1PANY' S DIRECTOR. SirnonPh11lip:s. hasgathcrro anillusuiou.seas1for Shakespeare's A COMCdyQ/ Errort. Accomplished designerShaunGunon sc1thcstagtfor !lt.1s1alcof mistaken identity which 113$ Geo'!"Y Rush. Bob Homcry and Jane Menelaus i:nectmg each ~er.in a series of increasingly more disa5UQtlS combmalxms - wivcs.courtcsans,dcbtoTS.cm:limr.,,<juad ,,.and

WOGS OUTOF WORK IS ABOlITTO HIT Adelaide. This record breal<.i11gshnw ha.sheen SttJ1

byoncinthirtyAu,,traliansandhas 1nspiredan Auwalian TV siH:om "hic h 1opped it~ nmc ~IOI for

:;t:01 ~::.~ ~1:::: ~~:h:~y

FRONT ROW Page Eleven

N,cl: Giannopou!os. s ,mon Palomares and Maria !'ones,. Theireffons were :at f1™ dim:tcd :at a two weel( run for Melbourne's Comedy Fewval in 19g7 btllthcshow hasn' t stoppedsiooc.

Thcth=performershaveanineAAaWStible cncrgyand!hehumour isearthy,,m,vcrenl,Yulgar andatothertimessubclc.

lhe Wogs entourage le3vcs from Pamunaua in Sydneybefore goingon10Griffith. Canbe:rra, l'tnrith. Wollongong,Geelong,S~on. Perth, Mildura,AdelaideandfinallymDarwin.

NICK ENRIGt{T"S SELL-OUT COMEDY DaylighlSm·ing was amajor~inSydnc:yt&I year.ForitslOW'of .. TheSou!h',!he!Jiow tw , anracledabigrwnecast!ha1 includt::sKate Ra1son (alias Ca!hy Hayden of A CQWt/ry Pmc:tice) and Julia Moody (ab LiL Smith of StJ,u And Daughurs or Mrs West of Rajfruy"5 Rwlu). Also fearurcd art: Duncan Wassandl'l,ittG,een, Barbara Monon and AntouyG<as..

Moodyplay.o;Fclicil)·.asuc;ccssfulresuiuratt:ur, ;: !~:~111~~::::e;i:t~ws':~~y hoc1e r. Movrs 1n tcally relivcold timcsan: promptcd.Arnl ofcourse, that's thecueforthe une~poctcdand unwclcon:ioo arrival ofthrcc unrelmtingvisimrs. Doy/,gluSa,1ng canbcscen -pm,·iding:youwastcno timeinbooking_- at vanous venue.saroundSouth Austra.liafromEllisonto M! Gambier.

.. (08)2318302

.,..l~I'

"'~'ft 1111181 I OKUHOMA Rad~trsa.,,J lf""""trslri• \li,J,ra/Dirrrror lanll'rJtrrp Dvtrro, Kn·,nHaar~ S1Q11: Jr,,,.,Syd1try,Rl!8" 110 .. rl/ A fci>I)' feud bct"·«n the fwncr andthcco.,boysbnmm,ni:wnh unbndlc<l<b/lce:ondsong. IEGllTltWlf '-YSIINIS-0 ._n-•n " .. AmWD SIUO

S1UO

-JI. ASYOU LIKE II b,· K'1l/t011tS!uJl..rs1H<1rt f},r,ru,, ·Arnr/-lr,,,,,. Srars: Gabrrtllr/1""""",,J,Mr,.tn MMlrn~q lli<forc,1ofAnlcni•mfil1ra1cd bythc:llgcofAqu&riusd,sclo1ing amarrobmucmunchmg.no,,,er powc~Shok<:SI"'""'' HctflNlllW/.llTIIU.11( IN....,.lood.Wioro ,.,,.....,2, ...... .,.11 Amt.WI m<l't ...... 1 m

S14 S11

THE BlllAD 011015 RYAN t,yA.ndu .... tJn.t/1 Di,r,u,, 1'nnyMdVar Sum. R""""''"" Unw. o,,,.,,,,.

o·DoM,1y Awom.an"saucmptatfleclll8thc suff«a.tinshfcofasmalltu""· !o fulfillhcr<impled=of -· OUlMIOit1HOUSI: •~•Slrool.fr_. .,..,I? ._ .... ..,,.11.2..,., l.fflWO S11

Ill

THIBIRDS hyT<>nyN,rolh D11ttWr ·1;,,,)HOk"rr A WA muh,-millionaire controls hiJcmpk>)cc.througJ,compulcrs. thcnthcbirdslalcovcr. Pl.llkO~TltWlf !'.,S1roo1.Pri ...,ls.It fU1U1Dlllll\(011lC1111!1

THE BUSSED FOUNTAIN byRm,h,,.,,,, D1rt<11N:£d/.a1.\l'1<alft Sr.u-,.F,,,1kC"'>'""·'"""'·B,a11ir. M,rMll,Sr.,mtr.Col,n MrE .. ·ao ll,eoounc,J"sOOignforaloctl founta,nprovol<esanuproar re,ul1ingm~political\yronwmc rolution. l(6.ll.lllU.Jl( ~!lreot.W.... ..,,.,.6 ..,. .lffi(Ull S1I

"' IHE CHERRY ORCHARD byA..,o~Cht .tho,• D,rrrllH J<>N1Sak11M'S Ru!$ionanstocratsbccomcmore commononasfonu1>0Jfadeat!he !urnof1heCen1ury llllPI.\YllOIJSEIIIOOE !'.,!lrotl,Pri Af/21-lkJl2 ... Ul\WD S14.SO

Sit.SI

DINKUM ASSOATED 1,vl,,tda,1,o,uon D1rtCkJ1. RauCaJ1 ll"sl942:ondthcgirl,arefo1tcd 10,,,·ca,thepants"hilc~tcpp,ng 1nto1hcL1spoo..,,'.)Obsatabis.:ui< faclOT). llllPI.\YllOINlllWJ.E !'.,!lrld,M M.yU-,-16 lpll mm.to S14SO

Sl9.!0

KIDSIAKES byRa.,·14Mltr D,rrrw:RouCol, Srars·(i(ib11,11,11ammand.Ros1 A..Jt,son. lfrl,nTrr,ws ThcsummerofthcliritDoll !he

bcS""'"'t1oflhcwellloved"Do11° trilogy ltOlllMTll"WAUIIIWlf IIO!bnnlyr-.W.. ...... 21 &po,;ao1.lio,ll l.flHWl Sll(l't..-J SIi

Sl4 S21

ON, WHAT A lOVllY WAR 1,yJ{)(llll,flir,,-,,,,d WAAradtnyqfPr,fon,unxNu Doru11,r:Clvu&Jmt<Nl Musicalsa1irc,,..odingup.,.·u among men ACADEMVTHEATAE l~S&--, lbrlll.My ...,u-1, 1ia AIIHUD Sll

"' SERIOUS MONEY b)Cal)/Chwrlu/1 D11tc/o1·ArMNtr-Su,rs r.r"'l/rSh,.-..,,,,.J~, 1/agro.M,<:/w,rllc~q.Hrlrn Tm1M,Gro{fr,yA1tuu.Dmiglm w~1u, Aplayabo\11 1hewh«lcr,, dcalcrs..bankeriandbroker1.allof whichconuibulctov,haim•de WA l~.tick. H0111~1ll1wmnmm lalt!aw\ltyWW.. ,.}-JOiin .lmWD SIJ(l't...-) Sll

S14 S!1

SESAME STREET UVE S,ars:Di~8;1d.COOUcMansr,r ll1gl:l,rd15kidnappedbylhc vi llainousPhincasJ.Bamswallow andhi<NJU>lly<misiers...dy Rmb Prnl(OIJtlW1™9fl((l(JI! w.ar.,c,.11r-.M .... ll-20 llmn,'l;a

IEECHERS

S1l.90AoU!i S1l901M .. ,

t,yJohnG-OdHr Diurror. AlatrB«hcr Srars: Kar,1/all.Sr,rrTMmtt. .~rlflhWl/a/1 Powcrclimbing.kamingand man,pulat10nattlhcfocu,oflhis play,,,i!hinaplay.Re1umscaso11. SWYTltlATlE 6Sllwr,Stlll,hrlh AprMI ljlll;--Ap,21,11,lpll WWD Sil • SIi UNDER MILKWOOD b,DJl<JnTNl...aJ V11tc/()I AWn/Jtrhtt Su,rs· Masgtt"Kmg.fnglrKnlght. lanTaynr,£/wynU..ardJ 40th Annivmary producllOn

~HOW ~TOPPER~ '11,UMO~R HAS IT TIIERE'S A BIG.

revolu11onary mu~ical on us way. When that announc,:menl ,~ tn.idl:. call Tlie Trus1

O ia:.as .. i:"n:hopingtogeta1 lca.tasmany ucclltrn Kl!IS as we man.aged for Ca1s last )'c.af We're sure you won"t wam tom1zout.

\\'HILE fUND_LNG ISSUES UAVE FETTERED lhc 1990activit~oftho:WAOperaCompany, i,,,.u supert,~rasw,lll,e pr,,...,n1cdfru1111hc:Auw:,li::on Opera. "'nh lhc WA Opera O.Oru., and the WA Symphony On:hc,11ra. We have block booking~ for

~":; :::;~::; ~~:~,~~;::!~u=~ Thur.;day August l6. These n ights were chMen to av0<dthehm1tedch()!ceofseatsonOl)Cningnights. andlhclxkolcooccs,,,oru;onl'nda)sand Saiurdays. Tn.15t price: 5-18. Good steats (lrC ;wurul f;"'" 1hos,torughts,btJtbookearlyfortheseorfor 1,dcbonOl.hernightsofthcste-.

lF YOU LOVEDTI!E FESTIVAL OP PERTH pcrfomw>cesbyBritain'sl'llllh:umorua0n:he5tra. yoo"dbe .... clladv1sed1obookforlhcToronto S)mpho<•). Frumthcodlcrs,deofthem,..;LC31 Atlm1JC, the('.,..lild,ano1thew.1"',llbo,i.,iungu,; mMay. We'vemarvelk:da1WqualityofC:lr\3dian r.Jmandd.locc.>0.,,~C1U1e,p,:-c1.,lughi>Cll\dw fromlheorchc:Wa.1htlo1odonTim,,,les,..Tibedlhe TOIQlttoSymplo:,ny as"~h-lOl1edandpowerful;"

n( .G~rdwn • "'bnlhan1 i~mcntal VU1UOUSJt)·. ' Pen.hConcc"Hall, Mm)IO.

THEAlll.E LOVERS ARE WATCHl'IG lliE llole "'the Wall wuh more lh.-.n u1ual inle=t. "1>

Aame Neeme Sdtles 1n :is nrtllit1c din:ctor and Mark Thompson"sdcsigru;cometogc1hcrforh1sfil"§tfour producli011$. Swting offwilh a lul (W11/IJ70,,-,.r,ng) HolclnTheWallislilcdytodr.lwina.,,holeriew · audience with Caryl Onm:hill"s Smous Monr,• (frum Ju.,.,5). l!'sasubjectdearlOthchcanofW.A.

"httbng::onddcaling.

STILL ON A LIGI-ITNOTE ABOUT A HEAVY subJCCl . .. don'! miss 01, Wliul A Lo~/y K'llr '111hc W.A.AcademyofPerformingAmfrorn/'.1ay 15. 19. OIIWlaa1AW,·,lyWwislhemuslC:l.ldevised by Joan .Lmlewood, p robably familiar to most from themovrngfilmvo:r,ion.Themusicaltheaue siudem~ ~med l~t year·s most oousual !.how Thc Frog,,. in the E.<plan:ide Hrners swimming~ ·untll1tw"!>r:llf1cdout(wmeexcuse).ll,,e Academ)Sludenl,ta~cri.<.h,...,oth,:rlhealftc:tn afford.anditusuallycomc,;off

GEORGE BALANCIIINE"S COMPANY IN ~mcnca II nul,ngonc:ofitsdiorrograjlhcrs avlUlable locomcanc.l help l""P""' .,.,w worl(s for The WA Ballet Compa,i)·'~ _M,Wet Sc,r; program mJuoc. lllccompany.,,po1scdtopaytrib,ne1o Balanch,rie,oncofthe~ac~influo:nr.c,,on clas,11:alOOllelmlheWthO,rnury.(,;ecl"ung.,)

AJGJIT DECK MEMRERS HAVE SHOWN A dec1dedprefen:nccfornxl con0::ns. Prumo1.er5:m, catchmgonandFro11tRo~pn:fercntialbookings aregcnmgsomepn:ferenhaltrcaunen1. Sofor"e', ·c

~/:!e~:~~tia'~~.::~· Billy thepipclin.c. smorcin

bnngingtolifeooccmorc!hc cnchan11ng 1uwnofl .laarcgguh

IWYTII.ATIE 6SllurrurS111t1,flffl Moy~J.1 8prl;--~16,'lp:a .lmWD S1J

"' WANIOK hyFh,IT/rom.,QaalldJonForman D,ru,o,. fohQldham PhilThom,onrccrca1cs<he e~pcric~ccshc had performing play,wh,!cJ0umcy1nglhroogh N1ugm1 OlDOJSTOOHOUSI lt'hl.,o,tllrffl,frll'llln!lt .. ,,1-1 •• 2 lpn,;lllltllof1,.l.~ illSWD Sl1

"' .J:. TORONTO SYMPHONY ORCHESIRA ~;::,~";;n ~;;':;;.:::::~ A.1,xuw LOUIE . Mas,r For 11,;nor~ AnJEa,rh 8£.Ef/lOVEN · p,,,.,,,c,,.u,,., In C M/aor BRAf/MS - SJmphanyNu.! PEllllCDHCERJH.I.Ll Stlieorl[Olllffau,ftrth MaJIOSpr, AIDU.ID Sll

m

.mi. COSI IANTUTTE WolfiangA,.,,,d,..,.MOZAlff TIIFA/JSTRAI.JANOPERA

~;::i:o;""co;:,:-:;:,1:,!. Fo~ryoung lo,e"' ha>e their faithfulnc~! te5tcd byacymcal o l<.!c,bachclo, HISJWESl'nlllEJlll HaylffMI.~ Apr l0,Ma1l,S,l, lf) lll,,n J.rnWD S41(11on.r.,)

SlllMt,,.r.t SSllfrl/Soll

AmWD\09)3214953 flON"TRDW Pagelwel'it

Tiu A1utr11/ian Optra'1 produtio11 of COS/

f'A.N Tl/TTE /taturts Do•id Hob1011 as

RIGOLITIO c;,usrp~l'li.llDI Tllf: AUSTRAUAN OPERA Dirrr,.,r:JohnCopky Atalcof lovers. assas.sins. rendemessandueachcryasthe l,uochbaclt:djc,ll:r, Rigolcttotrics 1opm1""'1 hi5daugh1erfrornlhe advanccsofthcDukcofManlha. fllSIWESIY'STltEJlll HaySIIMl, M ... ,.7,10, l3, 167.:q,m AmWO S41 11/,Q,\TII,) • SSll~llut.

SS5 11ri/Sdl

.JL BALANCHINE PREMIERE \\~ BALJ.ETCOMPANY CJwuoirapMrr Barry Mnr,la/t/l. Edmu"'1Str,pt.Micha,IV,rnon HIS WJrnY'~ THU.TIE lkyStott,Ptrth J-1-9 .lffi<.llO S3l lJ.lts)S23 (8l • $.U(U.s)S'l8(8)

CINDERElLA WAAc"'1,rnyojP~1f,,mungAm Mus,r: St ')lt i PROKOFIEV C~arr<>grap~r: Mart"'""'"' PLIYllOU'i(TltWRE !'.,S1r111,Pri IR26-l0 st-(aatlm30, 2pn, AmWO S1l

111 ,1111Nrrm 1u101r101onm

DON QUIXOTE WA BA.UET"COMP,\~'Y C.:lossicMasicrSeries-1hc t~,11onalD011Quu·me11nd vana11on1, illl~Rro 8ril/iani,and ll/1urnnmO/A Fuu11 IIIMA.JE51"f1TllEJlRE ~s. ... ,.., Mr/24-30 imWD Sl1(Ur1JSlllll • Sll l-ln1Slllll

Purando, Jt//rt J

BloduG111litl•o

,n4 Joh Pri11gt1 as DonAf/01110. ,..,,:1,-.s.r.

\ll!SICTF.ACHF.11 (April). THF. COOK.THETIUEF.HIS WWE, AND HEIi: LOVER /jmmMan:h l'I); 1.AWRENCEOF ARABIA (/r""'M<rJJ.AUa11MWindrm. """'""'/p,J,iicpricr$9/_

t..,,.,irr,Ci11,.,_(/QrffltrlyFTI) auoJ/rn·ngT,...,c,111t:eUWIISa/V (/irs,rr~fi""1) and$.S(rrpntory film.< p"1,l,rprirr,$9a,sdJ7/al 1Mi,-Ml<<>ffeu<>11MPutlr E,urro,,,.,.,,.MCltnlr"r Gruur U•i4•alldHo!1-<""""ltns""J1.5() a11hcTn,,1o/fkr (,,.,J,lit:prius JJ(J.10,-/J/0.50rrsp./

FmmAprrl,tMF~,Wilq{Pmh -..·,l//..,r•nni"81/ir Yitl.ir;r<, C.-........, in lhluWo. U/J«I a year·lmlg P")8rlJffl of 1"fl fr1'•""1·111M f<J,,,s. c,.,_,spm,,Jtyby1/ir/lW1liUJb~ ~·M rryHapb,u

i!IIJl=ii·IW Hill DROP IN .,..,, GalleryFoycr, llisMajesty's Thcain:.Pertl1.S-7pm. SlagJ.as, Ncwn1e1nh,:r""-'l""'illly welcome.

DROP IN .,,, Gallery Foyer. HI$ MaJC$ly"s Theam.Pcnh.."l-7pm.S1a glas5

MEO THE AITS lUIKIIEON Af,i!OlUO,. NOELSllli:RJfJAN Wi!hW.A.Ar\UallcrySoclCly . M«tNoe1Sheridan.dircctorof 1!oo:f'enhtn,1itu1eof CootcmporaryAn. Ul!IIIYW llilllajtll(in... Mcmben $20. non-membcn S2."l

WHKIND AT YOIK ., ~;:~:=== "'«kcnd<wbcn:lndu!ierswi1lbc spo,ltrottcnandn:tumhomc u~a,medwilhsao<llivill(!and ammcua:s."""-A "'""kcndai Vor\1$bciniplanncdforMay. Coo1ao,1TbeTn1'1offlccif)ou"d liketobcino1udcd.

--$-ID9l l211148

ll!MISERABLIS Mwil:attd l.yri€.•:A/a11tR<>.,t,t1/, C/,u,d/<-M,,:M/SdrOIIN,g n!Tfftn, Trrw,,N~nn Stan: l'ri,rC01Utu,An1hcny . .,_ A Camcroo M11tkinto•h prodoct,oneun,vaganzalhal c:onunucs to aruac:1 big audiences.

PlllKISSTIIEAJIE ... i. ...... .... -.... ~-5d .. NUN!ENSE b1DanGattin V1r,r1u: 8,riy8o/Jmn Su,r~: J.,,,Bronlti.1/ Long:-n111ning:Broadwaymus1cal 1nwh1ehS1stcrBcmadC1te accidcnt.allypoisons22sisteriin hcrOldcr. ~getadc:ccnl buria.l bu1as1hernoncyru,~,ou1 four ~iMenarcstillooolini:off ,nthc convcn1fn:czcr. AlWJIDEllllWlf llloo..tii..n,;O.,... J.7·16 ......... -t111•1t.S,,..lonl,ll

sn• PHANTOM Of THE OPERA Skll,. Anllror,y War...,,... MariM PriM,D<,JrBIITTWv Bewamod;lickcu:m:seltingfa.1t for)"'tllflOffierCameru11 M11tkintoshblo,;kbu)tcr. PAINCESSTHEAffiE _ .. , IIITllllD£1Jlll((H[IIOIIUII

PUii THE MAGIC DRAGON byGa,ryG;,.;..,,,. Akaleidoooopeofcolour, infecliow.soogsanddaZl.lill(! daocinginthelandofHnonali:c This isthcswffof childhood

.IJ.00JIDEl1l1EAJIE

.,,._llrimni);°""'1 lrfi,16-21 IOIIIHlm Jm

All THRIUS, NO !PIUS C"""08NIPMT: 18'1JMMcK"y S1an:&u7'JSaw,r,,,n.S.,,,,,WQnt. JaninL!llfcKay Ovcn,btwu,hiluiowand powcriul,lhll"safcsc•"cab=t laug.hsaiignorance,supcrstition andall•tOO-~va!cnt apalhclic ,11i1udc,.

CAii ILIDERMAUS byRPb)nN(M, DirtttM: /Jami' K~y Early20thcemuryVien11esccafc lifcfillcR:dlhruughthe1:,lcntcd mindofRobynAn::her. Jn10~1ca!mg. Book soon. lllEMfllYll,nllfMmlOllSE 111SllrtSl.s.6 ...... -.yn-.-1, ~l::il.llw;Lls.n, Fri; .. 11,..,.:fl .&m(.UD SIi

m

AITSWD(0])612V77

CAT ON A HOT TIN ROOI b1 T,nunu w,11,.,,.._,. mu,u,r Rug,11/adgman Stars:Cl,arlt1Tin//"''"'I.\I""'"" !;:.".!'.,'?,·N/rlr,/as&,,!i,.frrn,

Asuuggteforinberitance. hfeand thccontinuilyoflhcfamilyname inaclusicalfamilyiagafrom 11Je DecpSouth

"'""IJII V"ino,iaArl;Ul'ltl

.. 11....,s UO,.Moo.~ILlt-fri; I.X,,.,...,.l; lpa,.a,,-4 ilTIWD m

S?l.90

DAYLIGHT SAYING i,yNi<tEnr,gA1 O,rr./or. Pt/t'rK,ng,ion Stors;JactiWta,orr Asoccc"fulreitaura1,urhosts an intimatedinnerovcr whichgucst> indulgeinthegoodlife-food. winc.fncndshipand,ummer. MSElllllllE.llll ... ,.......,.12 •.30pm.11ior1,e,.,klt-fri; l_,..V..,.S; 1pmljl 4 &mtull S?4

S1UO

THE IORTY LOUNGE CAii byTrssl)JJIOIIS D,"rror R~n Draffin s,,,,,. \.fa,ys,,,.,,.,,o.,.Cam,,J,,.., DiG"tlttlma Post-WarAu,traliaseenlhrough lhe youthful e yes of~ newly arri,•cdGrcclbridc. THE BECKffi.CUB MALTHOUSE II ISM\Sl,So,Ai.liWbiu. IJIIIApr17 6.llplllr.r,;lpn,l111-1hw;l15pmfri; Spm.l.ljp,,Sal;fnllljWIIAp-4 .&mWO S11

117

THE HEIDI CHRONlaES byWrlldylfo...,mr,11 Du«l()t: Ragrr/ll!dgman SIMS l'-laHabt lnsigh1Sintothclo<1 idoal1sm of the ."babfhuun,cr,"and1hc,illy soc,~ ucesscs !hat =te today"s Yupp,csoc1ety llJSSELLS!"lllWlE -.y1t-.lal6 ,.x,."""'lpafw.-m; l.30i-Mryl; l,..Ait4 &mWD 524

S'll.M

LAJOKEATLIJOl<E S,an· RacMI B~rt"· Tl,, Mtdlry Sw,rs.fHn,$tSro11.LyndaG1bscn. UzS/Jdl,rr A four-w«k festival swnng !he Cf<::lrll o! ,\~5tr,l[ia"s womer, oom,cs. UIOIECOMEDYIOOM Ms.illStltl,(ofnr-d ,.,..,..,.,,,. O..&lliew AfflWD S2S(T,..11iu)

111

THE MOOSE IS LOOSE LilyBraggeho,tsasidesphtting l ,nc:-upofCa,1ada"sthrcc1op stand-up comics.

IASl"UJ!GHTIIE.lTJE Mwllimtt,Colilpood .. ....,,, 7.lllp,oltlo,o.Ml r-.1\liew AmWD S21(1kin)

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"' NOIWAYlNG byC.11Mritl('l/ay,r Di,rr/or-:L(}isfi.1/i.f StarrE,-rly~Krap, Ab,ti~blackcomcdyslarring thc dynam,cEvelynK.,.pe. TI<W'Mllll 141idin!Slr1t1,S!Oda AprMI AfflWO SIUO

S11.40

THE ODD COUPLE hJNtJS"""" D1ru1or: G-B/1tlld,//

~::,..~~::;;;:::::/'~""'"· "'"lid" NcilS,mon ·svcry furmy

:~·:i,;:~~~:::: ~!~t Pur,u,1.0ocarbeconic,Oliveand Fctixbttomcsflorcna:. COlilUIYTIIWJ:E 140l'--St . ........... _ .. ,. .,. .... 5d;!p,,Wo,l,5d

&mCAIII S?UJ\lllllr>lliul S3U O!Mon-1liu1 Sl6.901frl.'io!)

PIACH MElBA by ThtrntR.,dir D ,rrr,o,. Malro!,nRo/Hnwr, Sto,, : /1,ltnN""""" AportrayalofAuS!raha",g,ea1 latlyufsong. Dame Nellie Melba'$ finalconccnpetformancctrigicl"§ =moncs ofhcrpnvatehfea,,d hern:marbblecarttr. TllEBECIEnCUB IWJIIOW 111SvtStreot.SlitW.cu.. ... ll.1SpmMon;llpoiJut.lhw;l.1Spa,frV5ar; )flll5d;11111l,-N'lll &m<Alll Sll ,,. PERIECTENGLISH byllarryD,wns Dirrr,or · L,nMF.11,s Twoo,cr cducatcdEnglish teachersm«tatlhc WongWun ~!~.~:·::::, :;~::%";!"· pn,,,cr1ecufaO.iococpropnctor who.q~ite surpri,mgly. talhlike Errol l-1ynn.

"'"'" ?O)fmai!a,St•Cdan lpr 1Mt I.X.,.w.d-lol;U.)p1S. HlSWD 5'

" THE PHONES A 1up,·oc11lconicdygrouJ1 in a full twohour5howofpopcl=ic5 S~pporu:dbyoncofMclboumc·, top stand-up comedians. Lll1-M5'nifiSted.~ lpr23·111__,. ....... .lfflWO SfflMtlll

Sl01T11t-fhll

"' A POUND Of MUSIC s,.,rs. M11cht/l U,d~•g. l:,ar/ OtJn. Ji111 Ta1«1r~ E.,.traordinaryn1niciiVISh1p combined wi!h ab~ sc~"' of humour. IASl"UUGH MS,ul,Slreot.C...,._ ...,2-1.1, 1.X.,.ltt-lot 0.-&Sl,o,. WCAIO S191Twl

S:fl(Wod/1111)

"' SIREN l,yO..,·.JWi/1"""""' Diru,,,,.·Gr~1t1,B/1111dtll St,.r$.Jt<JnKIIIJ"11 lnWill1om$0ll0S l:UCSt.huhcro,nc (played by Tltr Brg Cig·, Kin'°n) can"tkccp lhemo,naway.

A111ElWUMTllEJ!l.l III C-St,w.o.m. ,.. __ 1.ll),nlol; U$pilWNl-lhw;>flllS..!o,;, &mW0 S'l:S.90(WN.0.IIIOII)

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'"" SPACE OIMONS byGillian R~nsltin Dlrll<M: ArftrrtT<>ylor Eigh11eena8ersbecomeall-

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htrt,iJ 0/irt (sht'sthtsloppJ

/tmaft tqui,11/tnl a/Osc11r, ont

hat/o/lhtorigina/Odd Coup/cJ.

Angtla Pu1uh-McGrtgor is

f"lortnct (/ormtrly f aslidious

Ft/ix). Ntil Simon's THE ODD

COlJPLE in it, new all fcm11/t inltrprtlatian can bt sun at

Mtlbo11rnt'r Comtdy Thtalrt from March Z9. Su listings.

enirossed,nacompu~r,omc. realis1ng. !hat!heymu.1tnot 00Ly w,n1~cgamcbutoonfront lhei1 ownp;...,nolilic.<tnw1nlh1,irwa) backto!hen:alworld ATHENAllJMTHOOIE lllllC-!lrNl,Molan,

Condurror · Ila/at/ Fr11hMd:th 811,S(JS

&mWD S4l(Abs1S32llf + SSWbslSl9 111

\liol,n. Adtlr An1iw,,J ~TRAUS~"-DonJ""" MF.NDF.UiSO/fN. 1'11,I'" c,,,,,.,,,,, Pm,SCULTIIORPf.. Kai:,ui,, D£FALJ..A - Th,ntr, C<>rnttrd 1/o.lSr<m

IL TROYATORE G,,.i,w,\ERDI TIii:. AUSfRAUNI UPEHA

51AJ"Hll£.+.11:E,YA( 1.))p,o&.,12,ll; llltlf'llll.prll Mtyll-Jw2 M8JOURN£TOWNHAU

WCAID S1BO 11111 !jllll illSOO SIS!Abs)S4t(I) Slt.90 • 531(.1, lnl + S67(Ale)SIT(I)

THETIMPEST S?7(11

LUOA DI LAMMERMOOR l,yWi/1,amShaU<~rt Dirur()l: Gak&twarth StoTJ: J<>hn Gadtn. lld<'"M"r~ • Sanc,aRMJlnsQn Swirling,,,·ilhmagicandmu,ic. darkr,,:.s and hghl, !h,~ n>0<t imag~ativcShal:cspcan:playi5 ~~-phfungc~pc:ncncc.Supc:rt, .. Gtuto,wDONrlETTI

THEAU!HRAUANOPERA

51.0ITHU.llE,VAC -.YIIJOpm .lm{11d m11111!S4? (1)

S61(Alll)SS?ll)

CARMEN l'l.lfflOUSl Y,aorian.lfflCnri MaJlZ-J,116 Ulp111Moil,'911>!11t-Fri; U);mMayS;l,..Ap,4 AmWO Sl4

sn.to

Gt'orirsB1Z£T B1z.et"•thnllmgdr:1mahcopcra promiscstobcthem1ena,nm,m spectacular of 1990. NATIOIW. IDIHl'iCENTRE ...,10, 12,15 CONlllll10UIPl(IIIUM111111EAII ,HOllfflG!TllllUO IGOII"

NORMA \"/nunw/Jl,LJ.JNI \lfCTORIAN !HATF OPEN/I<

51.0ITHWRE.VAC , .. u,JO, ht1,1,11,u, 1a,21 1.llpm;lpr,,Auiall I IIIIC1 111!1fOIPl£FrtllOIOOIIW6 Dllll UDPllm.

.J:. THE GIPSY PRINCESS IRISTAH UND ISOLDE R,clwnl WAGNF.R

&u,,,.n·c~ KALMAN

AUSTRALIAN YOUTH ORCHESTRA

THE AUST/UtlJAN OPERA TnisiPany-Apr26 Supperandshow550 51.0ITHOOIE,YAC Apr26,May14, 1S,l7, 11 7.J0pr.;ait1pn,Mayl1.lt

THE AUST/UtlJAN OPE.RA

SU.TE lllWRf.VAC a,r21 i.-1s1iu.,..1 i.mwo mtA111lS4ZUI

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/l#orrl'irrl!ria l isr,"ngs ow•rlnif

~HOW ~TOPPER~ m0BYN ARCHER rs BACK wrrn A NEW ~howtl1ar tellsthe !.loryofacaharetsingcr mtlicheadyday,ofoldV,cnna. Thcsinger. er"s Caft Flt'lltrn,nus. i~ on her way IO wort

:"hen she is stopped m 1hc ptu,h fo)er by a rather msistmt.youn~ ~an.1l1C 1ruc reality of life can only bepcrce,-_i.,mirntcd,examincdandenjoy«lwilh de.~pcratcs hke_h'.m5Clf. he cells hcr. 1l1C singer is enrr_ancatan<.1 ,11s 1hcnthallhciealen1ertainment beg111S.Whatfollowsisacaban:toutsidea caban:1; aparadcofallthccharactcrs andp«:-OCCupauonsof Vicnnaduringthecarly 20thccntwy.atimeof dn1rmuic politi~.social andculturalchange.Caft ffrdt=usis a.roin1produclionbyPlayboxand Sydncy"s Bcl,·oirStrectlllcatn: as panof1l1C Mahler. Vienna And 1l1C lWamelh Cenrury ,~,~al.

HAVING USHEKED JOHN McENROE FROM 1hca:nlftooun,thew:i.y,s clcarnowforlhc spcctacuh1rmui1caJCivmcn.lnlhetitlcrolcat Mclboume"s N:11onal TeM,s Qn~ will be Maria Ewmg, a<:kno,,,·ledgcd as the world"s ftncs1 Casmen afterherlriwnph..s inl...onclon andTotyo. Singers, namcncodanccrs,torcadofs andhorse!willrtcreaie the aunosphcre of a S panish bullring. Don Jo¢ will beplayedbytheSpanishtenorAn,onioOrdot'lez, whoung lhcrolc ~Tokyo._Escamitlo will be sung bylheEnglishbwi1one ChristopherBlirdes, who ~ung the 1it!e role in the London production of Plaa111om OfTht Op,ra. Jaques Ddl!Wlc w ill conductthecompanyof500_

SIREN, DAVID WILLIAMSON'S u\TEST PLAY ccmresonaheroinewholongsrobesoodat ,

something ..... h1leall aroun.dhcr,menare long111g for h,.,-.SutwhilethisSi='sforte scc:m.<tohc auracung men, 1hcre"s Hnle doubt Iha! audience!i. regardlessofgcnder. willfindhcrcquall)irresistible. Thcplayopcncdon Marchl5(1locking&WOOO and K111sela Productions) and ~tan Th~ Big Gig"s JcanK•= Theproduction(commencing:ilThe Alhen.ieumTheatrc). wil!lhcno:mbarton a!\llllonal tourwhichincludc:sn:gion.al NSW.

PAMEU.. RABE STARS IN TffE HEJDIE CAro111cln.amulti-a.,,-an:lwinning Broadway comcdyatRussellStn:etTheatn::(May\9-Junc 16). While Heidic~rruggb to maintain her integrity, her best fnend sells out radn:al feminism for Hollywood and her "'lefty" lov,,,r rnan'Q for money anti bttomcs a~iamogul. Wcnd) Wasscrs~inwmlelheplay whichoffcrslinJerespi1efortheideafumofthcbaby boomrni m seareh of their Yupp,e Eden.

KEEPANTGITTFREE FOk UNl::AFl-i\JHI:: O,.,FtmmrJ.afilmhy notcdFrenchfilmdirector OalldeOl.:Jbrol. lsabell Hu~ismagnifioent;,; llus s!Of)' of Fr.n:e dunng the war year,; of the · 40s . lnde5pcration. houscwifeMarie.whoschw;band wa, wounded and demobili<ed, ~lls hcr'"service,.-· andeventually rents roomsintheirhouseroothcr girls.Jnlunei943. Mane.nowcallcdlhe "abonionisf ' is scnlmced to dwh b) a court and becomcsoneofthe last womentobeguillotined in France. UM /1/fllirt 0( Ftmmes is showing througlloutApnla11...ongfordCinemn,SoolhYana.

FRON"TIOWPogtThmN +(0])6122116

.,..l~I'

"'~'ft 1111181 I OKUHOMA Rad~trsa.,,J lf""""trslri• \li,J,ra/Dirrrror lanll'rJtrrp Dvtrro, Kn·,nHaar~ S1Q11: Jr,,,.,Syd1try,Rl!8" 110 .. rl/ A fci>I)' feud bct"·«n the fwncr andthcco.,boysbnmm,ni:wnh unbndlc<l<b/lce:ondsong. IEGllTltWlf '-YSIINIS-0 ._n-•n " .. AmWD SIUO

S1UO

-JI. ASYOU LIKE II b,· K'1l/t011tS!uJl..rs1H<1rt f},r,ru,, ·Arnr/-lr,,,,,. Srars: Gabrrtllr/1""""",,J,Mr,.tn MMlrn~q lli<forc,1ofAnlcni•mfil1ra1cd bythc:llgcofAqu&riusd,sclo1ing amarrobmucmunchmg.no,,,er powc~Shok<:SI"'""'' HctflNlllW/.llTIIU.11( IN....,.lood.Wioro ,.,,.....,2, ...... .,.11 Amt.WI m<l't ...... 1 m

S14 S11

THE BlllAD 011015 RYAN t,yA.ndu .... tJn.t/1 Di,r,u,, 1'nnyMdVar Sum. R""""''"" Unw. o,,,.,,,,.

o·DoM,1y Awom.an"saucmptatfleclll8thc suff«a.tinshfcofasmalltu""· !o fulfillhcr<impled=of -· OUlMIOit1HOUSI: •~•Slrool.fr_. .,..,I? ._ .... ..,,.11.2..,., l.fflWO S11

Ill

THIBIRDS hyT<>nyN,rolh D11ttWr ·1;,,,)HOk"rr A WA muh,-millionaire controls hiJcmpk>)cc.througJ,compulcrs. thcnthcbirdslalcovcr. Pl.llkO~TltWlf !'.,S1roo1.Pri ...,ls.It fU1U1Dlllll\(011lC1111!1

THE BUSSED FOUNTAIN byRm,h,,.,,,, D1rt<11N:£d/.a1.\l'1<alft Sr.u-,.F,,,1kC"'>'""·'"""'·B,a11ir. M,rMll,Sr.,mtr.Col,n MrE .. ·ao ll,eoounc,J"sOOignforaloctl founta,nprovol<esanuproar re,ul1ingm~political\yronwmc rolution. l(6.ll.lllU.Jl( ~!lreot.W.... ..,,.,.6 ..,. .lffi(Ull S1I

"' IHE CHERRY ORCHARD byA..,o~Cht .tho,• D,rrrllH J<>N1Sak11M'S Ru!$ionanstocratsbccomcmore commononasfonu1>0Jfadeat!he !urnof1heCen1ury llllPI.\YllOIJSEIIIOOE !'.,!lrotl,Pri Af/21-lkJl2 ... Ul\WD S14.SO

Sit.SI

DINKUM ASSOATED 1,vl,,tda,1,o,uon D1rtCkJ1. RauCaJ1 ll"sl942:ondthcgirl,arefo1tcd 10,,,·ca,thepants"hilc~tcpp,ng 1nto1hcL1spoo..,,'.)Obsatabis.:ui< faclOT). llllPI.\YllOINlllWJ.E !'.,!lrld,M M.yU-,-16 lpll mm.to S14SO

Sl9.!0

KIDSIAKES byRa.,·14Mltr D,rrrw:RouCol, Srars·(i(ib11,11,11ammand.Ros1 A..Jt,son. lfrl,nTrr,ws ThcsummerofthcliritDoll !he

bcS""'"'t1oflhcwellloved"Do11° trilogy ltOlllMTll"WAUIIIWlf IIO!bnnlyr-.W.. ...... 21 &po,;ao1.lio,ll l.flHWl Sll(l't..-J SIi

Sl4 S21

ON, WHAT A lOVllY WAR 1,yJ{)(llll,flir,,-,,,,d WAAradtnyqfPr,fon,unxNu Doru11,r:Clvu&Jmt<Nl Musicalsa1irc,,..odingup.,.·u among men ACADEMVTHEATAE l~S&--, lbrlll.My ...,u-1, 1ia AIIHUD Sll

"' SERIOUS MONEY b)Cal)/Chwrlu/1 D11tc/o1·ArMNtr-Su,rs r.r"'l/rSh,.-..,,,,.J~, 1/agro.M,<:/w,rllc~q.Hrlrn Tm1M,Gro{fr,yA1tuu.Dmiglm w~1u, Aplayabo\11 1hewh«lcr,, dcalcrs..bankeriandbroker1.allof whichconuibulctov,haim•de WA l~.tick. H0111~1ll1wmnmm lalt!aw\ltyWW.. ,.}-JOiin .lmWD SIJ(l't...-) Sll

S14 S!1

SESAME STREET UVE S,ars:Di~8;1d.COOUcMansr,r ll1gl:l,rd15kidnappedbylhc vi llainousPhincasJ.Bamswallow andhi<NJU>lly<misiers...dy Rmb Prnl(OIJtlW1™9fl((l(JI! w.ar.,c,.11r-.M .... ll-20 llmn,'l;a

IEECHERS

S1l.90AoU!i S1l901M .. ,

t,yJohnG-OdHr Diurror. AlatrB«hcr Srars: Kar,1/all.Sr,rrTMmtt. .~rlflhWl/a/1 Powcrclimbing.kamingand man,pulat10nattlhcfocu,oflhis play,,,i!hinaplay.Re1umscaso11. SWYTltlATlE 6Sllwr,Stlll,hrlh AprMI ljlll;--Ap,21,11,lpll WWD Sil • SIi UNDER MILKWOOD b,DJl<JnTNl...aJ V11tc/()I AWn/Jtrhtt Su,rs· Masgtt"Kmg.fnglrKnlght. lanTaynr,£/wynU..ardJ 40th Annivmary producllOn

~HOW ~TOPPER~ '11,UMO~R HAS IT TIIERE'S A BIG.

revolu11onary mu~ical on us way. When that announc,:menl ,~ tn.idl:. call Tlie Trus1

O ia:.as .. i:"n:hopingtogeta1 lca.tasmany ucclltrn Kl!IS as we man.aged for Ca1s last )'c.af We're sure you won"t wam tom1zout.

\\'HILE fUND_LNG ISSUES UAVE FETTERED lhc 1990activit~oftho:WAOperaCompany, i,,,.u supert,~rasw,lll,e pr,,...,n1cdfru1111hc:Auw:,li::on Opera. "'nh lhc WA Opera O.Oru., and the WA Symphony On:hc,11ra. We have block booking~ for

~":; :::;~::; ~~:~,~~;::!~u=~ Thur.;day August l6. These n ights were chMen to av0<dthehm1tedch()!ceofseatsonOl)Cningnights. andlhclxkolcooccs,,,oru;onl'nda)sand Saiurdays. Tn.15t price: 5-18. Good steats (lrC ;wurul f;"'" 1hos,torughts,btJtbookearlyfortheseorfor 1,dcbonOl.hernightsofthcste-.

lF YOU LOVEDTI!E FESTIVAL OP PERTH pcrfomw>cesbyBritain'sl'llllh:umorua0n:he5tra. yoo"dbe .... clladv1sed1obookforlhcToronto S)mpho<•). Frumthcodlcrs,deofthem,..;LC31 Atlm1JC, the('.,..lild,ano1thew.1"',llbo,i.,iungu,; mMay. We'vemarvelk:da1WqualityofC:lr\3dian r.Jmandd.locc.>0.,,~C1U1e,p,:-c1.,lughi>Cll\dw fromlheorchc:Wa.1htlo1odonTim,,,les,..Tibedlhe TOIQlttoSymplo:,ny as"~h-lOl1edandpowerful;"

n( .G~rdwn • "'bnlhan1 i~mcntal VU1UOUSJt)·. ' Pen.hConcc"Hall, Mm)IO.

THEAlll.E LOVERS ARE WATCHl'IG lliE llole "'the Wall wuh more lh.-.n u1ual inle=t. "1>

Aame Neeme Sdtles 1n :is nrtllit1c din:ctor and Mark Thompson"sdcsigru;cometogc1hcrforh1sfil"§tfour producli011$. Swting offwilh a lul (W11/IJ70,,-,.r,ng) HolclnTheWallislilcdytodr.lwina.,,holeriew · audience with Caryl Onm:hill"s Smous Monr,• (frum Ju.,.,5). l!'sasubjectdearlOthchcanofW.A.

"httbng::onddcaling.

STILL ON A LIGI-ITNOTE ABOUT A HEAVY subJCCl . .. don'! miss 01, Wliul A Lo~/y K'llr '111hc W.A.AcademyofPerformingAmfrorn/'.1ay 15. 19. OIIWlaa1AW,·,lyWwislhemuslC:l.ldevised by Joan .Lmlewood, p robably familiar to most from themovrngfilmvo:r,ion.Themusicaltheaue siudem~ ~med l~t year·s most oousual !.how Thc Frog,,. in the E.<plan:ide Hrners swimming~ ·untll1tw"!>r:llf1cdout(wmeexcuse).ll,,e Academ)Sludenl,ta~cri.<.h,...,oth,:rlhealftc:tn afford.anditusuallycomc,;off

GEORGE BALANCIIINE"S COMPANY IN ~mcnca II nul,ngonc:ofitsdiorrograjlhcrs avlUlable locomcanc.l help l""P""' .,.,w worl(s for The WA Ballet Compa,i)·'~ _M,Wet Sc,r; program mJuoc. lllccompany.,,po1scdtopaytrib,ne1o Balanch,rie,oncofthe~ac~influo:nr.c,,on clas,11:alOOllelmlheWthO,rnury.(,;ecl"ung.,)

AJGJIT DECK MEMRERS HAVE SHOWN A dec1dedprefen:nccfornxl con0::ns. Prumo1.er5:m, catchmgonandFro11tRo~pn:fercntialbookings aregcnmgsomepn:ferenhaltrcaunen1. Sofor"e', ·c

~/:!e~:~~tia'~~.::~· Billy thepipclin.c. smorcin

bnngingtolifeooccmorc!hc cnchan11ng 1uwnofl .laarcgguh

IWYTII.ATIE 6SllurrurS111t1,flffl Moy~J.1 8prl;--~16,'lp:a .lmWD S1J

"' WANIOK hyFh,IT/rom.,QaalldJonForman D,ru,o,. fohQldham PhilThom,onrccrca1cs<he e~pcric~ccshc had performing play,wh,!cJ0umcy1nglhroogh N1ugm1 OlDOJSTOOHOUSI lt'hl.,o,tllrffl,frll'llln!lt .. ,,1-1 •• 2 lpn,;lllltllof1,.l.~ illSWD Sl1

"' .J:. TORONTO SYMPHONY ORCHESIRA ~;::,~";;n ~;;':;;.:::::~ A.1,xuw LOUIE . Mas,r For 11,;nor~ AnJEa,rh 8£.Ef/lOVEN · p,,,.,,,c,,.u,,., In C M/aor BRAf/MS - SJmphanyNu.! PEllllCDHCERJH.I.Ll Stlieorl[Olllffau,ftrth MaJIOSpr, AIDU.ID Sll

m

.mi. COSI IANTUTTE WolfiangA,.,,,d,..,.MOZAlff TIIFA/JSTRAI.JANOPERA

~;::i:o;""co;:,:-:;:,1:,!. Fo~ryoung lo,e"' ha>e their faithfulnc~! te5tcd byacymcal o l<.!c,bachclo, HISJWESl'nlllEJlll HaylffMI.~ Apr l0,Ma1l,S,l, lf) lll,,n J.rnWD S41(11on.r.,)

SlllMt,,.r.t SSllfrl/Soll

AmWD\09)3214953 flON"TRDW Pagelwel'it

Tiu A1utr11/ian Optra'1 produtio11 of COS/

f'A.N Tl/TTE /taturts Do•id Hob1011 as

RIGOLITIO c;,usrp~l'li.llDI Tllf: AUSTRAUAN OPERA Dirrr,.,r:JohnCopky Atalcof lovers. assas.sins. rendemessandueachcryasthe l,uochbaclt:djc,ll:r, Rigolcttotrics 1opm1""'1 hi5daugh1erfrornlhe advanccsofthcDukcofManlha. fllSIWESIY'STltEJlll HaySIIMl, M ... ,.7,10, l3, 167.:q,m AmWO S41 11/,Q,\TII,) • SSll~llut.

SS5 11ri/Sdl

.JL BALANCHINE PREMIERE \\~ BALJ.ETCOMPANY CJwuoirapMrr Barry Mnr,la/t/l. Edmu"'1Str,pt.Micha,IV,rnon HIS WJrnY'~ THU.TIE lkyStott,Ptrth J-1-9 .lffi<.llO S3l lJ.lts)S23 (8l • $.U(U.s)S'l8(8)

CINDERElLA WAAc"'1,rnyojP~1f,,mungAm Mus,r: St ')lt i PROKOFIEV C~arr<>grap~r: Mart"'""'"' PLIYllOU'i(TltWRE !'.,S1r111,Pri IR26-l0 st-(aatlm30, 2pn, AmWO S1l

111 ,1111Nrrm 1u101r101onm

DON QUIXOTE WA BA.UET"COMP,\~'Y C.:lossicMasicrSeries-1hc t~,11onalD011Quu·me11nd vana11on1, illl~Rro 8ril/iani,and ll/1urnnmO/A Fuu11 IIIMA.JE51"f1TllEJlRE ~s. ... ,.., Mr/24-30 imWD Sl1(Ur1JSlllll • Sll l-ln1Slllll

Purando, Jt//rt J

BloduG111litl•o

,n4 Joh Pri11gt1 as DonAf/01110. ,..,,:1,-.s.r.

\ll!SICTF.ACHF.11 (April). THF. COOK.THETIUEF.HIS WWE, AND HEIi: LOVER /jmmMan:h l'I); 1.AWRENCEOF ARABIA (/r""'M<rJJ.AUa11MWindrm. """'""'/p,J,iicpricr$9/_

t..,,.,irr,Ci11,.,_(/QrffltrlyFTI) auoJ/rn·ngT,...,c,111t:eUWIISa/V (/irs,rr~fi""1) and$.S(rrpntory film.< p"1,l,rprirr,$9a,sdJ7/al 1Mi,-Ml<<>ffeu<>11MPutlr E,urro,,,.,.,,.MCltnlr"r Gruur U•i4•alldHo!1-<""""ltns""J1.5() a11hcTn,,1o/fkr (,,.,J,lit:prius JJ(J.10,-/J/0.50rrsp./

FmmAprrl,tMF~,Wilq{Pmh -..·,l//..,r•nni"81/ir Yitl.ir;r<, C.-........, in lhluWo. U/J«I a year·lmlg P")8rlJffl of 1"fl fr1'•""1·111M f<J,,,s. c,.,_,spm,,Jtyby1/ir/lW1liUJb~ ~·M rryHapb,u

i!IIJl=ii·IW Hill DROP IN .,..,, GalleryFoycr, llisMajesty's Thcain:.Pertl1.S-7pm. SlagJ.as, Ncwn1e1nh,:r""-'l""'illly welcome.

DROP IN .,,, Gallery Foyer. HI$ MaJC$ly"s Theam.Pcnh.."l-7pm.S1a glas5

MEO THE AITS lUIKIIEON Af,i!OlUO,. NOELSllli:RJfJAN Wi!hW.A.Ar\UallcrySoclCly . M«tNoe1Sheridan.dircctorof 1!oo:f'enhtn,1itu1eof CootcmporaryAn. Ul!IIIYW llilllajtll(in... Mcmben $20. non-membcn S2."l

WHKIND AT YOIK ., ~;:~:=== "'«kcnd<wbcn:lndu!ierswi1lbc spo,ltrottcnandn:tumhomc u~a,medwilhsao<llivill(!and ammcua:s."""-A "'""kcndai Vor\1$bciniplanncdforMay. Coo1ao,1TbeTn1'1offlccif)ou"d liketobcino1udcd.

--$-ID9l l211148

ll!MISERABLIS Mwil:attd l.yri€.•:A/a11tR<>.,t,t1/, C/,u,d/<-M,,:M/SdrOIIN,g n!Tfftn, Trrw,,N~nn Stan: l'ri,rC01Utu,An1hcny . .,_ A Camcroo M11tkinto•h prodoct,oneun,vaganzalhal c:onunucs to aruac:1 big audiences.

PlllKISSTIIEAJIE ... i. ...... .... -.... ~-5d .. NUN!ENSE b1DanGattin V1r,r1u: 8,riy8o/Jmn Su,r~: J.,,,Bronlti.1/ Long:-n111ning:Broadwaymus1cal 1nwh1ehS1stcrBcmadC1te accidcnt.allypoisons22sisteriin hcrOldcr. ~getadc:ccnl buria.l bu1as1hernoncyru,~,ou1 four ~iMenarcstillooolini:off ,nthc convcn1fn:czcr. AlWJIDEllllWlf llloo..tii..n,;O.,... J.7·16 ......... -t111•1t.S,,..lonl,ll

sn• PHANTOM Of THE OPERA Skll,. Anllror,y War...,,... MariM PriM,D<,JrBIITTWv Bewamod;lickcu:m:seltingfa.1t for)"'tllflOffierCameru11 M11tkintoshblo,;kbu)tcr. PAINCESSTHEAffiE _ .. , IIITllllD£1Jlll((H[IIOIIUII

PUii THE MAGIC DRAGON byGa,ryG;,.;..,,,. Akaleidoooopeofcolour, infecliow.soogsanddaZl.lill(! daocinginthelandofHnonali:c This isthcswffof childhood

.IJ.00JIDEl1l1EAJIE

.,,._llrimni);°""'1 lrfi,16-21 IOIIIHlm Jm

All THRIUS, NO !PIUS C"""08NIPMT: 18'1JMMcK"y S1an:&u7'JSaw,r,,,n.S.,,,,,WQnt. JaninL!llfcKay Ovcn,btwu,hiluiowand powcriul,lhll"safcsc•"cab=t laug.hsaiignorance,supcrstition andall•tOO-~va!cnt apalhclic ,11i1udc,.

CAii ILIDERMAUS byRPb)nN(M, DirtttM: /Jami' K~y Early20thcemuryVien11esccafc lifcfillcR:dlhruughthe1:,lcntcd mindofRobynAn::her. Jn10~1ca!mg. Book soon. lllEMfllYll,nllfMmlOllSE 111SllrtSl.s.6 ...... -.yn-.-1, ~l::il.llw;Lls.n, Fri; .. 11,..,.:fl .&m(.UD SIi

m

AITSWD(0])612V77

CAT ON A HOT TIN ROOI b1 T,nunu w,11,.,,.._,. mu,u,r Rug,11/adgman Stars:Cl,arlt1Tin//"''"'I.\I""'"" !;:.".!'.,'?,·N/rlr,/as&,,!i,.frrn,

Asuuggteforinberitance. hfeand thccontinuilyoflhcfamilyname inaclusicalfamilyiagafrom 11Je DecpSouth

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.. 11....,s UO,.Moo.~ILlt-fri; I.X,,.,...,.l; lpa,.a,,-4 ilTIWD m

S?l.90

DAYLIGHT SAYING i,yNi<tEnr,gA1 O,rr./or. Pt/t'rK,ng,ion Stors;JactiWta,orr Asoccc"fulreitaura1,urhosts an intimatedinnerovcr whichgucst> indulgeinthegoodlife-food. winc.fncndshipand,ummer. MSElllllllE.llll ... ,.......,.12 •.30pm.11ior1,e,.,klt-fri; l_,..V..,.S; 1pmljl 4 &mtull S?4

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THE IORTY LOUNGE CAii byTrssl)JJIOIIS D,"rror R~n Draffin s,,,,,. \.fa,ys,,,.,,.,,o.,.Cam,,J,,.., DiG"tlttlma Post-WarAu,traliaseenlhrough lhe youthful e yes of~ newly arri,•cdGrcclbridc. THE BECKffi.CUB MALTHOUSE II ISM\Sl,So,Ai.liWbiu. IJIIIApr17 6.llplllr.r,;lpn,l111-1hw;l15pmfri; Spm.l.ljp,,Sal;fnllljWIIAp-4 .&mWO S11

117

THE HEIDI CHRONlaES byWrlldylfo...,mr,11 Du«l()t: Ragrr/ll!dgman SIMS l'-laHabt lnsigh1Sintothclo<1 idoal1sm of the ."babfhuun,cr,"and1hc,illy soc,~ ucesscs !hat =te today"s Yupp,csoc1ety llJSSELLS!"lllWlE -.y1t-.lal6 ,.x,."""'lpafw.-m; l.30i-Mryl; l,..Ait4 &mWD 524

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LAJOKEATLIJOl<E S,an· RacMI B~rt"· Tl,, Mtdlry Sw,rs.fHn,$tSro11.LyndaG1bscn. UzS/Jdl,rr A four-w«k festival swnng !he Cf<::lrll o! ,\~5tr,l[ia"s womer, oom,cs. UIOIECOMEDYIOOM Ms.illStltl,(ofnr-d ,.,..,..,.,,,. O..&lliew AfflWD S2S(T,..11iu)

111

THE MOOSE IS LOOSE LilyBraggeho,tsasidesphtting l ,nc:-upofCa,1ada"sthrcc1op stand-up comics.

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"' NOIWAYlNG byC.11Mritl('l/ay,r Di,rr/or-:L(}isfi.1/i.f StarrE,-rly~Krap, Ab,ti~blackcomcdyslarring thc dynam,cEvelynK.,.pe. TI<W'Mllll 141idin!Slr1t1,S!Oda AprMI AfflWO SIUO

S11.40

THE ODD COUPLE hJNtJS"""" D1ru1or: G-B/1tlld,//

~::,..~~::;;;:::::/'~""'"· "'"lid" NcilS,mon ·svcry furmy

:~·:i,;:~~~:::: ~!~t Pur,u,1.0ocarbeconic,Oliveand Fctixbttomcsflorcna:. COlilUIYTIIWJ:E 140l'--St . ........... _ .. ,. .,. .... 5d;!p,,Wo,l,5d

&mCAIII S?UJ\lllllr>lliul S3U O!Mon-1liu1 Sl6.901frl.'io!)

PIACH MElBA by ThtrntR.,dir D ,rrr,o,. Malro!,nRo/Hnwr, Sto,, : /1,ltnN""""" AportrayalofAuS!raha",g,ea1 latlyufsong. Dame Nellie Melba'$ finalconccnpetformancctrigicl"§ =moncs ofhcrpnvatehfea,,d hern:marbblecarttr. TllEBECIEnCUB IWJIIOW 111SvtStreot.SlitW.cu.. ... ll.1SpmMon;llpoiJut.lhw;l.1Spa,frV5ar; )flll5d;11111l,-N'lll &m<Alll Sll ,,. PERIECTENGLISH byllarryD,wns Dirrr,or · L,nMF.11,s Twoo,cr cducatcdEnglish teachersm«tatlhc WongWun ~!~.~:·::::, :;~::%";!"· pn,,,cr1ecufaO.iococpropnctor who.q~ite surpri,mgly. talhlike Errol l-1ynn.

"'"'" ?O)fmai!a,St•Cdan lpr 1Mt I.X.,.w.d-lol;U.)p1S. HlSWD 5'

" THE PHONES A 1up,·oc11lconicdygrouJ1 in a full twohour5howofpopcl=ic5 S~pporu:dbyoncofMclboumc·, top stand-up comedians. Lll1-M5'nifiSted.~ lpr23·111__,. ....... .lfflWO SfflMtlll

Sl01T11t-fhll

"' A POUND Of MUSIC s,.,rs. M11cht/l U,d~•g. l:,ar/ OtJn. Ji111 Ta1«1r~ E.,.traordinaryn1niciiVISh1p combined wi!h ab~ sc~"' of humour. IASl"UUGH MS,ul,Slreot.C...,._ ...,2-1.1, 1.X.,.ltt-lot 0.-&Sl,o,. WCAIO S191Twl

S:fl(Wod/1111)

"' SIREN l,yO..,·.JWi/1"""""' Diru,,,,.·Gr~1t1,B/1111dtll St,.r$.Jt<JnKIIIJ"11 lnWill1om$0ll0S l:UCSt.huhcro,nc (played by Tltr Brg Cig·, Kin'°n) can"tkccp lhemo,naway.

A111ElWUMTllEJ!l.l III C-St,w.o.m. ,.. __ 1.ll),nlol; U$pilWNl-lhw;>flllS..!o,;, &mW0 S'l:S.90(WN.0.IIIOII)

SV.9015dl

'"" SPACE OIMONS byGillian R~nsltin Dlrll<M: ArftrrtT<>ylor Eigh11eena8ersbecomeall-

Pa1r1tla S1tphtn,on , pitt1utd

htrt,iJ 0/irt (sht'sthtsloppJ

/tmaft tqui,11/tnl a/Osc11r, ont

hat/o/lhtorigina/Odd Coup/cJ.

Angtla Pu1uh-McGrtgor is

f"lortnct (/ormtrly f aslidious

Ft/ix). Ntil Simon's THE ODD

COlJPLE in it, new all fcm11/t inltrprtlatian can bt sun at

Mtlbo11rnt'r Comtdy Thtalrt from March Z9. Su listings.

enirossed,nacompu~r,omc. realis1ng. !hat!heymu.1tnot 00Ly w,n1~cgamcbutoonfront lhei1 ownp;...,nolilic.<tnw1nlh1,irwa) backto!hen:alworld ATHENAllJMTHOOIE lllllC-!lrNl,Molan,

Condurror · Ila/at/ Fr11hMd:th 811,S(JS

&mWD S4l(Abs1S32llf + SSWbslSl9 111

\liol,n. Adtlr An1iw,,J ~TRAUS~"-DonJ""" MF.NDF.UiSO/fN. 1'11,I'" c,,,,,.,,,,, Pm,SCULTIIORPf.. Kai:,ui,, D£FALJ..A - Th,ntr, C<>rnttrd 1/o.lSr<m

IL TROYATORE G,,.i,w,\ERDI TIii:. AUSfRAUNI UPEHA

51AJ"Hll£.+.11:E,YA( 1.))p,o&.,12,ll; llltlf'llll.prll Mtyll-Jw2 M8JOURN£TOWNHAU

WCAID S1BO 11111 !jllll illSOO SIS!Abs)S4t(I) Slt.90 • 531(.1, lnl + S67(Ale)SIT(I)

THETIMPEST S?7(11

LUOA DI LAMMERMOOR l,yWi/1,amShaU<~rt Dirur()l: Gak&twarth StoTJ: J<>hn Gadtn. lld<'"M"r~ • Sanc,aRMJlnsQn Swirling,,,·ilhmagicandmu,ic. darkr,,:.s and hghl, !h,~ n>0<t imag~ativcShal:cspcan:playi5 ~~-phfungc~pc:ncncc.Supc:rt, .. Gtuto,wDONrlETTI

THEAU!HRAUANOPERA

51.0ITHU.llE,VAC -.YIIJOpm .lm{11d m11111!S4? (1)

S61(Alll)SS?ll)

CARMEN l'l.lfflOUSl Y,aorian.lfflCnri MaJlZ-J,116 Ulp111Moil,'911>!11t-Fri; U);mMayS;l,..Ap,4 AmWO Sl4

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Gt'orirsB1Z£T B1z.et"•thnllmgdr:1mahcopcra promiscstobcthem1ena,nm,m spectacular of 1990. NATIOIW. IDIHl'iCENTRE ...,10, 12,15 CONlllll10UIPl(IIIUM111111EAII ,HOllfflG!TllllUO IGOII"

NORMA \"/nunw/Jl,LJ.JNI \lfCTORIAN !HATF OPEN/I<

51.0ITHWRE.VAC , .. u,JO, ht1,1,11,u, 1a,21 1.llpm;lpr,,Auiall I IIIIC1 111!1fOIPl£FrtllOIOOIIW6 Dllll UDPllm.

.J:. THE GIPSY PRINCESS IRISTAH UND ISOLDE R,clwnl WAGNF.R

&u,,,.n·c~ KALMAN

AUSTRALIAN YOUTH ORCHESTRA

THE AUST/UtlJAN OPERA TnisiPany-Apr26 Supperandshow550 51.0ITHOOIE,YAC Apr26,May14, 1S,l7, 11 7.J0pr.;ait1pn,Mayl1.lt

THE AUST/UtlJAN OPE.RA

SU.TE lllWRf.VAC a,r21 i.-1s1iu.,..1 i.mwo mtA111lS4ZUI

S6l(lla1SS1(II

/l#orrl'irrl!ria l isr,"ngs ow•rlnif

~HOW ~TOPPER~ m0BYN ARCHER rs BACK wrrn A NEW ~howtl1ar tellsthe !.loryofacaharetsingcr mtlicheadyday,ofoldV,cnna. Thcsinger. er"s Caft Flt'lltrn,nus. i~ on her way IO wort

:"hen she is stopped m 1hc ptu,h fo)er by a rather msistmt.youn~ ~an.1l1C 1ruc reality of life can only bepcrce,-_i.,mirntcd,examincdandenjoy«lwilh de.~pcratcs hke_h'.m5Clf. he cells hcr. 1l1C singer is enrr_ancatan<.1 ,11s 1hcnthallhciealen1ertainment beg111S.Whatfollowsisacaban:toutsidea caban:1; aparadcofallthccharactcrs andp«:-OCCupauonsof Vicnnaduringthecarly 20thccntwy.atimeof dn1rmuic politi~.social andculturalchange.Caft ffrdt=usis a.roin1produclionbyPlayboxand Sydncy"s Bcl,·oirStrectlllcatn: as panof1l1C Mahler. Vienna And 1l1C lWamelh Cenrury ,~,~al.

HAVING USHEKED JOHN McENROE FROM 1hca:nlftooun,thew:i.y,s clcarnowforlhc spcctacuh1rmui1caJCivmcn.lnlhetitlcrolcat Mclboume"s N:11onal TeM,s Qn~ will be Maria Ewmg, a<:kno,,,·ledgcd as the world"s ftncs1 Casmen afterherlriwnph..s inl...onclon andTotyo. Singers, namcncodanccrs,torcadofs andhorse!willrtcreaie the aunosphcre of a S panish bullring. Don Jo¢ will beplayedbytheSpanishtenorAn,onioOrdot'lez, whoung lhcrolc ~Tokyo._Escamitlo will be sung bylheEnglishbwi1one ChristopherBlirdes, who ~ung the 1it!e role in the London production of Plaa111om OfTht Op,ra. Jaques Ddl!Wlc w ill conductthecompanyof500_

SIREN, DAVID WILLIAMSON'S u\TEST PLAY ccmresonaheroinewholongsrobesoodat ,

something ..... h1leall aroun.dhcr,menare long111g for h,.,-.SutwhilethisSi='sforte scc:m.<tohc auracung men, 1hcre"s Hnle doubt Iha! audience!i. regardlessofgcnder. willfindhcrcquall)irresistible. Thcplayopcncdon Marchl5(1locking&WOOO and K111sela Productions) and ~tan Th~ Big Gig"s JcanK•= Theproduction(commencing:ilThe Alhen.ieumTheatrc). wil!lhcno:mbarton a!\llllonal tourwhichincludc:sn:gion.al NSW.

PAMEU.. RABE STARS IN TffE HEJDIE CAro111cln.amulti-a.,,-an:lwinning Broadway comcdyatRussellStn:etTheatn::(May\9-Junc 16). While Heidic~rruggb to maintain her integrity, her best fnend sells out radn:al feminism for Hollywood and her "'lefty" lov,,,r rnan'Q for money anti bttomcs a~iamogul. Wcnd) Wasscrs~inwmlelheplay whichoffcrslinJerespi1efortheideafumofthcbaby boomrni m seareh of their Yupp,e Eden.

KEEPANTGITTFREE FOk UNl::AFl-i\JHI:: O,.,FtmmrJ.afilmhy notcdFrenchfilmdirector OalldeOl.:Jbrol. lsabell Hu~ismagnifioent;,; llus s!Of)' of Fr.n:e dunng the war year,; of the · 40s . lnde5pcration. houscwifeMarie.whoschw;band wa, wounded and demobili<ed, ~lls hcr'"service,.-· andeventually rents roomsintheirhouseroothcr girls.Jnlunei943. Mane.nowcallcdlhe "abonionisf ' is scnlmced to dwh b) a court and becomcsoneofthe last womentobeguillotined in France. UM /1/fllirt 0( Ftmmes is showing througlloutApnla11...ongfordCinemn,SoolhYana.

FRON"TIOWPogtThmN +(0])6122116

LES MISERABLES mu

riflt in /land

alongsidt Ptltr

Couus), luu

bun tllos,11/or

111tl111droltill

C a III tr an MactintoJll's

11ulboxof/itt

1masll, THE

PHANTOM Ufl

THE OPERA.

Mu1LES MIS t1111mt1•btrsa1 aspuialcllallf·

p•gnttupptron M111 9th. Su Motlbus' Viary.

WIRTHIR JIMr,M/1.'i!iCNCT rm. AU!,1/V.UAN OPHIA SWETHWl!,m ,~ .. ,..-1,...,1 UIHWl SS!l.lhilS41(1)

S.7l,llt,lSSl!I)

THE (PIC OF THE ANKLn B...,a""'*Do""rCOMf"'ny Amagn,ficem. drama1,cd,.lnce prod...,,,onofa2ndcentu,y lncraryda,,,icfnnnS,1<11!, lndia 6KIRGlfAllfUS1UOIO,VA( Af,rlf.ll,U,14,1 .. 11 1~;-?fa,..71,?I Ul'iWD Slt.40

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MHRYW1DOW AOSfiWJANB/tlilT !IA!mWI( J.tt.W11 IHTmDHIILl(0111(111Ulf

TIIPLIIILL MY NAM! IS IDWARD KlUY, plus CATALYST, plus SUITIIN BlAHC AUSl1U,LJANflloLJJ:.T !IAll>Lllll JalS..U lll!Nll fmlll(Olll(JflUll

~t.:::;:'t::,.a·a~~~Ofl> priu,.Ord,,!<>"',Ji.c.,..n,fi/,., .,.,.,,;/lr,1jro,,< TNT,..., ,,,,(>12 1mFa, IAnlf-. T...t C"'•-. 1''""'41Lrand8~anB<1J.prrun1 yo,,,AnsCaTdar,11rB,.,,.Offiu

INIMIIS, A LOVI STORY D,rrr10,.P,,,JMa1•,.l> Sra,1:HonS1hr,.1'1njrlorallausMn, 1.,,,.,,01,n \fo,goms,;,,,~1,S1rin Afom:fulpicttabout,Jev.ish manw,lll lhrtt w"u,l<lrmcmcd bypass,on,gu,h:mdmemories Sady,:1funny · • hiue"wa:,tihn lONGFOIOONEMA s,, ..... u.s..v.m illSW.O SI

"" MYLIFTFOOT Sra,s: Da~~/0/Z'jl,n,·,s An a<bng iour de fon:e for O:,noel D1y l..ewi,whopo,uays the handicapped butgul>)' ln>h wntt:r/pa,mcrChri.11y Brown IONGfOCOCINOO 19tw.lll,...t,Yarro .1.mwo si

"" OPIRA, BAUET & MUSIC S"-"<loyS;,,,, IIWONUM 41SboiakU,INrak IUIIIII DIJl!l\{CIJl{l(IIULI

UNE AHAIRE DE FEMMES D,rrr,w Clt,,.,t;CMbml s,11,.l<abrllrH•ppm Chabrola,h«be<1. llupp,;n,sa Freoch"madom",.·hobecome, oncoflhelM1,,,omcniu F~,o gotolhego,IIQl,nc. lONGfOIOONOU StJoa,akH,So,,rf,r«,., ... ,_..,. i.mwo s,

'" itiiAll-lW•H·l·ii CAT ON A HOT TIN ROOF ...... Supp,;rPany.E.plos,ve lam,ly sagaoflhcDc,pS.Ou,h. Tn.<MOubRoom. Suppo,ands.how - S)2

ARTSWO '1'1{10316122777 N1(04)723238

TRUST HAPPY HOUR ...... Onnks.snach,mu,icand minghng,C~ithupw11hyour fellowTru11 Members. Tru11 Club Room. 6pm. S3Mcmbon.S5Fricnds

THE GYPSY PRINCESS ..,.,. Supper Pany. One of the mo11 h,vcdand,uccc.Mfu]Vimne,.. op,;renas. Scethcshowandjoin lhecas1for 1uppcraftcrwlll<ls Trust Club Room. S50

LISMISIRABLIS ..,, ChampagncSul'P"r,lllcmusie•l t~t hu Melbourne buainJ. Don't misslh,s 1p«",aln1gh1.We'vc invited1hecas1tojo,nusfor ,up1,.,?r,ncc.11lica1rc -Sho"'· andch;impJ.gne1upp,;,.S65.

TRUST HAPPY HOUR .. ,16 Tru,1 Club Rooms from 6pm,

CAFE FLIDIRMAUS MoyJO CasiPan).RobynA1t:hc1brings tolifc1he caci1in~worldof Vicnnc...ca.ba,c1m 1heca,L)'20lh centu,y,,\1erlynCUBMahhousc. C."p•n)andshow,SJO.

TRUST HAPPY HOUR IIN10, J.tr ll TrustClubRoomsfrom6pm,

WOMAN IN MIND ,...,. Su1,pc:rParty. Stamng Joan S)dncyinAlanAydhoum's fanmeslcom,dyiny,:ars. TrustO~bRoom Supper3I!d,how,S32.

AnER DINNER

6.JOp,n,.,..lloftl•; INl.~lllpm • m sn P"Ulllllfll l l 00111G\11AIT I U II

HYE ARGUMENTS AGAtNST MARRIAGE

/,)· l'IMrrwBawll Oir«r,,,,: CompM// Ti.,,,,,,. "Arobustcn1JCCoflauJ1,1er.a maincooncof fra,ltyanda piquantdcsscn ... ·•.oa;1yMim.>r FOmJHETHf.liTR~D~

b)•AIDJ1W1//,ams"" I)"'""'· LJ~dlaFu,by Acynicallook a,marriagc. B.mJllWlE 11nr.. .... w-v,,r, ..,.1-12,.,.,. illSWD S9

... 29 a,,,.,,..Sun...,, AffiC.1.10 Sli~

+ $14 IOOIIN&\Uf! III SD7

m.~ . 100lll65 101TU!!HLIJl!ll8 1U

HAMLETI Wil/ia,.,SIIAKF.SPF..ARF. Erl«ti~C,m,p;my D,rttt,,,,·SmumB,.,,,m Anofflhewall.incvcrenlve~ion ofShalc,pea,c'sclassic- abloody tragicnigh1ou1.

BLUI SKY BOYS b)•K,nDMIIC"n Dw~o,: Si""'n Brnnm A wn:.firesucccu fromthewnter ofJ,.m (Be,1Play,Rc.<tDirector 1989-Dominion).

IAJ'I JllWlE 11nr ..... .,w~ .... .,,, IAJ'ITHLI.TU

l llnTtrno,Wellirvlon Moy2H•9 Ulpm, 8pmlt1Go-lvt .1.mcuo s1

"' . 100111,1 111\80501

, .xir,,,..~Mffl.foe .1.mu.to s,

"' JIANNII ONCI byRtrlir

COMING ATTRACTIONS D,rrr:ta, L/saWamngron Worldprcmicre. WilhWMnrsday To Come and PoJ! It On. complctes,tnlogyfromoncof NZ'slcadingplaywrighis.Jtannit Onu1ale,3rn~hcr~,ok al an imponantpaJ1oflMJx15t·lhe g:~!_indusiryof l9thccntury

byTrdTo/ly Abrillian11atireonv,olenccand ,how b"'mc" with h1l;,noL1S wng parodies IAJ'ITHLl.llE lllo1r..oce,Welli,gton JNIJ.30 f,pm, Ulpm lloo,.f"" IJ:l'SUJO S9

FOmJNEJllLI.TU,Owitd'n /H is.lol l

'" ~fflCl!Sul.-lJTSUJO $16.SO

CONJUGAL RITIS sn.so 10011Ull011UNllKU111111 1U byR11g,r//,,I/

Dirrrior,Calin M,Coll M. BllTTIRFLY Sro,s ·Ro) H,~~""'1.Glrnls L,,·,st"m Hc'sanonhodomist,3hc"s• laW)crandn'st1meto stra1gh1cn outsomedent>lnlheir20yearold

by Do, rd /ltnry 11~-a~g Dirttto,.l'llitonQu/~,, An u~,c play set in Cb,na and Fraocc. Cllll:EPOIHTIH!>.TRE marriag,:

DOWtmAGETHLl.l1E Korvdo~.CamH~1Tm'IO(t, - C. O...tlo, Pin~nMII

~ton~lllli l•9·Jol 14 U5pmloo -S.-;Dmu ,.ls_,.n lpr6-May l9

~HOW ~TOPPER~ m AH.:H 01JT FOR THE SEX FIEND.

He answers to lhc name of Matthew andhcholdstllerathcrdubiuu.,ly

s1a1ic,n of sexual hara_ssmcnt ofr.cn. Howevc,, chi~ apparenlly " ·ell-mcaningManhewinviiesa women', feminist poetry circle to meet in his flat Andonthecveninginq~Slion,mwhatDcms Welch ofTh<lmrnerdescnbcsasthcfunnie.11 NewZcalandplayhc'scvcrsccn,1hc unsuspcctingwnn,cnlumup Ru1 sodu.:, Matthew'< rngb)··m~d cousin. As events degc11cm1ewilh hor1endous inevi1ab1lity, thc evernng'shostbe(omesaratherdes~rate charactcra1 1hc ccntreofanh,Lanousfarcc. Scc Thr Sex F,rnd at either Ccnuepoini Theatre. tile CourtThcatrcorFortuncThcauchutbooluow ($eclis1ings forscrnon1in1<->anddates)

ANDREW BOVELL'S AFTl:.H l)JNNER MAKES it,;wa)'IONewZealandaftcr,;crywcccssful seasons inAustralia, h 's ablackcomcdyinwhich workcrswind do,.nat thcbislrubaronaFriday nigt,1.0nlyopponunismc,111savethisrou1ine from be(oming a dull e nd to anotller dull week. Allour pro,agonists'hopesrcly on losinglhc ir immediate ma1cs and findmg less fam,liaroncs among the opposite sex. You can catch ll[lu Vrnnu.af1crdinncrany nigh1hctwcenApril6and 29 (8pm),orhcforc din11eronSundays(4pm).

BOOK NOW FOR T ICKl:."E'S TO THE ROYAL NcwZealandBallet's lntcmationalGalainJunc andJuly. DanccnfromthcParisOpaa, Royal SwcdishBallc1. SanFrancis,coRallct,Bol~oi Ballc1andBallc1Philippi11eswillperform spccialist pa_~ dcdcuxugues1anis1sduringafull cvcniug prngramftatunng TheRoyalNZElallet's prcscmauon of Johann S1rauss' U Blaw DD11ube The finaleisagrandpromcnadcfc.a1uringthe guest anistsalongsidcRoyalNZ Balle1danccrs.

Sff/RLEY VALENTINE IS ANOTHER WILLY Rus,dl heroine wilh whom we can all identify. Downtoeanh andgood-humourcd, Shirley'slifc isgovemedbyroucinc ... andherhusband's clocb,orkappe1itc.llleonlyescapefromher suburbanknchenisnnoffcr ofatriptolheGrcek ,slcswithherworldly fricnd. Jane. But compared wi1h1heCosrnopoli1an-rcadini;r.1dicalfanc, Shirleyisonly accustomed toatamcdandtimid lifc,bouncingherwildest idcuoff her kitchen wall - 1hat is .un1tl1emJ)lat1onproves too much.

BLOOD BROTHERS, LIKE EDUCATING RrfA and Sho'rley ValtMillt, is another of Willy Russell 's hit5. LikcRitaandSh11ley, Mrs Johnsonisa Li\·erpudlianhouscwife, th1sume,pregnantwith twms. She s imply canno1 afford two e~tra mouths tofccdandrcluctanllygi\·csot1enfher1wins awayatbinh . .. totherichladywhoschouscshe clcans.Closcfricndshipanduagicrivalryisin >tore for Mn Johnson's twins a.~ this musical unravclsin its tuncful,joyousandmovingoccount o f the diffcring fortunesmadcpos\iblchymoncy andeduca1ion

GIACOMO P UCCINI NEVER UVED ·rn SEE hismOLS1amt111,ousandgrcatcs1achicvmcn1, 1'urandor.Th,sopcraconccmsanii;h1ofgrca1 passion inwhichlhcbcautifulhutcold-hcar100 l'rincusofTurandotface,,aJ,k:mrna. Hcr handin marriasc h~sbc.cnpromisedonly1olhcsui1or wurthycnough1osolvclhreecryJ)licridd!es.And whercothcn havcfailedand subsequentlymet their de31h,anunnamedprmccsucca:ds. Stillthc princessrema,nsucoldasicc.Toa"oidlhc marriagcshcmus1discovcr1heidcmi1yofthe princcbcforclhern,xtdaydawn,.

Unlike Puccini, you can SttTurondot in all it,; ,plcndour bc1\\ttnMay l 2 andlune2at Auc kland's Mercury Theatre

Fl.ONT ROW Pog1Fourteen ...,.VIC(03)6122716

Ul'iC.1.10 SJ9.S4]0Q&'lhow s1Hi1C.ffoe&!loow S4J.S4SDn..&SMw S?J.S?JC.fftt&ll!ow

100lll G5CINIIIPOIN1 101l) litU

MACABARISQUI byl'l/onWi/1/amsM D,rrrrw·LJ11rilaF"'bJ Obscrval,onsofthc:sadistic. A collatiooofstoricsfromlhc dis.a<terfilcsofncw,pape<>. WITHLI.IJ:E I K!nl!ttroil,Wlll,gtoo Af,,1 .. 216.lSpm l ffi{.llD 59 • 514 IOOIINGI U 11 W IOI

POIMSTOIAT lmpmsiblePo.<1w,rPmJu,·mu1J Cerebral theatre. W'ITHEAHE IKn ltrr"",WelnslN lky\.128pm IJTSWD S9

"' 100llN0\147SU

THISIX FIIND byS1tphtnS1nda,r, D1>n•y Mullr,:rmn D,rttlar· ~forraJLJnch Arncusfa,ccinv.·hichwell-meanin11Manhew,uo1wi,hing 10 bcamalechauvinm.s«shisbcst ,ntcnt,onsb.lckfire. CINTU1011111HEATRE Cndlwdi&f'illlntt11fdmmlonNQl\h U11i.lpr28 8.lS.-,,f• Wl;Di1V1tr 6.Hpm UTSWD S3'1 · S4l0iM!r&Slw.

S19·S2l {offee&U..:w S41.S4S0inn!r&Slw. S11.S?JCoHeeUho11

IOOllNG\ClN!IIPOIH IUl) hJ!l

FOfflJNElHLI.TRE,llned,n Q,rrr/m Rk/r.,rJFinn Mr,4 ·Jun l IJ:l'SWD S16JO • sn.so IOOlllGIJOJIUNfT"(Alllf!alll

COURTJll!>.TRE ?OW.-cts1trS1rt11, Clriltd>.ortl, Dirrrtor EU,.,tx,1hMaody M1y 12·JH30 8)11\6j,,1ThtJ,11otM..,. l9 IJ:l'SU.to m .. IOOllNGl6b.ll!

SHIRLEY VALENTINI byWi/lyRusu/1 D"~'°' Pau/ M,nifi, s,a,,: lloMRadgtrJ HouscwifcShirlc)' 'shum-drum cxis1enccnecdsado'1<'0f <;()l)"'thini;e•otic. Au,J1hi,Orc«l i1lcsceruinlylookmoreappcJling lhanthckitchcnwall MEROJRYT11£ATU tfi111C1i1, Nnlll!, l.irdlonil Aflr7• May5 l .1Spm,Moo&1hu 6.30p,n, IJ:l'S(.1.1:D SIS.17

""' IOOIIUIIIIIUUIY{O!) IOJll6,

TOMFOOLERY byTomUh,,, o;,.cr,,r: l'lli,an Quigon Anevcr.ingcnJO)'•nglhcwords andmusicofToml.chrcr, CI111:£POINTJllLI.IRE C..0..do&PinSt,eetsfoi!memonNKIII Mayl · l11 2 l .15pmlve -Sm;Dln1t16.lSpm illSCAlO Sl9· S43Dimerl5lw,,

S19· S21Colltt&Show $41 . $45 l>morlYlw

1ooi1m cml:,10·,!~~~~~

.J1 BIOOD BROTHERS by\\,'i/lyH=II Cou"T"'°"' Dirttror.EMcll,,.,,,r, St1>rJ: l'W>Mr Marin, Krrn, Smith , DonnyMwlheron Ajoyousandmovingaccoumof 1hedifferenccmCM'ley,educ•1ion andgoodfonunemakcatthc ou1sctin life. Sc1inLondCM'l COURT TIILI.HE 10WcrctSi.<Sn•1, Clviilchurd! U•tlflltgyS &pn,ThtJ6pn,,m11,1.pe12pm .l.ffloo m

"' AITSCARD (04)723238

CAROUSEi byRodf¥"aM/lamm,w~ir, Dirrr:ror:Ra,""""'1/la~·,loo,nr ::::t:tnl Brodi, , J ,nnij,r Ward,

A mu1ical for lhe entire family~ c1pccially forthosewhoknow thc~isalwaysabrigh1surfor every...,. M!ICURYTHLI.TRE Fr,..Strttl, NflllO'tlll,Auctb"Wl /•lH .. 11 8.1Spo,.6.l01rm-Tuo&n. IJ:l'SCARII SlS.S37 • Sll-$40 IOMINGllf!)mmt .. DIE FIIDIRMAUS byJnlrannSTRAUSS WEWNGTON crrr OPERA o,,u10,.Jan/,,,,/a Chn""ll"'Ph,,,./)uwnSurr,J,,,,· St1>rs:Pr1e,Bai/lir,£/,:ubr1bBi11xs Thispopula,opcrai~acomplu 1.alcoflovc,in1rigucandrevengc SLUEOPfMHOUSE M-'il,Wtling\on J,B,7, I0, 1tl48Pff! iffiCAID S40SlSS30

S4SS40S3S IOOIIU\(00 144 04

TURANOOT byG/aro,,wPUCC/NI D,rrc,or. Ra,·~w,rJJ/aw/lwrnr ~·1ar;:s,1,·,afo,U,M1yW., Mou..,,,10.Elfzob,1bBiggs Alcgcndaryopcraofancicnl China.Puc(ini'sgrea1cstwc,rk. IWICURYIHEATRE tfronu'il,1-,.1.Lllilool! MoylNN2 1.1 ... 6.)()pr,filon&Tho AffiWD SIS·S4l

m -S45 IODIIUS(Ot)ID)llll

.J:. AllX STIL~ CAROLYN MlllS·WILLIAMS and THE NZ SYMPHONY ORCHISTRA ~~Mri:1:u:.~:~l:~:,r Yampo/s.ly H1>,p: C1>ml)11Mil/,.\\'illi1111U MO'ZIIRT • FIMU ~,rJ H1>,pCanrrNa SHOSfl'IKOVICH · SymphonyNa.7 lpr21 Jf'" MIOO!l FO'ltUI COORE WWJKGJON IOOlll61UII nmm mtlOOklNGIS!III"' '

BORIS BELKIN and THE NZ SYMPHONY ORCHESTRA C:ond~1a,:VirlorYamp,:,lsky V1o/in· Bor11B,Wn ~t;,_NKlr O,·tm,u.AL,feFo,Tlu:

GU.ZUSO\I · \fo/jn C1>nart" TCHAJKOVSl[Y. Jfo,(rrd Symplumy (HllSIOIURCHTOWNIIAl.l lwJll,111 IOOIIK61UII ,mnmm 1ao11m mu u1 11

MUNICWJ.Jll!>.TJ:ENA,0 ...... 100lll61UI\ rlllllll !IAllOOlll,IITillllll lt

GALA OPINING OF NZ SYMPHONY ORCHESTRA SIASOH l 'i,,/m·tJom8t lk1n Condurw,·\lioml'ampalsty BEE'f/10\'EN · 01·tNurr • Co,u«,a11on Of Th, llowr MOZARr . \1.,/in Co,.,.rrwN,,,4 BHAIIMS ~',·r,p/wnyNa.l .,,, .. A()ltl, (Il!TJ.E AUClWIO IOOIIN611m mmm11t 100111,111111 Mil 11.

HAKAN HARDINBIRGIR ,ad THI NZ SYMPHONY ORCHESTRA Coio:/1.,(:f()l':Jona,Fur,/ Tl'oU11{><'1·Hnlw,HorrJ,nlvrg,r BARTOK • D,,.,, ,un,,,w 1/AYV'/ · TrMmprlCf>n<NIO 'iCHUMtlNN . Sy,"{J•o~yNoJ J.t 11 a,• PiUIOSIONMOnHOPfMJ!OlliE

10011161 UI\ ,mm111At lOOIIU\llllf )Ulll

IMOGEN COOPER and THE NZ SYMPHONY ORCHESTRA CandMrior:JanosFr,,-st P,ono:l""'~nC.'ooprr BUCHANAN. Si,ifo~irtro (a N'ZSO commission) MOLIIKT - 1'10,.,,Ca,,una K. 4S(> TCHltlKO\ISKY . Sympi,,myNo.d · 1'1>1hr11qw, Jn30S,,.

:~m:t.mra.=I:~.::~. MICHAIL HOUSTOUN ood THI NZ SYMPHONY ORCHESTRA AUO:WDTOWIHAU ;:n:t:;:;:i;;:s.ly G/JNKA: 0,.,,,.,,.,. · ,t 14r J,,,- rh, ,_ RACI/MltN/N0\1- Hl,apJodyO• /II TharwO/Pasamni TCHAIKOl'SKI' · Monf,M Sp.,pMlly Jf, 6S.4Spl 100111611111 Pllllllll!UIOCIINGSl!III MU !O

AUCKl.ANO TO'ltltllAU

~~:!":.':r.!';;~;:wr::::an Dl'ORl,K· .~)mpl,n,,ffl'anaf/mu RACIIMMJNO\I · P,o~oC(Jll('rm, NoJ MUSSOHGSKY1Rl'll'EL • P,etum m a~t::xh,tnfltM

IOOIIN.\ U\\ PIIIIIIN!lil IOOmGI lllll API II

MLLIHGJONTOWNH.I.U CaMwcto,: Janm Fw,Jf P1i,no: Mrrluu/Hows1ow11 KODAI.Y- Ma,osr.,iDont r.· RACIIMl'ININOI' . Prano Cor,cm" No.I RACI/MANINOV. Rlwp,odyo~" Th;,,., ofl'agan,~, M£NOF.LSSQffN.8Al«110WI' · S)·mp~o11yNo., · / 11>/1/lrl

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CHRISfCHUROITOWHllill Candut:ta,-:Ji,,.,,.F"'t' Piano.Mirlw,dN,,,..<lln.<n BUCHANAN· Sir,/onir11tJ (aNZSO CIOIIIIIUSsiOII) RACHMANINOV. Pia1to Cor.Urlo Na.2 TCHAJKOVSA'Y. Sy"'{JbonyNo.d • Pa,hrliqur JN2311pm I OOIINGI I III ,m11m11t 10011161 I IH I / UW i

WfWNGTON TOWNIWl CanJr,cu,r JonosFwrsr Piano.Miclw,r/lloa.J,,,.,.n IIA1'DN .Symp/w11yN0.9S RACHMANINOV, 1'1anoCa1t1:t'1a Na.2 KOVALY·//aryJONJS S,,.11t JN215.4~ IOOIIUIUSI !lllllllllll l OOI INGIIIU !JUWlt

PnER FRANKL and THE NZ SYMPHONY ORCHESTRA Cmuluctor Jtut01Fwr.r, PiaM:Prtrrf'rantl SCI/UMANN 01·u1w,r . Ma,ifm! BRM/MS· Pia~o CoMrrUJ No ./ SfRA\'JNSKY·Fi,~birdSuur FOUND£tsJllLI.TREHMUITOM

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ROLAND PONJINEN and THE NZ SYMPHONY ORCHESTRA fOUNO(RSTH!>.TUf!AMIITON

C,,i,:'~°:w~":.;:,~,,~"" FRONT ROW Page fifteen

Hdk.an Hardtnhrgtr lfa1 llailtdas tht but 1r11mpt1 p/aJtr i11 lilt world bJ The London T ime~. Si11tt tht11, his /amt has sprtad li/u .,/la-

Jirt. This Swrdis/1 ' wundtrlrind' is not to bt

D1'0RAK. Symplwur \11,roi,a,u 8E£TJ/OVEN, P,anoConuno N<1.J·E"'11rm1 MUSSORGSKYIR,ll'EL. PicrllllsAt An bh,bilion May\0 8r ICOIIU\1111 , 111m.r1u 10011m mu u1 n

AOTUCOOlEAUCWD C,,~a":/:.c;';;,,8,:J'/:o;[:::Uo" Ef.Gltf/./Mrodi.<Clir,,iandAlltgro 8EltfH0Vl!.N-l'ianoC:o<!(:tn0 No.J.£ffl!Nror ff~TON. Sy"'{Jlw~yNo.l Moy 128pm 100111&11111., !IIIUll!IAltfOllm m tt~,t)S.

FOUMOEISJllEAREHMUIJDII Plana: Ro/ondl'ontlMn BEET/10\'EN. SoN11<1 in /II Fi,,1, Op

" DF:BUSSY -Esr""'fN• CI/OPIN • ::;:~ ;; ; ;~:~

..,17 8pm I OOI IIG\Ull NHUllllll lOOllNOSl!illlnlO

OIRJllCHUOIT0\1/NHlil ;:~c;;: .. :r::o:~!:S"~ EWAR·l<llrodw:110,,AndAl/rgro IJEl:,Tl/1/0V/:,N · 1'1aM Ccmuno No_j.f",.,p,mr WIIJ.TON •S!"'P/,a,,JNol ..,..,'*'" IOOm&\ 1111 rm11111111100111&111u1101 1

VICTOR YAMPOLSKY end THI NZ SYMPHONY ORCHESTRA Cf>ndurro,: \ 'ic<orl'a"'{'l>l.<k) FtJ1im/Sin,rrto/Wdli1tgla1t HAYDN.Thur,;,.,,,,,.., NIF.L'iEN • SympluH1yN1d Aflr1tlpm ltllCH.l(LFOWlfRCUITT:E WEWNGJON IOH IIG! ll\l ,mmlll~llOOIIIC!lliltiPl lL

missed. In July, lit will

ptrform with Tht N Z

Symphony Orthtura, und11c/td by Jan os

Fiiru. fJ oolr 11011'. Su

linings.

PRICE'i J.&t SJI.SG[.l. l11J Sll(ll o.i,., s11.oo sa.so r.-ou,sUhlS11SO s....,am.,, l~!i.SO

NATIONAi TOUR AN INTRODUCTION TO TNI SYMPHONY ORCHESTRA Condl<rtar: Mario Dusd1~11u Concertiforth.e,.·holefamily fillalw,thawickvari<:1ynfmusic andmusical&aincs. Conductcd artd nun.led b)· anc~pcn in this formof fa,mlyenlertammc:nt. (l(RISIQIUICNTOWNIU.U lky26 1tXlpm

THEATlEIOW.TUoW:U ..,.21 •. JO;,ln

OONEDIMIOWNH.W. Moy 29 UOp,,, (M(Cilfllf INYEIWGlU MoJlO UOp,,, .... .. <W• SIO 1ao11n11111 !lllllllllll l OOIIUl mll!Jflfl m0110,mm1u«

..& SIGAMI SEGMIICOMPl'INY An lntc:nw,on&L dan~e company fromEdinburgh 8.1.TSTHLI.TRE I Ktnllenou,W...., Moyl4·19 lltn,UO,,,lw>r• AII\WD St

"' ART5CARD(04)7232.18

LES MISERABLES mu

riflt in /land

alongsidt Ptltr

Couus), luu

bun tllos,11/or

111tl111droltill

C a III tr an MactintoJll's

11ulboxof/itt

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PHANTOM Ufl

THE OPERA.

Mu1LES MIS t1111mt1•btrsa1 aspuialcllallf·

p•gnttupptron M111 9th. Su Motlbus' Viary.

WIRTHIR JIMr,M/1.'i!iCNCT rm. AU!,1/V.UAN OPHIA SWETHWl!,m ,~ .. ,..-1,...,1 UIHWl SS!l.lhilS41(1)

S.7l,llt,lSSl!I)

THE (PIC OF THE ANKLn B...,a""'*Do""rCOMf"'ny Amagn,ficem. drama1,cd,.lnce prod...,,,onofa2ndcentu,y lncraryda,,,icfnnnS,1<11!, lndia 6KIRGlfAllfUS1UOIO,VA( Af,rlf.ll,U,14,1 .. 11 1~;-?fa,..71,?I Ul'iWD Slt.40

S1l.4D

MHRYW1DOW AOSfiWJANB/tlilT !IA!mWI( J.tt.W11 IHTmDHIILl(0111(111Ulf

TIIPLIIILL MY NAM! IS IDWARD KlUY, plus CATALYST, plus SUITIIN BlAHC AUSl1U,LJANflloLJJ:.T !IAll>Lllll JalS..U lll!Nll fmlll(Olll(JflUll

~t.:::;:'t::,.a·a~~~Ofl> priu,.Ord,,!<>"',Ji.c.,..n,fi/,., .,.,.,,;/lr,1jro,,< TNT,..., ,,,,(>12 1mFa, IAnlf-. T...t C"'•-. 1''""'41Lrand8~anB<1J.prrun1 yo,,,AnsCaTdar,11rB,.,,.Offiu

INIMIIS, A LOVI STORY D,rrr10,.P,,,JMa1•,.l> Sra,1:HonS1hr,.1'1njrlorallausMn, 1.,,,.,,01,n \fo,goms,;,,,~1,S1rin Afom:fulpicttabout,Jev.ish manw,lll lhrtt w"u,l<lrmcmcd bypass,on,gu,h:mdmemories Sady,:1funny · • hiue"wa:,tihn lONGFOIOONEMA s,, ..... u.s..v.m illSW.O SI

"" MYLIFTFOOT Sra,s: Da~~/0/Z'jl,n,·,s An a<bng iour de fon:e for O:,noel D1y l..ewi,whopo,uays the handicapped butgul>)' ln>h wntt:r/pa,mcrChri.11y Brown IONGfOCOCINOO 19tw.lll,...t,Yarro .1.mwo si

"" OPIRA, BAUET & MUSIC S"-"<loyS;,,,, IIWONUM 41SboiakU,INrak IUIIIII DIJl!l\{CIJl{l(IIULI

UNE AHAIRE DE FEMMES D,rrr,w Clt,,.,t;CMbml s,11,.l<abrllrH•ppm Chabrola,h«be<1. llupp,;n,sa Freoch"madom",.·hobecome, oncoflhelM1,,,omcniu F~,o gotolhego,IIQl,nc. lONGfOIOONOU StJoa,akH,So,,rf,r«,., ... ,_..,. i.mwo s,

'" itiiAll-lW•H·l·ii CAT ON A HOT TIN ROOF ...... Supp,;rPany.E.plos,ve lam,ly sagaoflhcDc,pS.Ou,h. Tn.<MOubRoom. Suppo,ands.how - S)2

ARTSWO '1'1{10316122777 N1(04)723238

TRUST HAPPY HOUR ...... Onnks.snach,mu,icand minghng,C~ithupw11hyour fellowTru11 Members. Tru11 Club Room. 6pm. S3Mcmbon.S5Fricnds

THE GYPSY PRINCESS ..,.,. Supper Pany. One of the mo11 h,vcdand,uccc.Mfu]Vimne,.. op,;renas. Scethcshowandjoin lhecas1for 1uppcraftcrwlll<ls Trust Club Room. S50

LISMISIRABLIS ..,, ChampagncSul'P"r,lllcmusie•l t~t hu Melbourne buainJ. Don't misslh,s 1p«",aln1gh1.We'vc invited1hecas1tojo,nusfor ,up1,.,?r,ncc.11lica1rc -Sho"'· andch;impJ.gne1upp,;,.S65.

TRUST HAPPY HOUR .. ,16 Tru,1 Club Rooms from 6pm,

CAFE FLIDIRMAUS MoyJO CasiPan).RobynA1t:hc1brings tolifc1he caci1in~worldof Vicnnc...ca.ba,c1m 1heca,L)'20lh centu,y,,\1erlynCUBMahhousc. C."p•n)andshow,SJO.

TRUST HAPPY HOUR IIN10, J.tr ll TrustClubRoomsfrom6pm,

WOMAN IN MIND ,...,. Su1,pc:rParty. Stamng Joan S)dncyinAlanAydhoum's fanmeslcom,dyiny,:ars. TrustO~bRoom Supper3I!d,how,S32.

AnER DINNER

6.JOp,n,.,..lloftl•; INl.~lllpm • m sn P"Ulllllfll l l 00111G\11AIT I U II

HYE ARGUMENTS AGAtNST MARRIAGE

/,)· l'IMrrwBawll Oir«r,,,,: CompM// Ti.,,,,,,. "Arobustcn1JCCoflauJ1,1er.a maincooncof fra,ltyanda piquantdcsscn ... ·•.oa;1yMim.>r FOmJHETHf.liTR~D~

b)•AIDJ1W1//,ams"" I)"'""'· LJ~dlaFu,by Acynicallook a,marriagc. B.mJllWlE 11nr.. .... w-v,,r, ..,.1-12,.,.,. illSWD S9

... 29 a,,,.,,..Sun...,, AffiC.1.10 Sli~

+ $14 IOOIIN&\Uf! III SD7

m.~ . 100lll65 101TU!!HLIJl!ll8 1U

HAMLETI Wil/ia,.,SIIAKF.SPF..ARF. Erl«ti~C,m,p;my D,rttt,,,,·SmumB,.,,,m Anofflhewall.incvcrenlve~ion ofShalc,pea,c'sclassic- abloody tragicnigh1ou1.

BLUI SKY BOYS b)•K,nDMIIC"n Dw~o,: Si""'n Brnnm A wn:.firesucccu fromthewnter ofJ,.m (Be,1Play,Rc.<tDirector 1989-Dominion).

IAJ'I JllWlE 11nr ..... .,w~ .... .,,, IAJ'ITHLI.TU

l llnTtrno,Wellirvlon Moy2H•9 Ulpm, 8pmlt1Go-lvt .1.mcuo s1

"' . 100111,1 111\80501

, .xir,,,..~Mffl.foe .1.mu.to s,

"' JIANNII ONCI byRtrlir

COMING ATTRACTIONS D,rrr:ta, L/saWamngron Worldprcmicre. WilhWMnrsday To Come and PoJ! It On. complctes,tnlogyfromoncof NZ'slcadingplaywrighis.Jtannit Onu1ale,3rn~hcr~,ok al an imponantpaJ1oflMJx15t·lhe g:~!_indusiryof l9thccntury

byTrdTo/ly Abrillian11atireonv,olenccand ,how b"'mc" with h1l;,noL1S wng parodies IAJ'ITHLl.llE lllo1r..oce,Welli,gton JNIJ.30 f,pm, Ulpm lloo,.f"" IJ:l'SUJO S9

FOmJNEJllLI.TU,Owitd'n /H is.lol l

'" ~fflCl!Sul.-lJTSUJO $16.SO

CONJUGAL RITIS sn.so 10011Ull011UNllKU111111 1U byR11g,r//,,I/

Dirrrior,Calin M,Coll M. BllTTIRFLY Sro,s ·Ro) H,~~""'1.Glrnls L,,·,st"m Hc'sanonhodomist,3hc"s• laW)crandn'st1meto stra1gh1cn outsomedent>lnlheir20yearold

by Do, rd /ltnry 11~-a~g Dirttto,.l'llitonQu/~,, An u~,c play set in Cb,na and Fraocc. Cllll:EPOIHTIH!>.TRE marriag,:

DOWtmAGETHLl.l1E Korvdo~.CamH~1Tm'IO(t, - C. O...tlo, Pin~nMII

~ton~lllli l•9·Jol 14 U5pmloo -S.-;Dmu ,.ls_,.n lpr6-May l9

~HOW ~TOPPER~ m AH.:H 01JT FOR THE SEX FIEND.

He answers to lhc name of Matthew andhcholdstllerathcrdubiuu.,ly

s1a1ic,n of sexual hara_ssmcnt ofr.cn. Howevc,, chi~ apparenlly " ·ell-mcaningManhewinviiesa women', feminist poetry circle to meet in his flat Andonthecveninginq~Slion,mwhatDcms Welch ofTh<lmrnerdescnbcsasthcfunnie.11 NewZcalandplayhc'scvcrsccn,1hc unsuspcctingwnn,cnlumup Ru1 sodu.:, Matthew'< rngb)··m~d cousin. As events degc11cm1ewilh hor1endous inevi1ab1lity, thc evernng'shostbe(omesaratherdes~rate charactcra1 1hc ccntreofanh,Lanousfarcc. Scc Thr Sex F,rnd at either Ccnuepoini Theatre. tile CourtThcatrcorFortuncThcauchutbooluow ($eclis1ings forscrnon1in1<->anddates)

ANDREW BOVELL'S AFTl:.H l)JNNER MAKES it,;wa)'IONewZealandaftcr,;crywcccssful seasons inAustralia, h 's ablackcomcdyinwhich workcrswind do,.nat thcbislrubaronaFriday nigt,1.0nlyopponunismc,111savethisrou1ine from be(oming a dull e nd to anotller dull week. Allour pro,agonists'hopesrcly on losinglhc ir immediate ma1cs and findmg less fam,liaroncs among the opposite sex. You can catch ll[lu Vrnnu.af1crdinncrany nigh1hctwcenApril6and 29 (8pm),orhcforc din11eronSundays(4pm).

BOOK NOW FOR T ICKl:."E'S TO THE ROYAL NcwZealandBallet's lntcmationalGalainJunc andJuly. DanccnfromthcParisOpaa, Royal SwcdishBallc1. SanFrancis,coRallct,Bol~oi Ballc1andBallc1Philippi11eswillperform spccialist pa_~ dcdcuxugues1anis1sduringafull cvcniug prngramftatunng TheRoyalNZElallet's prcscmauon of Johann S1rauss' U Blaw DD11ube The finaleisagrandpromcnadcfc.a1uringthe guest anistsalongsidcRoyalNZ Balle1danccrs.

Sff/RLEY VALENTINE IS ANOTHER WILLY Rus,dl heroine wilh whom we can all identify. Downtoeanh andgood-humourcd, Shirley'slifc isgovemedbyroucinc ... andherhusband's clocb,orkappe1itc.llleonlyescapefromher suburbanknchenisnnoffcr ofatriptolheGrcek ,slcswithherworldly fricnd. Jane. But compared wi1h1heCosrnopoli1an-rcadini;r.1dicalfanc, Shirleyisonly accustomed toatamcdandtimid lifc,bouncingherwildest idcuoff her kitchen wall - 1hat is .un1tl1emJ)lat1onproves too much.

BLOOD BROTHERS, LIKE EDUCATING RrfA and Sho'rley ValtMillt, is another of Willy Russell 's hit5. LikcRitaandSh11ley, Mrs Johnsonisa Li\·erpudlianhouscwife, th1sume,pregnantwith twms. She s imply canno1 afford two e~tra mouths tofccdandrcluctanllygi\·csot1enfher1wins awayatbinh . .. totherichladywhoschouscshe clcans.Closcfricndshipanduagicrivalryisin >tore for Mn Johnson's twins a.~ this musical unravclsin its tuncful,joyousandmovingoccount o f the diffcring fortunesmadcpos\iblchymoncy andeduca1ion

GIACOMO P UCCINI NEVER UVED ·rn SEE hismOLS1amt111,ousandgrcatcs1achicvmcn1, 1'urandor.Th,sopcraconccmsanii;h1ofgrca1 passion inwhichlhcbcautifulhutcold-hcar100 l'rincusofTurandotface,,aJ,k:mrna. Hcr handin marriasc h~sbc.cnpromisedonly1olhcsui1or wurthycnough1osolvclhreecryJ)licridd!es.And whercothcn havcfailedand subsequentlymet their de31h,anunnamedprmccsucca:ds. Stillthc princessrema,nsucoldasicc.Toa"oidlhc marriagcshcmus1discovcr1heidcmi1yofthe princcbcforclhern,xtdaydawn,.

Unlike Puccini, you can SttTurondot in all it,; ,plcndour bc1\\ttnMay l 2 andlune2at Auc kland's Mercury Theatre

Fl.ONT ROW Pog1Fourteen ...,.VIC(03)6122716

Ul'iC.1.10 SJ9.S4]0Q&'lhow s1Hi1C.ffoe&!loow S4J.S4SDn..&SMw S?J.S?JC.fftt&ll!ow

100lll G5CINIIIPOIN1 101l) litU

MACABARISQUI byl'l/onWi/1/amsM D,rrrrw·LJ11rilaF"'bJ Obscrval,onsofthc:sadistic. A collatiooofstoricsfromlhc dis.a<terfilcsofncw,pape<>. WITHLI.IJ:E I K!nl!ttroil,Wlll,gtoo Af,,1 .. 216.lSpm l ffi{.llD 59 • 514 IOOIINGI U 11 W IOI

POIMSTOIAT lmpmsiblePo.<1w,rPmJu,·mu1J Cerebral theatre. W'ITHEAHE IKn ltrr"",WelnslN lky\.128pm IJTSWD S9

"' 100llN0\147SU

THISIX FIIND byS1tphtnS1nda,r, D1>n•y Mullr,:rmn D,rttlar· ~forraJLJnch Arncusfa,ccinv.·hichwell-meanin11Manhew,uo1wi,hing 10 bcamalechauvinm.s«shisbcst ,ntcnt,onsb.lckfire. CINTU1011111HEATRE Cndlwdi&f'illlntt11fdmmlonNQl\h U11i.lpr28 8.lS.-,,f• Wl;Di1V1tr 6.Hpm UTSWD S3'1 · S4l0iM!r&Slw.

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BORIS BELKIN and THE NZ SYMPHONY ORCHESTRA C:ond~1a,:VirlorYamp,:,lsky V1o/in· Bor11B,Wn ~t;,_NKlr O,·tm,u.AL,feFo,Tlu:

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C,,i,:'~°:w~":.;:,~,,~"" FRONT ROW Page fifteen

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"' ART5CARD(04)7232.18

MAD MAX PRINCE GALLIPOLI AND MAD MAX, was to film producer Franco Zeffirelli, a revelation in "ex traordinary values of humour, robustness and insight".

Both films featured the recently polled ' sexiest star in Hollywood ', Mel Gibson, whose screen efforts prompted the 65 year-old Italian to think: "Here is my Hamlet.

Zeffirelli has filmed Shakespeare successfully before. His ROMEO AND JULIET, made in the late '60s, grossed more than $A 130 million . So when he asked Mel "Lethal Weapon" Gibson to head for England to star in the new $A22 million HAMLET, eyebrows were raised but few question were asked.

"I must break with tradition ," said Zeffirelli . "I have never loved this self-masturbating, blond , impotent, supposed ly romantic prince who is presented as the definitive Hamlet.

"Hell , the role has been so demasculated , it has been played by women ."

YOU'VE GOT TO LAUGH THE BIG GIG'S JEAN Kittson lands a plum role in the MTC production of David Williamson's SIREN. Fast Forward's Derryn Hunch , Steve Vizard gets hi s own show. Stand up comic, Gretel Killeen, co-hosts , along with Terry Willessee, Graham Kennedy 's former

Channel Nine late night news show Coast To Coast. (Killeen 's time with the show soon came to an end and so, it is rumoured will Willessee's.)

Could this mean that the only sure way to have your talent recognised if you want to be a performer in Australia is to play comedy? Because, whether or not they can handle it, comedy actors and comedians are winning roles left, right and centre.

Austen Tayshus is another name being bandied about when industry talk turns to new television ventures. And if Andrew Peacock 's electoral seat of Kooyong was lost to Tim Ferguson of the Doug Anthony All stars, this trend cou ld put an the end to the art of dramatic acting, as we know it, in Australia.

ODD COUPLE "DO" LUNCH AT ONE OF THE MORE interesting lunches "done" in Hollywoood recently, those at the table included scriptwriter Neil Simon , producer Howard Koch and actors Walter Matthau and Jack Lemmon.

The topic for discuss ion was the pooling of resources for a sequel to the four-some 's 1968 film of Simon 's play THE ODD COUPLE.

Said Lemmon: "We definitely want to work together. If we can get free of our commitments, maybe we can ."

(left) MEL GIBSON is Franco Zeffirelli's choice for the role of Hamlet. Sheep farmer Mel is expected to inject his machismo into a role which has previously been somewhat 'demasculated'.

(below) JEAN KITTSON - of the newsroom eyes on ABC TV's Big Gig - is the irresistible centre of attention in SIREN. Comedy is

FESTIVALS TO END ALL FESTIVALS FROM THE PENS OF TRUST MEMBERS who have seen some of the features of the Festivals in Sydney and Adelaide come the following reports:

"WHILE EVERYONE WAS AWAY ON holiday the Sydney Fest ival came and went. The few that attended bought ice creams, had their faces painted or tested their wet weather gear during concerts in the park. The organisers will need to do a lot better if they are ever to achieve their aim of attracting business to the central business district during the hottest, wettest and sti ll dullest time of the year."

"THE ADELAIDE FESTIVAL HAS been everything it was hyped up to be. That is, aside from the cancellation of Simon Preston 's opening evening organ recital - due to oversights during the City Council 's procrastinations over

Town Hall renovations (which, at one point, threatened to force relocation of the Festival's entire program of musical event)."

"IT SEEMED AS IF IT WAS 1923 again and Dublin 's Abbey Theatre had not yet been burnt down. Sean O'Casey's first play THE SHADOW OF A GUNMAN set the scene of the Easter Rebellion with the Black and Tans of the English Auxiliaries roaming the streets. O'Casey knows all about that.

The Abbey Theatre players , inheritors of a unique tradition , faithfully captured particular time and place. The terror, the tension, the pathos and the self-deprecating humour are all there and the brogue is a s thick as the mists around the Wicklow Hills.

It may have sounded strange to the Anglicised ears of Adelaide audiences but they followed the plot and lived alongside the characters with rapt and sympathetic attention."

HE AIN'T HEAVY ••• HE'S MOTLEY

proving to be a step in the right direction for actors who hope to make performing in Australia a profit-able profession.

AND . "You could forgive Sue Ingleton for

the length of NEAR MS'S because it took her two years to disti l 300 years of female history. However, three hours of a one woman show can be rigourous going for even a sympathetic, soc ially aware post-femini st audience.

That aside , the writing is satirical , intelligent, witty, sensi tive and honest without being heavy-handed. The performance brilliant! Her dramatic range as a performer is tartling as she swi tches from one character to another.

Sue Ingleton is brave, open , honest and capable of making you laugh , albeit nervously, at your own fears and regrets . Even the most jaded theatre-goer (Festival's attract a few) who has heard and seen it all , would have left the show with a few thoughts to mull over, a smile, a song in their heart and the knowledge that the Adelaide Festival still finds material to confront, entertain and bind you in the spell of a very special night at the theatre."

"Cool people, great weather and girls, especially naked ones, on beaches" were the deciding factors for US Heavy Metal group Motley Crue when they signed to tour Australia. Late in April, Australia will be able to measure the Crue by the Richter Scale as the band's 100,000 watt sound system blasts holes in the ear-zone and their 2,000 stage lights burn up power grids all over the nation.

FRONT ROW Page Sixteen

THE ART S NEED YOU!

Play a vital role helping the Arts flourish

in Australia Join The Trust 's dynamic team of volunteers

• Assist with new member em·olments

• Organise theatre bookings for Trust member s

• Incr ease your community's awareness of The Trust 's services and activities

IF YOU'VE GOT ONE DAY A WEEK FREE TO LEND A HAND PHONE YOUR STATE'S TRUST MANAGER NOW!

NSW: 6891688 • VIC: 612 2777 • SA: 231 8256 • WA: 3214953 • OLD: 221 9528

The Trust and the Arts in Australia need your invaluable assistance

A I D A LOTTERY PRIZES

1 ST PRIZE: Return airfares to Singapore courtesy of Qantas Airways ( Economy Class valid for 12 months. Non-refundable, non transferable). Value 52400.

------2ND PRIZE: Theatre Weekend in Melbourne attending "Peach Melba" at the Playbox Theatre on Sat. 9/6/90. Airfare courtesy of Ansell, accommodation:

-"Hilton Experience" Melbourne on 8/6/90 · 9/ 6/90. Value 51000.

3RD PRIZE: Designer Fashion Garment "Fleur-de-lis" by Diano Bonython of Walkerville. Value 5800.

4TH PRIZE: 2 tickets to AIDA Opening Night Adelaide . Value 5100.

BENEF ICIARIES

THE FRIENDS OF THE STATE OPERA S.A. INC. THE AUSTRALIAN ELIZABETHAN THEATRE TRUST, ADELAIDE COMMITTEE

10,000 tickets at 51 each Licence No. M2808

A I

-------D A

To be drawn at Masonic Centre, 254 North Tee, Adelaide on 5th May 1990. Results published in "The Advertiser" 9th May, 1990. ~QANTAS

-

at r on s of The Trust

NEW SOUTH WALES Allen Allen & Hemsley Clive Lu cas Stapleton & Partn ers Pty Ltd Du es burys Chartered Accountants James Hardi e Industries Ltd Louis Vuitton Australia Pty Ltd Prire Waterhouse Tonche Ross & Co The CIG Group

QUEENSLAND Bank of Queen sland Ltd Commonwealth Ban k of Australia Duesburys Chartered Accountants

WESTERN AUSTRALIA Brambles Manford Duesbuq s Chartered Accountants Parker & Parker Settlers House York

VICTORIA Commonwealth Bank of Australia Duesbury s Chartered Accountants Hannan and Company Pty Limited

SOUTH AUSTRALIA Common,ealth Bank of Australia Duesburys Chartered Accountants

DINNER SPECTACULAR ENTERTAINMENT

GRAND PRO( ESSI ON• BAN D•S ING ERS•B ELLY DANCERS•AND MORE

Saturday May S, 1990 - 7.30pm till midnight Dinner, Drinks and Entertainment all included

$65 Donation per person The Masonic Centre 254 North Terrace Adelaide

Dress: Lounge Suit __ RSV P by 25th April, 1990 to: _______________________ _

Australian Elizabethan Theatre Trust, GPO Box 1702, Adelaide 5001

Please send me . .... . .. entree cards at 565 each

Name ........ .. ........ .... ....... . .. .. ........ ... .

Address .... ...................... . ........ . . . . . ... .

Telephone .................... . . .

(8 persons per toble) I would like to be seated with ................. .

• NOTE: PLEASE ENCLOSE A STAMPED SELF-ADDRESSED ENVELOPE. Parking available al Wilson Parking Station next lo Masonic Centre.